#I like the quiet ways in which we see the characters mourn. How Megumi laughs at the letter‚
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I actually like the last chapter. I think the ideas are very good. I have my qualms on how some things were managed, as I always do, but I think shonen authors get tangled in the expectations of a shonen to the point it jeopardises their writing, often even when they're not lacking in skills
#I think the nothingness‚ the absence‚ the moving on despite everything‚... is a good if heartbreaking idea#and we do see snippets of it throughout the entire manga‚ yet I think it is mostly lacking in execution#I like the quiet ways in which we see the characters mourn. How Megumi laughs at the letter‚#how Shoko muses about how Satoru should have let her take care of Geto's body‚ the faint smile when Megumi agrees‚#how Shoko quits smoking again‚ Yuuji giving this person hope and a second chance‚ making a reference to him not being executed‚#and giving Sukuna too a chance for him to take one day a different path#All those are very good ideas and all those are very moving quiet ways of grieving. But. It feels in general so lacking#There's so much of everything else in contrast‚ even things that have way less importance narratively than this most of the time‚#that it feels lacking. Especially with how one has to dig to find these things. There's so much that could have been done with the same idea#And done so much better. But the idea is good. The absences are good. The quiet presences are good.The nothingness is good if bitter and sad#But it could have been written better#I also think this ending with Yuuji apparently knowing about Sukuna‚ his lies‚ his little hint of softness‚ the potential second path‚...#makes even more believable why he'd try at all to offer him a second chance. And I love that Yuuji knows him and I love that he still...#leaves the door open for that second chance to occur at some point. Trusting that Sukuna would walk that other path next time#And I love that without openly acknowledging Gojo he demonstrates that he hasn't forgotten him in his acting#How he gives that guy a second chance‚ how he jokes about him not getting executed‚ how he wants to make sure people‚ 'problem children'‚#don't get left behind. He doesn't mimick Gojo in his power but in this flippant but caring aspect and thus he's not forgotten#I do like this. It's heartbreaking. Gojo's desire to be forgotten is bittersweet as it's in a way a desire for... normalcy and humanity#To be surpassed. It goes well with how Gege says Gojo can do anything and thus why he does nothing‚ not even hobbies‚#to leave something for the future generations and not being another wall in their achievements#Gojo's desire to be forgotten is in line with the constancy of his writing when it comes to being drunk on his status#and yet resentful of his loneliness. It's a mix of being left behind and not being left behind#For being left behind and forgotten would mean he is more like the rest. Just another step forwards#And he'd have done what he wanted to achieve. Sorcerers can't stop a long while to grieve but Yuuji takes his words and actions#into consideration and steps forwards. Does the same. Fulfills Gojo's expectations. Walks towards the future. And that's the legacy Gojo#wanted and not going down in history as a legend or the strongest. He was just a teacher. Like Yaga was. He was not even the principal#Just a teacher. His role‚ the role he chose for himself‚ has been fulfilled. Now all this could have done way better#Something of Yuta and Megumi given their dynamics with Gojo would have been good. But I guess Gojo's 'at least one' works well#with Yuuji being the one doing the work. Yuuji was also ontologically alienated since birth and still he too remained cheerful and flippant#despite being so lonely so I guess the final parallel is intentional. But it could have been managed better still. The idea is good though
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Yeah, I know I said I'd keep quiet about it because I plan on ignoring the ending. I've done it plenty of times, even with books I consider my favorites. "Oh this book is so good, it's one of my faves... How does it end? I don't remember." I'm going to do that with jjk because I've done it more times. Anyways.
Seriously, where's the character development? Why dedicate an entire chapter to showing how much criticism affects you and making excuses for your narrative instead of fixing it? Gege could have written about the characters and their problems, their worries, their evolution even while talking about how the politics of jujutsu world are changing rn.
What are Nobara's thoughts right now? There could have been an entire chapter dedicated to her character to fill in the gaps and finish defining her, what about her mother? How does she feel about her childhood friends? What are her plans now?
What about Megumi? Yeah, seeing him laugh was therapeutic, but honestly his character hasn't had the development/ending I expected. The timeskip was weird, his acting is literally the same as the beginning of the manga. It feels like I'm reading the same person who appeared in chapter one and not a traumatized boy who is learning to live. Where is Itadori teaching him that it's actually worth moving on? Where's the whole PTSD thing I'm sure he has? (fuck megumi haters btw fuck them, and fuck the way they victim blamed a kid). What are his thoughts about Gojo? About Sukuna?
Yuuji... Our mc. I was expecting to see him mourning Choso, mourning Gojo. But no, apparently it's more important to explain that there was a secret society (lmao) than to have him show respect and tears for those people he loved. His family, who he never got to spend time with, and his sensei, who decided not to execute him and who taught him almost everything he knows. I wanted to see him taking his friends to the movies to see some B-movie horror instead of going through the horror of watching characters insult him and tell him that it's better if he were dead.
And yes, I know there are two chapters left and some of the things I mention here might appear, but we've already wasted our time with one chapter, that's many pages. There won't be time to fix whatever is this. I feel bad :/
Now, one of the things that bothers me the most is that there are characters that were implied to be dead and now suddenly appear alive. I thought this was about letting the new generations create a fair world, but no. Do you know which character bothers me the most? Mei Mei. No, I'm not against someone writing sa/csa in fiction as long as it's not romanticized (I accept the unreliable narrator because that happens a lot irl and it's sad). The thing is that Mei Mei literally embodies the values of the jujutsu world. In the jujutsu clans there was everything, sexism, abuse, neglect and most likely incest since (at least that's how I see it) they are like the monarchies of the Middle Ages. Mei Mei is the embodiment of all those rotten values that Gojo hated, that the new generations are destined to eradicate. Seriously. What is she doing alive? Take her out rn. Gojo didn't die for this.
I read someone saying that maybe the point of this chapter isn't to break the cycle, but to repeat it. I have to say that I'm a big fan of that trope! It reminds me that humans repeat the same mistakes, but even if that were the point I think it wouldn't be well written.
There came a point in the story where both options: love is worthless and love is worth it were acceptable by the end of the manga. This is the ending where love is worth it, but why hasn't anything changed? The characters we saw in 269 are almost exactly the same we saw in chapter number one.
If this is a story about how love is worth it, accept the consequences and write characters who, thanks to love, move forward and build a new world instead of neutralizing any kind of development
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