#this is a canon conversation to me

[antisocial-cheesepuff]

Enjolras: Is that vodka?

Grantaire: Yeah.

Enjolras: Straight?

Grantaire: No, gay.

Enjolras: THE VODKA NOT YOU

[lilislegacy]

mr. chase: i understand why you’re mad. and you’re right, i failed her. but you must know, she means a great deal to me.

percy: yeah? well she means everything to me.

[emmavakarian-theirin]

FELLOW BLACKWALL ROMANCERS, I BRING YOU FOOD

[s0fter-sin]

soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart

sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers

and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure

the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish

soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down

he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill

we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan

he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost

he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them

he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted

he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much

[royalarchivist]

Pac: Take care of Ramon, take care of Richas, ok? See you on the other side, big boy.

Fit: [Laughs] Take it easy, big boy. Take it easy, big boy. Actually, nononono– You can't just say "big boy" and then just expect me to not drag you outta here. [Fit tries to lasso Pac] You're coming with me.

Pac: No, I need to leave!

Fit: You're coming with me. You are not dying today! You are not dying today!

Pac: I need to leave, Fit! I'm sorry, I'm sorry!

Ironmouse: Are you guys like, having sexy time?

Fit: There's homosexual activity going on Mouse, don't worry about us, ok?

Ironmouse: You guys, we don't have time to be gay right now.

[ Full Transcript ↓ ]

-

Pac: I'm just here to say goodbye to you, Fit.

Fit: Goodbye? We're not– we're gonna be fine, we're going to get out of here, don't worry.

Aypierre: Yeah, don't worry!

Pac: I know, but like– I will sleep until the end, you know? I will pass through this moment sleeping, man. I won't be able to be awake for the moment.

Fit: [Laughs] You know, it's– I mean, if that's how you wanna go, but– I mean, that- I mean, isn't that bed kind of like.... I don't know, it's–

Pac: No no, I will be staying on the sofa, you know, I will be staying on the sofa.

Fit: Oh the sofa. Ok, that's a nice sofa! Yeah, that is a pretty nice sofa.

Pac: Yeah, it's a nice sofa right? No, yeah– I'm going to stay on the sofa, you know? So, since I will be going Fit... [Pac starts tossing Fit all his items]

Aypierre: [Not paying attention to their conversation] Is that bigger cell? I don't think it's a bigger- biggest one.

Fit: Oh... Thank you Pac, thank you.

Pac: Everything you need to survive, ok?

Fit: Wow.

Aypierre: Wow.

Pac: And if you need this one also, maybe, who knows? [Throws him more items]

Fit: Ohhh, well hey– just take this to remember me by, ok? [Tosses him a photo of himself – the same one Aypierre was carrying all day yesterday]

Pac: [Laughs] Ok, I will sleep holding the picture you know, like this. You know, I will dream about you, Fit. And I hope this is gonna be good dreams. I see you in the other side. Good luck, my friend.

Fit: The other side... Yeah, you know, yeah, we– we– you know? It's been an honor, Pac. It's been an honor, you know?

Pac: Yeah, for me too, you know? Take care of Ramon, take care of Richas, ok?

Fit: Ok.

Pac: See you on the other side, big boy.

Fit: I will sing your praise– Oh yeah, hey– [Laughs] Take it easy, big boy. Take it easy, big boy. Actually, nononono– You can't just say "big boy" and then just expect me to not drag you outta here. You're coming with me.

Pac: No, I need to leave!

Fit: You're coming with me. You are not dying today! You are not dying today!

Pac: I need to leave, Fit! I'm sorry, I'm sorry!

Fit: Sorry, there's–

Pac: I'm sorry!

Ironmouse: Are you guys like, having sexy time?

Fit: There's homosexual activity going on Mouse, don't worry about us, ok?

Ironmouse: You guys, you guys– we don't have time to be gay right now, come on. There's no time.

Pac: No, there's no time! Oh, goodbye Fit...

Fit: Ok, c'mon, no no no, come on, we got this we got this!

Pac: Goodbye Fit, I'm sorry!

Fit: [Laughs] Oh no...

[ask-the-colony-tree-siblings]

Gourmand: Any minute now.

Hunter: …I-

Arti: I’m sorry!

Hunter: Huh?

Arti: I-I’m so sorry. For attacking you, and for- for everything. 

Arti: I’ve been such an asshole to you.

Hunter: …Yeah you have been an asshole. But I fucked up too, I didn’t know what I was saying. I thought… 

Hunter: …it doesn’t matter what I thought. I shouldn’t have said that. I, uh… I-I heard about your k-

Arti: Don’t. It’s in the past now.

Gourmand: Is it? 

Gourmand: You attacked him over saying something that triggered you, so no, it doesn’t seem to be all in the past. 

Gourmand: It isn’t fair to hurt someone for not knowing something that you never told them. 

PART ONE IS DONE!!!!!!!!! Part two will probably come in about, uh, seven years, give or take. /j

(It isn’t perfect, but it’s been too long and I needed to get the first part of this comic out. I’m honestly super happy I finished, because it was unnecessarily hard lmao. Anyways I’m gonna ramble in the tags now)

[eddiegettingshot]

you know what's actually funny to me about the drunk/supportive line. is that eddie is so so so fucking crazy he wasn't like oh i can't wait for you to throw ME the best bachelor party ever someday! (<- normal thing to say, easy way to reinforce platonic relationship) instead he was like MAYBE CHIM AND YOUR SISTER WILL GET DIVORCED AND HE WILL HAVE TO FIND LOVE AGAIN. eddie diaz you are crazy

[iwasbored777]

The fact that all Gwen knows about her variants in other universes is that they're dead is so sad. Like imagine you want to know what happens to you in other dimensions and it turns out that wherever you look you mean nothing, you're so unimportant that there's no bigger role for you other than dying.

And I've seen you guys pointing this out, where she's looking at what looks like her own death and even if it's not this is not just a "love interest" Gwen, this is a superhero who is supposed to mean something, but she doesn't. She's only here to die. And so far this (our) Gwen doesn't have any reason to believe that she won't die very soon just like other Gwens.

I think that one of the main reasons why she's rejecting Miles is not just her trauma and all shit she's been through and the fear of dying like other Gwens when they're involved with Spider-Man, but also because if they start something and she dies this will hurt him too.

It's easy to say "canon events aren't true she shouldn't believe in that" but this isn't just a regular risk, this is her life we're talking about.

[incorrect-upon-a-witchlight]

Twig: Hand me the people opener.

Kremy:

Kremy: Pardon?

Twig, annoyed: The g! Just hand it to me!

Kremy, stressed: WHAT THE FUCK IS A PEOPLE OPENER?

Twig: How do you not know what a people opener is? Its pointy- you know? With a handle?

Kremy: Knife. It's called a knife.

[enigmaticagentalice]

please Bioware just give me any indication in Veilguard that Varric and Cassandra are still friends and in regular contact, I am on my knees, one single crumb is all I need to sustain me

[fullscoreshenanigans]

(The Promised Neverland Art Book World)

Ah yes, one of my favorite genres of baby full score trio pictures: Isabella being openly affectionate toward Emma and Norman in front of Ray while being hands off with him.

(Chapter 2 | Chapter 37 | Chapter 165 | Chapter 170 | Chapter 177)

[skydaemon]

the most fun I can have w kunichuuzai in canon is the idea that, at some point, kunikida reached out to chuuya (or vice versa) for info on dazai and the two started having secret meetings where they exchange information about him. the meetings quickly become hookups with the only information exchange being:

chuuya (smoking, draped in a bedsheet): dazai?

kunikida, lounging shirtless: bastard.

chuuya: (nods) bastard.

and dazai knows NOTHING about it

[ctrl-alt-cel]

pro duelist jou...jou keeping up with the meta... pov jock at your locals ashes your combo as politely as he can

[frankiebirds]

[jaynovz]

In discussions about the finale of Black Sails, one of the things I often see is folks hard-focusing on Flint's fate, in an either-or binary fashion, usually presented as "Which do you believe-- that Silver killed him? or sent him to the plantation?"

Now, for posterity's sake, gonna mention a few things-- first off, that's simply not thinking broadly enough. There are farrrr more than two options here and I've come up with my share of the reallyyyyy bad ones for sure. Whatever your mind chooses, none of those are happy endings anyway, there are bittersweet, bad, and worse endings all the way down. (They are paused, they are in a time loop, and also all endings and no endings are happening simultaneously)

But also, the more cogent point is that, it doesn't actually matter what happened *to Flint* The story is... not actually about him at that point. We have transitioned from Flint as protag to Silver as protag, setting up for (the fanfiction that Black Sails has ended up making of, ugh, king shit) Treasure Island.

And so, I just, don't find it to be of particular interest exploring what we think Flint is actually doing or if he's alive for real. What is EXTREMELY interesting to explore though is how Silver's speech at the end to Madi is sort of giving Thomas back to Flint as a pacifier/comfort object, but how... Silver is giving Flint that thing in his own mind as his own type of pacifier/comfort object.

That's the REALLY chewy bit. What actually happens to Flint is not the purpose of that scene for me, of Silver's recounting of events to Madi. It's more about... projection. It's about how Silver is dealing with whatever happened to Flint/whatever he did.

And I just feel like it's missing the point to focus so hard on if Flint is alive or not.

He is the ghost of the story regardless, that's what's important. He's going to haunt the narrative for the rest of everyone's lives. No one has been untouched or unscarred by coming into contact with Captain Flint; he has a forever legacy. I'm not the first to call him this, but he's Schrödinger's Flint and he's staying that way.

But this?

"No. I did not kill Captain Flint. I unmade him. The man you know could never let go of his war. For if he were to exclude it from himself, he would not be able to understand himself. So I had to return him to an earlier state of being. One in which he could function without the war. Without the violence. Without us. Captain Flint was born out of great tragedy. I found a way to reach into the past... and undo it. There is a place near Savannah... where men unjustly imprisoned in England are sent in secret. An internment far more humane, but no less secure. Men who enter these gates never leave them. To the rest of the world, they simply cease to be. He resisted... at first. But then I told him what else I had heard about this place. I was told prominent families amongst London society made use of it. I was told the governor in Carolina made use of it. So I sent a man to find out if they'd used it to hide away one particular prisoner. He returned with news. Thomas Hamilton was there. He disbelieved me. He continued to resist. And corralling him took great effort. But the closer we got to Savannah, his resistance began to diminish. I couldn't say why. I wasn't expecting it. Perhaps he'd finally reached the limits of his physical ability to fight. Or perhaps as the promise of seeing Thomas got closer... he grew more comfortable letting go of this man he created in response to his loss. The man whose mind I had come to know so well... whose mind I'd in some ways incorporated into my own. It was a strange experience to see something from it... so unexpected. I choose to believe it... because it wasn't the man I had come to know at all... but one who existed beforehand... waking from a long... and terrible nightmare. Reorienting to the daylight... and the world as it existed before he first closed his eyes... letting the memory of the nightmare fade away. You may think what you want of me. I will draw comfort in the knowledge that you're alive to think it. But I'm not the villain you fear I am. I'm not him."

This is the speech of a man who is self-soothing, who is spinning himself a tale, who is projecting, who is coping.

and THAT is just, way chewier, innit?

[loserboyfriendrjl]

“Evening,” Sirius called out, when Harry entered the kitchen, particularly quiet as he walked down the corridor. It was late, past midnight, definitely, yet it was one of those nights (which had turned into most of them) in which he couldn’t sleep. “Careful not to wake my sweet mother up?”

Harry laughed a “yes”, before sitting down. “She’s quite charming.”

“She is, isn’t she?” Sirius asked, running a hand through his hair, already flecked with grey. “Always was, my mother. Thought Molly sent you off to bed already.”

“I wanted to talk to you,” Harry said, sincerely. “You seemed down.”

“I don’t like being here,” He rasped out, looking away from his godson. “But I reckon you know how that feels, considering how eager you were when I told you to move in with me once my name would be cleared.”

Harry chuckled. “Yeah. Dudley’s not the nicest cousin I could have.”

“The offer’s still on the table, though, you know.”

He smiled, so alike to James. “I know.”

“Is there something in your mind?” Sirius asked, pushing his chair back with a harsh scrape and propping his legs up on the table. “You seem off yourself. Nervous about going back to Hogwarts?”

Harry a hand through his messy hair. “I’ve been told by many that people think I’ve gone off the rails.”

Sirius scoffed. “You shouldn’t care about what other people think of you. You know you’re telling the truth about Voldemort, and that should be enough.”

“Yeah, well, but considering the Ministry’s saying he’s not back and everyone listens to what Fudge says, it’s kind of hard to not be the poster for gone mad.” Harry let out a small laugh. “Which would be easier to deal with if fewer people believed him, but I reckon I don’t have credibility considering I’m a fifteen-year-old who’s been deemed bonkers and unstable.”

Sirius leaned on the two back legs of his chair. “The Ministry’s spreading the same propaganda during the first war, too. Nothing’s happening, we’ve got everything under control, obviously, how could we not, and Voldemort’s little servants’ attacks are actually just tragic accidents of an unknown nature — that’s a heaping pile of shit, obviously.” (Harry snorted.)

He picked at his nails. “They’re still the main voice, though.”

“I know,” Sirius replied, “but soon enough when they’re not gonna be able to cover up the attacks anymore, they’ll figure everything out.” Sirius took a swig out of the wine glass. “Now that we’ve gotten that out of the way, is there anything else that’s on your mind, besides Fudge being an idiot and, I assume, the exams?”

Harry looked away from him. “There’s this girl…”

“Merlin’s beard,” Sirius murmured, chuckling into the hand he had run over his face, “you’re just like James. Tell me, is she perhaps a redhead with a fiery temper and a knack for picking the worst mates out of the bunch?”

Harry laughed, then completely stilled and, when he was sure the portrait of Walburga Black hadn’t started shouting again, he leaned forward arms on the table. “No. She’s on the Quidditch Team.” He then bit his cheek, obviously looking for his words. “Did they love each other?”

Sirius’ gaze softened as he poured himself another glass of wine. He looked at the boy sitting on the chair at the old, wooden table in his childhood kitchen — all James looks-wise, besides his eyes, Lily’s. Yet his temper was just like Lily’s, as seemed to be a big part of his personality; Remus told him so, the few weeks he’d stayed at his shabby cottage in Glasgow and had the time to find themselves all over again.

“Yes. Very much. Well,” Sirius tsked, “James was gone, that’s for sure. For years before something actually happened between them. But Lily obviously loved him, too. I remember their wedding — I was the best man, you know? — your father got quite, ah, tipsy, and by the end of the evening, he’d declared his undying love to your mother probably over twenty times. It was a beautiful night. Happened in the August after we graduated. They’d been planning it for months before; it wasn’t a big thing, but it was probably the best night of my life. I’ll have to ask Remus if he still has the pictures.”

“Why would he have them?” Harry asked, curiously.

“We used to live together,” Sirius answered. “Lily and James moved out, and then it was the two of us. Peter lived with his mum after they moved to Godric’s Hollow — that’s where they lived, where you were born — so Remus and I kept the apartment for ourselves. Reckon he still has the pictures, even though he moved out, since I don’t have them.”

“You two lived together!?” He demanded, incredulously.

“Oh, yes,” Sirius chuckled, sitting back down and downing a good part of the wine he’d poured himself. “We moved in together, like I told you. I knew him pretty intimately, so to say.”

Harry nodded, then rubbed his eyes and yawned tiredly.

“It’s getting late, now. Head off to bed before Molly catches you and tells me off for being such an irresponsible godfather,” He said, acutely aware of how irritated his voice sounded.

Harry smiled. “Night, Sirius.”

“Good night, Harry.”