#then. well. your interpretation really IS less valid

[fiona-fififi]

...

[chamerionwrites]

Honestly this gets at my chiefest complaint/frustration/discomfort with fandom as a whole. Which is: in their rush to defend the artistic merit of fanworks I think a ton of people have really valorized transformation and remixing and reinterpretation in and of themselves, when imo those are all quite neutral actions. When done well, they can expand and build upon and subvert meaning in really powerful and thought-provoking (and fun!) ways. When done poorly, they are just as likely to flatten and oversimplify and decontextualize and completely erase meaning. The simple act of changing something does not imbue the choice to do so with creative validity. It is entirely possible for a cover song to be bad (or just boring!). To exactly the same degree that it is possible to transform a pretty shallow and straightforward work into something deeper and more nuanced and subversive, is possible to transform a work into a vastly shallower and less interesting shadow of itself. As with nearly everything in art, it's all about the execution!

But the second you voice this position (which should honestly be a pretty uncontroversial one imo), you get people shrieking at you about being gatekeep-y and pretentious and betraying the sacred fandom etiquette of Don't-Like-Don't-Read.

And like...listen. I was not raised in a barn. I am 150% capable of quietly back-buttoning out of a fanfic I think is bad or boring - which is exactly what I do when I encounter them - and I am obviously not advocating for stupid ships wars or any kind of harassment or leaving hatemail in people's AO3 inboxes. (Which some people will also accuse you of the second you say anything less than lavishly positive about fandom, in true piss-on-the-poor fashion.) Literally all I am saying is that you can't have your cake and eat it too - that if fandom and fanworks (in the broadest sense) have artistic merit then fandom and fanworks (in the broadest sense) are fair game for artistic critique. Which means, in practice, that I can go on my own blog and make a post exactly like this one - critiquing broad trends, or stating that some interpretations are bad actually, or pointing out that subverting or talking back to or reading against the grain of canon is very different from simply ignoring it, or saying "fandom's culture of collage/remix/fuck-canon-I-do-what-I-want can lend itself to to really creative and interesting art but also to a lot of really bland homogenized cut-n-paste art, not to mention some pretty troubling decontextualization." And that if you feel this rains on your personal parade, you are then free to DLDR by back-buttoning out of my blog and/or blocking me so you never have to see my hot takes again, rather than clamoring in my notes about how I should let people enjoy things.

[quantumshade]

i’m sorry people in the notes are calling you “harmful” for this, that really was not my intention with my response — i honestly think they are just two different readings. i don’t think we have to agree at all, i think it’s good to have different takes on these things.

in defense of my reading, i have to say that while discussing TEC/TDD as “complicated queer art”, it is, at the end of the day, a story written by a straight man who enjoys making homophobic jokes in his episodes. it is a story about sex, and a queer reading is worthwhile and certainly not unsupported by the text, but i'm not sure i would label the story itself as inherently queer. i don’t say this to go “haha moffat Bad” or whatever, but rather to try and put this moment in context for what it is both for moffat as a writer and rtd as a showrunner. rtd, by his own admission, did not look over or rewrite moffat’s scripts to the extent he did other writers, which is worth considering when talking about his intention with the story. so reading their individual discourses on queerness as one cohesive and intentional narrative, one from a queer man writing from personal experience and one from a straight man who is not, and arguing that looking at these things separately is disingenuous, does not appeal to me personally as someone who prefers to read these things in context.

remember, the episode also has a scene where nancy threatens to out a man (who is characterized as greedy and rude and not much else) as gay, using this fact as blackmail, and this scene is presented as the man getting what he deserves for being a hypocrite. and this compares to a lot of similar scenes in later moffat episodes. i don’t think reading this in context of the writer’s biases and known repeated writing beats should have to be disappointing. i like both rtd and moffat. i think they both can be very good writers, especially in the masterpiece that is series one, but they Are different. and they have different perspectives on things. that’s not a bad thing, it just is, and it’s worth talking about when discussing the “direct line” of different character arcs. i also think minor critiques and criticisms are warranted for both of them here and not at all a bad thing to discuss. they are both thoughtlessly bigoted at times, and those times are not the same as portraying a character as deliberately flawed, but we can disagree on what times are what.

personally, i think you can read the empty child and the doctor dances as a lot of things. i’ve written about my jewish reading of it in the past. it’s about healing from war. it’s about a homeless girl’s struggles in a world that ignores her, and poor children surviving during wartime. it’s about csa (“there was a man there”; and the implication is there, and left intentionally ambiguous, that nancy herself is a victim) and choosing to live on the streets during the blitz rather than continue to face abuse. it’s about how fascism seems so hopelessly unbeatable that a girl in 1941 struggles to believe she’s meeting someone from the future who isn't german. it’s about sex and love and someone like jack, who is open about those things, acting as a foil for the doctor, who is not. it's about "at the beginning of this war i was a father and a grandfather. now i am neither." and it's about "yeah. i know the feeling." and above all it's about how against all odds, sometimes, just this once, everybody lives.

series one is about rose learning that she can be more than what the world expects from her, and that the universe is not nearly as cruel and uncaring as she thought it was, not when there are people like the doctor (and people like jack) out there. it’s about her opening her mind to new ideas and growing into herself as a person. rose is an incredibly flawed character, complacent in her life and believing the things people tell her she should think about herself and the world are inherently true, because you’re right, she is the product of the culture around her. i argue against labeling her homophobic because to me it feels reductive to her development and her journey, especially when other companions have comparable moments. it also feels reductive to me, as someone who grew up working class, to assume that this background would make her homophobic.

i also bring up the novelization not just because i enjoy it, but because i think it gives insight into how rtd thinks of these characters at the beginning of their respective arcs, despite being written much later. to me, it feels like it implies that rtd did not intend for homophobia to be a significant part of rose's character arc. who knows, maybe he changed his mind about rose’s homophobia between writing the episode and writing the novel. maybe he didn’t. it doesn’t really matter, i guess, except for how we want to choose to interpret these characters with the evidence we are given. and if those interpretations are different, then i think that's fine and good actually

the "you're so gay" line is good because it's important that rose ascends from casual homophobia to being in a polycule with the two queerest dudes on tv in 2005

[linkcharacter]

Love the difference from how Jimmy rejects the pills aggressively while it’s implied in canon Curly just tries to keep his mouth closed rather than hurt anyone. I also love how Curly thanks Jimmy for letting him help vs Jimmy complaining that he had to in canon despite never really being an asked more than once and talks down to Curly.

It’s an interesting difference in how they both take the duty from Anya where Curly is def trying to salivate her of having to take care of Jimmy due to every pre-crash and the guilt but also because that is his friend still. Just comparing it to Jimmy who only does it cause he needs to feel useful and asserting himself as more capable than Anya.

I know you likely wanna keep it vague or open to interpretation but since Curly acknowledged the pills aren’t doing much for Jimmy do you think he’s genuinely doing it just cause it does something even if little for Jimmy or to ease his mind? Sort of like how the crew mainly gives Curly his pills to keep him quiet and more so how Jimmy does it cause Curly’s sobs def mess with his crippling repressed feelings of guilt.

Very interesting how it differs. Also love how you still didn’t show the actual feeding of the pill

Oh yes the differences :) The whole time I was making the comic the 2nd audio of Jimmy feeding Curly the pills kept spinning in my brain. And yes, I didn't show the actual pill feeding, the game doesn't show it visually, so I didn't think there was a reason to do it here.

You are correct, I would like to keep it vague. It's interesting how you interpreted Curly's comment on the pills as just him thinking they aren't doing much for Jimmy, and I'm not saying it's wrong, but I see (and put) a couple of different meanings for his thoughts' text, all of which are valid, this one included.

As to why Curly gives him the pills, I'd say it can be both reasons at once. Curly does want to help, but he also wants to feel like he's helping. The thing about Curly is that he prioritizes doing what his own sense of righteousness dictates as doing the right thing, whether or not it's a smart or a helpful decision or not. Like how he decided to tell the crew about them losing their jobs. It wasn't a smart nor a productive decision, all it did was make the crew stressed and brought the morale down for the rest of the 8 months they were supposed to haul. But it was what Curly saw as 'what a good person would do', 'what a friend would do', that he "can't keep this form them all" because it gnawed on his conscience. He didn't consider consequences of telling upsetting news to his crew, or if he did, they didn't outweigh the importance to do right by his crew to Curly. To him it was the 'less scummy' way to go about it, the one that didn't leave Curly feeling like a bad person for "deceiving" his friends. But he means well at the end of the day too, he doesn't want his friends to feel betrayed, feel like they've been kept in the dark. He doesn't want to use his special treatment as a Captain while his subordinates are worse off than him.

And here with Jimmy, Curly wants to do his best to ease whatever pain his friend is in, but he also doesn't want to force him into anything because that would make Curly feel like he's undermining Jimmy's autonomy, whether or not Jimmy by himself would make a decision on medical treatment that was 'best for him', and whether or not the pills do jack shit at all. Curly tries to do good by everyone, because he genuinely wants to help and because he feels that doing a helpful thing is what he 'should' do. Curly's a complicated guy and it all comes down to what you personally consider as 'genuine want to help' and whether or not, to you, the actions a person takes matter more than the intentions behind them.

Thank you for your comments, as always very discussion engaging, I love it!!

[misspygmypie]

Gourmet Disaster Cookies - LN4

Pairing: Lando Norris x reader Warning: None Summary: Lando and you bake cookies. What could go wrong?

Please do not repost, thank you, and leave some feedback :)

Lando’s eyes narrowed at the mess sprawled across the kitchen table. Flour dusted the counter like snow, sugar was scattered like confetti, and an oversized mixing bowl sat in the middle, its contents a questionable shade of brown. Despite the chaos, the smell of fresh-baked cookies wafted through the air, combined with the scent of his frustration.

“Stupid. So stupid. My God. I’m so done with your shit,” he mumbled, shaking his head in exasperation. His dark curls were a mess from running his hands through them repeatedly, flour sprinkled in.

You leaned against the doorframe, arms crossed, watching Lando with a barely contained smile. “I don’t think you’re actually done with this,” you said, voice dripping with amusement.

Lando shot you a look that could’ve murdered you. “I’m not doing this again,” he said firmly, though you both knew his words were empty threats.

It had started as a simple suggestion: baking cookies together on a lazy Saturday. You had hoped it would be a relaxing activity, a way to spend time together. What you hadn’t anticipated was Lando’s complete lack of ability to produce anything edible in the kitchen.

He had, with great enthusiasm, insisted on making cookies from scratch. You had watched, bemused, as he struggled to measure ingredients, with flour explosions and sugar spills becoming a regular occurrence. The recipe seemed to mock him with each step. When it called for “a pinch of salt,” Lando had interpreted it as “a handful,” resulting in cookies that were both salty and sweet in the most bewildering way.

“Well, you see,” you said, strolling over and peeking into the mixing bowl, “the recipe called for way less salt for starters.”

Lando sighed dramatically, slumping onto one of the barstools that wasn’t covered with some kind of ingredient. “I swear, I followed the instructions. But you were too busy talking about how we should add extra chocolate chips…”

“Hey, extra chocolate chips were a great idea!” you interrupted, though you knew his complaint was valid.

He shot you an incredulous look. “Yes, extra chocolate chips in cookies that taste like cardboard was definitely a great idea.”

You couldn’t help but laugh at his defeated expression. “Well, you did say you wanted to make them ‘extra special.’”

Lando rolled his eyes. “Yeah, I wanted them special, not… whatever this is.”

You crossed the kitchen and gently nudged him with your elbow. “Well, how about we try to salvage the situation? Maybe turn this into a fun, new recipe? Like ‘Gourmet Disaster Cookies’?”

Lando’s expression softened, and he couldn’t help but chuckle. “Gourmet Disaster Cookies? Really?”

“Why not?” you said, reaching for the jar of sprinkles and shaking it over the remaining dough. “It’ll be a new culinary adventure.”

He watched, still skeptical but intrigued, as you turned the doughy catastrophe into a playful mess of sprinkles and smiles. “Alright, alright,” he said, shaking his head with a smile. “But if we’re doing this, we’re doing it right. Next time, we’re sticking to pre-made cookie dough.”

You laughed and gave him a playful nudge. “Deal. But for now, let’s just enjoy our ‘Gourmet Disaster Cookies.’”

The two of you sat down with the cookies, which were now covered in a generous layer of colorful sprinkles. The cookies were oddly shaped and unevenly baked, some corners almost charcoal black, some spots suspiciously raw looking - BUT the presentation was kind of festive. You took a bite, exaggeratedly savoring the taste.

“Not bad!” you said through a mouthful, trying to sell them to the curly-haired Brit watching you.

Lando took a cautious bite, and his face lit up in surprise. “You know what? These actually aren’t terrible. They’re weird, but… not terrible.”

As you both laughed and enjoyed the cookies, the kitchen mess seemed to fade into the background. The burnt edges and odd flavors were nothing compared to the joy of the shared experience.

After finishing off the batch, Lando stood up and stretched. “I can’t believe we actually ate those.”

You chuckled, tossing a stray piece of dough into the trash. “We did. And I think we might have created a new tradition.”

Lando grinned, a twinkle of mischief in his eyes. “Next time, we’re definitely using pre-made dough. But until then, I guess we’ve got our own ‘Gourmet Disaster Cookies’ to remember.”

The day ended with the kitchen still looking like a war zone, but you didn’t mind. As you and Lando cleaned up together, your laughter echoed through the room, making the mess seem less like a disaster and more like a cherished memory.

In the end, it wasn’t about the cookies. It was about the moments you shared, the laughter, and the way even a cooking disaster could turn into a delightful adventure when you had the right partner.

[cybertron-smash-or-pass]

You do know that fornication with cybertronians, regardless of faction is impossible as they would crush us due to their sheer sieze and weight, right? It would also be considered immoral and beastiality if we are talking about the predacons for example.

Y'know, I was originally just going to dunk on you for unironically using the word Fornicate in the year of our Lord Primus 2025, but this seems to a genuine, good-faith argument you've constructed here and to leave it at a joke would be flippant on my part, and I hold myself to a higher standard than that. So! Allow me to counter these points one by one.

While in reality, yes, the likelihood of death or injury from letting a 20-foot robot that weighs as much as a truck rail you full force would probably be pretty high, the nice thing about fiction and fantasy is that it doesn't really need to be grounded in reality. And even if you can't entirely suspend your disbelief on that level, there are still workarounds.

For example, not every transformer has all the mass of a semi truck. Their sizes have quite a bit more variation than you might be anticipating. Animated Prowl is only like 10 feet tall, 12 tops, and a smaller motorcycle only weighs around 350-400 pounds, which really isn't all that crazy. You look at G1 Rumble and Frenzy, and they're hardly taller than the humans. And then you look at the Beast Wars cast and some of the Maximal are straight up shorter than I am. Rattrap is like 4 foot nothin'.

Now, I know what you're thinking. We certainly do not limit ourselves to lusting over the smaller bots here on cybertron-smash-or-pass dot tumblr dot edu, so what gives? Well, my dear, we've found a reasonable canon excuse to bring the very big very heavy robots down to a more manageable and less hazardous size through the magic of ✨mass displacement✨. Basically, if Soundwave can scale down into an itty bitty cassette player that can easily be picked up like it weighs nothing, there's really no reason a 30-foot robot as heavy as a jet couldn't scale down into a smaller, human-ish-sized robot. They have the technology.

Now say someone doesn't really want to make their fictional robot boyfriend smaller. Maybe the insane overall size is part of the appeal, but they still can't get over the thought of whatever they're packing being way too big to avoid injury. While Cybertronians are typically humanoid, their junk doesn't really have to be in perfect proportion with a human's. No rule that says you can't scale it down enough to fit! But then, maybe they can work with the equipment being comically big, but they can't get over the idea of being crushed. Easy solution, human can't get crushed if they're on top!

Maybe they can't picture the spike fitting at all, and scaling it down just looks a little too silly, but they're still attracted to a big ol' robot. At that point, the best workaround I can give is just sticking with picturing non-penetrative sex. Not like there's only one way to do it, and nobody can stop you from imagining Optimus prime having at it between your thighs, or scissoring with Megatron <3

Now as for whether some of it is immoral, I don't really think banging a Predacon would be wrong? Whether we're talking about the beast wars preds or the tfp preds, they're all treated as adults with human-level intelligence, so they'd be able to give consent, unlike earth animals. Sex with Optimus Primal is really a lot closer to bangin' a guy in a gorilla suit at a costume party than hopping into an actual gorilla enclosure and bending over. While an argument could be made about the tfp predacons being technically very young, and it'd be perfectly valid to be uncomfortable sexualizing them with that in mind, not everyone is going to interpret them as being immature since it seems they start off in that continuity generally having their shit together and knowing enough as to not be easily taken advantage of.

So with all that said, I hope you at least have a clearer picture of how the mind of a robotfucker operates!!

[sadgayeddie]

(i actually didn't read more than that so thanks for the tl:dr i can't imagine anything more important was said)

anyway. buddie is 100% a valid ship. who cares if they're not canon (yet)? fandom is for having fun (like buck said!!!). they are all characters. not real. none of them exists in real life. we can do whatever we want to them. no one can decide what's right or wrong or the correct thing to ship. that's like, the point of fandom and especially tumblr. and we have no idea where canon will take us until the show is literally finished.

buck and eddie have been paired together since the day they met. they have a whole ass backstory that parallells to the other ROMANTIC relationships on the show. more so than the friendships. and wow, you really are some advocates for strong male friendships all of a sudden, like we need more of them? we have multiple of them in the show already. even between queer and straight characters. what we need more of is actually canonically queer people and couples. we can never have enough of that.

well back to the point. no one cares if your ship is canon. they even broke up. dated for like 15 minutes (of screentime......?). did you care this much about bucktaylor and buckabby too? (or have you only watched the eps tommy are in bc that would make sense...) because both of them are equally as valid as bucktommy but we don't hear you defending them this hard. one could even say one of them meant more to buck than tommy ever did. GASP WHAT DID SHE SAY. anyway, what tommy did was to open buck's eyes to something different. totally valid and we appreciate that. no one is taking that from you. arguably, i would say abby did the same thing.

and then you go on to say "one is canonically straight" which is the funniest argument i've ever heard. as if him saying that means it's set in stone. why would they even bring it up if not to touch it later? guess who thought he was straight up until a year ago? even if he never said "i'm straight" out loud, we know he thought he was. how many of you headcanoned him as bi before that? hm. interesting.

anyway. we literally don't care that you think buddie is a less valid ship because they're not canon. we're having so much fun. sorry you can't seem to understand that. you ship buck and tommy if you want and you let us ship buck and eddie. or both! or neither! it's really not harder than that. they're literally equally valid, just as people shipping ANYONE else in this show.

also... when buddie finally goes canon, what are you gonna do since apparently can only ship canon ships? :/

tl:dr

buddie is a valid ship. we're having fun. let us exist at the same time. none of us know what's gonna happen until it happens. all interpretations are valid. and you and i block whoever we want to block for our own peace and quiet if we see something we don't like. it's as easy as that.

[saturnniidae]

More dragon rider disability headcanons for disability pride month!

(Ones specifically abt Hiccup are here)

Ruffnut has hypermobile EDS (when the twins were doing some bit that was basically Guinness book of world records she said smth abt 'worlds stretchiest skin' and my mom made a joke and said 'ruff has eds!' And it stuck)

A joke Ruffnut loves to make is saying Tuff is so insufferable she should just run away to join a circus and become a contortionist. She thinks it's the funniest thing ever

Hiccup also has some weird hypermobility stuff going on, when Ruff learns this she calls him a fellow circus freak (affectionate) and offers to let him come with her when she runs away. The response she got was "I'd rather stick my hand in Fenrir's mouth."

Tuff is visually impaired in his right eye from a childhood injury (another joke taken seriously)

All the riders are neurodivergent!

Snotlout has a frequently irregular heartbeat as well as memory issues due to how many times he's been struck by lightning. His whole book he wrote in that one episode isn't the only writing he does, he keeps a notebook to help keep track of minor things he might forget.

Astrid tries to make Hiccup breakfast in bed when he's having bad pain days and is too tired to do it himself. She almost burns the house down every time, so Toothless will go and get the other riders to help out while Astrid is kicked out of the kitchen and sent back to bed

Hiccup can be really fucking mean sometimes! Usually it's intentional bc he's in a bad mood and wants to be left alone. If it's seemingly unprovoked though, the others know it as a sign he's likely in pain and needs to be left alone (he still insists on getting work done but usually Toothless annoys him into resting)

Astrid has aches in her leg from when she got shot with that arrow, it being poisoned with dragon root did something to mess up the healing process so its worse than other old injuries (Dragon root isn't poisonous to humans but still having it in your blood stream isn't a good idea). She's also very mean when she's in pain, especially because it ruins her schedule since she can't train. Eventually her and Hiccup come to an agreement when they're having bad pain days they'll meet up in one of their huts and just. Sit together enjoying the others comforting presence but rarely talking

This is because Hiccup and Astrid both hate being in pain in front of people, they both share that almost extreme fear of vulnerability and the best they can do is take comfort in each other

Hiccup and Fishlegs are hyperfixation buddies! Fishlegs is the only one who doesn't get mad (it's just fond exasperation) when Hiccup wakes him up in the middle of the night to infodump, they just bounce off each other talking about dragons until woah suddenly the sun is rising and that is when Fishlegs gets upset because he values his sleep

All the riders have burn scars of varying severity. They literally work with dragons there's no way they wouldn't. And they all deal with their pain in different ways, but are unwavering supportive of each other when they can be

I've said it before and I'll say it again, a lot of characters should be disabled.

I know, cartoon logic and all, but the things that happen to these guys are things that should affect them for the rest of their lives. And watching characters struggle with permanent change like that, the realization you can never go back to how things were, and eventually healing and learning that's okay! You can still find happiness and be happy and it doesn't make your pain any less valid! It's so important to me and that's obviously reflected in my interpretations of my favorite characters lmao

[sorcave]

After spending some time thinking about Peter Pettigrew, I’ve realized there’s a huge disconnect between how he’s portrayed in canon and how the fandom—especially within Marauders fanon—handles him. Let me preface this by saying, I get it. The Marauders era is filled with beloved, tragic characters like Sirius, Remus, and James, who are all charismatic in their own ways. It’s easy to frame Peter as the villain, the weak link in the group, because, well, he is the one who betrays them. But I can’t help feeling like fanon’s interpretation of him has become deeply flawed and even unfair in its simplification of his character.

Peter Pettigrew, as written in the books, is actually a much more complex figure than the rat-betrayer caricature that fanon often makes him out to be. He’s not some mustache-twirling villain, nor is he just a pathetic hanger-on who was lucky to be in the Marauders’ circle. If you really pay attention to the way his character is written, he’s someone who’s constantly underestimated by the people around him, including the very friends he ends up betraying. He’s not powerful in the traditional sense, but his cunning is what allows him to survive the chaos of two wizarding wars. He’s not a mastermind, sure, but he’s resourceful in a way that deserves more recognition than he gets. Canonically, it’s clear that he isn’t just bumbling around until he stumbles into Voldemort’s arms—he’s making calculated choices, and we need to give those choices the weight they deserve.

This brings me to why I think fanon’s insistence on reducing Peter to a one-dimensional villain is so misguided. There's this huge trend in Marauders fandom where Peter is either villainized beyond recognition or, worse, completely written out of the story. He’s often replaced in fanon with a random “better” Marauder, or he’s ignored entirely, as if his betrayal somehow disqualifies him from being part of the story. And here’s the thing: canon compliance isn’t a crime! In fact, canon gives us a far more interesting story. The tragedy of Peter’s betrayal is that he was their friend—he shared their dorm, their secrets, and their history. His actions were not driven by some inherent evil but by fear, survival instincts, and yes, cowardice. It’s a much richer narrative than reducing him to a monster.

In the fandom, there’s often this hyperfocus on moral purity when it comes to the Marauders, especially when it comes to ships and rewriting dynamics. Peter, however, disrupts that neat narrative, so fanon tries to erase him to preserve the integrity of the fan-created relationships. But that oversimplifies everything. Why should we villainize people for sticking to canon when canon is, arguably, what makes the Marauders’ story so compelling in the first place? The fall of the Marauders—this group of young, talented, promising boys—hinges on Peter’s betrayal. You can't just ignore that without losing a fundamental piece of what makes their story so tragic. He’s not a random character you can swap out. He’s the pivot point.

Peter’s character also raises some interesting discussions about how we view heroism and villainy in fandom spaces. For instance, we’re often quick to forgive other characters—Sirius, for all his bravado, is reckless and cruel to people like Snape, but we don’t hold it against him in the same way. We empathize with his trauma, his tragic backstory. So why is it that Peter, who is also a product of his circumstances, is written off? He wasn’t born evil; he was shaped by the same war that shaped all of them, but his path led him to make different choices. There’s something so fascinating about exploring how someone who was once a friend could betray everything. It’s a conversation about human flaws, not just villainy.

And yes, in a world full of Marauders fan content, it’s fine to like your AUs or write your fix-its. But let’s not pretend that sticking to canon, and appreciating Peter for the complex character he is, is somehow less valid. The fandom would benefit from looking at Peter as more than just “the betrayer” and instead as someone who, like everyone else in the story, is a deeply flawed person whose mistakes have devastating consequences. That makes the story richer, more painful, and ultimately, more meaningful.

forgive me for the ramble but Im going insane with my term paper and my thesis, unfortunately I've been diving too deep into the marauders again

[thewertsearch]

Ask Comp 10/12

Anonymous asked: Scratch: Won't anyone think of the children!! If you're gonna be smooching then get a room!!! also Scratch: Time to go manipulate more children into destroying their relationships! @manorinthewoods asked: There are two events in which Scratch has, so far, gained emotions: one, when he discovered that the Serkets stole an incredibly important magical item and hid it for centuries or millenia; and two, romance in his workroom. ~LOSS (20/9/24)

@manorinthewoods asked: "Is it because there’s a ‘good’ and an 'evil’ way for a God Tier to die?" On a scale of 1 to 10, how would you rate this brain fart? ~LOSS (20/9/24)

Wait, is that a brain fart? Because to me, it still scans.

Prospit, the 'good' moon, would naturally be associated with heroism, and vice-versa for Derse. Am I missing something really obvious?

Anonymous asked: Tick. Tock. Tick. Tock. Death's Bell grows ever nearer. Tick. Tock. Tick. Tock. But will it determine whether the thief is trully a sinner? Tick. Tock. Tick. Tock. Tick. Honk. I guess we'll see :o) @ben-guy asked: The showdown between Vriska and Terezi really is one of the watershed moments of HS imo. You've questioned if Vriska has matured enough to escape death by mysterious transcendental judgement engine… but let's not forget the meanings of the words in question, and their inherent linguistic and philosophical ambiguity. What if her death being caused by her pursuit of a heroic (albeit foolish) plan tragically makes her growth the cause of a permanent death instead? What if Terezi's decision to kill her is just regardless of Vriska's motivations, making her growth a moot point? Of course, this feels a lot less mutually exclusive, which goes against the implications of the clock imagery. […]

How did Scratch phrase it again?

The terms of a God Tier permadeath are defined according to the case of the individual - which implies that Heroic and Just are subjective, even to Sburb. It sounds like there might not be any ironclad rules, and that everyone's ruling works differently.

Yes, Scratch appears to be outlining some universal examples here - but what does, say, 'corruption' really mean? There are many equally valid interpretations, and a lot of them are contradictory. Maybe each death uses the definition that makes the most sense to that player.

In any case, I think Vriska's fate is currently meant to be unclear. She's designed from the ground up to be a complex, morally ambiguous character, and you could construct a valid argument for either outcome.

For my part, I'm fully convinced this will resolve as Just. I've been predicting Vriska's death for most of the Act now, and it's extremely fitting for it to happen at Terezi's reluctant hands. All those Incidents are finally coming full circle, and they're coming for her.

@morganwick asked: Note that Scratch starts talking about dark pockets and needing to speculate immediately after Vriska sees Karkat and Terezi's corpses. That's all Terezi needed to see, which means it's all Scratch needed to know - and all Hussie needed to know as well.

True! The fight that Scratch couldn't call was part of a doomed timeline. Its outcome was completely irrelevant to the story - and therefore, there's a good chance that Hussie didn't bother to decide on the victor. Author Theory survives another day!

@relaxxattack asked: i dont know if this counts as spoilers (it's a quote from andrew hussie) but i think your theory on scratch's omniscience is basically spot-on! "Doc here refers to the dark spots, the pockets of void on which his vision is built. These hint at limitations to his omniscience. As an alt-author figure, his omniscience makes sense, since the author has sweeping knowledge of story details as well. Because I "know everything," he "knows everything" too. Of course, as I write the story, there are plenty of things I don't know yet, and the "not knowing" is always an important part of the process in this largely improvisational medium. The known gaps are worked into the story, evaded through time skips and other tricks, filling out the surrounding narrative until certain answers become clearer, and then revealed at the right moment. The voids are built around, and in a real way, become foundational, almost load-bearing gaps in knowledge, just as he describes. Pillars of shadow. So his dark spots are not only a limitation to an otherwise ridiculously overpowered villain that can be exploited, they're a feature of a specific type of "authorial omniscience" copied into his profile." -- Andrew Hussie

...and it's officially Hussie-approved! Let's fucking go!

Anonymous asked: One kind of less obvious thing he says about circumstantial simultaneity is that it weaves together perfectly disparate chronologies such as a pair of distinct sessions, so it seems it is at work when there is communication between sessions, such as conversations between humans and trolls. ie: The troll sending the message is circumstantially simultaneous to the human receiving the message. Ditto for the memos. Anonymous asked: Posting for someone else again. -DJ || I interpret Circumstantial Simultaneity to mean a very simple thing: "those events happens at different times, but at the same meta-time". Especially if the things happen in different worlds, and so happening at the same time is impossible, because different worlds have isolated timelines. - RM

That makes a lot more sense than my interpretation. I think I was thrown off by Scratch's insistence that Circumstantial Simultaneity is 'not fully comprehensible to a mortal mind'. His use of such phrasing led me to assume that the concept was more complicated than it appeared, leading me to try and puzzle out the 'real' meaning of the term.

So, in a nutshell, circumstantial simultaneity is when multiple sections of reality are linked by shared events, allowing their local timelines to synchronize. Seems straightforward enough.

Anonymous asked: i don't think scratch technically lied. there are multiple ways in which scratch could die in the same way that there are multiple ways in which anyone could die - an axe could theoretically kill you, but that doesn't mean there has to be a timeline where you get killed with an axe

The semantics here are pretty interesting.

Scratch has stated that there are multiple ways to kill him, which could mean:

That there are multiple scenarios which have a non-zero probability of killing him.

That there are multiple scenarios that would hypothetically cause him to die, if they actually occurred.

These two statements have fairly similar meanings, but, as anon pointed out, there's an important distinction between the two. Statement 1 requires Scratch to actually die in some timelines, but Statement 2 doesn't require him to ever die, in any timeline.

Scratch has stated that he'll only die in one timeline, which means that there is only one scenario that will ever lead to his death. All other scenarios will never lead to his death - and thus, even if they could 'hypothetically' kill him, the probability that they will kill him is zero.

@heliotropopause asked: Never change, Noir. is that the oil jug WV uses for his mural in act 2? how'd it get to Scratch's lair?

I don't think it's the same jug, for the simple reason that both Carapacians emptied out the whole thing for their respective shenanigans. This ain't no Alchemy Jug!

abysswarlock asked: I like to think that the meta joke with the disks are a parallel of how the kings scepters hold small instantiations of skaia that exist within skaia itself, in this case the story of homestuck exists in disk form within the narrative itself.

Perhaps, but the Scepter's recursion is explained to be a game mechanic, whereas there's currently no explanation for the disk's existence. I guess Hussie himself could have put it there, but, like... why?

Anonymous asked: ‘His army thus inspired would spearhead a major re8ellion. Surely one at least on the scale of the sectarian revolt crushed 8y the High8loods, who thereafter for8ade its mention, or any invoc8tion of the heretical sym69ls at all, even in private journals.’ do you have any theories about this line?

Karkat's leadership shines in times of immediate crisis, which is part of why he struggled to keep his team together in the Veil. He doesn't know how to motivate people without an immediate, in-your-face threat - but since his ancestor was leading a rebellion, that probably wasn't an issue for him. The threat was omnipresent.

In short, I think Karkat Senior was always in Vantas Panic Mode. He'd have spearheaded Alternia's first rebellion with vim, vigor, seemingly infinite stamina, and sheer, bloody-minded determination - and if he was anything close to as likeable as Karkat, folk heroism was virtually inevitable. I can't wait to learn more!

@semaphoricwave asked: w.r.t. learning Mindfang dates the Summoner: it makes you wonder if Vriska's obsession with Tavros was the Alternian equivalent of comphet. She had no respect for his agency in the scenario (not difficult to develop when you're able to mind control people), but also she didn't seem to hold much stock in her own agency in all that, either. It's not even a cueball fortune, she just seems to want to be true: this boy she wants to 'make better' (but doesn't know how) is meant to make her happy. Anonymous asked: so with the revelation of the summoner, this makes TWO characters that vriska canonically was in/pursued as part of a romantic relationship that were descendants from her ancestors romantic partners. girl is inventing new kinds of comphet 😭

Vriska, for god's sake. Terezi is right there.

@iknowitsgreen asked: I find it so interesting that there's now an implication that Vriska literally expected Tavros to grow wings and fly to safety when she threw him off that cliff. The question is, did she simply resent Tavros for proving her fantasy wrong, or did she convince herself that Tavros chose to be paralyzed over showing his wings to her? It somewhat recontextualizes her early treatment of him either way

Layers upon layers upon layers. Vriska was fucked up about Tavros from twenty directions at once, and should never have been let within a thousand feet of the poor guy.

@manorinthewoods asked: Since trolls growing wings is apparently some sort of mythic event, presumably the God Tier wings of Vriska specifically tie into this. A God Tier troll gaining wings would be much more significant to the troll than to the human reader, as their culture places incredible emphasis on the meaningfullness of such - and perhaps the God Tier ascension could be likened to such a 'pupation'. ~LOSS (10/9/24)

It would explain why both Vriska and Aradia got them, but John didn't. The trolls have a lot in common with insects, so it stands to reason that in their culture, an insect's metamorphosis would be associated with divine apotheosis.

Anonymous asked: It’s super fascinating riding along as you go through this sequence because when I first read homestuck literally all the mind games went over my head haha. I saw what happened, and had a decent grasp on the characters, but the idea that Gamzee was manipulating Terezi? Never occurred to me. Everything about “why didn’t Terezi suspect Gamze” was just a mystery I never solved (mostly because I never understood gamzee, and still don’t) So Thank You so much for helping me understand better, years later! It’s so wild to look back and know what happens, but still have a limited grasp on why it went down that way.

Thank you for the kind words!

And yeah, a lot of Gamzee's schtick seems to be focused on obfuscating what he's actually doing. The real smoking gun there was the near-complete loss of Terezi's deductive abilities, at the exact moment Gamzee should have entered her radar.

@skelekingfeddy asked: ive always seen the grand highblood as not a troll, but like, the head of the imperial drones. when asked why his blood is black hussie said ‘Because he’s a huge gross monster? I don’t what sort of answer would be meaningful.When the highbloods were setting up the judicial system, they said ok we’re going to need some judges for this thing. Then they said ok how about these massive brainless monsters, that would be so perfect.’ […] its a headcanon of mine that hht is technically the same species as the mother grub. same with the imperial drones. if the mother grub is a queen bee then the drones are…well, drones. and hht is, like, a drone foreman, or sergeant, or something. i imagine that trolls and the drones’ species evolved a reproductive symbiosis, but then the empire took advantage of it and co-opted the drones + hht as enforcers

There's such an interesting untold story here, about how the early trolls might have cyberized a formerly symbiotic species, and essentially made them its slaves.

I've always been interested in how, exactly, the trolls developed their symbioses, and what they might have looked like before Alternian civilization became what it is today.

Anonymous asked: terezi tries to play disc 2 on a gramophone because she literally doesn't know how a cd works - sgrub is all run via grubtech, and most of her humanning has been with mr turntables who even if asked would probably describe a cd through obtuse metaphor likening it to a vinyl record

Oh, good point. Terezi's from a civilization which left CDs behind a long, long time ago.

Hey, come to think of it, why does the Veil even have a…

...oh, right. The room isn't 'canon', so I probably shouldn't be trying to theorize too hard about its contents. It's not really part of the story.

@catlikeascendant asked: I had the impression that just like mindfang was vriska's FLARP character, Redglare was terezi's. That would explain terezi having the outfit and responding to the name, at least @somebody0214 asked: Terezi did roleplay a lot as the Redglare so it would make sense she would respond to Redglare. @dissonancies asked: I'm honestly not sure Terezi does know about her ancestor. […] Vriska had the journals, but she tries to keep her cards close to her chest- remember, "Mindfang" was Vriska's roleplay name. Who's to say she didn't just "casually" "suggest" Redglare for Terezi's character, without telling her why?

Vriska, just how many of your friends have you been molding into their ancestors?

I won't be mad - I just want to know.

Anonymous asked: Equius Sr being fit to Inherit the cueball due his passive Voidiness is another point to sharing classpects with Equius Jr, the Heir of Void. @cationicflood asked: now that youve met the Expatri8, you know now why Scratch didn’t know Vriska had the cue ball until Terezi told him — it’s spent untold centuries ensconced in Zahhak-flavored Void aura. Even when it was in Vriska’s possession, it so happened she was quite literally neighbors with Equius.

We've talked a lot about how I believe Scratch's 'dark pockets' represent information that Hussie hasn't decided on yet. It's admittedly a little difficult to reconcile that with the fact that Void, an in-universe Aspect, is strongly implied to be the source of at least some of these pockets.

Maybe Aspects can work on a meta level, as well as a literal one. Like, perhaps Void is the aspect of author uncertainty, and therefore, anything that Hussie hasn't decided on out-of-universe is canonically 'hidden by Void'.

Anonymous asked: Mindfang warning Vriska about looking into the cueball…. So what you're saying is that Mindfang warned Vriska about the *stares*

It literally keeps happening!

@wolygan asked: So based off of the troll Ancestors we have seen, what do you think the rest might be like? also what do you think of the ones we have seen, since we don't know much about them yet. @absinthe-and-alabaster asked: Hi! I'm wondering if you have any updated thoughts from your initial ancestor theory post about the ancestors we haven't seen yet, given we know a bit more about troll history now

Not a lot! I'm obviously curious about the others, particularly Karkat's, but it's hard to come up with any concrete theories, other than 'their experiences and personalities will parallel those of their descendants', which is a freebie, based on the Ancestors we already have.

Anonymous asked: To be fair to EQ,Nepeta was far and safe when Gamzee attacked, and she could easly hide out of harm way with her skills. He just miscalculated and didn't realise she would follow him and attack Gamzee after he died.

True - but at the same time, he knew that Gamzee would still remain at large after his death, and that he, Equius, would no longer be able to protect Nepeta.

Even if she hadn't attacked him immediately, Gamzee would have remained a significant danger to everyone else on the Veil, Nepeta included. Had Equius fought back, he could have ensured that Gamzee would never be able to harm her.

@martinkhall asked: It's obvious to us that's not Vriska's handwriting. But just because Terezi can smell what the words say doesn't nesisarily mean she can smell the difference in how they're writen.

Plus, would Terezi necessarily be familiar with Vriska's handwriting? After all, most of the trolls seemed to communicate exclusively through modern technology. Would they really have any cause to pass notes to each other while FLARPing?

Anonymous asked: I would push back on the assertion that Heroic and Just deaths are the only way stories can work. One can be slain by a villain but not be a hero, and that can still matter to the story. A certain event from A Song of Ice and Fire springs to mind.

Oh, for sure - that's definitely correct outside of Homestuck. But within the comic, they really might be the only ways to die that Sburb considers 'dramatic' enough to be permanent.

Outside of the God Tier system, though, anything goes. After all, Equius was slain by a villain, and he didn't exactly die a hero.

@flerponius asked: Not really relevant to anything that's going on right now, but I thought you might find it interesting. In the Homestuck physical books, AH comments that the 4 grist types unlocked by default at the beginning of the comic (not including build grist) are related to the players quests; specifically, each grist type is a blight on the land it's found on, and the players quest would involve removing it from the land. I don't think this was explained anywhere else in the comic.

Oh, interesting. I wonder what they were supposed to be for?

Like, how does Rose's chalk relate to bringing life back to her oceans? Did Hussie have different Quest in mind for her, back then?

@manorinthewoods asked: The human session is shaping up to have lasted for less than a week due to Jack's interference, while the trolls slogged through over 600 hours (probably 612, to be specific, or 25.5 days) of relationship drama, powerleveling, and the production of inane yet somehow powerful weapons. Which of these is a more 'normal' length for a session? Did the trolls take too long, or were they rushing? Do bigger sessions last for longer? ~LOSS (2/9/24)

I'm pretty sure the troll session was closer to a 'typical' length.

According to Karkat, the human Reckoning arrived significantly sooner than normal - I assume this was due to Jack's double regicide.

If the human session had gone more smoothly, I imagine that it, too, would have taken several weeks. Like the trolls, the kids would have been able to hang out in person - and unlike the trolls, it probably wouldn't have devolved into multiple homicides.

@cheyj05 asked: Hey, just so you know it's pretty much impossible to read your liveblog in order on mobile. Searching the act 1 tag doesn't work so you pretty much would just have to scroll ALL the way back, which is impossible @cheyj05 asked: Ignore my last ask, I figured out how to do it

Mind sharing how, actually? I've been assuming that this was impossible, due to the Tumblr app's, uh, unique issues. If there's a way to browse the tags properly on mobile, I should probably add it to the pinned.

Anonymous asked: What do you mean "barely wind-themed", John made a car fly with his wind powers, why is a boat less believable?

You're not wrong. I guess I meant more that the boat's Breath energy looked a lot less like actual wind, and more like the abstract idea of Breath. It might just be stylistic, though.

@wolygan asked: I read another liveblog for Homestuck, and they just got to meeting Jade and then wrote a short essay on how they are convinced that Jade is the seer of light, just thought you might find that funny to know.

I do find that funny to know! Hussie got 'em again!

[sciderman]

Sorry if someone else already asked this but out of the Deadpools in any animated adaption which one is your favorite?

fortnite

okay kidding, i've never played fortnite but i love watching him do the dances. i'll rate all of the animated deadpools i guess. all the animated deadpools that i know of.

hulk vs wolverine

5/10 i think this might be the first animated deadpool i'd ever seen. and he's okay. i don't like nolan north's voice, really. i know a lot of people love him. i think his voice is pretty plain jane and his delivery is nothing special. mind you this wade doesn't have a lot of funny things to say anyway. this whole film is so very mid and so forgettable. marvel animation generally is really mid and forgettable. also he's such a scrawny little twink. i like my wades beefier. 5/10 for being one of the most ordinary, inoffensive, mid portrayals of deadpool ever.

deadpool (the game)

3/10 yeah i don't know, i hate this guy. nolan north yet again but his voice is slightly less plain jane and more rocket raccoon here. not into it. this game sprouted all the worst interpretations of deadpool ever and for that it must pay dearly. three stars because at least his tits are massive. but i hate his stupid pinhead.

ultimate spider-man deadpool

8/10 yeah he's the best one the west has to offer. sorry. he is. his jokes are funny. he is completely insane. he upstaged spider-man in every way a deadpool should. he's a scene-stealer. he has the presence. he has the hips. he has the thighs. he has my heart. one of my first ever exposures to deadpool and the start of a downward spiral for me. he loses two stars because DEAR GOD his voice is UNBEARABLE but. the episode is a masterpiece if you hit the mute button. i wanted to write a fic about him to flesh out his lore because honestly i'm really interested in this specific presumably teenaged wade wilson who was digested by the shield system and came out of it a mercenary. wade i was a teenage mercenary wilson. i want to know everything about him. i'm obsessed with him.

marvel disk wars

10/10 he is SO cute and i think i'd die for him. he lends himself to anime so so well, and the japanese just know how to do deadpool. he's a spider-man fanboy and every bit the attention whore he's meant to be. he knows how to give his chimichangettes what they want. the crotch shots. the unrelenting barrage on the 4th wall. but he also has a good heart at the end of the day. he's everything to me.

marvel's future avengers

10/10 obligatory, for being basically just a continuation of the prior deadpool but in a new series. he is very wife. the art is better but the animation isn't. but he's so. so cute. look at him. look at his gwumpy little faaaace look at HIIIIIM...

the japanese do just know how to do deadpool. his sole motivation in all of these is literally just to hog screentime. that's literally all he's there for. he's just a spotlight hog. all he wants is attention, and for them to make cute anime figures of him. he's the most valid deadpool ever. i think.

[atricksterproblem]

Relationship Headcanons for Mizu

[x]

A note on gender and sexuality: I use she/her pronouns for Mizu but I think her actual gender is "it's complicated". The show's creators have intentionally left her gender open to interpretation, which I think was wise. Any headcanons you want to have about this are valid. For myself, I think that it would in any case be difficult to impose any categories that we normally would given that she's living in a very different place and time, and from what I've read Edo period Japan had a unique approach to gender. That said, we have much less information about what AFAB people were getting up to than AMAB, so there's room for theorizing.

It's also worth noting that their approach to sexuality seems to have been, as in many other places in pre-modern times, to consider things in terms of acts people may or may not choose to engage in rather than in terms of overall personal identity. So all gender questions aside, I think as of the end of Season 1 we have incomplete information about what Mizu may or may not be partial to, so again pretty much anything you want to imagine for her is valid. Which is the long way of saying that the reader here can be any gender.

A relationship with Mizu is not going to happen quickly or easily, and if it happens at all, it's unlikely to be casual. She's had her trust broken again and again, she has secrets to keep, and she's laser-focused on her goals. You'd have to be a well-proven friend before she'd even consider anything more.

2. If you did manage to get that close to her, she'd defend you with her life. She knows exactly how dangerous the path she's on can be, and she values the few people she cares about above all else.

3. Getting her to open up would be a project. As a rule she talks very little. Once you're together she remains taciturn in public but would be freer with you during alone time.

4. Be prepared to make sure she's getting enough sleep and taking care of whatever injuries she's healing from. She tends to just power through pain, which works beautifully right up until it doesn't. She's also a light sleeper, something she's had to train herself to be for safety while traveling alone. Having you there to reassure her that all is well will help her get back to sleep more easily.

5. She'll have trouble believing you really find her attractive until you're an established couple, and even then she'll have many moments of doubt. She's used to being considered monstrous by everyone and it will not be easy for her to see herself through your eyes.

6. Patience is one of the greatest gifts you can give to her. She knows she can be a prickly, difficult person after everything she's been through. Knowing that she can count on having you in her corner no matter what is everything to her.

7. Your reward for that patience is that you see a side of her that nobody else ever does, and she looks at you in a way she never looks at anyone else. Her eyes soften. For you, she smiles more. You've heard her laugh -- really laugh, not the sardonic chuckle most people have experienced. When she's alone with you, she feels like more than a weapon, more than a vow. Sometimes, when you're in each others' arms, she can imagine a life after revenge. Someday, she'll complete her task. She doesn't know what she'll do after that happens, but whatever it is, she wants you there for it, always.

[mervardent]

Hot take: the "Zhongli is the dad and Xiao and Hu Tao are children" fanon wouldn't be as popular if Xiao and Hu Tao had tall models

Nothing against you if you like this headcanon, mind you. It's so popular for a reason.

I just find it really annoying how this fandom tends to take one fanon and treat it as if it were canon, and then to try to annihilate other headcanons by calling them creepy.

There's nothing creepy in shipping two adult characters. If anything, I find creepy the tendency to infantilize people who are shorter or smaller. So, you're telling me you treat people as less just because of their looks?

Let's be real, if Xiao had the tall model, he and Zhongli would be one of the most popular ships in Genshin. We would have a lot of Tartaglia/Zhongli/Xiao fancontent as well. Just look at the ultimate master&servant ship, Thomato: it's the most popular ship of Thoma and one of the most popular ships of Ayato. Zhongli and Xiao also fit this trope, but add in here way more angst. And people love angst.

And Hu Tao? Again, she's an adult. As far as we know, she's in her early to middle twenties right now and was in her late teens to early twenties at the start of the game (here's the post where I do the math). Tartaglia is a young adult as well, and it doesn't stop people from shipping him with Zhongli. Hell, that was one of the most popular ships at the start of the game and is still a popular one now.

People often complain about all the romantic ships, which is valid, because people are often really weird about them. However, some platonic shippers show the same tendency. In general, this fandom has the problem of taking one fanon and acting as if it was the only correct one - same goes for stuff like "hahah, Ayaka is a yandere for Aether" (I get it, it can be funny, but c'mon, Ayaya is a pretty sweet character and has more to her than just memes that don't have a lot to do with her actual personality).

Now, clutch your pearls, because I have an even hotter take for you: you can enjoy dynamics which are mutually exclusive. You can be a multishipper and like Albedo with Kaeya and Albedo with Sucrose, but you don't have to make them a polycule in your headcanon if you don't feel like it. You can have two separate headcanons. You can prefer Yun Jin and Xinyan as friends but also understand and like the vision of them being a couple. You can prefer Zhongli and Xiao as a father-son relationship but also find the idea of them being in a romantic one interesting. Because guess what - they aren't actually a father and a son. They're friends, and also, to a degree, a master and a servant. What you'll do with that is up to you.

Seriously, I admire fellow NeuvillettexFurina shippers for fighting so strongly that the narrative "Neuvillette is the dad and Furina is the daughter" didn't become the only "correct" one. Stay on your post, fellow soldiers.

To conclude:

Your headcanon/ship isn't the only correct one.

Stop treating all the adult characters/people who look younger or are shorter like children.

You can simultaneously like a few different interpretations of the same relationship.

It's supposed to be fun. Let's not ruin it for others just because we have different tastes.

[windvexer]

Heyy! If it’s not too much of a hassle what are some divination tips for tarot? Sometimes it feels like I am really good and than other times it’s like ehh

Sure, I could use a break before I start crocheting again 😅

I want to emphasize that tarot is one of those things where people really build up personal beliefs around it, so the following is in no way universal. It's all just what I currently feel and believe, heavily influenced by my beliefs as a spirit-working witch.

Most of the actual tips are at the end. I hope this helps!

Structures and Methodology

Tarot can't "magically" come up with valid answers no matter how it's put into use. It's a hammer and a screw situation; sometimes, using the tool incorrectly is less than useless.

Not all tarot spreads are very useful. The type of spread can have a huge influence on success. Try setting aside 'one question per card' spreads and see if that helps improve consistency in your results.

Not all tarot meanings are very useful. Tarot card meanings evolve and change over time. Modern meanings tend to be much more heavily skewed towards topics of introspection and self-help. Try reading books about the history and interpretations of tarot cards themselves to expand your understanding of each card. I recommend The Mystical Origins of the Tarot by Paul Huson for a strictly historical look.

Not all tarot questions are very useful. Learning how to phrase and frame questions, along with how to select a spread to place them in, are vital skills for the reader. Try focusing on strictly defined, open-ended questions.

Not every tarot deck is useful for every reader. It can come down to art and author meanings, but it can also come down to personal connection: a deck may work great for you for reading some types of questions, but fall flat on other types; or be more hit-or-miss. If you have multiple decks, try rotating between them or doing deck interviews to discover what types of questions they best address.

Memorizing the cards is not necessarily useful. It's not just that there are 78 cards, with 78 potential reversed meanings, each card in and of itself potentially having multiple meanings; it's also that depending on context, the core meaning can entirely change. Professional readers at events will pull out the guidebook and look up card meanings. There is no actual reason to try and memorize the cards unless you really just want to.

It's useful to have a map that helps navigate the cards. By adopting simple structures that paint large parts of the deck with broad meaning, interpretations can be easier to tackle. Another popular 'map' is the Fool's Journey.

You don't have to use the entire deck for every reading. Only using some parts of a deck to read is called reading with a restricted deck, and I really recommend practicing it as a way to develop a relationship with the deck structure. It can also be a very useful way to focus readings on one area of life (e.g., a new business venture reading may be read using only Wands and Pentacles).

That being said,

Check to see if cards are accidentally missing. Reading with a restricted deck is one thing, but I find my readings go weird if a card accidentally fell out and is lost.

You should take notes on your readings. I know it's a hassle, but the information you can glean and analyze from your own work is invaluable to figuring a lot of stuff out, like, what kinds of spreads work best for me? And what kinds of questions do I excel or fail at? Because next comes...

Energy and Individuality

Some questions are more draining or difficult to read than other questions. Here are my illustrated beliefs on the matter, explaining why some questions that seem straightforward can be nigh impossible to grasp. Try taking notes on the scope of the questions you can answer well.

Not all diviners are equally skilled at reading on all things. A diviner may have a special talent for certain types of questions (such as the outcomes of new ventures, or navigating the inner landscape), yet may fall flat when it comes to other questions (relationships or social intent, for example).

Any specific situation may have barriers to being read clearly. This is true even of mundane situations not expected to have magical influence. Sometimes, a certain situation, person, or concept will be shielded from view - and that can have nothing to do with the reader or querent.

Celestial timing may be a factor. Things like moon phase, time of year, or time of day can sometimes influence people's abilities to easily connect or easily interpret cards. Try paying attention to timing as part of note-taking and see if that's a factor.

Caffeine, drugs, alcohol, and rest can be a factor. Once I reach a certain level of fatigue (usually before bedtime) I can't read at all. Caffeine can sometimes also "close the veil" for me and limit me from being able to interpret readings. It might not be a factor for everyone, but it's something to pay attention to!

For practitioners, metaphysical workings can use up all available energy for divination. I find that my "pool" of magical energy feeds both my divination and my spellwork. Exhausting myself in one area (such as doing lots of energy work exercises) means I have exhausted myself in another area (no juice left for readings).

Witchcraft and Magic

Spells and wards can affect your ability to perform divination, sometimes in weird and unexpected ways. Go through spell notes to see if there is a chance prior, ongoing spells may be messing with your ability to read on certain questions. A big giveaway is when divination doesn't seem to work well specifically within a warded area, but this isn't a strict rule.

Prepare a place of reading, or reading cloth, enchanted to assist with finding answers. By consecrating and tending to such a place, such as a divinatory altar or divinatory reading mat, powers of far seeing, truth, and accuracy can be accumulated and much more easily raised. For those that have the space, a full divinatory altar can be an extraordinary tool. For such places, especially consider the power of symbols which open roads and gates.

Prepare a Charm of True Reading. Find, or develop, a small rhyme, charm, or prayer that calls on powers which support you and requests that your upcoming reading be clear and true. Repeat this before each reading, as desired.

Prepare an oil. A skin-safe carrier oil steeped with bay laurel, star anise, and lavender; or just bay leaf if the grocery store fails you, can be enchanted (especially under the full moon) to assist with opening the second sight and securing more accurate readings. Dab some on your forehead, ideally along with the Charm of True Reading.

Prepare a head covering. For some people, covering the head and/or partially blocking vision, can assist with entering divinatory headspace and with the receipt of visions and intuitive connections. As much as I like fancy things, I often end up using sunglasses and a hat. Being in a dark room might help as well, especially if you can get a candle in there.

Prepare incense. Here again bay laurel, star anise, and lavender can serve if you're able to powder and burn your own blends (remember to enchant them); but an enchanted stick of commercial incense will be fine (in any scent). Enchant the incense for the purpose of casting away doubt and influences that cause ill-sight, and to create an energetic haven where answers readily arrive to be interpreted by you, the reader.

Cast a circle. If you like to write your own rituals, especially focus on the concept of the circle being a liminal space between time that connects the worlds, almost like Grand Central Station where many threads of fate (and information) meet.

Consecrate your deck. Use any consecration ritual you like, but especially one that employs powers supportive of divination, true seeing, and psychism. This is almost certainly best done on a full moon. Consecrate your deck to be a tool which can peer into the threads of fate on your behalf, and then only reflect absolute truth back to you.

Enchant a tool to nurture and safeguard your decks. A lovely amethyst stone or clear quartz (or any variety of stone, bought or found), maybe one marked as special by putting it in a handy net, can be enchanted to be a protector of any deck it sits on. The value of this is to keep the deck enthroned in an additional layer of protection against untruth, but also to keep it bathed in energy related to divination and psychism. For those worried about decks getting magically "dirty," this is a good solution.

Also, cleansing decks sometimes is necessary, but it can be an easy operation. I find that spreading the entire deck face-down and mixing up all the cards in a big pile provides an adequate cleansing much of the time.

Spirit Work

Show your deck some love by providing it with offerings and a shrine, just as you would for an honored spirit. If the shrine isn't possible, an offering is excellent - maybe once weekly or monthly (depending on how often you use it), and even a small offering before each reading is useful. In my beliefs, this action goes far beyond making a deck happy with you - it can provide real, tangible effects on energy drain and the 'power' of your readings.

Petition gods, ancestors, or helper spirits. Beyond a Charm of True Reading, simply praying to helpful and benevolent powers to provide an assist can be really helpful. This is also an important way to develop a relationship with a guiding divinatory power. Speaking of which,

Get in good with a god or spirit who is associated with divination, psychism, etc. The Moon itself is a very solid choice. Apollo can see the future, and his buddy Bay Laurel (whom itself can be worked with as a divinatory spirit) can pack quite the punch. The dead are often said to be very good at helping with divination, but necromancy isn't for everyone. A witch who wants to become powerful in the ways of divination is wise to seek out helper spirits who are very good at this task.

Don't forget the gods and spirits of the thing you want to read on. If I wanted to know whether or not selling something online is worth the trouble, I might not just ask a far-seeing spirit to help me. I might also petition Hermes to grant me special insight into his domain. You can even use other spells you've cast (such as a prosperity spell) as a "foothold" into a certain area, but that's a whole topic in and of itself.

From time to time, a spirit may cause trouble. Divination can sometimes be interfered with by spirits who are upset with us. General offerings to appease offended spirits, or to make nice with the spiritual neighborhood around you, are well undertaken. They can be done even if you don't know that you've actually upset anyone.

[the-music-maniac]

This is one that ended up way longer than I would've liked but the brainrot has reached concerning levels.

Brief mentions of sephgen, sephgeal, sephzack, multishipping, spoilers for crisis core, rebirth etc. etc.

I've begun realizing the longer I traverse the various pages of FF7 fanworks that when I say I ship Sefikura, the romantic/sexual aspects of it don't matter as much to me as the emotional catharsis of it. And I say this because I feel like sefikura is often used to explore one specific type of fantasy/smut/kink etc. There's a portion of people who like the ship because they like exploring how fucked up it is for post-nibelheim Seph to try to make Cloud into a puppet - this is usually (not always) accompanied by size difference kink, sub Cloud dom Seph, etc. Even in sane! Sephiroth fics, for some reason Seph is still a dom/top. And while I personally despise that characterization common in that interpretation of the ship, it's still valid, cause y'all should be able to explore your own fanfics however you want. An "Ew. Oh well, none of my business." kind of deal.

I would like to make it known though, that as a Sephiroth fan I kind of hate domroth. Block me if you must, we can just agree to disagree lol.

My interest in Sefikura stems mostly from Sephiroth. I'm gonna shamelessly admit here that while I love Cloud as a character, he doesn't intrigue me as much as Sephiroth does. And I know I'm biased cause he's my favourite, but I get easily stuck on characters who were abuse victims that became villains because they gave into their demons, characters who managed to stay kind, up until they were so beaten down they snapped, characters who I think have redemption potential, even if it wouldn't be easy to do. Which can be the case with Seph both pre- and post- Nibelheim.

Post-nibelheim is a LOT harder to write convincingly, seeing as how he actually did fuck up like. Everything. And his victims don't have to forgive him. Not Cloud either, even though I am writing a post about sefikura. The redemption is more about personal improvement, rather than forgiveness. But it's really interesting because a Sephiroth that even has a chance at redemption post insanity, is one who is a mix of before and after. He still has all that rage inside him from how he was treated by humanity, still has visions of annihilation and delusions of grandeur in his head, but he also remembers that he used to love, that he used to have companionship, scarce as it was, and cared for the well being of the soldiers he lead, etc. How does he get to that point in the first place, and how does he deal with it after? With the warring that is likely occurring from those two sides, the festering resentment of knowing he was given so much less than he should've been, knowing that he had a human mother, but since he IS closer in capability to a god than a human, does he think he's a monster because of his heritage still or because he gave in? Does it even matter at this point, what he is? And what will he do, now that he has a portion of his humanity back (however that occurred) and isn't just purely Jenova? How does he deal with knowing that even in the depths of insanity, he still just didn't want to be alone? And of course the turmoil on Cloud and Co's side, usually some flavour of, okay so repeatedly killing him isn't working, I'm tired of fighting him every couple of years, I still have the responsibility of making sure he doesn't fuck everything up again, and of course the hatred they understandably feel for the shit Sephiroth has done. And as Sephiroth kind of fights to recover some semblance of identity and understanding of himself (without destroying anything), watching that occur and knowing objectively that your enemy didn't deserve what he got when he was a child, that a part of what occurred was after he was pushed to that degree - even if you subjectively can't make yourself feel it at the beginning. And then as the story progresses and characters undergo development, Cloud likely wrestling with the fact that he actually is starting to understand Sephiroth's predicament, realizing Seph can be so very human at times. And dealing with the worst sin/betrayal of all, enjoying his company for his company's sake. A Sephiroth that gets through that and finds some semblance of contentment is meaningful because it would take a mind-boggling amount of hardship and work to get there. And tbh here's where the bias comes in - it's what I would say is a happy ending for everyone. I know people would disagree, a lot would say Cloud and Co getting rid of Seph is good riddance, why should he get a chance, why should they have to deal with him, etc. hence why I acknowledge this is biased - but a happy ending to me is one where everyone else gets to stop fighting Seph and move on with their lives and Sephiroth actually gets to live the life he wanted when he was a child. I won't ever be entirely satisfied with FF7 canon for this reason (true of any tragedy). Nothing that happened to him pre-insanity was fair. So. Catharsis.

As for "redemption" of pre-nibelheim Seph, I read time travel fix-its when it comes to sefikura cause I find it more interesting. For anything pre-insanity that involves canon divergence without time travel, sephgeal, sephgen, sephzack, shipping, platonic or poly makes more sense to me, cause those three are positioned better to help Sephiroth in a meaningful way. Also I personally do think Cloud is a little too young for that then (even if I'm also convinced he 100% had a celeb crush on Seph. Which is also not what Sephiroth needs at that point).

So, for sefikura, pre-nibelheim redemption usually involves Cloud getting yeeted back in time, either by the planet or by choice, to stop things before any of it happens. Cloud usually believes he has to kill Sephiroth, so he'd likely be in close proximity. So how would he deal with seeing, first hand, all the ways that Sephiroth was isolated and dehumanized in Shinra? Cloud still hates him at this point, for good reason. So he's here, witnessing not only Sephiroth being a kind/decent (awkward) human being, but also the lab visits, Hojo being Hojo, being paraded around for propaganda, the effect the "betrayal" of the other firsts likely had, Sephiroth being straight up depressed and malnourished and overworked, hearing whatever lies were fed to control him when he knows the truth. How does he deal with the moral repercussions of killing a technically innocent man? Especially when he realizes that a little support and compassion could've changed the outcome entirely? And Sephiroth on the other hand, now stuck with this persistent stranger that doesn't treat him like either an emotionless weapon or a legend, but some secret third thing (is he trying to kill him???? Can't tell, mixed signals are happening). Cloud would also likely help take Sephiroth's mind off things by virtue of existing - not because Sephiroth particularly cares about Cloud at the beginning (why would he, they're strangers) but because Cloud is fucking weird. Not a soldier, still mako enhanced, angry/aggressive at him in particular and seemingly frustrated about it, history that doesn't match up to current behaviours, etc. Hell, Shinra would likely even order Seph to keep an eye on Cloud. Meanwhile Cloud is desperately fucking with the timeline to ensure everything ends up differently, and accidentally becomes some sort of support for Sephiroth in the process. Because while everyone else was so fooled by the propaganda surrounding their hero, leaving him alone to his own devices (despair and depression), Cloud knows that his attention should be on Seph right now. And I don't think he's the type to just leave things alone out of spite if Seph where to, for example, stumble out of the lab, half delirious from Mako, because of one of Hojo's whims. There's also the question of whether Cloud would know to help with Angeal or Genesis' degradation, which could help either clear up some misunderstandings between Seph and his friends, or just ensure that Seph doesn't lose them at all in the first place.

And if Sephiroth were to find out/be told the truth, about his mother, or about the future, HOW is he gonna react to that???? Knowing that okay, so my heritage isn't actually that of a monster, I have human DNA, but ended up snapping and trying to destroy the world anyways - once again, what does it mean to be a monster, and is he one already, if he hasn't even done all of it yet, technically? In this timeline he's likely closer to Zack, maybe close to Cloud, potentially has met Aerith, maybe Genesis and Angeal are still alive, so he's more tethered by a support system, so how would that change his viewpoints? Would he feel guilty? Does that send him into a worse depression?

Sefikura just tends to give me emotional catharsis when it's written like that, because it gives Sephiroth the opportunity to mourn what he should've had, and gives him a fighting chance to change it. It's someone else being shown the decades of neglect, how deep the hypocrisy of Shinra actually went, the systemic abuse, acknowledging all of the bullshit Sephiroth went through before Nibelheim. It's him breaking out of other's expectations of him, Jenova, or Hojo or whoever else, and getting his childhood wish to just be normal. Like Angeal said (quoted loveless I think) "and what do angels dream of?" "Angels dream of becoming human."

This is also why I find very little enjoyment in reading domroth sefikura. Sephiroth isn't someone who reminds me of that type of personality, before he went crazy. He seems like a very awkward, calm and even sometimes soft dude in his downtime. He's literally just some guy. We don't see a lot of his personality because he was trained (tortured) into believing anything other than perfect control is weakness and failure. I don't think he would have any sexual experience. I think he's depressed, and exhausted and alone and is just very good at hiding it. I don't think he even wants or needs sexual intimacy necessarily, so much as he needs someone to feel safe around.

Anyways. This is. Way too long now. Goodbye.

[shocked-collar]

We’ve got Ren, we’ve got Law… Now could we get advice for writing Strade? Thank you in advance!!! Love your writing so much!!! :33 <3

YOU GUYS ARE LITERALLY GONNA MAKE ME EXPLODE.

erm. cough. ung.

im actually not that. happy or confident in the way i write strade. idk what it is, so,,,, take this one with,, a LOT more than a grain of salt.

AGAIN, OBVIOUS DISCLAIMER, I'm not Gato and only she truly knows her characters and I am just throwing out my personal interpretation.

Strade, unlike Ren and Lawrence doesn't have many rules at all. In fact, he only has three, MAYBE four when I write him.

First one being that he's impulsive and does what he wants when he wants. It really is just that simple for him. He has preferences though, so that means he's predictable if you know him and therefore less terrifying. He can also be easily swayed into a different direction, but his mind can change just as quickly.

Second one is that he's very, very smart, but not intelligent. He's so incredibly egotistical and prideful that thinking of flaws in his system isn't even an idea to him. He would know this structure is flawless! He built it! Additionally, Strade's often too caught up in the moment to actually check on your restraints, but it's not exactly hard to miss them either. It's up to fate, essentially. This goes for your wounds as well! Good luck!

Third rule is dedicated to Strade's ego. He values his sense of self above all else. He'll do anything to anyone and will try pretty much anything once, unless it puts him in a submissive or small position. Embarrassment is a feeling that man can NOT stomach. It makes him flee as soon as he possibly can- though embarrassing him is not easy to do as his pride is stronger than a steel wall.

And I said MAYBE four rules because this one can be included in the first one, but- Strade acts on impulse. Whatever he wants he gets, and that is sometimes something kind. He can be kind. Absolutely not in large amounts and it's not common, but it can happen! Sometimes he gets fuzzy and feels his sad little captive needs a shower, or perhaps a sweet treat to raise those spirits. Aside from treating his captives, he's also a pretty sweet guy when out and about. Does favors for his neighbors because he has the skills and likes the validation. He also gets off on being a good person in the eyes of strangers because he knows that they don't know what happens at home.

It's all about moods. Strade doesn't have some secret dark-side, it's all the same dude. Like when I sit down to draw vs sit down to write, I'm still me, I'm just writing or drawing. This is his ideology. That being said, Strade likes to live as one whole unit when he has a captive unless he's in a specific mood to be a big bad guy. He'll come down and ask how you're feeling sometimes. He'll bring a plate just to sit with you and complain about his day, or fucking Janice from the store, thinking she gets ALL the baby-pink yarn. He doesn't even knit, he just knew she was hogging it all so he took a skein. You wanna skein of baby-pink yarn??? Boom, you have one now. I'd say he's a pretty decent guy when you don't have his target on your back, which makes it all so much sadder.

Furthermore, he almost never feels bad about his actions, but there is a single night perhaps once every year where he'll stare at his ceiling wondering if he can be fixed. It is very quickly snuffed out by his fucking NEED to defend himself TO himself, but the seed is planted there nonetheless. What's the point of living if you're not enjoying the gift of life? It's not a privilege, it's a right, and if you wasted yours by finding yourself in his basement, oh-fucking-well. That's on you.