#this one is much more straightforward

[gayofthefae]

You're in love with your best friend. And you initiate touch and intimate conversations all the time but it's kinda just you saying really long, sweet stuff and him going "yeah" and "cool" so you're not sure if he likes you, but you do catch him looking at you sometimes so maybe. Then for the first time in your almost decade long relationship he initiates one of those long, intimate conversations and gives a very sweet full length speech of his own, and his teary eyed telling you how lovable you are, but it's actually all just to get you to definitely not break up with your girlfriend.

You are Mike Wheeler.

The rough thing is this is actually a very comprehensible timeline. Whereas Will is receiving mad mixed signals and convincing himself he isn't, Mike actually receiving pretty consistent and logical signals with only a few contradictory thrown in there that Will doesn't reciprocate his feelings. He is the only initiator and Will is enthusiastic about what he gives but he doesn't give much back. Not that Mike is unhappy with that dynamic, it just doesn't exactly provide much "proof". So when Will wants him to stay with El, while it's a bit confusing given his past jealousy, it would shift Mike's perspective of past events more than being directly contradictory to a confusing extent. I totally get why Mike believes what he does.

You are Will Byers

[baejax-the-great]

The tragedy of Achilles isn't that he got mad and was punished for it through the death of his friend.

The tragedy of Achilles is that it took him ten years and a very stupid argument to realize that dying in a pointless war against people who never wronged him was a complete waste of his life and that he valued living over glory, but at that point it was too late to disentangle himself from the cycle of violence that would claim his best friend/lover and inevitably himself.

[marlynnofmany]

Recreational Food

I admired the scenery as we walked. “I’m glad we came during the dry season. Looks like there wouldn’t be much solid ground otherwise.” This wide flat area was pretty clearly the flood plains for the river just over the hillside, with several tiny plateaus where huge trees had escaped getting washed away. Everything else was dirt.

Paint spread her arms beside me, basking in the sun like the little lizardy alien she was. “I’m just glad to be outside! It’s been so long since we had a delivery on an actual planet, not to mention one that smells nice.”

It smelled like dry river mud to me, which was nice enough, but maybe those trees were extra appealing to Heatseeker senses. There was a scent of something kind of like rosemary on the breeze, now that I thought about it.

Paint was still talking. “We’re not even in a hurry today! The drop-off went fine, so we can stroll back to the ship at our own pace. This is lovely. I could stay out here all day.”

The ground rumbled. Splashes and the bleats of distressed animals sounded from the direction of the river. The rumbling got louder.

I asked, “Are you familiar with the concept of ‘jinxing it’?”

Before Paint could answer, a stampede swept over the hill toward us. Paint screamed and bolted. I ran after her, frantically searching for a plateau that was both climbable and close.

“This one!” I yelled over the noise of what had to be hundreds of alien fauna. Vaguely buffalo-shaped things without horns. I’d study them more closely when they weren’t closing in fast. Paint barely heard me, so I towed her over to the plateau and boosted her up. She wasn’t a natural climber, but she made do, scrambling to safety with me close behind. We made it out of trampling range just in time.

I clambered up and lay flat under the spreading tree while Paint hyperventilated beside me, an ocean of brown fur rolling by underneath. The rocky ground shook and the tree showered us with leaves. But the branches didn’t fall and neither did we, and eventually the herd calmed down from whatever had startled them.

The problem was, they calmed down before they finished passing our tiny island. Thundering footsteps slowed to a mooing, moaning amble, with buffalo-things surrounding us for a good distance in all directions.

My phone rang. We both twitched. Luckily the animals were loud enough to miss it. I pulled the phone from my pocket, hands vibrating with adrenaline, and answered a call from the captain.

“Are you safe?” she asked, her voice distant over the phone. “We got a report of local fauna moving unexpectedly.”

I laughed, wide-eyed while Paint tried to get her breathing under control. “Yeah, we barely made it. I’m not sure how we’re going to get back, though. They’re all around us, and I don’t like our chances if we try to just walk through.”

“Yes, don’t get too close.” I heard claws on keys as Captain Sunlight checked the local information bank. “These creatures are known to be hostile. They also treat approaching shuttles like threats, which doesn’t bode well for an air rescue.”

I tried to breathe deeply and get my heart rate back to normal. “Threats that they should attack, or run from?”

“This says they face off with shuttles, and defend whatever territory they’re occupying at the time. Attempts to chase them away have been unsuccessful, as have attempts to lead them away.”

“Yeah, that’s the worst,” I said, glancing up at the thick branches above. “Our vertical access is garbage right now anyway. We’d have a hard time getting into a shuttle.”

Paint was looking a little more calm, though worried. “Maybe they’ll wander away on their own?”

I relayed the question in case Captain Sunlight hadn’t heard it. She said, “Maybe. Let me contact the local authorities for more information. Stay safe; I’ll call you back.”

I said goodbye and put the phone away, then just lay there listening to my heartbeat and the various grunts from below. Paint sniffed audibly, no doubt appreciating the spicy tree smell. I tried to enjoy the view. The buffalo-things had heavy paws instead of hooves, and their faces were misshapen to my Earth eyes, more mooselike than anything. The thick brown fur was normal enough, though.

I was trying to think of what breed of dog it reminded me of when a cloud covered the sun.

A dark cloud. The kind that might be full of rain.

“Oh no,” I said.

“That can’t be rain,” Paint said, scrambling up. “It’s not the rainy season!”

I got to my feet, clutching a branch. “It could be rain. A flash flood might solve one of our problems, but…”

“Oh, that would be so much worse!” Paint hugged her arms close. The air hadn’t gotten that much cooler yet, but rain could be bad for a cold-blooded Heatseeker. And that was even without considering whether we’d have to swim for it.

I looked around frantically. “There’s got to be something we can do. Maybe throw a rock and scare them into stampeding away again?”

We scoured the rocky plateau, but nothing came off bigger than a fingernail, and the only things up there aside from the tree were some sparse bits of grass/moss and stray dirt. Even the tree didn’t have any small branches that looked easily snapped off; they were all thick limbs. I could probably climb out over the herd if I really needed a stick, but that did not look worth it.

I checked my pockets. “Wait, I have food. Maybe that’ll help.” We’d left right before lunch, and I’d grabbed a few portable things in case the delivery took too long. I thought hard about what kind of food these creatures might like, and how they might react to it, as I knelt and emptied my pockets onto the ground.

It was all Earth stuff from the import sector of the last space station we’d stopped at. A packet of turkey jerky. Freeze-dried strawberries. A tube of peanut butter that had thankfully not ruptured in the scramble up here. Pop Rocks.

I picked up that last one, thinking fast.

Paint was reading the label on the peanut butter. “Oh, this is the one some of your people are allergic to. I suppose it’s too much to hope these creatures are as well?”

“I have a better idea,” I said, eyeing the lowest branch. It was sturdy. There were creatures below. And they were all wet from the river. I turned to Paint. “Throwing something might startle them enough to stampede if we hit one just right, but I’ll bet that’s not as startling as the sound of sudden hissing from the back of their neck.”

“Which of your foods does that??” Paint asked.

I held up the brightly colored package. “Recreational food. They’re basically sugar crystals with tiny pockets of compressed air inside. They pop and hiss when they dissolve.”

Paint shook her head. “I’m not even going to ask why.”

“Great.” I shoved the package into a thigh pocket that I’d be able to reach easily, then hooked an arm over the branch and climbed up.

“Be careful!”

“I will,” I said as the clouds darkened further. Lying on the branch like a particularly awkward jungle cat, I scooted over the edge of the plateau. None of the creatures seemed to notice, busy as they were in nosing the dusty ground for sprouted grass, or whatever passed for it here. Good. I wanted their heads down.

When I was over a big one, I stopped and got out the pack, oh so carefully. Dropping it now could well be the kind of mistake I’d regret for a long time. I ripped open the package with care, knees clamped around the branch, as thunder rumbled closer than I’d like.

Then I gauged the angle carefully, and poured a stream of Pop Rocks directly onto the buffalo-thing’s neck.

I heard it crackle and pop as the sugar dissolved in the wet fur. Suddenly everything was panicked bellows and the thunder of feet. I clung to the branch, hoping desperately that it wasn’t about to snap off under my weight. All I could see below me was waves of brown fur.

It felt like the stampede went on for longer this time. Maybe because I didn’t have any climbing to distract me; all I could do was hold onto the branch like the most desperate of baby monkeys, and hope it held.

It held.

Finally the rumbling footsteps receded over the hill, leaving churned-up dirt below and a very grateful Paint behind me.

“You did it! It worked! Now let’s go; I think I see rain!”

She was right. I shimmied back onto solid ground to pick up the rest of my snacks, shoving them into pockets alongside the crumpled Pop Rocks package, then I helped Paint scramble down from the plateau.

Wind had picked up, blowing rain towards us in a visible wall from the west. But something silver glinted in the sky to the north, which grew swiftly into the welcome sight of a local rescue shuttle.

We ran for it. It landed on the riverbed, door open and arms waving from inside, and we dove in just before the rain hit.

“Safe!” Paint exclaimed as the door shut and a Frillian in a uniform guided her into a chair. “That was too many close calls for one day!”

I followed the directions to take my own seat as the shuttle lifted off. A different Frillian handed me a blanket, though I didn’t need it. Nice and warm, though. I asked Paint, “Ready to go back to the indoors for a while?”

She settled a heat shawl around her shoulders and sighed with relief. “I suppose so. Much less chance of getting trampled or frozen there.”

The official next to me asked, “What caused the herd to move away? We were told they had surrounded the area.”

I grinned and dug out the crumpled package. “Recreational food!” There were still a few Pop Rocks caught in one corner, so I dumped them into my mouth to demonstrate. The expressions on the rescuers’ faces were great as the candy hissed and popped on my tongue. “I poured thith down on a big one,” I explained around it.

Paint added, “It worked great! Scared them right away.”

The officials exchanged a look, then asked to see the package. I happily handed it over and explained where I’d gotten it. Paint said our courier ship would be happy to arrange a delivery of some if they wanted.

By the time we reached our ship, the local officials were ready to talk to the captain about ordering some recreational Earth food, to use for an entirely different purpose than it was made for. But that would hardly be the first time.

~~~

These are the ongoing backstory adventures of the main character from this book.

Shared early on Patreon! There’s even a free tier to get them on the same day as the rest of the world.

The sequel novel is in progress (and will include characters from these stories. I hadn’t thought all of them up when I wrote the first book, but they’re too much fun to leave out of the second).

[sysig]

Growing closer than expected (Patreon)

[stormsbourne]

overall I feel like a lot of the worst "critique" of datv is from people who feel like they should be vindicated more for picking the right thing when part of the entire theme is datv is that there often isn't a right or wrong decision and what you decide to do at any given crossroads is a product of your worldview, the information you have at hand, and where you came from. I hate to diagnose an entire fandom with "needs to be told they're right" but tbh I think a lot of the worst dragon age discourse, in general, comes from this tendency. in previous games there has often been an obvious Morally Correct Choice vs Morally Bad Choice with only a few exceptions (ie bhelen vs harrowmont). even when the choice is more complicated fans will form a consensus on what is The Right Choice and what is Wrong and will harass other people about this. and veilguard is thematically basically opposed to this idea for a few reasons, one of which is to specifically contrast with solas' need to believe that he's always been right or, when he wasn't, it'll be okay once he fixes his mistake and doing so will solve everything

[crowdusk]

One Piece Chapter 1132: Adventure in Elbaph (thoughts & predictions for the arc)

Part 2 here.

[These are the feverish autism-fuelled thoughts I wrote out after reading chapter 1132 because I was overtaken by the urge to connect some dots (I did edit a bit to hopefully be more coherent). I didn't engage with any other reviews or theories on Elbaph apart from quite general ones before reading this, so it'll be cool to see if other people have similar ones. Wasn't sure whether to post this but I wanted to put it somewhere before chapter 1133 came out and next week's break so it doesn't just sit on my laptop for me to forget about, and more importantly so I can refer back to it and see if anything I said was even vaguely correct. It's a monster and I don't have time to do a proper editing process so please kindly look away from any mistakes and poor structuring. One of the really fun aspects of serialised storytelling for me is theorising and analysis, even if it makes a fool of me more often than not. I'm not expecting to be right but it's fun when that happens!]

This also ended up being, uh, Very Long. There is a chapter review part with some thoughts on the arc, and then there are thematic sections where I got more into detail about what I think Elbaph will explore. This whole thing will be split into multiple posts because of Tumblr's limit, but there will be links to the different sections/posts. Ok, end of intro.

Overall thoughts on the chapter

Firstly, this chapter was so fun. It had all the familiar thrill and excitement of a new island and adventure, with some wonderful panels (rainbow-sailing, Bonney and Robin, the Elbaph village). We had ‘Adventure in the Land of Mystery’, and the suspense was interesting, but I’m sure I wasn’t the only one extremely confused (especially because of the mistakes). From what I saw the whole fandom was essentially the when ur whole crew doesn’t know a damn thing meme. But I’m glad Oda had his fun with the fake introduction to Elbaph, which also helped set up Luffy meeting Loki and the delay in receiving Vivi’s message amongst other things. 

1132 really feels like quintessential early One Piece where we’re off to a running start now that we’re finally sure we’re where we want to be. Love to see the Strawhats get somewhere, play around, and immediately cause chaos. It’s somehow packed with new information and fast-paced, while feeling like we get a bit of a breather from plot-intensity after Egghead. 

I’m also, of course, incredibly happy we’re finally getting to see Elbaph in all its much-anticipated glory. The natural features of the island – especially the landscape, the scale, elements like the rainbows and the giant tree as a living support–  make it feel extra fantastical and wondrous beyond what I, at least, had imagined. Hats off to Oda and especially his assistants for the gorgeous Rivendell-Zelda-Skyrim vibes in the village introduction spread. I love a fantasy-style nature-based environment, and I don’t think we’ve had that in a while. Wano and Egghead had some incredible settings too, of course, but the story felt a lot more people-centric once they got to the islands. Here, the landscape really becomes a character of its own in the same way it did in say, Zou (quite literally). In fact, Yggdrasil is both alive and ancient, just like Zunesha. I’m looking forward to seeing how that feeds into the story. 

I'm also very glad that Oda is leaning into that and giving us those wide-angle shots. He doesn’t always get perspective and scale exactly right, but I personally don’t mind – the man knows how to draw an impactful double-spread. I can’t un-know the fact that the Sunny is supposed to be more than twice the height of Goldberg, who’s carrying it, but it doesn’t ruin anything for me. I’m used to Oda just doing shit like that because he wants/needs the Sunny to be carried around like a toy. It would be such a shame if we got to Elbaph and we only got smaller views or workarounds in order to avoid the challenges of scale and perspective. 

On top of that, one of my favourite parts of the One Piece experience is finally having puzzle pieces and references fall into place after arcs and years – like the architecture and landscape we recognise from Big Mom’s flashback. We've been waiting for this for over 20 years! More than 1000 chapters! I love this manga. I love it here. The sequence of the rainbow bridge leading into finally getting to see the village was lovely, and as a huge Skypiea lover, I am having a great time. Seeing our experience reflected in Luffy and especially Usopp’s reactions was also beautifully moving. I’m glad they were highlighted and we had the flashback to Little Garden to really drive it home.  

On the plot side,  we’re slowly building a picture of the variation in how different giants feel about humans. We have Gerd and Rodo, who both have strong feelings in completely opposing ways. Where Gerd infantilises humans in her fascination with them, Loki and Rodo clearly seem to think they are inferior. It remains to be seen what other perspectives exist in Elbaph. Is there real resentment or hatred from those like Loki and Rodo, or do they generally just think giants are superior due to their strength and size? Regardless, it feels like Oda is slowly setting us up to understand that there are different groups of giants with different beliefs even within Elbaph (we already know Saul is not from there and considers them ‘barbarians’). Just as in any society there are surely faultlines and disagreements, and their relationship to humans – and maybe even the world at large – might very well be a point of tension within the kingdom. 

Speaking of points of tension, it’s obviously very ominous that Luffy has made a promise to Loki, particularly since we don’t know the specifics of it. Oda has cleverly given us only a glimpse of the very end of that conversation in relation to Luffy’s famous difficulty with lying and we’ll see how long he decides to tease us with it. He could definitely give us that information in dribs and drabs to keep us guessing, but I also think most of us are probably right in guessing that Luffy promised to free Loki, even if we don’t know if he wanted anything in return. Honestly, the first time we even saw Loki in chains I thought oh Luffy’s 100% going to free that man, and I know I’m not the only one. 

Regardless of exactly how and when we see that conversation, I imagine we'll see Luffy’s actions start to confirm and clarify our suspicions. For example, if he did agree to free Loki and needs to retrieve the key, then he might well start making moves to do that soon (although after the feast, of course – nothing comes before a metric ton of meat). I also think it will be very interesting – and comical – to see Luffy try and execute a stealth operation, because as we’ve seen time and time again, that is the opposite of his forte. He’s bad at lying, he’s bad at keeping secrets, and he’s bad at doing things with subtlety. So I’m looking forward to seeing how Luffy deals with that – whether he manages to keep it a secret from everyone or if, as I suspect, he ropes in at least one of the other Strawhats, even if by accident. Take your guesses! There’s a whole range of options ranging from experts (Nami, Robin, Brook) to the sneak mission equivalent of throwing a grenade onto a presidential lawn (...Zoro).

My more specific pet theory when it comes to Luffy’s meeting with Loki is that I would not be surprised if in one of the upcoming chapters up we get a sort of split screen set up with Hajrudin or an equivalent giant on one side, explaining more about Loki’s deeds and why they imprisoned him, and the flashback to Luffy’s conversation with him on the other. We know from DorryBrogy (yes I’m using that now) that Hajrudin wanted to come and retrieve the Strawhats from Egghead himself, but ultimately couldn’t because of “some (Loki-related) trouble back on Elbaph”. It would make sense to me if Hajrudin explains in more detail what happened that prevented him from sailing to Egghead, and tells us more about Loki himself. At the same time that Hajrudin is talking about the terrible things Loki has done, we get the penny-drop of Luffy flashing back to his agreement to free said evil man. 

It’s a perfect storytelling device in this medium, especially when it comes to revealing important (and in this case stomach-dropping) information to us as omniscient readers. We saw something slightly similar most recently during Vegapunk’s speech, which Oda used to clearly signpoint us to characters and their links to mentions of important information in the speech, (e.g. showing Shirahoshi, Vivi and Momo when talking about the ancient weapons). Of course that was very different in tone and intention compared to what the Loki reveal I’m hypothesising would be like, but I’m mainly just trying to highlight the use of the manga medium and how it lends itself to this kind of layering. I’m sure Oda’s done something much closer to what I’m thinking of before, but in all honesty I can’t recall an example right now. Regardless, I could be completely off the mark (I am just a little jester honestly), but we know Oda loves his dramatic reveals and drumbeats so I’m willing to put this out there. 

I am also particularly interested to see how Luffy will react to the information about Loki. Will he dislike Loki but still go through with it? Will he disagree with Hajrudin and the other giants? Will it change nothing for him? I think Luffy won’t go back on his promise no matter what information is revealed, but knowing Luffy, he also might just not really pay attention or care what Loki’s done. It will mainly be for us as readers, and the rest of the Strawhats, to decide how we feel about it. We know that Elbaph has very strong values and rules, especially surrounding their warrior culture – ones like honour, strength, and probably truth/honesty. I’m waiting to see whether what Loki’s done is considered bad specifically within Elbaph culture, or whether they’re just terrible in general. This is why in my opinion Loki won’t be A Classic Villain, because I don’t think the central conflict in Elbaph will be as simple as just Loki vs the rest of the giants and Strawhats. There’s too much ambiguity present.

Plus, we haven’t seen Luffy’s instinct about people go wrong yet. The first time he met Blackbeard they immediately started fighting, even if it was about something as stupid as food preferences. He hated Doflamingo the minute he met him. Even Buggy couldn’t actually betray him, despite wanting to. If Luffy generally trusts someone, we know that means they’re trustworthy or at least even if not at the beginning, he wins them over or is able to deal with the untrustworthiness in a way that makes it irrelevant. 

Of course, Loki could prove the exception to the rule, but we know that part of Luffy’s strength is understanding and seeing through people. It would take a lot for Loki to fully trick or betray him, since Luffy just does what he wants and deals with the consequences as they arise. He’ll be more than happy to fight Loki if he threatens something/someone he cares about. To be clear, I’m not saying Loki is a threat at all – I do think his desire to “destroy the world” means mass violence, but Luffy doesn’t tend to care about larger villainous plans until they directly affect his loved ones. He’s also the first ‘evil’ character so far who’s been shown to have very obvious parallels and similarities with Luffy, so even if he is an antagonist, I expect it to be in a way we haven’t seen before (more on that later). 

Another possibility is that Loki and certain other giants have a strong dislike of humans, and therefore want them off the island as quickly as possible. This would also align with Louis Arnot’s warning about not overstaying your welcome. I imagine not everyone on Elbaph is inclined to be friendly to humans, and there might even be other people (other kinds of giants, or non-giants) living on the island. It feels like Oda has strongly emphasised that Warland is only a kingdom on the island of Elbaph, implying that there might be other groups of people – or even countries – sharing the land mass (perhaps on the Astral level?). To me, it feels like Elbaph is holding some kind of secret that makes it particularly dangerous. Maybe, like in Skypiea, there is a forbidden area in Elbaph that is off-limits to people (prime candidate being the Astral/Celestial realm) whether to maintain that secret or perhaps for spiritual reasons. Trespassing could incur serious danger or punishment, and we can probably predict exactly what will happen if a certain captain hears about it. 

And there are other ways I think Elbaph will parallel Skypiea. The Strawhats first connected with the Skypieans (Conis and her father) and were quickly thrown into conflict with both Enel and his forces (including the White Berets) as well as the Shandians who weren’t too happy about outsiders. They had to work with the different groups against Enel, and as part of that, prove to the Shandians that they were trustworthy. The Shandians, who had the crucial connection to the Ancient Kingdom and the poneglyph. We might see a similar situation in Elbaph where the Strawhats have to prove to a group of people (maybe outsiders to Elbaph’s society, maybe those who distrust humans) that they are trustworthy so that they can all unite to fight against a bigger foe like the World Government. It remains to be seen who that might be, but this would also be an opportunity for Oda to give the Strawhats even more people, groups and allies who believe in Luffy’s power. 

Additionally, both Skypiea and Alabasta were countries in the midst of internal conflict – specifically over natural resources – when the Strawhats arrived, and in both of those cases the actions of the crew helped end the wars. Elbaph might be similar. In both of those arcs the conflicts had roots in the secrets of the Void Century, be it because the Shandians were protecting their ancestral lands and the poneglyph after being persecuted by the World Government, or Crocodile’s desire to gain control of Pluton. The giants of Elbaph seem to be one of the only groups of people who have maintained a consistent sun god worship, probably not for lack of the World Government trying to wipe it out (their strength will certainly have served them in that regard). On top of that, I’m sure there’s other crucial information, not just from the Ohara library, that the giants have managed to protect regarding ancient history. If we think about their lifespans, the Void Century was only a few generations back for them, so there may be important oral histories that have been passed down from elders. It’s clear that this is a culture with strong links to the secrets of the past, like the Shandians and the royal family of Alabasta. Though the wars in those countries were exacerbated by many other factors, I wouldn’t be surprised if we see something similar in Elbaph – some tension that relates to events further back in history, and maybe even the Void Century.

Loki, Luffy, and the power of myth

My current theory on Loki is that he believes he is the new Joyboy, and/or an incarnation of Nika/the sun god from Elbaph’s myths (in the same way that King believed Kaido to be Joyboy). We don’t know yet whether Elbaph is polytheistic – Nika/the sun god might just be one of their deities – but if we use Rodo’s weird RPG cage world as a reference, he did create a bunch of different minor ‘gods’. Elbaph itself might have a similar system, with the Sun God being the most important deity. Regardless, we know that Nika is important in their culture, given Dorry and Brogy’s immediate recognition of Luffy in Gear 5 and the celebration of the Winter Solstice as the return of the sun in Big Mom’s flashback. We’ve also seen the painters being called sunstones, which is reminiscent of Vegapunk’s pursuit of solar technology and the Motherflame, and the giants live on the Sun level of Yggdrasil. On top of that, the Underworld – where people are sent for punishment – is specifically noted to lack sunlight. We already know that the sun in One Piece’s world is associated with Nika (liberation, joy), but in terms of general symbolism the sun is also linked to clarity, truth and perception. 

This is why I think questions of faith, belief and truth will be so important to answering what makes Elbaph’s giants such mighty warriors, what kind of devotion do they have, and how do their beliefs and worship link to collective liberation in the One Piece world, both historically and in the present? 

Oda is also going to get meta in this arc, I believe (even more obviously than he already does). I'll get into this more later, but the Lego kidnapping introduction already served to set up important questions. What is reality, and what is fantasy/illusion? Whose world are we in? Who are the storytellers and what are the different ways stories are lived and told? What is their nature, function and importance? There are going to be many layers in this arc and it's narration, encompassing past present and future, and I think Oda will play with form to achieve this (off the top of my head - the adventurer's log voice of Louis Arnot, to flashbacks, to legends told by the giants, to reading the texts of Ohara...). Contradictory stories, multiple perspectives on one narrative, and different but coexisting truths might well all come into play as important.

Speaking of one type of story, myths and legends are the vessels of belief, and it’s likely the Elbaph culture includes and centres many related to Nika and Joyboy. In fact, this was already mentioned by DorryBrogy (“they tell tales about this god in Elbaph”). I don’t think we’ve had direct confirmation yet, but I’m sure the giants had a connection to the Ancient Kingdom and may very well have preserved information from the Void Century by virtue of their fighting strength, passing stories down across generations, despite the World Government’s best efforts. I also think those stories handed down from the Void Century (maybe even from the first Joyboy, or Roger) may have included some kind of prophecy that Joyboy/the Sun God will destroy the world when he returns (similar to Madam Shyarly’s prophecy about Luffy destroying Fishman Island). If that’s the case, Loki could very well think he’s the chosen one to do so. 

Of course, we know that the final war will likely involve some form of physical destruction (Fishman Island amongst other things) – and there are many theories around that – but to me, the idea is most importantly metaphorical. The world as it is needs to drastically, fundamentally change (including materially), which requires the destruction of things as they are so that the dawn can arrive. Loki’s interpretation, in contrast, could very well be a literal and narrower one involving setting everything on fire Ragnarok-style, hence the other giants imprisoning him to stop him. The way they’ve referred to him as having “a few screws loose” also suggests they think he’s mad or maybe delusional, which makes sense if he’s claiming to be an incarnation of their sun god. His belief may in fact be so pure that it is extreme. As Oda is making clear over and over, you cannot choose to be a god – myths and gods are made by people’s collective belief. I don’t think we’ll ever see Luffy declaring himself to be Nika or even Joyboy for that very reason. 

Luffy is god-like sometimes, but he isn’t one (“Luffy’s not a god, he’s just an idiot!”) nor would he want to be treated as one. Luffy doesn’t even know he’s the new Joyboy, or who Nika is, and what his Gear 5 powers are. If the giants try to project any kind of divine responsibility or title onto him, Luffy will absolutely not care – he refuses to be anything other than himself in all his freedom. However, he does have a great amount of care for friends and is willing to go to any lengths to help them, so we’ll have to see which characters act as those anchors for his desire to fight during this arc. 

I think we’ll see a lot of complex and interweaving traits with Luffy and Loki, as characters who have many similarities but also fundamental differences. Luffy pretty much can't lie, whereas I'm guessing Loki is pretty good at it. Luffy is selfish in his words but his actions help the collective, whereas I could see Loki causing widespread harm but claiming selflessness and doing collective good (e.g. cleansing the world via Ragnarok). Loki claims his godhood fully, demanding respect and imposing obedience, believing fully that he is fit to command others. Luffy doesn’t demand faith, he inspires it.

Indeed, Oda has clearly set up Loki to parallel Luffy in the past few chapters. They had very similar childhoods where they spent a lot of time alone in the wilderness and befriended beasts – in Loki’s case, in the frozen outcast space of Elbaph. This is particularly interesting given he’s a prince – we have to wonder why. Like Luffy, he seems to have humorous and silly traits like getting people’s names wrong, which is an exact copy of what Luffy does. He also has an older brother in Hajrudin, like Luffy with Ace and Sabo, although we don’t know the nature of his relationship with Hajrudin. Were they close growing up and then there was conflict later because of Loki’s actions? Were they always at odds? I wouldn’t be surprised if Loki’s strength wasn’t in his physicality but more so in his cunning and intelligence, which might not have been celebrated or seen favourably as what was expected of an Elbaph prince, in contrast to Hajrudin better fitting the mold. This theory is mostly based on Norse mythology, where both the god Loki and the jötnar Utgarda-Loki are associated with trickery and illusions. It would also mean Loki flaunts the rules of Elbaph warrior culture, making use of strategy, intelligence, language and mischief to win his battles. If Loki was seen as strange or not quite fitting into society and expectations, he may have just chosen to isolate himself and spend time in the Underworld with his animal friends. Alternatively, maybe he was sent down there by his father to get stronger, in the same way Garp threw Luffy into the jungle. 

With all that said, I’m particularly interested to see what his devil fruit is – initially I thought it could be a mythological zoan, which I believe is still very possible, but I could also see it being related to these themes of magic and illusion. The one thing I’m unsure of in this regard is Loki referring to himself as the strongest in Elbaph. Is it because of his devil fruit? Does he mean something different to strength in combat? Was he just lying? That remains to be seen. 

We also don't know what Loki did yet, but I think a lot of the themes of this arc are going to be about the values of Elbaph and how different people come up against them. I’m particularly interested in our dear captain Luffy, of course, and how he relates to those rules, because Luffy’s whole character is about pure freedom regardless of what’s happening around him. The only form of bond that Luffy accepts is those of love, friendship and connection with people (often conveyed through food, as we know). Of course, it could be that Luffy doesn’t particularly come up against Elbaph’s rules (we didn’t really see him in tension with the samurai code in Wano) but I have a feeling that the challenges of this arc will be a complex set of tensions – buried information, the overarching evil of the World Government, the consequences of history, the values of a war-based society, and how those have shaped the people of the island they’re on. 

Even Luffy’s embodiment of something Nika-like in Gear 5 goes against stereotypical expectations of a ‘warrior’. He is a warrior, but the epithet isn’t complete without the liberation aspect. He doesn’t follow any rules but his own when he fights – in his freest form he can literally bend the rules of space and material (maybe even time). He is so strong not just because he can smash things, but because he is completely unpredictable, silly and joyful – only limited by his own imagination. I also think it will be really interesting to see what Elbaph’s version of Nika is like, because people and societies shape gods, and they can evolve over time. It would be fascinating if Elbaph’s version of Nika is more of a stereotypical kind of war(rior) god. We’ve had mentions of their warrior god before, with the belief that the winner of a duel is the one chosen by that deity, so fighting itself – and the glory of victory – is clearly sacred to them. It may well be that their warrior god is a separate being to Nika, but I wouldn’t be surprised if it turns out to be a version of Nika that has been shaped by their society’s dominant values. And maybe that is also the version that Loki thinks he is or has warped to fit his desire for violence and destruction.

Part 2 here (ft. strength???, summoning a princess, gay technology and shadow the hedgehog)

[spghtrbry]

so i’ve been. THINKING lately.

you can find many similarities in both stories but there are also huge differences…

in cain and abel’s story cain murders his younger brother because of his jealousy and because god preferred abel over him, which is obviously similar to how chuck’s pride made him envious of jimmy because he’s more likeable and made their mom laugh etcetera etcetera..but i’d say abel was a pure guy, he didn’t do anything bad, he was like. basically the purest human being at that time (well it’s not really difficult to be the best person when there’s like 4 people in the whole world and two of them literally got kicked out of heaven but anyway). and cain murdered him. which is clearly not the case with jimmy and chuck because obviously in the legal point of view chuck is a better person than jimmy …

and we’ve got esau and jacob, which is i think a really underrated story. i mean i love cain and abel but i think people often forget about those two. esau, (technically) an older brother, always gets tricked by jacob. jacob buys his birthright and steals his father’s blessing that was meant for esau. and esau rages at him because. i mean. that’s not a nice thing to do. but in the end jacob becomes one of the Main Characters in the genesis… personally i think this story is more… idk, specific? there’s just something about the younger brother constantly tricking the older to get what he wants, even though the reasons not always are completely selfish. BUT! in the end esau and jacob made peace which is (spoiler alert😨) not the case with chuck and jimmy ………..and also jacob didn’t really have a redemption arc and esau just. idk. moved on with his life. got a family and all that. so he basically became a normie. but yeah ANYWAYS!

so yeah. i’d really love to hear ur thoughts and opinions on this one because i am a little bit insane about all this stuff as you probably noticed

(also if i messed something up or if im wrong anywhere please lmk lol it’s been a while since ive read the old testament…….)

[ohno-the-sun]

Blah more back burner stuff cause I haven’t had time to draw this week

Had an idea for a Luca type au where like they are mermaids but can look human on land and blah blah blah

Self indulgence abound

Lol supposed to go along with these

Merm designs

Baby sun

the fic (don't read the tags if you don't want spoilers)

[fumifooms]

I didn’t know the dunmesh fanwiki situation was so dire.

[borgialucrezia]

juan borgia's sickly era is soooo scrumptious to watch !! he's tormented, he cries and sweats a lot, he's betrayed and gaslit, he's terrified and paranoid all the time, he's losing himself under the weight of the role he was given, he flinches, he's getting clingier, he suffers from emotional and physical pain...i love that misunderstood terrible man with wet babycow eyes

[unproduciblesmackdown]

set out to create a serious, canonesque drawing with which to say "feel free to go in my lackadaisy tag and help me mystery speculate" but only got going when i made it bowling and the rarepair agenda

[freckliedan]

On the topic of secrets, your person that you tell everything to is entitled to YOUR secrets, not anyone else’s. If I tell my best friend something in confidence, I know she won’t tell her husband. He gets to know everything about her, not everything about me.

Dan and Phil definitely understand that distinction and don’t share other’s secrets with each other.

THANK you you get it!!!! i've been losing my fucking mind at the attitude on my dash like... pretty much everyone is out here proving dan's point. by interpreting what he said to mean the exact opposite of what he told us. are people incapable of taking dnp at their word????

[july-19th-club]

the way guilt and punishment work on the internet is actually worse than the catholic church bc if i took my mistakes to the confession booth and said a full act of contrition the priest would be like 'here are some prayers to say as your penance your sins are absolved go in peace' but if you apologize to somebody on the internet over something you've said or posted that upset them there's like always a 50% chance that they'll say 'oh well unfortunately your remorse was not expressed with a suitable level of humility so it doesn't count *you* don't decide if you're sorry *I* decide if you're sorry, fuck you forever'

[robinyourcreator]

mentors! teachers! librarians! old ladies you see at the grocery or the knitting shop once in a while! middle aged men who are regulars at the same hardware store! the teenagers who come to the local game shops board game events and THEIR little siblings!

do you believe you dont share common humanity with any of these people?????

or do you have bizarre ideas gatekeeping the "sanctity" of friendship limiting it to only people you could have gone to high school with???

"what do a 19 and a 28 year old even have in common"

WE ARE ON THIS BIG BEAUTIFUL BLUE EARTH AT THE SAME TIME, ENJOYING THE GLORIOUS EXPERIMENT THAT IS HUMANITY, GOOD SIR!!!!!

this isnt even about dating-- like fuck no you couldnt PAY me to date someone in their early twenties NOW!!! but this is how we're being about FRIENDSHIP??????

[aiscapades]

this isn't touchstarved related i just wanna say something into a void that cares

getting ready for a concert tomorrow && i was having such horrible body image issues with my skirt x corset combo. just wasn't feeling it. so i thought i'd go a more masc western route to fit the vibe of the artist && wow i love 🩷 masc fits 🩷 i love working WITH not AGAINST my broad shoulders and Thick arms and hiding my boobs away and wow. i love gender nonconformity i love gender expression i love being free. finally free

[pynkhues]

Poor Lestat laying in fetal position, looking so small and having dead eyes :( Armand saying he's come home was so creepy, wtf was he thinking. You know, this scene just doesn't make any sense to me, why would Lestat go out of his own will to a place that's the biggest ptsd trigger you can imagine. To punish himself I guess? Sometimes it feels like Rolin wants Lestat to have so much agency that he never allows him to be a victim. Kinda worried how they'll handle s3 wrt this. I hope they won't victim blame him for every bad thing that happened to him because 'he deserved it'.

Oh, anon, I'm sorry because this is probably not what you want to hear, but I love that Armand said that Lestat's come home by going back to the place he was turned and assaulted, because it feels really emotionally honest and true to these characters.

Claudia, Armand and Lestat are all victim-survivors, and I think the show's demonstrated that it's really curious as to what that means.

There's a school of thought that's currently becoming more understood in feminist circles that victim-survivors can often not believe each other, or diminish each other's experiences. The nature of the sort of abuse that Claudia, Armand and Lestat have all experienced is that they've had to process it to a point where they feel they are the expert of their story. They know what happeend to them, they've gone through a lot to know what happened to them, and it's a way for them to take control back of their own stories. An unfortunate side effect is that it can lead to these victim-survivors feeling they know more about your story than you.

They've survived it, so they feel they can tell who's the liar and who's the truthteller, who got off easy, who had it worse, who's stories are more than or less than, and that idea itself is a trauma response manifesting as something ugly, right? Abuse and assault are felt in so many different ways and manifest in so many diffferent forms, but this idea can take hold in victim-survivors as a means of taking control over what happened to them. If they can use - which Lestat does when he weaponises Claudia's rape against her in the train to force her to come home - undermine - which Claudia does against Lestat when she tells Louis not to take Lestat's truth as fact - or diminish - as Armand does against Lestat when he shrugs off Daniel's question about Magnus in 2.03 and talks about Lestat coming home in 2.08 - this subset of people will.

Armand is a character who has endured unimaginable sexual abuse. To divorce that from his understanding of Lestat's own trauma does both characters a huge disservice. How they navigate each other as two survivors of (very different!) forms of sexual violence is interesting, and it's unsurprising that Armand, having been groomed and assaulted by Marius, would view a maker's home as - - well, home.

And frankly regardless of that, if the show stays true to the book, Lestat will live there for a while after Magnus' death because he has no money, no one to call on, and no idea who he is now that he's been turned. Gabrielle lives with him for a while there! Magnus' tower is, in the books, a very complicated place for Lestat.