#this is hypothetical because I have a family

[a-method-in-it]

The funny thing is that I have met cis allosexual aromantic men at aro meetups and like...they're just people. They are actually less threatening when they're real than they are when you're just imagining them as a hypothetical. They're just dudes looking for community and to connect with other people and to better understand themselves.

And like, aro-allos they have a lot of the same issues that aro-ace people do: other people projecting assumptions onto you; whether or how to come out to friends and family; how much friend breakups suck and how much worse they are when people around you don't treat them like the devastating thing they are; etc.

What do people think a straight cis dude who isn't really aro is going to do in an LGBTQ space? (I mean tbh the first thing he's going to do is get kicked out because of intra-community bigotry and wind up in an ace-umbrella space, but ignoring that since hopefully maybe one day it will change.)

Like, I have to imagine that if you're a heterosexual heteroromantic cisgender man, there are better things to do with your time than meet up in a coffee shop and talk about feelings with a dozen queer people.

Honestly, if this is something you worry about, you need to get off the internet and spend more time in irl queer spaces if those are available to you --- and if they aren't available to you, then you should perhaps develop some humility and examine your assumptions about these perfect queer spaces you imagine and have never experienced because I can tell you they probably don't look like what you imagine.

does anyone else remember when peoples talking point against asexuality being a queer identity was to make up a cisgender heterosexual but aromantic man who wanted to get in to all the lgbt society meetings or was that just an embarrassing thing people i knew did

[lu-is-not-ok]

Hello there! My friend introduced me to the Daiyu/Baoyu theory recently and I repaid them by immediately becoming crazy about Soda Hong Lu. Have you looked at Soda Hong Lu in the lens of this theory? Because half joking about this:

1. It is the only EGO that I can recall that features a transformation type sequence

2. In the corrosion, two shrimps attempt to check on the hallucinating Hong Lu/Body; he destroys them in the frenzy

3. It is an EGO that Hong Lu strangely has no Identities for in regards to archetype, Poise, and is one of the EGO for which Hong Lu has a dull eye. (Next Walpur might outdate this one but still squinting at it)

4. It is an Envy EGO, the sin associated with. Yknow.

5. In the pull animation, a shrimp is inexplicably focused on, crying from the same side Hong Lu's jade eye is on.

Idk if this is totally out of the ballpark here, but I'm seeing Soda as an EGO that represents Daiyu being dragged onto the 'boat', that being the family, as Baoyu guiltily observes, barely keeping it together under the idea that the 'boat' is the "better life" as seen on the log for Wellcheers in LCorp. They want to be able to pretend that the transformation is something that'll bring them fortune, just another process in the façade, but as the corrosion shows, one slip will doom them into inconsolable panic. It is an EGO that demands you provide to the group, but it is hanging by a thread. Do you see my logic. Shrimp Jia Family.

So, I'm gonna put it this way.

The things you pointed out about Soda? Huge. Like, they do definitely point towards something and I have my own interpretation of them to share.

Your interpretation of the EGO... I feel like it misses the mark a bit, but that's okay, because it very much can still be about the Two in One Daiyu Baoyu of it all in a way, thanks to the things you pointed out.

Let me explain.

Soda, both for Ryoshu and Hong Lu, is symbolic for their escapism, while also having some major themes of Reality/Fiction.

To briefly show what I mean by explaining Ryoshu's Soda - her form of escapism is that of indulging in the cruel Reality. Note how her Soda focuses on the Wellcheers drink itself - she uses the soda itself to attack, and in the corrosion she turns into the soda as well. Her EGO focuses on the cruel Reality that Wellcheers is a soda company that only cares about people consuming their product, she literally forces her target to drink it in her Awakening animation. Her Corrosion then focuses on the Fictionalization of that Reality, on the rumors that the soda can lead you to wake up on a ship in the middle of an ocean.

This isn't a Ryoshu post though, so if any Ryoshu scholars want to add onto this with their own interpretation of how that connects to Ryoshu's art and how she wishes to reflect reality in all its cruelty, be my guests.

Now, back to Hong Lu's Soda - for him, escapism is the reverse. He indulges in Fiction, his EGO reflecting the life shown in hypothetical Wellcheers' advertisements, happily fishing for shrimp among prawn on a ship in the middle of an ocean, surrounded by seagulls. Then, his Corrosion is the Realization of that Fiction, of what it would be like to actually live on a ship like that, having to hear seagulls scream and run away from you.

And this is where the details you pointed out come in. Because they made me realize something.

The 'Fiction' being symbolized by Soda? It's Hong Lu's current life as 'Hong Lu'.

Here's the thing about the Daiyu Baoyu theory - one of its many parts is that Hong Lu as a person does not exist. 'Hong Lu' is a fake persona. He's not a real person with an actual history, it's a character made up and played by Baoyu to cope with being forced to override Daiyu.

After all, it's not until after Canto 4, where Hong Lu becomes aware of Yi Sang's attempts of calling for help, that he starts actually saying concerning things. Until then he's tried his fucking hardest to make it seem like his homelife is as uneventful as a sheltered rich kid's homelife could be, with the anecdotes only getting more and more actually fucked up when it became clear his turn drew closer. Perhaps because that's what Hong Lu as an act was originally supposed to be - a rich kid like Baoyu but without his baggage, without his trauma. Until he started getting desperate and realizing that he too needs help, but couldn't ask directly without revealing he'd been lying this whole time, so instead he's sprinkling in more and more concerning things hoping Someone Will Get The Hint.

That little tangent aside, I believe this is what the magical girl transformation in the Awakening is meant to symbolize - Baoyu indulging in the Fiction of his new made up persona that is Hong Lu. After all, if you think about it, isn't it a common trope in magical girl shows for the girls to use pseudonyms and keep their true identities secret while transformed? Isn't that exactly what Baoyu is doing while he's acting as Hong Lu?

With that in mind, the prawn that gets focused on in the acquisition animation, the one randomly crying out of the equivalent of Hong Lu's jade eye, could be a little reference to the fact that under the act Baoyu is Fucking Miserable.

And then there's the matter of the ship. If the transformation sequence is a reflection of Baoyu becoming Hong Lu, then what is the ship about?

...It's the bus. The ship is Limbus Company's Bus.

Soda as an E.G.O symbolizes Baoyu's escapism via becoming Hong Lu aboard Limbus Company's Bus, getting carried around to "fish for shrimp" or perhaps hunt for Boughs.

Then there's the Corrosion. The seagulls screaming and crying all around him. The genuine anxiety and panic in his voice (listen to the original file for the voiceline without the effects if you can btw, it's so well acted - you can find it in the Organized Assets drive). The way others try to check up on him and he instead lashes out at them. How the animation seems to purposefully hide the actual enemies being hit so that it seems on first glance like the only things he's attacking are fellow prawn.

Ya'll... this could be another Distortion foreshadowing. Think about it. The realization that his escapist Fiction isn't enough, that the horrible reality he's living in has started to poke through and scream at him and cry at him. And the resulting breakdown causing him to lash out indiscriminately. ...Doesn't that sound like something that could happen with a Distortion?

Alternately, it could simply be a way to show in general what would happen once the act is stripped from Hong Lu. The fear, the panic. The pushing others away. A representation of someone whose escapism is a defense mechanism, and who, upon being stripped of it, cannot handle reality.

So, sorry to say Shrimp Jia Family is likely not the case. Thankfully, we can have the alternative of Shrimp Sinners.

On the other hand, here's a fun semi-related fun fact: the Sin Affinities of the Soda EGOs could in part be references to the two work types you can perform on the Abno to get the grape soda! Gloom representing Repression work, and Envy representing Attachment work. Neat, huh?

[audliminal]

Survivability Bias Pt 5

Masterpost Ao3

“So hypothetically,” Superboy begins, glancing over at Robin. “Say I met another meta, and they, like, needed a civilian identity...” He trails off, listening intently. Trying to get anything from Robin's expression is pointless - between his skill at maintaining his composure, and the expression obscuring mask, there's not a lot to be read on his face. Instead Superboy focuses on his heartbeat, which speeds up the smallest amount as Robin turns away from the tablet he'd been working with, and settles his full attention directly onto Superboy.

“Hypothetically,” Robin repeats.

“Yeah. You know, in theory, if that ever happened.” Robin stares at Superboy for a moment, presumably reading everything that's missing from his own face in Superboy's.

“Well. In theory, the Justice League has the means to grant any meta hero a full identity. Is this about you? Because honestly it's insane that they haven't bothered yet, and I will straight up make you one right now if you-”

“No, it's not about me,” Superboy interrupts. “But like, you could do that? Without the Justice League’s support, I mean?. Like, say if this hypothetical person really didn't want the Justice League knowing about them?”

“You met a meta who doesn't like the Justice League.”

“I don't think it's really about the Justice League specifically. I mean, they definitely don't exist, but if they did, then I would say that the second I showed up they were bracing for a fight. Like before they even saw who I was.” Robin sets his tablet to the side without looking, and leans just a touch towards Superboy as he talks. It's honestly wild, he thinks, how the other boy can manage such intense eye contact through white lenses, but, well, that's the bats for you.

“Theoretically, I could absolutely make this person an identity, if they did exist. But I would want to meet them first.”

“Cool, cool,” Superboy says leaning back into the couch. “I offered to introduce you and they said they'd consider it. I think, maybe they don't trust adults very much, bc they asked if you were our age.”

“Theoretically?”

“Exactly.”

* * *

Though the specific details as to when the founding member first became acquainted, it was only after multiple incidents of near-worldwide devastation that they realized the necessity of an organized front.

The details of the forming of the Justice League should be fascinating, if only for the revelation that world-ending disasters are, apparently, relatively common in this universe. In a way, it’s a comforting thought. Memories of Dan sit as heavily as ever in Danny’s mind, especially now that he’s effectively lost his family, just like in Dan’s timeline. Of course, here there’s presumably no risk of him getting fused with Vlad, so probably that specific threat isn’t likely, but - well, if it comes to the worst and Danny does go mad, there’s at least a reasonably good chance that the heroes here will be able to stop him.

On the other hand, this also means that if the heroes turn out to actually be evil or whatever, he has less chance of getting away. Of course, Superboy hadn’t really seemed evil, but Danny really has no clue if he would even be able to tell. Sure he’d known Vlad was a nightmare from a mile away, but Vlad wasn’t exactly subtle about his obsession with Danny. Evil steeped in calculation would surely be harder to spot, wouldn’t it?

“I don’t mean to interrupt,” someone says from behind Danny. “But are you going to be using that computer for much longer?” Danny blinks, staring back at the teen who’s looking at him nervously. Danny glances over at the clock, but it’s now reading 2:30, which means that he’s been here for like three hours already,and he really hasn’t read much of anything in all that time.

“You can have it,” Danny says, pulling back to shove his notebook into his backpack.

“You sure, man? I don’t wanna chase you off, but I really could use it. Physics project, you know?” 

“Yeah, I get it. Wasn’t really making much progress anyway. Might as well take a break.” Danny says. He never got to take physics in school, but he remembers struggling with lit class enough to understand the sentiment. And he really isn’t making any progress, if he’s been staring at the same Justice League page for multiple hours.

“You working on a history project or something?”

“Yeah.” It’s close enough to the truth.

“What teacher d’you have? It’s pretty cool that they’re letting you do it on the Justice League.”

“Oh, uh,” Danny quails for a moment, focusing on closing the tab so he doesn’t tell the kid he’s not going to school. After all it’s probably reasonable to assume the laws about delinquency are the same here. “It’s more about the meta protection acts than like, the Justice League itself. And I’m not really local, so...”

“Ah, that explains why I don’t recognize you,” the other teen grins.

“Yeah,” Danny says, stepping back so the other teen can take over the computer. “Well, good luck with your physics project.”

“Thanks, man, and good luck with your meta-acts essay.” The other teen turns his attention to the computer as Danny steps away, heading for the library exit. Clearly research isn’t going well today, and Jazz would definitely yell at him for trying to force his brain to focus when it clearly doesn’t want to. He pauses outside for a moment, trying to remember what Jazz said to when your focus was shot. Obviously part one was to take a break, but he’s certain that she’d had more to say than that.

He thinks he remembers her going on a rant about monotony, and boredom, but he doesn’t really feel bored. Actually more than anything he feels wired and anxious. And anxious means he should...

“Turn slow tigers into fast tigers,” Danny mutters, gaining a deeply confused look from the couple other patrons standing outside the library. He ignores them, though, and starts heading for the nearby park, so he can do some stretches. Fast tigers means he has to exercise, which he would usually complain about but- well, his routine has definitely been a lot less active since he got here. Other than the train crash the other week, Danny’s been spending most of his time sitting and reading, and while it’s been insanely nice to have nobody hunting him, honestly the idea of exercise sounds almost horrifyingly nice.

He does his best to run through the kind of stretches he remembers doing in PE, warming himself up as best he can before starting to jog the little looping path. The jeans make it a little more annoying than he remembers in PE, but luckily they’re kind of loose, so they’re not too terrible to run in, and Danny has no intention of going very fast. There’s too many people around even if he wanted to, and he does his best to be polite and not in the way as he jogs. it doesn’t take long for his breathing to go heavy with exertion, and as he finishes his second circuit, Dannyt relaxes into it, and just lets himself run.

Thirty minutes later, Danny is feeling markedly more tired, and he lets himself slow to a walk. His heart is thudding rhythmically in his chest, the occasional stutter only more prominent in the heightened pounding, and his legs feel a little wobbly, but he keeps walking, The sweat he’d worked up feels gross against his clothes, so probably he could’ve gone about it better, but Danny figures a whole thirty minutes without worrying about his existential situation is more than worth feeling gross for a bit. His usual tactic of sneaking into the local gym while it’s closed isn’t gonna cut it during the day, so he’ll have to wait to shower, but in the meantime, he can walk off the remaining adrenaline, and decide what to do for dinner.

* * *

“Hey, did you really mean what you said about me having a civilian identity?” Robin looks up as Superboy sits in the air beside his work desk.

“I have four different identities, ready for you to choose from,” Robin says.

“Wait do you just keep possible identities around in case anybody needs them? Is that, like, a Bat thing?” Superboy leans over to examine the tool Robin had been working on. Like everything else he uses, it’s emblazoned with a bat insignia, not that the marking does anything to help identify what the little machine even does. It’s ridiculously small, definitely not any kind of weapon, unless Robin’s been tinkering with the idea of murderous nanobots, which honestly wouldn’t be that shocking. Of any hero Superboy’s ever met, Robin seems uniquely predisposed towards mad scientist-type stuff.

“I keep exactly two emergency identities on hold, but those are separate. I was talking specifically about identities for you.” Superboy freezes, turning his eyes back to Robin, who looks at him like this is a perfectly normal thing to say. Superboy is at least ninety percent sure it isn’t, but what the hell.

“What the hell,” Superboy echoes his own thoughts. “Why would I ever need four identities?”

“You don’t need four, you need options. There’s no point in giving you an identity you hate.”

“Okay, but people don’t get to choose their names? So why would I care.”

“Most people don’t choose their names because most people receive them when they’re babies, but everyone has the ability to change it later if they decide they don’t like it. You have the unique advantage of being cognitively developed enough to have a say from the beginning, and you should have the opportunity to use it.”

“Huh...” That’s actually kind of sweet. “Do you like your name? I mean, like, that’s not why you don’t want to tell us, right?”

“My name is adequate,” Robin answers slowly. “It’s mine and I am... accustomed to it. The reason I haven’t told you my name is because it... implicates the other bats, and Batman considers that to be a significant security risk.”

“Oh, yeah. I guess that’s fair. Could I see the names you were thinking of?”

“Certainly,” Robin says, pushing back from the desk. “Let me get my tablet.”

* * *

“Uh, Superboy?” Danny shouts, trying to ignore how fucking ridiculous this feels. “Are you, like, free to talk? I think I want to meet your friend.” He’s hovering in the sky about a mile out from his town, in as close to the middle of nowhere as he could manage. He’d done a bit of looking into Robin this morning, before making his decision, and what a wild discovery that Robin was a name that had been held by multiple individuals. It makes him think of Dani, and he almost hopes that wherever she ends up, she might use the name Phantom too. After all, if anyone else rights to it, it would be his genetic clone.

Danny has no clue if time is flowing the same here as back home, but with any luck his friends have managed to orchestrate Dani’s escape too. It was always going to be a little more dodgy than Danny himself- his death being inherently tied to the portal had meant it was a bit more responsive to him than it otherwise would be, and that detail had been pretty quintessential to the rewiring that had needed to be done in order to send him to an entirely different universe, but they’d been hoping that her nature as a post-portal clone would mean that she had a close enough tie to the portal to send her through as well. Not that Danny would likely ever get to know for sure.

The soft rush of air alerted Danny to someone’s arrival, and he just managed to keep himself from falling into a defensive posture as he turned to look at the newly arrived Superboy, and the other teen being carried in his arms. Danny recognized the other boys outfit as that of the current Robin, who was now staring at Danny through a pair of disconcerting white-lenses set into a domino mask.

“We were free so I figured we’d just come meet you?” Superboy says with a nervous grin.

“Yeah, that’s, um, kind of obvious. Should we land?” Danny’s pretty sure that none of the Bats have flight, and like, as much as flying is cool as hell, Robin doesn’t look particularly impressed by it.

“That would be preferable, please,” Robin says, confirming Danny’s thoughts. He nods, and heads for the ground. Superboy follows just as quickly, and a moment later they’re all gathered on a gravel road in farmland.

“So, uh,” Superboy begins, once he’s deposited Robin on his own two feet.

“You told him about me before,” Danny says. Superboy may have had plenty of time to fly over here, but there hadn’t been enough of a delay to have explained the situation to Robin just now.

“It was an entirely theoretical conversation,” Robin offers dryly, before Superboy can respond.

“What does that even mean?”

“It means that he was asking if I could theoretically help a meta acquire an identity if they were uncomfortable with the Justice League. Nothing of it was mentioned to anyone else and he told me no details about who any theoretical metas might be.” Danny blinks, taking a moment to process Robin’s explanation. In a way it makes sense, and he can see why Superboy would want to make sure that what he was offering was even possible.  Besides, it’s pretty obvious already that they both really trust each other.

“Okay, sure. I guess I get it.”

“I would like to know why you’re concerned about the Justice League, though, if you’re willing to share. If there’s anything illicit happening-”

“Oh, no, it’s not like that,” Danny cuts in as soon as he realizes where Robin’s going. He’s suddenly glad he’d already decided to explain his situation in more detail. “It’s like, I’m not from here so my shit is entirely unrelated? It’s just, they’re -you’re?- associated with the government, you know?”

“And your government is a threat to you.”

“Honestly, everything was. But they can’t get to me here. It’s why my friends- that’s why I’m here.”

“Okay, but are you sure you’re safe? Because like, space travel is a thing, and if you need protection...” Superboy trails off, looking concerned.

“I mean, it should be fine? Even if the GIW did manage to figure out inter-dimensional travel, I’m pretty sure they wouldn’t be able to figure out where specifically I went, so yeah.” Danny really doesn’t want to think about a GIW that’s gone inter-dimensional.

“Well if they did manage to make it here, they would be breaching the meta protection acts if they tried anything, so I hope if that does happen you inform myself or Superboy.”

“Yeah,” Danny laughs. “It’s honestly been kind of crazy trying to wrap my head around the idea I have protections here?”

“That’s understandable. Plenty of meta-individuals have complicated feelings about them, even if they grew up here.”

“Oh?”

“Well, just because it’s illegal to exploit or discriminate against someone doesn’t necessarily mean it doesn’t happen. And metas who have been treated poorly often have trouble trusting in the protection acts.”

“Or sometimes you just didn’t get that info programmed into you and then you have to adjust to your understanding of history being manufactured,” Superboy mutters under his breath. Robin doesn’t react at all and Danny’s pretty sure he wasn’t supposed to hear it either. The implications are a bit concerning, but Danny’s not about to press him on it.

“Yeah, I mean that’s kind of where I am, I guess. I think I’d like it if you’d be willing to make me a legal identity? I’m basically homeless at the moment, so I’d like to be able to get a job or something. But I’d really rather not end up on the Justice League’s radar yet. You guys seem nice, but databases are- a lot.”

“Easy enough. I can actually do it all with my personal resources, so the info never goes anywhere near the Justice League’s databases. We just need to determine what name history you want to have.”

“I mean, I’d like to keep my name, if possible?”

“Sure, What’s your name?” Robin tilts his head.

“Danny Fenton.”

[38sr]

same anon that asked about shadows ! , i have another question , how does different budgets for different animes change the way it is drawn , animated etc , like how does it go from average to ultra quality like demon slayer for example ..

Ah so with anime it’s a very nuanced topic. Firstly, I want to preface that what I am about to say is strictly from my experience working in anime for three years now and even then I would highly implore to study the Animator Dormitory Project to learn from animators who are PHYSICALLY dealing with the imbalanced system that is the anime industry. ALSO, it is important to clarify more money does not equal better art visually. More money means more time and resources. How you use said resources and time is what determines the quality of art (as well as the quality of work environment for the people making said product). If we were to follow the logic that more money equals better art, that would mean the average Family Guy episode should look like an average Demon Slayer episode. That is simply not the truth because 1) every production is different therefore their needs and overall artistic vision will differ 2) you’d be surprised on how the money is actually spent versus what you think it should be spent on (ie American animated films choosing to do celebrity voice casting which eats up a shit ton of the budget when that could have gone to the production crew’s schedule and needs). So with that, please understand money does not play in the ways you think it does (ie if it makes the drawings better) but it cannot be denied it’s one of many factors. Alright?

Basically, anime is funded through production committees which are a group of investors (such as manga publishers, merchandise manufacturers, tv broadcast executives, etc). In America, we have a similar system known as the AMPTP however unlike America where an investor can invest in cross industry projects (ie. Mattel can invest in toys and film entertainment) in Japan they can only choose one industry. This leaves budgets for anime to not become incredibly inflated like we have here in America (ie most blockbuster movies nowadays). BUT because of this rule along with the rule of budget caps, the actual budgets of full seasons of animes have not changed much since maybe the 1960/70s. To bring it back to Family Guy, the average episode of that show from script to final broadcast has been reported to cost anywhere between $1-2 million PER EPISODE. If you multiply that with the full episode order (let’s say 13 just to match the average season of anime), you’re working with $13-26 million FOR A SEASON.

Anime, specifically TV anime, is not seeing that. Shinkai’s Your Name was reported to have $4.5mil for actual movie production (not including the advertising budget which would make it 7.5 or roughly 8mil). $4.5mil. For an anime film.

$4.5 million is a good (and rare) budget by American TV animation standards for PER EPISODE. Unless you’re like, Disney or something you can afford to do that but most average American TV animation is anywhere between $1-3 million per episode. And the average anime is seeing that $1-3mil PER SEASON due to budget caps. So if we do the math of dividing that $1-3mil across 13 episodes (and I’m gonna do this evenly because this is a hypothetical and in reality some episodes do have more money put into for more TIME and RESOURCES)…that would mean your average anime episode, from script to final broadcast, is only seeing a couple hundred thousand dollars unlike here in American where we have a couple million.

And so at this point you’re probably thinking, “Wait, this doesn’t make sense. How can Your Name look like the way it is if that’s what America could spend on a single animated episode? Why is there such a wide disparity between the actual budget versus the final product’s visuals?” And that, my dear Shadow (sorry if that came off weird) is where we have to talk about communication. You see, even though Demon Slayer might not be seeing the same episode budget like we do in America what Japanese studios have in spades that American studios spent over 2 DECADES eradicating is in house layout and animation teams.

The reason why anime looks the way it is on such smaller budgets is quite honestly because they are communicating with each other in real time. In America, we ship our storyboards to a studio overseas (usually Korea, Philippines, India, etc) where we are basically playing a gambling game of whether or not the overseas studios produce the desired work we want. And spoiler alert: it hardly ever truly happens because of language barriers and these overseas are often not given enough money (remember that means time and resources) to actually succeed. Hence, you go into retakes which cost money and spend it back to overseas which cost money, and then it comes back and retakes are still needed which cost money yet again and I think you’re beginning to see why this system in American studios is awful.

Because the amount of money you spent doing that back and forth with retakes and shipping with an overseas studio who was not set up for success could have been spent on having an in house layout and animation team like they do in Japanese studios.

As someone who has freelanced on animes as well worked at vendor overseas studios for American made productions, I cannot understate how having that instant communication (as well as cultural understanding) can drastically change how things get animated. Being able to talk to your director about their intent for a scene at an instant is much more productive than waiting 6-8 months for a Russian roulette bullet. So my point is, the direct communication Japanese studios have within is the true unsung hero as to why 1) visually beautiful shows like Dandadan or Demon Slayer exist 2) they are able to have such a wide variety of visual styles under the anime umbrella because Japanese studios do value auteurship just a tad bit more than American studios who as of late is homogenizing our media cause it’s “safe”.

Also, another component that can factor into why anime looks the way it does despite smaller budgets is because Japan as a society heavily values reputation. On one hand, it’s cool that artists are willing to come together to bring the vision of an artist they admire to fruition. But on the other, it is often used to exploit these artists into very shitty work situations (ie me when I worked on JJK). It’s such a hard thing to talk about because as artists we do tend to sacrifice our well being for the sake of art but I could understand why someone on the outside might feel confused (or frustrated) that we would choose to put ourselves in a poor situation. Sometimes, you’re just willing to take a lesser pay and tighter deadlines to work on a project that speaks to you creatively. And it really do just be that. But for the case of anime, it is often because these artist want to work with a person they admire so who I am to judge them when I’ve done the same haha. But my point being, because Japanese studios have that in house communication and are more open to artist auteurship there’s just more room to have visually distinctive episodes, animated sequences, designs and so on despite the budgets not being the greatest (if we’re going by American standard of living because it is objectively true that Japan is not as costly as places like NY and LA).

I could go on and on about this but I think this answer has become way too long haha. But in summary, Japan isn’t seeing as big as budgets as you think you are from an American perspective. Anime budgets virtually have not changed that much for decades despite it being mainstream and incredibly profitable. I will add that studios like Kyoani and Ufotable have the advantage of potentially self funding their projects, which allows more creative power to the studio itself rather than having to comply to the production committee’s whims. But those studios are like….rare gems ‘cause they chose to nurture talent and be selective with their art over time as opposed to Mappa who is spreading the talent and production crew super thin by adapting too many shows. What makes the art in anime look that way is more so a result of passion and respect for the craft (as well as they’re just open to a lot more versus American execs who are risk-adverse). It would be great if they were given more money so they weren’t producing episodes on such tight schedules (usually a handful of months before official broadcast) but it’s really a testament of how they effectively allocate the money where it’s needed as well. It’s truly an amazing balancing act in a system that’s equally imbalanced.

Phew, that was a long one but I hope I answered your question. And with that, always remember kids that money does not equal better art. Money means more time and resources and how you use it is what determines the overall artistic vision of a production.

[sparrowlucero]

It doesn't happen like that very often because it's not very random. Like humans, they pick up social cues from the people around them as they grow up and conceptualize themselves through those. Their shape is like someone's accent, religious background, anxieties, politics, relationship to race and gender, etc. Even slightly not fitting into the social norms of what their "species" is meant to be is often a very troubling and dysphoric experience. (I should clarify here that the "species" of fairy are not distinct fantasy races but quite nebulous social designations, a way they quantify traits like "bird-like" "plant-like" etc. so, for instance, a goblin that grows up to have a toothy beak and wings and a long tail may be thought of as a basilisk, and the associated stereotypes of being seen like that will further influence their looks.)

For example, a fairy who's born to harpies and raised to think they're supposed to have wings and talons and sharp eyes and a taste for mice and be able to live on the cliffs and that's what's proper and normal won't just end up looking like a lady with a fish tail one day at random, they're going to resemble what they believe they're meant to look like to some degree. They may, however, grow up and start to feel personally at odds with their family and community and end up subconsciously thinking of harpy-ness as something less inherent to their identity.

What's more likely than housing issues from this is interpersonal ones; most people have a fairly conservative idea of what constitutes a "real selkie" or a "real dryad" etc and this often has big social/legal ramifications; they do get rejected by their families and communities for it, quite frequently, before they'd even get the chance to grow into something very different. That hypothetical hatchling who was raised as a harpy could easily get kicked out of a household and excommunicated for not developing wings because something is obviously "wrong" with them

thinking about revisiting my personal dumb high school/early college fantasy setting (everyone had at least one)

[solis-angelus]

Sorry, this is a dumb question. Hypothetically, if a person checks themselves into a mental hospital/rehab how much money do they need to pay? What if the person has no family or doesn't want bother their family with shit, so is going alone like enough? (Asking for a book thing)

[If u respond, please mention the respective country]

[puhpandas]

I literally cant imagine beckory any age below 14 because it only works if tony develops as a person and also if they're a bit older + gregory has had time to get used to having friends and family 😭 which is why 12yo default gregory is still 100% a family boy aka his new fam is all he needs for the time being

[dailycupoftrauma]

It's wedding season y'all

[aryesdanger24]

@menofprogress id love that shit so fucking much. Give me more Milo and Clagor shenanigans, give me Vander and Benzo becoming friends, I want Powder blogging about her newest inventions, give me more Heimerdinger and his year alone in an alt universe (his music journey), I desperately need more about Zaun and what it was like with the poison gas!

Give me the aftermath with Sevika, give me post breakup with my bestie (or brother/maybe more) Silco and how he decided to build his power and how.

GIVE ME HOW VANDER AND SILCO MET!

Oh, how Ekko handled the aftermath of Vanders entire family dying and how he picked himself up.

Give me the Jinx who was still trying to get her creations right with Silco.

Give me the story of Elder Arcane God Viktor realizing in his solitude that he had made a mistake and trying to fix it actively. Give me training days Caitlyn at the Enforcer Academy!

Give me Jayce's journey from being a disgraced scientist to being fawned over (he would be so naive in the beginning and make some wrong deals)

I agree....a TV show or even a small YouTube shorts called Arcane and the Character Keys where they dive into showing an unseen part of a character...like (these are hypothetical) Ambessa having a deep and soft affection for Black cats, Viktor having a deep seething hatred for a rude Barista and their daily yelling session where they insult each other and do it again tomorrow, Mel having a weakness for goofy princess like dresses despite them not being in fashion, Vander being an absolutely bad shot at anything he throws and it's just clips of him throwing shirts or random things and failing miserably, or like Sevika having a 2nd job because Silco told her to have a break so she got a second job to stay busy except everyone bugs her 😆 🤣 😆

I get why the plot in arcane is so tightly knit and im so GLAD we got as much as we did, but can you imagine if arcane had the capacity for filler episodes?

Jayce and Viktor lab shenanigans, more of how Mel became the richest person in Piltover, little Jinx making Sevika's life hell, Ekko building his community, Vi being a pitfighter or running a prison gang, Cait solving crimes, more Ambessa backstory, as a whole more backstory and flashbacks for everyone.......

[porekawa]

[grinchwrapsupreme]

book runs based on tv shows are usually mediocre at best, like star trek, torchwood, doctor who, etc etc, but i would give anything to get a book run of the BBC Ghosts hotel i need to know what shenanigans those guys get up to in there

[todayisafridaynight]

NO YOU’RE SO RIGHT ABOUT THE MAJIMA STUFF THOUGH. GOD. God forbid you speak poorly about the fandom silly guy etc etc. I rt’d one post about someone being annoyed abt majima getting an insane amount of merch (especially compared to other characters- even other PLAYABLE characters) and suddenly my TL is filled with ppl taking it as a personal attack….. like?? Settle down???

My one fear is that instead of Mine content we’re just gonna get Majima Saga 2 for yk3 and rgg will call it a day. WHAT ELSE IS THERE TO SAY ABOUT THE GUY !!! GENUINELY!!!

at this rate we’re going to have a complete record of Majima’s life from birth until modern day bc you knowww they’re never gonna let the cash cow die or retire. + god I lowkey need the 3jimas to break up Now so saejima and daigo can stand on their own again (w/out being overshadowed by Majima)…. Saejima especially… I miss the days when he felt like a character………

(I may have a lot to say on the topic) (he’s a fun character but at this rate I’m getting so sick of the fandom around him)

gen is kinda funny how when there's the Monthly Critique Of Majima post on twitter the rggtwt part of the tl is flooded with majima fans being upset. its like clockwork really LOL

as for saejima, i do miss him being solo... like he's funny with majima at times, but as wack as Y4 was i still really liked his coliseum scene, and his prison adventures in Y5 were a real treat too..

[salemontrial]

Firing rent lowering gunshots by admitting that i dont care what happens surrounding mks origin im dying on the spicynoodles ship.

[arctic-hands]

My parents make better friends than they ever did spouses and like that was painfully obvious to me at age ten to the point I was pleading with god during my christian years by saying "I know divorce is a sin but I'll take the punishment if you let them divorce" but for whatever fucking reason they thought it was better for me to wait until I was eighteen to split and then they marvel at how all my romantic options just end up being friends and how lonely I am romantically

[aritany]

i’m beginning to think there’s a kind of indestructibility that comes with the territory of your first heartbreak being from your parents.

like, what are you going to do to hurt me? my superheroes chose religion over me. good try though

[iras17514]

i love studying childbirth because it just reaffirms my resolve to never ever do that ever ever ever