#things will get let miserable

[thatsuccessfulpokemontrainer]

Gonna be way less online on my rotomblr accounts for the next couple of weeks because to be frank my life is putting me through the wringer and I'm miserable lmao.

[monkesupreme]

ref

a satisfactory answer for Selina

[lucabyte]

Taking pride in One's own appearance.

[gxlden-angels]

Do not let the Protestant Work Ethic Beast in your head win!

You are not alone! You are not the sole difference between death and life! You are a person who will at some point need to take a break!

That is why there is community! That is why there is organizing! Do not despair because you, alone, are not currently boots on the ground fixing things! Do something, but do not let that something be collapsing!

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[possamble]

What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.

so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.

Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:

She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent

Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married

She was a cheerful person who rarely showed extreme emotion and took things as they came

She always cooked a huge meal for Marcille on her birthdays

She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home

Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)

She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words

the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.

She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)

Things that are explicitly shown but mostly through visual cues

She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)

She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).

She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)

She was as excited for Marcille's milestones as Donato was.

She didn't tell Marcille much about elven food

(there are a couple things that this panel in particular implies:

She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it

seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)

slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)

(local elf tastes Italian food once and never goes back))

However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.

Subsequent conclusions about her personality:

Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).

Slightly more conjectural theories on her personality:

Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.

Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?

Now taping all the evidence together and toeing the line between analysis and fanfiction:

It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:

Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.

We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.

It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.

It kind of recontextualizes her cheerfulness to me.

"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).

And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?

Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?

I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:

copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.

It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.

But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.

What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."

Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.

All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)

There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.

but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.

(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)

[ghostdnfie]

me to dream stans having to see/put up with shit from morons (spineless ccs and their fans) vs me to said spineless ccs and their fans

[see-arcane]

If I understood correctly, Jonathan was planning on sending Mina to their home because she seems miserable being idle?

That and probably genuine anxiety about the fact that Dracula is active in the area, yeah.

Even though Mina is putting on her best This Is Fine :) act for him and the others just as he’s putting on his own, you can’t really bury what you Know about your beloved after being together for years. Even if Mina were putting on an Oscar-worthy performance, Jonathan was always going to see through it (and vice versa).

All that said, yes, he wants her home where she can be safe and active. Because he loves her and knows her…and likely because he knows the unique hell of being confined like a comforting and kept-ignorant/inert pet from the castle stay. Jonathan Harker has spent approximately two (2) days following Van Helsing and company’s lead on this and Cannot Stand It and knows Mina is cramping against it too.

RIP to the doctor-husband in “The Yellow Wallpaper,” but the Harkers are not about that stagnating bullshit. Tried it. Hated it. Mina already has the train times ready, she’s going home to vampire-proof the house, byyye—

(hey weird why are they both so sleepy all of a suddenzzzzzz)

[serpentface]

Oh yeah I meant to ask, to what extent does social paranoia/self-surveillance/Complexes/etc. affect Janeys & Brakul’s relationship, or their attitudes toward one another/themselves? I remember something written about them not engaging in penetrative sex in relation to Wardi taboos on bodily integrity, which, if not just happening to coincide with personal preference, sounds potentially pretty fraught. (Maybe excessively paranoid, but I want to clarify that this isn’t necessarily a Horny Question)

Not a horny question but as usual my answer is going to be excessively long and detailed so get ready.

Anyway yeahhhh it’s pretty fraught. The bottom line is that they love each other and are also mad horny about it with only a limited number of outlets, which only adds stress to an already stressful situation. They are fully aware that they love each other and there's no 'no homo'ing their way out of this one, but ARE kind of in denial about there being a sexual component to their relationship (which is partly bolstered by the Wardi view on sexuality only considering Full Penetration to actually be 'sex', and they aren't doing that, sooooo....).

With regards to paranoia/self surveillance....

Both of them share a fairly equal concern about status and honor. They are both fully in agreement that many aspects of their relationship have to be secret and that both need to uphold a normative life for high status individuals. The threat of public shaming is a very real concern, and they have killed people over it (duels over slander and impugned honor are legal in some contexts, Brakul extralegally beat a guy to death for it once).

Brakul personally most concerned about other people, and is compelled to avoid doing anything in public that could even be construed as romantic in nature. Wardi cultural norms permit men to be physically affectionate with male friends (kissing on the cheek is a common greeting) but Brakul is pretty hardline Bro Do Not Even Touch Me In Public. He has very few compunctions about anything done in private so long as he doesn't specifically feel emasculated by it.

Janeys is heavily religious and strongly concerned about curses and spiritual pollution (all believers in this faith share this basic tendency, but it tends to be of more pressing psychological concern to the upper classes via impact on social status and honor). His core personal concerns are on the spiritual end of things- belief in curses and spiritual pollution is a very real motivating factor in this culture. Anything he does that is conventionally understood as emasculating or spiritually violating, he has to rationalize and self-justify away.

There’s a tendency among the upper class to imagine the Commoner having a poor, uneducated, and superficial understanding of the religion, and philosophical debates on the nuances of religion is considered an ideal leisure pastime among the educated upper class. So part of Janeys’ self-justification cycle is usually like “I am very smart and knowledgeable, and now that I’m thinking about it the idea that [xyz gay as shit behavior] is spiritually polluting is superstition of the common rabble and missing all the Subtle Nuances”.

It’s kind of like Janeys will laboriously mental gymnastics his way through his various concerns and eventually be like “I Have Discovered That Giving Blowjobs Is Not Spiritually Polluting, (And In Fact Is Very Masculine???) I Will Analyze This Further” and Brakul is like “Ok cool not polluting okay awesome that’s great ok let’s go let's go letsgoletsgoletsgo”

This is a long, slow process. They have been in a relationship where they both want to fuck each other stupid for over a decade without any of that happening, instead just very slowly escalating while being very frustrated about it the whole time.

Sworn brotherhoods such as theirs are upheld by an annual ritual involving bloodletting (the palms are cut, blood drained into wine and mutually imbibed, other stuff happens). It’s a lengthy ceremony and partly supervised by a priest. The first escalation is they started doing this like, monthly on their own. It feels intimate and scratches an itch for physical and psychological closeness.

This escalated into performing a ‘’’condensed’’’ version of the ritual, which is really just them sitting around and cutting each other with a razor and licking up the blood (while perhaps half-assedly reciting the associated prayers). The underlying factor is they always need to have some excuse that does not ‘shame’ them- in this case, they have decided that their frequent exchange of blood keeps their bond soooo strong and powerful and that they're like, the best sworn brothers ever.

This blood shit is UNQUESTIONABLY sexual for them and is a physical outlet for sexual frustration. And it does eventually escalate to them finally getting off (‘weird blood shit’ was their first base, ‘doing weird blood shit and frantically dry humping to completion and then not talking about it’ was their second, ‘kissing on the mouth’ was like, 6th)

This all was worsened by the genius decision of having Brakul knock up Hibrides, who is Janeys’ wife. Janeys has no attraction to women (and also probable fertility issues) so he never succeeded himself. She had passed the expected childbearing age and is utterly miserable in this relationship and was kinda like “uhhh if you won’t let me fucking DIVORCE YOUR ASS you’d better figure something out because you’re shaming ME”, and since sworn brothers effectively ‘share’ wives (IN THEORY this is just a commitment to support your brothers’ wife and children in the case of his death) they came to an agreement that this was NOT Janeys being cuckolded and shamed, as long as no one else finds out.

The lingering after effects of this decision are one of the primary strains on their relationship on a whole number of levels, one of which is Janeys now being intensely jealous of Hibrides for ‘getting to’ fuck Brakul, and that she has had a form of closeness with him that Janeys can never have (not even just the sex but like, conception itself). The feeling of having a metaphysical bond with someone who he sees as stronger than himself makes him feel more secure, and the sense that someone has gotten in the way of that and experienced something 'deeper' is very distressing for him. Brakul also kind of wants to be a father and really, really, really wants a relationship with his bastard children (something which both Janeys and Hibrides prevent him from doing) which really wears on him.

On a personal level, Janeys swings between feeling smugly justified about everything (he's only hiding it because everyone around him is stupid and wouldn't get The Nuances) and like, Oh God I've fucked up so bad I am shamed beyond recognition. Why did you let me do this to myself, this is your fault, you made me like this, etc etc etc. (This is especially the case when he suffers any unusual misfortune, seeing it as signs of a curse).

Brakul can usually weather this out (and is also very good at logically assuaging his concerns), but it's very draining on him. He shares the core belief in spiritual pollution, but he doesn't share the experience of actually Feeling dirty or shamed by things only they know about. They get into a lot of fights (not necessarily explicitly about all this, but it's an underlying tension) and Brakul often just deals with it by up and leaving for days on end until Janeys is miserable enough to not be upset. Brakul also has some alcohol abuse issues and could be diagnosed with clinical depression (not entirely because of this, but it doesn't help).

Another bottom line is just like, after over a decade in vehement denial that they are fucking each other, the notion of 'actually fucking each other' has kind of an outsized weight to it. Objectively (BY WARDI CULTURAL STANDARDS) they have ENTIRELY and thoroughly shamed each other and are riddled with spiritual pollution, and taking it up the ass couldn't make it any worse so might as well. But they haven't quite got there.

So yeah this is kind of all over the place but I think this answers the question???????

[dubacheryking]

My personal head canon is that Richie is the type of fuck who does really well in school without putting in literally any effort and Eddie is the type of kid who tries so so so hard to get good grades but he's like. A b or c student at best. He fucking hates Richie for this.

[snzluv3r]

secretly evilly hoping that my gf catches a cold on one of her flights here so that i can take care of her and then maybe catch said cold and get doted on too when she’s all better

[dragonanon]

I will say right now that I am a petty ass bitch. And I have PURPOSELY chosen NOT to cut off any friends or family that voted for Trump, for the SOLE reason that I’m playing the long con here. When shit goes sideways, I want to be the one who looks them all in the eye and say “Oh, you’re suffering now? Good! I fucking TOLD you this would happen. Now suffer. Asshole.”

I know for a FACT that once things start getting bad, those people are going to be the FIRST ones to bitch and moan about it. And I want front row seats to it so I can CONTINUOUSLY throw it in their faces that they were fucking wrong, and the current situation is ENTIRELY on them.

I’m going to be the smuggest, most insufferable, little shit about it. I will be sitting there with my iced mocha, listening to all their bitching, with the biggest grin on my face. And when they ask me why tf I’m so happy, I’m going to respond “Yeah it sucks, doesn’t it? I’m happy because now that you see it, I get to remind you that you CHOSE this. This entire nightmare is ENTIRELY your fault, and I am going to remind you of this fact each and every time this topic comes up, until the day I die. Now either choose something else to talk about, or STFU. Because I have NO sympathy for you. 😎💅”

[leportraitducadavre]

this sure needs more study but i think a big part of the problem with the "stans" of some female characters is that they hide behind the term "feminist" when their real interest is to prove their self-insert is "desirable". i mostly notice this particular behavior in the "shipper" portion of these fandoms, as the "wives" status of certain characters is measured based on how beautiful/powerful their husbands are. many of these shippers think that having a husband (specifically a handsome one) is proof that the female character of their choice is attractive and therefore "beautiful" because, let's face it, desirability is all this boils down to; even their need to show how "powerful" or "strong" they are (often by providing examples of how "superior" their fav is to other female characters) is more about them being recognized, admired, and desired by the male characters.

[skunkes]

the bad: i have been raised without much warmth from my parents in childhood, but also pressured to conform to familial authority, doubt myself always, and value familial connections above all else (<- failed at this, and feel guilt about it.)

but also in experiencing this i have been so isolated from the entire rest of the world and others, that it will be nearly impossible to create my own "family" -> find safety and comfort in anybody else once my family is Gone. despite dis i find it really difficult to break away from the familiar, disobey and disappoint, because, well, why are my wishes more important than anybody else's. why would I cause upset and distress in anybody, and exert so much effort into my doubt filled half decisions, for my meaningless little Wishes. being away would also mean less time with these people who I'll never see again once they're gone. being raised this way is definitely paying off for those who did so.

the good: yaaaay adjacent inspiration for writing talon lore

[stizzysupremacy]

“It’s a romcom!”

their breakup has a body count, which is neither especially romantic nor particularly funny 🤷‍♀️

[beanghostprincess]

what if i just ended that zolu/sanuso one-shot about jealousy in a bittersweet angsty way instead of making it fluffy because i'm a horrible person and also i want to go to sleep