#this is actually more how I imagined the scene would go when I originally wrote the chapter the first time

[morningstargirl666]

hi, how's it going? love tbbw and all your other works! any wips in progress?

im fairly new to the fandom and was looking for a few good kc authors...any recs for fics and/or authors?

Hi! Thanks so much for enjoying tbbw! I'm not really working on anything else other that tbbw right now, but I do have a ghost!caroline au somewhere in my pile of drafts, as well as the next chapter for Divided We Fall and Songs of the Sea --- not that they're anywhere near finished 😂.

But if you meant what I'm working on for tbbw currently, I'm up to the old chapter 30, which is now split between chapter 41 and 42 in the rewrite (yes, it became two chapters --- not at all SHOCKING). I'll share something I worked on just last night under the cut.

As for kc authors.... so many good ones! @cupcakemolotov / cupcakemolotov and @lalainajanes / LalainaJ and @lynyrdwrites have hundreds (and I mean that literally) of kc fics under their belts, spanning dozens of aus. @bellemorte180 / BelleMorte180 also has done a ton of aus with many of them multichaps --- my favourite of hers is a one-shot called The Howling. @helpless-in-sleep / perfectpro has written an absolutely transcendant fic that deals with Caroline's trauma with Damon and I'm told her Adams Family AU is a kicker too. @little-miss-sunny-daisy / sunnydaisy has written a mix of brilliant aus and canon divergence fics, much like perfectpro. If you're into canon divergence and multichaps, @stars-and-darkness / for_darkness_shows_the_stars is your gal. @ks-caster / KS-Caster is much the same. It's not personally my thing, but if you liked the baby plot, @galvanizedfriend / Yokan has got you covered with The Wolf. @kirythestitchwitch / KiryTheStitchWitch is currently organising @klarolinewinterexchange which will release some new fics into the wild soon, and her own fics are legendary too.

If you want to check out some relatively new authors (that I've met recently anyway) there's @accidental-rambler , @artemisravencourtney , @impossiblekryptonitecolor , @averseunhinged and probably many more I'm forgetting. And because I can't leave my fellow kc artists unmentioned, @certifiedceraunophile @the-road-betwixt @stardust414 @push1na @highgaarden have all done some Queen Shit in this fandom and need to recieve more love, so go check them out.

As promised, here's a little sneak peak for tbbw --- Sam is NOT having a good time hehehehehe

Turns out, getting shot in the head was just as pleasant as it sounds.

The pain was unlike anything else when he woke; like a hot poker had just been shoved right through his skull, searing through the tissue behind his eyes. But before that, before he became aware of the pain, woke to the world around him — there was the in-between. 

A vampire’s soul didn’t cross to the Other Side when they were ‘killed’, even though their bodies imitated the process of dying. They were clinically dead to the rest of the world when their necks snapped, or when a wooden bullet was put between their eyes. And even as the magic that kept Sam from true death began healing his body, the cells in his brain had already started dying, releasing one desperate flood of DMT before the lights went out, dreaming bigger than he’d ever dreamed before. Some see their life flash before their eyes; memories skittering across your brain, full of loved ones and friends, mixing with a firework display of imagination to create one last delirium-induced fever dream. 

Sam, well.

Sam saw Riley.

She’d been little, when they were taken. Barely just older than four. He remembered she had their mom’s eyes; their mom’s laugh. During those dark days, deep underground, where no one could hear them scream—

He’d have given anything to make her laugh. He managed to, once or twice; coerced a smile from that small, innocent face.

That face, in all its deathly stillness, was the last thing he had seen before Lycaon’s venom had torn its way through his body, setting his blood on fire. Lycaon had been too late to save her, nearly too late to save him. 

The bite was always a gamble; a simple toss of a coin. Life? Or death?

That day, Sam had lived.

But his sister had died.

And all those memories; that kaleidoscope of horrors that warped and twisted behind his eyelids rushed to the surface, lingering like a wraith as he woke, hissing in his ears. His expression twisted with pain as the agony inside his head split his skull open, and for minute, he thought it was the witches, twisting their magic into his blood vessels with cruel fingers and making them explode—

“He’s awake! He’s awake!” a voice shouted to others, out of place in such memories. 

The vervain hit Sam next. Suddenly he found himself coughing, rolling over as harsh breaths shook his entire body, struggling to breathe through the poison in the air.

“Ask if Klaus is alive–” another voice was saying, further away and distinctly male.

“Hybrid!” someone else yelled over them. “You lying, traitorous excuse of a lap dog. Where’s my brother? Is he alive? Answer me!”

Sam’s eyes shot open. His fingers scrambled over his forehead, digging into the wound in the middle of it, wincing at the pain and wheezing in every breath of vervain-infused air, pulling out something close to the surface. It dropped to the floor amongst the hay and dirt, a sharp, pointed thing; a wooden bullet.

The fuck?

“Sam, thank god,” someone near him said; the one who had spoken first. He looked up, meeting concerned, kind eyes. Her face blurred, Sam’s eyes tearing up from the sting of vervain. Her voice sounded urgent, trying to reach him through the wooden, barred walls. “Are you okay? Sam, can you hear me?” 

Wait… barred?

He stared at her fingers, wrapped around an iron bar to the right. Like a cage.

Sam looked up, eyes moving around the pen he was caged in, gaze roaming the walls; from the barred window slightly higher up and the locked cell door, to the vervain misting in the air, blowing out of the fans in the corner of the room. When he spoke, it was just one word, but the sheer desperation in his voice, the fear, like he was pleading for a lie, struck a horror in him so deep, everyone heard it.

“No.”

It was bigger than the ones the witches kept him, the walls haphazardly reinforced together, rather than meticulously organised — premeditated — but the feeling was the same. He could feel the walls closing in, the dread — the knowing — that there was no escape suffocating him more successfully than the vervain. Helpless. Forgotten. Left to rot in the dark and the cold.

And this time — alone.

“Sammy? I’m scared.”

He choked, but not from the vervain. He rolled onto his back, scrambling away from the cell door in front of him like it was a terrifying beast and not a simple meld of iron and hinges.

“It’s alright, Ry. Someone will come, you’ll see.”

“You promise?”

“I promise.” A pause; followed by movement in the dark. “Pinky swear?”

A quiet, sniffled giggle. “Pinky swear.”

Sam stared at the cell door in horror, beginning to shake his head back and forth, repeating that same word over and over.

“No, no, no, no, no, no-”

His hand came up to clutch his hair, pulling so harshly at the strands it hurt, just as his back hit the wall behind, nowhere left to run.

“Sam! Sam!” Caroline yelled, trying to get his attention. “What’s the matter?”

Sam couldn’t hear her.

“Dad says you lost your younger brother,” he’d asked Klaus once, when the man had still hated him, sneering whenever he came close.

“I don’t talk about it.”

“That’s alright,” Sam had said back, looking out across the woods, leant on the cabin’s balcony. “I don’t talk about it either.”

Klaus hadn’t said a word, but he’d looked at him. And then his face had softened. In the silence that followed, for the first time, they found some common ground.

[the-clock-of-the-time-dragon]

Okay so hear me out... [Massive spoilers and speculation on Wicked films ahead]

It's apparent that Wicked Part 2 is going to have new, expanded, and altered scenes — but by far the most tantalizing is implied by the first scene of the first film.

We see a cloaked figure on horseback fleeing from Kiamo Ko after the Melting, and then we see Dorothy, Tin Man, Cowardly Lion, and the Scarecrow on the Yellow Brick Road back to the Emerald City. This is in keeping with the 1939 Wizard of Oz, which implies something hugely important about the plot of Wicked Part 2: the musical's original ending has been changed.

In the original stage version, Fiyero comes back to Kiamo Ko after getting his diploma brain from the Wizard and all that, and Elphaba comes out from her little trapdoor, and then they leave Oz together without telling anyone. It's unclear (on purpose, obviously), but it seems very apparent that the cloaked rider we see at the start of the 2024 film is Elphaba. This leaves us with a few possibilities for how the plot will unfold in Part 2.

1.) Elphaba simply leaves alone, telling nobody — not even Fiyero — that she's alive. I am okay with this, since honestly the way that the finale of the musical was written has always felt kinda clunky and borderline plot-holey to me.

2.) They still end up having the original ending happen, just switched around the order of some of the events. Maybe Elphaba escapes first but then finds Fiyero alone elsewhere somehow, and in the end still leaves Oz with him. I'd accept it — it is probably the most likely version they might go with — but with all the changes being made, I would be a little disappointed if it ends up this way ngl, when they have the chance to make a new ending that far surpasses the original.

3.) Elphaba leaves alone BUT makes Glinda and/or Fiyero aware of her survival somehow. This is actually a surprisingly plausible option I think, since Elphaba in the original show immediately wanted to tell Glinda she was alive (with Fiyero talking her out of it — which may not be a thing that happens anymore); and just IMAGINE how poignant heartrending it would be if Glinda were to find the old Emerald City guide with the note she wrote her in it, but with "I hope you get what your heart desires" in it in Elphie's handwriting, or something like that. Maybe even with Glinda singing her final "Good News!" after seeing it — leaving the door open that Glinda might have a chance to find her Elphie someday. Or hell, if they wanted to they could use the closing lines of the book in some form: the classic "did she ever come out?" and "not yet" (which of course itself has some delightfully sapphic undertones)

4.) Mostly wishful thinking on the part of my very very sapphic ass, but... can you fucking IMAGINE if they dared to rewrite an ending where Elphaba finds Glinda and asks her one more time "come with me..."?? And then they LEAVE OZ TOGETHER??? Not as plausible an answer as the others, I know — but can't a girl dream? I mean they set it up so well, if nothing else it's THERE for them to use if they decided to have the courage. In the first movie Elphaba says "come with me" twice to Glinda: first when she asks Glinda to come with her to the Emerald City (her 𝓱𝓮𝓪𝓻𝓽’𝓼 𝓭𝓮𝓼𝓲𝓻𝓮), and lastly when she asks Glinda to come with her on her broomstick and escape (which of course Glinda refuses). If they decided to give Glinda a second chance to say yes and go with her, and this time she takes it... I mean, it would just be a really solid payoff to the material already established and obviously would also short-circuit all our gay little hearts. And the fact it's even conceivable they COULD do that is really exciting in and of itself. It isn't 2003 anymore, the stars are very on board for queerness — the only thing really reining in my hopes is the fact a major Hollywood family film blockbuster (even in 2024, sadly) usually can't bite the bullet and go full gay: BUT, who said it would have to be explicitly gay if Elphaba and Glinda leave together? Who's to say we couldn't get them And They Were Very Good Friends-ing away into the sunset together? No Homo as the plausible deniability needed to pull off the best sapphic victory in movie history? Oops, there go my hopes again, trying to defy gravity, lol

[lumineary-arts]

A lot of people are asking how Cabin Fever would go down, so like for the Promening I wrote down a lil summary. Its basically the same beats, so don't expect huge differences to the original.

Also, I never clarify which camper swaps with who, I'll probably give that some thought sometime later.

Since this is happening after the events of the Promening, N made a plan with Uzi and Thad to investigate the camp in order to find more clues about where his little sister Cyn disappeared off to, as well as what the meaning of the collars were.

And, like in the original, Uzi and Thad become the new camp counsellors! Thad's pretty intimidating, so Uzi's the one who tries to lead the class forward. V and J, beloved and popular among their peers, are the only ones who actually convince the class to trust them. N's... pretty much ignored. He's usually the type to be able to brush off this kinda thing with a nervous laugh, but something about the way they shower Uzi with so much flirty attention makes him feel uneasy...

The knowledge that his classmates and his only friends were having tons of fun because he wasn't there just overwhelms and overheats his senses, causing his solver to break a few windows while he investigates the abandoned cabins and looks for Cyn. It doesn't help that Thad later comes in to rub salt in the wound, hinting that Uzi would ditch him at the drop of a hat if given the chance. This ultimately ends up spiralling into N's solver slowly showing its horrific side when he later comes back to tell Uzi about what he's discovered in the cabins.

And suddenly, Thad isn't laughing anymore. He remembers Doll from the mansion, he knows exactly what that solver is, and he needs N dead as soon as possible. This causes Thad and Uzi to start fighting for the first time, with her defending N's actions to her core, even running off to find him. Poor Thad :(

We all know what happens in this episode. N's always been a sweetheart and the friendliest person imaginable, even in this AU. But from the grief that was losing his little sister, the dejection he felt every day from his own class, and the fear that Uzi would leave him at any point solidified his transformation. What's horrifying about this form is that, while he's not in total control of his actions, it's not like it doesn't stem from his feelings at least a little. He's friendly and forgiving, but he still feels resentment and hurt towards the classmates that constantly belittle and mock him every day. Especially J, who luckily survives just because Thad protects her. And Thad, the one who most mocked N for being scrawny and weak, suddenly can't win in a fight against the little dude, only being saved once Uzi swoops in and throws N up into the sky.

N's naturally a pacifist, but this is his first time actually harming and murdering other people, so he's even more visibly ashamed than Uzi is in the original episode. He struggles to even open up to Uzi while they have their sky therapy talk, instantly feeling the horror and guilt once he snapped out of it. They talk things out, each confessing that they felt scared without each other and that they needed each other to feel safe and complete. While he never ends up forgiving himself completely, Uzi stops him from spiralling at the revelation of his own actions.

Thad, of course, ends up covering for N in the final bus scene, pinning the blame on himself by "bragging" about the drones he killed at camp. In reality though, he's scared for AND of N, but he shows, in a way, that he cares.

[dreamlifebunny]

a better way to affirm (and make any method more effective!)

every desire we could ever want has already been said "yes" to and everything is possible - this is the beautiful truth of the law of assumption. a very popular method for manifesting is affirming for your desires: with affirming, we tell ourselves "i have money, my sp loves me, i am safe, etc." attempting to conjure up the feeling that the affirmations are true. however, when we don't actually believe in the affirmations, repeating them over and over can feel vapid, yucky, and even make us feel like we are lying to ourselves, causing us to feel the opposite of the affirmations we were using.

when talking about imaginal acts and imagination, edward art has often said that it's not the details of the scene that matters, but what the scene implies about us that is important. it was after listening to his "though false" lecture that i realized, in order for affirmations to be effective, we must first believe they are possible for us at all and they must tell us something beautiful about ourselves.

yes, it is true that mindlessly repeating affirmations over and over again without feeling them can manifest just as effectively as feeling your affirmations and only repeating them once, but the reason why either of these methods work is because you believe that they will work. if repeating affirmations mindlessly 10k times gives you the same feeling that your manifestations are yours, then please keep doing that method! but if you struggle to believe that mindless affirming will actually bring about your desires and you find the repetition boring, this post is for you.

i would like to repeat: the law, in all of its beauty, reminds us that every single thing that we desire has already been said "yes" to. with this beautiful concept in mind, let us create affirmations that feel softer, easier, truer, and give us the peace of mind that we are seeking.

inspiration:

this post is inspired by and at some points directly lifted from edward art's "though false" video. i take zero credit for the ideas that he originally shared, i just wanted to add on my own interpretations and share it with the community so that more people could be inspired!

this post was also inspired by @alilarew23's post "what if god said yes?" i can't believe when i first wrote this that i didn't realize how deeply it was inspired by her incredible post, and only now after reading it again did it dawn on me ��� i wanted to make sure this post of hers was linked because it is SO good; please give it a read if you want to feel wonderfully validated, safe, and comforted in the knowledge that your desires are YOURS!

steps:

decide what it is that you desire and let the daydreams begin - what do you naturally imagine happening? what do you hear? see/hear/feel/etc. the imaginal act that naturally comes up when you think about your desire (don't worry that you're not doing it right, it's simply a sweet daydream about what you desire)

next, ask yourself: if this desire manifested and really came true, what would that imply about me? what does the manifestation of this desire tell me about myself? get to the core of what the manifested desire says about you. for example, if you wanted wealth and you naturally visualized travelling the world with all the money you have and imagined that the scene was true, the core belief could be "i am free to do anything i want without barriers." if you wanted wealth and you naturally visualized seeing your bills paid off and imagined that the scene was true, the core belief could be "i am always safe and looked after financially."

we have now figured out what our desire says about us, and our next step is to ask god if what it says about us is true. since WE are god, we go within and ask, "God/Self/Subconscious, am I (insert the answer we found in step two)?" the example could be, "god, am i lovable? am i safe?" etc.

because we know that every desire we could ever want has already been said "yes" to no matter what, answer yourself as god: "yes!"

feel the feeling of relief - you now know that a) your desire will manifest, and also b) that you are everything that your desire implies about your wonderful self and that you now know that your affirmation of choice is true! how beautiful is that? repeat these steps however often you need peace.

as you can see, this takes you right to the feeling that you are trying to get achieve by manifesting your desires. we manifest to feel loved, happy, successful, wealthy, so why not feel those ways while we wait for our manifestation to show up? it gets us to the core of the belief and helps us figure out exactly what it is we are wanting to feel about ourselves. it makes the affirmation feel a lot more powerful and personal, and a lot more "guaranteed" knowing it is coming to you from yourself as god.

example:

lets say i have decided that i want to manifest a partner back, who ghosted me with no explanation and who chose someone else over me, and that it left me feeling worthless. the imaginal act that comes to my mind when i imagine him coming back and choosing me is my partner holding me tight, crying and apologizing for the pain he has caused, and telling me how much he missed me, loves me, and how badly he wants to rebuild trust and cherish me for the rest of our lives (💅)

if my desire came true, it would tell me that i am irreplaceable, lovable, obsess-worthy, worthy of affection and love, unforgettable, irresistible, etc. (how lovely that would be to feel!)

"bunny (god), i know that everything that i want has already been said yes to. does this mean that i am irreplaceable, lovable, obsess-worthy, worthy of affection and love, unforgettable, and irresistible?" (i would probably just use one hehe but you get the point).

knowing that i am god and that my word is law, i tell myself the beautiful "yes!" that i know is true! i feel the reality that i am lovable, i trust that god (myself) knows the truth and is powerful.

i relax, knowing that the inherent nature of god is a resounding "yes," and that that means i am already lovable, irreplaceable, etc.!

i hope that this exercise can bring you peace, remind you of your incredible worth and of how truly lovable and wonderful you are, and ensure you of the guarantee of your desires manifesting. if you have made it to the end of this post, please consider watching the "though false" lecture and ali's post "what if god said yes?" for even more validation and love!

love and hugs, bunny 💕

[kingkat12]

so... this is the deleted original ending to the first chapter of seven minutes in heaven. made centuries ago. enjoy!!

(it sorta starts in the middle of the closet scene, so here goes nothing)

WARNINGS: SMUT! SMUT! ROMAN BEING AN ASSHOLE! mind control powers being used for BAD bad bad BAD things!! implied mind control during sex so is it dub-con?, dark!Roman, not-so-happy-ending

word count: 1,811

a/n: there was a reason this version was scrapped... it felt too dark and not fun and urgh i'm simply posting this as an ancient artifact lol. it might suck as i wrote this back in august, but oh well!!!

(Roman is NOT a feminist in this one, so... irony<333 generalizing cunt)

 "And I reckon this is your first time playing?"

"Yeah," I mumbled, no longer meeting his gaze. I couldn't look at him, not right not, not when we were this close and alone. 

"So..." Roman ran his fingers through his hair, the usual smirk returning. "You know what usually happens in here, or...?"

I rolled my eyes; "I'm not an idiot,"

"I know," Roman's voice got lower, breathier, and he took a step closer. There wasn't much room for more steps, actually— it was getting rather cramped up at this point. "But if there's anything you've wanted to try out, now's the time."

My breath hitched, hoping the thumping of my heart wasn't audible to him. 

It was almost as though Roman could sense how nervous I was; he bent down a little, getting on my level before he whispered; "I won't tell Letha,"

Feeling his hot breath against my skin, how dangerously close he was, was almost too much for me. The way he said it made me even more conscious of what was happening; I hadn't even told Letha how crazy I was about Roman, and I knew she'd be against it.

However... I was being served my biggest dream on a platter. Maybe if I got this bit over with, my feelings would subside and go back to being purely hateful again? 

I mustered up the courage, letting out a shaky breath before I opened my mouth to speak; "Could you maybe... kiss me?" My words came out barely louder than a whisper. "I've just had a really shitty night."

Roman's expression remained unchanged. "I'm sorry to hear that,"

"... No, you're not,"

"Okay, you might be right," He let out a soft laugh against my lips, and my eyes quickly darted down to his hands to check if he wasn't holding a needle or no. That was when I knew my anxiety was through the roof. "So... you want a kiss? That's all?"

This was too nerve-wracking. I kept imagining that he would say no, that he would reject me somehow and make me the only girl at school he wouldn't want to do anything with— that would definitely make me hate him even more. In a flash moment of weakness (which I later blamed the alcohol for), I sighed; "Just... could you? Or am I asking for too much?"

Something about Roman's expression changed— he seemed to realize what it was that I was actually asking of him. Not to make out, not to drown in one another, but the simplest of all things romance; affection. Something gentle, something sweet, just to check if he had a sliver of anything resembling that in his system. 

"You like me, don't you?" Roman whispered, nudging his nose against mine, eyes rounding out as he heard my breath hitch at the simple gesture. "This is what all of this has been about?"

I closed my eyes, revelling in the feeling. It was the smallest thing, yet it was a comfort in the midst of the conversation. "All of what?"

"Your anger," Roman let out a sigh, connecting our foreheads, closing his eyes as well. "You can't stand that you like me, can you?"

For some reason, I felt the urge to cry overcome me— I spent a few seconds pressing down the stream of tears that threatened to surface. Having someone say it out loud felt like a desperately needed release. "It's been a nightmare,"

Roman stilled, eventually letting out a hum which sent a shiver down my spine. "You know nothing about nightmares," he breathed against my lips. "If I tell Letha we fucked in here, you'll be living through your worst one."

I shouldn't have been so shocked— I should've expected this. I should've known that Roman would spin this around on me. I definitely knew he wouldn't reciprocate, but this? What was it, revenge? 

"I could make your every waking moment a living hell," he continued, his cold hands suddenly travelling up my body, gripping my waist with a grip I was afraid would bruise. "Letha would take my side, of course... Who else do you have but her, hm?"

I wanted to break out into tears, now grabbing at his hands. Almost panicked, I tried to get him off of me, but to no avail. "I'll leave you alone," I pleaded, finding his eyes.

"Nah, that's not what I want," I could see the sadistic satisfaction overcome him— I saw how he broke out into a wide grin at the sight of my glossy eyes. "How about we make a deal?"

Making a deal with the devil reincarnated? Very smart move, on my part. Fucking genius. "Okay?"

Roman hummed, his harsh grip around my waist releasing, allowing me to finally suck in a heave of air. Catching me off guard, he suddenly pressed his lips against my forehead with the softest touch I had ever felt— was he trying to throw me off course? 

"Start being nice..." Roman murmured, his now hands drawing soothing circles onto my back. "And I will reward you."

I let out a shaky breath; I was thankful that the agreement didn't involve any needles. "... That's all?"

"That's all," Roman echoed, pulling away to watch my expression. "You and your mouth have been making my life hell, do you know that? So if you can calm the fuck down, we could both get what we want. How does that sounds?"

I wasn't completely sold. "And what is it that you think I want?"

Roman's eyes darkened; he knew he had won. "Me," 

Oh, how I hated him. I hated him, and I knew I always would. But as his lips ghosted over mine, seconds away from touching, I didn't stand a chance anymore when the following words sounded past his plush lips; "I have a feeling I might have to put you in your place a little, hm? Maybe you'd even want that? Because honestly, I know girls like you... You fight until your last breath, then you're completely in denial, and then you'll fall apart the minute you get what you've always wanted,"

I couldn't believe what I was hearing. Was this... me? 

"And you've always wanted to be one of my girls, haven't you?" Roman leaned down, pressing a deadly soft kiss against my cheek which nearly took my breath away; I could feel him smirk against my skin. "Or maybe... the only one?"

At this point, I felt so broken down that I gave in to a nod. 

Roman's hand slowly ghosted up my body until his fingers gently wrapped around my neck, holding me in place, almost as though he feared I would run; "I can arrange that, y'know?"

This conversation had unlocked a deep, dark part of me that I didn't know I had— like this, completely at his mercy, I had a feeling I was made to be his. Brainwashed. That I was put on this earth to find him and be with him, and that we were destined to be together. It made me feel so weak and pathetic that my lower lip eventually gave in to a quiver, feeling a sob build.

Roman let go of my neck, stroking his fingers through my hair. "Shh, no need for that... You're fine, you're okay. It's just me."

Just me. Just Roman. He who that had haunted my dreams for months, the only one I could think of when I got myself off, and the one I had been longing for from afar for so long that it turned into burning hate. 

Roman must've felt like he was done torturing me, finally meeting my lips with the most gentle kiss I had ever shared. This was all I had ever wanted— he was right. My heart beat hard in my chest as I let myself melt against his dangerously soft lips. 

I wanted to be his, no matter the cost. No matter what happened or what I had to sacrifice. 

I loved Roman Godfrey.

... and I was sure of it now.

｡ﾟ•┈୨♡୧┈• ｡ﾟ

Yes— This was right.

Of course. 

I loved him. 

I loved him, I loved him, God, how I loved him. With every fibre of my being, I loved him. 

I loved the feeling of his body against mine, corrupting my mind until I was nothing but mindless. A small part of me also loved that it was our little secret, and ours only. 

Letha didn't have a clue, of course— I had kept my act up quite well when I was around her. I had kept it up around everyone else as well, but the anger that was ravaging through my system, the hate that was burning me up from inside was currently being mended by one thing and one thing only;

"A-Aah—"

My fingers tangled into Roman's hair, feeling his bruising grip around my hips tighten as he fucked me into my mattress. I let out a small cry, feeling my legs starting to go numb after how long they had been thrown over his broad shoulders. Deep down, I didn't care— nothing could put out the angry fire in my soul like Roman did. Nothing was a better remedy than feeling his cock inside me, no matter what, when, or where.

I let out a gasp as Roman shifted, pulling me into his lap with ease. I couldn't feel my legs now, and I had a sense that he knew— he barely had to put any strength into moving me around, especially with how he was towering over me in general. 

I let out a gasp as he sunk me down on his length, and I gripped his shoulders with a short squeak for support. Heavy breaths escaped my parted lips as I clung to him, whimpering at the feeling of his thick cock stroking my insides. 

Roman seemed beyond content, gazing up at me with half-lidded eyes. He revelled in the sight of how ruined I was before he attached his soft lips to my collarbone to bring forth a hickey, humming. That was the one place we both knew Letha wouldn't see it, after all. 

It was impossible not to submit to the devil reincarnated when sex could feel this good with him. It didn't matter that I had practically sold my soul for this, because every second, every stroke of his cock, was worth it. 

"You're heaven," he murmured, lifting my hips and pushing himself further into me, taking more control. "You feel so... shit, this is heaven—"

Ironic.

And just as I felt my climax approaching, flashes of thoughts I had suppressed came crashing forward. No matter how nice all of this felt, I couldn't help but wonder how I had even agreed to any of this in the first place. But it wasn't like he had mind control powers, right? It wasn't like this was some sadistic ploy to seek revenge against all the times I had been a complete and utter bitch to him.

No— it couldn't be. Don't be ridiculous.

... Right?

[gastersreturn]

YOU HAVE FOUND HIM

by : tinybrainboy READ IT ON : ComicFury - DeviantArt

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GASTER'S RETURN MASTERPOST

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PROLOGUE

1/2/3/4/5/6/7/8/9/10/11/12/13/14/15/16/17/18/19/20/21/22/23/24/25/26/27/28

CHAPTER 1

Scene 1 : 1/5- 6/10 - 11/15 - 16/20

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GASTER'S RETURN - FAQ

What is the plot ?

Everything is in the title, it's a story about Gaster returning from wherever he was after his accident that broke him between time and space. This story is set after the Pacifist ending, months after monsters have been freed from the Underground

What are the main themes of this story ?

I would say it's main focus is about letting go, like the original game in a way

Is it an AU (Alternative Universe ?) ? And how close it is from Undertale ?

Yep, it is. I want to keep it as close of the canon as possible, in order to really tell a story based on the game. But it won't be exactly the same as the canon.

Several details change in this story and this is why I call it a "AU", the main ones being :

Gaster : My interpretation of Gaster resemble the general interpretation of the fandom about him a lot, but not completely. It will be fun to play with what you know, or what you think you know about him :)

Sans and Papyrus's origins : In the original game, I strongly think that Sans and Papyrus don't come from Undertale, but from Deltarune (I won't elaborate more on that subject, you can make your own researches on this theory if you're interested), however it's not the case in this AU. In this story, Sans and Papyrus really come from the Undertale universe. It will change their characters, especially Sans, but I'll do my best to show them accurately (at least more accurately than the general fandom's representation of them)

Frisk : Frisk's personality have been imagined and adapted to this story. I wanted Frisk to be like a fusion of their actual personality in the game (because, yes, they have one even if it's really subtle) and the one of the player. So, you get it, the player in itself isn't really a thing in this universe (But it doesn't mean you won't have a role to play...)

How did you get the idea of making this AU ?

At the very beginning, I just started to make some random drawings of Gaster, and some KingDings (AsgorexGaster) sketches, then other Gaster related things, and a story began to form into my mind. I decided that I wanted to make something out of it.

So does that mean there will there be KingDings in this AU ? :0

Well, not really. the main focus of this story won't be romance. At this point of their lives, neither of them are ready for a relationship (if I want it to be healthy). I have thought about making a KingDings mini serie after the main one to develop their relationship, but I don't know if I really will, I didn't even wrote anything for it yet.

When will the next pages come out ?

I try to make approximatively 5 pages every two weeks (I have another Undertale so I'm working on one and the other every week)

How long is this going to take to complete the story ?

Long as hell, I have written a prologue and 3 chapters to finish the story, wish me luck

Am I allowed to make a dub of the comic ?

I honestly don't know if anyone would ever want to make one, but if you do, sure you can ! (as long that you credit me of course)

You are also allowed to make fanarts, or any fanwork based on this AU, again I'm not sure if anyone would, but just in case x)

Am I allowed to repost this AU somewhere else ? Or to make a translation ?

Mmmh….I would allow it, but I want to be informed of it before you do. DM me to ask me, and if you see someone else than me reposting it somewhere, please tell me ^^

The only places I post this AU in here, on DeviantArt and on ComicFury, anywhere else isn't me

Russian translation just here !!

I have other questions !!!

Then you can ask them ! I will answer the ones who are interesting/doesn't require me to spoil my own story

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WILL YOU KEEP SEARCHING ?

[clare-with-no-i]

theogony part 1 behind the scenes

**SPOILERS ahead for theogony and mild spoilers for Outlander!**

this is just going to be a long infodump of all of the things I pondered while writing theog (specifically part 1, part 2 will come later) but never talked about! I'll try to go chapter by chapter, and maybe I'll end up adding more later on, but for now I just think it'd be fun to chitchat and reminisce on some of my favorite tidbits. this story is really my baby idk :")

Prologue - Alalá

one thing that I wanted to establish in the prologue, other than the obvious James-Sirius dynamic, is the presence of otherworldly or spiritual premonitions in this universe. it was always important to me that the first person who actually made any sort of prophetic declaration was James.

so much of the story relies on Lily's status as an oracle, but this little tidbit here helped build the world for me so much; we can't be sure if James's various dreams and premonitions are wishful thinking, or really the Gods speaking to him, or something else entirely. of course, this story deals with time travel, so there's an inherent supernatural element. but Lily and James's conflicting – and sometimes competing – conceptions of God felt like such a necessary tension for me to explore. it was such an incredible shorthand for the tension between modern and ancient sensibilities. and we never get a definitive answer to those looming questions, which I knew I wanted to do from the outset. did the Gods bring Lily back to the past? did James? did she do it herself? does God/the Gods even exist?

also: there are probably moments where I failed to do this, but I tried to capitalize Gods in all of the James chapters but not in Lily's, unless she was referring to the Abrahamic Capital G God. that is, until the last chapter, which I'll elaborate upon later :)

also: i wrote the prologue first, then the epilogue, and then i posted the prologue pretty immediately after. I had the entire story roughly outlined but I absolutely jumped the gun when it came to posting the prologue LMAO I didn't even really announce the story, I just joked about writing it and then posted the prologue, which you can see from the beginning note. i remember Suze was about to go to sleep and she started messaging me like wtf Clare what do you MEAN?

and the rest was history (pun completely intended)!

Chapter One: Ouroboros

the narrative brushes past the other statues in this section pretty quickly, but I always imagined that the first bust is Philoctetes, James's father. I think the consensus on this one tends to oscillate between Philoctetes and Aristides, which is another great interpretation.

The reason I wrote it this way and imagined it to be Philoctetes is because I thought it would have been nice to let Lily 'meet' James's father (in a sense), even before she 'meets' him. when I read this chapter back after I first finished the story, I had a very soft moment where I close-read my own fic (lol) and thought that maybe it was Philoctetes who sent Lily back to the past. maybe he sensed something about her and knew she'd be right for James and for antiquity.

sooo many people forgot about this! which i was hoping for!!!!! I was hoping everyone would forget about James's statue holding something until the Big Reveal. fun fact is I wrote the reveal right after this. I liked the idea that, no, he was never going to actually be holding anything. he'd be reaching for Lily. the choice to accept his hand was always going to be hers.

a fun fact about this chapter is that I had to pull from a bit more Outlander lore than I originally thought. and no I don't mean the 'Jesus H Roosevelt Christ' part lol. It was always hilarious to me how Outlander set up Claire to be the objectively perfect person to go back in time. she was a combat nurse who happened to develop an interest in medicinal botany and Scottish-English history. she also happened to spend her formative years with her adventurous archaeologist uncle after her only living relatives died. like girl. lol.

so I had to really toss up which traits I thought it would be appropriate for Lily to have as she traveled back in time. the biggest one, obviously, is her field of study, which was necessary given the language barrier and the completely foreign nature of social norms in Classical Athens. I toyed around with the idea of making her mum a nurse so as to give her some base medical knowledge, but that felt a) unnecessary given the circumstances of the story, and b) far-fetched that she would have gleaned enough transferable skills to apply in 479 BCE.

it was also fun to give her more reason to go back to the future; she has a sister who, while they aren't in contact, is a significant emotional attachment; she has academic goals; she has a best friend (however toxic we know him to be). it added a layer of conflict that I enjoyed playing up, even if I definitely could have explored her modern life more fully.

Chapter Two: Kinesis

soooo much exposition and worldbuilding in this chapter. oml. it was so much fun to play around with the reasons why James would be in Tatoi in the first place; I can't remember quite how I landed on the Persian auxiliary soldier thing, it might have been from my initial (admittedly extensive) research on the months leading up to Plataea; it may have just been the fact that I KID YOU NOT this story used to take up all of my fucking brainspace. I couldn't stop thinking about it. I'd be doing work for my research fellowship and just daydream about theogony. the initial idea came to me AS A JOKE!!!!! when i was idly pondering before going to sleep (as one does), and then it just wouldn't leave me alone. i kept imagining what it might look like. I thought about how the time travel might work. I thought about James's Greek equivalent. I ranted to my sister and her dog (he did not care) about what the statue might look like and mean (sorry bestie love u).

one narrative decision that has given me a bit of strife was the Dimitrios-James name change. I've had a number of people ask me if I'd ever try to pubilsh theog – and this is one of the (many) reasons why that would be pretty categorically impossible. using James's English name in his internal narration, instead of the name I give him as a Greek man, is something that only translates to fic. it makes pretty much no sense at all if you consider these original characters lol.

honestly putting the word 'practicum' in here caused me SO much pain. in James's chapters I tried really hard to use words which had Greek roots and not Latin roots, even if they're in modern English today. in most of his chapters, I'd try and find synonyms for big/complex words so I could use ones that came from Greek. it just helped me stick to his narrative voice a bit more.

I forgot how much STUFF went on in this chapter. oh my god SO much happens?? we get the lack of the Parthenon as the time marker (felt very clever doing that), Lily processing the fact that she's time traveled (lazy writing on my part to not have this happen in a Lily POV chapter but I'll take that on the chin), the Plataea reveal. OML. tired just thinking about it. lily sweetie i am so sorry

guys, the amount of time I spent wondering if I should Greek-ify Sirius's name is insane. For so long I thought about making him Seirios, which is the original Greek version of Sirius. But I felt like I had already messed with their names too much, and so I left it. but honestly I'm still torn. looking back, maybe it would have been the right move to make him Seirios and have Lily give him the name Sirius, but I guess we'll never know!

one of my favorite Sirius moments, and something that, essentially, sets up the rest of the story. but I wanted there to be a little ambiguity throughout the story about how much of this Sirius actually believes.

we know that James has just confessed to Sirius and Pétros that he was hoping they'd desert the Athenian army. we know that he thinks he's going to die, and he's adopted this sort of fatalist view of his future. and then here you have Sirius, who could never abide such a thing, pretty much leaning into the idea that Lily can tell the future – which would allow him to challenge James's prediction. I always wanted to leave it up to interpretation, and I know it comes up in later chapters (at the komos especially), Sirius's skepticism about Lily's origins. but it's such a fun question to ask: does he really believe that she's the Oracle that James prayed for, or does he just need that to be true so he can try and influence the future himself?

Chapter Three: Peribolos

omg. lol. the chapter three opening academic argument scene. this is a favorite of mine, and something I had so much fun writing. it's actually based on an argument/"spirited discussion" I had with my dad a few years ago about moral absolutism versus moral relativism which forced me to interrogate and expand my knowledge on the subject. I thought it was such a fun way to get into Lily's politics and her character without doing crazy exposition in the ancient world.

it also touches upon one of the touchstone themes of the story: that to study something is, in a way, to detach yourself from it. academia is routintely completely disconnected from its subject matter, and it creates this weird disdain for lived experience versus book knowledge. Lily has spent upwards of ten years studying (in some capacity) the ancient world, but she is so utterly out of her depth when she experiences it herself. as such, she espouses these very revolutionary politics when examining historical conflicts, but she has a blindness to what the real-world realities may have been for the people living in those conditions at the time.

alsooooo, The Return of Martin Guerre is one of my favorite books I read in college, and the easter egg here is that it's about a person of dubious origin entering a community and the politics of how the community might accept or reject them. ha ha!

^^based on something I said in an argument with a Poli Sci major in college and I have to say one of my better moments. was an absolute haymaker. this was very 'author gives main character a zinger' of me and I will not be ashamed of it

this! ladies and gentlemen! this was basically a declaration of love!!!! to be loved is to be remembered!!!

in a very romantic way, the study of history can be such an act of love to those who lived before us. i just adore the idea that, even before Lily developed real romantic feelings for James, she had this itching sort of feeling; AKA, when someone has made such an impression on you, and you know (or in her case, you think) that you'll be leaving them at some point, and you just want to be interesting enough, be impressive enough, that they remember you, that they think of you randomly as time goes on. that is such a giddy hallmark feeling of having a crush, in my book. I liken it to making eye contact with someone or having a brief conversation on a night out, maybe at 3am on your way back from a bar when things are sleepy and dizzy, and you just have this sense that you're being seen in that moment as anyone you want to be. i love this moment so much I feel like I could give it its own meta LMAO

Chapter Four: Hamartia

this chapter really put the pedal to to the metal lol. at the time of writing the story, I generally didn't (and still don't) love fake dating that much as a trope; I don't typically love plotlines predicated on (even harmless) deceptions, it's just a sensitivity of mine that I don't expect anyone to relate to or share. but when I was considering how to structure theog, it just made so much sense for James and Lily's arcs to have them get 'married.' there was no way that Lily was going to be able to navigate Classical Athens as an unsupervised woman alone, and even with the Oracle title offering her some protection, there was nothing really tying her to James. much like Outlander, it really did feel like the last possible resort, which softened me to the idea of using the trope.

fun fact, i got a snarky comment a few months ago complaining that i was trying to pass the story off as historically accurate (lol to the fifteen disclaimers I embedded throughout which addressed that) and one thing they took issue with was that lily wouldn't have been able to own property and the only thing that would have kept her from being a slave would have been marriage.

which! yknow! none of which contradict the story! but anyway I digress.

I was initially nervous about how early on the fake marriage happens; we don't really know the characters that well yet, we're not sure who James is as a potential partner to Lily, or how Lily's feelings for him are starting to bump up against her very rightful and justified desire to get the hell out of dodge. but – we only really see James in canon as a husband and as the father to the main character, so it felt pretty true to the source material to throw him into being a husband pretty early.

I loved writing this scene with Aristides. I've always been partial to his appearances throughout the story, and this one is just so special to me. I think of him as a driving force in humanizing the ancient world in theog, sometimes even more so than the main cast of characters. to elaborate a bit on that: with the Marauders and Lily and the other transplanted HP characters, I think there's this inherent sense that they are already fleshed out people (to some degree) even before they hit the page of the story, because they appear in canon and across Marauder fic verses. no matter how much I make James into Dimitrios and Peter into Pétros and Fleamont into Philoctetes, people know them and love them outside of theogony verse. but not Aristides. he doesn't have a one-to-one HP character. there is some version of him that really existed in 479 BCE (my complex and largely negative feelings on RPF are setting off alarms at this but we proceed) and that's it.

it would have been easy to just give him this very gruff and surly character, to make him a military general who didn't care about anything other than the war. I think that's how we conceptualize historical people sometimes, often without meaning to. but he was a person, and he had likes and dislikes, he probably had a family and maybe he'd fallen in love, and it was such an honor to give him such dimension. not to say that I'm putting that personality upon the actual historical person; but just to really take my time with a character outside of the Marauder canon. in this scene he has this human moment where he reminds James that, yes, love is a worthy pursuit, even to those in positions of incredible power. even when the discussion isn't about romantic love but about James's love for his closest friends. it's this permission that James didn't even know he was seeking but ultimately that changes the course of his and Lily's lives. Aristides is who James might become, in many ways. in the actual Plataea chapter this becomes more and more prevalent. (more on this later!)

overall, I am forever hoping that people come out of reading this story with an appreciation for the humanity of those that came before us. I did a poor job with other characters in this story, and I own that, but I'm proud of how I wrote Aristides.

oh my godddddd I fucking love this part. i am so fucking proud of it. LMAO. achieving wordplay in an ancient language that i have never studied should be on my fucking CV I swear. like this was just perfect I'm sorry I am BUZZING that I pulled this off.

also, a cute way to introduce a phrase to the narrative which will become very important: se filo!

I remember that I wrote this passage, which many people commented on and which I loved writing, in a coffee shop on a sunny day when my cousin was visiting me to introduce me to his girlfriend. there wasn't any wifi in the coffee shop so I was blessedly devoid of distractions and could only focus on the doc, and i was LOCKED IN let me tell you.

when my cousin and his girlfriend arrived I told them I was sending an important email and edited the last sentence of that paragraph about four different times while they sat in silence and waited for me to finish LMAOOO

Chapter Five: Ascesis

a profoundly insane moment in my personal history was reading excerpts from Eudemian Ethics, Nichomachean Ethics, and Memorabilia just to passively mention them in a flashback in a fic. relied heavily on Foucault for this, I will be so honest. why did i do that tho. like girl take a breath...

but in all seriousness this was just a joy to write. i miss being a history student and having these discussions – law school is great, but history classes will forever hold my heart ngl! also, this passage is in some ways an homage to my grandfather, who is one of my favorite people ever. he taught himself Classical Greek and Latin when he was in his 20s, before he went to medical school (and get his pilot's license for fun, he's seriously the most interesting guy alive). he gifted me his leatherbound Great Books printings of Aristotle's works and of the Iliad and the Odyssey shortly after I started theogony, and I cherish them so much. he spurred my interest in ancient greece when i was young. so this is for him :)

one of the hardest things for me to articulate (and maybe something I could have done better) was the war and the balance between James's inherent goodness and his growing feelings for Lily. i wanted her to have plausible reason to think that he doesn't at all feel romantically towards her, even as she's growing to admire him more and more. I hoped, as I wrote the story, that these little interactions where the reader clues into his feelings (this protective 'peninsula' moment being one of them) still walked that line. as in, i wanted lily to reasonably believe that he's just that good of a guy that he would take issue with anyone being taken advantage of, not just her. she's so destabilized in this moment as well, I think that worked to my advantage. or I hoped it did LOL.

from what I remember of writing this chapter, it just came really quickly and naturally. much more than the later ones. this early period of writing was just an outpouring of the ABSOLUTE BRAINROT I was going through after conjuring up the idea for the story. it just flew. the ending scene where they have their little almost-moment was probably about an hour's worth of writing. it's like I couldn't type fast enough to keep up with my thoughts. not sure i've experienced that since!

also, the now, here, alive line reappears in the last chapter, which is one of my favorite callbacks:

:) :) :)

Chapter Six: Kleos

one thing I used to worry about CONSTANTLY is that I was losing the classic (and necessary!) Marauder goofiness to the more somber setting. so it was a jaunt and a boon to write scenes like the opening one here, where it honestly could be copy-pasted into the Gryffindor Common Room and it'd look a lot like my canon stories.

he's just a dude being hungover and embarrassed about the previous night with his bros!

the first time we get a hint of Pétros disappearing to dubious locations!

this chapter was one of the most research-heavy. it was a new setting, filled with new characters, and predicated entirely upon planning the Greek front at Plataea. so if I couldn't nail that down (at least to some degree), I was going to have trouble. of course I took liberties, but I spent a lot longer combing through sources for this chapter than some other ones, I'll tell you that for free. it took ages to find any treatises on ancient athenian sword combat, sigh.

yeah I mean i remember thinking that the subtitle for this chapter could have been 'I am going to create an environment that is so toxically masculine' because that's pretty much the whole vibe. James is not immune to that, either, and that was intentional. he feeds off of the violence and the anger of the men surrounding him, and he exhibits some behaviors in this chapter (rushing off to kill Anaxagoras after he grabs Lily's arm, for instance) which are not ideal! but I do think that there's meaningful conversation to be had about Lily's cultural assimilation into an ancient, misogynistic society, and how there was absolutely no way I was going to get out of this story without giving James some sort of period-typical attitude. now again, I took the liberties I deem necessary, because I have no desire to make my main romantic lead into an asshole. that's not my James Potter. not that that's news [gets taken out by a sniper]

i got CLOWNEDDD for referring to this dude as Dion son of Dion but idk what to tell you!! that's how the old documents referred to him!!! i didn't make that shit up I swear to god!!!!

also - that's the actual text of the Oath of Plataea, except (as Lily points out) it should read Athena Areia. is it likey that she'd remember this off the dome? no. is it possible that she just recognized the missing descriptor from context clues? yes. did i care enough to explain this either way? no, no i did not.

the Big Ticket Item of this chapter, though, is the oh.

and it wasn't just an oh, it was an oh followed by this innocuous conclusion that isn't even about Lily. i made myself laugh so hard with that. he's just like 'oh god my friend is going to wave this over my head FOREVER' and you know what? he's right!

as for the previous paragraph in that passage, I pulled a bit of a bait and switch, but not as badly as you might think! it was a risk to even bring up the idea that James could leave Athens, because I know it spurred some people into thinking that he'd go to the future with Lily (sorry babies that was not on the table). but what I intended for this passage (however successful it may or may not have been) was to just…allow him a moment of real, visceral empathy for the sensation of displacement that Lily's experiencing, and as well, introduce the idea that he might leave the life he's cultivated in Athens. his entire upbringing has been himself, the consummate Athenian man, surrounding himself with people from outside of Athens and drawing from their experiences, but never venturing outside of his little realm. in so many ways, the story questions what Lily's relationship with 'home' is (especially later on), but it always felt necessary to me to reckon with how 'home' may change for James as well.

finally:

yeah honestly i just remember the exact moment i thought of this passage. i had been reading the secret history (shoutout Donna Tartt i idolize and fear you) and i was lying down in my local park in the summer. I just thought about the Greek myths I knew, and the kind of cosmic horror that it is to really admit you're falling in love with someone, that they have this power over you that you didn't anticipate. and that closing line of the scene really struck me out of nowhere – I wrote it down in my notebook and just stared at it for a good few minutes. it's still one of my favs of the story :)

ok! if you made it this far, you are just amazing. this has to be a few thousand words at least. TYSM!!!!

see you all later for the part 2 BTS ❤️

[canyousonicme]

Q&A with Alex Kingston, who plays Sheila Bellowes on Steven Moffat's upcoming ITV black comedy, "Douglas Is Cancelled"

(Air date: 27 June, 2024)

What appealed to you about Douglas Is Cancelled?

I'd say what appealed first of all was that the piece was written by Steven Moffat. I would do anything that Steven wrote because he's just such a brilliant writer.

The characters he creates are such a delight to play. I've had that experience of working with him on Doctor Who. It was just a joy to read the script. I laughed out loud. I even cried with laughter in some places. It's so superbly written.

Were you also taken by the idea of playing opposite Hugh?

Absolutely. Oh my gosh, Hugh and I have worked together many times over the years. We go way back to literally when we were teenagers. And so, I was definitely attracted by the opportunity of working with Hugh again. We already have that shorthand between us. That relationship doesn't need even to be acted because we know each other so well and are so comfortable in each other's presence. It's not a new person who I've got to get to know, so that married relationship was already a given. I was thrilled to have the chance to do that.

How would you describe Sheila?

She is amoral, she is ruthless. But I'm assuming that's what the paper wants. I'm also guessing that in the world these sorts of people inhabit, in order to get a good story, they have to be prepared to throw even their best friends under the bus. To be in that position as the editor of a national newspaper, you've got to be not only incredibly ambitious, but also, I would imagine, highly-strung because you are carrying a lot of responsibility on your shoulders. It's just a joy to play somebody who's so on the front foot. Sheila is also really inappropriate. That's what's so great about the script because all the characters behave inappropriately in a world where we're supposed not to anymore. I don't feel like I'm that sort of person at all, which is why it was great fun to play!

How would you summarise the relationship between Sheila and Douglas?

I would definitely say that she wears the trousers in the household. What's so interesting is that they are this high-powered celebrity couple at the start of the story. He is the nation's favourite news broadcaster, and she's this very, very successful editor of a hugely popular newspaper. But I rather like the scene that Steven wrote for them where they are on holiday because that shows a little bit more of who they are as a family before all the stuff hits the fan. They are a unit, and they love each other. But it is an unusual marriage. She is very strong, and he just allows her to be like that. If Douglas was a similar personality to Sheila, the marriage wouldn't ever have lasted. But he just lets her sail on forward, and he's in her slipstream being dragged along.

How does Sheila get on with her daughter?

The relationship she has with her daughter Claudia is much more volatile because her daughter is actually a bit more like Sheila. She's got a bit more fight in her. In a way, Sheila is terrorised by her daughter as she can't hold her daughter down. Also, Sheila doesn't understand young people and all these words like "boomer" that drop out of their mouths. For Sheila, it's just so frustrating. She thinks, "Who is this person we brought into the world who seems like a creature from another planet?"

The drama has lots of very topical things to say about cancel culture.

Yes. It's really interesting because Steven originally conceived this as a stage play several years ago. That's what I found so brilliant and so prescient about it. Steven was working on this way before all the recent scandals involving popular broadcasters. Obviously, cancel culture was already swirling around then, but I feel like Steven has the courage to put the conversation on the table in a way that is super important. But he does it in a darkly comic way, which allows people watching to laugh, but hopefully also to be able to have conversations and ask questions such as, "Where are we going with this? And how dangerous is this becoming?"

What do you hope audiences might take away from Douglas Is Cancelled?

I hope people will be a little bit more thoughtful and a little bit more careful about how they treat people or what they say about people. We need to be more conscious and kinder and aware of other people's feelings and how they wish to be perceived in life. But I think some men of my generation struggle with having to make those changes. I certainly remember sitting in the pub as a young person and hearing jokes about women that were awful. Men would safely say horrendous stuff. But that's just how it was, and you just had to suck it up. But men cannot behave like that anymore. I think there are still elements of our generation that struggle to remember to be a little bit more thoughtful before they say something. That's not out of malice. It's because they're still trying to learn the new rules of the world.

After many years working together on Doctor Who, how did you find it being reunited with Karen?

It was a real joy. It was great just spending time with her. It was very funny because she played my mother in Doctor Who. So it was really lovely to do something different with Karen, and for us both to explore this new relationship together. In Douglas Is Cancelled, there is one big scene that we have together in the toilet. They're these two alpha females who are prowling around each other, and they both absolutely know each other's game.

Did all the cast get to hang out together on set as well?

Yes. When everybody came together for the grand finale, we ended up sitting in the studio control room between scenes, all just chatting, reminiscing, sharing, messing around. Working on Douglas Is Cancelled was just a lovely, lovely, lovely experience.

[riddles-n-games]

That Night In Prague Rant

Let me start off by saying Hannah and Toby's story was amazing and heartbreaking, Libby and Nash were also sweet and supportive of one another, Xander is awesome at giving emotional depth to others even in the strange circumstance of tackling, and Secret Santa was quite literally a blast. But there's one story I haven't mentioned yet, have I? You know which one since it's the literal title to this rant/critique.

To get the basic pleasantries out of the way, I loved the promise ring scene, the way Jameson admires Avery lighting up and wanting to see the world through her eyes, the fact he wrote her postcards, and Avery's protectiveness of him. That's it. Great. Now we can get to the real stuff. My dear Jennifer Lynn Barnes, when you announced this book back in February during the month of romance, I recall that this book promised to deliver on ROMANTIC stories and showing us how a Hawthorne man loves. Why the heck did you keep trying to insert every possible wink wink nudge nudge moment possible in Avery's POV then?

When she stated Avery was gonna have a POV again, I was excited but I wasn't sure if I should leap for joy. See, given how Averyjameson were portrayed in the last book, I was somewhat disappointed since I really wanted to see Avery through Jameson's eyes in a more romantic light. It was an eyeroll, unfortunately, and what a missed chance for a wedding dress ref in the race outfit scene since he gave her a promise ring.

However, people were saying, ah, it's Jameson, he's a teenage boy. And ok, I did bite my tongue after that because alright, that's just him (though I am still bitter about his lack of development in TBH), but that wasn't the case with Avery. She's my girl, I can always rely on her, right? Three books of build up with a pretty solid character voice made her who she became in TFG. Cool, I was ready to go back. And as I said so many times before, she gave Jameson depth which helped us see what so many did not and I loved how she didn't let him get away with certain things. She was sensible.

WTF was this then? This is not Avery Kylie Grambs. This is A Very Random Imposter (you come up with the anagram). Imagine my fricken surprise when out of nowhere Jameson As A Girl.

The crimes of the story: "after a lengthy and not quite G-rated negotiation" (WT actual F), "like his body wasn't tense in all the right ways", "smile of his made me want to do things", “I would let him demonstrate all the many, many reasons he had to be that smug", "His search had been... thorough" (????).

This sounds so cringey and unlike Avery. It felt like JLB was trying to force Max and Jameson and Rohan into her POV. Clearly after only two years of not being in her original character's POV and changing through 5 main characters (which was a horrible idea in the first place), she's managed to mish-mash her only properly developed character into sounding like another person.

The innuendos here are the worst I've seen. Avery has never been crass or sexually charged so why start that now? We already have characters that take on that route and now you're trying to ruin Avery with that? PUH-lease. Jameson was enough in TBH and now you're trying to ruin my girl? NO. Absolutely NOT. If JLB wanted to implement this in the og trilogy, then it should have been done earlier but no, Avery was never that girl and she shouldn't be now.

This isn't and cannot be listed as character growth in the slightest because if she sounded the same after a year in TFG post THL and also sounded like her normal self in Secret Santa which is in the same book as TNIP, there should be no reason why she sounds like this here. It ruins the continuation in her character POV which is something that at this point should be solid as stone. Not to mention, not everything works for everyone and that's ok. While I hate it, it makes more sense in Jameson's POV than hers. In Avery's POV, I cringe at it because it sounds so unnatural for her and feels like I'm looking at someone trying to fit into a crowd they just don't mesh with.

Three books solidified that. Why else did we fall in love with TIG in the first place? Partly because of who Avery was and who she became over the course of the trilogy. She stood out amongst the crowd. Did she have a similar way of thinking about puzzles like Jameson? Yes. Did she have a different approach to romance? Yes. Did she help Jamie become a more sensible guy? Yes! Was their flirty banter fun and interesting? Always. That's part of what made me love them so much in the first place but it shifted so suddenly that now they're sounding like Savannah and Rohan.

In October, when we had the preview of more chapters, I immediately noted this sounds like a very different Avery, either older or an alternate universe version of her. If she wants to do this with Rohannah, go ahead; they're a new budding romance so that has room for whatever she didn't use in other ones but leave Averyjameson as we've known them to be for three novels that solidified who they are. I know other romances should be given a chance, I never said that shouldn't be the case but if I'm being given the chance to see my favorite ship being in the spotlight, then do it right one last time. You have three books as your guideline.

Anyways, I'm dissatisfied so I will be doing a rewrite of TNIP since this is a shorter thing to take care of than a whole novel. Have a great day and thanks for reading. Fics will be out at some point, God, so much real life work to do.

[meraki-yao]

RWRB: A list of thoughts on the Campfire Scene

Ok I went to sleep for another hour to calm myself down and now I can form coherent thoughts about the scene and not just scream and squeal

It's a three-minute scene with two shots. The first shot is a little over two minutes

When Alex asks his question, Henry, who was looking into the fire, tilts his head towards Alex as if to listen better. After Alex finishes, Henry looks up towards the sky, like he's wondering how to answer

Alex doesn't really react to Henry's "Once upon a time" even though he's not directly answering Alex's question. He just listens, and that's such a beautiful thing

Nick deserves a round of applause for this scene, his monologue was two minutes long, and monologues are really hard to perform because it's just you who keeps talking, you don't really get to react to other things or people, it's just you, so Nick is a fantastic job

Nick's delivery and tone, and the way he sometimes ends a sentence a bit like a question (ex: "acutely") makes it sound like Henry's been thinking about this story/ metaphor for a while but this is the first time he ever verbalizes it, so while he knows what he wants to talk about thus he doesn't need to pause a lot to think of the story, he does occasionally need to think of the next word or line because again, he never actually said any of this out loud before, and Nick does that so well

@pippin-katz pointed out that Nick misspoke and said "sent the suit a prince of armour" which is hilarious, and while because movie, this shouldn't happen, realistically we all have moments where we mix words up so it almost feels more... authentic? Also, I didn't pick it up but now that Pippin mentioned it I'm really aware of it lmao

Also Henry/Nick's voice here is so soothing? I can almost imagine him telling bedtime stories to his and Alex's kids like this in the future. I wonder if Henry would write children's books because it feels like it'd be something he do and something he could write really well, if this clip is anything to go by. Plus I stumbled across an audio of Nick reading "The Emperor's New Clothes" before (I literally have no context of why he was reading that and it was literally just audio, not sure if I can find it anymore) and it was so soothing and calming that I fell asleep to it one night. Besides the full-cast RWRB audiobook that I'm practically demanding at this point, I wonder if he would be interested in doing more audiobook/narration stuff. He's really got the voice for it

The King sending a suit of armour to protect the prince's heart kind of further proves my point of the King being a much more loving grandparent to Henry than the queen in the book, and him worrying more about Henry himself than the image of the crown. He noticed that 1, Henry is an emotionally sensitive person, 2, Henry is gay, and both of those things could be turned against him easily, and he will get hurt. He does love Henry, just not in a way that's good for Henry. If we get a sequel I do hope we can see them reconcile in one way or another. It'd be a nice example for people in the same positions.

The "Nothing will ever happen to him" line!!!! I wrote a whole essay about Kensington and this line because somehow this line was one of the most powerful ones to me, but to know that it was originally Henry's word just adds another level of pain to the Kensington scene

You can see Henry's face light up when he starts talking about the peasant boy. And Alex's quick eyebrow raise and deep chuckle. It's so beautiful, I wanna cry

We talk about Alex's heart eyes, which, yes, but Henry's look of pure adoration and love at Alex when he says "Truly Alive" makes me want to melt

I yelled a little at Alex when he started to lay back down (as in I verbally shouted "DAMMIT ALEX LOOK AT YOUR MAN") because I felt like if Alex saw Henry's face in the following lines he'd figure out Henry has issues earlier? But then I saw a take saying the shot was framed like theatre where Henry's both centre stage and in the spotlight so the focus is on him, so Alex was designed to lay back down on the timber bench to make the entire space for Henry

Henry's look of sad longing when he talks about the peasant boy pulling apart his armor is heartbreaking

I wonder if this was originally planned to be the changing point from Alex's POV to Henry's POV? Because in that case I do think the lake scene worked better as a changing point

I also wonder how did Henry end the story in his head up to this point? Because as hopefully as the last line is, at this point in the story, Henry still doesn't believe he can keep this

I get why scenes are cut because when you're putting together a movie, there are a lot of things you don't see for individual scenes until you put them together. This is why as much as I want the cast and crew to get the premiere they deserve to have, I don't really want an extended cut of the movie, because things were cut for a good reason

That being said, if the cornetto scene and this scene proved anything, is that the scenes themselves are fascinating, and I WANT THEM ALL

[raven-at-the-writing-desk]

I remember you mentioning A court of Thorns and roses in your posts once when talking about malleus character archetype. Have you read acotar series? If so I really want to know what you think about it. Your post is how I found out this series. It's pretty meh 😕 to me but I would really like to read your thoughts on it 😊. Also are non twst related ask allowed? If not I'm truly sorry😥. You can just ignore this ask

Oh god 😅 That was such a long time ago that I can’t even locate the original post where I made that comment…

To summarize what I said then, I had expressed that the way Malleus is presented to us reminds me of the bad boy supernatural love interests in romantasy novels. I believe the online book community colloquially refers to these characters as “Shadow Daddies” and I find that hilarious. To clarify, I do NOT mean to say that Malleus is Yuu’s “canon” love interest or anything like that. When I say that Malleus is “like” a Shadow Daddy, it’s just in the tropes they share. (For example, being overpowered, brooding, and misunderstood as a “bad guy” when, in actuality, he has a heart of gold and is just lonely.)

… I’ve actually seen multiple posts comparing Malleus and Rhysand, if you can believe that 💀

The rest of my response isn’t really TWST related, so I’ll put it under the cut for ya ^^ I tried to keep my thoughts concise and free of spoilers.

But to your question! Yes, I actually have read the first three books of ACOTAR but not the novella (A Court of Frost and Starlight) or the sequel, A Court of Silver Flames. I got into the series because it was highly recommended within its genre, but I came out of it really disappointed. I continued reading hoping that it would get better, but it really did not.

Maas has this really melodramatic and yet simultaneously juvenile way of writing dialogue that does not mesh well with what I’m looking for in a romantasy read. She’ll have characters give exposition or speeches that go on for like 10 pages straight and also have supposedly wise ancient fae cracking potty jokes like a middle schooler trying to impress their friends. It makes the books a lot longer than they have to be. In actuality, the plot involves a lot of running around and having all the right questions answered by conveniently placed chess pieces. I also did not enjoy the vague world building (like several side characters are never given proper names and instead are always referred to by title) and the near-constant mention of mating bonds. What I did like was how Maas wrote action scenes and descriptions (even if they often veer into purple prose). She also comes up with some unique concepts—but the execution of those concepts isn’t great, so the ideas are left sort of shallow and floating there waiting to be fully realized.

Romantasy and fairy tale retellings are some of my favorite things to read, so I was sad that I didn’t think that highly of this beloved series. It’s been a while since I’ve read a book I’ve been able to seriously get immersed in 😔 ACOTAR’s explosive popularity has led to many other authors trying to replicate Maas’s success, which has flooded the market with horni fae books and even similar titles (“A [noun] of [nouns] and [nouns]”). (And as someone who does NOT find Malleus attractive at all, you can imagine I’m not thrilled.) I have really mixed feelings about that… While of course I don’t mind if people enjoy ACOTAR or ACOTAR-adjacent books, I dislike that it makes up the bulk of what is marketed to me. It makes it a lot harder to find something that’s more suited to my tastes.

If anyone seeing this post is interested in trying out ACOTAR, I caution you that it is a “new adult” book, meaning it is intended for older teens (I would recommend 18+, honestly). There is a lot of violence and… explicit intimate scenes… in the series.

[mirai-e-jump]

TV Guide Dan Vol.48, July 2023 Issue ft. Aoto Watanabe x Yuhei Chiwata, Masashi Ikeda (full translation below)

Publication: July 31, 2023 (between episodes 22-23)

Aoto Watanabe x Yuhei Chiwata

"You two are currently appearing in "Ohsama Sentai King-Ohger." Would you please describe each other's role to us?"

Watanabe: Chiwata-san plays Shiokara, someone who is straightforward with his feelings. He's not an overly proud person, but when he like something, he expresses it with his whole body, as if saying "I love it!" But, he also has the strength to speak up when he thinks something is wrong, and is able to show his weaknesses. Compared to the character I play, Yanma (Gast), he has a different sense of direction. He's someone that everyone wants to follow.

Chiwata: You've really been paying attention. That makes me happy. Yanma, played by Aoto, is just super cool! However, he's not very strong. Well, he does have the kind of qualities most women would be attracted to. Of course, as president, he has the leadership skills to keep N'Kosopa in order, but he's also intelligent and technologically capable. Actually, when I first meet Aoto, I though he was real manly.

Watanabe: You serious?!

Chiwata: I thought he was an honest person who disliked corruption. I feel like I'm very close to Yanma in those aspects, so I can't imagine anyone other than Aoto playing him.

Watanabe: Thank you so much! But, in some ways, there are also similarities between Chiwata-san and Shiokara.

Chiwata: Eh?! There is?!

Watanabe: Chiwata-san has excellent communication skills. He has more of an ability to connect with people. Even when we're on set, Chiwata-san's surroundings are always lively.

"What's the relationship between Watanabe-kun and Chiwata-kun?"

Watanabe: Out of all the members in King-Ohger, Chiwata-san is the one I've meet the most in my private time.

Chiwata: Yeah. We go out together to the saunas, to have dinner, and even to have a few drinks after work. We'll also visit each others houses.

Watanabe: It makes me happy~.

Chiwata: I said to him, "We're going to be filming together for a year, so you don't have to worry about acting formal or being so self conscious."

Watanabe: In the beginning, I challenged myself to speak casually to him. But as expected, it just didn't feel right to me…

Chiwata: For awhile, you definitely talked to me as if we were already close friends. However, I got the feeling it was only because you were trying to be considerate, as I told you to not worry about formalities (laughs).

Watanabe: (laughs). I really tried my best, but not only is Chiwata-san older than me, he's had more stage experience than me, so I ended up going back to using honorifics. But, it's not a formal honorific. What's more, when I'm on set getting my pompadour (Yanma's hairstyle) ready, I become so absorbed in my role that I may start talking to him in a casual manner.

"By the way, what do you usually call each other?"

Watanabe: For me, I take the "Wa" from Chiwata and call him "Wassan." But, I can't remember, how did I come to call you that?

Chiwata: When I asked Aoto, "What do other people call you?," He said, "Aoto." I said, "Well then, I'll call you Aoto too." I then told him, "For me, I'm rarely called by my first name." Aoto said, "Okay then, I'll call you by a nickname that no one else calls you, so let me think about it."

Watanabe: Did I really say that?!

Chiwata: Yeah, but it makes me happy when you call me by such an original name.

Watanabe: That's good then~ (laughs)

"Do you usually communicate through LINE?"

Watanabe: One time, I was so moved after reading the script, I sent a LINE, right? I wrote, "Did you read the script for episode 10 yet? I cried so much!"

Chiwata: In episode 10, there's a scene where Shiokara encourages Yanma. After that LlNE message, when we met on set, he said, "That scene, let's go shoot it for real."

Watanabe: That's right!

Chiwata: It's definitely a touching scene, so I thought it would be great if we could also make it a good scene together. However, on the day of shooting that scene, when I arrived on the set, Aoto gave off an aura that said, "Nobody come near me!," as he was concentrating on the scene by himself. I went to the set with my own plan in mind, but I thought it would be better not to tell Aoto, so I only told Director Kato (Hiroyuki) about my plan and continued on.

Watanabe: I'm so sorry (bitter smile). That scene, I was more invested in it than anyone else.

Chiwata: As a result, the scene turned out to be very good due to Aoto's strong feelings. I'm happy that the viewers responded so well to it.

"Based on the conversations so far, I can tell that the two of you are very close, so do you ever talk about love?"

Chiwata: Hmmm, We've never had such deep conversations before have we?

Watanabe: We haven't. But in my opinion, I think a younger woman would be a good match for Wassan. I think a relationship in which Wassan goes out with someone alittle out of his element would help balance it out.

Chiwata: Really? For me, I think that a man like Aoto, with his strong beliefs, could handle both older and younger people, Aoto will make older people want to, "Go for it!" and younger people want to say, "I'll follow him."

Watanabe: Is that right? (shining). Well then, let's "check our answers!"

Chiwata: Regardless of their gender, my motto is, "spoil the older ones as much as you want, and spoiler the younger ones as much as you can." I can get along with older people, even if we're 20-30 year apart, but when it comes to people around my own age, I don't know how to relate to them. I have very few friends my own age, with the exception of my hometown and high school friends.

Watanabe: I see. I think I prefer those older then me. Or rather, I'd like someone with a higher intelligence compaired to me. If anything, I think I'm the type of person who likes to spoil myself. Even if I'm spoiled by someone, I usually have a pretty firm grasp on things, so it's only then that I'm emotionally moved.

Chiwata: So, are you saying you're not good with women who purposely act all cute and clumsy?

Watanabe: I think they're fun as a friend, but when it comes to dating, it's abit…

Chiwata: I see. For example, what would you do if a girl you thought as just a friend confessed her feelings for you?

Watanabe: I can only imagine, but I would never go from friend to a girlfriend.

Chiwata: Eh! I can totally see it though (laughs). I don't have a strong obsession with ones appearance, so if I think someone's attractive, then that's OK too.

Watanabe: Huh! As expected, Wassan is dedicated and doesn't sweat the small things.

"As we move forward, King-Ohger continues to become more and more exciting. Are there any situations you'd like to play as the duo of Yanma and Shiokara?"

Chiwata: How about the two of us switching roles? I have the appearance of Yanma, but on the inside, I'm still Shiokara (laughs).

Watanabe: Oh, sounds interesting! Actually, aren't there always scenes where the Yanma is pulling Shiokara along? How about on other hand, there are scenes where Shiokara does things that Yanma isn't good at. For example, instead of Yanma, who's weak at fighting, Shiokara is an insanely strong fighter. I wish there were times where we could show those things in a cool way.

Chiwata: That sounds good too. Until now, there are times where I've though, like right now, "It would be interesting if there was a scene like this." I never mentioned it, but the screenwriter, Takamina-san (Takano Mizuto), he always writes the perfect scenes! So, I think there's a chance it might come true.

Watanabe: That's right! So, from now on, don't take your eyes off King-Ohger!!

＿

Masashi Ikeda

"Ikeda-kun is currently playing the role of Jeramie Brasieri in King-Ohger. What kind of character do you see in him?"

Ikeda: He's 2,000 years old and is the story teller of the story on the planet Chikyu, where the show takes place. Also, he's a man born between a human and a Bagnarak (unusual shaped creatures who live underground and are hostile to the King-Ohgers). When the role was first explained to me, my first question was, "What does it mean to be 2,000 years old?" (laugh). I carefully play the part of how he thinks and looks at the world, as he's lived a long time. Because it's an unusual situation, I had a hard time in the beginning, but he's a character that makes you think about a variety of things, so it's a role that's both challenging and exciting to play.

"The unusual nature of his role as the additional warrior, while also participating as a narrator since the first episode, has became a topic of discussion."

Ikeda: Actually, I still feel uncomfortable when I hear my own voice narrating on air, so I'm very happy to hear people say, 'Your voice is nice." As for my voice, I try to focus on making it resonate and be easy to listen to. At first, I couldn't do it well, but with practice, I gradually became able to do deep breathing as well. The voice of Jeramie as the storyteller, and the voice of Jeramie when he speaks his mind, are done in different ways.

"What was the response from the people around you?"

Ikeda: When my family members watched Episode 11 for the first time, they all commented, "You're so cool!" At the end of Episode 12, it becomes clear that his character is to make others read between the lines. On the show's cast blog I wrote, "I love Jeramie!" It was funny when my older brother read it and said, "Jeramie is a person who makes you read between the lines, but here, you're saying "I love you" so bluntly!" (laughs).

"Your family seems to be very supportive of you. What's the atmosphere on set like?"

Ikeda: The 6 main cast members as well as the staff are always in a good mood, and we have great communication, so we're always having fun. We go on and off, talking about the show itself and various others things. We have a competition to see who can get the new script first, and the first person to do so would upload a selfie with a funny face along with the script to our 6 member group LlNE (laughs). I think it was (Watanabe) Aoto-kun who started it. Aoto-kun, I always call him "Nabe-chan," we get along well, often telling jokes, and I always think they're so funny. When shooting ends for the day, we sometimes go out to eat together.

"You seem to get along well with everyone."

Ikeda: The staff are all very nice, they'll often make sure to ask me, "Are you ready?," or even talk to me in a way that mimics Jeramie's way of speaking! I guess Jeramie's lines are easy to say (laughs). It makes me happy knowing that Jeramie's character is loved so much.

"Are there any surprising aspects of your co-stars that you have discovered during your time together, such as during filming?"

Ikeda: As mentioned earlier, Nabe-chan (Aoto) is completely different on and off the job. I also feel that there's a gap between (Yuzuki) Hirakawa-san, and her role of Rita Kaniska. Rita's character is cool, but Hirakawa-san talks so much that you could say she is the complete opposite of them.

"What's the most difficult part about filming?"

Ikeda: Throughout the year, I've been struggling every day to pursue the value of being able to play one role, and the depth of the story that accompanies it. I'm always thinking of ways in which to make Jeramie look more appealing. But, there is no right answer, so it continues to be a daily battle. One more thing…I'm also fighting with my back! In Jeramie's transformation scene, there's an action where I bend backwards, but I have a very stiff back. I'm really bending over as far as I can, but the director says, "Yes, keep bending!" (laughs). In the movie "Adventure Heaven," which is currently in theaters, there's a transformation scene, so I massaged my lower back in the bath and did some muscle training before the shoot, and I got the "OK" with just one take.

"Ikeda-kun, Please tell us about yourself. How did you decide to enter the entertainment industry?"

Ikeda: I moved to Tokyo when I entered university, and I originally had a strong interest in the entertainment industry. In my third year, when I was struggling with all the influences of Tokyo, I was approached by my current agency and decided to become an actor. I'm a country boy from Tokushima, and I always felt like the movies and TV shows I had watched since I was a child were "sparkling." When I came to Tokyo, I thought, "This is the place where I can challenge myself."

"Objectively speaking, what kind of personality do you think you have?"

Ikeda: I think I have an optimistic personality. Sometimes I can be negative, but I try my best not to be. Also, when I was a student, I was often told that I, "Don't seem to talk much" or "Seemed cool" when first meeting people, but in reality, I'm the type of person you can't get to stop talking once I've started!

"So you're an extrovert. What was your life like when you were a student?"

Ikeda: I played soccer from elementary school all the way through my 3rd year of high school, and was performing in a band at the same time. I started playing the drums when I was in my 6th year of elementary school. In addition, I also worked hard in my studies, aiming to excel in everything. I don't currently play soccer, but I'd prefer to play it myself rather than watch the games on TV. I do continue to play the drums though. I try to play an instrument when I need to refresh myself, as it helps me to vent my stress.

"What kind of life do you live when you have days off from filming?"

Ikeda: I like watching movies and dramas and playing games. As a result, I'm basically an indoor person on my days off. As long as I can enjoy eating it, I'll also cook for myself. I've been practicing making pasta since I was a student, and even now still make it occasionally. I also like to make grilled onigiri!

"If Ikeda-san has a type of woman he likes, what type would that be?"

Ikeda: I want someone who is a kind person, and who will also listen to me. It would be ideal if we could go out together to various places. I'm not good at returning messages through LINE. That's why I'm much better at talking over the phone or in person. If it's someone I like, I might try to get the conversation going, and then make a detour into asking them out (laughs).

"Please tell us about your future plans as an actor. Is there a genre of work that you'd like to appear in?"

Ikeda: I want to be an actor with an appealing worldview and personality. My goal is to be the kind of person who makes people wonder in excitement, "What would happen if Masashi Ikeda played this role?" In terms of genre, I'd like to work in a dialog heavy drama…like "Quartet," which is a mix of suspense and everyday life. I'm still fighting every day, due to many challenges I want to take on. I want to thank everyone for their support, and to please continue to look out for me!

[princesssarisa]

I've been thinking about The Swan Princess. I haven't seen the entire series, but the original movie was a childhood favorite of mine.

I've been thinking of some ways the movie could have been better.

First and foremost, the issue of "What else is there?" How to offend women in 5 syllables or less keep the plot point of Prince Derek saying those words when Odette asks him if he loves her for more than just her beauty, yet without making so many audience members permanently hate him for it.

I actually wrote two entries on the Fridge Brilliance page on TV Tropes about this plot point. (1) This is a fairy tale, and in most classic fairy tales, love is just a matter of beauty, so that's what Derek expects. (2) There are hints throughout the song "This Is My Idea" that young Derek and Odette like each other long before they admit it to themselves. Adult Derek thinks at first that he fell instantly in love with Odette when he saw she had grown beautiful, but by the end he realizes he loved her long beforehand, for who she is as a person.

But maybe those things should have been made more explicit.

I personally would have made the movie more explicitly a deconstruction of classic fairy tale romances with their beauty-based Love at First Sight, more in the vein of later movies like Frozen. I would add some dialogue either before or between the verses of "This Is My Idea" showing Queen Uberta (bubbly romantic that she is) reading a classic Love at First Sight fairy tale to young Derek, and telling him that someday, when they're grown up, Odette will be beautiful and a single glance will make him love her. I might also add some dialogue for adult Derek later in the song, where he complains about having to marry Odette and imagines his preferred scenario – riding through the woods one day, suddenly encountering a beautiful dancing maiden, and knowing instantly that she's the one (a la Disney's Sleeping Beauty, or the original Swan Lake). This would show that he believes in classic fairy tale romance. Thus when "What else is there?" eventually happens, the audience's impression won't be "Derek is a shallow jerk who only values women for their looks" but "Derek has been raised with a fairy tale concept of love as something you feel just because the other person is beautiful."

Later, the ball scenes and "Princesses On Parade" would make it clear that Uberta is again trying to force the fairy tale concept of love on her son, hoping for a Cinderella-style Love at First Sight at the ball. But of course it doesn't work, not only because he's faithful to Odette, but because Love at First Sight isn't real.

I would also add some scenes throughout the movie where Odette and Derek each reminisce about their shared childhood. Odette could tell her three animal sidekicks about it, while Derek could recall it with Bromley and Rogers. This would help to avert the problem some critics find with the movie as it is: that Odette and Derek seem like different people as adults than as children and are much blander than their feisty child selves. It would also show us explicitly that they did like each other long before they knew it. We would see flashbacks to their childhood fights and pranks, and their adult selves would laugh wistfully and make remarks like "I wouldn't admit it to myself, but I enjoyed all that" and "We were never really enemies, we were just too stubborn and foolish to admit that we were friends."

Around the same time, I would also have Odette say a word or two about "What else is there?" to her animal friends, to explain why she's fully committed to Derek again despite having broken off their betrothal earlier. (Of course the cynical view would be that she only forgives Derek because she wants him to break her spell, but this movie isn't supposed to be cynical.) She would say something like "I shouldn't have left him. I know in my heart that he truly loves me, he just couldn't put it into words."

Going back to the childhood scenes, I would also find some way during "This Is My Idea" for young Odette to show her kindness. If at the end of the movie, Derek is going to say that he loves Odette for her kindness, then we should see her display it in front of him. I might show her finding and caring for a small animal in need – e.g. a stray kitten, or an injured bird – and young Derek would act nauseated by the sappiness of it all. But later, when Odette wasn't around, we'd see him find another lost or injured animal and care for it just like she did, showing that her kindness has rubbed off on him.

In his ultimate love confession, I would also have Derek say that he loves Odette's "cleverness" as well as her kindness and courage. That would reinforce the point that he fell subconsciously in love with her during their battles of will and wits in their childhood.

I think these tweaks would bring more consistency and depth to the love story and ensure viewers' sympathy for both of the two leads.

[ms-moonlight-inn]

“Shame-proof” DVD Commentary

Thank you to @shamelessdvdcommentary & to the anon to requested us (whoever you are, we love you!). My bestie @notherenewjersey & I are here to answer all of your burning questions (do you have the syph? why's it burning? it's not supposed to burn.)

Anyway, here's our stuff... hopefully it'll help with that itchy burny.

Which fanfic is your DVD commentary about?

“Shame-proof” is about two childhood actors who lose contact with each other after their series wraps. Quickly, we find out that Ian had been harboring a deep crush on Mickey, who had basically been bullying Ian the whole time. Confessions & apologies ensue.

Also, a friend called it an undercover RPF... and if that’s how you choose to look at it, well we’re not gonna stop you.

NJ–  it COULD be RPF but that’s not how it was written. We weren’t imagining Cam or Noel’s childhoods here, aside from what we stole of Mickey’s back canon that Ian watches as he pines.

Give us some stats - (when you wrote it, word count, how long it took to finish, is it a one-shot/multi-chapter, etc)

The outline started on 4/16/24. 22887 words posted. Posted for the Summer Camp project on 8/3 but we were done before that.  Moonlight was convinced it would be 10k but I knew it was bigger. And this was without us going down every rabbit hole we saw. It’s 8 chapters, most of the chapters start with a flashback to the past and then jump to the “present.”

Moonlight– seriously, NJ dragged me away from some other HC I had kicking around, & we dove into this one instead.

What was the initial inspiration for your story?

I read Jeanette McCurdy’s book, and as with any time I read anything, my brain said “What if this was Gallavich?” I know Moonlight is an L.A. girl, so I knew I wanted her input. I think I had a rough outline already when I looped her in, but she immediately took what I had and expanded and deepened it, as she always does.

Moonlight– God it’s so much fun to talk trash about all the things you grew up with & around. Los Angeles is filled with opportunities for trash talking. LOL 

If the story is written from a character’s POV, why did you choose this character?

This didn’t start out as either of us deciding to stay in Ian’s POV, but in order to keep Mickey’s motivations a little more opaque, we landed there. Until the latter chapters, at least. For the drama.

Moonlight– No further comment.

What was your favourite scene to write?

All of them? I like Sue so much, and I love writing Frank’s bullshit. RuPaul is fun, too. 

Moonlight– I’ve got two favorite scenes. The first is the scene where they’re kids doing the campground episode. I adored the moments of discovery Ian had there –figuring out that trees existed in southern California, figuring out that he had a serious crush on Mickey, and then the boy he meets on set as he’s running away from his problems. (BTW, 10 punk rock points to anyone who knew the song before I remembered to add a link).

The other scene I loved writing was the rimming scene. In the outline NJ said, “they get together in the sexiest and most romantic way.” And I wanted to throw my laptop at her face. SERIOUSLY, what the actual fuck?! So I got them all the way up to the part where Ian’s naked and stalled out for, like, two weeks. I was on a call with @mybrainismelted saying, “I’m stuck on this scene. I’ve managed to get one dick out, but I haven’t quite figured out how the other one’s gonna get naked AND STILL KEEP THIS BULLSHIT SEXY AND ROMANTIC.” Needless to say, I figured it out. 😁

NJ– Yup! That was, I think, the entire outline for that chapter, originally. One line. I knew that’s what happened at that point in the story, why bother with details? LOL

How did you come up with the title?

Oh geez. Trying to come up with both an AU of Shameless AND a reboot name, both of which would sound semi-natural was tough! But Shame-proof is more than just the title of a fake TV show. It also speaks to how Ian and Mickey were able to finally live wholly as themselves. No more hiding, nothing left unsaid. Without shame, shameless in the very best ways.

Are there any little moments or references you hope readers will notice?

I always throw things in. We both do. But hopefully, readers who haven’t read either our individual or joint back canon can still enjoy the story.

Moonlight– See easter egg question.

Was there anything you struggled to write? If so, how did you overcome this?

No.

NJ– if one of us is stuck, the other usually isn’t or can jostle the other into being unstuck. We’re good like that.

Favorite line in the story?

NJ– @gallavichgeek pointed out two of my favorite lines, but I will repeat them here because … yeah. 

“Hey, come back,” Mickey says softly.

“I’m still here,” Ian answers, a little confused.

“Yeah, but all of you. M’ not ready to let any of you go a moment sooner than I hafta.”

***

“I’d say,” he hesitates, then goes on, “that someday you’re gonna get everything you ever wanted. That all the bad shit, the bullshit, and the pain, it’ll all be worth it.” 

***

If I crash, I’m coming back to haunt you, Ian had answered.

If you crash, I’m diving in after you.

***

Moonlight– “What the fuck? How ‘bout double-dutch no with a cherry on top.” Mickey steadily refuses. (Anytime Mickey is being creative with his cursing & curses is a good time. Bad language & mockery are his love languages.)

What are you most proud about in the story? (plot, characterisation, dialogue, twist/cliffhanger, etc) 

All of it? It’s a great story. 

Moonlight– I’m also proud of the structure we used. It was NJ’s choice to do what basically amounted to two mini chapters in one –past & present colliding, if you will. And it worked so well for this storyline. 

Are there any deleted scenes that didn’t make it to the final story?

Not deleted, so much as we had ideas that didn’t make it to fully fleshed for the final draft.

Are there any ‘behind the scenes’ info you’d like to share - e.g. what’s going on in a character’s head in a certain scene or how you came to write a certain line?

NJ– It’s important for people to know that Mickey in the past was protecting Ian so much more than he was protecting himself, with his bullying behavior. 

Moonlight– God, yes. 

Reading back the story now, is there anything you’d change or add?

NJ– I want more of Ray, more of Sue, more of the Random Studio Infant now grown up. More of Sheila and of Kermit. I want the world to be fuller. And maybe it will, eventually.

Moonlight– Def’ more Ray, he’s funny & I’m sure he & Ian had so many stupid adventures. I think I’d like to see a few of the conversations between Ian & Mickey, but I struggle with that ‘cause I love when there is that air of mystery to a storyline. I don’t necessarily want to be told everything. But I think at least one of those late night conversations we reference would be nice to see.

NJ– yeah, we did have a time limit so some of the scope got condensed. I agree, those conversations would be incredible to see/hear. 

Would you ever write a sequel to this story?

Well…. This story has legs. It has scope beyond what you’ve seen. I have believed, since the outline began, that this was the fic that would make the leap to traditional publishing. Moonlight and I are hoping to expand it and bring it to a publisher. “It’s a crossover between Shameless, I’m Glad My Mom Died, and RWRB.” Who wouldn’t wanna read that? LOL The Gallagher family will shrink a little, Terry will still be his monstrous self. So no, there won’t be a traditional fic sequel. But if we’re all very, very lucky, there will be an expanded version that scratches the same itch.

Are there any ‘easter eggs’ in your story - e.g. references to other stories you’ve written, a trope you often use etc?

The Saint Christopher’s medallion that Ian receives from Mickey? Yeah, the person I wrote that for knows it was for them. 🫶 

If you’ve chosen your most popular story, are you surprised by the popularity?

By far NOT our most popular story. Yet.

Were you nervous or excited to post this story?

I HATE waiting to post- posting a fic like this where it’s all done upfront is hard for me, emotionally. So I was beyond excited for people to read it and love it as much as we do!

Moonlight– NJ really hates not posting immediately. Like, really hates it. This fic was written for the @gallavich-fic-club Summer Camp Event & we had to wait our turn. Which she HATED. 🤣 

Did you have a beta or a friend who helped you as you wrote?

Can we count each other? I’m a genuine writing freak- fast, thoughtless, and I rarely edit beyond typos. (many of which elude me and still end up in the final draft.) Moonlight is the opposite- she’s incredibly deliberate and also deeply and passionately devoted to the editing process. When we edit together, it can look a little argumentative, but we trust each other, so a lot of those conversations end up like, “I don’t see the issue, but I trust your judgment.” We both say it all the time.

Moonlight– D’aw, bb. You’re making me blush. You’re right, I am a meticulous asshole, but your brain is fast & witty. Together, we write good shit. 

NJ-- Also, god the verb tenses in this story gave me fits. I am a grammar nerd, so is Moonlight. But skipping between tenses for the past and present when we wrote straight through- she never had an issue but I regularly was in the wrong tense and had to go back and fix, cursing my own self the whole time. Loudly. Often on the phone with Moonlight. 

Moonlight– 🤣🤣🤣 yeah…

If any one has any comments, words of praise, complaints you’d like to register with our headquarters, please let us know. 

NJ - in the greatest detail, if you’d be so kind.

Anything else you’d like the readers to know about the story?

Moonlight– Yes, the cheese sledding story is based on semi-true events. The guys at my high school used to carry large blocks of ice to the top hill of the local golf course & ride them down. Years later, a dorm mate I knew in grad school told us about his Vermont cheese tour where he saw “giant wheels of cheese” that he swore he could use as a mode of transportation. And so, the cheese sledding story was born. 

NJ-- And I made sure it was at Trump’s golf course because a few years back, a man in New Jersey did some fun vandalism like that and I find it deeply satisfying.

🧀🛷 

[sapphire-weapon]

Resident Evil 4 Remake's story is structured like the plot of a romance novel: master post

A few months ago, I wrote up a very quick and dirty outline/explanation of how Resident Evil 4 Remake's story had been restructured from the original game to follow the story beats of a romance novel. At the time, I didn't think it was all that important to explain it super in-depth, but now that more and more people are looking at it, I figured I should probably explain what I mean with each of these beats lmao

1) Call to Adventure / The Meet Cute

All that a meet-cute actually is is the scene in which the characters that the romance is centered around meet for the first time. The intention is to show an initial spark between the characters -- they meet under bizarre/unexpected circumstances and, at some point, both characters become aware of just how significant it is, even if neither says anything about it.

Leon and Ashley's meet-cute starts with her swinging a candelabra at his head and ends with Leon holding her in his arms out in the rain for a period of time that is absolutely too long to be normal for the circumstance. They lock eyes in this moment, and it's meant to be seen as Significant.

2) Refusal of the Call / Rejection of the Relationship

This is the "I'm just imagining things" reaction to the significance of the meet-cute. Both characters treat the spark as though it never happened -- and, usually, it's because there's other external factors influencing their ability or willingness to follow the trail of that spark and see where it goes. Instead of going "Hey, you're cute, can I get your number?" both characters just jump straight to "Well, anyway --" and go back to living their own independent lives apart from each other.

After they both snap out of that weird trance they were in after Leon caught Ashley out the window of the church, he goes right back to treating her like a mission objective, and she just has absolutely no idea what to make of him at all. Ashley spends the next few sections of gameplay in shock and disbelief with lines like "Seriously, this cannot be happening." and "I just wanna go home..." Leon ignores all of her complaints, keeps her moving even when she asks for a break, and doesn't really speak much to her at all other than to bark orders at her.

3) Acceptance of the Quest / Giving the relationship a chance

Something Happens that forces both characters back into each other's lives and/or personal attention, and they both find that they do Like each other, actually -- even if that feeling of "like" isn't anything super significant. It could be something as simple as realizing that they enjoy the other's company and wanting to see/talk to the other more often.

This arguably starts when Leon and Ashley first run into the cabin and Leon puts a comforting hand on her back that he absolutely did did not have to put there -- but it's definitely in full swing after the cabin sequence is over. Personally, I would say that it's the revelation about Ashley having a plaga in her that's the Something that Happens between them. The whole mission starts to become a whole lot more personal, because now it's not just about surviving and escaping -- now it's about making sure that Ashley stays Ashley.

She starts to open up to him more, and he suddenly becomes much warmer towards her, as well. He's quick to reassure her ("I won't let that happen. I promise.") and not only responds to her when she talks, but also begins talking to her unprompted as well.

This is also the first time Leon ever tries hitting on Ashley with the "Seems this isn't your first time running from creeps" line, and it fails spectacularly.

4) Trials and Temptations / Three Dates

This one is probably the one that needed the most explaining LMAO I shouldn't have let this one go. The "three dates" don't have to/usually aren't meant to be actual, literal dates in romance novels. They're just three significant events that happen between the couple that builds and then reinforces their bond. (It also doesn't necessarily have to be three -- some stories only do two, some do five, etc. The point is that Things Are Happening that strengthen the relationship.)

That is why I said that their three "dates" are:

1) Ashley busting the window open after the Mendez boss fight, helping brush the embers off of Leon, and helping to pull him to his feet. This is the first time the two of them actually smile at each other and the first time they start to act as a team.

2) Salazar's introduction ("The girl's just fine. With me."). Leon wants so badly to be that cool guy in an 80s movie who shows up out of nowhere and puts his arm around a beautiful girl and looks at some dickhead harassing her and goes "This guy giving you a hard time, babe?" This is the closest he's ever gotten to and will ever get to being that in his life. He's not cool enough to ever actually be that guy for real.

3) The road to the Water Hall (Leon jumping across the chandeliers + this is the first time the "knight and the princess" allegory is stated) (You could also include the Garrador here, because if you take Ashley down there after the fact, there's special dialogue that happens that's... God, Leon sucks at this whole flirting thing. He just sucks, dude.)

5) Midpoint Crisis / I-need-you-but-can’t-have-you

Everything is going so well... until it isn't anymore. The three dates have given the couple a glimpse of how special and important this relationship could be, which is great -- until it becomes a problem. One of the characters gets freaked out by the intensity of the relationship and pulls back out of fear, because there's something else happening in their life that's bigger than either character and more important to be addressed.

In Leon and Ashley's case, it's Ashley's plaga. Saddler takes control of her briefly and gets a hold of Leon's knife, stabs him, and then threatens to cut her own throat. When his hold over her breaks, she's terrified. She needs Leon now more than ever because of this, but she's more afraid of hurting him than losing herself, so she runs away from him in tears.

6) The Road Back / Pulling Back Together

Basically, the plot forces the couple back together, and -- due to the raw, open vulnerability caused by the Midpoint Crisis -- their bond is stronger than ever. The feelings change from "yeah, I like them" to "I want them." Real intimacy starts to form and build here, because the interest in and attraction to each other is allowed by both characters to be acknowledged. This is usually where the sexual tension starts to really kick into high gear, and the audience is just waiting for that moment when it all breaks open.

This starts with the pep talk that Leon gives Ashley when he finds her again -- which is romantically framed and coded with its imagery and cinematography. It continues through the entire Grand Hall segment, which includes the moment in the game in which Leon is at his boldest in terms of expressing his attraction to her. This is the point in the game in which their relationship is at its most playful. They tease each other and flirt and pass compliments back and forth -- and, for a while, it feels like the two of them are unstoppable and able to take on the world together.

7) The Fall

"The fall" is the shortened version of "The moment they actually fall in love." It's the "oh god, I think I love them" moment. The two characters do not necessarily have to admit to each other that they've experienced "the fall" -- and usually, at least one of them doesn't. But they both experience that moment where it hits them.

We see Ashley "fall" at the start of her gameplay segment, where she takes Leon's earlier words to heart and draws strength from them. ("I won't run. Wait for me, Leon.") He's inspired her to strive to be more than she is, and she embraces the way that he makes her feel, in that moment.

We see Leon "fall" as soon as he catches the key that she tosses down to him. He looks up at her with stars in his eyes and offers to catch her if she jumps down. An interesting detail to note is that this is the first and one of the only times in RE4make that Nick Apostolides reverts to using the tone/voice that he used for Leon in RE2make. It's soft and sweet and gentle as he makes her an offer that has no reason to be made, just for the sake of getting to hold her in his arms again.

And, in order to drive home the point, this all happens during a scene that was framed, shot, and directed to mirror/mimic the balcony scene in Romeo & Juliet.

8) Dark moment / The Break Up

Once again, Something Happens and comes between them -- and this one is way, way worse than the Midpoint Crisis. This isn't "I'm scared to be with you" -- it's "I can't be with you." Hope for the relationship is completely lost, and both characters become overwhelmed in their individual despair.

Verdugo breaks them up physically -- not once, but twice. And that second time involves Leon being forced to watch Ashley endure Salazar's weird "ritual" and be unable to stop it or do anything to help her. He just has to sit with that failure and suffer through it until he's literally thrown away and discarded while Ashley screams his name.

When Leon finally finds Ashley again, we see him confront the one moment in the game when he honestly, truly loses hope. He sits down on the floor at Ashley's bedside, and there's nothing more that he can do than wait for her to wake up. Some part of him has already become convinced that they won't make it out of there alive -- not both of them, at least. Not together. And he's ready to commit suicide as a contingency plan.

9) The Sacrifice

This is the "do or die" moment for the relationship in a romance novel. This is the moment where the decision is made to confront not just the external force keeping them apart, but also the internal flaws that are feeding into that avoidant urge. The couple decides that their desire to be together is stronger and more important than whatever fear or force is holding them back, and though it's terrifying to do it, they stand up for the relationship in the face of opposition.

In RE4make, we see this play out through the sequence in which Leon carries Ashley to Luis's lab and how the two of them, against all physical and mental odds, manage to remove each other's plagas. This is especially emotionally significant for Leon, who says the words out loud: "This time, it has to be different..." He's openly acknowledging that his trauma from Raccoon City is what made him so ready to pull the trigger on himself back in that holding cell. Here, now, he puts his foot down, confronts that trauma, and says "No. I have to beat this."

And he does, even at great physical cost to himself. But the sacrifice was worth it, because it was for her.

10) Declaration

In a very literal sense, it's the declaration of love. It's an outward, spoken confirmation of the bond they share, now that the trial from the Sacrifice has been overcome. Traditionally in romance novels, this happens with the actual words "I love you."

But RE4make isn't a traditional romance novel, and Capcom has an entire fanbase of angry nerds who take fictional relationships too seriously to navigate through. So, instead of an explicit "I love you" what we got instead was an explicit verbal confirmation of their bonded status as a team.

"Hey... We're a team, right?"

"Keep this up? I'll be out of a job."

11) The HEA

"HEA" stands for "Happily ever after."

While I could (and did) say that Leon and Ashley literally ride off into the sunrise together, that does feel disingenuous. Even though it's true and the imagery is there, they don't really have a happily ever after. Not really. This is the only part that's missing from RE4make.

And that's because RE4make isn't just a romance on its own -- it's a fairy tale set inside of a story that's self-aware and knows that fairy tales aren't real. And so both Leon and Ashley wake up from this shared dream of a romance they've been having, as reluctantly as they do, because it's time for them to come back to reality.

Fairy tales aren't real. Romance novels aren't real.

Their feelings are real. But life doesn't work that way. Not for them.

They may not have a happily ever after, but they do have this moment to be together -- and for them, it's enough.

Because it has to be.

[rems-writing]

Ateez as Bryson Tiller songs

Pairing: none

Genre: Fluff

Wordcount: 783 words

Rating: pg-13

Nets: @mirohs-aurora-society @othersideoutlawsnetwork @illusionnet

This is an updated version of yet another old headcanon I did a million years ago. I did some soul searching lol

Hongjoong: Inhale

I had a hard time choosing something for the captain. I'm not gonna lie. I compared a lot of songs, both released and unreleased, and tried to see which one fit his vibe the best. After much deliberation, I finally settled on this one. Like Crazy Form, Inhale is not overwhelming with the noise genre that Ateez is used to. I can see Joong chopping up and playing around with the instrumental on this song and maybe add a bit more layering and depth to this song. Knowing Hongjoong, he'd use that brain of his to produce something immaculate yet stay true to the original.

Seonghwa: Overtime

My brain waves naturally associated this song with Seonghwa ever since I came across an edit that used this song in the background and the edit contained clips of this fuckface showing off his grills in the behind-the-scenes video of Matz.

Yunho: Still Yours (featuring Big Sean)

I have been meaning to find a replacement for Yunho because I will be completely honest. I don’t know what the hell I was thinking when I put Losing Focus for the tallest and biggest member of Ateez. When I wrote this a million years ago, I was heavily focused on his dancing skills. However, I was listening to Anniversary on a loop and throughout the album, I stumbled upon this bonus track and I immediately thought of Yunho. I replayed this song and pictured Yunho singing it. I was deep into my headspace and I made a final decision to have this song be the one for Yunho. Since this has a feature, I would put Mingi on this track as well to cover for Big Sean’s part. 

Yeosang: Always Forever

Like Yunho, I didn’t know what the hell I was thinking when I put this single for Yeosang. Yeah I leaned towards his savage personality when I chose Canceled, but after going through some shit in my life and listening to his cover for Hug Me to make me feel better, I realized that Yeosang is more than just the savage man with the pretty face. He’s so much more than that and I want him to last for a long time with Ateez. So I decided to go with Always Forever. He can flex his deep honey-like voice on a song such as this one. 

San: Exchange

Good. Fucking. God. I have been manifesting this cover of this song ever since I got into Ateez. I even fucking put this song in my Valentine's series! You cannot tell me that San's voice would be perfect for this song. The airiness in his tones brings a different timbre to this otherwise aggressive song and it almost gives the song a bit more seduction rather than reminiscence. With the way San's stage presence is, you'd most likely be lured in since he is a siren and you are his prey.

Mingi: Let Me Explain

Mingi is my ult. And this song is my all time favorite out of all the songs that Bryson has released. So naturally, I paired these two together. Ever since I heard Mingi's solo song, I cannot get his raspiness out of my head. It's forever glued to my brain cells. Now imagine the raspiness making an appearance again in this song. How he's begging for you to come back and hear him out before pleading for you to stay. You don't have to forgive him. As long as he explains his truth, he'll be content.

Wooyoung: Just Another Interlude

The more I listen to this bonus track off of Trapsoul, the more I realize that Wooyoung actually represents this song. As the lyrics go, Woo can be a freak and a friend too. He's someone you'd see yourself leaning on yet get a good fuck out of him. However, this doesn't mean he's fitted for friends-with-benefits. Good God no. He's way too good for that. This just means that when you get into a relationship with him, he can either be a friend, a fuckbuddy, a lover, or all three.

Jongho: Next to You

The maknae. The 'hyung' maknae. The maknae with strong hands and even stronger vocals. We all know he loves to scream out his high notes. As it says in a guide I watched, Jongho's voice is so powerful that when you hear his harmonies, you'd think it was another instrument. I jokingly posted a Jongho pic on Instagram with this song in the background, but the more I think about it, the more I realize that he does have the potential to sing mainly in his lower register. It would be a nice contrast to everything else.