#they will do the storyline only if they decide to do the buddie storyline

[morganski-19]

Ryan Guzman's interview with Jeff Conway came out today, and I have a few thoughts, so I'm writing them down here. If you are interested reading the article yourself (which I think you should because it was a very good article and there many moments in which I did not talk about here), this is the link.

First and foremost I would like to reiterate that this is a good, well thought out article from both Conway's questions and Guzman's answers. And I think there were many responses that show the love that Ryan has for Eddie, and the work he puts in to make his portrayal of Eddie so impactful.

And as always, I take each article that comes out with a giant heaping of salt, as they can't talk about things before the actual episode airs.

Now I'm going to talk about specific quotes, the first of which is this one.

A few of my mutuals over on bluesky were freaking out about this quote, thinking that this meant that Ryan was either thinking of leaving the show or starting to wind down his involvement, but that is not how I interpreted this. Along with many other of his quotes from this article, it's clear that Ryan is just a live in the moment kind of person, and this is a very live in the moment kind of answer. He's simply saying that he is proud of the work he's done with Eddie, and still feels honored to play him, but if the world decided that Eddie's character has come to a close, he is proud of what he has done.

So no, he doesn't currently have plans on leaving the show.

This excerpt really confirms that Eddie's storyline will be big in the second half of the season. Which I have to say, thank fucking god. The fact that this article is the one they are pushing before the spring premiere is only further proof of this, but this quote really solidified it for me.

The biggest change of all is of course the fact that Eddie will be leaving for Texas in the beginning of the season. From his language and demeanor from the first half of the season, this is a necessity as going to Texas and being able to work on his and Chris' relationship one-on-one is crucial for that. So going to Texas in some capacity was necessary.

Now the decision to fully move to Texas is not going to go over smoothly. Not to mention that that in itself is a big change, but can bring other changes along with it.

Now we get to where Conway asked about the possibilities of Buddie, and how Ryan feels about it. To which (to no one's surprise) he gave a very vague answer that I can see being read in a few different ways.

Firstly, he is kinda saying what he has before about how Buck and Eddie's relationship as is, them being a bisexual man and a straight man respectively, is important as it shows how two men of different sexualities can still have a close bond without there being any weirdness about it. Which is true, especially, like he said, with the current political climate.

Secondly, I think his wording here, especially when he clarifies having friends who are homosexual and not bisexual, is sort of leading. On the one hand, he is further saying that he draws from his own experience of interacting and loving them, which he then applies to Eddie with his relationship with Buck. On the other hand, he could be drawing from his friend's experiences a bit when doing a gay Eddie storyline. And I think the specification could further emphasize Eddie's sexuality, as I personally headcanon him to be gay and not bisexual. But this leads further into speculation.

Overall, what I got from this is that Ryan wants to put focus on the relationship that him and Buck have, and not lead audiences into thinking that there could be more. This doesn't outright confirm or deny anything, and from my interpretation, leads me to think that he does not agree with the shipbaiting that is currently happening. Which fair, I too do not enjoy ship baiting for the purposes of promotion.

And lastly, I'm going to talk about this quote.

Which is something that I think Eddie desperately needs to hear. He is constantly unsure of himself, and needs to trust himself more.

I think that him saying that everything inside of him is innately who he is, and that is more than enough, can be leading as that phrasing is something that us in the queer community use when describing ourselves. But this is also true for Eddie's character as we know now as well. He needs to trust and believe himself, and that the decisions he makes are ones that he should be proud of.

Overall, like I said above, this article is very good and if you like to read the interviews released about this show, you should go give it a read. Considering that this came about before the show aired, I wasn't expecting it to confirm anything, but I am also glad it didn't outright deny anything either.

I think that there are some lines here that will come into clarity as the show airs and more interviews come out. But overall, I love Eddie as a character and am glad that the show has decided to use him in the build-up for promotion as the show comes back. And I can't wait to see where his storyline goes.

[bludhavensbirdboy]

Where is the section of the fandom that don’t really care about if bucktommy or buddie or neither are endgame but instead care more about just wanting the writers to do a queer Eddie storyline and do it justice (not just to further a buddie endgame)

[spxdyr]

im going to try to be nice because bucktommy's are going to inevitably see this and im not trying to start shit.

i'm seeing a lot of confused bucktommy's about the breakup. claiming it was a last minute decision, it was because lou didn't want to keep dealing with it (wtv that means), that it makes no since because of 8x05, and a lot of other spiraling bs.

i even saw someone say that buddie is never going to happen because oliver said eddie is straight...

i'm going to break this down as clearly as i can, because i've historically had issues with bt's and comprehension skills.

1. the bucktommy breakup was inevitable from the moment they got together. if for no other reason than tommy himself. from the beginning of their relationship, tommy has decided if buck was ready. not buck. tommy left buck standing on the side of the road aftet their first date because tommy decided he wasn't ready. because buck was nervous to come out to his best friend in public. tommy decided that buck would break his heart and that he wouldn't be buck's last. tommy came into that relationship assuming it would end. not buck, and not the audience. we were just picking up on what tommy was telling us. especially, given the fact that buck was fully ready and able to move past the abby clark of it all. tommy was a bad partner to buck, that's why they broke up.

2. i said this after 8x05, it wouldn't have made since to give us an on screen breakup if the only thing we saw of tommy was the thirty second birthday scene in 8x01. 9-1-1 loves a three ep arc and buck's side of whatever realization he might have started on 8x05. we needed to see more of tommy so it made sense when he broke up with buck. throughout all of 8x05, we saw the seeds of doubt being sowed in tommy. from the hospital scene after denny, to the closing one, tommy realized he didn't fit or at least wouldn't for long. because he never got that built-in family. he doesn't trust/believe that anyone would have his back like that. and he made that choice all on his own.

3. lfj is fine. he's a mulit-million dollar nepo baby. one whose been callled out for negative past behaviors and some people consider that bullying. lfj knew how long he was going to be on the show when he signed the contract to come back. the networks choice not to renew that contract had nothing to do with buddie stans. his storyline was over.

4. i can't even be confident that he's gone. there was a lot of stuff left unsaid or moved past too quickly. now 9-1-1 has a history of bad writing in that regard but they also have a habit of dropping things to only come back to them episodes or even seasons later. if he's really gone well thank god, but if he's not im not totally shocked.

5. i don't know how many times i have to say this. if eddie is gay or bi or demi or wtv, the cast wouldn't be able to say so because it would be a MAJOR spoiler. does no one remember andrew garfield and tom holland lying their asses off about spiderman ffh??? actors are liars, its like the whole bit. buck was straight until he wasn't. let's stop being dense and accept that maybe they aren't telling us everything because that would the defeat the purpose of the show.

look at this point im not just in this for buddie. im in this for an eddie that gets to be unapologetically himself. and im going to emphasize one more time how dangerous and disrespectful it is to force eddie back into the proverbial closet because it doesn't fit your ship.

[remarcely]

Something was itching me about Kipperlilly as a character for a while that I couldn't place down but I just got it.

There is so much of a connection between her storyline and the radicalization a white suburban kid can have to something like white supremacy that it's not even that deep, it's surface level.

Think about it:

She has a strong hatred for a minority kid in her school because he's got great grades and is viewed as a hero

She's envious of the hardships he's gone through and starts hating her family for being so 'normal' (a lot of white people can feel angry about their identity and what they think is a lack of a culture because they 'don't feel oppressed enough' to justify their own feelings of unfairness)

She takes all that anger and infects the people around her, hurting them and 'radicalizing' a few others

Is so insistent that this random kid had an unfair start because of his family situation that she wants to permanently change the bylaws in her school so he's put at a crazy disadvantage, just so she feels like she has an upper hand (think of racist people being mad that there's more POC going to college and crying that they're only getting in because they're a minority, ignoring the real work those students put it despite the disadvantages they might have faced)

She doesn't do any self introspection, doesn't decide to put more effort into her grades or personal relations, she takes that hatred and lets it poison her from the inside out. She rants about fairness when she doesn't put the work in and chooses to despise the people that do, just because they're not as miserable as her.

Her guidance counselor doesn't know how to combat that anger because he doesn't agree with her politics, a creepy adult in her life recognizes her hate and takes advantage of it to stir up the flames, we don't even see her parents but it's safe to say they're not exactly involved or watching her.

I don't know, I'm just annoyed because I keep seeing people say 'if you hate Kipperlilly that's just misogyny' as if she is not a genuinely hate-able character.

You can hate a woman for being evil, you're allowed.

And on the whole 'redemption' thing, sure that's entirely possible but let's face it. You cannot force someone to change, that's not how redeeming yourself works, you have to want it. Kipperlilly has no desire to change because she believes she is right. What use is it to her to abandon a worldview that suits desires her so well?

There was no way that could have been covered in an epilogue well enough to justify it and do you really think all the people that had their lives ruined and were literally murdered (Lucy, Oisin, Ivy, Ruben, Mary Ann, Buddy, etc.) would be bending over backwards to check on their killer?

[lover-of-mine]

it’s so interesting that with previous love interests, it was normal and fine to not ship them and to still want buddie in the future, but now, we have to sit down and shut up and accept that it’s never happening and B/T are forever

oh no wait, it’s not interesting, it’s annoying and confusing and frankly just weird. misogynistic and borderline fetishistic

shipping non-canon couples, especially ones with 6 years of history and love and shared experiences, is the norm in literally every fandom, but now suddenly it’s wrong and how dare we

a fair few of the people saying this are also, conveniently, the ones implying that B’s bisexuality is tied to T and T alone and if we don’t ship them, we don’t support bi!B

how. very. interesting! /annoying/confusing/weird

So interesting. Dude, I got called homophobic because I didn't immediately look at them in 703 and decided they were true love. In 703. Because I didn't look at the shoulder touch and immediately started shipping them. Homophobic with all the letters. I got yelled at. After 703. Legit almost deleted this whole blog over some of the things that got sent. I was legitimately crying with friends who are not in the fandom if I was being unreasonable or insane or whatever else I got called for not jumping in instantly and to ask if I was actually doing something wrong. People were saying we were being weird about queer storylines. That we needed to shut the fuck up and enjoy the way Oliver Stark was gonna make out with a hot guy. That not being on board the ship meant that we had an unreasonable and ridiculous necessity of making sure Eddie was the only guy for Buck. Literally every single person in this fandom hc Buck 1.0 also hooked up with guys. Most people never acted as if Buck needs to be guided through his queerness by this hot older guy. Oh, wait, no, they did. With T. People automatically decided that Buck needed a queer Yoda. That he needed someone to hold his hand and be a guide. They added a fucked up power dynamic from the get go. With no information, Buck was already a baby that needed his hand held through his own sexuality. And let me tell you one thing, I know for a FACT that if it was Eddie, the automatic reaction wouldn't be putting T in this idealized experienced gay guide position when that would've made more sense (not that I think any of them needs a guide) because Eddie is the one with the body count you can count with one hand and a weird relationship with sex. But somehow I'm the one who's weird about Buck's sexuality. I don't want Buck to explore. I need Buck to only have loved Eddie. Sure. Look, I don't wanna multiship. The same way everyone is allowed to ship whatever the fuck they want, I'm allowed to not ship whatever the fuck I want. If it was a woman no one would've been in my inbox basically demanding I make the same level of analysis I make for buddie for them (let me tell you one thing too, if I made the level of analysis I do with buddie with bt, no one would like what I have to say ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯) but I'm still getting asked for it for some reason when I never indicated I ship the two.

But I'm not allowed to have any critical thoughts about anything involving bt or else I'm being weird and that's the mild term that's being used. I can't point out the fact that T left Buck in a curb and failed to communicate shit properly even though it happened in canon. I can't say that I think it felt kinda callous for him to say "they had henleys in the 80s" to Buck being upset T didn't dress on theme (also, the job requires them to change into a uniform by nature, he could've put a colorful shirt and indulged Buck a little bit there without it interfering with the way he was on standby but I can't say that or else I'm a hater). There is no criticism allowed in the ship but somehow I'm the one being weird. I don't think Buck should be in a relationship. I think Buck is still exhibiting the same patterns when it comes to love interests. And yes, I would feel the same way if it was Eddie. Buck doesn't know how to be happy alone and he will never be happy in a relationship until he learns that. I was saying that when it was Natalia and getting praised for my understanding of Buck's character. Now I'm locking Buck onto Eddie. Buck's bisexuality is only valid if he's actively kissing a guy for some people but I'm the one being weird. BT have so many visual parallels to bucktaylor, but if I say that's a bad sign I'm being a hater. I need to sit my ass down, ignore six seasons of buildup, accept that it's over, and that now making Eddie queer and getting buddie together would suck because it would destroy the friendship they built so bt are endgame and gonna get married and somehow I'm the one who's being weird about queer relationships and attaching Buck bisexuality to a person. The fandom lost its fucking mind when they saw Oliver kiss a guy and, yeah, it does feel misogynistic and borderline fetishizing. But somehow I'm the one getting blocked by half the fandom when I'm not even pointing everything I want out. I lose at least one mutual every time I even suggest maybe we should look at things a bit more critically. I have to sit here and justify things to an insane degree while people's reaction to any of the criticism is "uH BuT T Is hOt aNd hE Is a gUy sO It iS DiFfErEnT oKaY?" Critical thinking skills went out the window because now there's a guy involved and that's fucking weird. People are straight up erasing Eddie, the actual main character of the show, Buck's established partner of years, Buck's best friend, the only person in canon who never left Buck in any capacity, because some guy kissed Buck and, he, uh *check notes* treats Buck as an actual human being? so that means he's perfect. It's nuts. The bar is hell.

Yes, I know this is not everyone in the fandom and I know this is not everyone who ships them but if what I'm saying feels like a personal attack to you maybe you should do some thinking. Anyone can ship anything, you want to ship them go off, power to you, the weird part here is the way some people are demanding other people ship it too. We could all be coexisting if people didn't get weirdly comfortable demanding shit from other people in the fandom and deciding their opinion is the only one that matters so they need to call out anyone who thinks differently, but alas, that's too much to ask.

[teambuddie]

when i started to watch 911 i already liked buddie, but i wanted to give b*ckt*mmy a chance, i really did, but honestly, i just couldn't and i'm gonna explain why.

1. eddie was haunting the narrative.

after watching 6 seasons of buck dating women i'm not gonna lie i was pretty excited to see him flirt with tummy because yay bisexual buck!!! and the very first scene i was filled with joy until... eddie was in every corner of the relationship. i know, the writers were using buddie as a diversion, they wanted to surprise us that hey he was jealous of tummy not eddie! but then they kept eddie haunting the narrative through the whole relationship. every bt scene eddie was there or was mentioned and obviously the writers did that on purpose, because we're supposed to keep thinking about eddie, we're supposed to know buck is still thinking about eddie even if he's dating someone else. to me the writers made bt impossible to exist separated from eddie and buddie and that made it impossible to me to truly give bt a chance even if i was already biased.

2. tummy is BORING.

look, i was so happy buck was gonna date a man and figure out his sexuality, i really was, but holy shit tummy made it almost unbearable to watch some scenes. how can a man be so boring??? he has zero personality, zero charm, zero everything. every LI from both buck and eddie had at least SOMETHING going on, you know? even natalia and ana had more personality than tummy and that's a bit insane like how a character who showed up for like 5 episodes is more well developed and interesting than you?? and again, to me the writers did that deliberately, they wanted us to feel like something was missing, they didn't want us to get attached to tummy because he wasn't going to be a constant, he was a plot device and he was treated as such. no personality, no complexities, nothing, a blank state.

3. the acting.

this is probably gonna sound mean, but i have to be honest. one of the things that made it even more impossible to enjoy bt was l*u's acting. imo 911 has fantastic acting, like ANGELA BASSETT is on the show, the bar is high guys! even side characters act really well throughout the show and yeah sometimes there is overacting, but mostly is really good and expressive. and then there's l*u... he's so stale, so unexpressive, so bland is like watching a sixth grader acting on a broadway production (but a sixth grader would do a better job probably). i can't take tummy seriously as a character because not only is he boring but i don't feel like watching a "real" character, just a person pretending to be a character and i know that's what acting is but good acting makes you forget that what you're watching is fiction and makes you feel for the characters. l*u's acting achieves none of that.

4. b*ckt*mmies.

i understand when b*ckt*mmies say they can't enjoy buddie bc of the fandom, i do bc they just pushed me even further away from bt. the way they reacted to the break up was... something. some of them had valid reasons to be upset and ofc they were gonna be emotional about their ship breaking up, but the whole "this is homophobic/biphobic" discourse was too much. first they decide to simply forget michael was also an elder gay and say that bt was the only gay couple that showed someone older can be happy... like, are you serious???? "oh but michael wasn't a main character" but his storyline was very well developed and it just as a representation as bt. even better than bt bc no one was saying how he wants the other to have daddy issues (that irked me so much god WHY WOULD HE SAY THAT????). calling ostark biphobic bc he said he wants buck to sleep around again??? as if he said that bc he's bi when it's obvious he said buck should sleep around bc he's buck. ostark showed nothing but support to bi buck and he was always so excited about the storyline, but since he wasn't too onboard with bt and said he'd like for his character to sleep around a bit suddenly he's biphobic???? the way they decided to interpret what tummy said as him saying buck isn't sure of what he wants when it's clear he meant that buck should explore more his sexuality not to be sure but because that's what he probably did and he knows it's healthy and normal to get with new people to figure out what you like and what you want. nothing about the breakup and what ostark/tim said was prejudiced and while i understand feeling hurt and interpreting some stuff with a negative light, i don't think they were being fair to the writing and the crew.

maybe i'm biased bc buddie was already my ship even before i watched 911, but honestly i think if they wanted us to root for bt they'd make their relationship more compelling, they'd give tummy more personality, they'd not make eddie haunt the narrative, but that's not what they did and you may think that's "unfair" to bt and tummy, but honestly it was a warning sign b*ckt*mmies ignored... the sign that said: "this is not meant to be". when tummy called buck evan it wasn't without a deeper meaning, it showed us he was the odd one out, it showed us he didn't belong. and so, he's gone.

[inawickedlittletown]

No Queerbaiting Here

A long time ago…I’m talking May of 2021, I wrote a meta post about queerbaiting. Essentially an essay. I wrote it right before the S4 finale of 9-1-1 aired because I was frustrated by Buddie fans calling Queerbait entirely like the boy that cried wolf. I still stand by it. Sort of. 

Now, even back then I was pretty clear about how 50/50 I was on Buddie ever going canon. (Maybe not in that post but certainly elsewhere) But, I shipped Buddie then and wrote a lot of fic and meta and participated in fandom. I never said it couldn’t happen…I just would never be bothered if it didn’t.

Where we stand now: It’s not going to happen. 

And where I stand now: fully immersed in Bucktommy. And what’s more, I am more than perfectly happy about Buck and Tommy staying together and going the long-run. Although I can still look at Buddie and think it’s a cute ship, I just don’t want it in canon. I would not be satisfied if the show went that way. But what’s more if Buck and Tommy don’t work out, that would be disappointing, but I’d be okay as long as they got to be happy. There is, after all, always fanfiction. 

So, I wanted to revisit this concept a bit now that Buck has been confirmed as Bisexual and now that he is in a relationship with a man. Not Eddie. Tommy. And somehow, some Buddie fans are still crying queerbait because their ship is not canon. That’s not how it works. Also…shipping works outside of canon, that’s the whole point of shipping. 

To reiterate from my original post on queerbaiting, here’s the definition from wikipedia:

“Queerbaiting is a marketing technique for fiction and entertainment in which creators hint at, but then do not actually depict, same-sex romance or other LGBTQ representation. They do so to attract a queer or straight ally audience with the suggestion of relationships or characters that appeal to them, while at the same time attempting to avoid alienating other consumers.” 

Here’s where I stand: Buddie was abandoned a long time ago. If it was ever a real possibility, we won’t ever know. What we do know is that Oliver was aware that at one point he had given them the go-ahead to make Buck Bi. Whether this was by putting Buck and Eddie together or having Buck realize this another way, we just don’t know that. We don’t have that information and nor will it probably ever be provided to us. Narratively, I know that a lot of fans figured the timing of it fit with S4 and that particular finale but we really just don���t know despite what happened in the finale.

I found that interesting looking back at my own post from back then and the discussion that followed where some fans felt that the way the finale went would determine if Buddie would be another queerbait ship. (I think most people agreed after the will scene that it wasn’t queerbait because it did leave a kernel of hope that Buddie might still happen). 

And yeah, I guess you could argue that the network deciding not to go the route of a queer storyline points to missed opportunity. That doesn’t then mean that any queerbaiting occurred or that any fans are owed anything just because something that was set up or that the writers were writing towards was then scrapped by the network. Is it a shame that it didn’t happen in whatever way they wanted to play it out, sure, but only because Buck would have been confirmed queer earlier. In the same vein isn’t it nice that we have a confirmed Bisexual Buck now? That the show managed to bring it back to that.

A Buck that is happy and free and that has realized something so monumental about himself? Isn’t it nice that all the queer coding that Buck as a character has received since the start of the show is actually finally not just queer coding but full on character development? That we can look back at the show and see all the things Buck did around other men for exactly what they were. 

When Tommy first returned to 9-1-1 in S7, I think a lot of us were excited by the spoilers about Buck and Tommy because of Bi Buck, but also because this was the thing that could lead to Buddie. 

And then…then Tommy was actually on my screen and I doubted it. I actually thought maybe the spoilers were wrong and this was about Eddie and Tommy? That episode flipped things in such an expertly way that by the time Tommy and Buck were sharing a kiss for the first time I was right there with Buck. On a second watch, it is all there. Buck was never jealous because his friend was ignoring him. He was jealous because his best friend had the attention of the guy whose attention he wanted for himself. The writing on that was perfect and no amount of twisting it can change what happened on screen. 

Buck was not jealous because of Eddie. Tommy was never interested in more than friendship with Eddie. And Buck and Tommy have nothing to do with Buddie. Tommy is not a stepping stone, a way for Buck to be ready to then embark on a relationship with Eddie. That’s both disrespectful to Tommy and Buck, but just not what the story being told on the show is doing. 

The storyline is monumental. Having a big strong guy, a firefighter, figure out his sexuality in his thirties is such good storytelling and add to that Tommy. Someone that we already know, who already works as a first responder, and who can show up and wow Buck in such a way that he realizes something about himself? This is what I’ve always wanted. Because guess what, Buck never questioned his sexuality before this. Not when he met Eddie and not when he met anyone else, not until Tommy. 

Going into the new season we know a few things and one of those is that Buck and Tommy are thriving. The media coverage talks about them as a solid couple, it talks about Buck having someone to turn to and complain to. It talks about how they are still in the getting to know each other phase and I love that for them. I love how they are being treated and described and I can’t wait to see what plays out for them and how much of the build up of their relationship we may get to actually see. 

Do you know what the media and the show never talked about outwardly like this? Buddie. Whenever it came up it was always brushed aside in a way that was respectful to fans and what they saw, but without ever confirming or hinting that the show would ever go there. They never queerbaited anyone with Buddie, what they have done is say “yeah…we know what you see” and then turned around and given us a Buck and Eddie friendship and Buck kissing Tommy, going on a date with Tommy, and thriving with Tommy. 

So, no queerbaiting here on the show where half of the major canon pairings are queer. It’s actually more like some fans baiting other fans with theories and headcanons that just don’t fit.

[wenellyb]

How I feel about Buddie...

You guys have been warned, this is a long post.

I've always liked 911 and was a casual viewer but never got involved in the fandom or anything. Of course I knew about Buddie, but I personally never saw it. Buck and Eddie have always acted like best friends and do stuff best friends do. I have never seen any scene that could be interpreted as romantic, except maybe for the "you want to go for the title" scene. But to me it wasn't enough to ship them, especially since it was the only scenes in their hundreds of scenes together that could be seen as romantic.

That being said, I've always thought the ship was cute, and I understand it because who doesn't like a good friends to lovers storyline?

I just never got involved in the fandom because their behavior reminded me of the Stucky and Destiel fandom, which were chaotic experiences for me. Some people just don't know how to handle non canon ships and act entitled, complain to the showrunners and harrass the cast. I've always tried to avoid fandoms like that, but wasn't against the idea of Buddie as a ship.

The 911 Lone Star crossover episode for me was the confirmation that Buck was into men. To me, it was obvious they confirmed he was into men but hadn't set up a storyline yet. So naturally I thought... if they set up a storyline it will be with Eddie. There was no doubt it my mind.

So fast forward, a few years, I wasn't really watching season 7 and then I see all the fuss from Buddie shippers I follow, and it makes me watch the sneak peek video from 7x04 and I'm like....For sure Buck is being jealous right? (it was the scene where Eddie interrupted Tommy giving Buck a tour)

So I decided to watch the episode convinced this was going to be the episode where they confirmed Buddie, but I was also very cautious because Buddie shippers had cried wolf too many times before.

So I was careful, but I was also convinced that this was it: "Buck was going to get jealous of Eddie hanging out with Tommy and then confess his feelings or the other way around".

And that's actually what was happening until the end of the episode, we saw Buck get jealous, and most of us assumed he was being jealous about Eddie.

We didn't figure out until the end of the episode that it was all about Tommy.

And that's the beauty of that episode because you think you're watching something when in fact you're watching something else and when you rewatch some scenes you understand it, and that plot twist was written so beautifully.

So we have Buck and Tommy have a heart to heart in Buck's kitchen and they kiss. And what a kiss... the kiss itself was Nice but the look Buck gave Tommy after the kiss was breathtaking.

From that moment on, I was rooting for them.

But I still had Buddie at the back of my mind because I was thinking, what if this is all temporary and they're planning to break them up to set up a buddie storyline? So I shipped it but didn't want to get my hopes up.

This feeling got bigger when I started watching 7x05 and I saw the way their first date ended. I thought... this is it, we might not see Tommy again, what a shame. But then Buck talked to Maddie about his date and confessed it was with Tommy. And Maddie asked: "so tell me about the hot pilot", and I thought this isn't how they'd talk about a character we never see again. But I didn't know for sure.

Maybe they were setting up a Buck x Eddie storyline....

I changed my mind when I saw Buck's coming out scene to Eddie, the scene was beautiful and at that point I still was thinking Buddie was a possibility. But one line made me think that Buddie wasn't happening: "I can't stop thinking about him".

No writer would put a line like that and have Oliver say it like that with that look, if they were thinking Buck and Eddie would have a romantic scene in the future. And if you do write that, you would get a jealous reaction from the other character, not a "You should call Tommy".

And then I was conforted in my feelings when the writers doubled down and had Buck invite Tommy to Maddie's wedding. Buck could have just apologized and asked Tommy on antoher date, but no, he invited him to his sister's wedding.

There has been absolutely no hint of a romantic relationship between Buck and Eddie throughout the season. There has never been a sign of jealousy from Buck or Eddie's side when they were dating Tommy, Marisol. If they had been setting up that storyline, the writers would put some hints here and there. Instead, they shared meaningful scenes like best friends do.

I never had anything againdt Buddie as a ship, I was even open to it, but all the times I thought Buddie was going to happen, it was because of the fandom, not because of something I saw in the saw...To me Buddie is and will stay a fanon ship.

TL:DR: I don't hate the ship, I find it cute but the behavior of some shippers has made me want to stay away from the fandom. And when I thought Buddie might be happening, the writers showed us they had long term plans for Bucktommy.

[lemotmo]

Yes to all and fascinating 🎉🎉

Q. Do you really think Buddie is happening? There is just so much evidence to suggest otherwise that I cannot bring myself to believe it's ever going to be a thing.

A. Where is this overwhelming amount of evidence that you speak of? How did I miss all the evidence? You certainly didn't provide any evidence in your ask. In fact the only 'evidence' that ever gets stated is "Ryan's dad said it's not happening'". That's it. That's all anyone ever has to offer up as proof it's not happening. A select few will go the even more ridiculous route and say "Lou said Ryan wasn't into it". I cannot believe I missed the meeting where it was decided that an actor's father, who the actor himself has suggested he has a rather complicated relationship with, and the man who wanted his job are used as the voices of truth and fact over the actors own words. The Ryan stuff in general is wild in this fandom. Oliver's quotes are taken as fact. He gets credit for his own voice. Why does Ryan not get the same credit in return? Oliver says he's up for it if that is the direction the show decides to take them in. Response: "yay Oliver wants Buddie"! Ryan says he's up for it if that's the direction the show decides to take them in. Response : "well he's not going to tell us he doesn't want it to happen". What's the difference between the two answers? They both have said the same thing and they've said it repeatedly. Why does Oliver get credit for saying it but Ryan gets discredited in favor of his father and the leech who wanted his job? It makes absolutely no sense. The only thing Ryan added to his response was that he was good with whatever direction as long as the show didn't lose their friendship at the core. That is not a fancy way to say 'I just want them to stay friends'. That's how you say a romance between them would be great but please don't ever forget that they are also best friends. People taking that response and bastardizing it to make it sound like something he didn't say is not Ryan's fault. I don't want their friendship to be erased when they turn romantic, most of us don't. Their friendship is their foundation and it's what brought people in in the first place. No one should want that erased once they go canon. That's all he was saying. I do believe Buddie is happening and I believe there is overwhelming evidence to support the belief that Buddie is happening.

The nonsense with his father's Buddie answer happened years ago, that is not a recent answer, and while the show was fully owned and controlled by FOX. It has been fairly well established since then that the plan was for them to go canon as a result of the Ana/ shooting arc. Which means Ryan and Oliver went into the beginning of that storyline with the full knowledge that the outcome would be Buddie. Clearly Ryan was down for that. He played it that way. The panic attack in the store when Ana was referred to as 'mom'. The conversation with Carla about making sure he followed his own heart and not just Christopher's. The entire shooting scene! The way Eddie's only response was to check to see if Buck was also hurt. The way Buck arrives at the hospital when Eddie wakes up. The will reveal conversation. The break up scene and dialogue between Eddie and Ana. It was clearly where it was supposed to go. Somewhere between conception and completion FOX stopped it, we don't know for sure why. Studio execs may have cut the storyline but they clearly didn't demand scenes be rewritten or re shot so Tim and the show kept the dialogue and framing of the scenes the same, an intentional choice on their part because I believe he always intended to come back to Buddie. The only thing I'm not sure of timing wise is the Taylor of it all. I don't know at what point she was re added into the mix, but that was when the show started trying very hard to make her a viable endgame option for Buck. Oliver never really got on board with that ship though so it was a hard sell, but Kristen and the show tried very hard to make it sail. I don't believe Eddie was brought in for Buck from the very beginning, but I do think it became very clear to Tim, and the others, fairly early on that the chemistry between Oliver and Ryan afforded them options they may not have ever intended. As a result I think Tim, as well as Oliver and Ryan, started leaning into and playing around with the chemistry. You cannot fake chemistry. It either exists or it doesn't. If you're a good enough actor you can fake it to an extent if you're willing to work at it, but the effortless chemistry that Oliver and Ryan have together is not easy to find.

At some point in maybe season 3 or early 4, I would guess, I think Tim decided Buck and Eddie would be each other's endgame, but that he might have to hold it specifically for the series finale. He has said before he was holding off on definitively defining their relationship because the show is not over. He gave it a shot with the shooting arc but once that was snipped I think he moved forward knowing how their story was going to end, but with the belief he was going to have to save it for the end. The show being controlled by the FOX network didn't leave him a ton of other options. Because he always had the end goal in mind he treated all their other relationships as temporary, and as a result very little effort has been put into any of them. But while they were dating other people their relationship with each other, and the family unit they built with Christopher, was given attention and depth and continued to grow and blossom. Their unit was clearly the priority. That's what got the story focus, but putting each of them in separate relationships, that got very little focus, at least gave Tim plausible deniability that he was trying to set up Buddie. Everything changed when they were freed from FOX.

Moving to ABC gave Tim options. It was clear the moment the network started promoting the show that they were fully on board with the Buddie of it all. They were basically the entire marketing campaign for season 7. Every single episode was promoted with Buddie content. I still firmly believe they were the plan for season 7. You can misinterpret episode 7x4 all you want but it was clearly about Eddie and Buck's unrealized feelings for him. Tommy was the red hearing. A way he could explain to himself why he got so carried away with jealousy without having to acknowledge or examine the Eddie of it all. The episode was not subtle. The show was basically waving a giant YOU HAVE FEELINGS FOR EDDIE flag around all season long. Actual Buck focus disappeared entirely after that episode and he was used almost exclusively in Eddie's storyline. He just realized this major thing about himself and his new found relationship and status got zero focus because the show wanted the audience to remember that his relationship with Eddie was still the priority. Eddie and Buck as a unit was still the focus. I have made no secret about what a disaster I think the back half of season 7 was, especially the finale, my god that was a terrible episode of television. I think Tim eventually came around to that realization as well because he spent the first half of season 8 undoing all the nonsense the rewrites in season 7 created. He got Maya reunited with her family, got Bobby back as captain, and split Buck and Tommy. All the while he was cleaning up the season 7 mess though he allowed the first part of season 8 to be overrun by Brad. I liked Brad, I really did, but his focus took away from the genuinely needed forward motion on the Eddie storyline. That has to be corrected in the back half of the season. I 100% believe Buddie is the plan, and is coming sooner rather than later, and for the most part Buck has been put in position. He has arrived at the beginning of his realization. Eddie is not quite there yet though. He's stuck in the Christopher situation. Not everything needs to be resolved and closed before he can be ready for Buck, that's an unfair demand to make of his character and a television show, but the Christopher situation needs to at least be moving forward. Eddie has enough information about his own feelings to not be too far behind Buck in his realization, but he's blinded right now by the Christopher situation. Eddie needs focus first. It's way past time for some Eddie centric storylines. Let him spend a couple of episodes on himself. The Buck realization can come while that stuff is going on, in fact it would make sense for Eddie to realize his feelings while he's in Texas. But even if the show doesn't do it while he's in Texas, Buddie is coming. They have intentionally avoided, sidestepped, or not even bothered trying at all, with any kind of viable alternative for either character. They're not interested in anyone else for them. And now they're at a network that isn't forcing their hand to go another way. They just have to clean up some thing first.

If you don't want it to happen that's fine. Your preference is your business and your right. But people need to stop pretending they're only saying it's not happening because it's the obvious answer. The obvious answer is the contrary in fact. All the legitimate evidence we have points to it being inevitable. A bullshit answer from a parent, who has no direct involvement with the show, and a laughably predictable response from a man who wanted his job, is not the winning hand you all seem to think it is.

Thank you for this Nonny! I needed a post like this to reply to. There has been so much discourse lately and I miss the fandom positivity a lot. This is definitely a great read! 🤗

So, first I'll add my disclaimer:

BUDDIE IS 100% HAPPENING.

There, I said it. Feels good too. 🤗

I don't understand what on Earth that anon was talking about with the whole 'evidence to suggest otherwise'? Do tell, where is that evidence to be found.

Because from where I'm standing there is a mountain of evidence that Buddie is happening. I'm not entirely sure of the timeline, but I have never been more sure that it's happening. I've been here since 2018-2019 and for the longest of time I was certain it would always stay a fanon ship.

But then the move to ABC and all the Buddie promo happened, combined with bi-Buck. And seeing how Eddie was EVERYWHERE in Buck's bi storyline, even when he was in a 'relationship' with some other guy, Eddie was still firmly in first place.

It was soooo obvious. From the get-go so many of us have been saying that T was a plot device to start the Buddie arc. And lo and behold... look what happened! Turns out that T was indeed a plot device! We were right! Go figure!🤷‍♀️

I think Buck's realisation that he is in love with Eddie will come quite early on in 8b, since we've already seen some of his reaction when Eddie told him he's leaving for El Paso. He'll spin out of control and finally realise why.

As for Eddie? I don't know. I'm sure he's going to be in El Paso for a few episodes to confront his parents, make up with Chris and maybe find himself in the process? I really haven't a clue about the timeline here. I will all depend on how long they'll want to draw things out. Knowing Tim, this might take a while. 🫠

But ultimately, I don't care. I'm just cruising along, waiting for March so we can get this show on the road. 🙂‍↕️

Heads up! For anyone who is giving me the shifty eyes for reposting Ali's updates instead of reblogging. Read this.

Remember, no hate in comments, reblogs or inboxes. Let's keep it civil and respectful. Thank you.

If you are interested in more of Ali’s posts, you can find all of her posts so far under the tag: anonymous blog I love.

[thestrangestthlng]

Thoughts and prayers rants...

So, now that I've had almost 48 hours to marinate on this and cycled through my emotions, I am in a much better headspace to talk on the whole 9-1-1 of it all.

But this bears repeating: We fell in love with Tommy because he made Buck fall in love with Evan.

So, first and foremost, I've decided that canon stopped for me at 8x05. lol. I am going to continue with my BT train like that shit show didn't happen. And for me, for a while, I am going to let the show end there. I will go back, probably after the hiatus, but not how I was. I do love all the characters on this show (some more than others) and I still want to be able to see their journey, but I need a break from that manipulation stunt. I'm still going to share all the positive BT stuff I see and all the beautiful Lou content I see.

Secondly, now that I am over the initial hurt of the breakup, I'm just mad. We were manipulated intentionally with 8x05 for us to feel worse when the break up happened. That was unnecessary. And that was cruel. And I know that a lot of this is because it was the icing on a shit week. Emotions were already raw due to the election and it was reallllllyyyy bad timing for this, but that doesn't make the way they did it okay, just that it can explain why there was such a strong reaction for many of us, on top of the completely justified anger.

Breakups happen, and that's okay. If it was the end of Tommy's time on the show, that's okay. I am a Buck girlie and I always will be. But... the breakup was reductive, stereotypical, and just poor storytelling. I get they want to leave doors open a crack, because you never truly know, but turning him into an OOC stereotypical biphobic gay man is disgusting. You had this beautiful thing and you shat on it. I am going to do another post about my personal relationship with groundbreaking storylines next.

That was a miscommunication. That was a breakup where someone chases after you and is like wtf actually just happened. It felt like whiplash, because that is not how breakups are formulated in media. You know how else you could have written him out of the story?

At the date (and the basketball tickets are actually a really sweet touch when you think about it) Tommy could have told Buck that he got a job offer in another city or state or that his parents are ill and he has to go home to take care of them and asked Buck to go with him. At the apartment, it could have been buck telling him that as much as he could see a future with him, he can't go with him.

Would it have sucked? Yes. But it wouldn't have induced this amount of rage.

For over six months Lou and BTs have been at the receiving amount of a ton of vitriol. And that's not to say that there weren't antagonizers on this side of the fence or that BTs never did anything wrong, but this isn't a both sides bullshit piece. People can suck everywhere, but only one "side" harassed an actor and his family with death threats, he read about the "stoning" calls, used slurs on a regular basis. All of this persisted for months for it to turn out that he was the only one who seemed to give a shit about the story and it's representation. There honestly doesn't seem like there would have been anyone better for it.

You know what's ironic? It was the Buddie's hate and vitriol that pulled me into fandom and made me love Tommy and then Lou. When they would run their mouths, I would look into it and I found a man who genuinely seems like (he is still someone we don't know) a wonderfully kind, sweethearted, genuine man. He looks like a bundle of light and his smile can warm even the coldest hearts. So their vitriol made me a fan. So thanks BoBs.

Buck and Tommy wasn't just about Buck's queerness and definitely not about "wanting to see two white men kiss". It was about our love for Buck. We saw him happier and more fulfilled than he's ever been. We see his life being lived and full of love and stuff and joy.

Again:

We fell in love with Tommy because he made Buck fall in love with Evan.

And you know what, not matter how reductive and all the phobics that breakup was, they can never take that away from us.

[azaharinflames]

Today on reasons why I am mad:

“Oh my God just let it go”

And also: “We know this comment isn’t from a real person”

To all the buddies making these type of comments (because we all know it’s them): I hope you lick a rock and your tongue gets stuck.

(I want to say so much worse, but. I’m trying to be nice)

Because: No. We are not letting it go.

But also - who the hell are you to policy how people are feeling? How they react to things? Who the hell are you to decide if something should bother us, or if something is completely fine?

Also - have you let go of Gay Eddie yet? Of Buddie? No, right? So why should we let go of our indignation at the poor way 911 dealt with a queer storyline and the apparent exit of a queer man?

You don’t like Tommy, we get it, we do not give a single fuck about it. The fact is that, despite what you try to deny by claiming comments made by the GA are BTs in disguise, BuckTommy’s been a generally well liked couple for the viewers. And I know they ignore that because God forbid the viewers like BT and don’t see or like the idea of Buddie.

It’s also incredibly easy to se these are GA members, especially when you only need to click on their profiles to see they are normal people who, for once, are going to the official account to show disappointment.

(Also very telling most of the people buddie comments are made with fan accounts, but I digress here)

I do think they don’t want comments like the ones we’ve seen to be liked, or to grow, because they are scared of the consequences of them. They are more scared than us, actually. We know the comments won’t necessarily do a thing, we just want to express our disappointment at anger at how they played their audience and mistreated it, especially their queer audience. We know that bringing Tommy back isn’t gonna be magically done by our comments. But they are scared about them. They thought their voice was the biggest and the loudest and every time they try to speak over us in the comments, they drown.

Anyway. Just needed to get that off my chest.

[starstruckbyacomet]

The Journalists (Part 1): Katey from But Why Tho

The Journalist who Takes No Bullshit from Other Journalists Paid Writers

(Part 2) (Part 3)

Katey Stoetzel wrote a review about episode 8x06 "Confessions":

So far, this article is my favorite 9-1-1 review. I feel like Katey was reading my mind while she was writing this piece. Things which she mentioned in it, among others:

"...the election results play into the strong reactions surrounding this breakup."

"...this explanation leans on biphobic stereotypes, such as bisexual people not knowing what they want, or needing to sleep around with a lot of people to know what they want."

"After referring to Buck exclusively by his first name, Evan, Tommy immediately distances himself from his intimate connection with Buck. And that feels pretty definitive."

"...thanks to Lou Ferrigno Jr’s performance in 9-1-1 Season 8 Episode 6, who layers so many nuances to Tommy in this scene that it would be a disgrace to not follow up on this character,..."

"...if we don’t then all the show has done is leave a gay man lost, heartbroken, and alone with seemingly no plans to resolve it."

Rarely, I found a piece of writing where almost every word was resonated with me. I could rave on and on about this review (I've told you that it was my favorite). However, it's better if you read it by yourself, if you haven't done it yet.

*********

Katey also interviewed Lou Ferrigno Jr. about the break up storyline.

For Tevan fans, this interview is like an oasis in the desert. First of all, it is the only interview with Lou after the break up, which is not saddled with Buddie questions 🙄. Secondly, Katey brought up Tevan fans' reaction to the discussion. Something which has been omitted by the paid writers who were pandering to toxic Buddie fans. The interview makes us feel seen. Probably, this is how we'd feel if we had a thoughtful queer story on TV, in which queer characters were not put aside, sad, alone, brokenhearted, or dead 😔.

*********

Initially, I thought I might be biased towards Katey, just because she also liked Tevan. Thus, I decided to read her review about episode 8x08 "Wannabes":

Oh boy, did she deliver! Every complaint about the episode which I've read on Tumblr is included in her review. And it's not just about Tevan:

"...[This episode] features a lot of Brad... is an odd choice, considering main characters like Maddie (Jennifer Love Hewitt) and Chimney (Kenneth Choi) have barely gotten to do anything this first half of the season. Eddie (Ryan Guzman), too, feels underutilized...."

"Brad gets regulated to chores (why is he getting more screen time at the 118 than anyone else again?)...."

"And there’s still the Shannon of it all. The fallout from the Hitchcock-inspired soap drama of 9-1-1 Season 7 hasn’t adequately addressed Eddie’s grief."

"...this part of the episode [how the suicidal man was saved] rings really hollow for a bit centered around suicide."

"...Episode 8 doesn’t have a mid-season vibe to it... besides Eddie potentially moving, there’s nothing juicy enough to send us off on a five-month hiatus. Bobby and Athena’s house situation hasn’t been discussed since Episode 4. Hen (Aisha Hinds) and Karen (Tracie Thoms) haven’t been around since 9-1-1 Season 8 Episode 5. While they got a lot of focus during the Ortiz storyline, Hen hasn’t had much to do in recent episodes."

"...Buck’s obvious want to call Tommy feels like he has unresolved issues with how things ended (we do, too.) However, the implication in interviews that it’s over between Buck and Tommy is CONFUSING... having Buck taking no action in the wake of this breakup so far, especially heading into hiatus, is a little frustrating."

I'm not the only one who resonates with Katey's review. At this point, I'm almost certain that Katey has been lurking on Tumblr, reading our rants one by one 😂. The mention of "Hitchcock-inspired soap", "the Shannon of it all", and "why is he [Brad] getting more screen time at the 118 than anyone else again?" made me laugh. Her articles show that this woman got brain, and a sharp tongue. I'm sure Katey could match firefighter pilot Thomas Kinard in a duel of words, and probably even won over him.

*********

@earthquakebi also praised another body of work from Katey: a Season 8A deep dive by Jose Cordova & Katey Stoetzel on Between TV podcast:

*********

However, Katey's bravest and most impressive article that I've read so far is a rather old one (recommended by @nqueso-emergency). It's not a review on any episodes of the show. It is about its fandom, and the press around it. The article was published on April 25. 2024, only 21 days after Buck's bisexual revelation first aired on April 4, 2024:

In this article, Katey criticized the paid writers who had been questioning "whether or not Buddie... is on the table", although it had "no basis in what’s happening on screen." She also pointed out that what those paid writers had been doing "creates a vicious cycle of misinterpretations, baiting, toxic fandom habits, and deciding that there’s only one way to interpret something." and "ridiculous expectations and assumptions all just centered around CLICKS and ENGAGEMENT."

It is interesting that she put the blame on the paid writers for FANNING TOXIC BEHAVIORS among fandom.

Katey didn't name names, but she inserted links to several articles and one video, while pointing out the baseless fandom pandering aspects on those bodies of work. And she certainly didn't mince her words 😂.

Her article is closed by a contemplative paragraph about journalism in the entertainment world:

"There’s a duty one has when sitting down for an interview with a cast, and that’s TO INQUIRE about the show that they have worked hard to bring us. And they definitely SHOULDN'T BE USED as an opportunity TO VALIDATE A FANDOM SHIP. That road just leads to disappointment, and an unfair insistence that if anyone disagrees, then they’re wrong. That’s not what fandom should be about. And it’s certainly not what entertainment journalism is about." 

[matan4il]

Buddie 610 meta

Holy shit, this ep.

Okay, what shall we start with? Maybe with what 911 itself starts, lots of foreshadowing. At the beach call, we have Eddie looking at Buck and replying to him (about the lightning), “I really hope it doesn’t strike twice, though.” Which, of course we know it will. But the foreshadowing continues, as Buck talks to Omar about unexpected things in life coming out of nowhere. That suggests we need to pay extra attention to other elements in this ep that might act as foreshadowing for later events along 6b. ~~

That kind of connects to me with Buck being closely tied to Ely, the pregnant lady (he saves the day there twice, first by realizing the oil is dripping and if they use the saw, it might prove fatal, then by helping Bobby with the baby). First off, it made me chuckle when we learned that, despite being driven to the hospital by a man, he’s actually not her partner. 911 made sure we knew Ely has a wife, and that she has another kid with her. Is it a coincidence when Buck, who practically has a husband and a kid with him already, is the main firefighter taking care of her? Maybe, but it still amused me. What really made me take note is when he told her not to push, trying to stall her childbirth, and she replied that it doesn’t depend on her. That made me wonder if perhaps this is also in a way foreshadowing what we might end up seeing with the sperm donation storyline. I’m not sure, I can’t be, but I was not surprised to see that storyline brought up later in the ep. ~~

In general, this ep’s title, “In a Flash,” might seem to refer to the lightning storm the team experiences, but the real tempest is the havoc our families can wreak on us, tied to the unexpected nature change can sometimes take on. Chim’s dad suddenly shows up, raining on his parade. Albert suddenly thinks Chim should give their dad a chance to be Jee Yun’s grandpa, but decides against giving his brother a warning. The Buckley parents are suddenly making an effort, yet leaving everyone suspicious and unnerved. Albert suddenly leaks Buck’s sperm donation to everyone and unleashes hell between the in-laws. Denny’s changes, probably influenced by getting in touch with his dad, come as a surprise to Hen. And of course, at the climax of the ep, Bobby as the unofficial adoptive father of Buck might lose his son in a flash. The whole ep is filled with these parallels of abrupt familial disquiet, especially in relation to dads, on all 118 fronts. And as Buck deals with maybe the biggest of these questions, because he doesn’t even yet know what he wants for himself and how does the life he helped create (but only as a donor) fit into that, it’s no wonder his life ends up hanging literally in the balance. ~~

One of the most painful things in this ep for me was seeing how much Buck’s parents are willing to accept him as a donor, because not for a second do they think he can be a father. That would be the natural conclusion from him looking at a sonogram on his phone, but his parents find it easier to believe their daughter is pregnant again than to think Buck would be a dad (ironic, because he already is one. Just not to the baby in the sonogram). It reminded me of how Eddie’s parents also didn’t believe in his ability to be a dad, and actively petitioned to have Chris taken from him to be raised by them in 315. It amazes me every time anew just how much Buddie are compatible, because their stories parallel so much that they can understand each other in ways most other people can’t. ~~

And it gets to me that this whole episode also insists on reminding us how good Buck is with kids, first with the ones on the beach, calming them down and answering their questions to help them make sense of the whole ordeal. Then with Ely’s baby, a callback to how we saw him with the pipe baby in 101. It connects to him looking at the baby sonogram, all excited, once again acting so much like an expectant dad would (parallel to him and the firefighter onesie in 609), when we know he’s not actually going to be that baby’s father. It very much does feel like 911 is signaling to us Buck has some realizations coming his way in this context. ~~

Speaking of the kids on the beach, Buck telling the boy he wants to fix everything, then adding that Buck gets it, had me screaming into my fists, because hey, remember who said that to Buck? That’s right, his Eddie, back in 504. A reminder of how much Eddie sees Buck, accepts him and allows him to be himself, enabling Buck in turn to reflect that back to that kid. Of course, in the context of the sperm donation, Buck’s tendency made him want to help “fix” things for Connor and Kameron, and we might learn in 6b that Buck comes to realize he sometimes lets this tendency take him to places that aren’t actually good for him, without fully considering the consequences, and then hopefully, he’ll get to find a way to balance this, to be himself, but not derailed from his life goals by this part of himself. ~~

At the same time that the ep shows us how good Buck is with kids, it also serves to remind us of the one kid that we’ve seen him co-parent all along, the one who has always demonstrated what a good, loving dad Buck is, Christopher. Yes, when we see Buck working on his cooking with Bobby, it’s a part of the many parallels revolving around dads in this ep, so Buck and Bobby’s r/s is the immediate focus, but at the same time, we know who Buck is learning this FOR. Lazania kitchen scene from 601, anyone? Oh, but the best part? It’s when Buck tells Bobby, “Something’s missing.” He can’t quite put the finger on what, but he knows something in his domesticity isn’t fully there. I wonder what, Buck... And this is again in an ep full of foreshadowing! ~~

It may seem like a minor thing, but remember how in my past meta, I was more or less losing it over the many times Buck and Eddie did rope rescues together as their own team within the 118 team, even having their assigned roles where Eddie connects Buck to the line and then becomes an anchor himself to keep Buck safe, to the point where I wrote a smut fic involving this very meaningful act? Yeah, so imagine me seeing that the most intense Buddie call we’ve had since the end of 413 starts with them doing this subtextually intimate thing, Eddie hooking Buck up to the rope, becoming his literal life line, and even teasingly calling him “cowboy” while at it. No, I was not breathing for a full minute at least. ~~

But since I brought up the shooting in 413, can we talk about the insanity of the parallels? Take the meaningful staring once disaster strikes. Back in s4, it was mutual, right before Eddie collapsed. In 610, Buck is unconscious, so you wouldn’t think they could stare at each other at this moment, right? Plus, back in 413, it was just the two of them present at the scene out of the 118, the other members of the team weren’t there. The lightning strike seems a lot less intimate in comparison... But in this ep, the camera plays a role in recreating that same dynamic, singling out the connection between Buddie. Because when Buck is hit by lightning, we get shots of every 118 member looking up and being terrified of what just happened to their friend.

The only exception in terms of this shot? Eddie. He’s the only one that isn’t being filmed from the side as he looks up, he’s filmed from above as he looks straight into the camera. Essentially, the shot recreates Buck’s POV for Eddie, and for him alone. It shows us what Buck would see and how he would stare down, back at Eddie, if he only could. The fact that the camera has to do this instead of Buck himself further emphasizes the horror of Buck being unconscious, but the choice to do this only with Eddie highlights their connection and makes it clear that Buddie’s bond IS different to what the other team members have with Buck, no matter how close the others are to him or how much they love him. What’s insane is that DESPITE having all of the 118 there, there is still a bubble within this whole situation that is Buddie and Buddie’s alone, even as Buck himself is unconscious. It’s no wonder Eddie jumps up that electrocuted ladder without even thinking about it, it’s no wonder no one even tries to stop him or warn him of the danger in that. That is a man on a mission to save the other half of him, and the show tells us that in more than one way.

That’s gonna continue through Eddie’s attempts (and eventual success) in getting Buck away from immediate danger, as well as when the team tries but then fails to revive Buck, because Eddie will be the one to push past Bobby to see Buck, and Eddie will be the one Bobby has to keep in line by assigning him driving duty, maybe the most important thing anyone can do for Buck once all the medical assistance they can give him in the field is of no further use. ~~

One more thing regarding the comparison with the shooting arc in s4, as well as talking about camera shots, is that we get to see the difference between a platonic friend resuscitating his teammate and a man desperately trying to keep the love of his life alive. If you look at Chim doing compressions on Buck, he’s giving it his all, because he DOES love Buck, Chim’s doing his best for his friend and brother in law. But the shot is not an intimate one, we don’t get close ups, we don’t get to focus on the eyes and see the frantic look of a man who knows he CAN’T fail, we don’t see the intimate touch of a hand laying a gauze on an exposed chest and trying to keep this treasured body together, we do get “come on, Buck,” but we don’t get personal speech, begging the other man to hold on and just “stay with me.” While back in 414, in the ambulance, we had ALL of those as Buck, almost on the verge of losing his sanity, fought for Eddie’s life. ~~

Lastly, I’ve made in the past a gifset of times when we’ve seen Buck screaming Eddie’s name in horror at the face of danger (including in 413), and I love that we can finally add to that Eddie doing the same thing for Buck. But I think it’s particularly meaningful that it happened not as a matter of when Buck would be in danger, but rather it was a question of just how significant Buck had to become to Eddie for this former, highly decorated soldier to go from the stoic man he was in 218 to what we see in 610 (as seen in my latest weekly gifset). Because Eddie WAS incredibly worried back in the s2 finale. He was gritting his teeth, you can see the tension on his face, and the second it was safe, he sprang to Buck’s side. Eddie also held on to him while everyone else was lifting the truck (even though Chim, as a medic, would have been a more natural choice to hold on to Buck, while Eddie the firefighter helps lift engine 118). And Eddie wouldn’t even let go of Buck’s hand on the way to the truck. HE WAS DISTRAUGHT. But the man who kept his facade up in the hospital after Shannon, his wife and mother of his son, died just one ep earlier, did the same thing with Buck. What I find so telling is that he can no longer do that by 610. Buck has become such an integral part of his life, of his family, of who Eddie is as a person and how he deals with life, way more than even Shannon managed to be. And that’s why Eddie loses it, confirming what we’ve known for a while: Buddie are life partners. ~~

I now have direct links to my weekly meta posts, my Buddie gifs and more of my content in my pinned post. Loads of love to @whosoldherout​​ for making unbelievable gifs for my very unique requests. You’re a star! Tag list will follow in the reblog. Thank you in advance for any reblog and like! I’m operating on 1.5 hours of sleep to get this posted ASAP, so I really appreciate any and all encouragement to keep doing this. xoxox

[pluckyredhead]

The Lost Titans in Canon: Rose and Eddie

Hello, friends! Are you ready to get your heart broken?

Rose and Eddie both joined the Titans during the 2006 One Year Later gap (when every DC book jumped one year ahead after Infinite Crisis) and first appeared on the team in #34 of the 2003 Teen Titans series. They're already buddies, at least enough to...hang out in the kitchen together, not facing each other and throwing oranges on the floor? This art is baffling:

What mind-bogglingly prudish teenager instituted that swear jar, let alone decided that "damn" was enough to qualify?

We later learn that Rose vouched for Eddie to get him on the team, apparently two seconds after having met him. Rose herself was on the team because Dick asked Tim to give her a chance.

Eddie is already protective of Rose, like when Cassie, uh...punches Rose hard enough to give her a nosebleed for the crime of being annoying.

Guys, you should...you should probably quit this team. I know it's just your first issue, but yikes.

Their second issue features a drunk Rose climbing into Tim's bed and trying to seduce him, and then Cassie showing up and everyone attacking everyone else, and then Marvin hitting on Cassie (I'm glad you're dead, Marvin), and it's pretty much just trash all around.

But it also features this moment:

Eddie has never recovered and NEITHER HAVE I.

Rose then confesses that she's afraid that the Titans will kick her off the team, since Tim doesn't really want her or Eddie around, just his real friends. (I could write a thesis on how Rose is afraid of being kicked out so she deliberately tries to provoke them into kicking her out, but this isn't the time.)

She hides it better, but Rose has never recovered from this, either.

Then Eddie gets hurt and Rose pulls they "Stay with me!" trope:

It has only been two issues! They're obsessed with each other!

But Rose warns him off:

Eddie continues to be ride or die for Rose, defending her when she's accused (falsely) of being a traitor to the team, and protecting her when his own dystopian future self shows up and tries to kill her. Also, Jaime joins the team and Eddie is wildly jealous of how much Rose seems to like him:

Rose 100% knows Eddie's right there and is doing this to make him jealous, btw. This is extremely explicit in the issue. She doesn't actually care about Jaime one way or the other (and Jaime tells her very clearly that he has a girlfriend).

Meet Rose Wilson! She has absolutely no idea how to cope with liking a sweet boy who is nice to her, so she spends an entire issue trying to make him jealous and making fun of him in a way that's genuinely mean! Oh, honey, no.

Between Rose blowing hot and cold, Tim and Cassie being just incredibly nasty to Eddie all the time for no reason, and the trauma of, you know, having sold his soul to the devil and being functionally orphaned and all, Eddie makes a very bad decision. He invites a bunch of civilian teens to Titans Tower, where they promptly run amuck. The Titans are furious, and Eddie is left feeling completely friendless and about an inch from being kicked off the team completely.

That's when he's approached by the Terror Titans, a team of teenage edgelords led by the Clock King, who DC was trying to make into a cool scary villain by having him *checks notes* fuck teenage girls and constantly murder people on-page as gorily as possible. This whole storyline is trying so, so hard to be cool and edgy but it's just incredibly tiresome.

Anyway Eddie recognizes that actually all these people suck, and refuses to join them and betray the Titans. So they kidnap him and Clock King proceeds to torture him.

Meanwhile, the Terror Titans attack Titans Tower. The only people there are Wendy and Marvin, who are non-combatants, and Rose. Rose defeats every member of the Terror Titans, gets Wendy and Marvin to safety, and then, beat to hell, walks back into Titans Tower to fight the Terror Titans again. Why?

THEY'VE GOT EDDIE.

Rose drags herself back into the Tower, hurt and bleeding, to beat Eddie's location out of the Terror Titans. It's such a good gender reversal of this trope, where the damsel in distress is an eldritch horror and the grizzled warrior coming to his rescue is a teenage girl. The execution of every single bit of this story is absolutely awful and unreadably stupid, but the idea in there is so good! Theoretically!

The Terror Titans manage to escape Rose's wrath, but Rose follows them to where Eddie is being kept: an underground cage fighting ring for captured teenage metas. The Teen Titans also realize what's happening and show up to rescue Eddie as well.

Rose saves Cassie's life and defeats Clock King, but Cassie is still like "Rose is crazy and dangerous and shouldn't be on the team" and Tim's like "Hm maybe you're right"...and Rose overhears.

Meanwhile, Eddie learns that Rose went apeshit when he was kidnapped, and is thrilled because maybe this means he has a chance! He shows up with flowers...

...and Rose is already gone. She's quit the team.

Rose is gone for about ten issues (she temporarily joins the Terror Titans, which is as unbearably stupid as you might imagine), and during that time, Eddie loses his powers and becomes just a regular guy. And then Rose makes her glorious return:

AND EDDIE LITERALLY SWOONS.

But Rose is not okay. She's becoming addicted to huffing adrenaline to enhance her precognitive abilities [insert eyeroll here]. Eddie, of course, is the one who notices:

I love that first panel in the last row. They've moved past the point where Rose can pretend she doesn't care about Eddie and Eddie can't tell the difference. The intimacy of that line (and that touch) - he knows her, and he's telling her so. UGH MY HEART.

Rose gets into another fight with Cassie, and it convinces her that she doesn't belong on the Titans. And, she argues, neither does Eddie, who has no powers and no training.

AND THEN THIS PAGE HAPPENS AND I HAVE NEVER RECOVERED:

Rose leaves. Eddie stays. And in the very next storyline, he dies. YOU SHOULD HAVE GONE WITH HER, EDDIE!

I'm not going to recount Eddie's death because I've done that already, but during this time, Rose had a backup solo feature in the Teen Titans book, and it included her hallucinating conversations with various characters. The last hallucination is of Eddie:

The next page is his last line: "...but that doesn't mean you'll never get another chance someday..." She doesn't know he's already dead. I WEEP. I WEEP ETERNALLY.

And that's pretty much the end of the canon Rose/Eddie story. Rose returned to the Titans in the next issue, but there's no scene of her learning or acknowledging Eddie's death - iirc she never mentions him again, which honestly I feel like is pretty in character. Her grief is private.

The comics Rose and Eddie appear in together are objectively awful. But somehow there's still a really compelling and heartbreaking little almost-romance in there, and now that Eddie's back in canon, I'd love to see someone at DC remember this couple, because they are so, so good together. (And imo much more interesting that Jason and Rose, who are functionally the same person and work better as two halves of the Eddie Bloomberg Defense Squad.)

Anyway if you also think they're neat, I wrote a sequel to The Lost Titans about them! You should read it: Five Couches Eddie (Tried to) Crash on After He Was Rescued from Hell (and One Time He Went Home).

[valenschmidt]

question cause i’m new to 911/buddie. i’ve seen people say buddie was supposed to go canon in an early season but higher ups shot it down. is there proof of that, or is it fans wishing they’d gone canon earlier? do you know?

Ok anon let's start from the beginning

There is this one twitter account (who we call Marvel account) that has been posting inside information since at least 2021. This account had legit info and would post things that ended up being canon with MONTHS in advance. We don't know who this person is or how they get this info but his source is 100% legit. This info will be useful later so we're leaving it for now

Back in s4 when the sho*ting/Will storyline was created, it was created with the purpose of establishing Buddie canon. Of course at the time we had no idea this was happening. The problem??? Fox didn't like that one bit, so they decided to shut it down. We still got that scene but after it happened we never got it mentioned again

This is the reason why I personally especulate Tim Minear decided to leave the show and go work in LoneStar full time (this is not confirmed but it would make sense since he probably had been building up buddie since at least s3)

Fast forward to 2024 Oliver confirms in a podcast inteview post 7x04 that he had been approached with the idea of Buck being bi a couple of years ago (he doesn't especify the time frame but we can guess) but then it was shut down from above (I'll leave the video below as proof)

ALSO! It was also confirmed thanks to Lou Ferrigno Jr. in an interview that the Tommy storyline (the kiss and relationship) was originally going to go to Eddie but then changed direction and went to Buck instead...

Ryan ALSO confirmed in a post S7 interview that he didn't know to whom the storyline was going to go in the very beginning (I'll post it below when I find it)

So going back to Marvel account... during pride month this year after getting mad because of certain shippers (bt) Marvel account posted this

It confirms that Eddie has always been a gay character and they tried to make that canon during 5A (the panic attacks and the whole EddieAna break up being HEAVILY repressed gay coded) and in s7 with the Tommy storyline which gave us bi Buck in the end...

SO! Putting the pieces together we come to the conclusion that Eddie was introduced as a heavy gay coded character and with the chemistry Ryan and Oliver had Tim decided for Buddie and was shut down by FOX

Now on ABC they gave us bi Buck in the first couple of episodes and intensified the repressed gay Eddie storyline

We ARE still missing gay Eddie but it's only a matter of time in my opinion until we get Gay Eddie and Buddie canon

Hope this helped Anon!!!

FOR ANY OTHER QUESTIONS YOU HAVE MY ASK IS OPEN

[starskytohutch]

Hollywood's Hidden Queer Genre (The Buddy Genre) and How Starsky & Hutch did a queer-coded episode in America's Homophobic 1970s. - An Essay from my NTU College Course Fantastic in Western Vis Arts!

So, what is the Buddy Genre? It is a story typically between two characters, but it can sometimes be a group of friends who work together towards a similar goal. Their friendship will provide the drama and resolution of the movie's plot. Typically, these characters are not identical in personality and often have differing or opposing personalities. Okay, it is a Hollywood genre about friends; what is so gay about that? This genre is about friendship and platonic relationships, is it not? However, nuance quickly makes this genre bleed into the romance genre as it uses dialogue, blocking, and mise-en-scene to create queer romantic subtext. It is argued that many buddy films have heterosexual b-plot romances. However, these are implemented to remind the viewer that these romantic relationships do not undermine the most prominent relationship of our two same-gendered buddy protagonists. In every buddy film, their relationship always trumps as the most important, or else the movie is not a buddy film. It is a romance.

A b-plot is a side plot to progress the main storyline. Our main storyline is that of two same- gendered protagonists. This is why a same-sex relationship can get blurry in the buddy genre. Suppose a romantic relationship trumps a platonic one. In that case, it is a love story. Still, when two people of the same gender reflect the same emotions in a possibly arising romantic relationship, it suddenly becomes a powerful friendship. Only recently have same-sex romance stories been allowed to flourish, obviously and honestly! That is precisely why the buddy genre is so unique; it takes analysis to decide whether the relationship is a robust platonic friendship or a clever take on queer characters and relationships! I find it even better when media unintentionally queer codes these characters, but due to their traits or situations, the queer agenda blossoms and takes form. 'Queer-coded' refers to the subtle or indirect portrayal of queer characters or relationships in media. That is where Starsky & Hutch, A Coffin for Starsky, comes in.

Starsky & Hutch is a formulaic cop show from the 1970s based in Los Angeles, California. The series ran for four seasons, each with 25 episodes, each about 40-50 minutes. Starsky & Hutch ruled prime-time television during the 70's, and they were even referred to as French Kissing Prime Time Homos in a blooper reel. Starsky & Hutch is part of the buddy genre and the subgenre Buddy Cop. "The "buddy" aspect of the genre implies a professional partnership that often evolves into a personal friendship throughout the film.". Before this essay can go any further, I will refer to a social media blog post that best describes the 20th-century buddy formula in Hollywood.

"We've got two best friends, and the show NEVER really feels right if one of them is missing unless the focus of the story is how A & B operate without each other while trying to find the other one. They stick with and rescue each other unfailingly in scenarios that might destroy a regular friendship- Between the inherent closeness of being narrative foils. The regularly scheduled life or death drama creating sometimes remarkably romantic (in the narrative if not a literal sense) drama between the two. The revolving door of weekly women they never seem to get attached to enough to leave one another. The non-serialized nature resulting in sparse personal information/history about the protagonists as a result." (Excerpt: Why Do Old-School TV Duos Have SUCH MLM Vibes?!)

A Coffin for Starsky begins with Dave Starsky being drugged in his bed by an intruder. He is left with 24 hours to live if he and Hutch do not manage to find the culprit and the drug injected into his bloodstream. Starsky and Hutch race against the clock for a chance at the antidote while Dave's health slowly dwindles throughout the day as time passes. As formulaic TV goes, Hutch finds the culprit and gets an antidote for Starsky, saving his life so the show doesn't end after the episode aired.

Let us dissect! Before Starsky can go completely unconscious, he calls Hutch. Unpack that, a veteran detective cop with seven years on the force and direct connection to the police decides to call his partner instead of the cops. He puts his life in the hands of Hutch. When he makes this call, all Starsky manages to grumble out before passing out is Hutch's name and the word help. It is fascinating that all Starsky must do is say his name in a specific tone, and Hutch knows something is wrong. We cut to the

two riding in an ambulance, which, to ride in an ambulance with someone, you typically must be a relative of some sort, but we will pass it off as the two may be getting some special privileges being cops. We arrive at the hospital, and paramedics rush in Starsky. When Starsky wakes up, the first thing he sees besides doctors is Hutch inside the room. Hutch and the Doctor leave Starsky to be for a minute and step out. A crucial piece of dialogue appears. The doctor asks to speak to Hutch alone-

Doctor: I understand you and Detective Starsky have been partners for some time now. Hutch: That's right, Doctor: Yes, he said you were his best friend. Ken Hutchinson: what are you trying to tell me? (A Coffin for Starsky, Starsky & Hutch)

This dialogue is brave, considering the mise-en-scene. Hutch could have easily corrected this partner's misunderstanding by agreeing with the doctor after he brought up the afterthought of "best friends." Instead, Hutch waves it off to suggest to the doctor that the whole partner thing is the correct answer and he doesn’t need to pry. The implications of Starsky and Hutch begin teetering towards more than work partners and best friends when we hear this dialogue. The doctor sees through their façade. Asking him the same question twice, he subtly tries to confirm with Hutch that he is the closest person to Starsky and is a type of family. The solitude of Starsky and Hutch riding to the hospital and Hutch being the person with Starsky in the hospital room is the confirmation. Hutch senses the doctors' implications of something more than a friend, and he cannot sincerely disagree without being dishonest. The doctor furthers this idea when he tells Hutch,

Doctor: His relatives and any other close friends should be notified. (A Coffin for Starsky, Starsky

& Hutch) The doctor's advice to Hutch is specific and telling. He suggests that Starsky's 'close friends and relatives' should be notified, clearly indicating his understanding of the nature of Starsky and Hutch's relationship. Hutch gets hot and argues until he realizes that Starsky specifically asked the doctor to tell him something.

Doctor: He asked me to tell you. Said he hates soapy scenes. (A Coffin for Starsky, Starsky &

Hutch) This seemingly casual statement holds a deeper meaning. It implies that Starsky is aware of the potential romantic interpretation of their relationship and wants to avoid it, possibly to protect their professional image or because he is not ready to confront his feelings. When a patient hears their dying in a day, you have the most crucial person in your life there to listen to the news; in this case, it is Hutch. The two decide that with their brains combined, they can help the doctors find a cure by catching the culprit. After the decision, the two argue like an old married couple because Hutch didn't do the domestic task of bringing Starsky's spare clothes.

An iconic, if not the most iconic, line from Starsky and Hutch is when Hutch asks whom they should trust, and Starsky replies, "Me and thee." In one of the very first episodes, this little one-liner between the two is them against the world. Starsky reprises it when the two cops leave the hospital to search for the culprit.

Starsky: As I see it, It's who do we trust time. This reprisal is significant. Often formulated shows do not use reprisals, even of lines, because it means you had to tune into a previous episode to get some clarity. This line is reprised to highlight the episode's theme of two partners being one. (A Coffin for Starsky, Starsky & Hutch)

Charlotte is a chemist at the police station, helping Starsky whenever he gets ill. Hutch interacts with Charlotte uniquely; Hutch is very platonic. He has all his focus on Starsky, and when he does something like holding Charlotte's hand or making her coffee, it has no weight. Compare this to Hutch at the hospital putting an arm on Starsky's shoulder; there is a weight and connection you can read from the action. It is comforting, loving, and reassuring. With charlotte? It is Hutch reassuring himself that someone's on duty to care for Starsky. Since the beginning of the show, the two are playboys of sorts; in the serialized pulp fiction, Hutch is described as "Even working out in gym attire, he looked like a Beverly Hills socialite." (Starsky & Hutch #5, pg.8). I will skip ahead of the episode to a pivotal moment where we meet one of the most important scenes of the episode.

Starsky's illness is progressing during a search for a prime suspect. He falls to the floor with stomach pain. Immediately, he latches onto Hutch as if this man were going somewhere unbeknownst to him. Hutch immediately cradles Starsky, letting him lean into his chest and lap to steady him. Starsky tries joking around while Hutch soothes him. There's a constant movement from both characters to grab onto each other; they know they do not have much time. Hutch feels like he is grieving in real-time, and Starsky feels like a dead man walking; all they have is each other. This scene contains this constant blocking and grasping for each other. Starsky frequently looks for Hutch to grab onto his hand, leg, shoulder, arm, and the inside of his coat. His body language and blocking tell us he is searching for every part of Hutch to ensure he is there, not going anywhere, and that Starsky is not alone in his desperation. These swift movements are intimate and honest and grasping for life. For a 70's show, a man showing this much vulnerability, let alone with another man, is incredibly taboo. Starsky starts to feel his life slipping away; Hutch is the lifeboat. Hutch's movements compliment Starsky's erratic and intense skinship. Hutch's hands are leading, grounding, and stable. A hand on Starsky's shoulder and chest is firm and steady. He lifts Starsky back up with both arms and moves with Starsky, never against him, supporting him. The movements, these actions, and this choreography are incredibly intimate, honest, and always towards each other. It is like connecting two magnets. They just don't want to separate unless forced to and are always attracted to each other.

Starsky is not looking to lie down and take a breather; he is looking for Hutch because that is his breather. Hutch does not look to lay Starsky down either or find a comfortable place to take a break; he knows he is that comfortable place for Starsky. Even in such challenging situations as this one, friends are not that intimate. Consider a Comparison. Max and Lucas from Stranger Things season 4, specifically the scene of Max dying. These are the same scenarios; the only difference is that Max and Lucas are a romantic couple. Lucas holds Max as she almost passes away, yet this scene between 'best friends' is more intimate.

When they are back at the police office to get medicine for Starsky, Starsky admits he is scared to die. Hutch responds by leaning close and cracking some jokes, reflecting how Starsky was comforting

Hutch earlier in this episode. They have flipped their usual dynamic, Hutch being worried and quick to emotions, while Starsky jokes and thinks quickly. It has become more severe than ever. As soon as Hutch sees some pain flare up in Starsky, he leans further into Starsky before asking for Starsky's medicine ASAP, going as far as to roll Starsky's sleeve up and then adjust it back when the pain killers have been admitted. Hutch keeps his hand on Starsky's arms. The painkillers for Starsky do not keep Hutch at bay; he starts getting angry, and his patient mask drops. He cannot grapple with the fact that no matter how hard Hutch tries or who he takes Starsky to, there is no cure, and time is against them. Starsky deescalates Hutch

Starsky: Softly, don't antagonize the people I need. (A Coffin for Starsky, Starsky & Hutch) His tone is gentle, sweet, and considerate, again, not towards Charlotte, but in a way to bring Hutch back

down to earth. Hutch can only calm down via Starsky, as is known from previous encounters throughout the episode with the Doctor and Charlotte.

As we are about to give up, we hear what is one of the most loaded pieces of dialogue and exposition on television (In my very biased opinion). Starsky delivers this glowing gem of a loaded metaphor, "If this were a cowboy movie, I'd give you my boots," in doing so, he stretches his arm out, opens his hand, and asks for Hutches. Hutch, in the public open setting of the police station, takes his hand and holds it. Their holding hands is no handshake, no quick reassurance; this is intentional, emotional, and romantic. The Western genre has often been queer-coded; Think Cowboys Are Frequently Secretly Fond of Each Other by Willie Nelson. So, to say to the most beloved companion in one lifetime that if this were not only a Western movie but a COWBOY movie and to tell Hutch as he knocks on death's door that he would give Hutch what a cowboy's most prized possession could be; Is to say, you are a part of me, and I am entrusting you with that. Starsky follows his metaphor up with, "

Starsky: You're my pal Hutch- but the two, in one of their most intimate moments, are cut off- by a witness who recognizes who

drugged Starsky. It becomes a big deal when they're caught holding hands. Starsky scatters to untangle

their hands and, in doing so, accidentally grabs a prop with rapid and embarrassed body language. He's trying to pretend he didn't pour a bit of his heart out in public while Hutch gets defensive.

"It's really incredible that they are, for a very long time, holding hands in the squad room. Hutch is so reluctant to break the hold that he practically slams Starsky's hand down on the desk when Mrs. Haberman comes forward with the photographs, exploding "Lady – !" and then, in frustration to another officer, anxious to get her away from him, he says, "Ted, will you ...?'" (Excerpt, MerlTheEarl, Episode 21: A Coffin for Starsky Review)

Eventually, she offers a piece of information critical to the case. The two scamper off to possibly find their culprit and cure, but we come across a standoff. Hutch and Bellamy (a suspect part of the larger crime) are on the rooftop as he shoots at Hutch. Starsky is barely staying alive, almost not making it up the stairs. He taunts Hutch and shouts, "What's the matter, Hutchinson? Did you lose your peace(piece)?". This homophone is carefully picked to entail that Hutch cannot be someone alone; he needs Starsky to be whole, his peace and or piece. It works both ways. Watching this unfold, Starsky decides, with what little strength is left in his body, to shoot Bellamy and save Hutch. Hutch does not want to shoot or injure Bellamy to ensure a cure for Starsky. Starsky gives up his life for Hutch as Hutch was willing to for Starsky. For just a split second, his vision and thinking are clear, and it is for the safety and livelihood of Hutch. Hutch realizes what has happened, and he also realizes this is the last of him and Starsky as soon as he drops the dead body of Bellamy. He walks over to Starsky, asking him why he did that, knowing full well why. Starsky knows that Hutch knows, too, and gives Hutch a small confirmation by telling him,

Starsky: Seemed like a good idea at the time. (A Coffin for Starsky, Starsky & Hutch)

He falls into Hutch's arms at a last grasp of life and looks longingly into his eyes before going down with Hutch holding him up and his head on top of Starsky's. Hutch loses that cop sensibility Starsky held him accountable for and finds the very last clues to get him a cure after admitting Starsky to the hospital. He first goes to shake down Vic Bellamy's girlfriend and then quickly puts together what a college professor is doing. Notice how Hutch is incredibly calm when he gets to the Professor, the real mastermind. When

Hutch finds the thread connected to the ball of yarn (Professor masterminding with Vic Bellamy to kill Starsky), Hutch remains calm and reasonable. He knew he was on a ticking clock, and without Starsky, Hutch knew that to save him, Hutch had to be reasonable and calm, as Starsky would have been if he wanted to reach him successfully.

Hutch: I'm asking you to save my partner's life. (A Coffin for Starsky, Starsky & Hutch) He is taking those cowboy boots Starsky would have given him, using that other half of himself (Starsky) to keep himself whole. Hutch makes it to the hospital with relief and love written on his face. It is such a sweet smile, and it comes with Hutch looking like he is also on the brink of tears. Again, Hutch and the doctors are the only ones in the room with Starsky. Of course, an episode so queer-coded in the middle of the American 70s could never air without just a bit of heterosexuality thrown in there as if to say, "Guys, they weren't gay. See, Starsky wants to go to a beach, and see ladies!".

The Buddy Genre is often queer and has been since it has begun. It sprouted from men needing to see close male friendships, which quickly started blending into something that could be gay. The genre holds blurred lines between friendship and romance of the same sex, often male friendships, to be specific. Starsky & Hutch tackles this. Although they frequently have one-off relationships with women, they always end up by each other's side, not a woman's. Until the show's end, if it was between the love of their life or each other. As we have seen repeatedly, they always choose each other, such as leaving a heterosexual romance or risking their own life or livelihood. Their detective cop jobs further these two's romantic fates for each other. Their heterosexual romantic relationships will fail every time since anguish, danger, and turmoil come with being a Detective Cop. Fortunately, these two and many other buddy movies or shows are in the same boat. In Hutch's own words,

Hutch: Would you consider that a man who spends seventy-five percent of his time with another man has got certain tendencies? We work, eat, and drink about twelve of those hours, right? That's sixty hours a week, seventy-five percent of the time we spend together, and you're not even a good kisser. (Death in a Different Place, Starsky & Hutch)

Take actor Paul Michael Glaser's word.

"I think it's very real (the spark of gay tension between his character Dave Starsky and David Soul's Hutch); I think it's important to understand that yeah, there's homoerotic elements... You have to be able to recognize there is a part of all of us that is homoerotic." (Excerpt, Starsky & Hutch's Gay Secret Exposed!)

Works Cited

Baume, Matt. "Gay Bar Murder Mysteries, from Starsky & Hutch to Murder She Wrote." Youtube, YouTube, 9 Aug. 2021, www.youtube.com/watch?v=VgAHn3SilhQ&lc=UgwHdXHBFY_hM6k- 86h4AaABAg.A8ENRpzWC9mA8G2VAcC9JD.

DeGuzman, Kyle. "Buddy Cop Movies - Genre Explained with the Best Examples." StudioBinder, StudioBinder, 6 November 2023, www.studiobinder.com/blog/buddy-cop-movies/.

Franklin, Max. "Chapter 2." Starsky & Hutch #5, Ballantine Books, New York, New York, 1977, pp. 8–8.

Lars. "Why Do Old-School TV Duos Have SUCH MLM Vibes?!" Tumblr, 3 May 2024, https://www.tumblr.com/ichayalovesyou/749465945358155776/why-do-old-school-tv-duos-have- such-mlm-vibes. Accessed 17 September 2024.

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