#these characters all make me sad if i think about them for too long

[not-so-plus-ultra]

Okay, maybe unpopular opinion time, but I started watching DanDaDan (ADORE it so far) and some of you are starting to become the meme of "that one friend who is too woke" about what happens in the first episode

TW for sexual assault + CW light DanDaDan spoilers if you haven't watched it yet. Its gonna be a bit ranty

First of all I wanna preface this with saying that, if Momo's scene with the aliens impacted you and / or you found it triggering, that's extremely valid. I am not claiming it isn't, specially for people who have any kind of sexual trauma. What I'm gonna say is not about that

What I mean is; I think we have gotten so used to a very big number of anime using sexual assault as a "funny" gag, having characters violate other characters' physical boundaries, or having a token perverted / incestuous / p*do character, all in the name of terrible "comedy" or fanservice, that we have started bracing up for any mention or showcase of sexual assault to be treated as a gag or as a "sexy" thing; specially when it comes to female characters, because sadly they're the victims of this 99% of the time. This, without going over the sexualization of characters in general, even when mundane things are happening

It's a sentiment I understand and share. I hate all of these tropes and "jokes" and it makes me really sad when a series I otherwise like has to include something like that. I actively criticize these kinds of things no matter how big a fan I am of a work in question

However, I think because of all this, we have forgotten that media can choose to use scenarios like that as an actual Bad thing to show. A bad and unfortunate thing that happens to a character that isn't used as comedy or as fanservice

I had heard about the sexual assault scene in DanDaDan prior to watching it, and I had decided I was gonna skip that scene, as I am someone who is both disgusted by these things and has trauma related to them. However while skipping quickly through the scene I thought it didn't look as bad as I was bracing for, so I decided it was something I could stomach. I was really surprised when I saw that the scene was strictly being handled as a bad thing happening to Momo, and that it also ultimately ended up with her escaping her assaulters before anything truly scarring happens

No jokes about the situation per se, no compromising shots other than the fact that she was in her underwear - and regarding that, the fact that she was built like a normal girl, her proportions and physical features weren't presented in any objectifying or exaggerated way, and through the whole scene she was fighting against it and being uncomfortable instead of submitting to the situation or being made to blush and get flustered about it like you can Disgracefully see in many other instances of other shows

DanDaDan is ultimately a horror / paranormal series. It's not as dark as others and it seems it doesn't pretend to be, but bad things are bound to happen. I think that, as long as you do it tastefully, almost any subject can be used for those bad things. Sexual stuff is sadly EXTREMELY misused in anime, and tbh in media in general, but I don't think it has to be a taboo thing to have your characters go through as long as youre not being weird about it

Furthermore, I think it's pretty clear that, at least the parts that have been adapted of this manga so far (I am not a manga reader btw, I have only seen the 5 anime episodes that are currently out, so if the manga later proves me defending it wrong, I'm sorry, and I'd like to hear it), are in part talking about bodily autonomy

Our mcs BOTH get assaulted, but nobody online ever pays attention to Okarun losing his genitals as him also having been assaulted simply because it's presented in a more unrealistic way. His initial motivation in the series is to retrieve his genitals, and even when he seems to have gotten them back the first time, something is still wrong (another part missing) and he can't just go about his life normally again as if nothing had happened, which I think is a clear metaphor of a victim's feelings after having been assaulted; and what is more, our first arc ends with the revelation that the ghost who did that to him seems to have done it to protect the place she's bound to, a tunnel, from men, for we get told that many girls have gotten sexually assaulted, killed and dismembered in it

About Okarun, I DO get that his situation is shown in a bit of a silly light because haha penis, but I am also afraid that people would have reacted a lot more if he was a girl losing his genitals instead even if it was painted in the same light. Both Momo and Okarun got out of the situation fighting, both of them were brave and as nonchalant as they could to their assaulters, but it's only Momo's situation which gets treated as the bad one. Both get terrible things done to them ! And both of them are being shown as bad things !

None of this means you personally can't be uncomfortable with any of the mentioned scene; after all, they're portraying something horrible that happens in real life. And again, I get that in Momo's case, although unrealistic elements are involved, the situation she's put in can look closer to a real life assault, and thus, it can be more triggering. But the fact is that the sexual assault of both characters is being used to showcase a terrible thing, it's not there just for a gag or for people to put their eyes on the characters' bodies, and I personally just think it's silly when I see people lump in the situations in DanDaDan with series like Undead Unluck, when the former is portraying assault as not only a genuinely bad situation but also as part of the many points I think the first act of the series makes about bodily autonomy, and the later uses it as a reocurring "funny" gag (I have seen people say it gets better later, but still, it's still used as a gag at some point)

This is brought to you by me seeing people on Twitter compare DanDaDan's assault scene to incestuous characters from other animes like Yuri from Spy x Family, Makoto from Saiki K., and Lance from Mashle. I am a big fan of two of those three series and let me tell you: those characters can fuck themselves, I don't find haha incest jokes funny or necessary in any piece of media

[ghostbite0]

AGH! People putting Shinobu as a mother figure to Giyu makes me so angry and sad! When I first watched demon slayer I didn’t like her because she was cruel to Giyu! Watching it again (and reading the manga) I realize it’s more harmless teasing than anything, and they more have a brother-sister relationship than anything??? Especially being a part of the gacha community you see it so badly. Like—yes, she cares about him. But she doesn’t baby him at all? They both get annoyed with each other and drive each other up the wall. She’s like a nagging little sibling more than a mom. Whose mom asked their son if they’re going to go on a long winded story? Are you people okay? 🤨

With Giyu and Mitsuri; I love the idea of them being friends, but the idea of him seing her as his late sister has always frustrated me; “oh, these two female characters both have braids! They’re so similar!” It puts a deep anger in me because it’s basically saying Giyu doesn’t see Mitsuri as her own person, but rather just a reflection of someone he once cared for. Canon Giyu would NEVER! He so obviously is a generalized person—with all the hashira—who think he’s an emotionless piece of stone. Or at least they treat him like one sometimes. It just frustrates me so badly, and I’m glad someone FINALLY mentioned it. Too many people turn him into an uwu depressed baby; in reality he is a gross, sarcastic, ADULT MAN who avoids socializing like the plague. He only started treating Tanjiro and Nezuko as people to care for when Tanjiro bothered him for a whole episode. Now he’s just a grumpy, tired dad who doesn’t need to be babied because he is an adult.

Sorry for going on a tangent; as I said, this frustrates me deeply. It invalidates their whole character and rewrites their whole personality.

"...it’s basically saying Giyu doesn’t see Mitsuri as her own person, but rather just a reflection of someone he once cared for" AND HE WOULD NEVER!!!!!!!!! be free... go off... bars

"in reality he is a gross, sarcastic, ADULT MAN who avoids socializing like the plague. He only started treating Tanjiro and Nezuko as people to care for when Tanjiro bothered him for a whole episode" THIS!!!

fantastic points all around! thank you anon :D

[akpinkprincesss]

I'm catching up on woe begone and it just got me thinking about some of the characters, like really thinking about them and damn it hurts.

i was thinking about lieutenant and it made me realize that he was a victim. what he went through was worse then anyone could ever imagine and he had to adapt to survive. Of course that doesn't excuse his actions but he isn't a horrible person doing things our of malice, he is a victim who did horrible things his abuser (the man who brainwashed him into obeying his every word) told him to.

and its not like ANY of the other mikes have it easier, michaels especially. Like i think the reason they (michaels) all hate lieutenant is because they have all been through horrible pain and suffering. They all have lost edgar and i think most (if not all) of the ones who are alive right now were held in the compound and also tortured, they just werent brainwashed.

In general i think the michales have a hard time empathizing with other characters because they dont want to get close to others in case they die. But any version of mike also have a hard time empathizing with lieutenant because they were also tortured and they didnt react like that. However they forget that trauma victims will do whatever it takes to survive and in this case lieutenant had to become the perfect solider or else he would die, or worse. and the only character who witnessed the torture first hand is either dead, doesnt interact with lieutenant at all or doesnt care which proves my point (i cannot remember what happened to that michael)

and after i had those realizations it sent me on a mini spiral about the W.B "villains" are actually just victims, these are usually iterations of the mikes. Like this nobody guy who just appeared (for me) i dont know what his deal is (and i dont want you to tell me) but the way hes talking it cant be good. The way he could withstand a gunshot for as long as he did doesnt give me good vibes. of course that could be of his own design but i dont know yet and when it comes to mike walters i can hope for the best but expect the worst.

of course not every villain in the story is a victim, like eagle he can taste the carbon of my bat as i slam it full force into his face. but some of them are just victim to circumstance and the horrible events that always follow mike walters.

thanks for reading my long ass rant, ive had feelings that i needed to get out. i might have more to say on the topic later but for now i will leave it. also ignore grammer mistakes im not in the mood to edit right now :/

ive been listening to this podcast on and off for about 2 years now? so there are bound to be mistakes in lore as i forget things and ill go a few months without listening then binge the 10+ episodes so if you have any notes please add them (without spoilers please i am only on episode 154 thanks)

note: do not take this the wrong way i love this show and this is NOT a criticism of the writing :D

[turtleblogatlast]

Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.

For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.

And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.

I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.

[superbellsubways]

POST THIS FREAK NOW!!!!!!!!!!;

[istherewifiinhell]

banging my head against the wall. does anyone wanna go insane and read TMNT Mirage #37 with me? An emotionally fraught jouney of faith and family and battling for or against your roots of eons past? You should. But if your not in for reading a 40 page comic I have a condensed visual/textual moments and summation for you! You might enjoy it!

[Mirage 37, Rick McCollum and Bill Anderson]

ID: Turtles walking through a forest with full camping bags. Mikey has his mask around his neck and wears a bucket hat: Well..." Raph wears a wide brimmed fedora type hat, he balances one sai by its point on his finger: "You do got a point, buddy." Leo is shadowed in the back with a straw hat. END

[In this comic the turtles are depicted with understated beaks and look lankier than Classic Mirage style. Their skin is usually in the darker of the 2 toners, and their masks are left without toner.]

ID: From behind the group, Don and Mikey in silhouette up front. Behind them, Raph is throwing his sai in the air. Leo is saying "I believe you Don, but... Spiritual meaning? Maybe you're reading too much into it." Close on Don's face, frowning "No, I'm not." END.

[See Donatello: The Ring, in Turtle Soup #2] Here's what you missed: Don went on a spiritual journey by himself. Now he wants them all to experience it.

ID: Three turtles and Splinter in the farm house living room. Raph and Mikey on the couch with books, Leo on the floor polishing his sword. Splinter standing to the side. Raph: Yeah, but Casey's car's on the blink. Mike: I hope its doesn't fall apart while he's out with April. Leo: Don will fix it when he returns. Raph has one leg up, is tossing some shuriken in one hand, his books says "Fun with sai". Mike slouches and has a drink can, his book is "Life of Bruce Lee" END

ID: Three Panels of Don explaining his experience in front of a large fire, fiddling with his bo staff, the flames curl around him as he speaks. A brow raised: But it wasn't the trees- It was one of us! The Father of All Reptiles Looking contemplative: He was a turtle. Or a ghost. Some kind of spirit... With a sheepish smile: And I'm glad I met him. He said I was special... END

Splinter reprimands the other turtles for not taking Don seriously. His lecture:

"Your lack of respect is unbecoming. Have I so failed you that you have no feel for your heritage, your roots? Reptiles ruled this world for uncounted eons, your people strode the land, slipped through the warm seas, and skittered about the sky. Though gone, their blood is your blood. And their spirit should be yours! They are your elders, with their bones left in the rock, lasting forever in the skin of the world. Respect them, and honor their spirits as you do me!" "Recall the time you spent, eons past, with your friend Renet. How you spoke of it once you'd returned! Did you not feel a sense of unity with that time? Did you not resonate to the heart-beat of the archosaurs? Your enthusiasm lingered for weeks."

[See Tales of TMNT 7] They went back in time and met dinosaurs, amongst other things.

ID: Panels with a close up on each character. April in profile, with a solemn look: You babbled on about it for days. Mike smiling wide: Yeah! It was warm! Leo, clutching his sword, looking away: I felt so free! Raph, his mask pushed up to his forehead, an eyes closed smile: Three months of fishing! Don, holding his staff, looking down: Yes, I was... Happy. END

Splinter continues to speak.

"Happiness…Ah, Donatello, it is so ephemeral. As was the time of those reptiles. Everything is a ring, and the ring turns. The world grew cold, small, furry creatures came out of the shadows. The dinosaurs died. The age of mammals began."

Raph, upset, gets disparaging about what the predominance of mammals has done to the earth.

ID: Three panels. Raph, shocked, hand over his mouth: I can't believe I said that. Splinter looming over Raph, who jerks back. Splinter: ~Think~ before~ you~ speak~ Raphael! Raph: I'm sorry! I'm sorry! I'm sorry! Splinter: Need I remind you that your best friend Casey Jones is a mammal? Close on Raph and April. Splinter off panel: Not to mention myself? Raph: Eep! April grimacing: I'm feeling warm-blooded and hairy also! END

ID: Four panels. Caption box: And look they do— Raph looking at two trees growing diagonally, thinking: I don't even know what I'm looking for. Leo, partially hidden behind foliage, thinking: Something's up. I feel... something. Mike, looking at a tree that's grown a loop in its trunk, thinking: Is this a "spiritual experience?" Don, walking through the trees in silhouette thinking: Why can't I find the place?" END

After a day of searching, they camp, but Mike goes missing during his watch in the night.

ID: Two panels, each showing Raph and Don and they face off and argue, their speech bubbles placed between them. Raph is backed up against a tree, angry, clenching his sais tightly. Don has his bo like a walking stick, and seems calmer.

Raph: Why? Mike needs us! Don, with an irregular speech bubble: Either he is alive or he is dead. The quest is more important. R: What are you talking about? What's wrong with you? D, normal bubble: Nothing. I had a dream last night. If we give up the quest, we've lost. R: Mike is more important! D: That's what the adversary hopes you think. R: What adversary? D, irregular bubble: Have Faith. R: Donatello! D, regular bubble: Remember when you devovled? We kept faith. R, yelling: AAARGH! END

[See Mirage 24-26] Raph was de-mutated into a regular turtle, his brothers had to go on a journey to save him.

ID: Leo, mask off, scowling "This is what we'll do. Break camp. Consolidate our gear. Bury what's left. We're on a combat mission now. We'll keep faith, Don, but--. A narrow panel of Don, drawn small, gripping his staff: What? Leo getting in Don's face, displeased: I hate leaving Mike. -- Just make sure you're right. END

Raph goes missing on their second nights watch, Don becomes stranger and more convicted about this quest.

ID: Leo, furiously, points in the direction of the viewer, accusing Don. "What's with you? Why are you so out of it?! -- What's wrong with your voice? [Larger text] Don't you care about Mike or Raph?! END

ID: Don sits facing away from Leo, gripping his staff, angry, speaking towards his hands. Leo looks on from a ways back, dramatically lit. Don: [Large text] Of course I do! [Normal text] But... I don't know what's wrong with my voice. I don't know who the Adversary is. And yet..." END

ID from alt: Two panels, Leo glaring, getting in Don's face, pointing at his beak, grabbing Don's staff. "Who told you this?" Don has brows raised. Don, with a wincing smile: "The Father of us all." END

ID: Multiple panels. Close on Leo, "Remember what I said about being sure?" Don holding his staff in front of himself, seemingly scared, "Leo, please." Mid on Leo, more neutral frown, "Don..." Full body, Leo turns away, the wind picks up. Leo facing away, pulled back shot. "Let's keep going." END

Narration as they travel further into stranger and stranger territory.

Leonardo: What was to be a relaxing romp has become a grueling death march. Sweating and hacking through the threatening undergrowth, he understands that he is hopelessly lost. As lost as Donatello seems to be, following an Unknown pull, mumbling to somebody only he can hear Donatello: while Leonardo must fight the wild landscape, he slips easily through the thorns. And he listens, and talks. Hair is better than scales? The birds are traitors, having stolen the secret of hot blood? Giants, brought low by small, furry ones? As he pursues the silent beckoning, he learns...

They have a run in with a foe in pitch black forest. They take many hits but score one back, severing one limb, hairy and clawed, then retreat. Don garbs himself in some make shift religious fair, using his blanket, mud and ash. The two sleep, they dream.

And they dream the same dream. They see their blood rise and rule. The ring is turning. The reptiles differentiate, and claim the seas and air. They see their family as it might have become- If the ring hadn't broken. They feel contempt for their children, the birds, as they invade the skies. But it is nothing compared to the fear which the small hairy ones bring. The furry horde had been around since the reptiles beginnings- swarming… unstoppable.

ID: Three panels. Caption Box: The morning brings questions. Leo and Don sit with their backs to a tree. Don's taken his mask off, made a dark markings on his face and body, and wears a hood. Leo: Did you dream-? Don: Yes. Leo looks upset, gestures with a hand in front of himself. "I... felt grief. Anguish. They must be let loose. -- But why? And how?" Don's face is completely shadowed by his hood, his eyes and teeth stick out in far too much detail. It is an unsettling smile. "You're starting to learn." END

Another fight, Don's leg is broken by the mammalian Adversary. Leo, with all the weight of the loss of his brothers, takes position to make a last stand protecting him. But Don urges him to continue on, to find and aid the Father of all Reptiles.

ID: Many panels, Don injured, propped against a tree. Eyes closed in pain he says "Can't you hear?" Leo looks behind them. A strange voice says "Come." Close on Don, crying, yelling at Leo "Go! Please! I have faith in you!" Leo's eyes, frowning. Leo's hand, offering his sword. Leo's eyes, he's crying through his mask. "Take this." Don's hand taking the sword from Leo. Narrow panel, Leo walks away, remaining sword drawn. "Fight well." END

ID: A cut off panel with dialogue, and a close on Leo, framed between two rocks, crying heavily. The says: You have become one with sorrow. You are sad. I am glad. Now we may speak. END

Leo climbs and the conversation continues.

Narration: There are sounds behind him, as he climbs. Voice: Your brother Donatello gave me joy when we met. I thought it would release me from my grief. Narration: Following him as he scampers every higher. Voice: I tried to go. But joy is ephemeral-- Narration: Leonardo reaches the top with haste. Voice: While melancholy lasts forever.

Leo sits at the mountain peak, thinks of his brothers, contemplates the sounds of the Adversary below and the Father of all Reptiles speaks to him more, as he falls into sleep.

This is my nexus, my holy spot. This is my prison, where I am trapped by my sadness. Dream of extinction. Dream of death. Once we were, now we are not. You and yours are what we could have been-- Had not the hairy ones come. All the scaly brethren are my children… But they hairy ones killed them-

Leo wakes slowly to a growl, then all at once with a yelp.

ID: Full page, the Father of all reptiles finishes in a yell. "THEY ATE MY EGGS!" The mammalian Adversary's loud growl just under the speech bubble. It looms in the panel, over Leo at the bottom, his sword drawn. The Adversary, large and rodent like, fur dark, eyes gleaming, foam dripping from its mouth. One arm severed and still bleeding, implanted in it are the weapons from Leo's brothers. Raph's sai in its leg, Mike's nunchaku in the stub of its arm, Don's staff and Leo's other sword in its chest. Other small rodents cling to its form. Surrounding the image, marginalia in the corners. Cracked eggs up top, rodents in the bottom. And a border of text, listing eras, genera and species of or relating to early mammals. END

Leo's brothers, injured, wounds wrapped and broken limbs braced, are following his trail. They see signs in the sky, Mikey thinks it looked like a massive turtle. Don is assured with his faith that this means the Father of All Reptiles is aiding Leo, and that they should rest. Mike and Raph leave him to sit at the mountain base (offering him another weapon for protection), and make their way up.

Narration: At the pinnacle, a warm, fresh breeze wafts downward. The trees below grow normal. Throughout the world, fossil Mesozoic eggs break apart, as fetal reptile souls are let loose. Paleontologists will find no more intact eggs. EVER.

ID: Full page panel, Leo sits at the base of the giant cracked egg of the Father of All Reptiles. Sword dangling, he's exhausted, blood splatters him, his sword, and the mottled surface of the egg shell. The Adversary's head and remaining hand are laying to one side, the dark mass of fur on his other. His brothers cresting the peak see him, and he says "We freed him. The wheel is moving again. The ring is whole." Caption box: And whole, the ring moves on. A Marginalia drawing in the corner shows a small rodent, the front of its body inside the cracked shell of an egg. END

[floralovebot]

What kind of vices do you think Helia has?

OUGH i love talking about the many problems he has <333

Here are some of his canon vices!

Very self-deprecating - It gets better later on and especially as Flora hypes him up, but Helia tends to think of himself and his actions in a very negative way and doesn't do much to challenge that narrative. He unconsciously relies on the others to make himself feel better a lot!

Self-critical - A thing that can be good in moderation, but like all vices, Helia takes it too far. He's overly observant and critical of himself to the point where it's like he's playing the observer all the time. He then gets anxious and convinces himself he's a horrible person cause he made One mistake. Way to go dude

Escapist - He has a hard time sticking around once he's convinced himself that people would be better off without him.

On a similar note, avoiding conflict. It may not seem obvious since Helia occasionally calls out the others, but that only happens when he's genuinely not in the wrong (or doesn't feel in the wrong). If something happens that he thinks he caused or was involved in, he tends to avoid that conflict and fallout.

And if I'm being honest, avoidance in general. Again, it's one of those things that gets missed easily, but that sort of mysteriousness/shyness that people often see in Helia? That's usually avoidance from him! He avoids talking to people unless they speak to him first, he avoids telling people about himself or his life, he'll outright ignore people if he doesn't like them, etcetc. There are times when it's for a good reason (not talking to the trix for example) and times when it's incredibly annoying and counterproductive (like with the specialists or flora). It should be noted that this behavior mostly shows up in his personal life rather than on missions but if anything, I think that shows he's aware of this but doesn't change it.

Impulsive - Again, it may not seem like it but Helia is very impulsive! A lot of the decisions he makes throughout canon are done in the moment and with very little thinking. It's easy to miss because Helia is a fast thinker and quick on his feet so his actions often seem more planned out than they actually are, but if you look at the individual actions themselves and how quick he makes them after Just thinking of them, it gets really obvious. In the show, I'd say the best and most well-known example would be in his introduction episode, aka the monster stunt. Again, it's easy to miss, but that wasn't planning or cautious thinking from him, that was full on impulsivity (both grabbing the monster And leaving). Other good examples would be the Shaab Stone arc in the comics (literally an entire arc of Helia being impulsive as hell), the s2 florelia kiss scene, Helia saving Sky in s2 when they're in Darkar's Fortress, and him running up to every enemy.

I'm not sure what you would call this, maybe recklessness?, but Helia often has very little regard for his own safety. He regularly puts himself into dangerous situations that he doesn't Need to be in without thinking about how badly it's gonna hurt him. Well,,, he does think about whether or not it'll kill him, but if the answer is "no", then it doesn't matter how much danger he's in, he's gonna do it. This often ends with one of the specialists yelling at him which is funny but Still. I do think it's important to note that he's not reckless with the other's safety (he's overly cautious with them) but he definitely is with his own.

I feel like there are others I Could list but they don't show up quite enough for me to call them his vices (ie the occasional stubbornness, lack of confidence, or jealousy). I HOPE YOU ENJOY THIS LIST OF HIS MENTAL ANGUISHES I KNOW I DO

[wifegideonnav]

homestuck is getting SAD and i don’t WANT THIS i want to read about shitty children lovingly bullying each other i don’t want to watch them sobbing over each other’s corpses :/

[celestial-sapphicss]

.

[qqqqqqqqqqq0]

[heeliopheelia]

𝐘𝐎𝐔 𝐓𝐀𝐊𝐄 𝐘𝐎𝐔𝐑 𝐄𝐍𝐆𝐀𝐆𝐄𝐌𝐄𝐍𝐓 𝐑𝐈𝐍𝐆 𝐎𝐅𝐅 𝐃𝐔𝐑𝐈𝐍𝐆 𝐀𝐍 𝐀𝐑𝐆𝐔𝐌𝐄𝐍𝐓

genre: hurt/comfort, angst, fluff

word count: 4.3k

warnings: cursing, crying, neglect, tiny mention of bleeding

a/n: i think i win the contest of overusing commas with this one 🤍 tbh this fic is just yapping so pls deal with me... it's good to write some proper angst again tho, i missed it :(( hope you guys like it and don't find them too repetetive!!

masterlist

LEE HEESEUNG

It's been two weeks since you got the opportunity to take a proper look at Heeseung. And now as you do, you find it hard to recognize your fiancé who looks like he's about to collapse from exhaustion, to say the least. 

“I never asked you to mother me or worry about me so much. Stop getting into my business so much. I’m not a child, YN.”

It’s like he was blind to how hurt his words and actions were making you feel. It’s so unusual for him, so out of character and unfamiliar to you, that you can’t help but think that maybe it really is your fault for riling him up this much.

“I worry about you because I’m your fiancé and I love you, you jerk!” You scoff at his careless words and take a step back, the aching in your heart only increasing. “I only want to look after you because you clearly don't know how to do it yourself. I mean, look at yourself! You look as if you haven’t slept in a week and I know you haven’t been eating either. How can I not worry about you when all you do is neglect yourself?”

“Dunno, maybe find yourself something to keep you busy enough. You stay at home all day, do as much as nothing, no wonder you’re so damn nosy. I would be too with this much time on my hands.”

He’s so indifferent to everything you say, you try to recall where it all started going so wrong. All you did was ask whether he’s eaten at work or not, and now the two of you are snapping at each other as if you weren’t lovers, and trying not to hurt each other was a long forgotten thought by now. 

“If you’re so unhappy with our relationship – with me, maybe it’s best we take a break,” you say as you feel your throat tighten painfully. 

“Agreed. I never even wanted this marriage in the first place,” he scowls, silencing you, words rolling out of his mouth way quicker than his brain is able to process it. 

He bites his words back quickly when he watches your face dropping along with your shoulders, and fuck, you look as if you’ve given up on him right then and there. 

You walk away then, tears streaming down your face, muttering something about how ungrateful he was being, and all Heeseung could do was stand still as if plastered to the floor, in utter disbelief of his own, untrue, words.

After his cruel statement echoes through his head for the fourth time, he finally snaps out of the self pity and rushes after you to the kitchen where you’re leaned over the counter, head buried in your hands as you cry.

“Baby, I’m sorry,” he apologizes quickly. He walks up from behind you and wraps his arms around your waist, resting his forehead on your shoulder blade. “I didn’t mean it. I’m sorry for everything I said, sweetheart.”

He turns you around gently and feels his chest tighten at how fucking sad you look. He never wants to see you like this. He never wants to be the cause of this ever again.

And when he looks to the side, his throat closes and dries completely at the sight of your engagement ring laying on the counter right behind you. 

“Are you sure you didn’t mean it?” You ask, wiping the tears away with your hand pointlessly as another stream follows right after. “Things like that don’t come out of nowhere.”

“I didn’t, love, I swear I didn’t. I’m so fucking sorry,” he breathes out, pulling you closer to him by your neck again. 

Never again. Never fucking again. He keeps telling himself in his head as he lifts your hand to his lips and presses a kiss to your knuckles, just where your ring was supposed to be sitting snugly. Then he lowers it and places your palm against his chest, right above his heart, and covers your smaller hand with his.

That was too close to losing you, and himself, for that matter. Because he would never recover if you were gone from his life and all because of him. 

“Then why did you even say it?” You sob pitifully as you feel the warm tears dripping down the tip of your nose.

“I don’t know,” he shushes you gently, trying his best to not break you any further. 

You pull away once you feel calm enough, hands clutching his t-shirt. “It's not too late to call off the wedding, Seung,” you manage out breathily, raising your palm to cup his cheek. “I'd rather not take the step further than have you unhappy.”

“Darling, no.” Heeseung bends down to minimize the distance between the two of you and peppers your face with loving, warm kisses. He just wants to erase those atrocious thoughts out of your mind as quickly as possible. “Please, there's nothing I'd ever want more than to make you my wife. That was stupid of me to say. I'll never be happy if I'm not with you, my love.”

“I just don’t want to force this marriage on you. You need to want it as much as I do, otherwise it’s pointless.”

Heeseung almost chokes on air when he rushes out his answer even before you can properly finish your sentence. “I do want it. Please, you have to believe me.” 

“Really?”

Heeseung smiles at you softly as he wipes your wet cheeks with his thumbs. “Really. Scout’s honour.”

You breathe out, feeling relief, and look up at him with squinted, puffy eyes. “Sometimes I just wanna strangle you to death, Lee Heeseung.”

He chuckles lightly before pressing one last kiss to your cheek. “Aren't you just so adorable? You should add this to your wedding vows.”

“Maybe I’ll add this to your eulogy instead if you pull shit like that again.”

Heeseung clicks his tongue with a grin pulling on his lips. “Touché.”

PARK JAY

The atmosphere in the living room is so heavy that your chest starts to hurt. You’re standing barely two steps away from the man you love the most, yet you’ve never felt more far away from him than in this moment. 

His eyes – cold but still undoubtedly full of love, drill holes in the side of your head as you turn your face away from him to try and gather your thoughts.

Arguments with Jay were rare. You always tried to work things out immediately, keeping your heads cool. But something has broken over the last month and you can’t see each other eye to eye anymore. At the very beginning of your relationship you made a promise to never go to bed angry. To never leave things unresolved. Yet now Jay’s been sleeping on the couch for the past week, and you fail to understand what the fuck has happened to the two of you. 

And you can’t help but think that, maybe, sometimes love is just not enough. 

“You’re not even trying to find the middle ground anymore. All you do is snap at me the second I come home. I’m fucking tired of it! Would it hurt to give it a rest for a day?” 

The tension is almost palpable. You hate how you can’t seem to back away from any argument but only keep hurting him instead. 

“Put effort into our relationship first, then we’ll talk,” you spit out instead, against your better judgment.

“It’s funny coming from you who’s done nothing but put a fucking distance between us!”

“This doesn’t make any sense anymore, Jay. We need some time apart,” you finally speak into the dull silence, eyes casted downwards at the floor as your hand keeps twitching, only to finally grab for your ring finger and slip the silver band off of it. You didn’t think much of your action, hell, you didn’t even process it properly. 

Well, not until you hear the shaky exhale leave Jay’s lips. 

Silently, he presses his lips together and nods his head before turning on his heel and leaving the room. You listen intently to the shuffling, then ringing of the keys and eventually the door being shut. 

A moment of silence turns into minutes of you staring at the ring on your palm with tears burning your eyes mercilessly. 

With your heart falling low to your stomach, you drop down on the couch and tug on your hair slightly, cursing yourself for acting so mindlessly. 

You wallow in self pity in the dead quiet room. The shiny ring feels so heavy and burning in your clenched fist. You take in a deep breath, then quickly slide the band back onto your finger, feeling instantly shielded with it being on its righteous place again.

And just like that, you spend the next three hours on the verge of losing your sanity. With no word from Jay. He’s left your messages unread. He’s left your calls unanswered. 

You don’t know whether he’s okay or hurt or simply gone. All that combined is enough to leave you panicked and terrified, unable to have a second of peace. 

You never meant to take it this far. This – your words and rapid actions, that will forever remain as one of your biggest regrets. You don’t like the idea that you made your other half feel like you’ve taken him for granted. Or for what’s worse, like a person that you can use for unloading your frustration on. 

There’s this throbbing pain in your chest as you realize that maybe he’s not coming back because why would he if you can’t even love him properly?

Your fingers are bleeding from how hard you’ve been picking on your cuticles. 

And then you hear the jingle of keys and soon the front door opens quietly. You know that even after all of this he’s still being careful to not wake you up. It’s killing you how he thinks you’d ever be able to get a wink of sleep without knowing he’s safe. 

You’re quick to drop your phone on the couch and shoot up on your legs, rushing over to the door and throwing yourself on Jay’s neck. 

“I was so worried about you!” You gasp out, clinging onto your fiancé desperately as tears unknowingly make their way down your cheeks. “Please, don’t ever do that again!”

“Sorry, my phone died,” he replies after a second or two, bringing his arm up to wrap around your waist and keep you close to him. 

He’s still upset but he understands where you’re coming from, knowing well that if it was you instead of him he’d probably go insane from worry. 

He can feel your heart hammering against his chest, so he lifts his hand and strokes your hair to help you calm down. But then you start crying, feeling his gentle touch even after everything you said, that was enough to push you over the edge. You clench your trembling hands on his sweater as you burst out with choked sobs, slouching against his warm and comforting body. 

“I’m sorry, ‘m sorry, ‘m sorry,” you weep into his chest like a mantra and Jay can quite literally feel his heart cracking at your miserable state. 

“It’s okay,” he whispers, hot air hitting your ear before he presses a soft kiss to its tip. “Don’t cry anymore, honey. We’re okay.”

“I don’t deserve that. I don’t deserve you,” you whimper quietly. “Please, don’t leave me.”

“Don’t say that,” he scolds you with a frown. Your whimpers twist his guts even more than your harsh words from before. “It’s not the first nor the last time we’ll have an argument. It’s not worth losing your pretty head over it, okay?” 

“I’m sorry,” you repeat one last time. “I promise I'll never take it off again. I’ll never lash out on you like that ever again too.”

Jay grabs your hand and runs his thumb over the thin silver band, the same one he was picking so carefully for weeks, and a small smile tugs on the corners of his mouth. He hates how shameful you sound. 

He’ll never tell you how the sight of you pulling your ring off your finger made him physically sick to his stomach. He can't have you feeling even worse than you already do. So instead he brings you close to him and rests his forehead on yours. 

“I’m so stupid,” you whisper quietly as you close your eyes, your heavy eyelashes letting go of another few droplets of crystal tears which Jay’s lips soak up instantly. “I don’t know what I’d do if you actually left.”

“You know me better than to think I’d let us break it off over such a petty fight.” And, yes, you do. But your lip wobbles with silent agony at the sole thought of that. “Hey,” he tries again as he presses a loving kiss to your red nose. “I’m not leaving, okay? How could I ever?” 

“I love you.”

With his thumb caressing your burning cheek so tenderly, you feel at peace again.

“I love you too,” he replies without skipping a beat. “No one can handle you as well as I do. And no one sees me for me like you do. We complete each other. We belong together.”

He kisses you silly then, until there’s no more tears left in your body and you’re barely able to breathe anymore. He kisses you until your legs give in and he swoops you up to carry you into your shared bed for the first time in what seems like forever.

He kisses you until it engraves in your mind that there’s no other person for him in this world but you.

SIM JAKE

“Baby, I already apologized.” A groan lingers at the back of his throat but for his own sake he stifles it inside. “I don’t know what else you want me to do.”

You sit on the edge of your shared bed and clench your fingers on the silky duvet. “How about you start showing up to things we both agreed on attending to?”

He runs his hand down his face. “I know. It just slipped my mind, that’s all. You know how busy I’ve been this week.”

“This shouldn’t be my business only, though. I mean, for christ’s sake, it’s our wedding! I would really appreciate it if you participated in something for once!”

Flowers and cake. That’s literally all you’ve asked of him to go and pick with you for the wedding reception. Knowing his tight schedule, you picked the date carefully so that it wouldn’t meddle with his work and you could even go grab some dinner afterwards. But your plans all went out the window when he didn’t even bother showing up or giving you a heads up text, standing you up yet another time when it comes to your wedding preparations.

You’re honestly getting tired of it.

“I’ll be there next time,” he assures you quickly as he nervously taps his fingers on the doorway of your bedroom. 

“You said you wouldn’t do that,” your voice wavers as your shoulders drop with resignation. With the back of your hand, you wipe off the tears that made their way down your cheeks. “You promised to help, Jake. But you left me alone with everything, as usual.”

“It’s not even that big of a deal. This can be rescheduled any time. Baby, stop stressin’ so much.”

“But it is a big deal to me!” You cry out, palm reaching up to pinch the bridge of your nose. You breathe out heavily. “I don’t want to do everything by myself! We’re supposed to be in this together! If getting married means that I’m gonna be alone with all the responsibilities that you don’t consider important enough, I’m not even sure I still want it.”

To back up your words, your hand moves half-consciously to your ring finger and you twist the cool piece of jewelry in between your fingers. 

“No, no, no, no.” Jake moves quickly, nearly tripping over himself as he rushes towards you to desperately clasp your hand in his two and stop you from whatever the hell you were about to do. He drops to his knees in front of the bed, right at your feet. “Baby, you promised you’d never take it off.”

You’re at a loss of words as you look into his wide eyes, the seriousness of your actions only catching up to you now. You gasp quietly, eyes watering just like his, quickly relaxing your tensed hand in his and letting him slide the ring back down your finger, just where it belongs.

Silence envelopes the two of you, besides the sound of your sniffles. 

You feel awful. 

Jake feels even worse. 

Leaning forward, you press your face to his shoulder and melt instantly when he brings a hand to caress your hair. 

“I'm sorry,” you whisper, clenching your hand to feel the cool ring against your skin. “I don't know why I did that. I didn't mean to.”

“I know,” he soothes you just as softly. He stands up from the floor and carefully maneuvers the two of you so that you’re placed on his lap as he sits with his back against the headboard. “It's my fault. I'm sorry. I never meant to disregard your feelings like that.”

At the end of the day, both of you would rather set themselves ablaze than watch the other one hurting. 

You nod silently, heart pounding in your chest before you bring your arms up and throw them over his neck.

“I’m sorry I was so impulsive.”

“No. You did nothing wrong.” His soothing voice carries over the room, enveloping you with warmth. “I promise I'll be here whenever you want me to from now on. I don’t want you to feel neglected by me, especially now when you’re this stressed over the wedding. I won’t let you down, again.” 

“I just need a little help, that’s all,” you mumble tiredly into his skin.

“I know.” His warm lips press to your forehead lovingly. “I’m sorry for being an insensitive douche. It won’t happen again. I’ll take some days off next week, hm?”

The tears on your face dry slowly as your hold on him tightens. “I’d like that a lot.”

“Then it’s done. I'll be all yours and you’ll be all mine then,” he hums and noses at your cheek, finally bringing out a small giggle out of you. After all these years, he still melts at the sound. “I won’t let things get this out of hand again, YN. I promise.”

“Okay,” you whisper. Tilting your head up and bringing his down towards you, you join your lips in a kiss that you’ve been longing for for days. His movements are slow and careful as he tries to soak up as much of the moment as possible. 

His kisses slowly put your broken pieces back together. He never knew how much seeing you cry like this would hurt him. And he’ll make damn sure he won’t ever have to experience that again for as long as you're with him.

“If I have a life to spend, it'll only be with you, sweetheart,” he lowers his voice to match yours, cradling your cheek in the palm of his hand. “You're it for me. I'll never give you a chance to doubt that ever again.”

PARK SUNGHOON

“You’re never home! There’s always a hundred things more important to you than spending an hour of your time with me. Your fucking fiance! Are we really about to get married when you’re clearly so tired of me already?”

Your heart pounds in your chest as you finally voice out everything that’s been sitting on your chest for the past month. Things have not been working out well with the two of you, much to your despair. He’s been neglectful, always too busy to help you with anything – even the wedding related things that you should’ve gotten done weeks ago. 

And you know that he’s swamped with work and it's not his fault. You understand everything. But to ask him to spare you an hour or two of his day shouldn’t be too much. It shouldn’t make him snap at you unlike what he just did the second he came back home. You slowly begin to lose your hope.

“God, have you always been this needy? Why can’t you accept that I can’t always put you first? No matter how much I’d want to, sometimes I just can’t! Deal with this!”

“Fucking- Fine.”

Your hand moves quicker than your brain, and the next thing you know, your shiny ring is being pulled off your finger and resting in the palm of your other hand. 

You can see the disbelief flashing through his face briefly before it completely morphs into a scowl. 

“You really think that this will solve the problem?” He asks, eyebrows narrowed as he glowers at you from across the room. “Really? Does that ring mean so little to you that you go and throw it away with any minor inconvenience?” 

You try to blink away the frustrated tears, hand raking up to brush your hair away from your face. “No, fuck, I just- I don’t know what to do anymore, Sunghoon. I feel like I’m the only one in this relationship. I need you to give me something more because whatever you’re doing now is not enough for me.”

“Well, I’m putting out everything I have, YN! I love you! If that’s still not good enough for you, then maybe it’s not meant to be.”

The silence that falls in the room doesn’t last long as your sudden sob pierces Sunghoon’s ears quickly, making his stomach drop to the soles of his feet. His heart wrenches and twists as the anger simmers down and evaporates from his body within a second, and he’s quickly coming back to his senses at the sight of you breaking down right in front of him. 

“Can’t you just try?” You cry into your hands, shielding your face away from your fiance. “That’s all I’m asking of you. Is it really so hard to try?”

No, it’s not. Sunghoon knows it without a second of thinking. It’s not too hard to try, never if it’s for you. And his throat dries so quickly when he basks in the weight of his words that finally made you break as well. 

“You don’t know how much it hurts to feel like you’re too much for your partner,” you wail with a small voice, shoulders trembling and hands quickly getting damp with tears. “You’ll never know how it is to feel unwanted, because you’ll never have to when you're with me. Because I love you, asshole, but now I’m doubting if you’re saying it back just for the sake of it.”

With air getting stuck in his throat, Sunghoon looks at you wide-eyed before quickly crossing the living room and enveloping you in his arms. His warmth wraps around you in what you've always considered to be safety, but now it just makes you cry more. 

He finds it hard to breathe. The hesitation in your eyes feels like a stab to his chest.

“Of course I still love you,” he says, voice muffled by your hair. 

He hates how he made you feel the opposite. He hates how you’re right and he never had to worry about any reassurement of such kind from your side because you’re just that good to him. And his heart breaks with the realization of how much of a lousy partner he’s been to you when all you ever were was nothing less than perfect.

So he places his hand on the back of your head and presses you even closer to his shoulder as you cry, his own eyes burning with tears at the sound of your sobs and sniffles. 

“I’m sorry. I’m so sorry, my darling,” he apologizes with a heavy heart, fearful of what’s about to come next. “I didn’t mean to neglect you this much. I could say that I’m tired and the work has been a lot lately, but I know these excuses are not enough to make up for my actions.”

You’re mad and hurt, but you love him and would never want to give up on him, so you wrap your arms around his middle and hold him almost as tight as he holds you, burying your wet face in his chest. 

“I love you more than anything, YN.” He pulls away from you only to cup your face and make you look at him. His long fingers wipe away the tears with gentle touch, soothing your stinging skin instantly. “You could never be too much for me. I want all of you. I promise I’ll do better. I’ll love you better.”

And when you’re looking up at him with these shiny eyes of yours, he closes the distance and presses a loving kiss to your swollen lips, hoping to take at least some of the pain away. He doesn’t think he can hold you any tighter. He can’t love you any stronger than right now, and it messes with his head how easily he could’ve had it all ruined only minutes ago. 

He’ll never take your love for granted ever again. Because if he did, he’d never be able to pick up the parts of whatever was left of him, and put himself back together ever again. 

You can feel his warm hand opening your closed palm before he takes the ring you've been clutching so tightly and holds it in between his fingers. 

“Can I put it back on, baby? Please.”

You nod wordlessly while you try to tame your tears. You hold your slightly trembling hand up to him. He takes it, gently, and watches as your bottom lip wobbles while he slides the ring on your finger just like he did months ago. 

“I'll never screw up like that again. You have my word for it.”

You sniffle quietly when he kisses you right on the cool band adorning your skin. “You better not, Park Sunghoon.”

His long fingers caress your cheek, wiping the remains of the tears away. “Can you forgive me, darling?”

You don't need to think long of an answer. “You know I can never stay mad at you. Even if you're a idiot, I'll never stop loving you. You have my whole heart, Hoon. Please, don't ever make me regret trusting you with it.”

permanent taglist + taglist: @bambisgirl @arizejkt19 @luvmura @milisabunny @cathy-1997 @satoruskitchenrag @ramenoil @jenjnk @jaylaxies @yoongspi @nichoswag @s00buwu @dazzlingligth @goreconsumer @i4kt @heehoonsnemo @seongslutt @seongclb @iamnotalicia

© heeliopheelia 2024 // ALL RIGHTS RESERVED. DO NOT copy, translate or repost any of my works on any other social platforms.

[hecksupremechips]

One of my new creative things to try is making character playlists and I have no clue how long these things are supposed to be or what I’m doing 👍

[cy-cyborg]

Disability Tropes: The Perfect Prosthetic

[ID: A screenshot from the movie Nimona, showing Nimona, a small white girl with red hair, grabbing the right prosthetic arm of Ballister, a knight in black armour with black hair and light brown skin. He is holding a broken bottle in his prosthetic hand while Nimona admires his arm. Overlaid on the screenshot is white text that reads "Disability Tropes: The Perfect Prosthetic" /End ID]

In a lot of media, prosthetic limbs are portrayed as these devices that act as a near-perfect replacement for a character who has lost, or was born without a limb. So much so that in a lot of cases, the use of a prosthetic has basically no impact on the character beyond a superficial level or their appearance, or it's portrayed as something that's even better than the old meat-limb it's replacing. This trope shows up most often in Sci-fi, but it shows up in all kinds of stories outside of that, even otherwise very grounded ones!

If a story isn't depicting the loss of a limb as the be-all-end-all worst thing that can happen to a person, they almost always default to a perfect prosthetic, functionally curing the amputation with it. But the reality is that prosthetics are FAR from perfect, and as someone who has used them for their entire life I don't think they ever will be. Limb difference is still and always will be a disability, regardless of the prosthetics available, and this really isn't a bad thing.

Why is this trope so common?

I meant it when I said this is a really, really a common trope, so much so that the majority of the media I've seen with amputees and characters with limb differences that released in the last decade or end up using it. Even stories where becoming an amputee is treated like a fate worse than death, ironically, aren't excluded from this. I have a few theories as to why this has happened: The pessimistic answer is that it's easy. You get to have a disabled character and claim you have disability representation, without really having to do much extra work or research because most of your audience won't notice if you aren't accurate - in fact they kind of expect it. You also, for the most part, dodge the backlash other kinds of disability representation (or really any minority representation) usually get. The more optimistic reason is that, for a long time, amputees and people with limb differences (as well as a lot of other disabled people) were predominantly shown in media as sad, depressed and unable to do anything, very much falling into the "sad disabled person" trope. As a kid, this was really the only way I saw people like me on screen or in books. And so, the limb difference community pushed back against that portrayal and were pretty successful in changing the narrative in the public's eye. A little too successful. A lot of creatives were genuinely trying to do right by our community, listen and do better, but many simply overcorrected and instead ended up creating stories where prosthetics were essentially cures instead of the mobility aids they are. I also think the public's general lack of understanding about disability plays a roll in all this. There are a lot of people who, in my experience, believe that the more visible a disability is, the worse it is. Limb differences and amputations are very visible, but prosthetics, even those that aren't trying to be discreet, make them less so. While using a prosthetic is very, very different to a biological limb, you won't necessarily see how in a casual interaction with, say a co-worker or neighbor, especially because there is a very real stigma applied to people with limb differences to keep those things hidden from the public. There are other reasons too, such as the fact that a lot of creatives don't even consider the connection to real amputees when creating characters with robotic limbs in genres like sci-fi and some fantasy, so they never stop to consider that these tropes could be impacting real people. Amputees are also very frequently used in "inspiration porn" content that uses the angle that disabilities can be "overcome" with a good attitude, downplaying the way those disabilities actually impact us. The prosthetics industry - specifically the component manufacturers, often also push the idea of prosthetics being the only way to return to a "normal" life, both to the wider public and to people with limb differences and amputations (which can add to that sense of shame I mentioned when it doesn't play out that way for them). On top of that, I also think the recent increase in popularity of concepts like trans-humanism contributes to it as well. these movements often talk about robotic or bionic body parts being enhancements and "the way of the future", and I think people get a bit too caught up on what may be potentially possible in the future with the real, current experiences of people with "robotic limbs" aka prosthetics, now. There are also inherently disabling things that come with removing and replacing parts of your body, things that will not just go away with some fancier tech.

So How do you actually avoid the trope?

So, we have some ideas about why it happens, but how do you actually avoid the "perfect prosthetic" trope from appearing in your work? The most important thing is to remember that this is still a disability. The loss of a limb, even with the best prosthetic technology or magical item in the world, will always have some inherently disabling aspects to it - and this is not a bad thing. The key is to not over-do it, lest you risk falling into the old "sad disabled person" trope. So let's go over some of the ways you can show how your character's disability impacts them. You don't have to use all of these recommendations, just choose the ones that would best fit your character, their circumstances and your setting.

The prosthetic itself is just different

Probably the most important thing to address and acknowledge for prosthetic-using characters, is the actual ways in which the prosthetic itself is different from a biological limb, and the drawbacks and changes that come with that. For the sake of simplicity, I'm mainly going to focus on modern prosthetics here, but it's worth considering how to apply this your own, more advanced/fantastical prosthetics too. One major thing that most people writing amputees fail to acknowledge is that prosthetic limbs are not fleshy-limbs with a different coat of paint. They do the same basic thing their meat-counterparts do, but how they do it is often drastically different, which changes how they are used. A really good example of this is in prosthetic feet. There are dozens of joints in a biological foot, but most prosthetic feet have no joints or moving parts at all. Instead of having dozens of artificial joints to mimic the real bone structure of a foot, which are more prone to failure, require power and make the prosthetic much, much heavier for very little gain, prosthetic feet are often constructed from flexible carbon fiber sheets inside a flexible rubber foot-shaped shell. This allows the bend and flex those bones provide, without all the drawbacks that come from trying to directly mimic it. Making the sheets into different shapes makes them more ideal for different activities. E.g. feet made for general use, like walking around the city, are simple and light, shaped to encourage the most energy-efficient steps, while still allowing their users to do things like wear normal shoes. Feet made for rough terrain often have a split down the middle of the foot to allow the carbon fiber sheets to bend better over rocks when there is no ankle, and some newer designs also include a kind of suspension using pressurized air pulled from the prosthetic socket to allow some additional padding. Running feet have large "blades" made of these carbon fiber sheets to absorb more pressure when the foot hits the ground, and redirect the force that creates to propel their user forward as quickly as possible.

[ID: A photo of 4 prosthetic feet. On the left, the foot is covered with a black shoe, the one to it's right consists of a small, carbon fiber blade, split down the middle, in roughly the same shape and size as the previous foot. Next to the right is an even simpler and smaller carbon fiber foot with no split, and finally is a very short foot that is vaguely rectangular in shape. /End ID]

These are some of my own prosthetic feet I've had over the years. The two on the right are designed to be used by someone who is less mobile, and the ones on the left are made for someone who is more active. As my needs changed over the years, I've used different designs and styles, and keep the old ones since my needs do tend to fluctuate.

There are also robotic feet available that are designed as a kind of "all-purpose" foot that use an electronic ankle which more closely mimics a biological foot, but they are not very popular as the mechanism adds a lot of extra weight and it requires a battery and power to work, with many amputees feeling the jointless carbon fiber feet do a better job at meeting their needs. The same goes for arms and hands. "Robotic" hands that mimic a meat hand exist, but they aren't really that popular, even in places like Australia where the prohibitively expensive price tag isn't as much of an issue due to government programs that pay for the device for you. Instead, most arm amputees who use prosthetics that I know prefer simpler devices that do specific tasks, and just swap between them as needed, rather than something that tries to do it all. A big part of this is because the all-purpose hands can be clunky. they often require manual adjustment using the other hand to do simple things like going from holding a deck of cards to putting them down and picking up a glass of water, for example. The few that don't require that, I've been told, are often temperamental and don't actually work for every person with a limb difference.

Altered Proprioception

Loosing a limb is a big deal and this is always going to have an impact on the body in some way that won't be solved with a fancy piece of tech. One such example is how limb loss effects your sense of proprioception. This is your sense of where your body parts are in space. It's how you (mostly) know where your foot is going to land when you're walking, or how you're able to do things like lift up a glass of water without needing to actually watch your hand do it. Your brain does this by creating a mental map of your body, but this map doesn't get adjusted if you loose a limb. If that map doesn't accurately reflect your real body, you're not going to have an accurate sense of proprioception. This might look like a leg amputee being a bit less stable on their feet, or like an arm amputee needing to look at their arm or hand to be able to grab something with it. Those born without their limbs who take to using prosthetics often have a lot of trouble adapting, as their brains aren't used to having that limb in the first place, whereas an amputee's brain can sometimes be tricked into using their outdated body map to help them adjust to the prosthetic (though its impossible to line it up perfectly). Prosthetics that directly integrate with the nervous system, while rare, do exist, and even this direct connection doesn't completely erase this issue for reasons doctors aren't quite sure about. This is something that does become less of a problem with time. Eventually, someone proficient with their prosthetic will learn to compensate, but their sense of proprioception will never be 100% perfect. At the end of the day, no matter how it attaches, a prosthetic is still not a natural part of the body, and that will always cause some issues. It also means if they aren't practicing it all the time, they may have to relearn how to compensate for it.

Extra weight

You also have to remember that a prosthetic is not a natural part of the body, like we already talked about, and so no matter how good it is, your brain will most likely always interpret the weight of the prosthetic as something attached to you, not part of you. This means that, even though prosthetics are actually a lot lighter than biological limbs, they feel so much heavier. This is because, while a meat limb is heavier, a lot of that weight is from muscles which are actively contributing to the limb working, so it doesn't really feel like its that heavy. When you have less of your meat-limb though, you have even less muscle to work with to move this big thing strapped to it, so it feels heavier. The more of the limb you've lost, or just didn't have, the heavier the prosthetic has to be, and the less muscle you have left to move it. It's for this reason that a lot of amputees and people with limb differences get tired faster when using prosthetics. Some of us are fit enough where you almost wouldn't notice the extra effort they need to put in, but once again, just because you can't see it from the outside, doesn't mean it's not an issue.

Avoiding Water

Most prosthetics also aren't waterproof, and so prosthetic users have to be very careful about when and how they come into contact with it. For amputees with electric components, contact with water at all will likely damage the device. This can even include especially heavy rain, something I was told to avoid when I got my electronic knee prosthetic and something I assume would also apply to arm amputees with complex, electronic hands. For those with non-electronic prosthetics, water can be hazardous for different reasons. If the prosthetic has metal components, water may cause them to rust, especially if it's salty water. Other prosthetics have foam covers to give the illusion of a limb with the general shape of muscles and fat, but these covers do not come off, and if they get wet enough that water seeps all the way through, it is very hard to dry it and they may become moldy. Finally, cheaper modern prosthetics may also float. Many are made of very light-weight materials and some have pockets of air trapped inside them. For leg prosthetics in particular, this means a user might, at best, struggle to swim with them on, but at worst, may get flipped upside down and become trapped underwater - something that happened to me as a very young child. On the flip-side, older prosthetics were usually made of heavy materials like wood or steel, and so had the opposite problem, acting like a weight and pulling a person down if they were to wear them in the water. Water-safe prosthetics do exist, I had a pair of prosthetic legs as a teenager that were hollow, and designed especially for me to swim with fins on when swimming in the ocean, and Nadya Vessey, a double leg amputee in New Zealand even got a mermaid-tail prosthetic made especially for use in the water. Most amputees though just swim without any prosthetics at all, and in 99% of cases, this is the easiest and safest way to go.

Prosthetic-Related Pressure Sores and Pain

Many people with limb differences also experience pressure sores from their prosthetics. Modern prosthetics typically attach to the body using a socket made of carbon fiber or fiberglass, held on either by pressure, using a vacuum seal or through a mechanical locking system built into the socket. No matter the specifics though, the socket has to be very tight in order to stay on, and this means that extended periods of use can lead to rub-spots, blisters and pressure sores. Many socket prosthetics also use silicone liners to add extra padding, but this means wounds caused by the pressure can't breathe, and bacteria in sweat has nowhere to go, meaning if the person doesn't rest when one of these wounds occur, it can very easily and quickly turn into a serious infection. In a properly fitting prosthetic, used by someone who has fully adjusted to them, this doesn't happen often, but it is something most amputees and people with limb differences have to at least be mindful of. Some new prosthetics use a different method of attachment, called Osteointegration - where the prosthetic attaches to a clip, surgically implanted into the person's bones. While Osteointegration avoids many of the issues like pressure sores that come from a socket, they have their own issues: mainly that they are incredibly expensive, and as of right now, have a pretty high failure rate due to the implant getting infected. Because the implants are directly connected to the bone, these infections become very serious very quickly. Many people with Osteointegration limbs have to be on very strong medication to keep these infections at bay, and they are generally considered unsuitable for anyone who is going to regularly come into contact with "unclean" environments.

Maintenance

[ID: A screenshot of Winrey, from Full Metal alchemist Brotherhood, a white woman with blond hair handing out the sides of a green hat. She is measuring a piece of metal from a prosthetic she is making while Ed, the prosthetic's owner, gives her a thumbs up in the background. /End ID]

Finally, prosthetics also require maintenance from a specialist called a prosthetist, and they don't last forever. Some parts, like a foot or hand, can be reused over an over, but the sockets of a prosthetic need to be completely remade any time your body changes shape, including if you gain/loose weight, you start experiencing swelling, or you're just a child who is growing. Children in particular need new prosthetics every few months because they grow so fast, and as such, their prosthetics have to be made with this growth in mind. If they go too long without adjustment or an entirely new prosthetic, it can seriously impact the child and their growth but even small adjustments can be costly, depending on where you live. While prosthetics are built to be sturdy and reliable, they need a lot of work to stay that way. The more complex the prosthetic, the more work is needed. Complicated electronic components may need to have regular maintenance done by your prosthetist or even the specific component's manufacturer, and depending on where you live, this might mean having to send your prosthetic limb away for this to be done. While my prosthetist technically has the skills and knowledge to do the maintenance on my electronic knee, for example, the manufacturer forbids anyone not from their company to provide this service, meaning my leg needs to be shipped off to Germany once every few years if I want to keep the warranty. This has the unfortunate side effect of sometimes your limbs getting lost in postage (shout-out to Australia Post, who lost mine twice), meaning it can be months before you get it back or get a replacement. Usually, you'll be given a replacement in the meantime if you need it, but walking on a leg that isn't yours, even when its correctly fitted, always feels a bit weird (maybe that's just me though).

Not every difference is Inherently Negative

We've talked about some of the negatives that come from having a prosthetic, but not every difference is negative or even really that big of a deal. In fact, often times, it's these little moments in the depiction of a disability that go the furthest and make it feel the most genuine. My amputations effect me from the moment I wake up, to the moment I go to bed, but that doesn't mean every single way it impacts me is always inherently bad or negative. For example, back when I was working a normal job and going to university, I would often come home, throw my legs off at the door with the shoes still attached and get into my wheelchair, the same way you might throw your shoes off after work and replace them with comfy socks and other comfy clothing. This is something I've only ever seen on screen once, with Eda from the Owl House (and she wasn't even an amputee yet, her limbs were just detachable)

[ID: an screenshot of Eda from the owl house, a very pale woman, laying on the couch in a bathrobe, her hair in a towel. She has taken her actual legs off, throwing them to the other side of the seat. /End ID]

After that, my day mostly looked the same as most other people working a 9 to 5, I'd make myself dinner, watch some TV or play some games, maybe do some extra work at my desk or chat with friends. The only difference is that it would all be from a wheelchair, mainly because my prosthetics were heavy and it was just easier to use the chair around the house. The fact my afternoon and evening routine was done from a wheelchair wasn't a bad thing, it was just different. Likewise, I also don't sleep or shower with my prosthetics on, for the same reasons most other people wouldn't take a shower or sleep in thigh-high, steel-capped boots. In your own stories, this might look like giving your characters similar alterations to how they go about their day. Let them take their arm or leg off when they're resting or relaxing, show them taking a few minutes longer to get ready because they have to put it back on, show them doing some things without it. Arm amputees in particular tend to get very good at going about their days without their arm prosthetics, and leg amputees often either learn to get around more relaxed spaces like their homes using a different mobility aids like wheelchairs or crutches, or just through hopping if that's something they're physically able to do. Even when everything is going well and working as intended, your limb-different character won't wear their prosthetic 24/7, no matter how much they love it. There doesn't have to be something wrong with it or painful about it to not want it glued to them at all times, just like you can love a pair of big heavy boots but not want them on when you're trying to sleep. For more action-focused stories, being an amputee, also changes things like how you fight. The specifics will vary from person to person, but for example, when I did Hap Ki Do, a Korean Martial art, my instructor heavily modified when I learned what techniques. Beginner-level kicks and most leg attacks were impractical for me, as the force from the kicking motion would usually cause one of my legs to fly off. I also couldn't jump very well, due to some complications with my original amputation that made my stumps too sensitive to withstand the force of landing again. So I ended up learning a lot more upper-body attacks much earlier than it is typically taught. By the time I got my green belt, I was practicing upper-body techniques usually saved for black belts - including weapons training that I could use my secondary mobility aids for, like crutches and my cane in a bad situation. Many holds that rely on creating tension in your target are also less effective on amputees, because either the anatomy that causes those holds to be painful just simply isn't there, or the body part in question can just be removed to escape. Whether we're talking about the negative things, or just neutral differences that come with using prosthetics, you don't want to go too far with any one example. The key is to strike a balance. Of course, the old writing advice of "show don't tell" also applies here. It's one thing to tell us all of this stuff, but unless we actually see it play out, it won't mean much.

How NOT to avoid the trope

Before we move on, let's focus for a moment on some common things I've seen that you SHOULDN'T do as a way to get away from the trope.

The Enhanced Prosthetic

A lot of sci-fi in particular will take prosthetic limbs, make them function exactly the same as a biological limb, but add something extra to it. This does change the way the prosthetic functions and is used, but it usually still ignores the actual disabling parts of having a prosthetic. A really good example of this can be seen in pretty much any futuristic setting, but personally, I think Fizzeroli, from Helluva Boss is the best one to demonstrate what I mean. Fizz is a quadrilateral, above knee/above elbow amputee with highly advanced prosthetics that function, more or less exactly like the limbs he lost, but with the added benefit of being super-stretchy. Fizz is an acrobat and a clown in service, at least initially, to Mammon, one of the Seven Deadly Sins. These prosthetics help him perform and we even do see how they change little things like how he walks and just goes about his day, but the show still treats them like natural arms and legs, but better. 

[ID: A screenshot of Fizzeroli from Helluva Boss, a white-skinned imp with 4 black, prosthetic limbs, dressed in teal a nightgown as he lays in bed, reading from a list /End ID]

We see that he never takes them off, even when sleeping, and when he needs to use them as regular arms and legs, they do everything he needs, perfectly fine - at least when they're working correctly. The only time he ever even takes them off or has any issues with them, is when they break in season 2. The word amputee is never used to describe him, as far as I remember, and the fact he is one never really comes up at all, except for when they break or when the story focuses on how he lost them. Which brings me to my next point.

The Glitchy/Broken Prosthetic

One way I see people try to avoid the perfect prosthetic trope, is to take the prosthetic and break it or otherwise make it unreliable by having it malfunction, but not really changing anything else. This approach is heading in the right direction but still kind of misses the point of the criticism a lot of limb different folks have with the depictions of prosthetics in the media. Yeah, prosthetics do break down and some do require extra maintenance, but if your character's prosthetic is still exactly the same as a biological limb (or even better, in the case of the "enhanced prosthetic") when it's not broken, and the only time their disability is treated like a disability, is when it breaks, you're not really addressing the issue. Real prosthetics, like we discussed, even when functioning at 100%, exactly as the manufacturer intended, don't function the same as a meat-limb. They are fundamentally different, and the glitchy/unreliable prosthetic completely ignores all of that. Once again, Fizz is a really good example of this - the only time his prosthetics are not perfect, is when they break or are malfunctioning (despite the criticism, I do genuinely love Fizz as a character, but he unfortunately does fall into a lot of disability tropes).

[ID: Another screenshot of Fizzeroli, this time in a torn up jester outfit, looking down, panicked, at his prosthetic arms which are fully extended and laying motionless on the ground, with his left arm visibly short-circuiting with electricity around it. /End ID]

Now this isn't to say you can't have your character's prosthetics break down or malfunction at all. just that this shouldn't be the only way you differentiate the prosthetic from a biological limb. You should also be mindful of how or why they're breaking. A typical prosthetic isn't going to break down randomly from normal use unless something is very, very wrong or your character just has a terrible prosthetist (which unfortunately, does happen). You might experience issues if you try to make the prosthetic do something it just wasn't designed to do, or expose it to something it wasn't designed to deal with though (e.g. submerging an electronic prosthetic in water and trying to use it to swim).

Just add Phantom Pain

Another common pitfall I see when people are trying to avoid the perfect prosthetic trope, is to just give the character in question phantom pain - which is a side-effect of amputation where your brain's mental map of the body doesn't acknowledged you lost a limb. Your brain tries to fill in the gaps, since there is no signals coming from that part of the body anymore, and assumes either something must be wrong and so you should be in pain, even when you actually aren't. Alternatively, it can also happen when your brain was so used to feeling pain from that area before, in the case of people who had chronic conditions before they lost their limb, that it just keeps remaking those old signals itself. Like the broken/glitchy prosthetic approach, this also doesn't really address the issue with the perfect prosthetic trope, because it has nothing to do with the prosthetic itself. Phantom pain doesn't come from the prosthetic, nor does it effect how they're used, and so including it doesn't really address the issue of the prosthetic being functionally the same as the original, biological limb. This isn't to say that you shouldn't include phantom limb sensation or pain as something your character experiences, but just keep in mind that, when used on it's own, it doesn't counter the trope. Also, just be sure to do your research, everyone's experience with phantom pain is different and it's not something everyone with a limb difference even experiences.

Why is this trope even a problem?

Alright, so we know what the trope is, we know why it became so prevalent, ways to avoid it and also how not to avoid it. All good information, but why is this trope even bad? Why should you try to avoid it? Outside of just wanting to portray a real disability that effects real people more accurately in your creations, the prevalence of this trope actually contributes to a lot of real-world issues, especially when it's as overused as it currently is. I've talked before about "the jaws effect" - where the depiction of something in the media, especially something that the public is widely uneducated on, influences how people see it in real life. The Jaws effect specifically referred to how the popularity of creature-feature movies featuring sharks, like Jaws, caused the belief that sharks were monstrous killing machines to become much more wide-spread, even going so far as to influence decisions about laws and policy surrounding real-life shark preservation and culling in some parts of the world. But sharks aren't the only thing this has happened to.

Disabled people are so thoroughly misunderstood by wider society, that when tropes like this one become popular, people can and often do start to believe the misinformation they spread - in this case, believing that our prosthetics are a perfect replacement for a biological limb, and that getting a prosthetic means you're not disabled any more. While this can be annoying and cause small scale issues for some of us, like people giving us a hard time for using disability accommodations we very much need, it can also impact us in systemic ways too. If the wrong people believe these tropes, it can and does have a very real impact on the lives of disabled people through things like changes to policies to make it harder for amputees and people with limb differences to access financial assistance for other things outside of our prosthetics we may need assistance with.

Conclusion

Despite the very real harm tropes like this can do when it's overused, I don't think it should go away entirely. Some of my favourite pieces of media even use the perfect prosthetic trope and there are even some kinds of media where I even think it's somewhat unavoidable. Characters with perfect prosthetics in kids media in particular, especially when talking about side characters, can help to correct some of the other stereotypes kids may have seen elsewhere - such as prosthetics being "creepy" or "scary" - in a way that is casual and easy for them to understand. The problem with the trope, in my eyes, is it's excessive overuse. It's the fact that it seems to be the only representation amputees and people with limb differences are getting now. Not every story with a limb-different character can or even should delve into the reality of what using prosthetics is actually like, but we need at least some stories that do, without it being this majorly depressing thing.

[silverislander]

holy fuck. google docs ate my entire character/planning/worldbuilding document for neri. it's all gone

[gale-dekarios]

okay, no shade, but youre missing out on SO much good characters moments if your girlbossify the bg3 women too much. i get it, they're big, strong, badass, but they are, like all bg3 companions, incredibly cringe in their own ways that i think we could stand to appreciate more.

lae'zel throws the worlds biggest meltdown anytime you do anything not directly related to the githyanki creche, only to almost get her shit immediately rocked. lae'zel on modern day stan twitter would be a shitshow and you cant convince me otherwise. and thats before we even mention her fighting you in act two and then immediately crying about it. babygirl its okay, we were only playing. AND TRYING TO KISS HER IN PUBLIC?? she acts big and bad in act 1, fighting rough with you the entire time, but as soon as you ask her for a little kiss? immediate embarrassment. she could absolutely wreck my shit, but shes still a meow meow.

shadowheart is just fantasy catholic. she gets mad if you pick up a statue of selûne bc shes just that catholic. dyes her hair white in a desperate emo crisis of faith moment. recites smut in public. makes jokes that land incredibly flat. is acting way cooler and more chill than she actually is to hide the fact that shes scared. SHE CHOSE THE NAME SHADOWHEART. need i say more?

karlach may be cringe but she is free, i will give her this. she gets the zoomies. she almost blows up a firework shop with her in it because shes so excited. she has a teddy bear called clive. she hasnt read a book since secondary school. she does a little dancy dance if you leave her alone for too long. her inner monologue is just about how horny she is for most people. bisexual failgirl. i love her.

and then the biggest cringefail of them all, minthara. the fact that she absolutely cannot see that every companion at camp actually does grow to really like, love, and respect her bc shes expecting treachery (bc thats what SHE would have done) is as sad as it is just a liiiiittle bit funny. darling. my wife. people like and care about you. not to mention the fact that shes been poisoning you the entire time shes been travelling with you???? cant communicate for the life of her. regularly threatens to kill you but then gets mad if you die. emotionally stunted loserbabe. we will have a july wedding........

what im SAYING isnt that the girls ARENT badass and compotent and cool, what im SAYING is that the lads shouldnt have a monopoly on complexity and depth. you get me?

[obsesssedblerd]

Part Four (2): “I promise, I’ll make this right.” 

- the jjk men promising to be a better partner for you after they forget your anniversary. 

final [second] written part of this smau series. 

Pt. 2: Choso, Shiu, and Gojo

Contains: angst to comfort 

a/n: and here’s the last, last part with the remaining characters! again, thank you so much for being so patient! <3 once again, sorry for any mistakes! 

---

CHOSO 

Truthfully, you didn’t know if you were actually ready to confront Choso, but you know that it’s time. You stand in front of the door to his house, and knock. You wait for less than a minute, then the door opens to reveal Yuuji on the other side, rubbing his tired eyes. His pink hair was messy, so you know that he woke up from a nap not too long ago. 

When he registers that it’s you, he gasps loudly, then holds up a hand and smiles nervously. “H-Hi! Um, wait just a minute, I’ll grab him! Please don’t leave this spot.” 

“I won’t leave, Yuuji.” 

His smile falters a bit. “No, seriously, please don’t. Me, Cho, and Megumi couldn’t find you for days.”

You place a comforting hand on his shoulder. “I promise,” you say slowly, “I won’t leave.” 

“Good. Be right back.” He gives you a thumbs up, closes the door, and you hear him scream from behind it, “Choso!! CHOSO!!! She’s outside, so stop blasting your sad music and get down these damn stairs!! No, I’m not kidding, why would I do that?!” 

You blink in shock, then Yuuji opens the door once more to smile sweetly at you. “He’ll be out in just a moment.” 

“Uh- Alright, thanks.” 

Not too long after, Choso appears. You can immediately tell that he hasn’t been sleeping much the last few days. Other than that, he looks relieved to see you there. He reaches towards you to hug you, then stops himself, remembering the situation. “Hi,” he quietly greets. 

“Hi. Walk with me?” He nods, and you two walk side-by-side to a nearby park. You let the silence drag for only a few minutes before you ask him the question that’s been weighing on you for the last couple of days. 

“Be honest. Before we got together, did you want to date Yuki at one point?” 

Are you only with me because you weren’t able to get with her? 

Choso stops in his tracks, and looks over at you, eyes blown wide with shock. “No. Never. We’re just friends, like I’ve told you before. I know it seems like-” 

You hold up a hand. “Cho, please just understand where I’m coming from. The-” 

“I do understand,” he says desperately, taking a step closer to you. “Of course I do. That's all I’ve been thinking about. I chose to hang out with her instead of you, numerous times. It’s unfair to you, I know, but I swear-”

“I feel like you love her.” Your biggest fear of your relationship flies out your mouth, and tears rush to your eyes, spilling down your cheeks. “Every single time, it’s her. It feels like it won’t matter how special something is—like our anniversary—because you’ll run to her the second she asks you to hang out and completely forget about me.” You take a breath and exhale slowly, trying not to make yourself look even more pathetic. “I’m tired, Cho.” 

“Listen to me. I do not love Yuki,” Choso says slowly. “Not now, not in secret, not ever. I am in love with you. You’re the one I want to wake up next to every morning, you’re the only one I trust when it comes to helping my siblings, and you’re the one I want to spend the rest of my life with.” He scoops your hand into his. “There’s no way in hell that I would choose her or any other woman over you, so I’m begging you, please get that out of your head.”

Before you can use a sleeve to wipe your tears, he wipes them for you, then uses his hand to cup your cheek. “I’m so sorry for hurting you. You spent so long planning the dinner for our anniversary and I completely forgot about it like it was nothing. I wish I could go back in time, but I can’t. All I can do is beg for another chance to be a better boyfriend. So, please, let me have another chance.”

You notice that his eyes are also watery. You’re about to point it out, but he hugs you tightly before you can, his body slightly trembling. “These last few days have been killing me, because I’ve messed up so bad to the point where you think I’m in love with another woman, when you’re the most amazing woman I’ve ever met in my  life. I don’t want anyone but you. I could never choose anyone over you. I don’t care who they are.” 

He rubs a comforting hand up and down your back. “Please,” he repeats once more. 

“Never again, Choso,” you mutter shakily. “I mean it.” 

He sighs in relief, then kisses you. “Thank you,” he whispers. “Walk back with me? I have your present back at the house. Then, we can plan another dinner, and something special after that.” 

---

SHIU

When you enter the hotel room, you see Shiu Kong there, leaning in the chair with a light, but nervous smile. “Hey, princess.” 

The door shuts, and you furrow your brows in confusion. “How the fuck did you get in here?” 

“Well, you weren’t answering your phone anymore, so I found a different way to track you.”

Your brain whirrs with multiple possible scenarios, then you roll your eyes when you figure it out. “You asked Toji, didn’t you?” Your work partner was the only one who knew your location.

“I had to blackmail him in order to find out where you were. It wasn’t easy.” 

You give him a fake smile. “Well, I don’t really care about that. You should leave.” 

“No.” 

“Shiu. Don’t piss me off,” you warn. “Go.”

“Not until we talk.” 

You cross your arms. “It’s either you leave, or I will handle you the same way I’d handle any person that comes into my room without my knowledge or permission.”

Shiu holds his hands up. “I’ll let you shoot me after I apologize.” 

“You’ve already apologized plenty over text. I already told you that I’m done. I’m better off focusing on work, and you’re better off just hanging out with your friends.” 

“Can you stop saying that shit? Baby, please, I swear that missing our anniversary dinner was a horrible mistake, and I’ll never make it again if you give me another chance.” When you don’t answer, he sighs desperately, taking a chance with his life and walking over to where you’re standing. “I’m sorry, princess. I completely understand why you’re pissed, and like I said, I’d let you shoot me if it’ll make you feel better. However, I will say that I can’t let you go. I love you.” 

You shut your eyes and shake your head. “Look, that’s sweet and all, but I don’t think you understand how awful it is knowing that your boyfriend chose a random night of drinking with his friends over a romantic dinner that you spent weeks planning. It makes it hard to believe that you even like me, let alone love me.” 

“I understand why you’re doubting my feelings for you. Anyone would after their lover forgets their anniversary. But I promise, I do love you, and if you give me another chance, I’ll show you. I’ll make you feel it. Please give me a chance to fix this.” 

“...But what if you don’t?” 

“Then I’ll let you kill me, like you’ve killed your other boyfriend after he fucked up and broke your heart.” When you raise your brow in question, he answers you, “Toji told me about that when he warned me to leave you alone earlier. Not taking his side at all. Heard he was an asshole, anyway. But, I’m serious. If I don’t do better, and I hurt you again, I won’t run or fight back when you come to kill me.” 

“Shiu, I don’t want to kill you,” you say, slightly frustrated. “I just want you to care more.” 

His thumb brushes underneath your eyes. You didn’t even know that you started crying. “I know, princess, ‘m so sorry. I promise, I’ll never make you cry again, and I’ll be better.” He’s relieved when you allow him to hug you. “Come home, okay? We’ll talk more there, and then I’ll start making this up to you.”

You nod, then rest your head on his shoulder. “You do know that Toji’s more than likely going to kick your ass for blackmailing him, right?” 

“You’re in my arms again, so it was worth it.”

---

GOJO

You’re speeding through the hallways of Jujutsu Tech, your heartbeat thundering in your ears. An hour ago, you got a text from Maki, your precious second-year student, telling you that something bad happened and that you need to come to the school quickly. 

“Maki, I’m here! Are you okay?!” You shout as you burst into the empty classroom. You find her, and you tilt your head in confusion. 

She looks fine. In fact, she’s standing next to a Yuuta Okkotsu, who looks like he’s about to vomit. “S-Sensei! I-” 

Maki cuts him off with her usual, sharp glare. “Not. A. Word.”

Inumaki and Panda are also there, and across the room, the three first years are standing stiffly. 

Something’s up. 

“Okay,” you say to the students as you cross your arms. “What on earth is going on?” 

Nobara looks over at Yuuji, who’s sweating nervously, and raises a brow. “Um… Haha,” he laughs, scratching the back of his head. “Don’t look at me like that, Kugisaki. H-He should be here any second, I swear!” 

He? 

Suddenly, Satoru Gojo teleports in. “What’s going on?” He asks as he looks over at the students. “I didn’t see a threat outside of the school. Yuuji said something bad happened?” 

“Great!” Nobara claps her hands together. “You’re both here!” 

Satoru goes quiet, and you raise an eyebrow. “Uh, yeah?” 

Maki points to you and Satoru. “You two need to talk.” 

“...Sorry?” 

“You two need to talk!” Nobara repeats Maki’s words. “Listen, we can’t stand having our two favorite teachers separated like this. [Y/L/N]-sensei has been gone for days!” 

“Plus, Gojo-sensei, you’ve been super stressed!” Yuuji shouts in defense. “Fushiguro says that you eat a lot more sweets when you’re stressed. You ate two packs of those mini cupcakes, plus the brownie that Nanamin gave me!” 

When Satoru looks over at Yuuta, he throws his hands up. “No, no, please don’t look at me like that! I voted against this! I said that w-we should probably give you two some space to figure it-” Inumaki slaps a hand over his mouth. 

“We’re just… worried,” Megumi mumbles. 

“Yup!” Panda shouts. “Very worried, and that’s why we came up with a plan to get you two back on track. We’re going to lock you two in this room, and you’re not coming out until you’re happy and in love again!” 

“Because you two are supposed to be together forever and get married and invite us to the wedding!” Yuuji pouts, and the rest of the students voice their agreements. 

You can’t believe it. They set you up. Your mouth falls open in shock, and the students all walk outside of the classroom. Maki and Nobara are the last ones out, and they both glare at Satoru. “Geto-sensei said that you missed your anniversary dinner,” Nobara hisses. “You better give her the most amazing, romantic and extravagant dinner after this, or we will deal with you!” 

Behind Nobara, Yuuta chuckles nervously. “...Pretty sure that you won’t be able to get past his infinity-” 

“Shut up, Okkotsu!” The rest of the students shout, then the door shuts and locks with a loud click. You drag a hand down your face, then scoff. Great.

“Wow, they’re really something,” Satoru chuckles, but when you don’t say anything, he turns to face you, his expression serious, even with his usual blindfold on. “Say the word, and I’ll teleport you out of here. Then, I’ll talk to them.” 

“No, it’s okay,” you say quietly as you sit in one of the empty chairs. “We can talk.” 

As you look around the classroom, a few memories from the year before came back. “Wait, this is the classroom where we met, isn’t it?” 

“Looks like it,” Satoru says as he leans against the wall, smiling softly. “Zen’in, Panda, Inumaki, and Okkotsu were first years. You were standing right here. Your first day as a transfer, and you were already teaching these kids as professionals.” 

“Yeah.” You stifle a laugh. “You stayed for the entire lesson, even though you had a meeting with the higher-ups. Suguru and Yaga had to practically drag you out of here so you wouldn’t spend another hour flirting.” 

“They were pissed, but it was worth it. Our newest team member is just so pretty,” he says, then reaches for your hand, your thumb lovingly brushing against yours as his voice dips lower. “The most beautiful woman that my six eyes have ever seen.” 

It’s a nice memory, but when you remember everything else, your smile falters. Satoru sighs, “I’m so sorry, pretty girl. Not just forgetting the annivesary dinner that you planned, but also for leaving you hanging. I don’t blame you for disappearing for a few days. If I were in your shoes, I would’ve been upset, too. I really don’t have an excuse. That was just… wrong.” 

“I appreciate that, Toru, but… are you sure that this even works? All of the chasing, the begging to spend just a few hours together, it’s draining. I know you’re the strongest sorcerer-” 

“You matter more than that,” he says firmly. “So much more than that. If it came down to choosing between you or being the strongest, I’m choosing you in an instant. I meant it when I said that I’d let Toji Fushiguro kill me again before letting you go.” You wince when you remember the gruesome details of that story, but don’t interrupt. “I made a horrible mistake by forgetting that date. I can’t imagine how awful it was sitting at the restaurant all alone. I’m so sorry. I don’t care how long it’ll take to make this up, I’ll prove that you mean the world to me.” 

You consider his words. While you’re still a bit hurt about being forgotten, you miss your boyfriend, and you do believe that he’ll make it up to you, despite you being a bit hesitant. “One more chance, Satoru,” you tell him. “Don’t ever do this to me again.” 

“I won’t. I promise,” he says, lifting his blindfold to reveal the gorgeous, cerulean eyes that you love so much. “You won’t regret this.” When you reach for him, he lowers his infinity fully to let you hug him, a long exhale leaving your body when you’re suddenly wrapped in his arms and his scent. “I missed you,” he whispers to you. “I was so worried. I couldn’t find you.”

“Didn’t mean to worry you.” 

He kisses your cheek, then pulls away from you. “Okay, time to go.” 

“Go where?” 

Satoru chuckles. “I owe you an amazing, romantic, and extravagant dinner, otherwise my students will find a way to kill me. Plus, we’re going to be disappearing for a while. I got a trip planned. Flight leaves early in the morning.”

You gasp. “What?! But what about work? Or the students? Or the-” 

He interrupts you with a feather-light kiss against your lips. “All taken care of, pretty girl,” he purrs. “Just let me make this up to you, okay?” 

“Alright, but first you need to apologize to the students for wreaking havoc while you were stressed, and buy Yuuji a new brownie.”