#these are kinda my first post-book thoughts

[jungshookz]

teeny tidbits: jungkook gets hurt during practice and the only thing y/n has in her backpack are miffy bandaids 

➺ pairing; quarterback!jungkook x librarian!y/n

➺ genre; university!au!!! sfw!! soft soft fluff!! jungkook and y/n are so fond of each other wowowow it actually makes me physically nauseous please get a ROOM

➺ wordcount; 1k

»»————- ♥ ————-««

“ow!” jungkook hisses, wincing as you dab against the scrape on his arm with a cotton ball that’s been drenched in a generous amount of warm water, “ow…”

“sorry, i know…” you mutter, trying your best to be as gentle as possible as you reduce your pressure (you were already going feather light but jungkook has always been a big baby with cuts and scrapes) and toss the soiled cotton ball aside before reaching for another one in the big plastic bag, “i can’t believe you guys don’t have a proper first-aid kit.” 

“it’s taehyung’s fault, coach asked him to restock it and apparently he completely forgot.” jungkook snorts, glancing down at the rusty tin box sitting on the counter next to him - you managed to find it after about fifteen minutes of searching the changing rooms but you were more than disappointed when you opened the rusty old box to find practically nothing but dust 

but if this were a real emergency, jungkook would be bleeding out on the ground and all you’d have to try to save your boyfriend is a single q-tip and one dried out packet of rubbing alcohol

luckily, you always carry a mini first aid kit with you in your backpack - last winter you slipped on a rogue patch of ice and ended up falling to the ground, your poor books sliding across the sidewalk and your palms all scraped up and bloody, so ever since then, you’ve been carrying your little pouch with you in case of emergencies 

gauze, bandaids, cotton balls, surgical tape, and some hard candies - you have it all!! 

“explain to me again what the hell you guys were trying to do out there?”

“taehyung said that when one sense goes dark, the other ones become way stronger and we wanted to test that theory out-“ 

“so you did this on purpose-“ you pause, your eyebrows knitting together in confusion, “you blindfolded yourself and ran around the football field on purpose.” 

“i thought i had better instincts than this!” jungkook gestures to himself, his kneecaps all scraped up along with a few scratches on his arms, “and my head hurts…” 

watching jungkook run into the goal post full force would’ve been comical if it weren’t for the fact that that was literally what happened - he ran full force into a damn goal post and thank god he was wearing a helmet otherwise he probably would’ve knocked himself clean out

“i don’t wanna study anymore.” jennie huffs, leaning back against the benches behind you guys as she props her elbows up on them, “can’t we do something else to pass the time while they’re practicing?” 

“i don’t wanna study anymore either, but weirdly enough this is the only time i can really concentrate.” you shrug, keeping your eyes on your laptop as your fingers continue to dance across your keyboard, “is this the only google presentation the professor shared with us this week? i swear there’s another one-“ 

“all you care about are google presentations and taking notes-“

“it’s coming up to finals season, of course all i care about are google presentations and taking notes-“ 

KONK!

“oh, shit-!“ you look up when you hear taehyung’s loud laugh travel over to where you’re sitting, your eyes squinting slightly when you notice that jungkook on the ground, “wait, that was kinda sick, actually, we should do that again-“”

“aw, gross!” jungkook gets up from the ground and shakes himself off and that’s when you notice crimson smeared across his legs as he hobbles towards your general direction, taehyung trailing behind him, “yuck, there’s dirt and shit in my cuts-“

“oh my god, jungkook!” you slap your laptop shut and set it aside, grabbing your backpack and practically sprinting down the steps, “are you okay?! what the hell happened?!” 

and that’s how you ended up here - patching up your idiot boyfriend with nothing but miffy bandaids because that’s all the store was selling (it was miffy or hello kitty, and you’ve always loved miffy) - and you’ve practically used up the entire pack at this point 

“i just think that you have to think about whether or not an idea sounds stupid before deciding to do it.” you huff, tossing another soiled cotton ball into the bin before peeling open the thin wrapper for the bandaid

“well, how am i supposed to know if an idea is stupid or not?”

“you didn’t think blindfolding yourself and running around a football field was stupid?”

“no, i thought it was an innovative training technique that’s been undiscovered by coaches in the world of football!” jungkook perks up, sticking a finger up into the air before shutting his eyes so that you can tend to the little scratch above his eyebrow 

you settle in between his legs from where he’s sitting up on the counter and he instinctively reaches down to place both his hands a little above your waist before giving you a squeeze, “thank you, by the way.” he says softly, and you can’t help help but smile before leaning forward to press a little kiss to the corner of his mouth 

“you’re welcome. i’m gonna need a new box of miffy bandaids because you literally used up the entire thing.” you can’t help but frown as you place the last one on his brow bone, “on the bright side, you look really cute with miffy bandaids, so i don’t regret giving them all to you. but you seriously have to stop trying to kill yourself during practice.” 

“i’m more of a hello kitty guy, to be so real.” jungkook opens his eyes, leaning down to give you a quick kiss before pulling away, “and you worry too much about me.”

“you worry too little!” 

🎙️ ask y/n what kind of candy is in her first-aid pouch (talk to my characters!) 

📚 why not explore the rest of the library while you're here? (go say hi to yoongi and y/n in la vie en bonsai, they miss you!) 

💫 or perhaps you want something shorter to read? (drabbles and mini series!)

🌟 or something even shorter? (teeny tidbits like this!) 

[tanoraqui]

now that this fic is all published, I can ramble about the things that happen afterward in the timeline! Feel SO free to ask about anything you want more details of.

First off, all three posts about Dave the Balrog are 100% canon to this au, except for where they sometimes contradict the fic's worldbuilding or plot bc I hadn't settled on every detail yet. Also, Dave’s name is probably more like “Drav”, from the Sindarin “drava-”, “to hew.”

That happens much later, though - about 1980 TA. FIRST, immediately, as Celebrimbor says: it's time to save the orcs!

That is, wildly self-indulgent crossover with @ceescedasticity's fic(verse) elves, once, which isn't 100% my headcanon for orcs but it's essentially canon for this au because it makes everything VERY FUNNY in a tragic irony way. I've thought about this so much that it really deserves its own bullet-point post, but highlights include:

- Annatar attempts to conceal the fact that Curufin and Celegorm are orcs, and, y'know, have been since they died. This works until Celebrimbor identifies a bunch of the orc army's weapons as made by his father, even if the style is strange and fell, and the two of the have a HUGE fight in front of representatives of every Elvish kingdom in Middle Earth and most of an army of orcs.

- Bellow/Turgon is having the single strangest, most uncomfortable road trip of his life, and he counts the crossing of the Helcaraxë in that total.

- Turgon tries to convince Galadriel to take Celebrían and Elrond and get out of here, because inevitably this must be a cruel trick and all the orcs will be forced to turn on all the Elves. Galadriel is like, "Honestly, I've been watching Celebrimbor's slow corruption and Sauron's slower un-corruption for about 2,000 years now, and I think we actually have a shot at this. Also, bold of you to assume you can beat me in a fight."

- Curufin and Celegorm had BOOKED IT when Annatar's summoning-compulsion snapped, on the reasonable assumption that any plan the Dark Lord had for them + Celebrimbor could only be cruel to the extreme...so Celebrimbor and Annatar go on a bonus road trip to retrieve them.

- Everyone meets up by the Sea again, but instead of taking (or, obeying) the offer of escape into Ulmo's hands, Turgon and probably a bunch of other orcs volunteer to come help break the Crucible. They Deserve This.

- In the end, as usual, the day is ultimately saved - as are the souls of thousands of trapped elves - by the power of love and overwhelming violence.

AND THEN...

Celebrimbor & Annatar don't actually rebuild Ost-in-Edhil and Eregion as they were. Those days are over, and also the surviving Númenoreans kinda...regard Annatar as Absolute Evil, for some mysterious reason. And those who knew about the whole or even partial conspiracy - namely Tar-Miriel herself - aren't too keen on Celebrimbor, either.

They leave whoever wants to stay and rebuild in Eregion, leadership tbd based on the traditional system of craft-based meritocracy, and take a few decades off to lay low from geopolitics, work on their marriage, and for Celebrimbor to learn a little bit of necromancy so he can manipulate his own fëa and hröa, thank you very much.

They stay with the Witch-Queen of Calador for a while, discreetly because officially that kingdom is also not on good terms with its “former” evil-ish overlord. (The Witch-Queen of Calador and her not really sane, almost certainly unsafe, but arguably consensual relationship with Annatar really deserves her own post, too. She’s my favorite OC of this au. She really loves bats.)

Elrond & Celebrían get married! Elrond always knew his wedding would have to involve stopping drunken brawls from erupting between people who love him but hate each other, but he’d assumed it’d be Iathrim and Fëanorians, not an elderly Queen Miriel going for Annatar’s eyes with a butter knife.

Annatar regards the birth of Elrohir and Elladan with some concern, this alarming lineage now augmented by the blood of Arafinwë (cut off Melkor’s foot) and Galadriel (Melian’s pupil, hates him). But that’s nothing to how freaked out he is by Arwen, who is such an obvious Reprise of Lúthien that it’s now CLEAR that this was all a Melian scheme to assault him, personally.

He can’t just kill her now—Elrond and Galadriel and both right here, not to mention Celebrimbor. And then she’d absolutely be his enemy when she Returned… No, the only solution is to stay in Imladris for a while and become her most beloved uncle whom she would not dream of assaulting, whom she could not bring herself to injure even if circumstance and conscience forced her hand. Love has ever been the undoing of Melian’s line. The Reprise is obvious, but not so established that he cannot twist it into irony, Lúthien’s heir as his devoted student and companion rather than foe.

[smash cut to late 3rd Age Annatar watching the Music settle into place as Arwen interacts with the newest, currently toddling scion of the House of Elendil and nearly killing the child right then because no, no, thats not how this was supposed to Reprise—that’s his jewel of an elf-queen, Singer and trade-manipulator and niece, and he’s going to lose her forever? Killing the brat won’t even work, that would only make her follow him sooner, one way or another—]

Celebrimbor doesn’t want to build a city (and have his heart broken by the loss of the city) again, but he very much does want to ImproveThe World, and also to Make Things With His Hands. So he and Annatar, and whoever of the Gwaith-i-Mírdain wish to join them, set about… “Traveling” is too loose a term; just because they’re not city-building doesn’t mean anyone here wants to live on the road. They need workshops, forges, and ideally a maia-sized cat tree tall tower from which to survey their domain. They are a highly skilled work crew/technical, artistic & management consultants who change cities every 5-200 years, throughout Middle Earth and perhaps even other continents.

This what Celebrimbor and Annatar do, for most of the rest of their time in Middle Earth. A few of the Mírdain travel with them all the time. Others strike out on their own, or in similar small groups. Others stay in rebuilt Ost-in-Edhil, or Rivendell or the Havens or another Elvish kingdom, and come lend a hand when their particular talents are called for. Everyone who “died” in Númenor and was “resuscitated” by Annatar walked away with a strengthened, basically permanent osanwë connection to the simulated workshop group chat, which they’re aware of, and a location tracker and fëa-stamp saying “PROPERTY OF MAIRON, FUCK AROUND AND YOU WILL FIND OUT” which only an Ainu could detect.

They're the mysterious stranger(s) who accept an offer of hospitality on a stormy night and reward you with a magic ring that blesses your farm with fecundity. They arrive in a city in the middle of a cholera outbreak and inform the local rulers that they're here to overhaul the whole wells & sewers system in exchange for room and board; no, the local rulers do not get a choice in this. One time they do oust an evil ruling dynasty and just kinda take over the kingdom for a few centuries, but then Celebrimbor starts to get paranoid of his own growing attachment so Annatar reluctantly agrees to find and raise some honorable candidate for kingship [gender-neutral]. One of the Mírdain with them says, what about the choice of the people? And then after a lot of discussion, partly in collaboration with their local Men, they write up and seal with Power a Constitution that establishes an oversight body of political, economic, craft and etc. experts to oversee and have veto power over popular elections to kingship from a slate of candidates chosen by the current/soon-to-be previous king, on a strict thirty-year schedule. There, that should stabilize the whole messy business of mortal succession!

Also, 1300 years or so into the Third Age when this version of Gondor hits its equivalent of the Kin-Strife, Annatar takes advantage of its weakness to initiate a plan he's been contemplating for a while, especially while gaining local insight into a variety of nation-states and their management, and returns to Oroduin to forge what may he his last Great Work...a new standard of currency.

It’s called, in the common tongue developing from Adúnaic and Sindarin, the “mira”, pl. “miran”, from Quenya “mírë” (“jewel, precious thing). Where pettier currencies are based in gold or silver or the might of some particular empire, these hold value Because a Great Maia Said So—indeed, Sang So, Sang a new line into the Great Music that these coins would always have a value of…whatever he said so, if he updated a petty lyric or two of their Song. Those who use the coins don’t need to know this; they simply intuit, with coins in hand, what they are worth.

(You can lead even the mightiest empire by the nose if you control the price of grain alone, much less other commodities, or one currency relative to another. Each minute adjustment takes Power, especially to shift the natural balance of multiple interlocking goods…but Annatar is a master of the perfectly placed lever with which to shift the world.)

Maybe at some point the Valar are like, “okay, I think they don’t irrationally hate us anymore, I think this could work” and send a small group of Maiar to openly, humbly approach Annatar and Celebrimbor and ask if they might be apprentices in the craft of…whatever the fuck is happening here. Or maybe something adjacent, because Pallandro and Alatar would really like to fuck off into those excellent looking woods and hunt the remnants of Ungoliant’s spawn, and Radagast actually wandered away 5 minutes ago to talk to a bird. He’s gonna be a while. But Curumo and Olórin are listening politely!

…Or maybe not. Maybe it’s just the Jewelsmiths, slowly becoming folklore, bettering the world (and manipulating wide-scale economics) one stone at a time. (They’d still be the “Jewelsmiths” anyway, even if they included those who, in another universe, were called “The Wise.”)

As stated in the third Dave the Balrog post, they do Sail eventually, several centuries after Arwen’s death. Celebrimbor just gets tired, and Annatar can’t fix it. Ossë spends the whole voyage backstroking next to their ship and sarcastically quoting Annatar back at himself, Years of the Trees insults about being made weak and pathetic by love, until Annatar nearly lunges over the side as a wolf to tear his throat out.

[xaphii]

~ Negative DATV Rant Incoming (with swearing and spoilers) ~

The dichotomy of wanting to love Veilguard because of the crumbs it gives us but also wanting to bully a corporation (bioware and/or ea) into pulling a cyberpunk and releasing a 2.0 update fixing all the JARRINGLY massive issues (slave erasure, solas' cult or lack thereof, the act 1 dialogue, the DALISH, etc) is a very real and unpleasant feeling.

Especially cos the art book shows us that SOMEONE had the right idea.

And I love the lighthouse but it makes no fucking sense, should've put them on the boat. Better base, and it would make more sense to have all their fucking mates turning up all the time. "oh but their moving around to all the places in minutes wouldn't make any sense" IN DAI YOU TAKE A 2 WEEK RIDE TO CRESSWOOD TO HAVE YOUR BUTT GRABBED AND BE BROKEN UP WITH AND THEN YOU GO BACK ALL WITHIN 5 MINUTES WE CAN WITHHOLD OUR DISBELIEF

And Lucanis' romance? Like don't get me wrong I really like it, I have non of the problems others have been having but that gondola scene is everything and we were robbed.

And TF you mean I can't talk to my companions unless specifically prompted? Finished Lucanis' romance in my first playthrough as fast as I could and then couldn't speak to him for 5-10 business days.

And also no fail states? What? I want to see the consequences of my actions for ONCE bioware why would you take this from me.

And no character deaths? (And no health bars in combat but thats a whole other issue) No potential to kill your characters through choices in their personal quests? No real and meaningful consequences for circumstances in which many people could die?

I would've loved companion quest fail saves.

What would Hezenkoss do if Emmrich failed? Show me a sketch of a romanced!Emmrich and Rook entombed together just as Hezenkoss promises in the fight. Show me a sketch of a mindless berserker Taash captured by the Antaam? Show me a full abomination Lucanis or Lucanis fully controlled by Zara? Show me Neve being pupetted by Aelia? I want to see the consequences of failing.

Also on the companions, the ONLY romance break off I've experienced so far is Lucanis if you don't pick Treviso like?? First off it's a kinda dumb reason, I sent at the very least 3 perfectly capable people with you why is it specifically my fault but also I get it can be difficult to resolve those feelings so I'm not totally against it but no one else? No consequences for picking certain dialogues in the Emmrich quest? I want to have picked a dialogue 5 hours ago and then find out that because i picked it emmrich goes lich mode no matter what, I want to have to go "oh ffs and reload 5 hours just to stop pookie giving up on his skeleton son, I want to have the option to break up with Emmrich post lich bit. I want to have prior diologues impact future choices? Like in that other game oh what was it called DRAGON AGE INQUISITION?! No break up from Harding if you're an elf? Or encouragement to go anger mode?

And you know what else shits me to tears? YOU SEE NEARLY EVERYTHING I LISTED ABOVE IN ACT 3 WHICH SHOWS THEY COULD DO IT - you get a fail state, you get heart wrenching emotional dialpgue, you get gut punched, you get character deaths, you get consequences for not completing companion quests you get... So they could do it in the rest of the acts... Which makes it's absence all the worse.

Anyway, sorry for rambling, I'm overall having a blast, but you can have a blast and also critique.

These thoughts may have flaws, this is just an off my chest ramble, if you disagree/think I'm wrong I encourage correction 🙂

[merp-blerp]

Gaylor/Kaylor and Oz: Parallels and Theories Vol. 2 🌼🌈❇️

CW: Spoilers for L. Frank Baum's Oz book series (books 1-15). And this post is very late-stage-Kaylor-specific, so if that's not up your alley, that's chill.

Vol. 1 Here (I recommend reading Vol. 1 before this one)

Overblown Analysis Under the Cut ↓

AH! I'm so ecstatic that I get to make another one of these so quickly! I was so proud of Vol. 1 and I'm so happy there's new material to explore! Thank you very much for the reception to Vol. 1, I'm so glad people liked it. It's cool to see other people who probably didn't even see my post seemingly make the Return To Oz connections as well. It makes me feel "smart". 😅

Part 1: The Tin Woodman ❤️🌈

Let's start out with something small and old news. A theory that's new to me is the Tin Woodman's role in gaylor theories (He's very specifically called "Tin Woodman" in the books, not Tinman, so I'll call him by his book name so as to not blur the line of exactly which version of the character I'm talking about). This collage by iateallthecat2 on Twitter (from this post) brought it to my attention:

I'm not sure if there's already some in-depth theory that goes beyond this collage out there, so I'm gonna wing it from here based on my own Oz knowledge.

In the "ME!" MV, Brendon Urie's character is a suitor that Taylor rejects. They fight when inside a house and she rejects his proposal, but when he gifts her something with no general romantic meaning, a cat, they spend the rest of the MV having a good, platonically-coded time. Brendon plays someone who wants to play the role of Taylor's partner, but they seemingly work better as buds in their rainbow haven.

I have wondered if Brendon is supposed to be playing a beard who Taylor tries to take to freedom with her in this MV, but I'm admittedly slightly apprehensive about the idea. It would be kinda cool if one or more of Tay's beards also came out with her whenever she does. This plotline seems very similar to the suspected "she ghosted but kept the castle" narrative. In both Taylor rejects a proposal, except here Taylor and her beard seem more connected. It makes me wonder, if everything had gone to plan, would the narrative in 2019 have been that presumably Joe would've proposed and Taylor would have rejected it but they would've been on friendly terms. Or maybe all of that would've happened to Karlie and Josh in a way since they were married in 2018. Or maybe it would've happened to both of them. Then they would've been able to build a narrative for Kaylor as a couple that didn't involve saying "We hid this from you for this long". But that's spitballing.

Either way, Brendon is definitely someone who helps Taylor along her "story" as he infamously put himself:

Everyone knows that the Tin Woodman helps Dorothy on her journey, but he also helps out Ozma/Tip on hers in the second book and so on.

In the first book, the Tin Woodman's backstory is that he was once a human named Nick Chopper, who was engaged to a Munchkin girl named Nimmie Amee. While Nick seems to respect and love her, he also seems to only be engaged to her because he doesn't want to be lonely after the death of his parents, at least to me. But the Wicked Witch of the East curses Nick to chop off his limbs whenever he tries to chop wood. He gets these limbs replaced with tin parts until he is fully tin. But his body no longer needed a heart and therefore he felt no romantic love for Nimmie Amee, so their relationship fizzled out.

Whether he ever romanticly loved her in the first place is debatable in my opinion. I personally don't think he did, especially since long after he's gotten the realization that he had a heart, Nick never really tries to romanticly pursue Nimmie Amee again, but he does tie loose ends with her in The Tin Woodman of Oz. However, my point is that Nick seems to only want Nimmie when he thinks she can fill a void. Once he thought he was too broken for her to fix he subconsciously realized he didn't actually love her, but interpreted it as though he just "stopped" loving her.

To put it simply, I see Nick as practically going through comphet before finding true fulfillment in the things that come after he's un-rusted. My personal interpretation of Nick is that he is a gay man, unbeknownst to him, who tries to find love in a woman, but it inevitably doesn't work. He loved Nimmie because he hoped she could fix his pain. There's no way to prove Baum meant Nick to be seen this way, but queer interpretations of Nick are common in modern Oz fan circles. Somewhat like Taylor and Brendon in "ME!", Nick and Nimmie try to play the roles of a couple, but being a couple just isn't in the cards for them, so they keep things platonic.

In comparison, Nick loves the Scarecrow for the actual companionship he gives. The Tin Woodman states that he no longer needs Nimmie's love, as he has the Scarecrow's. The Tin Woodman and the Scarecrow are pretty similar to Dorothy and Ozma in terms of being queer-coded in their relationship. They live close to one another because they're sadder apart, cordially debate philosophy, rule Winkie Country together, and are often depicted comfortably in each other's physical space, among other wholesome details.

The physical representation of the Tin Woodman's heart is made of a velvet pouch and sawdust in the books, but in the '39 film Tinman's heart is a ticking clock with daisies stringed to it. Of course, daisies have a great significance to Kaylor because of the Big Sur trip. And clocks have been having a significance in Taylor's art since "The Man" and the Karma wall.

I don't necessarily think Karlie, Taylor, or Brendon are represented through the Tin Woodman, Nimmie, and the Scarecrow in Taylor's art in a literal sense. I see it as just another queer piece of the puzzle. Brendon might not literally be the Tin Woodman in Taylor's art the same way Karlie is Dorothy, but I think he at least played him during the Lover era. Brendon/Tin Woodsman helps Taylor/Ozma through her journey to where she belongs like a queer friend helping another queer friend.

Also, I'll leave this section off on this reach cutesy note:

Part 2: Ozma and the Wizard 🌺🪄

Back in Vol. 1, I suggested a theory that if Karlie Kloss was represented as Dorothy Gale in Taylor's music, then Taylor was more subtly represented as Queen/Princess Ozma. I've been seeing another theory around about Taylor being the Wizard, aka Oscar Diggs. I also really like this theory and I think it can make sense for both theories to exist simultaneously.

The Wizard is an illusionist. In the first novel, when appearing to each of Dorothy's friends individually he appears as something different to all of them. To Dorothy, he is a giant floating head, to the scarecrow he is a fairy, to the tinwoodsman he is a beast, and to the cowardly lion he is a ball of fire. He is able to change himself into anything he pleases, but he has no real magic. In order to rule over Oz unrightfully, Oscar Diggs stole Ozma away as a baby and gave her to a witch named Mombi, who transformed Ozma into a boy named Tip, disguising Ozma from everyone and herself; in the second book, Ozma is transformed back to her true form and takes her place as ruler of Oz, eventually ruling with Dorothy by her side. To make a long story short, Ozma and Dorothy eventually forgive Oscar for his crimes.

I see Oscar/the Wizard as representing Performance Taylor, while the real Taylor is Ozma. The Wizard is from Kansas in the '39 film and performance Taylor is currently associated with the Kansas City Chiefs. Performance Taylor, just like Oscar, is able to change himself when needed and isn't the unstoppable being his citizens once believed in despite never meeting him. Just like Oscar, Performance Taylor is an illusionist who appeases the citizens with theatrics to hide the truth for the time being. Performance Taylor/Oscar hides the real Taylor/Ozma away. Real Taylor/Ozma, when seen, is forced into the shape of a boy, Tip/James, Peter, the Man, etc. But soon Ozma reclaims her land and keeps the castle Oscar took, and so might the real Taylor.

If you believe Post Malone is playing a side of Taylor in the "Fortnight" MV, Taylor seems to be depicting herself as coming together with both the public and private parts of herself. Previously in MVs for songs like "...Ready For It", Taylor was always at odds with her clone, but in "Fortnight" they team up to get out of the asylum. Ozma and Dorothy make amends with Oscar and Taylor makes amends with herself.

Part 3: The Yellow Brick Road and The Emerald City 🟨❇️

I think a lot of us know about Taylor's Instagram grid currently aligning with yellow outfits from Eras at the moment:

Typically when Taylor's Instagram grid aligns like this it means something. The most common theory as to what this might mean is that Taylor is creating a yellow brick road. Yellow is often seen as the closeting color in gaylor circles for various reasons, such as the Evermore closet in The Lover House being filled with yellow clothes. Some fun estimates I've seen are that soon the alignment will be broken by some type of photo of Taylor in a green outfit post-Eras, like maybe a green outfit from tour in her Toronto thank you post or even her birthday post. The big hope right now is that this hypothetical post in a green outfit will signify Taylor's coming out being near, having reached her destination to the Emerald City, or that this green outfit post could even be a coming out post. My Oz-ian brain loves this idea! The yellow road to being free in the green, the color right after yellow in the rainbow.

In the first Oz book, the Emerald City is a huge hoax. It's not Emerald at all, but white. In order to trick the citizens of Oz into thinking that the city is emerald, the Wizard forces everyone to wear green-lensed spectacles that lock on; they are what make the city look green, the Wizard lying that they wear them because the brightness of the city would blind them if they didn't. Dorothy is given a "green" dress when she arrives in the Emerald City, but when she leaves it reveals itself as actually being white. After the first book, the Emerald City becomes truly emerald; from what I can remember there is no exact canonical reason as to why this is, so I theorize that the citizens just made it emerald after the wizard floats away in his balloon. The Emerald City truly being white represents the fakeness within the rule of the Wizard, but by the time Oz has its rightful ruler, Ozma, the city is truly Emerald. For TTPD and most if not all of Tay's discography, the colorless world represents the abusive music industry and closeting, but color represents Taylor's freedom, reclaiming the land. Also, the fictional Emerald City was inspired by the real-life White City Amusement Park that was once in Chicago, so there's that connection to white too. Green and White together remind me of Taylor's green band jacket in the "ME!" MV and her white band jacket in the "TSMWEL" performance from Eras. Symbolism-wise, Taylor thought she was close to reaching her destination when creating Lover, but the smallest man ruined it all and the emeralds were fake. Now she's about to go down the yellow road once more to get back to her emerald kingdom.

To expand on the colors of Oz a bit more, let's look at the house from "ME!"

Here's an official Oz map in case anyone finds it helpful:

This house in "ME!" is the starting point in the MV and the first room that we see is blue. Blue is the color of Munchkin Country in the Oz books, as every Oz region has a color. Munchkin Country is the first land of Oz we ever see and the starting point of "ME!" is blue just like it.

Then Taylor walks through a hall with blue walls and blue and yellow tiles on the floor. On her first trip to the Emerald City, Dorothy exclusively walks through Munchkin Country to the Emerald City, so the tile being blue and yellow signifies that this is only the first journey to the Emerald City.

The next room is a large green one. The Emerald City, right?

But when Taylor makes it out the front door, the house is white with some purple. Not the true Emerald City. Purple is for Gillikin Country. When Ozma is kidnapped by the Wizard of Oz and given to Mombi she lives in Gillikin Country as Tip. The Emerald City is (partly) white, Taylor's in her closet yellow, Ozma/true Taylor is dressed as a guy, and Ozma/true Taylor is yet to rule.

But finally, later in the video when Brendon and Taylor are on platonic terms, they run up to a massive green building with a rainbow beaming in front of it as they wear green clothes. I think this was intended to be the true Emerald City. The pink soldiers around it even look like the poppy field. I think it's notable that in the MV Brendon and Taylor run up to the Emerald City, but we never see them enter. I take that as acknowledging that Taylor wasn't there yet. "ME!" was not a coming-out video, it was a sprint toward that goal. So she wasn't inside the Emerald City quite yet, she was on the way, ever so close. However, as stated before, the smallest man ruined things, so this was retconned through Eras. However, if Taylor got to come out during Lover this would've been the final stop.

I was thinking that it would also be crazy if instead of a photo in a green outfit, we got one in red. In relation to Oz, red is Quadling Country. In the first book, it's the last place Dorothy journeys to before making it home. It's also where she meets Glinda for the first time (Glinda is the Witch of the South in the books and a different witch is the Witch of the North). Glinda is the only one who knows the real way to get Dorothy home, her silver shoes. So red would also be an interesting choice in this scenario, but green is definitely the more culturally recognizable choice.

I want to acknowledge the "Goodbye Yellow Brick Road" connection I've seen around, even though I don't think I have much to add to it. The idea is that Elton John's song "Goodbye Yellow Brick Road" has thematic parallels to gaylor. This idea that Taylor could leave behind a toxicly ritzy world for something better. Elton is an openly gay man in Hollywood who had to deal with a lot of silly Hollywood games regarding his sexuality. The way "GBYBR" is used in his film Rocketman definitely depicts Elton deciding to fix his issues brought on by the industry's abuse. Could this be what Taylor's about to do herself in her own way? Leave behind the yellow cedar closet for a life that's true to her? Taylor wore this outfit that already had plenty of Kaylor tie-ins like the twinning Carolina Herrera fit and the panther necklace, but her shoes match the ones Elton wears in the "Goodbye Yellow Brick Road" album cover as he steps in or out of the Ozian picture.

As an extra fun tidbit, let's work some Oz history into this! It is a commonly told story that L. Frank Baum's inspiration for the yellow brick road comes from a real road in Peekskill, New York. The myth is that Baum asked for directions to the military academy and was told to "Follow the yellow brick road." Even though this exact story is likely just a myth, it's certainly not unlikely that Baum saw those yellow bricks. While Peekskill is not New York City, of course, New York City has a big significance in Taylor's music. In "WTNY" she views it as a place where anyone can be free. New York City could be its own character in her music. If New York City is freedom it could be seen as an equivalent to Ozma's Emerald City. Peekskill isn't where the city is, it holds the road to it and freedom.

Conclusion 🌼

Again, it's so cool to have more to add on to this Oz theory. I admit that it feels a bit vindicating that I made Vol. 1 and in due time we got more Oz crumbs. Wow, can't believe Taylor saw my post. In all seriousness, this has been so much fun. I know there's the possibility of yet another part to this. If you feel like I've forgotten anything, let me know! Can't wait to know what's on the horizon!

[not-a-mawmouth]

Hm. Something about how Avrana Kern partially despises humanity for its history of genocide, hates them for being so prone to ideological stupidity, and yet not only is she actively advocating for the genocide of humanity (despite those humans being victims of the same awful event that caused her to believe humanity wasn’t worth saving) pretty much the only reason the humans are willing to resort to genocide is because her “humans are bastards” ideology meant she kept trying to kill them. And refused to grant them asylum when they asked for it. And told the spiders time and time again that the humans were an ancient enemy that would inevitably destroy them.

So, naturally, the humans stopped trusting anything to do with her. Including the entire sapient species they had no idea existed as a result of her experiment.

[buttercupshands]

(Forgot to post again)

A birthday present for a friend :)

[crybaby-bkg]

cw: Bakugou dies but comes back to life, “comes back wrong” trope, implied fighting, angst

When Bakugou died, you’re not sure how you went on living. Grief had taken over your life, sat you in the passenger side while it cruised off the highway into icy waters. And even then, you couldn’t find the energy to drown.

It’s why there’s a sudden uptick of energy when you’re promised to have him back. Some top scientists contact you months after his death, tell you to hurry down to the headquarters labs, come and rejoice for what you’re about to witness. And you’re horrified, to say the least.

“This isn’t my husband.” Are your first words when you walk in, watch the figure on the other side of the glass examine its own hands. It looks like your husband but—but his hair isn’t the right shade of blond all over. His nose bridge had a slight bump after a scuffle with a villain. He had a scar on his hand but—but it never looked like it was to sew a pinky beside the other fingers.

“Is that really my husband?” You ask next in disbelief, slowly entering the room. Bakugou’s head snaps up, his eyes a little brighter than you remember but—they hold so much emotion. So much memory, so much panic, so much guilt.

“I left you.” He mutters, his voice raspy and ragged, and you wonder if it’ll always be like this now. It makes you cry a little harder than it should, but you only embrace each other. He’s cold and his shoulders don’t hold the same mass and his back doesn’t carry the same scars. There’s one, jagged and rough, running down his back, and you think, you think that’s where they slipped a new spine in.

“Welcome back home.” You tell him, weeks after meeting him again, new and not totally—Katsuki. He’s stiff and he doesn’t immediately take off his boots when he enters, and it worries you. Makes you think if you’ve just let a stranger into your home, one that has stolen your dead husbands face. Makes you wonder if he’ll be as loving as Katsuki once was, or if he’ll become your monster looming over you with the guilt of not being able to rest anymore.

“I’ve missed you so much.” You whisper against his mouth one night, a little while after he’s moved back. You don’t know why you lay under him, why you let him nestle himself inside of you, why you let him hold you against his chest. Katsuki always ran his hands over your cheeks and neck whenever he held you like this, but this…man, only holds himself up with his hands resting beside your head. It’s alien, how he looks at you, how his hips are methodically measured with every thrust, how he kisses you every 8 seconds. You wonder if he’s more robot than Frankenstein monster.

“Why did you come back to me like this?” You ask him one night, barricaded in the bathroom away from him. You can hear his sobs on the other side, his pleading to be let in. He tells you he never wanted to come back if he had to be like this, that he’s sorry, please let him in, he misses the warmth of your skin, he’s never been so cold before, he’s never liked the cold.

“Is this considered cheating?” You ask yourself aloud one night, when Bakugou is forced back to the lab when he becomes too…un-Bakugou. To sleep with a man that is your husband in every way but? Your husband has been dead for a year now, and yet you stroke the chin of the man that tries so hard to be him everyday, but fails so miserably at it every time.

“I’ll come back to you right this time.” Bakugou promises to you when he’s strapped down to leave for the lab and before he’s sedated. But you don’t believe him—you never did. Your husband is dead, and this animated corpse has been nothing but a cheap mockery of everything you’ve lost and something you will never truly get back.

[ganondoodle]

been sitting at my desk for 3 hours just trying to decide if it would be better to draw or to write on the totk rant document, not doing either

[schwirrymartz]

goth twins (from different universes)

[astonmartingf]

apparently it's race week wtf??? i have a 10PM shift though so.....

[ctrl-lupin]

Yes, I would be very interested hearing your head canon (@tim-ribbert-56) (in response to this post)

I have decided for my personal entertainment that Clarisse de Cagliostro is related to Lupin III, and here's why.

-pulls out Arsène Lupin's Wikipedia page-

In the novel La Comtesse de Cagliostro, a young Arsène Lupin (at the time going by the name Raoul d'Andrésy) was courting Clarisse d'Etigues, a young lady of a well-to-do family, and trying to win her hand, despite her father's disapproval.

Throughout the course of the novel, Lupin meets and falls in love with Joséphine Balsamo, aka the Countess of Cagliostro, and abandons Clarisse in favour of her. To clarify, Joséphine is not actually countess of anything, she is (or claims to be) a descendant of Giuseppe Balsamo aka the Count of Cagliostro (who was also count of jack shit), a famous conman from the 18th century.

Shenanigans ensue, which I will not go into in details on, but oh my god I am insane about Raoul and Joséphine, I want to dissect them and study them under a microscope. It turns out Joséphine aka Cagliostro is evil as fuck, Raoul/Lupin realizes that and goes back to Clarisse (whom he had previously abandoned like an old sock, I fucking hate this guy), marries her, and a few years later has her kid.

Unfortunately Clarisse dies in childbirth, and Joséphine, who was still around and very very pissed at Lupin (and jealous as hell of Clarisse whom, may I mention, had never personally antagonized her in any way whatsoever, Joséphine is just fucking bonkers). Joséphine also kidnaps Lupin and Clarisse's son, Jean, and raises him as her own son. (I have not yet read the following novel The revenge of Cagliostro so I don't really know what Jean's deal is, I just know he's an antagonist).

The following is my headcanon, based on these events. In the universe of Lupin III, Joséphine Balsamo was actually countess of the small kingdom of Cagliostro (maybe Giuseppe was count, maybe he conned his way into becoming count, maybe he bought the land and built a fake kingdom with a fake history, who knows).

After the events of The revenge of Cagliostro, Jean settles down in the country of Cagliostro, gets married, has a child, and that child will later have a daughter of their own, who they name Clarisse, after their late grandmother. Clarisse de Cagliostro, of Lupin III: The Castle of Cagliostro fame, would thus be the great-grand-daughter of Arsène Lupin, making her Lupin III's cousin/niece/whatever you call this specific degree of separation.

I am choosing to make Clarisse de Cagliostro a great-granddaughter of Arsène Lupin, rather than a granddaughter, because Arsène Lupin was very young when the events I described unfolded: he is 20 years old when he meets Clarisse d'Etigues and the whole Cagliostro debacle happens, and 25 by the time Jean is born. I'm assuming he had Lupin II much later in his life. So Jean and Lupin II (half-brothers) would have a significant difference in age, and so Jean's hypothetical child (grandchild of Arsène Lupin, so of the same generation of Lupin III) would be much older than Lupin III. Clarisse de Cagliostro is younger than him, maybe around the same age if you stretch it, so she's have to be a great-grandchild.

Now I need to read The revenge of Cagliostro and study Arsène Lupin's wikipedia page in more detail to determine when exactly Lupin II was born and who his mother was. And also where Albert's family branched out, because the fact that he's called D'Andrésy should theoretically place him as a descendant of Arsène Lupin's mother but not of Arsène Lupin himself; but Jean was also going by that last name, so who fucking knows.

No I am not insane I promise, I am just a gigantic nerd.

[cassianandfenrysaremyboyos]

I'm sorry but this just pisses me off (Not Hunt obviously, but Bryce)

Bryce rant incoming which you can just ignore and I'll probably delete later

But Bryce just puts all the blame on the Asteri. And yes ultimately they are to blame in the larger sense of things. But Bryce plays a direct role in leading them down the path that results in Hunt, Ruhn and Baxian being caught. It was her need to find out Danika's secrets with no thought to the consequences, her idea to go to the Eternal City. And she takes NO personal responsibility for it at all!

Hunt is blaming himself for everything that's happened. Even when it's not his fault at all. When we're in his pov he's constantly drowning in guilt, thinking about how he should of done more, he should of tried harder, he should of been better, how it's all his fault this happened and that his friends suffered.

And then Bryce does none of that. When we're in her pov she doesn't really show any major guilt. I can't think of any times when she blames herself like Hunt does. And I'm not saying she should be wracked with guilt. But a normal person, a good person, will usually feel bad and will feel guilty and blame themselves to some degree when something bad happens and people they care about are hurt, regardless of how big or small they're involvement is, or even if they're not at fault at all, case in point Hunt being wracked with guilt even when it's not his fault.

And to make it worse she acknowledges that Hunt warned them, warned her. But that she disregarded it and would of done it no matter what.

And then she has the audicity to say she doesn't regret it. And she thought they were on the same page. ON THE SAME PAGE!!?? Hunt made it clear in hosab that he didn't want to go down this road again, that he didn't want to get involved. YOU just didn't listen Bryce. And yeah Hunt's an adult, he can make his own decisions and he could of said no and not gone. But of course, OF COURSE!! he wasn't going to let Bryce go down that road alone, because he loves her, and doesn't want anything to happen to her, and wants to protect, so of course he would never desert her. But that doesn't mean he wanted to do it!

For Bryce to be that unaware of Hunt's feelings, when he explicitly stated them. For her to be that disconnected from her mate's feelings that she's surprised that he wasn't really on board is kinda unfathomable to me. Just that complete lack of awareness really does make her look quite selfish/self centered.

Anyway sorry, this post is a mess but I just had to vent

And then when Hunt mentions the consequences he and his friends faced, Bryce makes it about her pain. She's hurt that Hunt mentioned that they suffered. And the worst part is, Hunt then regret's it, he regrets saying something that hurts Bryce, because he cares about her and feelings. And she does not consider his feelings to the same degree

It just pisses me off

[chibishortdeath]

Some attempts at a design for Selena :3. The second image is inspired by the wedding in Haunted Castle, but I changed Simon’s outfit cause idk I just can’t picture him being comfortable in a suit.

The last two of these are way more headcanon-y lol. They’re under a cut mostly in case my headcanons and story ideas change d(^^ ). One of them was inspired by a Kikuo song I was listening to while drawing lol, the song “Let’s Go to Heaven”.

[douwatahima]

y'all ever read a book and spend the whole time so engrossed in solving the main mystery that when a second mystery (seemingly so inconsequential you didn't think to question all the clues leading up to it) reveals itself to you it bowls you over so intensely you start yelling and pacing around the room like an insane person?

anyway read voyage of the damned by frances white

[museganjin]

edit: eye design on the pin is based off of this video tutorial by yurie sekiya, creator of pero pero sparkles.

[zoueriemandzijnopmars]

How can I have started a book, read the blurb on the back, the title and 30 pages, but only when I’m tracking my progress on the StoryGraph and only finding an English version of the book when searching by isbn I realise that the book is in fact in English and not in Dutch as I’d been convinced?!?!