#this is actually way more depressing

[sevikasenby]

ah yes the most ideal way to make yourself not sad anymore is to definitely think about a fictional character who will never be real trying to comfort you

[iliothermia]

[poorly-drawn-mdzs]

Council of lovefools.

[First] Prev <–-> Next

[territorial-utopia]

Huzzah! It's birthday time! I'm slowly accumulating more and more things I like (latest additions this vest I made and a travel typewriter! Still need to fix the latter one though)

Sure has been a year.

[yuripira4e]

trying to explain to other otasune fans that snake is NOT the one with internalized homophobia in their coupling

[carionto]

What Humans call the "Thousand Yard Stare"

As more and more Humans interact with and integrate within Coalition stations, reports, closer to hushed whispers really, began to circulate of some Humans being... discomforting... to be around.

Initially we thought it was just rudeness or passive aggressive behavior or any number of subtle actions or choice of words, no matter how advanced or civilized there will always be some assholes.

However, when some of these "offenders" were presented to us peacekeepers, we found them to be perfectly polite and reasonable. As our conversation continued and shifted topics, whenever there was a lull or the focus was on another speaker for a longer time, the Human's gaze drifted somewhat.

Sometimes she would look to the side and it was harder to tell what her exact expression was, but every so often she would be looking at one of us, but... not. It was as if she was staring at something behind us, through us even. Beyond the walls of the station, it even felt as though beyond space and time itself.

It was one of the most unnerving and chitin-chilling feelings we've ever felt, but then the Human seemed to notice our change and became that friendly and cheerful person once again:

"Sorry, my mind drifted there for a bit. What were you saying?"

And the conversation continued as if nothing was out of the ordinary for the Human.

Upon our return to our office, one of the Human peacekeepers heard about our impromptu assignment and offered this explanation after we told him what happened:

"Oh yeah, I think that person was a retired firefighter or rescue worker of some kind. Professions like that can be dangerous and you'll eventually encounter something horrible at a disaster site or crime scene. Probably saw someone die, or a person they rescued later didn't make it, or it was a kid... It's the toughest when you're the last one a child sees before..."

There it is again. That look, but with a tinge of sadness this time. We didn't know he was carrying such memories. The untimely death of anyone is a difficult time for those that survive, especially when it is the young whose life was still just starting. It seems Humans with their heightened senses and sensitivity to the feelings of others these kind of experiences imprint a far stronger memory than for most.

"Anyway, we've got a bunch of names for such things, but typically we call it the thousand yard stare. It's an old measurement unit, don't worry about it. I think the meaning may have changed a bit over the years, but basically some people go through traumatic stuff and they decide, consciously or not, to sort of... detach themselves from reality. It's a coping mechanism.

A few people thrive on horrible things, but they're the exception. Most of us would go crazy or depressed or any other infinite bad possibilities our brains can go in if we don't find a way to separate ourselves from certain realities. It can get real bad otherwise. It's rare, but a few go truly nuts and try to inflict their pain unto others. Most end up suffering alone for a long time. And some can't take it anymore and decide to end it themselves.

Thankfully therapists and support options are widely available, so those kind of scenarios are really rare, like... suicide accounts for about three out of a hundred thousand deaths last time I saw those charts. Plus drones and automation take care of most of the dangerous tasks, leaving the vast majority of cases to be caused by interpersonal relations actually. A broken heart is one of those traumas we'll never get rid of it seems. That's just life, I guess."

[sanasanakun]

I guess I find the shipping discourse a little funny because fandoms are gonna create ships regardless of the subject matter. I think really heavy, depressing media creates a need for people to see human connection. It’s like a way to cope, you know? More importantly and specific to this game (Mouthwashing), I also find it a little funny just because the devs themselves seem to be leaning towards ~one~ “ship” by retweeting artwork that depicts them as pretty close and protective. They even did an edit of them on that Florence Pugh and that one white guy romance movie with a “what could have been” caption. Sooo tldr the ship drama is kind of dumb. Please block and move on cause the discourse is taking up space on my feed when I’m trying to look for more art of Daisuke lmao

[moeblob]

Yeah! I haven't read any fics focusing on them but I have seen that they exist! And also there's like a five sentence interaction in a fic I read ages ago that lives rent free in my brain. I think about it all the time when I draw Sixty.

[ecstarry]

“Thank you for everything, baby.” Regulus pulled him closer and placed a tender kiss on his forehead.

James watched as the last person left his house. He closed the door and turned back to check out what was left, a few plates, some cups and a whole lot of fucking silence. 

He stayed there, standing up and simply staring, unable to do anything. He could just go upstairs to his room, he could clean, he could’ve asked Regulus to stay a bit longer and help because he isn’t good with taking care of himself right now. But no. James is just there, standing, watching, unable to move. 

His phone is on his hand, he heard Regulus start the car but hasn’t left, he wouldn’t even have to call him. James could just step outside and ask. But he doesn’t. 

Regulus leaves, and James is still there.

There it was, the lump on his throat that kept coming back time and time and time and time again. He doesn’t even know how, but it’s there again. He wants to cry, he just doesn’t understand why. He has it all, doesn’t he? He knows he does. 

He sauntered backwards towards the nearest wall and let his knees fail him. He crumbles.

It was a good day, an even better week if he compared it to the last one.

Why, why, why, would his mind keep playing chess with him? He never fucking liked games anyway. 

He was okay. He was? He wants to be. He thinks he is. He hopes he is.

[fatedroses]

When a test of a prince's taste backfires horribly. Or, how Alisaie gave herself psychic damage for not realizing this man may not act like how she imagines and she's suddenly being thanked for giving the worst food on the star to him.

(or, even, indirectly giving Meteor and Tsukiko psychic damage as Meteor refuses to let Zenos eat that god forsaken bread and has to hold him back like a misbehaving cat away from it.)

[atopvisenyashill]

Thoughts on the Alysanne is Maegor's daughter AU? I feel like it has some interesting potential, and it vastly recontextualizes different parts of Jaehaehae (I do not like him sjsjsjs) and Alysanne's relationship (such as Jaehaehae's treatment of their daughters) but I wanna hear what you think about it!

I’ve touched on this a bit before but since you actually want to hear my thoughts, allow me to present to you my Jaehaerys Is The Goddamn Worst, And Alysanne Annoys Me Too: An Essay lmao but my answer is basically “yeah all of what you just said.”

I think it makes Alysanne much more palatable (to me) as a character because as she stands, she just fixates on forcing her daughters through these fucked up marriages at too young an age bc it traumatized her to be married and pregnant at 15 too but she’d never admit that being a willing participant in her own kidnapping by her brother-husband was the single worst thing that ever happened to her, and because Alysanne doesn’t want to admit it (and Jaehaerys would never see it as wrong or a mistake) F&B really shies away from delving into the fact that Alysanne is as deranged of a mother as Cersei is. So as she stands, she’s very flat to me because she’s presented very flatly and inconsistently. She’s so in love with Jaehaerys, she’s maritally raped by Jaehaerys, she’s a loving and doting mother, she forces her daughters into marriages when they’re the same too young age she was, she accuses her teenage girls of being scheming whores then gets angry when her husband accuses their teenage girls of being scheming whores, and worst of all we are just told “Maegelle tells them to make up so they do” so we don’t know why Alysanne gets over all of this. What is the point of riding a dragon when you never use that dragon to protect your daughters from unwanted teen marriages? We’re just not given a good enough justification for why her behavior is so weird and frustrating towards her daughters.

Make her Maegor’s daughter though…most of her behavior as an adult makes more sense. Like a worse version of Rhaenyra’s childhood almost - a father desperate for a son, but lowkey obsessed with his daughter, who makes all his hang ups about his parents the problems of every woman around him, except Maegor is out here blood sacrificing and torturing and starting wars and forcing babies on wives he discards quickly and brutally. Then here comes Jaehaerys on a white horse green dragon to save her from the horror her life has become, and he loves her so much he runs away with her even though Alyssa says they shouldn’t marry because people won’t like it. And they have beautiful children, and a beautiful marriage, and build a beautiful kingdom.

Then her pregnancies start getting dangerous. Gaemon, then Valerion, die. Alysanne thinks of the shriveled up mutants she called brothers, if Maegor’s taint has passed to her. Her perfect husband ignores her no, and forces Gael on her. Alysanne remembers that he said nothing to Rogar when Alyssa died, merely wept. Then her daughters start to die. Daella, Alyssa, Viserra, all within a few years. Then Jaehaerys makes Saera watch as he murders her boyfriend, calls her a whore, and says Alysanne cannot follow Saera to Lys. Alysanne thinks of Maegor torturing the Harroways over Alys’ presumed infidelity. Jaehaerys says he’s sorry, and her daughter badgers her into forgiving him, and she remembers how she helped Jaehaerys badger Alyssa into forgiving Rogar. Not two years later, Jaehaerys passes over Rhaenys. Alysanne thinks of how she was never enough for her father, how she felt so superior to Rhaena banished to Dragonstone and resented by Aerea, yet there she is dragging Gael away from court because she can’t stand to be with Jaehaerys. How her father was surrounded by dead women and dead babies and how Jaehaerys is surrounded by his own dead daughters, but surely she did the right thing, surely Maegor was worse, surely the realm is better off? Is he right to pass over Rhaenys? Is she enabling a man just as monstrous as her father? She will never decide, because Maegelle will guilt her about keeping Gael isolated at Dragonstone, and Alysanne will do as she’s told, just like Rhaena, and Alyssa, and Jeyne, Elinor, Ceryse, Alys, and Tyanna, just like every one of her daughters.

I do get why Alysanne is Alyssa & Aenys’ and not Maegor’s. The weird Targ babies, the line not descending from Visenya, Jaehaerys and Alysanne being held up as the perfect Targaryen couple specifically because they are brother and sister and dragon riders. I do even think canon Alysanne is likely traumatized by her time as a hostage on Dragonstone, and the ensuing war, and the trauma bond that caused with Jaehaerys, and it makes her idolize Jaehaerys, and then he isolates her at Dragonstone so he can swiftly and safely marry, groom, and knock her up. It’s not like,,,, a fun time, and it’s enough to make anyone crazy and weird about their daughters, but I think having her father be Maegor makes Alysanne herself much deeper because it gives her, as the most beloved Targaryen queen, a blood tie to the most hated Targaryen king, and a marriage to the most beloved Targaryen king. It fits better with a lot of the themes of the main series (again, imo) - forcing the spotlight on the outsiders to see how the affect the story from behind the scenes. The fall of Aegon’s sons, and The Long Reign, not told from the PoV or to serve the PoV of any of the kings or princes, but of the queen that tied them all together.

[bumblingbabooshka]

T'Pring and Stonn from the @startrekswimsuitspecial

[poorly-drawn-mdzs]

Bonus 13: Beware the Grapes of Wrath.

[First] Prev <–-> Next

[tearwolfe]

i'm unable to draw any character without including tsukasa

[sundial-bee-scribbles]

i realized they had the same birthday (dec 21st) so i was like "yoooo i should draw them together"

silly bonus:

[aroaessidhe]

2024 reads / storygraph

The Brightness Between Us

twisty YA sci-fi, sequel to The Darkness Outside Us

17 years later, Ambrose and Kodiak are raising their two surviving children on an isolated planet

their rebellious daughter wants to explore further, but after making a small discovery she learns there’s more about their circumstances than she knew, while her reserved older brother is going through some strange experiences of his own

with a dual narrative of Ambrose and Kodiak on earth before they leaving to space, finding out the truth about the titan mission, and learning more about the resistance in a dying world on the brink of war