#theres no real reason why

[godbirdart]

"i need to be hotter" i say as the ace who has no fucking clue what Hot even is

[what-an-art-blog-huh]

All cats are fueled by autism in their own unique way

[ganondoodle]

the company i work for decided that its switching from the german formal "You"(Sie) to the informal "you" (Du) in all of our websites so now we have to scour the entire database to change it and i quite frankly hate that, not just bc the unecessary extra work but especially bc its such a weird and unecessary change

i bet its bc everything here is getting englishfied (both literally and culturally it feels like, when my new boss talks its half in english bc every second german word is just replaced by an english one despite there being perfectly fine words for it in german too, its so annoying) and bc they want to sound more personal in hopes of getting more clients bc 'company is your fwiend uwu!!', i know this here is the amercian tm site so you wouldnt understand really but i do not want to be greeted with 'du' by companies, no, thats too personal, you dont know me and im not giving you my data, stay away!!

i guess thats how i would describe it .. the formal you is like a polite distance, like someone you dont know staying outside your personal space, but when its the informal 'you' it feels invasive unless i told you you can call me that, and that goes double for companies

maybe its a small thing that doesnt seem important but i cant stand it, im just a little part time worker doing data work so i got no say in it but the companies founder also announced hes giving his post to his kids some time ago so ...... since then theres been alot of changes and new projects that solely aim to imitate whats popular and whats done by other companies, despite ours being one that is, or used to be, intentionally different, like, that was the POINT, but i guess chasing trends is just too appealing for CEOs

[sh1-n0bu]

everyday i look at the hoyoverse fandom and go “wow… media literacy IS dead😃”

[vani-ash]

I was rewatching kinnporsche on the plane and

Did Kim sign Wik for Ohm as well?? Bestie didn't even know who you were Kim 😭

[sunnykeysmash]

Charlie: "Hey, uh, Dennis, uh, get to Frank as fast as you can. I have Malcolm and his dad."

[simplydnp]

Sometimes I think Dan and Phil are totally platonic besties and then other times I’m convinced they fuck on the daily. I think they do it on purpose and it’s honestly iconic.

kind of the best thing is that they are that and everything in between. you can tell they just like being around each other. they've made content together for 15 years and the large majority of it was done in the strictly platonic sense for their audience. and they were still having so much fun with it. we're in the 'we know you know' era now so we get to see flashes of different dynamics they have, but they absolutely have more we Don't get to see bc they're not for us.

they like each other. stupidly fond of each other. spending time together doesn't feel exhausting. they're best friends and each others' harshest critics while being the biggest hypeman and also safe space.

dnp's relationship with us, their audience, always has been and always will be different than any other content creators. part of it is how they accumulated it, but another part is just the massive history we have with them. they Get us. they Know us. they're silly goofy sarcastic guys who love us and hate us sometimes. theyre grateful but careful too. they like to rile us up, just like they do each other. it's a love language, teasing, and we've shown positive responses to it over the years. i like to say that my relationship with dnp is antagonistic sometimes--cause i know they're pushing my buttons on purpose. and ykw? it's fun! it's fun for us and it's fun for them because they have the control. i know anything they let out is cause they chose to let it out because they Know how we are. so yes they absolutely adore messing with us. we're a funny bunch.

[oceanwithouthermoon]

aiura def has a photo wall with hundreds of pics of her and her friends..

everyone is in a few but its mostly the psychickers and chiyo...

[fredbydawn]

realized it's funny that i watched these two after falling down the rabbit hole and gave them the same rating when they're very different movies, like one is about a character getting to explore taboo elements of their sexuality and desires that most people sought out cuz of a scene which is centered on the ass of a male Saw actor, and the other is Delta of Venus

[s0fter-sin]

is there any actual catharsis in the boys or is it all just suffering and scrambling for a crumb of relief

[rxttenfish]

How do the merfolk sound like? What kinds of noises can they make?

the short answer is: real big and spooky

it's actually kind of relevant to this chapter in caecilian, mostly because i realized there was a lot more focus that'd have to be put onto merfolk language here with aaravi's particular... Interaction. in longer terms, their vocalizations are complex and multi-faceted, utilizing the full breadth of sound available to them and within the medium of water.

merfolk have an incredibly large vocal organ that spans the length down their throat and to the bottom of their ribs. i haven't fully detailed out how it works because i still need to do a lot more research on specifically underwater vocalizations (and my personal pet theory that i think this is extremely under-researched for marine life beyond whales...), but i know it's huge, complex, and extremely important for merfolk interactions. it's capable of producing a wide variety of sounds, both high-frequency and low-frequency, and is capable of achieving some impressive volume.

it also means they're capable of closed-mouth vocalizations, which is why you get those descriptions of merfolk talking with their mouth closed and why holding their mouth closed won't necessarily stop them from speaking. for most merfolk, it's the norm. i'm not sure how much they actually use their mouth itself for vocalizations? their lips aren't very mobile, they don't like to reveal their teeth a whole lot, they don't have cheeks and have a much weaker seal for suction than a mammal. the most they use it for is the noise produced by snapping their jaws or clattering their teeth together.

merfolk also have some impressive auditory capabilities to match. this is another thing that i really need to do more research in... but it's also why their earfins are like that. merfolk very much did end up co-opting their external gills to also perform as external ears. they were already serving a role as a sensory organ, able to pick up vibrations in the water, temperature, differences in depth, etc etc, so it wasn't a huge jump to make, especially when they're already in the same place as the ear (since they're external gills. and earbones are modified gill arches). they almost certainly have some sort of "fat pad" in their internal ears as well to help pick up on vibrations as well — and there seems to be evidence that, because fish live in water and hearing is just a means of detecting vibrations, and as opposed to air which doesn't carry those vibrations as well as water, they can just... use their entire bodies as an ear? again, really need to go into it, but also i can't help but feel this is going to be woefully under-researched to begin with.

i've gone back and forth on it, especially with that research i still need to do... but the structure of the external gills themselves also helps act as an external ear. as in, they're large and sensitive to help them have this wide range of hearing and sound on land as well, potentially also helping in the water?, and help to guide sound back to their inner ear, with their ability to reposition themselves assisting to "refine" that sound. this is also an additional benefit to the cheek fluff and why i put it there in the first place. it serves the same purpose as the facial disk on an owl, further refining and detailing those sounds and providing multi-dimensionality. again, don't know how well this will hold up underwater! still need to work on that! but it's there!

anyhow. all of this is important, because merfolk are most adapted for long-range sound. visibility is poor in even the clearest of ocean water, and they're already playing with long distances between themselves and everything else and long distances even between other merfolk. light doesn't penetrate very far in water, and they can't rely on their sight even in good conditions, made worse if they dive to pursue prey or for safety or for any other reason. they're also highly social, with high social cohesion allowing them to hit far above their own weight and working together with more merfolk had greatly compounding positive effects on their own survival. they need to stay in touch, they need to work together, they need to know what other merfolk are doing and to reinforce those bonds.

most merfolk vocalizations, then, follow in the same trend as other large marine animals. they're noted as sounding very "musical", with similar long, haunting songs as whales and leopard seals, although with distinct features that makes it easy to tell them apart at a distance. they tend on the deeper side - they're large animals, and their vocal organs are large, and those deeper sounds travel further too. i've compared them to sounding like what a whale mixed with a tiger or crocodile would sound like, or to the person version of a cello or bass. it might be described as "growly", but think like how someone with a very low, smooth voice might still be described that way. they do have some infrasonic rumbles as an important component of their typical repertoire, so they can also come off like standing too close to a bass speaker. you can usually feel a merfolk talking as much as hear them.

however, compounding this is the complexity of their vocalizations. most merfolk have a tendency to "play" with sound - stretching it out further than it has to be, or trying to make syllables rhyme when they don't, things very odd for a human to listen to. it's like they're trying to sing but there's no rhythm or beat to it yet, disjointed sound that's almost a tune but not there yet. accents complicate this further, although the full diversity tends to be lost on landfolk, because this usually manifests in them "playing" with their words slightly differently, producing slightly different almost-songs.

they also tend to just play with sound in the typical way. merfolk retain a heightened degree of playfulness throughout their entire lives, with a high neuroplasticity to match, and so they get an urge to "remix" sounds or just to roll them around and try them out, stretching them out like taffy or squashing them together. sometimes this means they'll repeat an interesting word or sound until it stops sounding anything like what it means, sometimes they'll just repeat and shuffle around sounds they know, sometimes they just try to come up with new sounds or stretch their vocal organ in new and interesting ways. this also means they're highly skilled as mimics - though, this is a learned behavior, not an innate one, and one that's mostly treated like a party trick by other merfolk.

they also intersperse their language with other sounds and vocalizations. merfolk are very used to trying to talk to each other without being actually able to see each other, so a part of this includes needing to pass along that emotional information as well. plus, beyond their fins, they just aren't very expressive, with far more limited body language than most.

but, mostly, this manifests in their language getting increasingly more complex. merfolk brains are already primed to quickly process and sort out a lot of different auditory information at once, and they take full advantage of their wide range of sounds in order to communicate, with their language, then, favoring a multi-layered approach that's very hard for other species to understand or decipher.

for instance, they might have a single word that they use when in close contact with the subject they're referring to. this word already has a sandwich of different vocal elements to it, forming one meaning when put all together. but, a merfolk will seldom ever use that word alone, because in order to grammatically make it work and string it together with another word, they have to move those different vocal elements so that the two words weave together and naturally "flow" into each other in accordance to a cultural sense of rhythm. then, this has to be repeated with the entire sentence, making sure that it naturally forms one whole block of sound that composes a series of sounds that all fit together properly with each other. also changing this is when they add in grammatical signifiers of emotion on top of their verbal cues and components, and they might add in locational signifiers to it as well, to create different clauses within the same sentence that weave over each other to make a string of meaning.

worse yet, merfolk can also shorten these sentences too, with rules for how to do so, effectively reducing entire sentences down to singular contractions.

and merfolk do like packing as much meaning as they can into their sentences as possible! i take a LOT of liberties when writing out the translated dialogue, mostly favoring what works best narratively over the transliteration of what's going on, not least of all because to literally translate what's being said would be to create a lot of run-on sentences with repeat information, even information that might be immediately obvious.

this occurs because there's also another mode of their languages: the fact that it's happening over distances to assumed lots of other merfolk.

merfolk are simply... very used to hearing other merfolk, all the time, at all hours of the day. and this is very important information to them! it helps them keep up with the social environment on top of the literal environment, evolved out of a need to be able to quickly coordinate themselves in groups when on hunts or in danger, each needing to immediately react to something that only one other merfolk might have seen.

and the modern extension of this is the fact that merfolk end up forming mental projections and maps of their entire environment and are able to know at any given time what's happening in any given place within it, regardless of how involved they actually are. they have to be able to quickly respond to social changes and alterations in dynamics, so constantly communicating what's going on and what any given merfolk's feelings are is important. their relationship hierarchy determines so much of their life and how they navigate the world and the other merfolk within it, that they need to immediately tell what the entire complex social dynamic is of any potential merfolk upon first meeting. they need to know what's going on over there in case someone's in danger, and they need to protect those close to them and respond to threats swiftly so that those relationships can be preserved.

it's a lot! it's a lot, and it can be even harder for other species to conceptualize, especially because merfolk tend to "think in 3d". as in, they already live their entire lives within a place where moving up/down is just as easy as moving front/back or left/right. they have to navigate three dimensional environments in a way a lot of terrestrial life doesn't have to, and they have to get used to quick changes within that. so, they tend to map their thoughts more like physical objects, with locational markers allowing them to sort through it more easily, or think about how things might connect or layer over each other in complex ways. this gets attached to words and grammatical units, but it also means a merfolk can mentally map out the exact physical location of all this auditory information with greater ease, and this can have a major impact on how they converse with each other.

a merfolk, even when alone, or with a group, or at any given point when they're not engaged in any other conversation, will often feel an impulse to... fundamentally, start narrating what's happening. as in, their languages also have a component that allows them to strip down to solely physical information too, allowing any given merfolk to map out a location without it necessarily needing to be a grammatically correct sentence in other ways. and this is because of that mental mapping through sound and conversation, that it's seen as polite to do so and helps others navigate and respond accurately to what's going on, but it also gives the participating merfolk a sense of community and interconnectedness.

this, all of this, can also be stripped down even further, in the same reason why all these strict rules about making all the different elements "match" is so important to them. as in, to a group of merfolk who are used to each other and used to each other's verbal patterns, they can be stripped down so far as to become shorthand for more complex locations and events. think of it like doctor's handwriting, and how they can write a full chemical name out with a gesture. it's complex information relayed quickly, which is EXACTLY what merfolk want when they go hunting.

merfolk hunts are... kind of terrifying to witness for this reason. all this care and effort becomes immediately clear as they are seemingly able to act as one, seemingly reading each other's minds to become one well-oiled machine. this is the end culmination of all of their thoughts of communal identity, the evolutionary pressure that led to their complex languages and complex relationship hierarchies and everything - that they can move and act so effectively that they're one body in many.

of course, this gets done for multiple other reasons in the modern day, but the whale and leviathan hunts still are a well-loved tradition and way of life, especially celebrated by many great nomadic families.

that said, some other sounds i've described merfolk as making, though usually more in the line of their vocal expressions of emotion than language proper: chirps, chirrups, whistles, clicks, chattering, trills, chittering, squeaks, honks, grunts, growls, rumbles, huffing, braying, purring, hissing, wailing, screeching, screaming, thumping, chuffing, and more! they cannot roar, but they can make infrasonic rumbles like crocodiles or large dinosaurs are theorized, and they do tend to scream like parrots in order to show extreme emotions (distress, yes, but also joy or excitement). i have some example audio here and there as demonstrations of what they sound like, and it swings wildly from cute and precious to horror movie soundtrack. :3

[418uchuu]

guys i like nosy neighbours btw

[puppyeared]

Atla live action 😐

[moonpaw]

The uranium protagonist did not win the healthy good relationship with parents lottery

THEY DID NOT😭

[inamagicalhallucination]

i know im very vocal about seeing dazai as atsushi's older brother, btw, like thats just how they r in my head but if u ship them i genuinely dont give a fuck

[opens-up-4-nobody]

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