#this podcast makes me feel so many things

[jokeroutsubs]

📝ENG Translation: Elle Men Special: A Fashion Odyssey with Kris Guštin

Article written by Ajda Gregorc, published in the November/December 2024 ELLE Slovenia Magazine. Print and digital versions of the magazine are available for purchase.

Scans and English translation by @kurooscoffee, review by @weolucbasu and a member of JokerOutSubs, proofread by IG GBoleyn123.

Full article translation, scans, and Spotify link are under the cut 👇

🎧 Article available in audio form on Spotify.

Elle Men Special: A Fashion Odyssey with Kris Guštin

With Kris Guštin, the music author and guitarist of Joker Out, we escaped to another side of music, and with that, to his other passion. We talked about style and everything connected to it. There will also be no shortage of this in the band's third album, titled 'Souvenir Pop', which is released on the 15th of November—one week after the issue of Elle you’re holding now. How perfectly synchronised we are!

PHOTOS URŠA PREMIK, STYLING ALENKA BIRK

At Ljubljana’s Moderna Café, on a fresh but lovely autumn Tuesday, when everyone’s still at work or in school, he arrives in a dark green jacket with a checkered pattern, awesome trousers, and her necklace. This time, the menu is not serving music and life, but matcha and "all things fashion." I’m in a regular trench coat and a white T-shirt, but luckily he doesn’t judge people by their style—instead, the style might be what piques his interest to converse, if it's good, of course. Besides, he's the one being interviewed. So, let’s begin! AJDA GREGORC

Interviewer: When did you first discover your personal style or the field of fashion? Was it in childhood or a bit later?

Kris: I roughly divide my life into two periods: before I first held a guitar, and after. When I really got into playing and ventured into music, my world opened up in all areas. Discovering fashion definitely falls into this second period, so the post-high school era. To be completely honest, my style in high school wasn’t something I’m particularly proud of today. (laughs) My girlfriend and I still have a photo of me wearing cargo pants and a black sweater, which is a proof she truly loves me, since that look was far from the best choice. (laughs)

When did it evolve from just a aesthetic impression to self-expression?

My first contact with fashion as a form of art or expression was during our band's first music video or fashion shoot, when I realised that this is also something you need to consider as a musician. At first, it seemed to me like a fairly peripheral element, but as our career developed and we met new people who gave us more insight into this, I began to understand its significance, what I could personally gain from it, and what we as a band could gain. This quickly developed into standard practice. I was increasingly exposed to fashion; we had more and more costume rehearsals and stylings, and two years ago, we even got our first proper stylist. And then I really committed to it—at around nineteen or twenty. Before that, my philosophy was always to "just wear whatever I first find in the closet," but then I shifted to "I'll wear things that would make me stand out from others". But this process was a long one.

So, your style development with the band inspired your personal growth too? I’ve always wondered if a young person is compelled to mature in every area when so many 'big things' happen all at once, as they did for you.

Maybe you do "grow old" in terms of personality sooner. Yes, at first I wanted, and still want, to primarily express the difference or uniqueness that I feel inside myself through music, but then I discovered that this goes very much hand in hand with fashion, so I started looking for my expression there as well. Today, it's almost an equally important part of my day.

Which fashion ideas or directions attract you? You’ve probably encountered a lot of inspiration during your travels on tour, right?

Definitely, but speaking purely origin-wise, I think I’m just like any other rock musician—we draw from the rock aesthetic of the ’60s and ’70s, which was also very "in" when my fashion awareness was born. Back then, around 2016 to 2018, here were a lot of flamboyant shirts on the music scene, with a slight hippie influence, which was the starting point. Only later did I start getting interested in slightly more modern clothes. When I was younger, I found myself in street fashion, that sort of Eminem-esque, hip-hop vibe, so very baggy clothes, which I then began to reject when I made the shift toward the ’60s and a slightly psychedelic aesthetic. It makes perfect sense, as humans tend to jump between extremes. When I had worked through that style, I started discovering the aesthetics of the ’80s and late ’90s, which was also reflected in music at the time. The best example that comes to mind is Dua Lipa’s previous album, which was in the style of the “new ’80s,” and the fashion matched that as well. Today, the early 2000s style has come back, but I haven’t fully decided whether I like it or not. As a musician, I was, of course, initially inspired by other music groups. Arctic Monkeys were a big inspiration for us both musically and visually, as was the whole British rock scene, including bands like The Kooks and Oasis. That entire aesthetic has always been strongly present with us. I doubt there’s a single inspiration board at our shoots that doesn’t include a photo of one of those bands or, for instance, the Beatles. And that aesthetic has always been close to my heart, too.

Rockers have always been associated with more masculine fashion elements, while in recent years, many male musicians have been experimenting with more feminine style elements (for example, Harry Styles and Lenny Kravitz). David Bowie was already the one who back then started to blur these fashion boundaries. You, too, wear such pieces and dare to stand out with them.

It happened quite naturally, as the stylists we worked with always chose slightly more “unmanly” clothing for me. This doesn’t necessarily mean women’s clothing, but rather somewhat more androgynous pieces, which I quickly embraced. I found them interesting and appealing because there’s a lot of fresh expression in that style that I don’t find in traditional men’s clothing, though I don’t want to overdo it. I also started experimenting with them personally, choosing many more varied colours. For a while, I was very fond of pink, and lately, I’ve been playing around with orange. On the cover of the album 'Demoni', I wore an orange-pink sweater.

Are we, as an audience here, already mature enough for a musician to present his feminine side through fashion? Does that require courage?

It does, there will always be people who won’t understand you. But for me, when it comes to the stage or a shoot, I’ll wear anything, and if I feel good in it, I don’t worry about what someone thinks. When I walk around "in civilian clothes," however, especially in Ljubljana, I am still aware if I’m dressed somewhat "untraditionally." There’s a certain boundary that I still need to break within myself. On stage, it’s easier because it’s not necessarily a hundred percent my expression; I’m playing a certain character, but personally, sometimes I do need some courage to show up in a particular style. However, the awareness of being different is stronger in Ljubljana than in other parts of the Western world. For example, I never felt that way in London, but still, our capital isn’t the worst when it comes to this.

Speaking of influences, what about other artistic or cultural movements?

I love art deco, the aesthetics of the '20s and '30s, though it doesn’t influence my daily life. In terms of photography, Damon Baker’s black-and-white style is beautiful. The vintage camera aesthetic has recently won me over, which will also be reflected in our band. Musically, over the past year, I’ve been listening to old Italian chansons and older French music, chansons as well, so I’m clearly feeling very retro this year. (smile)

Will the third album visually stand out from the previous ones then?

Yes, it will be very different. In the last two, we used a lot of colours, but there won’t be as many in this one.

Style can be an excellent tool for expressing an artist's authenticity, but with increasing success, the artist can also become its slave; the line is thin. Do you ever feel the pressure of having to express your fashion style in your private life as well?

No, I’ve never felt like my style owns me; it’s always been the opposite. I’ve always felt like I want more, like I want to dress even better than the day before, especially when it comes to my music career. Perhaps style only hangs over my head a bit when I have no inspiration and would rather wear sweatpants on an ordinary, relaxed day. There’s nothing wrong with that, of course, but then I do think about what would happen if I ended up somewhere in the middle of the city dressed like that.

It seems that Joker Out has developed a distinct style despite outside influences.

Yes, today we are already very complete in our style. Others have definitely had an influence on us, and I think it’s great that each of them tried to express themselves through us – it was interesting to experience how Joker Out was seen by Ponorelli, and how Andraž Drobnič or Karlo Kirri did. Of course, there is a difference in this, but it also aligns with the development of our music and aesthetics, so all these influences are very welcome.

How much of your personal fashion identity is therefore reflected in Joker Out?

Maybe, as someone who is not an external observer, I can't answer that, but I can say that I was always one of the first to give feedback to the stylist when we were creating our outfits, approving moodboards, and so on. So, I have definitely shaped our style in a direction that suits me. On certain "blind stylings," when we just dressed up, I quickly threw something on myself and then helped look for pieces for the other band members.

What about this photoshoot, where Alenka Birk took over the styling? Did you let her take the lead with her tactics, or did you collaborate on fashion choices? How did the communication go?

I didn’t know Alenka, who, by the way, is an excellent stylist, before. She was recommended by Urša (the photographer, ed.). Later, she confided in me that she had also worked with my father. Alenka focuses on elegant men's fashion, which is a departure from this more fluid fashion; and this suited me because I had never really been photographed in a men's suit, jacket, and tie. I wanted to try something new. I hadn’t seen the outfits before the day of the photoshoot when we met in her small studio in the morning. There were nine of them in total, and we only swapped out a piece or two in at most three of the looks.

This is more of an exception than a rule in fashion photoshoots. Does that mean you felt good in them?

Yes. In some more so, obviously, but in others, you have to trust the people you're working with. When I first look in the mirror, I always keep in mind that if something isn't optimal, it doesn't mean it won’t work well on camera. Even if the pants are too short or creased, it's still worth photographing them, because the photo can be edited later, whereas on stage, it's a different story, and everything has to already be perfect in the mirror. Working with Alenka was very simple; we clicked really well, and I will definitely work with her again.

How linked are your confidence and the way you feel on stage with your styling?

Very connected. As a musician, you want to enjoy yourself as much as possible on stage, and the people who come to listen to you and pay for the ticket deserve to see you at your best, which means you have to feel good in every aspect.

You recently attended Ljubljana Fashion Week. Which of the local fashion designers do you like to follow?

As far as the Slovenian fashion scene is concerned, I’m still quite the beginner, so I only knew the designers we had worked with. This was my first time visiting the Fashion Week.

Which shows did you watch?

On the first day, all of them. I didn’t like everything, but what stuck in my mind was Sarivalenci¹ with their somewhat "country club", Lana Del Rey vibe, and golf moment. I also really enjoyed the Belgrade Fashion Week, as there was an obvious Balkan touch, which I would love to see more of in Slovenia.

¹Sarivalenci is a Slovene high fashion brand created by fashion designer Sari Valenci.

You are a fan of vintage clothes and second-hand shops. What do these pieces have for you that new ones don't?

Honestly, I don’t know if there’s an objective explanation why. I started getting into it because it was popular, and at the same time, it gives you the feeling of getting a more unique piece. At the same time, you're shopping sustainably and not contributing to the production of unnecessary new textiles on Earth, which is great, but I would be lying if I said that’s my main motivation. What I like the most is the experience of "flipping" through clothes, where each piece is different, like a treasure hunt, compared to regular stores where you "flip" through the same clothes in different sizes.

Did your mum, who comes from the Netherlands where people have been aware of this for many years, introduce you to this concept?

I wouldn’t say we talked much about it at home, but I literally lived it. This is probably true for Slovenians in general – almost all the clothes I had as a child were from older peers, or I would take something from my dad, too. When I was done with wearing the clothes, my brother would wear them too. Every piece of clothing that came into our house was passed around, which is a great practice, and it’s still like that today. My sister "stole" half of my sweaters, my mum sometimes takes something too, Maks borrows jackets from my dad, which I’ve also done myself. It's like we all share one big closet! (laughs)

So you have influenced each other’s style in your family, or rather, you still do so? Who has otherwise had the most influence on your style in the past, and who does today?

I don’t remember ever looking at my parents as role models in this regard, as I didn’t really think about it back then, but they definitely influenced me, at least subconsciously. When I see how my mom dresses today, I see parallels with my own style, so she probably did influence me, perhaps more than my dad. As for street style, which I mentioned at the beginning, it might have been inherited from my uncle, my aunt’s husband from the Netherlands, who wore loose sweaters and listened to hip hop. My mum also had an uncle from the Indonesian side of the family, whom I never met, but he was very eccentric. Some of his clothes made their way to us over the years, and when I looked at these pieces in the closet, I was fascinated by how they reflected his personality. Asian fashion became a bit closer to me because of this, and I might even explore it someday.

The heart necklace you wear all the time, even today, is from your girlfriend. Do you ever dress your girlfriend or does she dress you?

My girlfriend is very fashion-oriented and has played a big role in my fashion development. She has always encouraged me when I tried new clothes that, at the time, seemed more radical to me. In this way, she partially shaped me. We also really enjoy shopping together. She dresses me more often than I dress her, which means I ask her for opinion. There have also been times when we’ve dressed the same when it comes to basic pieces; we’ve never really styled each other, but there will probably be time for that in the future.

Where do you like to go for vintage pieces in Ljubljana? Did you find any gems while on tour across Europe?

Textile House Vintage Shop is, in my opinion, by far the best in Ljubljana. The next one is Humana on Stritarjeva street, where I find something every now and then. Abroad, we’ve visited many vintage shops in Dublin, Paris, and London. In the latter, I always go to Brick Lane, which is a street with vintage shops in the east side of central London, where the more hipster area starts. The downside is that it quickly becomes quite an expensive experience.

What kind of information can you deduce about a person based on what they’re wearing? Who, in your opinion, is truly well-dressed?

A person’s style is never a reason not to engage in conversation with them, but it is a very strong stimulator of my interest in that person. If I think someone is really well-dressed, I automatically assume they might think similarly to me and be interested in the same artistic, musical, or visual directions, so I’m more eager to talk to them. However, I’ve often met people who didn’t seem interestingly dressed, and later realised they were amazing people, even if they dressed completely casually.

Your audience expresses itself very differently in terms of fashion, as your parents also mentioned in a recent interview for Elle. How do you as a band perceive this?

Yes, what they meant was that it is no longer the case that you have to be "appropriately" dressed for a rock concert. When we observe the audience from the stage, I would say that the most typical thing for our time is that we are no longer genre-bound. Not just musically, but also in terms of fashion. 30 or 40 years ago, you would see people at a rock concert in leather jackets, black shoes, and jeans, and that was it. Today, you have flamboyant outfits with blue and green hair in one corner, gothic style in another, and of course, people in simple t-shirts and pants somewhere in the middle. And no one feels like they don’t belong; everyone sings our songs, and that’s really nice.

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❗Please do not repost without credit, and if you quote, please link back to this post!

[adhd-community]

i'm hyperverbal, and my partner is easily overwhelmed by too much talking. i have a hard time even processing a thought until i've said it out loud, though. if i don't talk myself through it, i just get stuck and say nothing. not to mention, i have a hard time deciding what's actually worth saying out loud until i've said it. how can i talk to my partner while,,, talking less?

It's all about finding ways to exist together that support both of your needs. I am reading that your partner has noted they find a lot of chat overwhelming and you tend to chat a lot and struggle to know when or how to stop/start (somehow I identify with both of these...).

The first two questions are:

What is it that your partner finds overwhelming? Too many thoughts verbalised too quickly? The noise? Trying to follow the conversation? Do the reasons change from time to time?

Why are you chatting? Are you looking for connection? Reassurance? Is it accidental? Do these reasons sometimes change?

Understanding yourself and each other can be REALLY helpful in these situations in order to work out what will meet both your needs.

Finally for some hypertalkitivity tips, some things that have helped me in the past with situations like these are:

Before launching into something you're thinking about, check in with the other person on whether they are up for a chat, or whether they would prefer a little quiet time. If they need quiet time, respect that (it's not a rejection, I promise) and find another outlet for your energy/thoughts.*

Make sure you and your partner are on the same page about why you're talking and what level of engagement is needed from them. I had this issue with a friend while travelling (I chat while packing and they were getting overwhelmed). We talked about it and I explained that when this happens I don't need (or expect) them to actually listen, at most it would be nice if they occasionally said "hmm good question" or "mmmm" so I didnt feel lonely or get distracted. This isn't something they need so they had thought I wanted them to deeply listen and answer questions each time and were understandably EXHAUSTED. This convo, and following "heads up, I'm doing the thing - let me know if you need quiet time" chats avoided a lot of potential tension!

If you are having trouble with impulsively talking, find something that tends to help you have "quiet time". For me this is listening to something through headphones that I dont need to pay too much attention to or actually "watch" but still find really enjoyable (e.g. podcasts or super-long game-plays (thank you Jacksepticeye amiright?)) For some reason this signals "no talking" to my brain and I can quietly focus in other things - find yours!

Take a few deep breaths and talk a little slower. When ADHDers are hypertalkative and REALLY into a thought, it can be... intense. Passion is wonderful but taking a second to recognise that your partner is probs also having several thoughts/their own experience and it will take them a second to adjust is always appreciated.

*Other possible outlets for your energy/thoughts!

Write it in a notebook

Type it out or speak it to an AI chatbot!

Call a friend or family member

Do something physical to reduce the mental restlessness (this can be exercise, or even just doing some dishes or gardening etc - just something that makes your brain feel less like it needs to work out everything in the world RIGHT NOW)

Try a guided meditation to slow your thoughts

In the end only you and your partner will be able to work out what's best for you both, but I hope this has helped!

Remember that just because they don't want to chat right now does NOT mean they don't want to hear your thoughts at all. It's likely they just need to recharge their social batteries so that they can have cute chats and fun times later.

X

[akpinkprincesss]

I'm catching up on woe begone and it just got me thinking about some of the characters, like really thinking about them and damn it hurts.

i was thinking about lieutenant and it made me realize that he was a victim. what he went through was worse then anyone could ever imagine and he had to adapt to survive. Of course that doesn't excuse his actions but he isn't a horrible person doing things our of malice, he is a victim who did horrible things his abuser (the man who brainwashed him into obeying his every word) told him to.

and its not like ANY of the other mikes have it easier, michaels especially. Like i think the reason they (michaels) all hate lieutenant is because they have all been through horrible pain and suffering. They all have lost edgar and i think most (if not all) of the ones who are alive right now were held in the compound and also tortured, they just werent brainwashed.

In general i think the michales have a hard time empathizing with other characters because they dont want to get close to others in case they die. But any version of mike also have a hard time empathizing with lieutenant because they were also tortured and they didnt react like that. However they forget that trauma victims will do whatever it takes to survive and in this case lieutenant had to become the perfect solider or else he would die, or worse. and the only character who witnessed the torture first hand is either dead, doesnt interact with lieutenant at all or doesnt care which proves my point (i cannot remember what happened to that michael)

and after i had those realizations it sent me on a mini spiral about the W.B "villains" are actually just victims, these are usually iterations of the mikes. Like this nobody guy who just appeared (for me) i dont know what his deal is (and i dont want you to tell me) but the way hes talking it cant be good. The way he could withstand a gunshot for as long as he did doesnt give me good vibes. of course that could be of his own design but i dont know yet and when it comes to mike walters i can hope for the best but expect the worst.

of course not every villain in the story is a victim, like eagle he can taste the carbon of my bat as i slam it full force into his face. but some of them are just victim to circumstance and the horrible events that always follow mike walters.

thanks for reading my long ass rant, ive had feelings that i needed to get out. i might have more to say on the topic later but for now i will leave it. also ignore grammer mistakes im not in the mood to edit right now :/

ive been listening to this podcast on and off for about 2 years now? so there are bound to be mistakes in lore as i forget things and ill go a few months without listening then binge the 10+ episodes so if you have any notes please add them (without spoilers please i am only on episode 154 thanks)

note: do not take this the wrong way i love this show and this is NOT a criticism of the writing :D

[vickozone]

Hey, TMA fandom!

Do you remember Sergey Ushanka?

No?

Well, he’s the guy that got his brain -> 🧠

coded and converted into a computer -> 🖥️

Then, he ate a keyboard -> ⌨️

[Season 2, MAG065 - Binary]

Well, we all know the upcoming Magnus Protocol, correct?

…

Unrelated, do you know that thing going around about how Jon and Martin are mentioned in a line of code?

If you’ve already seen the released episodes because you’re a patron, LEAVE. 👉🚪

helpful visual aid

[weremadeofbadcode]

Malevolent fandom.

Hear me out.

Hallelujah by Leonard Cohen

But it's John and Oscar.

[corviiids]

wben i finally get more than 0.2 microns of energy and make one of the multiple video essays i desperately want to make so i can yap out loud as god (never) intended

[dyketennant]

oh i can already tell i’m about to have some really unpopular opinions about the edge of sleep tv show

[popsicle-stick]

wanna make a folk costumes of britain zine sooo fuckign bad.........

[secret-sageent]

listening to the mistholme museum podcast. please excuse me while i just

[hephaestuscrew]

Audio Drama Sunday 24/11/2023

Here's the new stuff I've listened to in the past week and a bit:

🏠 Unwell Ep3.01-3.07 - I really liked the first couple of seasons of Unwell, and I don't know why my listening fell off midway through Season 3 in 2021. (Honestly it might have partly been that some of the dementia stuff hit too hard. Ep3.05 was A Lot in a masterful way...) But I thought I'd resume it from the beginning of Season 3, and it's been really nice to return to these characters and this world, even if I can't remember all of the context. I'm tutting at Hazel, a librarian actively withholding and distorting information. I'm shaking my head at what Rudy's gotten himself into. I'm very emotional about Wes - the first episode of this season was really moving. And I'm excited to see where things are headed!

🚀 Travelling Light, Ep1-3 - Like Monstrous Agonies, this show has such a lovely reassuring vibe. I'm in awe of H. R. Owen finishing one show and almost immediately releasing another weekly show nearly single-handedly. It reminds me a bit of the Wayfarers series by Becky Chambers, because of the exploration of the diversity of cultures across different planets and species, and the way these differences are celebrated. I've also noticed that so far the cultures described tend to be more local and specific than 'every alien of this species has this tradition' - instead it's usually about the people who come from a certain city or region on a planet. Which helps avoid some troubling attitudes that sci-fi which contrasts different species can imply. My favourite archive entry from these episodes so far was the drinking song. It felt convincing as that kind of song and was fun to hear.

🌊 The Silt Verses, Chapter 36 - This was one of those episodes that made me stop in my tracks in the street as I listened. I cared so much about the two characters who were only introduced this episode, and the ending sent shivers up my spine. I often hate listening to flirting but the flirting via memory games was unusual, sweet, and compelling in a way that made me smile in spite of the Horrors around them. Also I think Carpenter should be a bitch about unimportant things like music trivia more often. I loved her and Hayward bickering. She should get to care about things that aren't gods or rituals or matters of life and death.

🚇☕ Greater Boston / The Amelia Project, Live Crossover Episode - This was an excellently done crossover in terms of blending elements of both shows in a way that I think would work for someone who was only a fan of one or the other. I was pleased to hear Felix Trench's absurd portrayal of Mark Walhberg again, but my favourite parts were Chuck Octagon attempting to sum up the events of Greater Boston (and the Interviewer's reaction to this) and the Narrator narrating the Interviewer's response to his offer with his own exaggerated impression.

[all-thestories-aretrue]

If anyone cares I am STILL thinking about that phone call. He tried to call her back!! TWICE!!!!

And the line about how she keeps thinking about the way his scars felt. 🫠🫠 end me.

Edit: actually im not done. How long has britta been thinking about this??? Since before her loss of willpower??? After??? How did that psychic attack change things?? Would she have said all that if she still had her full willpower?? How did that affect all her other emotions? I'm going to say it intensified them, or at least the shame she feels at wanting something for herself. Now she just doesnt have the control to say no. How often has she denied herself in the past??? What other consequences will we see going forward??? Britta!!!!!

[six-of-ravens]

this might sound dumb, but listening to WizBru and in particular hearing Holden talk about the times he, as the children say, put his whole pussy into some pop culture phenomenon and had a great time with it, has kinda changed how I take on things like that and has increased my enjoyment 1000%.

like idk, it might particularly be bc he's a 40 year old dude who's embracing fun and often "girly" things instead of being derisive and superior, admittedly. bc there are a lot of those kinds of dudes in my day-to-day life and seeing a dude be not only Chill but Enthusiastic is a nice change. also might be because I come from tumblr where everyone's shitting on anything popular and a little silly the instant it comes into existence.

but listening to him talk about how he wholeheartedly loves Blackpink and thinks they're super cool, or how he started a singalong at the tswift concert movie, or wearing pink and going to Barbie, or just...anything. is like. oh right sometimes pop culture is just for fun and you can just have fun and be in the Fun Space for a while and you can still critically examine it but also just. have fun. and let having a good time be a profound experience for you.

[audhdwitch]

spell log 9.23.2023 money jar

a slightly different version of a spell i've previously used for getting gig-based work, reworked to suit on-hand materials and to pull that part-time job i applied to recently.

materials:

jar

appropriate sigil + tools to write the sigil on the jar's lid

$2 bill

pouch (doesn't need to be fancy. this time i just used a folded up half of a paper towel secured with a rubber band)

rice

"hard work pays off" powder

coins

citrine

(optional) "spun gold"

steps:

gather materials and do whatever you gotta do to get settled and into your headspace. personally, the path to least resistance on this for me is getting high and throwing on my money draw playlist on spotify.

affix your sigil to the lid of the jar. my jar is awesome and has a chalkboard lid, so i just draw it on with chalk. if you don't have an awesome jar you can also just paint it on or draw it on a scrap of paper and affix it to the top with tape or something. set this aside.

fill your pouch with a bit of rice (seriously, you don't need a lot. maybe a few tbsp max) and sprinkle in some "hard work pays off" powder. secure the pouch however you see fit so that nothing falls out. set this aside, too.

optional: spin your gold, if you haven't already, and set that aside as well. (adapted from the lovely @breelandwalker, you can "spin gold" by methodically wrapping golden thread/embroidery floss/similar fiber around a spool or three, and tying it off. i had to look up how to do this and tbh i still am not sure i totally got it right, lol)

time to put stuff in the jar! i do it in a Particular Order to minimize the Bad Sensory sound of coins clinking against glass but honestly stuff can just Go In There. the order i do it in is: $2 bill, rice + powder pouch, pour spare change all in there (i always make a Big Deal of slowly pouring the coins in for the Vibes. the $2 bill and pouch going in first really helps muffle the sound). nestle that citrine in there; i have a lovely palm stone that always fits like a dream. optional: toss in those spun-gold spools now, if you have 'em.

close the jar and seal however you see fit. i wrap a little hand-woven thingy around it left over from the original iteration of this spell. set in a semi-prominent (or at least easily accessible) location and let it work its magic!

notes:

you can charge this spell over time by adding spare change.

when your jar gets full, grab some of those paper coin rolls and start rolling. deposit your full rolls, or use them to buy yourself a little treat. any coins leftover that didn't make a full roll go back in the jar to continue accumulating!

[wolfiemcwolferson]

.

[stuck-in-the-ghost-zone]

Mackerel how involved do I have to be in watching trigun. like how crucial is it to look at the screen (figuring out if i can watch it at work)

HMMMMMMM. i dont think i would suggest it for a work show at least for ur first time seeing it !!!! its very visual a lot of the time (<< parts that are Just Music/Sound Effects for tension, fight scenes that are just a lot of gun sounds and not a whole lot of dialogue etcetc) so i think first time going into it u should definitely pay attention BUT. personally i find trigun98 to be a very enjoyable background noise show :] i have however watched it all the way through like 6 times atp LMAO

[piplupod]

fatigue my beloathed 👎