#they even speak in a similar way

[rsmrnn]

Is he in disguise or it's his lost twin

[shalom-iamcominghome]

I love talking to rabbis as a recent conversion student because the interaction goes something like, "you're converting? Now?! At this time, at this moment in history?!". And they always talk about this influx of jewish convert students they've seen recently, and it's like...

There's this level of respect I get from rabbis for converting at this point in time, but... Has there ever been a good time to be a jew in the last thousand years or so plus? I'm imagining that rabbis and jews in general back in 1492, back in 1290, back in 1349 would have said the exact same thing. So, really, there is only a time to be a jew. Maybe it's not a "good" time, yes, but it is a time. And to me, that's good enough

[fl00mie]

honestamente, no sé

to prevent confusions i'm giving credits of every fankid in order (starting with the tall one)

layden (fresh x ink fankid) by @/sugary-alienn dot (cross x ink fankid) by @/yo-honne abstract (reaper x ink fankid) by CATA-824 on wattpad gradient (error x ink fankid) by @/askcomboclub paper jam (error x ink fankid) by @/7goodangel palette (dream x ink fankid) by @/angeutblogo blueprint (swap x ink fankid) by @/pepper-mint aiden (zack x ink fankid) by ariscastleart

[poomphuripan]

Joe realizing he's got work in the morning after spending the night with Ming

MY STAND-IN (2024) | 1.02 // 1.07

(for @destroy-some-evil)

[posi-pan]

for anyone who has ever seen someone claim pansexual was coined on social media by teenagers in the early 2000s, the 2010s, and even in the past few years, and believed it or wondered if it’s true, or known it’s not true and been annoyed by the misinformation, this article is for you!

after listing out all of the claims i’ve seen, i succinctly debunk them by laying out a brief overview of pansexual’s history dating back to the 1960s, both as a term generally indicating universal appeal/inclusion and a term indicating sexual freedom/attraction to all genders. i include a look at pansexual’s use specifically within queer spaces, with a focus on bisexual spaces, as well.

i also touch briefly on omnisexual and polysexual existing in similar contexts to pansexual dating back to the 1960s. and finally, i discuss a little bit about how when, where, and by whom a label is created doesn’t determine the validity or usefulness of it, because these claims come with the implication that new labels, labels created by kids, and labels originating on social media aren’t legit forms of queer expression and identification.

happy pan week! 🥰💗💛💙

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[m4rs-ex3]

so naturally i was up at 1am the other night watching tdp related youtube videos and i figured i'd watch the 2020 comic con panel since it'd been a while and oh my god some of this shit

(also just me talking about how much i love this cast)

"IT IS I, DARK_MAGE_DAD420" i cannot believe that is real

aaravos: "if i want to do a screen call, i must perform a cosmic blood ritual. with a mortar and pestle. AND FLOATING KNIVES" you are fucking kidding me (edit: i realize that pertains to what he did in s2 but still like "cosmic" "ritual" "knives"? cmon)

jason simpson playing the ukulele. that's all.

jack: *talking about how he had a baby in quarantine* eric: i've been doing a lot of gardening... uh i haven't had a baby, but you never know! i mean if it's possible through social distancing aaron: if anybody can make that happen through social distancing it's aaravos you are F U C K I N G KIDDING ME

racquel: some fun things i did- i uhh died my own hair and burned my scalp and i would like to inform you all it's finally healed and we're good to go, i'm ready to do it again! i'm obsessed with the fact that racquel is quite literally claudia irl

the ttm read is awesome. jack came with the Rayla Voice fucking PREPARED oh my god

i don't think i've ever actually talked about the dnd sketch but it is one of my favorite things in the entire world

rayllum in this sketch is amazing particularly callum he is SO down bad like "my character is a mysterious elf assassin with two beautiful blades to match my two beautiful eyes~~ ✨" like hello that's canon idc if it's a sketch that is canon

"my character cannot help but look at her. he locks eyes with rayla's mage" "....there will be time for roleplaying later" HELLO THATS GOLD

viren in this skit is genuinely one of the funniest things i've ever seen. i cannot emphasize enough this is comedy

necromancer ezran. i think about him daily.

s: "i start swinging my sword at, uhh, idk, rayla's mage" r: "WAIT WHAT" c: "uh wait wait i take it back MY SWORDS GLEAM INTO THE LIGHT AS I LEAP TO THE DEFENCE OF THE BEAUTIFUL MAGE!" s: "hey no takebacks!" sibling ass fight i love them

"LIKE WHAT DO YOU ACTUALLY DO?"

i rolled a 1 😐

i loot their corpses for blood >:D

"do elves have four toes?" "i always assumed that they would have 6 so they could learn how to count to 20" paula my love

someone get sasha some hamantaschen

i don't need arc 3 actually i just need the beta script including as many guns n roses references as possible

racquel: ok call me crazy, call me crazy... jesse: you're crazy, racquel racquel: THANK YOU FINALLY they are literally just them

"I WILL NOT BE POSTING A SINGLE THING ABOUT ICE, FOR I AM JULIA" (okay but.... venous frigoris anyone?)

paula: ugh, no one likes soren jesse: well no one likes rayla racquel: you two should fight 😈

long hard sigh

bonus: jason: literally no one likes viren so let's move on

"how old is bait?" "sasha, how old do you think bait is?" "3."

"is-is a glow toad kinda like a toad?" "................kind of"

i fucking love sasha have i ever mentioned that i fucking love sasha

"i think that he's 56." "either 3 or 56 only, apparently"

the saga announcement is great i love how everyone's is so excited they don't even know all of their characters are about to be destroyed physically and emotionally

the way aaron says it so fucking funny "is there gonna be a season 4?" "uh so i think it's really important to emphasize: yes-"

"i too want to cry" "just cry, just-" "IT'S A PANDEMIC. NO TEARS. THERE'S NO CRYING IN A PANDEMIC." "...where is this rule coming from?"

and finally there were a handful of moments that i could not do justice by transcribing in a post so here is a masterfully edited compilation i made

[wonder-worker]

Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.

[in-asterism]

wheee

[uhbasicallyjustmilex]

“i believe in the idea that old bits of equipment have songs built into them already, like a ghost in the walls.”

[nemesis-is-my-middle-name]

i know ive made jokes about it before but being serious for a second. daniel's willingness to accept arthur's objectively batshit confession also just. gets me right in the fucking heart, man. because, like.

yeah. of course he does.

seven is a Big Number, but daniel's never met any of those other people. they don't actually mean anything to him, they obviously weigh on arthur but they're stories he doesn't know and doesn't really care to. they're just, accounting. they're a bunch of guttering candles in the face of the fucking solar flare that is The Reason daniel has to hate arthur. what the fuck does he care about a bunch of people he's never met, that died some reactionary death in self-defense or however arthur wants to justify it? when from daniel's pov arthur's already stolen two of the most important people in his world away from him. everything left of his family, his blood, for no defensible reason. out of nothing but self-absorbed youthful stupidity.

and he's already decided that isn't enough to drive them apart permanently.

so sure, fuck it, seven people. you probably had your reasons. i've already decided to move past worse. add them to the fucking list, or whatever.

because, y'know. he can't lose another person.

[starrysharks]

i want to delete my twitter account so fucking bad

[nerdrooikat]

drabbles about the deer imagery in The Secret History (specifically in relation 2 Camilla) because her becoming a deer/believing that she did stuck in my mind (although this post will mostly take Camilla and the other's recollection of events to be as they recount it – if i examine it in it's effect as an incorrect account, that would be in a separate post)

Obviously there's, on a meta level, an irony to it – Camilla and Charles are named to make fun of the Princess Diana scandal that was happening at the time, and so ironically Camilla transforms into an animal sacred to Diana.

There's also a parallel that I think could be interesting to make between Camilla and Taygete, who for anyone unfamiliar, was turned into a deer by Artemis to protect her from Zeus' sexual advances. Although I think that what happened in the Bacchae was concensual sexually, I think it could possible be indicative in Camilla's narrative role as the "wanted"/"desired" one within the greek class – by Charles, Henry, Richard (although he wasnt there) and even Francis, although he wants to be her more so than actually wanting her.

Additionally, outside of how it actually functions within the story, her transformation into a creature associated so closely with innocence, especially in relation to Diana/Artemis' virginity, might perhaps be tied to Richards view of her as this "pure" and "virginal" person – obviously we know this is far from the truth, and he himself learns this later, but I think it definitely ties into this flawed angelic idea of her he so covets.

I think this interpretation ties into the myth of Actaeon (in terms of "deer transformation myths") although its very interesting to me that they different at key points – Camilla, the "virginual" character, is the one transformed, rather than the sexual transgressor (Charles) or the one who introduces miasma (Henry). But, like Actaeon, she is pursued and hunted – which, another key point – Actaeon is pursued and killed by his own hunting dogs, and Charles returns from the ritual with a bite mark, perhaps tying him into the myth thurther?

[sleepless-in-starbucks]

thinkin about all the ways that xenk and edgin parallel/complement each other

like. theyve both suffered terrible loss. edgin's is what drove him away from the harpers and 'doing the right thing'. xenk's is what drove him towards that very thing. edgin found a family despite his loss. every time we see xenk, he is doing his work alone. edgin and his family defeated the same evil that tore xenk from his. xenk brings to justice the man who nearly tore edgin's family apart. they are different sides of the same coin do you see

[sun-marie]

on the topic of ocs, here's a simple but fun oc question: do your ocs let themselves cry?

[the-sunshine-dims]

Thinking about the worldport as the cable port in wreck-it-ralph and thinking about quixis being stuck in the position of Penelope, not supposed to exist, having gotten forced past what and who they were supposed to be so long ago that they cannot remember, they know it, but it feels as if it's a strangers life, slowly becoming more and more indistinguishable from the other Sherberts lives they've watched take place, thinking about them not counting anymore, and being left screaming at the port that will never let them in, becuase they are not sherbert enough for the world to even mistake them as theirs