#this is still so baffling to me

[autie-j]

Tomb raider 2013: Sam is so important to Lara that her entire motivation for much of the game is saving her. Lara will go through hell and back, to the point that she'll forever be changed as a person, all for Sam's sake. She will tear this entire island apart, along with everyone on it, if it means Sam is safe once again

Rise and Shadow of the Tomb Raider: Sam? Sam who?

[doomdoomofdoom]

Kamala Harris does want "transgender surgery on illegal aliens that are in prison", btw.

So since Trumpists are getting mad enough about the jokes to actually cite their sources, I thought I'd put the source out into my left extremist commie faggot echo chamber, too.

The claim originates from an ACLU questionnaire she filled out for her 2020 presidential candidacy, specifically this section:

She wasn't given a new questionnaire for 2024, and has stated that while her policy on some things may have changed, her values had not. (This most likely means she moved more to the center to appease larger demographics and cut corners to reach compromises. The basic politician stuff.)

It boils down to this: If you're in prison, whether for "illegal" immigration or other crimes, you rely on the state to provide you with necessary amenities, like food and health care. Her argument isn't "hell yeah everyone in prison should get sex changes for free". It's "gender affirming surgery is a necessary medical procedure. If you are in the states care while this becomes necessary, the state should provide it." If you're outraged by your tax money being used on this, consider the massive amount of people being incarcerated in for-profit prisons, on your dime. Then ask yourself if maybe a prison reform might be in order.

Worth noting: In 2015, while Attorney General, Kamala Harris actually argued against providing gender-affirming surgery to an incarcerated trans woman, claiming that HRT and psychotherapy were sufficiently covering her medical needs. She has since obviously changed her stance and assumed responsibility. (I would like to take this moment to remind my fellow left extremist commie faggots that "willingness to learn and rethink your views" is infinitely more valuable than "perfect from the start and unwilling to listen to anyone")

Also found in the source: This image of Kamala Harris participating in the 2019 San Francisco Pride Parade, wearing what I believe to be a sequin rainbow embroidered denim jacket.

I encourage you to read the provided CNN article and the answers to the ACLU questionnaire, as they give great insight into her values.

TLDR: Based.

[bixels]

Taking the current topic as an excuse to ask you to tell me all the reasons you love Rarijack. Your art for the ship is so sweet and intimate I'd love to hear any in depth thoughts you have.

Breathes in.

I think what makes their dynamic really strong is that they have opposing personalities but aligned values. It's deeper than just "opposites attract." Rarity's fancy, prissy, and femme while Applejack's modest, rough, and "masculine." But both value hard work (to the point of being workaholics), their families (both have guardianship over their little sisters), running successful businesses, and eventually each other. Their relationship can be boiled down to, "Despite our differences/disagreements, I still like you because we value the same things."

We see their relationship develop so much. In the first season, they can't stop bickering about surface-level differences. By season four, they still bicker, but will mend their relationship because they can't help but do nice things for each other. In Trade Ya, they start off arguing over personality differences (Applejack likes old junk and Rarity likes useless crap). Then they pivot and start arguing that they value their relationship more than the other. In the end, they mend things by sacrificing their needs and buying each other a gift. Even if they don't understand it, they know it'd make the other happy. And that's all that really matters. It's a genuinely sweet moment that shows how arguing can be healthy and necessary for relationships to strengthen.

We even see them dropping their hang-ups about each others' personalities. In Made in Manehattan, when Rarity runs off in dramatics about someone's fashion, AJ doesn't roll her eyes or scoff, she smiles. Oftentimes, their conflicts are very common domestic conflicts romantic couples face. Applejack's Day Off is about a woman's inability to balance work and life and find time to properly spend with her partner, causing her partner to feel neglected.

By season seven, they're actively participating in each others' interests. Any problems or conflicts that arise are dealt with, and they come out the other end stronger and closer. In Honest Apple, AJ pretty much spells out why their relationship works so well: even though she doesn't understand fashion, she can recognize and appreciate how much work it takes and wants to respect that. When she realizes her mistake in the episode, AJ goes above and beyond to fix things and apologize to Rarity. They care about each other so much.

The two go out of their way, sacrificing their personal desires and beliefs and doing things they normally wouldn't, to make the other happy. That's just love.

There's Simple Ways, where AJ gets stuck in an unwanted love triangle between Rarity and her hipster crush. And her frustration and anger can be so easily interpreted as AJ finding herself in a terrible position; the girl she loves wants another man, and that man wants her.

I dunno. I've always had a preference for opposites attract ships, but Rarijack's stuck with me like a brain worm because they have the perfect chemistry. The way they show they care, or do things for each other, I've always read it as the truest representation of romance in the show.

[shwarmii]

i just heard one of my favorite youtubers say this meme out loud in a video and the pronounciation FLOORED ME so now i gotta know:

poll is just "which way do you say it"; tags is "which way is right", assuming your answer to "which way is right" is different to "which way do you say it". or i guess tags are also for uhhhhhh if your answer is complicated and if you wanna explain, if you have a diff way of pronouncing (pls tell meeeee), or whatever else you want, im not your parents, idk

[metanarrates]

i think lee seolhwa and yoo mia's narrative treatment bugs me so much because orv is 1. a work that almost always has something to say about narrative roles & archetypes and 2. is a work that is usually quite excellent at fleshing out its female characters both as people and as subversions/commentaries on narrative archetypes. really stings that we have two female characters whose existences are defined by revolving around a male protagonist (his fridgeable love interest and fridgeable little sister) and once they're through serving those narrative roles in early arcs they're almost immediately dropped as characters. singshong i Know you have it in you to make these characters go so fucking hard. why'd they get shafted. this should be the easiest set of slam dunks in the entire world

[ryllen]

hanging around sebastian is automatic code to become a mom friend

[chotachica]

Favorite part of The Dead Boy Detectives for sure is Edwin pulling literally every single age appropriate male character he interacted with. The absolute cunt ever

[tempo-takoyaki]

Heaven Official's Blessing except I haven't read the book, remember nothing of the donghua, and saw a few spoilers.

Sorry, for the delay, I got sick last week and couldn't update, here is part 8 ! As always, please, no spoilers in the replies or in the reblogs! I read all the tags, and I intend on reading the novels once I'm done with this serie. In this case, a spoiler would mean any sorts of correction regarding what I've put in this comic: I know I'm wrong, this is the point of this serie. (Character's name or role in the story counts as well.)

Lots of new characters today! One of the rare thing I remember is that this whole arc happens in the Gobi desert, so I wanted to reflect that in some way. I had a lot of fun doing this part, I hope you'll enjoy it too! And happy spooky season! :D

Part 1 | <<Previous Part<< | >> Next part >> | Final Part

[necrotic-nephilim]

i personally have very complicated feelings on the Gotham Knights video game and the routes it takes with characterization. i think it has a charm to it and it goes in an interesting direction with everyone (especially within the confides of the plot of the game) but it does have certain moments that veer painfully fanon for me. (such as: the dialogue where Tim drinks too much coffee) it's an interesting story for what it is but i don't view it comics-based for characterization and therefore don't care to interact with it much for like. fanfic purposes.

that *said* though. i do have to give the game some kind of credit for giving one of the top five JayTim moments that lives rent free in my mind. every since i played the game, the cutscene lives in my mind daily. it's the specific cutscene where Jason and Tim are arguing about whether or not Jason's non-lethal bullets are too dangerous for the field, and the argument leads to TIm *standing in front of the target* Jason is shooting and telling Jason to shoot him. it lives rent free for me. i never stop thinking about this.

the absolute certainty Tim has that he is in no danger standing in front of Jason, who has a loaded gun pointed at his face. the way Jason *hesitates* for just a moment before lowering the gun. he thinks about it for just a second. Gotham Knights JayTim seem to get along very well and can rely on each other, but Jason still clearly holds a bitterness about his death and Tim that flickers through in some lines of dialogue under the guise of jokes. especially since this game deals *heavily* with concepts of Pit Madness causing an altered state of consciousness, i think it's believable that occasionally, Jason fights the urge to fight and hurt Tim for the feeling of being replaced.

i like their tension so much in this canon. they get along but you can *tell* Tim is afraid of addressing Jason's trauma or even addressing Jason head-on, and Jason leans into spooking Tim about it. which isn't very comics feeling in their dynamic, but it is an interesting way to place their dynamic if you're playing with a more timid Tim who's newer to the role of Robin. (which he seems to be in-game) he really doesn't want to offend Jason, or worse, piss him off. but he'll still face Jason head on for things like this, while completely aware of what Jason could be capable of.

and Jason seems very protective of Tim and respecting Tim as a Robin in typical Jason fashion. if Tim pushes, Jason *will* relent. he knows this is a kid who's proved himself and should be treated with equal respect, sometimes even more than Dick and Babs do in-game.

so for all that to culminate in Tim stepping in front of Jason's loaded gun that he *knows* is on the edge of being too dangerous, just to force Jason to listen? it's the most unhinged way Tim could've gotten his point across in this scene. he was literally daring Jason to hurt him and playing with a very dangerous fire. but he did it anyway bc he believed he could make Jason heel just at the thought of hurting Tim. and he was *right*. they're gay and i'm feral ty.

[starbylers]

You only really need to understand 5 things to know why Byler is happening:

Mike’s arc in season 3 was about pretending to be someone he’s not in the pursuit of “growing up”. It was about kids playing at relationships. This was the only season with focus on the state of M!leven while dating & not separated and it was treated as an immature joke.

Season 4, instead of proving to us why M!leven are right for each other, quite literally does the opposite and shows us nothing except them having awful communication & not finding emotional safety in each other. There is not a single scene between them which is an exception to this.

Meanwhile, Mike and Will are attached at the hip. We see how they resolve conflict maturely and between themselves. We see a strong emotional connection. We see how Mike feels more comfortable being vulnerable with Will than he is with anyone else, and how Will is always always there for him. We see how…

Will’s painting & monologue (aka his romantic love for Mike) soothed Mike’s insecurities and boosted his confidence. It made him ridiculously happy. And being reminded of this lie about El by Will himself ends up being necessary to encourage Mike to go ahead with his “love monologue”, which winds up indirectly causing a literal apocalypse. You cannot make this shit up lmao.

M!leven is entirely framed through Will’s experience. He’s in every scene except their fight, his pain and misery over them is never not the focus. Literally never. We are not seeing the story of M!leven’s love, we are seeing the story of Will’s heartbreak.

Nothing else matters. Like in the most clinical story writing terms, Mike’s character is not going to find out that the person who made him feel the most loved & understood is in love with him and is the one who actually feels all these things about him that just happen to align with exactly what Mike needs to hear to embody the truest and best version of himself, and instead of realising he loves that character back, goes nah I’m good I’ll end up together forever with the person who whilst dating them I became someone I was not and also had terrible self-esteem—oh and also the relationship is insanely immature. It’s that simple. Whether or not Mike currently believes he loves El or currently wants to remain in a relationship is so so so irrelevant. Storytelling doesn’t care what the character thinks he wants, it cares about what the character needs!

[shinjaeha]

thinking about how gyu ho was quite literally the light and love of young's life. how when they first meet, he's the one that presses that bottle to his mouth and asks if he's okay when young gets knocked down. how he travels all that way to young's apartment just to put his curtains up for him when he sees how the light bothers him when he sleeps. how he's the metaphorical ray of sunlight on young's face coming through the gap in those very curtains when he's counting all his moles.

how he's always smoothing out the crease between young's eyebrows when he's worried, like he's trying to smooth away his troubles. how his acceptance of kylie is so easy and simple bc he knows that it's something that young has opened up and trusted him with. something that he's never told another soul about, and it's understandably something painful for young to be so vulnerable about. how he tells young that he's still the same person with or without kylie. everything about gyu ho is a balm. the way he soothes and reassures. the way he loves.

that scene when they're kissing in the club for the last time encapsulates the very essence of their relationship imo. young doubting and constantly asking what happens if they argue again once they're back home, and gyu ho answering him so easily and honestly with "then we'll make up!" over and over again bc it really IS that simple for him. simple in a way that it's not for young who is never able to get past the doubt and insecurity of it all.

[xxplastic-cubexx]

it doesnt need to be said but its genuinely so funny how at-the-hip charles and erik are in krakoa like they really had the green light- the OBLIGATION- to be as obnoxiously close to each other as possible and abused that right to the fullest extent

[milkweedman]

Knitting a freehand bag and started wondering how often people even use patterns, anyway. So--how often do you use a pattern when you make things ? This include knitting/crochet/sewing/weaving/nalbinding/bobbin lace/tatting/etc but also things like woodworking, cooking, and baking. If you want to just pick the thing you do most often that's fine.

I personally do not use patterns as I find them far more confusing than just figuring out the construction of an item and simply making it. I do very occasionally browse ravelry for inspiration but have downloaded maybe 2. In the 5 or so years since I joined. And have followed exactly 1, which I modified every single aspect of. In my defense, dyslexia.

[vaguely-concerned]

I must admit it exhausts me a bit when people compare the interactions between the companions in da2 and veilguard and complain that the veilguard crew don't argue viciously enough or don't have enough fundamental unbridgeable ideological differences. like yeah it's almost like dragon age 2 is a game specifically about implacable human discord in all its forms and that's the theme the companions also build up under and provide a lens to look at. and perhaps. just maybe. veilguard is doing something different and also interesting thematically if you look at it for what it actually is, and its companions are playing into those themes instead (come become beside me my friend none of us have this figured out but at least we have each other along the way. you must struggle with who you are. despite the high high stakes on paper, veilguard (sometimes to its detriment, often to its advantage once you realize this is what it's doing) is really not that interested in outward conflict, between ideas or groups or individuals -- most of the real meat and potatoes is in the internal struggle of the characters with themselves and their identities, the ways they've been changed and also stay the same, it's weirdly deeply trans all the way to the depths of the narrative that way, as well as fundamentally being about trauma recovery. again, what you're ultimately fighting is not actually in the realm of elgar'nan and ghilan'nain at all, it's on the level of solas' despair and his regret over what he's done and who he's become).

tl;dr why are we pitting two bad bitches against each other etc. they're literally both pretty and I love them

[hneycmb]

"we need more morally complex female characters!!!!!" you guys couldn't even handle mabel pines

[septimusmoonlight]

You doing ok?

hi