#this whole situation is just fascinating to me

[actuallyjustabiscuit]

Jax’s behavior is legit pretty fascinating

Yes it’s time I ramble about the purple twink.

Fast Food Masquerade did something crazy in that it actually got me to start empathizing with the asshole because Jax’s visible frustration throughout this adventure was too real.

And in fact, it’s why I think Jax was acting so “different” towards the latter half of the episode.

This adventure was Too. Damn. Real.

Now, Jax’s character is actually really simple. He even sums up his whole schtick in the pilot.

“I’m fine with doing whatever, as long as I get to see funny things happen to people.”

Then in a hilarious bit of instant karma, promptly gets hit in the face with a gloink

The “-who aren’t me” part of that self description pretty much goes without saying.

Immediately after this happens, Jax’s little laidback exterior gets so rattled that he suddenly feels the need to take control and starts assigning tasks to everyone. And his casual attitude only returns once he feels like he’s not in any position for ridicule, by redirecting the potential for ridicule onto others. This is his defense mechanism.

Jax needs to feel in control, so he deliberately controls whatever situation he’s in to get the results he wants.

Something that I’ve always appreciated about Jax from a meta perspective is that he’s a character who actively moves the story forward, usually because he wants to satisfy his urge to create chaos.

And that’s the main thing about Jax, he’s really destructive.

Like…almost pointlessly destructive.

But, y’know what? It makes sense. Because he’s in a video game.

Where else can you be as needlessly and excessively chaotic than in a game where you can do pretty much anything because nothing is real?

Jax can hurt whoever and wreck whatever because if he’s living by video game logic, then there are no lasting consequences to his actions.

Jax even goes so far as to refer to Pomni, and by extension the other trapped humans, as a “character” in the pilot. Which goes to show how little he wants to consider them as people.

You can’t really hurt a character. And if used correctly, a character can be entertaining.

And that’s all Jax really wants out of his new life in the Circus, entertainment. Because the worst thing you can be while stuck in a game is be bored.

But of course, even in games, your actions have certain consequences that are just unavoidable.

And Episode 4 really beat Jax’s yellow teeth in with that not-so-fun little reminder. Because this bit right here

Pretty much was the precedent for how bad Jax was gonna get it this time.

And it all starts with Gangle absolutely refusing to let his usual bullshit slide by personally making sure that there will be consequences.

This is the first crack in Jax’s mask, he’s visibly concerned and annoyed that he no longer is allowed to be himself lest he risks getting punished. And even more baffling is that for the first time, Gangle asserts her power over him. She actually does something about his behavior, ripping the wind right out of his sails. Not only that but she continually enforces her authority, making it harder on him to get the upper hand again.

Now his interaction with Zooble is really interesting, because it’s the first time we see him at his most normal.

I don’t think he’s trying to tease them here, I feel like he’s genuinely curious about Zooble’s way of “playing” the game, because remember, it’s been a long time since they’ve been on an adventure together, if at all. Zooble’s excuse of wanting to avoid punishment makes sense because they witnessed first hand that Caine’s unstable personality is capable of some legitimate danger.

Of course, Jax believes that there isn’t any real risk involved. The only immediate menace to him and his current desire to just get through the day, is Gangle and her new mask.

At this point he’s not trying to be destructive or disruptive. He’s fully apathetic, because being forced to act like a minimum wage salary employee is not fun in the slightest. He can’t make things fun for himself, so he refuses to participate entirely.

As the clock mocks him with every slow tick, his mask chips more and more.

Jax isn’t saying this to be calculatingly rude or hurtful, he’s not doing this to upset Gangle. He’s being sincere, which is why he’s not smiling.

Because Gangle is much easier to push around and go along with whatever he wants her to do when she’s in Tragedy mode. She’s more “fun” that way.

In other words, he really hates this new dynamic they’ve got going on.

But this little comment, just makes things even worse for him because now Gangle goes from enforcing her authority to straight up abusing it by letting herself abuse him for a change.

It’s crazy how Jax’s main concern here is making sure this torture scene is just between them. He really hates being humiliated, more so than getting physically hurt.

The man has some serious issues, but c’mon we already knew that.

So Jax is finally getting a taste of his own medicine and it completely emasculates him. To the point where he just defaults to doing whatever Gangle tells him to do just to avoid feeling like that again. Now the mask is fully stripped off, he’s openly exasperated and powerless. On top of that he has no real impulse to ridicule or ruffle anyone’s feathers anymore, because for the first time in probably a long while, he’s even more miserable than everyone else.

And what does misery love?

Company

As someone who’s worked in retail for a while, nothing helps keep you sane more than having a little of bit of camaraderie when struggling to survive in corporate hell.

Something that really stood out to me in this episode is the limited use in background music, especially when in Spudsy’s, where you either get muzak to sell the ambiance of a public eatery or silence with the occasional machinery noise.

And yeah, that’d be enough to make shit as immersive as possible. It’s not a coincidence that the restaurant looks like a McDonald’s when Gooseworx even said it was directly modeled after it. It’s uncanny, how real this setup feels.

Uncomfortably uncanny.Jax seething at the clock is a relatable struggle.

The mask immediately comes back on once Jax no longer has any obligation to stick around.

But Jax can’t even enjoy his freedom. His day is officially over, but the sting of the experience still lingers. The adventure wasn’t just boring or frustrating, it was humbling, in every terrible way. This wasn’t a game, it was real life.

And I think the last kick in the teeth was this license plate waiting for him in the parking lot (Why did Caine make them drive “home”? That’s just extra)

One is the loneliest number

Jax doesn’t hide the fact that he’s an asshole, he’s almost proud of it. He practically relishes getting a rise out of everyone. He is well aware that nobody likes him, but I think this where he starts realizing that it actually bothers him.

Everyone has talked about that very brief moment where Jax’s expression changed towards the end of Candy Carrier Chaos, when Ragatha was talking about Kaufmo’s funeral and we get to see him actually get sad for a change, before immediately shaking it off and stomping away in irritation.

Jax showed no concern over Kaufmo’s abstraction in the pilot, so why would he feel sad about it in that moment? Does he secretly care about his fellow humans and just doesn’t want to admit it?

Maybe. But personally, I think the others choosing to morn those who’ve abstracted like they’re dead makes him seriously uncomfortable. Because it serves as a reminder that even in this world, there are still major consequences when some things aren’t taken seriously.

Jax doesn’t want to consider real life consequences. None of them even look like real people, so why should he bother treating everyone like real people?

So when he sees everyone else getting closer and being good to each other, it’s annoying and weird. The idea that they need to look out for one another feels pathetic. Treating abstraction seriously means it’s a real danger, and that would mean that he’s also susceptible to experiencing it one day.

And when you’ve built up a reputation over making everyone miserable, who’s gonna wanna remember you?

In a show that’s clearly all about building relationships, Jax’s destructive behavior is really gonna cost him.

[queenofapeacefuldawn]

Spy × Family Chapter 108: An Analysis

So, after a two month wait, we finally got a new chapter! And we were SO well fed LMAO!!!

Anyway, as always, spoilers for Spy × Family Chapter 108 under the cut!

We start off the chapter with Melinda nervously explaining to Yor her reason for being "Lunaluna Selena" in disguise: it's a fun hobby!

And, obviously, she's in disguise out of worry about the rumours that might spread if the former First Lady of Ostania dabbles in mysticism: as it might cause problems with her husband. (Though it is messed up that she has to hide her hobbies from her own husband, but we know how Donovan is).

In the middle of Melinda's monologue about why she loves this sort of thing, she drops a rather odd line:

(First of all: DANDADAN reference anyone?) Kidding, kidding, it was probably just a throw-off line, but what we're really focusing on is: Melinda's emphases on the word "Telepathy".

Now, side note, I'm not sure if the emphasis was to draw our, the readers' attentions to the fact that Melinda believes in the concept of telepathy existing, or if Melinda herself is putting emphasis on the word "telepathy", implying she knows something about the project that Anya was made for.

It is a fascinating thing to put in, though: if one's talking about the things they believe in, then putting "telepathy" in the top three seems like an odd choice, especially if more general terms like "superpowers" or whatever exist.

It does seem very intentional on Endo-sensei's part to put in, especially since, as of now, we don't know how much Melinda knows about Donovan's current plans, or even about what he's done before.

It could be a reference to Anya's past, or some sort of red herring so the reveal of Anya's past can be more shocking. I'm not sure. Yet, I choose to believe that Melinda knows something about Anya's past--- something maybe she found out on accident? Which is why she's so terrified of Donovan?

In essence, this chapter basically confirms that Melinda is suffering some sort of psychological abuse at the hands of Donovan, leading to her fear of him. What's more interesting is that Donovan is intentionally trying to drive a rift between Melinda and the boys. Possibly he's trying to isolate her by keeping them under his thumb, so that she doesn't try to "betray" him? Or maybe he's already threatened the lives of the boys in return for Melinda staying, all for the sake of keeping the "happy family man" image up to the public (though we know how messed up the family really is).

These panels. They confirm that Melinda has thoughts about standing up for herself and Damian (and Demetrius too, I guess--- I think it's implied), but the sheer terror of what Donovan might do holds her back. Half a step forward, a whole leap back. She even says, "Fortune telling [a hobby that she loves dearly] doesn't matter either. What am I doing here?"

So. yeah.

[NOTE: I skipped over the tarot reading part initially so that I could talk about Donovan and his abuse, and connect it to the first bit of the chapter. The tarot reading part comes now.

NOTE 2: All the information about the tarot cards comes from Google. I have no knowledge about tarot, so please take this with a grain of salt, and if I make any mistakes, please don't hesitate in correcting me :)]

These are the cards we see initially.

She says the card representing Anya's present is the Four of Cups. According to Google, it means:

The Four of Cups tend to appear when you are feeling discouraged and unmotivated. You may feel as if there is no solution or way forward in your situation. Life has become stagnant, and nothing seems to make you happy or passionate.

(Labyrinthos, Tarot Cards Meanings List)

Which is kind of true in reference to Anya's life as a student. A student's life is filled with studying (God knows I know it), something Anya is apathetic towards. It's also "Plan A" of Operation Strix: through studying, Anya becomes an Imperial Scholar and Twilight makes contact with Donovan Desmond.

Or, it could be an allusion to Melinda's situation: she's discouraged, and feels trapped in her marriage. Nothing makes her passionate anymore, because everything she experiences is tainted by her husband (see: the panel above where she says 'even fortune-telling doesn't matter).

Melinda says that the Death card represents the factors around Anya. There's the obvious joke about "Oh the Grim Reaper's right next to you!" with Yor next to Anya, but the Death card shouldn't be taken literally.

The Death card signals that one major phase in your life is ending, and a new one is going to start. You just need to close one door, so the new one will open. The past needs to be placed behind you, so you can focus your energy on what is ahead of you.

(Labyrinthos, Tarot Cards Meanings List)

This is a reference to Anya's previous life as a test subject, and orphan; and how she's left that past behind and been allowed to actually be a child, and how she's finally being loved as she deserves. How her circumstances, the factors around her are changing. It could also pertain to her physical growth, or maybe it was just there for the joke about Yor being the Grim Reaper (which is still pretty ominous. Who is Yor going to have to kill?)

And, finally, the Star in reverse.

When the Star card is reversed, it means that you are feeling as though everything has turned against you. The challenges that you would normally see as exciting seem instead to make you feel as though you cannot overcome them. You have lost faith in something, whether inside yourself or with something you normally find dear.  Without hope, without faith, we cannot find the motivation to progress forward in the challenges that we face. Where in your life are you feeling hopeless? In what ways do you already feel defeated? And how does that affect your actions? The star reversed asks us to nurture our sense of hope and positive energy to help propel our actions with joy instead of fear.

(Labyrinthos, Tarot Cards Meanings List)

Since this represents Anya's future... it doesn't look to good. It feels intentionally grey and murky, with no clear answer as to what's going to happen in Anya's future, but it still seems pretty bleak.

Overall, these readings don't seem to point to a future that seems too good for Anya.

I am very afraid what's going to happen to her (and to find out what's going to happen to her), but I guess we'll just have to wait and see.

We still don't know what exactly Anya means by "This feeling... I think I've felt it before...", especially when it's related to Melinda's fear of returning home and to Donovan. Again, it makes me very nervous for her backstory.

Anya and Yor return to where the rest of the gang is, and---

why is he like this.

After Twilight spends the whole day socializing with the other parents, "pumping them for information", Emile talks about how nice it must be to have a nice mom, which leads to this interaction:

This has a striking similarity to the chapter where Anya confesses about her mind-reading powers to Damian: the reassurance back then that Damian loves his dad, and now, the reassurance that Melinda loves him. Parallels about who he loves and idolizes, and now who loves him.

And, it's also so heartwarming that she specifically takes off her mask: showing her, perhaps, most true self to him, especially due to the fact that she comes from a family of actors, constantly putting on masks.

Speaking of masks... we can see a bit of [REDACTED] bleed through the mask of Loid, and Twilight.

It's the same, pensive expression that we see him wear in Episode 35 (Chapter 56), except it's more... tired. More weary. Less affectionate.

(The panel from Chapter 56)

We see a man imagining What Could Have Been, if the trajectory of his life hadn't changed so drastically: especially at a festival much like the one he's currently at.

We see a man tired of war.

We also see it in Episode 3 (Chapter 3)

This is when he's seeing young boys playing, and thinking of himself and his own friends.

Anya doesn't read his mind, but she does read his expression-

And so, the family man mask comes on, but not quite as properly as he'd like.

We can still see [REDACTED] shine through.

It's the same smile he gives Yor and Anya when Nightfall comes over, the smile with, which Fiona notes, "a tiny hint of real emotion seeping out from beneath it".

We jump to some time later, with Director Gorey asking Loid if he's willing to take on a VIP patient who presents a "challenging" case, which is followed by the inevitable reveal that the patient is Melinda.

I think this implies that Melinda has tried seeing psychiatrists before, but none of them worked out for her, or none of them could figure out what was wrong with her (hence the "challenging").

It's also revealed that Yor suggested Melinda sees Loid, which is greatly boosting his mission.

Gorey says that he suspects she's suffering from an intense case of Persecution Complex, so I searched that up.

People with a persecution complex suffer from the feeling that other people are trying to harm them.

(Cambridge Dictionary)

Given Gorey's diagnosis, I'm wondering if he's implying that Melinda is untrustworthy (which also implies that Melinda might have spoken of her fear of her husband--- perhaps in a roundabout way, which also led to her being classified as "challenging".) Though, for this, we'll need to wait and see next chapter.

FINAL THOUGHTS: I really loved this chapter! It definitely was worth the two month wait (and, I hope Endo-sensei is better, I think he took the break because of poor health). I'm excited for the next chapter! Tell me what your thoughts are!

[thebramblewood]

I was tagged by @retrotrait, @simvanie, @moonwoodhollow, @aheathen-conceivably annnnnnd @salemssimblr to post my top 24 screenshots from 2024, but I jumped the gun on posting a retrospective earlier this month.

I still wanted to do something, though, so I'm going to take some inspiration from @elderwisp and talk about my favorite story scenes of the year specifically - since there's nothing I love more than yapping and reminiscing.

Before I start rambling, I'll tag @living-undead, @esotericas-sims, @fallstaticexit, @simsdaughters, @biffybobs, @whyeverr, @kissalopa and @earthmoonz! I'm sure some of you have already done this (and no pressure if you don't want to), but I'd love to see you reflect on your year in whatever way suits you!

Good food and hard truths with Grace Anansi (one, two). I think this is quietly one of my favorite moments in the story so far because it revealed so much about Caleb's past that until this point had only been hinted at. It also gave him a friend and confidante, which he sorely needed. This was an extremely lengthy and exposition-heavy conversation, so it was challenging but rewarding to write, edit (endlessly), and execute in a compelling way. Plus, its final moments had to lead seamlessly into...

Party like a spellcaster (one, two). I think this was the first flashback in the story, so it was a pretty big deal! It was also the point where my ambitions started making scene preparation increasingly complicated. I spent a hell of a long time converting broomsticks and potions into pose accessories, but I was so pleased with how the vision came together, and it taught me a lot of skills that have become indispensable as my ideas grow more elaborate. Overall, it was a welcome moment of levity and joy for Caleb, even as we know tragedy looms in the future.

Lilith does a terrible, horrible, no good, very bad thing. Turns out once I started doing flashback scenes, I couldn't stop. You guys have no idea how it felt to sit on this particularly nasty secret for months. I wanted it to be a shocking reveal that fully established Lilith's villain status, but I also knew I would have to get her back into Helena's - and our - good graces eventually. It's been interesting to write a character like her who you love and hate at once. Ultimately, I want all of us to be on the same rollercoaster ride as Helena, equal parts repulsed and fascinated. This was especially wild to bring to life because it felt pretty surreal to be adding a whole new layer to this idea that originated years ago in my legacy!

Helena Zhao can't come to the phone right now. I was very proud of this scene because it was the first one where I made all the poses myself. It was also a major turning point in Helena and Julia's relationship, where their sisterly bond is deeply tested. I may have cried a little while writing and shooting it. I really enjoyed the brief moments we got to spend in Julia's perspective, and I hope to bring her back if the story calls for it. Although she was in extreme shock at what her sister had done, I imagine she'd eventually come around to having a bit more compassion for her situation. She'd probably be open to reconciling someday, presuming Helena ever sets foot in Copperdale again.

Reunited and it feels so... good? (one, two). I didn't even realize I posted Helena and Lilith's reunion on April Fool's! Everyone was waiting with bated breath to see if they would ever cross paths again... and who are we kidding? Of course they would! I had a very good time writing this conversation and giving Helena a chance to finally get everything off her chest - though, of course, she couldn't help but be worn down by Lilith's manipulative charm in the end. And then Caleb got his comeuppance for keeping the truth of what happened a secret for so long, reminding us once again just how scary Lilith can be.

Plasma Pals! As dark as this story is, I enjoy weaving in moments of comedy and lightness when I can, so it was really fun to portray Caleb and Helena's evolving friendship through the lens of a cheesy sitcom. I wasn't sure it would hit with anyone other than me because the funniest things I write are usually accidental. It's hard to be funny on purpose! But it ended up being possibly my most popular story post ever, so obviously I did something right.

Lilith teaches Helena the true art of supernatural seduction. I wanted this section of the story to be all about the two very different approaches Lilith and Caleb take to teaching Helena. This was one of my most technically challenging scenes. I shot the entire attack sequence twice because I was underwhelmed the first time. But in the end I'm glad I took the time to do that because it contains some of my favorite screenshots ever and really conveys Helena's internal struggle. But will she be able to resist when it inevitably happens again?

The night where it all began, part one. I love this entire series of flashbacks, but I'm particularly fond of the opening because we finally get a glimpse into what Caleb and Lilith's relationship was like as humans. It turns out they liked each other! And only bickered in a light-hearted way! And conspired and giggled together! This was another scene where I made all the poses. It was exhausting, but these flashbacks to the Vatores' vampire origins were so important for me to get right. I'd been thinking about them for a long time, so I wanted them to be as perfect as possible.

How Caleb was transformed, one and two. Again with the flashbacks! I think part of the reason I like them so much is because, as much work as they are, they always offer a change of scenery that refreshes my creativity. This particular scene was one I was obsessing over for months, so I had cultivated a very specific vision of how it would play out and didn't want to compromise. I'm glad I had the foresight to start learning posing far enough in advance that I felt ready to take it on. If I had to choose, this is my single favorite scene of the year. Everything came together exactly how I wanted, and it gives me chills every time I revisit it.

A very vampiric dinner date, part two. This entire sequence took so much work to complete from beginning to end! But it was the first big outing beyond Forgotten Hollow in a while, and I wanted it to be special. I enjoyed being able to put a bunch of pre-mades into compromising positions with your guys' vampires. As much of a pain as it is to pose multiple Sims, the end results are always worth it. And then, of course, the sequence resolves in Helena and Lilith having a genuine moment of intimacy for the first time since Helena was turned, which had us all squealing.

Helena is horny and confused. Can you believe this is the only Ulrike appearance of the year? 😭 I'm really glad I managed to sneak one in. Even though they broke up before she was turned, Ulrike is the ultimate reminder of Helena's human life, of everything she left behind and of what could have been. Other than her family, Ulrike is who Helena misses most when she thinks about the past. This scene was pulled together quickly based on me finding the pose pack. I wasn't entirely sure if it would even work as part of the main narrative. But I feel like the spontaneity made it feel extra special, even if it is a smaller moment.

Forgotten Hollow 101. If anything, the theme of this year has been taking an increasingly long amount of time to finish every post. This is in part because I got busier in the second half of the year but also because I can't stop thinking up crazy complicated ideas. This one took me a month more or less. Even though each vampire only had one picture, it required a lot of effort to get them all in game, find poses, set up locations, etc.! But it was so important to me to do justice to your guys' vampires, so I was happy to take the time, even in the couple of moments where I began to feel burned out. I hope to keep showing off your lovely creations next year!

[multiversal-pudding]

THIS-

like, the way I’ve always seen The Fentons is that we kinda also have to account for the fact they’re victims of Being Parent Characters In An Aughts-Era Cartoon, meaning a lot of times The Bit tends to come before The Character in how they’re written most of the time- so like, the fact that we DO have episodes like Maternal Instinct with Maddie being worried about Danny acting different or the parts in Million Dollar Ghost about Jack wanting Danny’s respect/Danny letting himself be caught by Jack just to cheer him up, Jazz calling them out in Reality Trip and them admitting it was partly their fault he felt he needed to hide just. Fascinates me-

Like, this is long before the era of Camilla Noceda and Stan Pines, Danny Phantom was never meant to be fully story driven and the elements we did get were probably fought for tooth and nail, and I really do think at least part of the writer’s team was really TRYING to do a complex “parents as flawed but well meaning characters” story, and while I understand people who see them/write them less favorably I’ve always found the whole situation with them more interesting as a story when you meet them on that level of “they really DO CARE/would fight like hell for their kids and are meant to be sympathetic yet flawed, they deserved character development they weren’t allowed to get/keep” personally (unlike Timmy’s Parents, who can go fuck themselves actually)

(and yeah we also get some stuff like Jack’s behavior in Doctor’s Disorders, but like. Honestly I just file that with the “Danny peeping tom-ing the women’s locker room/Tucker’s… creepier moments” type moments of “Yeah it happened in the show, but that’s probably more on bad/awkward writing moments/what was considered ‘funny’ at the time despite the fact it Honestly Really Shouldn’t Have Been” personally tbh- like. I like Danny Phantom SOMETIMES/I like the idea of it, but unfortunately it is one of those things with asterisks on some parts-)

Okay but Danny Phantom and Fairly Odd Parents is such an interesting study in contrast

Because while they're both products of their time (ugh the aughts ugh) Fairly Odd Parents shows what Butch Hartman thinks severe neglect looks like, and the differences between the Turners and the Fentons are very clear in that way

The Fentons are silly! They do silly things, like put lab samples in the fridge and weld things at the dinner table. They embarrass their kids and get easily distracted at plot-convenient points. They mess up cartoonishly all the time but they go to such massive lengths to protect their kids.

The Turners? Are mean. They tell Timmy to his face that they don't give a shit about him. They complain about what his being born has cost them. They openly wish they hadn't had him, they ditch him as much as they possibly can, they never listen if he asks for help (which he usually doesn't.)

And you set that next to the Fentons and it's obvious that, while the Fentons are massively fucked up... Hartman never meant to imply they didn't care.

I don't know where I'm going with this, I just think it's interesting

[mesothulass]

losing my mind over how the longer this series goes on and the more and more people dedicate themselves to flint's war, the more obvious it is that silver is losing all his escape routes. that whole convo with madi over the english leaving in exchange for the urca gold is literally his run away with me speech. this man is caught between natural leader 1 (raised in the military, captained a ship for a decade) and natural leader 2 (born and raised to lead, is a princess, probably knows more about politics than anyone else on the show) and all he wants is to live on a countryside somewhere and never have to work again. "would i be enough for you? you know what, you don't have to answer that" oh honey

[moeblob]

OC !

[givemewallywestorgivemedeath]

So my highschool girlfriend literally lived next door to me and my college boyfriend lived in the same dorm as me and both relationships lasted maybe two weeks? And, uh, what's the opposite of recommending something? Cause I gotta say, nothing worse than walking back from a long day at school, hefting a heavy backpack full of books over your shoulder just to realize that the person who you used to date is beside you and you are walking in the same direction. It's just a whole lot of staring at trees and sidewalks and anything but faces.

[vivid-bluez]

He wants it to be like WeChat from China, without understanding why WeChat is so dominant in China.

A lot of social media sites we use are straight up banned in China. No YouTube for video sharing, no Instagram for photos, no Tumblr for blogging, no Facebook for keeping up with friends, no nothing. WeChat is the substitute for *all of these apps* it’s the only option you have if you want to use a service like the ones I mentioned above.

WeChat is also sponsored by the Chinese government.

The west doesn’t have a government that would force use of an app like this, and like the OP said; nobody wants an “Everything App”. We have dedicated apps for videos, pictures, fan fiction, hell even food delivery. Everyone’s not going to switch to an everything app when the individual apps we’ve already been using for these tasks work fine.

Not only is this a subpar business move at best, all it’ll do is drive away the remaining existing users that aren’t Muskrat Bootlickers. They came to Twitter because they wanted to use Twitter, the social app where you can share your thoughts with others. They didn’t come for X, the Everything App, and I don’t think they’ll stay for it either.

Why an "all in one" platform wouldn't work

People don't go to youtube to see their grandma's latest thought, they go to facebook. people don't go to twitter to see unrealistic beauty standards, they go to instagram. people don't go to tik tok to sell their old couch, they go to facebook or ebay. variety of platforms is important. you can't have an "all in one" because then your main purpose will be abandoned so you can focus on other features and then people will inevitably move to a different platform where they actually focus on the features that they came for.

[im-smart-i-swear]

webby would have LOVED mystery flesh pit national park

[hero-dualies-3]

i think i finally get all those “maybe we could do with a little less shipping in fandom. this is not a complaint but a cry for help” aromantic posts

[akkivee]

naughty busters drama track: youthful riot summary

i’m not good enough to give a line by line tl of the track but i tried to make it as comprehensive as i could without it. you can listen to it here but if you can buy dawn of divisions vol 3, please do!!!! cdjapan has it in stock still!!!!

———

the drama track opens up with the end of otome’s coup speech and ichiro watching the televised event.

otome: instead of foolish, warmongering men, women will be the ones to give the world a fresh start!!

ichiro: whoever just became our leader better be powerful because nothing is going to change for us.

time passes, and ichiro’s just gotten done with his tasks of the day. he figures he might as well go home when he hears footsteps approaching.

kuukou: found ya, ichiro!!

ichiro: oh kuukou!! what’s up??

kuukou asks him if he’s seen the news and upon ichiro’s confirmation, he tells him he should know what these are and tosses him a mic. ichiro’s surprised, and kuukou explains as soon as he saw the power the mics had from the televised coup, he knew he had to give it a try and signed them both up for their mics. it’s then ichiro recalls that these are the hypnosis mics and kuukou demands they give them a whirl, to which ichiro agrees to do tho he sounds a startled by the sudden activity.

kuukou gives a self-introductory rap but when the blow lands on ichiro, ichiro comments it’s a little underwhelming and kuukou wonders how to get the output of power he’s seen. kuukou tells ichiro he’s up next and ichiro delivers his own introductory rap that similarly feels weak. ichiro speculates rapping skill may have an impact on their power so kuukou suggest they better get to practicing then!! agreeing, ichiro says that they need to get good with the mics as fast as they can because this will be the newest weapon everyone will get their hands on. kuukou sees his point and says and they need to stay ahead of the game, which is exactly what ichiro was thinking so they better get on it he exclaims!!!

—————————

we flash forward and training is done. kuukou suddenly started chuckling to himself and ichiro asks him what’s he laughing at. kuukou’s feeling good about how hard their rap training was, ichiro’s lyrics were strong and just about knocked him unconscious!!! ichiro asks if getting knocked out was really something to laugh about and kuukou tells him something along the lines of, “one should buy a lot of hardships.” well, ichiro does see benefits of their training and kuukou tells him soon they’ll both be knocking fools out together, to which cracks ichiro up a little.

ichiro suddenly gets a phone call. he answers the phone and after a brief conversation, states that he’ll be there shortly. kuukou asks him where he’s going and ichiro replies he’s been called in by mozuku.

kuukou: ah the corrupt priest huh…. guess that’s where we’re headed to next.

ichiro: it’s not like you have to follow me.

kuukou: stuuuupid. ain’t this something about your job?? what kinda partner would i be if i left you to do all the work alone?? so let’s go man.

and as kuukou walks away, ichiro pauses and quietly laughs to himself before following after kuukou.

—————————

the next scene, ichiro walks in mozuku’s office, followed shortly by kuukou.

mozuku is pleasantly surprised to see kuukou, as it’s been awhile, and asks if he’s here because he’s missed him. kuukou lets him know he’s the last person he wants to see. laughingly, mozuku says he’s so cold to him.

ichiro steers the conversation back to why mozuku asked him to come in. mozuku tells him he’s requiring a bodyguard service. for himself?? no, for a man who goes by the name osaragi, an investor known for evading taxes. kuukou asks if that’s the kind of guy that they’re guarding and mozuku confirms.

mozuku: do you remember tomabechi zakuro?

tomabechi zakuro, leader of the group Extortion, was the man who terrorised unami and her sister from dhbat manga chapter 12

apparently his right hand man, teshigawara, is after him. ichiro’s familiar with him, he’s the one who stepped up to take over the group after they helped put tomabechi in jail. kuukou asks why he’s after him and apparently he took off with all their money made in their name and left behind a wake of territorial disputes as well.

kuukou scoffs, that’s boring as shit.

mozuku: boring as it may be, i will be paying handsomely.

mozuku again tells ichiro to bodyguard this man and he’ll be sure to provide extra reinforcements.

grimly, ichiro accepts the job.

—————————

we next cut to our boys arriving at their rendezvous point, a business by the name of ‘Lounge.’

kuukou: tf kinda shop is ‘Lounge?’

ichiro: i’m not too sure either, but apparently you buy drinks and get to talk to women.

kuukou: *gives the most exasperated sigh* people really spend their money on this?? that’s so stupid.

ichiro comments to never mind what people spend their money on and they enter the shop.

once inside, they find a man laughing uproariously. ichiro hesitantly asks if he’s osaragi and introduces themselves as his bodyguards mozuku assigned to him. osaragi grumbles at the fact they’re just a bunch of kids and wonders if they’re capable at all. ichiro audibly reels in some anger and affirms that they can. well, as long as they don’t fck up, the money is his and osaragi commands them to stand off to the side so they don’t kill his drinking vibe.

they step away and kuukou swears at osaragi under his breath, calling him a pig. ichiro feels that and let’s kuukou know it’s fine if he’s not up to it and can go home. kuukou again chides ichiro, saying a partner is supposed to always stand by his side. besides, he’s looking forward to beating up some small fries.

kuukou: so i’m not leaving

ichiro: *chuckles* well, i’m glad you have my back, aibou-san

kuukou: *softly laughs* that’s right, just leave it to me!!

the moment is ruined when osaragi beckons them over like they’re his pets. very disgruntled, the two approach osaragi, who asks them if they drink tequila. kuukou firmly tells him he does not. osaragi insists tho, they can drink and do whatever they want to the women here, since they all owe him money. osaragi passes kuukou a glass imploringly, but kuukou, in a fit of anger, takes the glass, repeats he’s not drinking and makes to make a mess—

but ichiro stops him.

osaragi sneers at them, and ichiro declines for them, saying they’re here to bodyguard him, not to play around. osasari groans that they’re so uptight and sends them back to their spot since they’re making his drinks taste bad.

kuukou is ready beat the stuffing out of a pig.

ichiro quickly tells kuukou to calm down, they just gotta put up with him for the night. not mollified but putting it aside, kuukou brings up how those girls are under his command due to their debt to him. ichiro’s concerned about them too, but they can’t make any moves that might put their situation at risk. the girls need to be the ones to ask for help. kuukou concedes with a sigh, saying that’s a rather adult way to look at it. ichiro denies this; he’s only able to come to that conclusion because of his experience in this line of work.

if something goes wrong and he’s blamed for it, ichiro would feel like crap. kuukou hums in thought.

the doors suddenly burst open and a man demands to know where osaragi is. osaragi is in a panic and yells at ichiro and kuukou to protect him. they step up, itching for a fight and to their surprise, it’s teshigawara. they asked what happened to the men stationed outside and teshigawara and his men laugh, saying they made for some good punching bags. ichiro doesn’t understand how they took out so many of them and teshigawara reveals his hand:

he has a hypnosis mic.

so that’s what it was, ichiro muses, and their men hadn’t picked up mics yet. teshigawara is confident they have the upper hand here and tells them no amount of grovelling will save them if they get in their way. is that a threat, ichiro asks but it’s the opposite really. teshigawara feels thankful to them for getting him to the top of extortion, so he’s offering them a way out.

kuukou chuckles and asks ichiro what he’d like to do and ichiro answers they’ll make their own way out.

they take out their mics, much to teshigawara’s surprise, and spit bars about climbing to the top as a diss to teshigawara hand me down position.

their rap sends them flying!!!!

both ichiro and kuukou taunt their fallen enemies and it’s then osaragi shows himself, surprised the brats completed the job but pleased. kuukou scoffs at him and ichiro, job complete, excuses them from them scene.

but osaragi stops them from leaving, and demands they stay on as his bodyguards. he thinks they’re very well suited for this kind of work and offers to pay three times as much as mozuku’s offer. ichiro refuses and makes to leave again, but osaragi instantly knocks the price up to ten times the amount!!!! and offers up the number one hostess of the joint!!!! and they can have their pick of any of women he has under his control, repeating they can do whatever they want with them.

kuukou walks up to the lady osaragi is presenting to them, and tells her,

kuukou: hey miss. if you always hold your tongue, then nobody will ever understand what you need.

hostess: …………..please help me.

kuukou huffs, satisfied.

kuukou: ya hear that, ichiro-san??

ichiro: loud and clear. osaragi-san?

osaragi: so we have a deal??

ichiro punches the living daylights out of him. no they do not.

kuukou teases him, like whatever happened to not interfering where they aren’t welcome?? ichiro quips back that times change which draws out kuukou’s gremlin laugh, oh is that so??

ichiro lets out a deep sigh and says it’s time to go home.

as they set out, it strikes kuukou that they should make a team name for themselves.

ichiro: is it really that important??

kuukou: stuuuupid of course it is!!!! it gives proof that it existed.

ichiro: *pouty* well in that case, go ahead.

kuukou: but what would be a good team name……?? well, since ichiro’s suuuch a rebel, why don’t we go with “naughty monks”?

ichiro: that has nothing to do with me at all???

kuukou: you don’t think so?? then how about—

—————————

the scene changes for the final time and a man is on the run. he very quickly runs into a dead end tho, and, exhausted, turns to reckon with his fate.

kuukou: *laughs* i gotta admit you’ve got some big balls to be acting up in our territory!!!!

man: who……. who the fck are you guys?????

ichiro: we’re ‘naughty busters’, asshole!!!!

[pekoeboo]

crying because i'm thinking about the Nuance involved with my characters and their backstories and the complexities of good intentions vs selfish behavior causing harm to others and i CANT EXPLAIN ALL OF THIS via art or writing. HOW are people supposed to know how complex and deep these characters are if i dont draw or write it out tho!!!!!! ugh

[trevisos]

i can’t stop thinking about this actually. 1. i desperately want to see this for horny reasons (illario getting beat up is hot) 2. i can’t stop imagining the awkward silence while everyone watches them go at it. i assume neve is invited to this family dinner because that’s by far the funniest option and so you have her, magpie, two talons, and caterina just. what? sipping wine and watching them shout at each other until teia or viago gets fed up? does magpie try to stop them? does neve? honestly magpie is hotheaded and impulsive enough that she does probably try to insert herself into this argument (not entirely clear whose side she’s on lol) and someone (neve? viago? both as a form of weird bonding between new in-laws?) has to hold her back like a yappy little dog. she’s trying to turn this from a brotherly fistfight into an all out brawl

[innanzituttoticalmi]

i'm sorry if you genuinely think bozzi and leclerc "copied the other driver/engineer's strategy" i canttttttt take you seriously

[moe-broey]

Idk I also just hate the future actually. My ass is Always living in the past or simply day to day 💪💪💪

[blujayonthewing]

I love that justin and I unintentionally built really compatible characters by separately designing around the same core concept: "I want this character to be both willing and eager to stick his nose into dangerous business, sometimes to the point of poor judgement"