#ANYWAY I AM . RAMBLING.

[midnight-coffee94]

No single line has ever wrecked me as hard as this one from the Good Place and I think about it constantly

[a-scary-lack-of-common-sense]

I think I made some of you guys a little sad with my last post, so you can have some happy aftermath twins before part 2, as a treat ❤️

[raviollies]

Just who are you, Councilor Medarda?

[goodluckdetective]

If you’re reaction to this Neil Gaiman stuff is to crow how “I always hated his work” or “I knew he had bad vibes” I want you to stop, and understand what I hear, which is “they deserved it”

“But no” you say! That wasn’t what you meant. You just wanted to-

What? Talk about how you always knew better? That you were above falling for the act? That you always knew something was off? You are good enough to know evil when you see it?

Cool. So they were too stupid to know better? That they fell for the act? That they should have known something was off like you? That they weren’t good enough to spot this coming?

“That’s not what I meant! I meant his fans!”

Some of his fans were his victims. So only they deserved it?

“Not his fans who were his victims but his annoying fans-“

That’s what you’re getting from this? That you can finally brag to those annoying fans about how stupid they were for liking his work because…. a monstrous level of abuse happened. Glad you’re enjoying putting those fans in their place with….a bunch of horrific sex crimes.

Anyway, people who are making this about Gaiman’s work or his characters have lost the plot, I agree there. But people making this about how smart they were, how they knew better?

Think about what you’re actually saying and maybe shut the fuck up.

[starsofang]

simon was the only one who could understand you. of course, he understood your interests and your distastes, but he was the only one who could understand you.

on days where you couldn’t get out of bed, couldn’t shower, couldn’t live, simon was the one who understood. he’d lay in bed with you, bathe with you, even when he barely fit in the tub and would have to maneuver his legs in an uncomfortable position to fit the both of you.

when the world was against you, simon stood tall by your side.

when you didn’t have it in you anymore to keep on going, simon gave you a second chance.

he knew how you felt. how when things got bad again, nobody was there to pick you back up, to tell you things will be okay, to hug you. simon never had that for himself, so when he met you, a shattered reflection of himself, he provided you with what he didn’t have.

unconditional love. undying affection. admiration on days where you felt you didn’t deserve it. everything he didn’t get before you, he gave you twice as much.

simon glued back your broke pieces with the utmost care. and when you broke again, he’d do it all over.

simon loved you for you. he loved every fragment that cracked along the way. loved you on days where you didn’t love yourself, and loved you on days where you felt like you were on top of the world.

where most people saw an ugly flower, shriveling up into rotted petals, he saw the garden of eden blossoming right before his eyes. he watered every intricate flowers, providing you with warm rays of sunshine in order to assure you would grow.

he took his time with you. he remained patient, because love always is. after all, you can’t bloom a garden without the occasional parasite or weed, and simon would get on hands and knees, fingers in the dirt if it meant tending to you.

[bklily]

thinking of comedic ways of how the hell that talk is gonna go

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[redeemed-wren]

I do find it facinating how Dracula Daily has turned Dracula into a different kind of myth now that we're in its third year running. I've seen a few people compare it to Hadestown, or a timeloop. The enjoyment isn't JUST from engaging with the story now, it's engaging with the experience, and while the emails are still the same as previous years, we've been through this before.

The way we as an audience interact with this story and this way of telling the story changes the genre. Its no longer a gothic horror, classic lit story. It's become a mythology, a tragedy, a repeating loop. Jonathan Harker returns to the castle every year. Every year it happens again. And that changes it, builds up new mythos around it, even if the words stay exactly the same.

[heretherebeturtles-comic]

DID YOU KNOW THAT ANDY SURIANO TALKED ABT YOUR COMIC ON INSTA???????????

YEAH I SAW IT!

really cool!!!!!! nice things were said about my art and story!!!!!! i am so flattered!!!!!!!!!! i am still figuring out how to react to it all!!!

[katetorias]

there is something so horrible about destroying churches, or any place of worship. im not even religious. it’s about the fact that people were so devoted, put so much effort into building and decorating and just experiencing this part of their life, that they hold so important. and all that effort is taken away by a fucking bomb

I find religion beautiful, and it’s harrowing to see these things happening in PaIestine and no one cares. suddenly now no one cares about religion or the importance of religious monuments

[huginsmemory]

Been thinking about how Bill legitimately had a horrifying reason (the literal progressive disintegration of the nightmare realm that erases whatever it disintegrates from existence completely) to move himself and his crew into a new dimension. Like that's terrifying. And yet he never utilizes this to his favour. He could have been honest about this with Ford, and you KNOW as long as Bill didn't mention plans of overtaking the earth, Ford would've made the portal for him, both out of Ford's own interest and because Ford when faced with these big moral questions will pull through. But this is a card Bill NEVER plays because although he needs to leave the dimension, he cannot lose face. He can't put aside his pride and admit to the humility that he needs to flee from his dimension, that he's not actually all powerful. And so instead he pretends to be a muse and when Ford figures out something else is going on, instead of being open and humble and saying that his dimension is unravelling, Bill focuses on that he's going to over take earth, that he's actually been a monster all along, surprise Ford!

And part of it is definitely because Bill's built himself up on power and violence and to grovel and earnestly ask for help, to admit that he cannot stop the unraveling of his dimension completely invalidates that; showing vulnerability? Can't do that, even under the guise of lying to get his way. And part of it makes you wonder if it's also a form of self-sabotage, because underneath his deep denial Bill is guilty over what he occurred; he sees himself as a monster and so he'll be that monster, and having people recognize that feels good in the same way that pressing a bruise feels good. But it makes you wonder what would've happened if Bill even just was open about his dimension unravelling and had lied about overtaking the earth.

It's also interesting because although Bill has SOME charisma and can manipulate people decently well (as evidenced by his cult, and pandering to people's desires with Ford, Mabel and Blendin), he refuses to be vulnerable, refuses to not be true to his off-putting self, even when if he was just vulnerable of pretended to not be himself, to put aside the (false) pride he has in himself he would've gotten a portal by now. and part of me wonders if it's because it's this false pride that built on insecurity and denial on who he is he cannot drop that mask.

Further thoughts on this!

[nikoisme]

The constant temptation and promise of everything and nothing in the odyssey. The sirens promise odysseus to know, and the lotus eaters promise him to forget. He could be an immortal, and he could be a beggar. Be known, and be a stranger. He could be alive, and he could be dead. He could be odysseus, and he could be nobody. And the man of many ways tries to be a little bit of everything.

[sickly-sapphic]

this disability pride month you can help disabled people by continuing to mask up, using appropriate masks (KN95 or N95) and appropriate masking technique (wash your hands before and after putting it on, don't touch the front, make sure there's no gaping) 🫧

[chocobje]

How I like to characterize Sprout is that he’s great talking with the ones he’s close with (Cosmo, Astro, etc.) But incredibly socially awkward with others. He comes off as brash, but he’s trying his best.

What guidelines do you try to follow when writing Sprout? I’m just curious.

Thanks for giving me the opportunity to yap about one of my favourite characters hehe..

You asked for guidelines I gave you a character analysis instead.

(Don't mind the images I didn't want this post to look naked)

ALSO NOTE THAT AT THE END OF THE DAY THIS IS MERELY MY INTERPRETATION OF HIS CHARACTER. EVERYONE HAS THEIR OWN!! Don't take my post as a mandatory guide to follow.

Let's talk about what's canon:

I like checking the Wikipedia for his dialogues every now and then to make sure he's not too out-of-character.

Sprout comes off as blunt, he does not sugarcoat his words when he has something to say.

Not even an excuse or a reason as to why he doesn't want to join Teagan for tea; It was straight up a "no" until Teagan told him Cosmo will join them too. (Also I want to point out he doesn't immediately say yes when he's told Cosmo will be there, so for all we know he'd still decline even if his best friend's joining Teagan).

Dandy's dialogue when you purchase Sprout. I think about it a lot. Out of all the character dialogues, the one with Astro is what I feel like is an example of his overprotectiveness coming across as "pushy".

He'd definitely be the type to scold his friends. Especially after Gardenview's shutdown with all the Twisteds wreaking havoc and whatnot. I don't think Sprout is fond of going on runs, but only does so he can watch over everyone and keep them safe. He makes sure everyone is focused and on high alert, he doesn't want anyone to be reckless.

He prioritizes safety over answers. His dialogue with Rodger shows that. Maybe he's also curious as to what has happened, because in Vee's dialogue he tried talking to Dandy only for Dandy to walk away. I assume Sprout just wanted to check up on him rather than knowing what's going on with Gardenview and the Twisteds.

Another thing I don't really see often is how Sprout is actually pretty forgetful and impulsive.

For a Toon who's constantly keeping watch on everyone he surely does not apply the same kind of attention to himself.

He talks before thinking about his words, but once he realized that he immediately apologized to Vee. I don't think he always notices when he comes across as rude though.

I actually think he's actually quite reckless when he bakes. I obviously can't show it in this post but if you look at that animation with Cosmo and Sprout baking they're not even measuring the ingredients. I mean what. 😭

The way he bakes feels so impulsive and it just looked like they were winging it. Somehow despite that their baked goods still end up great and that's honestly impressive.

Okay now for that dialogue between Bobette and Sprout, I was getting there-- I've never made a gingerbread house but from what I've seen from other people it requires a lot more patience and carefulness.

Sprout is neither.

According to him, his gingerbread house fell apart immediately and then he stopped trying afterwards. It's honestly funny.

I feel like this also shows through his stats. Both his extraction speed and skillcheck is 2 stars. His stamina and speed is way higher. He prefers running around, probably to make sure he can watch over everyone during their runs. That or because he has long legs.

Anyway to recap; Sprout in canon is blunt, pushy, overprotective, and impulsive. But he genuinely has good intentions and means well. He cares for his friends, which is why he scolds them because he wants to make sure they're safe.

Now for some headcanons:

Okay this is the part where I make stuff up. So it's just my take;

• He has ADHD.

I'M STARTING WITH THE NEURODIVERGENT HEADCANON.

This is not a unique headcanon. I've seen so many people who headcanons this too so it's relatively popular. Personally, I only see him with ADHD. (I'm projecting).

He's forgetful, impulsive, and quite socially awkward in a way aswell. He's easily distracted. He keeps forgetting about the oven. He's impulsive when baking. I'm a very impulsive and reckless person myself, I constantly make mistakes when I draw, yet somehow they end up okay 😭. When I'm not able to draw something right, I give up immediately. (I projected this onto the gingerbread house thing earlier).

• He comes across as intimidating.

You know in Kids' birthday parties when there's a mascot a lotta kids go run and hide? I based it off of that. I remember when I was like, 6 or 7, when a mascot came in I cried and hid under a table. They were tall.. <\3

I feel like there was a concerning number of kids who were actually afraid of him, despite how friendly he appears both in person and in the show. Maybe it's the RBF when he's not smiling..

I also like to think he's taller than some of the kids who comes to Gardenview which plays a factor to the whole "intimidating" thing. The way Sprout deals with this is giving the kids cupcakes or other sweets. Once the kids actually talk to him they're immediately comfortable.

• He was one of the very first to become "Twisted".

I don't have a concrete idea on how the story of the game goes, but I always imagine the Mains being the first victims. Sprout is a healer and he keeps an eye on everyone, so he had to go first.

–

Okay, I think that's all now. If you read all of that wow thanks, this took me hours to write 😭. I love overanalysing characters.

[marigraphia]

I've had this pose ref saved for a while and the Superman set photos just gave off the same energy 👉🏻👈🏻

The reference is this photo of Katharine Hepburn as Antiope and Colin Keith-Johnston as Theseus in the 1932 play 'The Warrior's Husband' (and I'd love for people to turn into a draw your otp meme pls pls pls this pose is so good)

And also, of course, the Superman (2025) set photos

[evercelle]

2024 art summary! it sure has been a year