#the worst thing is it is completely in character for him to be this way. he would get a kick out of it don’t tell me he wouldn’t

[thenationofzaun]

Arcane and Ideological Clashes

Tags by @coolseabird

I'm glad I'm not the only one who feels this way. One of season 1's themes I loved was the philosophical and ideological debate between Silco and Vander (and then Jinx and Vi). I adore the personal character-driven aspects too, but the thing is, they don't have to be mutually exclusive. Ideologies can be extremely personally informed/motivated, and in the case of these characters, they were. Every part of their worldviews were shaped by their circumstances, their lives, experiences, and relationships with other characters. For example, Silco surviving the murder attempt by Vander and how this very personal betrayal motivated him politically, to be unrelentingly extremist in his methods. Or Vander feeling personally guilty for all the deaths on the Day of Ash, leading to him forming a political deal with Grayson to subdue the undercity from ever stepping out of line "for their own good". Because when you live in these kinds of dire conditions, there really is no way to separate the personal from the political.

Though season 1 didn't explore these themes with the sisters as deeply as I would have liked, the crumbs were there! Especially for Jinx. Yeah, she's selfish and personally-motivated, but her actions are nonetheless political. When it comes to her political opinions, the first season itself only gave us crumbs ("We kicked the enforcers butts, imagine what the whole of the Lanes could do!" as a kid, and then later Silco tells her that the children of Zaun deserve more and she seems to listen pensively, but never comments on it). Every act of political violence by her in the first season was given a personal motivation (she wants Silco to think she's strong, she wants to confront Caitvi on the bridge, she wants to avenge Silco). But writers comments outside the show gave us more - one of them said online that while Jinx understands Vander, she disagrees with his worldview and aligns with Silco's views on fighting topside. So that confirmed that Jinx does have an ideology and it aligns with Silco's, even if she was mostly preoccupied with personal matters in S1.

Vi on the other hand was completely neglected by season 1. All of her thought process and political opinions post Act 1 were left entirely subtextual. Act 3 was the worst offender because it's there that she makes her most controversial decisions (betraying Jinx to the Council and attacking the Shimmer factory with enforcers). However, again there were crumbs that one could string together to form interpretations. In S1E2, Vander basically convinces her that rebellion against topside is futile as it would likely lead to the deaths of her loved ones. She then decides to give up her desire to fight them and turns herself in to the enforcers. What follows is 7-8 years of being beaten and abused and downtrodden by topsiders in prison. Yeah, I can definitely see how this experience would only confirm Vander's words, that Piltover's might is too much to overcome, not without heavy casualties on their side. That rebellion is futile and the best thing to do is to keep your head down and don't invoke their wrath.

However, it was a fellow undercity citizen who murdered Vander and took her sister. And when she returns years later, she finds that he is still in power, has significant influence and a large number of followers in the Lanes, and no one has overthrown him. One line that really stood out to me was one she said to the brothel madam Babette in S1E5 - "From the looks of it no one down here lifted a finger to stop Silco". How juicy is that! She feels resentful towards her fellow Zaunites for not avenging Vander and taking down Silco in her absence. She feels betrayed, abandoned, left behind by her own neighbours. Her sister changed under Silco, her home changed under Silco. And everyone moved on without her. Expanding on this could have been such a natural way to justify her class treason by joining the enforcers. She thinks Piltover is too strong for Zaunites to beat so there's no use rebelling against them anyway. So why not use their might against her Zaunite enemies? Zaunites themselves "won't lift a finger" to stop violent gang leaders so why not use topside's power to do it? "What loyalty should I have to my class, if the people from my class abandoned me like this?" I could even see how being wronged by Zaunites could hurt more than being wronged by Piltovians - she could see it as the latter owing her nothing while the Zaunites are supposed to be her family and neighbours, who owe her more.

Again, season 1 itself did jack shit to delve into these feelings nor her trauma from prison. But the crumbs were there. I happily used them to form my own interpretation to justify her bizarre decisions and was satisfied. But then season 2 rolls around. They had the blueprint and chose not to use any of this rich material. How do they justify her joining the enforcers? Do they explore any of the complex feelings of resentment Vi may have for her home and class? Nope, she joins after hearing how her crush talked her up to colleagues. How do they justify her fully turning on Jinx and disowning her sister? Do they explore Vi's loyalty to her foster father Vander, and her acceptance that Jinx chose to betray him and side with his murderer, then try to murder Ekko for years? Nope. In fact, she forgets about Ekko and never mentions him again lmao. Rather she seems to turn on Jinx because she attacked the Council??? That seems to be the turning point for Vi, the thing that makes Vi view Jinx as a monster. "She killed the tyrants who oppressed me all my life, how dare she😤" ???? It would make sense for Vi to view the attack as stupid and reckless, again just like Vander said - fighting topside only brings more wrath to the undercity. But they don't even do that. They never explore Vi's political opinions and how she agrees with Vander's "compliance for our own good" stance. They never touch on her time in prison and how it may have compounded Vander's views. Instead they make it so Vi seems to sympathize with the Councilors and condemns Jinx's bombing because of some generic "violence bad" moral.

It's so stupid too, because they completely forget about Grayson. That's more PRIME material to justify Vi's enforcer arc. If Vander, her mentor, allied with Grayson, Caitlyn's mentor, then why shouldn't she ally with Caitlyn? She could easily use the Vander-Grayson peace deal to make herself feel better about her class treason. "He allied with enforcers to keep the undercity in check for their own good. So will I. Putting on the uniform is just the next logical step. I will take out the gang leaders and Silcos that Zaunites are too weak to stand up to. My parents were wrong to fight against topside, rebellion is futile. Jinx is wrong to fight against topside and will only get more Zaunites killed in the resulting retaliation. They can call me a traitor but I'm doing this for their own good."

All the pieces are there. Instead they never bring up the Vander-Grayson deal. Caitlyn and Vi have never even spoken about either of them in their entire relationship lmfaooo. They don't even know that their beloved mentors knew each other. They never speak about anything of substance. The only crumbs of an ideological clash we get in season 2 is the argument in S2E5. But it's all from Jinx's side - "I wish I was just seeing things when you decided to throw in with the Piltie goons who murdered mom and dad." But then Vi replies with some lame insult, then they're having a cheap slapstick comedy fight, and Vi never reckons with this. She never expresses what she thinks of her parents dying fighting topside. Then the Piltover vs Zaun war is completely abandoned and the plot focuses on Warwick/Hexcore/Noxus. And we don't get any more explorations of the ideological/philosophical clash that the sisters represent. Is it worth it to rebel against an oppressor if you lose yourself and all your loved ones to violence, but at least those in the future reap the benefits of your fight? Is it worth it to comply for the safety of yourself and your loved ones, if your people will eventually suffer a slow death and never have a future? What are you willing to sacrifice for your revolution? How far will you go? They handled this theme beautifully with season 1 Silco, then said "alright that's enough" and dropped all effort when it came to season 2. And from the trailers of Act 3, it looks like Vi will be convincing Jinx to fucking help Piltover against Noxus. Which is just gross lmao.

[landhoe-norris]

The thing with Lando, that I don’t understand, is how everything he says or does is constantly blown out of proportion and twisted to make it seem worse than it is. He’s not the only driver who acts in the heat of the moment, yet he’s one of the few who gets crucified for it every single time.

Remember back in Monaco in ‘21 or ‘22 (I really can’t remember), when he lapped Ricciardo, his own teammate, and gave him a small wave—a gesture that clearly meant “thank you for letting me by without any trouble.” Instead of seeing it for what it was, people completely misinterpreted it. Lando was accused of mocking Ricciardo, called a snake and a bad teammate, and even received death threats. Over a wave. A moment of acknowledgment somehow turned into a crime.

What’s frustrating is how this treatment isn’t consistent across the board. Compare this to Liam Lawson flipping Checo off in a race recently—a far more direct and provocative gesture. Fans laughed it off, called him a “legend,” and moved on. But when Lando does something as harmless as a wave, it’s analyzed to death, criticized, and turned into an excuse to attack his character.

It feels like no matter what Lando does, people are ready to twist it into something negative. If he’s honest in interviews, he’s labeled “arrogant.” If he jokes around, he’s “disrespectful.” And if he’s frustrated after a bad day, he’s “entitled.” It’s as if he’s never allowed to just be himself without someone jumping to the worst possible conclusion about his intentions.

Lando isn’t perfect—no driver is. But the way he’s singled out for things that others are praised for is exhausting to watch. It’s like people are waiting for him to slip up, ready to drag him down at any moment. He doesn’t deserve that. None of them do.

Maybe it’s because he’s always been open and honest, which makes him an easy target for people who want to twist his words or actions. Or maybe it’s because he’s popular, and people are quicker to tear down someone they see as successful. Whatever the reason, it’s unfair and unwarranted. Lando’s been a consistently strong driver and a decent person who doesn’t deserve the constant backlash he gets.

I don’t know what has to change for this to stop - actually I know exactly what has to change for this to stop. People need to change. Media needs to change, and social media needs to change.

People need to stop holding him to a higher standard than their favourite drivers while simultaneously wishing for him to fail. It’s hypocritical to demand perfection from him while cheering on others for behavior that is often far more controversial. The medid need to stop running with narratives that Lando has never given them. Time and again, stories have been spun to paint him as arrogant or disrespectful, feeding into the toxicity that surrounds him. And social media needs to stop amplifying this negativity. Platforms that could foster meaningful conversations instead magnify toxic behavior, allowing hate and unfair criticism to spread unchecked. Clips are taken out of context, moments are exaggerated, and echo chambers of hate are created. Lando, like every driver, is human—he’s allowed to have moments of frustration, humor, or honesty without being vilified for them.

Lando has shown time and again that he’s a talented driver and a genuine person. He's shown time and time again why he's on the grid, and that he is one of the fastest there is, and that he genuinely deserves to take up space in F1. He's growing as a driver from year to year and he’s only going to get better. It’s time people recognized his growth, talent, and hard work instead of tearing him down at every opportunity.

Lando is McLaren, and he is F1, just as much as Leclerc is Ferrari and Verstappen is Red Bull.

[velvet4510]

Why Magneto’s Storyline in X-Men: Apocalypse is The Worst (it’s not just Cherik)

Ok I just need to vent because this has been chewing away at my brain for far too long.

Cherik is far from the only reason why Erik’s family plotline in X-Men: Apocalypse is some of the stupidest, sloppiest, and most character-ruining pieces of writing I’ve ever seen. Haters may say “oh you’re just upset because he married someone who wasn’t Charles.” But, like, aside from the fact that the original timeline already established that Erik’s top priority was always the fight for mutantkind and he had no interest in settling down - whether that had anything to do with his feelings for Charles or not - the problems with the Apocalypse writing go WAY beyond just him & Charles:

Erik would never abandon his cause at this point. By the end of DOFP, Erik has just been imprisoned for a full 10 years thanks to the JFK situation. Meaning he has spent a full decade being forcibly inactive in the fight for mutants. And he just learned that all of his fears about humans and mutants came to pass in the future to the level where a time-traveler had to be sent to change the past. And he was so set on averting that future that he tried to kill his friend and the sister of the man he loved, and then made a whole speech on international TV begging for the mutants of the world to fight alongside him. This is the POLAR OPPOSITE of a man who would feel like settling down and walking away from the fight within the next decade. The Sentinels being cancelled did NOT make mutant life easy overnight; Stryker was still up to no good, and there is no way that there weren’t others like him doing the same. Yes, Raven’s actions made a very positive difference, but I think we have enough brain cells to agree that this did not mean things for mutants immediately became sunshine and rainbows to the level where Erik - the most (understandably) paranoid character in the X-Men series - would even consider taking a break, let alone giving up the fight permanently. Knowing what he did about the possibilities of the future would’ve made the Erik we know double down on his commitment to his cause and follow up on his actions in Washington.

Magda is a human. At this point, Erik hates humans. Again, he has just been imprisoned by humans for 10 years for trying to save a mutant, and he just learned that in the future, humans would’ve wiped out mutants, exactly as he feared. Everything that happened in DOFP would only further inflame his already-passionate hatred of humans. He is not in the mental state to even begin to consider Charles’ philosophy and give a human a chance at a relationship, let alone marry a human.

The family lives in Poland. The country where Auschwitz is. The country where Erik and his family and people was imprisoned, tortured, and executed. The country where Erik had to watch Shaw kill his mother. Basically the LAST country in the freaking WORLD that Erik would want to ever see again, let alone spend the rest of his life in. Erik is fluent in multiple languages - he is shown to easily converse in French and Spanish, as well as his native German - and has been all over the world thanks to his Nazi hunting, so if he really needed to flee the U.S., there were a hundred other countries he could’ve gone to and blended into (Canada, France, Mexico, anywhere in South America, maybe he’d try going back to his home country Germany, heck, he even could’ve discovered Genosha during this time). But in the original timeline, he didn’t leave the U.S. at all despite being a national fugitive after escaping his plastic prison, and he never did get caught again, so….

Erik’s first meeting with Magda is completely OOC for him. Erik mentions that he told Magda who he was the first night they met and he trusted her then. EXCUSE ME??? Erik Lehnsherr does not trust strangers. Erik Lehnsherr does not tell the complete truth about himself and his past to just anyone; look at how deeply Charles had to probe before Erik opened up to him. This stupid line was obviously shoehorned in just to make their relationship seem like perfect soulmates and thus ensure it is doubly tragic when she gets thrown in the fridge 5 minutes later (more on that in a sec). Obviously the intention is for the audience to go “aww, he instantly trusted her, she instantly accepted him, this is true love…” Give me a break. You’re really telling me that Magda met this stranger one night, found out he was none other than the international fugitive who apparently killed the U.S. president and just tried to kill another president on live TV, and went “oh, no problem, honey, let’s make a baby and live the cottagecore dream!” That’s some BS if I’ve ever heard it, and I’m convinced the writers subconsciously knew it; there’s a reason that is revealed in a throwaway line rather than shown onscreen, because then nobody would’ve bought it.

Fridging. Magda and Nina exist in the movie for one reason and one reason only: To get brutally killed and give Erik even more grief and trauma so that he’ll seek revenge on the entire world, aka do what the plot demands of him, aka have the same journey as he did in First Class (more on that in a sec). That’s all. Neither of them are any more than one-dimensional plot devices. They are not characters at all. Magda isn’t even named in the actual movie (he doesn’t even say her name when she dies) - it’s so obvious they didn’t even know what her name would be when they made the movie. This is textbook fridging, and one of the worst examples of it of all time. It’s all the worse considering that Erik never met Magda in the original pre-DOFP timeline, meaning Magda originally most likely lived a long happy life and died old in bed. But now, she gets fridged just because the writers didn’t know what more to do with Erik. It’s misogyny of the highest level.

Erik wouldn’t risk starting a young family at this moment in his life. Erik was a Holocaust prisoner, his people were massacred, his mom was shot when he couldn’t move the coin, and then Charles was shot when Erik accidentally deflected a bullet into him, and then every member of his Brotherhood save Raven were captured and killed. Not only is this more than enough grief for one character to have, but the man wouldn’t dare risk having a new family of his own when everyone he’s ever loved has gotten hurt (largely because of him), and when he’s an international fugitive. That is no time to risk being selfish, and he would know. He would’ve been the first to realize that a potential wife and daughter would also end up killed, and so he’d avoid that altogether. In fact, he wouldn’t even consider it, because, as mentioned, he wouldn’t leave his cause behind. You know, if he was actually in character.

A parenthood story for Erik was already set up. DOFP already hinted at Erik being a father, with Peter’s comment about his mom. So if the writers wanted to show Erik as a father, and to include Magda, they already had a solution that would seamlessly flow from the previous film - make Erik and Peter’s relationship one of the centerpieces of the story, and let Magda be Peter’s mom! (You know, like she is in the comics!)

It doesn’t contribute anything new to Erik’s character development. From a screenwriting POV, this is unforgivable. May I remind you that Erik’s entire storyline in First Class revolved around grief and trauma for the loss of his family and people, especially his mom, and seeking revenge for it. Giving him a wife and daughter just so they can get killed too adds absolutely NOTHING to his character development. It’s merely retreading everything that already happened in his arc: he loses his family and goes on a roaring rampage of revenge. Completely superfluous, right down to Charles insisting that there’s good in him beyond the pain. The redundancy becomes apparent even in the dialogue, where Charles literally says “I told you since I first met you there’s good in you too.” The script itself can’t help but point out that all of this has happened before and literally nothing new has been added to Erik’s character arc.

See? It’s not just because of Cherik. Erik’s story in X-Men: Apocalypse is an atrocity in basic screenwriting and character development, on every level. And I will never accept it.

(Please tell me I’m not the only one who feels this way…)

[arttsuka]

I wanted to talk about Toothless and how his design and personality changed for the worst throughout the 3 animated movies (I won't be tackling any of the shows because I haven't watched them)

In the first movie he's at his best. His design is actually amazing, from the overall model structure to the patterns on his skin (which are visible in every shot, especially the ones taking place during the day, without ruining the 'illusion' of his black skin. It actually feels like it's resembling a panther aka black leopard in which the fur patterns are still visible). His face has a more aerodynamic shape, more sharp, a big curve.

His snarky but intelligent personality was really fitting for him. And we got to see more of it as the movie was progressing and he was getting more comfortable with humans.

In the second movie the patterns on his skin are still mostly there, way less prominent but still visible. His face got squashed down (a problem which only because stronger in the 3rd movie) but as a whole he still looks presentable, kinda. His posture changed too (but I'm too lazy to find evidence, you'll have to take my word for it).

I remember not having a problem with his personality in the second movie which is why I was surprised to see that this was only half true. He acts more domesticated, that's to be expected, but only around humans? When he interacts with other dragons it's like he's a completely different character, closer to what he became in httyd 3 than 1. He's still quite intelligent and more used to human equipment and people in general. In the first part of the film (especially this scene with Hiccup) he acts like how I'd imagine he should be in the 3rd movie, here it should have been a 'middle' ground, not 100% domesticated but not movie 1 feral either.

In the third movie he suffered the worst. Gone are the patterns on his skin, he's solid black now. His face got weirder too.

His personality got reduced to this stupid, slobbering 'dog'. His pupils are always dilated and his tongue almost constantly out. He acts unintelligent and he doesn't have that snarky personality he had in the first and even the second movie. He's basically a different character altogether. (That scene where he tries to 'woo' the light fury is embarrassing at best and shows exactly what's wrong with his character now).

They did it to make him more 'likable' to younger audiences + to make a good visual contrast to the light fury (who has an undercooked personality AND awful design as well), which is weird because they gave the light fury patterns on her wings?

The light fury looks like a beluga whale in the worst way possible. She has almost nothing going on visually to the point it doesn't even make sense. Her skin looks fragile, she's so weirdly smooth for no reason. It would legit be better if they took a night fury model and painted it white.

They gave her a 'cat' personality and took it away from Toothless (why couldn't both be 'cats'?). Also she's the 'girl' character, her only purpose is to be the romantic interest. She adds nothing to the film.

No comment in the live action design. Just ugly. Atrocious even.

Also something else that's been bothering me from the live action remake is this scene.

They've basically recreated every scene exactly as it was in the original so far (which is a bad thing) but the slight hesitation Toothless showed before touching Hiccups hand was the one thing they chose not to include? (I know the scene wasn't meant to have that in the beginning and it was an error in animation which they decided to keep because it gave the scene more personality so, why not include it in the live action?)

[anomaly-076]

Tkdb characters comforting you after finding you having a mental breakdown

‎‧₊˚���Masterlist✿˚₊‧

♦ I've been writing a bullet-point HC style a lot recently so I decided to switch it up ^^ Reader and the character are written as friends, but can be read as dating (or more ;))... [Apologies for the differences in length, but some scenarios just came out that way U.U]♦

Characters: Alan, Sho, Haru, Haku, Jiro, Professor Dante, + a bonus secret character :D

    ⋆｡˚ ☁︎ ˚｡⋆｡˚☽˚｡⋆

Alan quietly enters your room to see you angrily pacing back and forth, dodging some flying object by mere inches you angrily threw without a care for where it would hit and land.

"Hey, everything okay?"

You head snaps in his direction. Angry stare ready to scorch your intruder not softening even after realizing it was just Alan. Normally you might be able to snap out of your on edge state, but not right now.

"Everything okay? You wanna know what's not okay? I'll tell you... Every. Fucking. Thing!" you spit into his face, getting so up close you can smell the sweat mixed with motor oil that seems to follow Alan everywhere.

If it were any other Vagastrom student, they'd be already thrown across the room, but in your case, Alan is even too stunned to consider that an option. This is the first time Alan sees you ready to set stuff ablaze with your sight alone. He's sure that if your stigma were related to fire, the whole dorm would be on fire.

"Hey now..." Alan finally says something after a few seconds of returning your intense eye-contact.

You don't answer and instead turn on your heel and kick something out of your way as you stomp to sit on your bed.

Only now does Alan have the chance to look around. The walls are dented more than they were before, there's pages torn from a notebook scattered all over the floor and all your stuff is a complete mess, indicating that your rampage has been going on for a quite long time.

A shaky breath coming from your slumped form draws his attention back to you. Are... Are you crying?

Alan is still unmoved from his position at the door. A weird feeling washes over him as he sees you bury your head in your hands and slide them up into your hair to pull on it. Your torso folds forward to dangle between your spread legs as you start to let out breathy sobs.

He's unsure of what to do. He's never been one to deal with emotions, let alone help someone else deal with them. A slight panic starts to take over him.

Then, as if his body moved on its own, Alan finds himself crossing the mess of a floor, stepping over anything scattered there, to sit next to you on your bed.

"Hey..." he tries to say as softly and compassionate as he's able to, but you either don't hear him or pay any attention to him.

"Hey." Alan says again, this time louder and tries to bring you back to reality by running his palm down your back.

You finally seem to snap out of the worst and your torso slightly rises for you to look at Alan from the side of your tear-filled eye.

"Hey, c'mon..." it comes out as another attempt from Alan to comfort you, but in reality he's begging for you to stop. Your crying makes something inside him feel bad, almost painful and he's begging you to stop crying so the unpleasant feeling goes away.

And you wish you could stop, but the tears just keep on coming and there's no stopping. You just shake your head and look back down on the floor, but you do try to control your sobs and reduce them to mere hiccups.

"I... S-something bothering you?" Alan is unsure how to talk to you without making your situation worse again. To him, it feels like most things he'd try to say will end up being the wrong choice.

Thankfully, you fully rise back up with a sigh and look at Alan with now fully red and puffy eyes, heavy with exhaustion.

"I'm just so fed up and tired with everything..." your voice is shaky and coarse like you've spent the better part of the past our angrily half screaming to yourself (which you did and Leo, being Leo, overheard it and sent Alan to investigate).

"Hey, I'm here... You can talk... or... not..." Alan trails off. In talking about feelings he's even more helpless than at consoling someone. So he just awkwardly puts his hand around you and pulls his closer to him so your sides are touching.

  ⋆˚✿˖°

"Hey Y/N, I got my R&R approved. You wanna go for a dri- huh?" Sho walks into your room without knocking, like he usually does, but immediately stops in his tracks once he doesn't see you any of your usual activities you'd normally do at this time. His eyes scan the room until they land on your curled up form in a corner of your room, whimpering.

"Woah... Y/N, you with me here?" he quickly makes his way towards you and falls to his knees right in front of you. From the state you're in, he's unable to tell what is actually wrong and the only way he can find out what, is by you telling him.

Your head pick up to reveal an empty stare, void of any spark of emotion, and Sho immediately understands.

"Hey now..." he pries your hands off your legs from clutching them close to your chest. His strong hands spread your legs apart to pull you into his lap and hold you against his chest, cradling you.

Reluctantly, you hands wrap around Sho's back, returning his close embrace as you hide your face in his neck. The smell of cologne and the food from his truck hits your nose and comforts you to some degree.

As his own hands roam over your back, Sho hums softly and nuzzles his head against yours. Originally, he wanted to go visit some new bike parts place since he finally managed to get approval to leave Darkwick, but now he's more than anything interested in making sure you're okay.

In his head he's already coming up with a list of stuff that you might wanna do to make you feel better from what he remembers you told him you liked. Thankfully Leo's R&R was approved too, so he won't barge in on the two of you. Sho or you wouldn't hear the end of it.

  ⋆˚✿˖°

Everything is loud. So loud. Too loud!

The sound of animals in their pens. Ren watching some movie or playing one of his games and complaining about Haru. Someone's footsteps outside your door in the common room. The banging of pots and pans in the kitchen. And the there's that damn scratching of something against a piece of wood!

That sound is about to drive you crazy in your frantic, borderline panic attack state. There's a slight pounding in your head and your breath is quick as you pace around your room like and animal in a tiny cage.

Oh great... Now the footsteps are getting louder. Just what you need...

"What is it Peekaboo? Hm?... Oh!" you can hear Haru's voice from the other side of your door shortly followed by brisk knocks on your door.

"Kinda busy..." your response comes out as a low growl, similar to some of the anomalies in Jabberwock's care.

"Ah... But Y/N, Peekaboo is worried. He says you've been walking around like that for a while now. Don't your feet hurt?" with your eyes trained on the door now, you can see the handle move as Haru tries to open the door. Luckily you locked it while your hands were still able to not shake as much as they do right now.

You ignore Haru's worried question and growl to yourself instead. He's always so cheery, it annoys you to no end right now.

Your door flies open and stops you dead in your tracks. Of course, you should've known that locks won't stop Haru.

A flock of anomalous animals flood into your room through the now open door with Haru standing in them.

"Y/N!"he exclaims in dismay upon seeing the state you're in. All the animals are around you. Some are jumping up at you and some are biting your ankles as a sign of affection, all trying to cheer you up, able to feel the mood you're in.

"Boo..." Peekaboo silently chirps in, echoing Haru's tone of voice. If you were able to look closer, you'd be able to notice he's got tears in his eyes.

"Y/N! Are you okay?" as Haru approaches you, the animals around you scatter away from you, giving him more space to assess your state.

"I- I'on... S'-s'just... Guess... I j-just..." you struggle to formulate your thoughts. They're racing too fast to be able to catch just one of them.

"Hey, hey, hey, slow down Y/N. Just breathe..." Haru guides you to sit down of the ground and takes a deep breath with you.

"Focus on me and breathe, okay?" his voice is gentle, very different from his usual demeanor while trying to advertise capybus tours.

As Haru talks you down from your frantic state and helps you breathe your way through, the animals come and join you, some trying to calm you in their own way and some resorting to just taking a nap around you.

  ⋆˚✿˖°

You've been working on your project for so long and now you're just going to ruin it with your tears. Great. Just another thing to make your mood worse. This project has been taking so much out of you, you don't even want to finish it.

"Mental health check!" Haku hums, peaking into your room. You've told him about your project and how much it's driving you insane, so he's been checking in on you the whole time.

After seeing you openly sobbing above your project you'd worked so hard on already, he's quick to slip into your room and move it away from you so you don't ruin it any further.

Before you're even aware of his presence over your tears, Haku is already picking you up and carrying you to your bed. After getting on it himself, he positions you in his lap, facing away from your desk, which would remind you of that mess that's been ruining your life for the past month or so.

"Aw, come on now... You're doing a great job. I'm really excited for it to be done and I know it'll be amazing just like everything else you've done." Haku tries to calm you down as one of his hands strokes your cheek.

"B-but i-it's not w-working... I-it sh-should, but isn't..." you sob and your upper body threatens to collapse onto Haku from the strength of them.

"Hey... Hey..." Haku brings his other hand to pick up your face and look at him, "It will work, you just need to take a break."

"N-no, it w-won't... I-i've bee working on it fo-for so long and it just won't... I'll just ha-have to cancel the-"

"No, please don't do that... I'll help you. We're all so looking for you to get it out there..." Haku tries to wipe the tears off your cheeks, but another ones are soon flowing down again.

You shake your head and start trying to turn around to look at you project again. Haku stops you and meekly smiles at you.

"Let me tell tell you what... We go out, have some ice-cream, hang out and maybe watch something in my room and then tomorrow I'll have a look at it and see what we can do... Okay?"

  ⋆˚✿˖°

"Y/N, hello?" a tired voice calls out to you.

You don't have to turn around to be able to tell it's Jiro.

"Y/N, you were supposed to come in today for a checkup so Yuri sent me for you."

You're still unmoving, just laying on your bed, on your cover and staring at the blank wall in front of you.

"Y/N?" Jiro approaches your bed and touches your arm.

You're still dressed in your dorm uniform despite it being a good few hours since your classes ended and you were allowed to change.

Jiro's gloved hand sneaks up to your neck, his two fingers searching around for a pulse point.

"What are you doing?" you say with a flat voice, almost like you're not fully present, but you sadly are.

"Making sure you're alive. Your catatonia and lack of response worried me."

You don't even answer and only hum in acknowledgement.

Jiro sighs and sits on your bed, inspecting your state.

Despite being a medical student, his studies sometimes included a psychological aspects. Based on them, Jiro was able to determine that your state must've been caused by some severe distress, forcing your brain to shut down and fully detach from reality in order to cope.

Sadly, no treatment came to his mind, so Jiro just kicks off his shoes and lies down behind you and throws his arm around your waist.

Hopefully his closeness can make you feel better. If not, he'll have to call Yuri, but now he wants to try and be there for you alone.

  ⋆˚✿˖°

Dante could swear he turned all the lights off in his private library, but apparently one of them was still on. It was always such a pain when he had to go back somewhere because of his disability.

With a sigh he opens the heavy door to find you surrounded by some of his books. You're frantically reading the contents of one of them and scribbling something on a paper next to it.

"Ah, Y/N. Isn't it rather late to be researching?"

Dante's sudden presence startles you and as you quickly move to face him, you accidentally knock over the book you were reading.

"Dante, sorry, you've startled me." you sheepishly admit, trying to hide how anxious you are.

"Tell me, what could possibly be so important at this hour, dear?" Dante is faster than you and pushes himself forward to pick up the fallen book.

You take a deep breath to seem like you have it all together, but you can't, "I couldn't sleep. My mind's just filled with all these horrible what-ifs and I couldn't stop them so I thought that maybe if I knew what to do, it would help."

"And what are these what-ifs about, Y/N?" Dante's expression softens.

"I don't know... Everything."

Dante sighs and starts pushing his wheelchair towards the sofa in the middle of the room, "Although I do believe that problems should be faced head on, perhaps you'd prefer if I read your favorite book to you as a distraction?"

  ⋆˚✿˖°

⋆˚࿔ Secret character 𝜗𝜚˚⋆

"Tough day?" a smooth voice interrupts your thoughts as you absentmindedly pet one of the mail cats, staring off into a space.

"Yeah..."

"Now what could worry a pretty little head like yours?" the owner of the voice comes closer and sits down next to you on the bench.

Your eyes are glossed over with tears so the stranger next to you only looks like a dark-grey smudge.

"Do you know what helps me, while I'm feeling down?... There's this kid, Rui, and he has all of these amazing drinks that taste like alcohol but aren't..."

"I-i know..."

"Hey, maybe if you're down, we could go together right now since my shift's ended."

"Nah thanks..."

"Oh, it's Elias, sweetheart."

[jesteriajunovix]

(Spoilers) Just a Reminder to Curly Sympathizers

Jimmy and Curly are not "Problematic Favs". They're literally thematic vessels for THE problem.

CW: Mentions of SA, and Abuse

Curly (And Pony Express as a Company) Never Cared to give Anya Pysche Evals. Curly only started to care for that when it doubled as an occupational hazard to him and his image.

Curly actively vouches for Jimmy as a crew member despite his "struggle" on earth. I don't see how it'd be far-fetched to assume that involves some form of Misconduct with the fact Curly literally says

"You've gotten through difficult situations before" RIGHT AFTER talking to Anya the actual Victim.

Curly doesn't understand why Anya was talking about the locks on the sleeping quarters and moves past it to reinforce the company's logic. [The Company and Curly can not be bothered to consider or provide actual safety for women. It is an afterthought that resembles a cruel apathy towards women's perspectives in a corporate work environment.]

Would Curly have given the gun to Anya if she asked? Probably not. While that is somewhat debatable It rings to the shitty isolated environment where Anya would have to take up such a mindset. Not to mention Curly is clearly super pals with Jimmy, so if that was a concern he'd probably take Jimmy's (and the rest of the guys) side considering he later took jimmy's side under the fact he sexually assaulted a woman.

The first thing Curly says to Jimmy after trying to consolidate Anya is "I Can Fix This". Curly enables Jimmy to find ways to get out of taking responsibility for the harm he did to Anya.

Curly buckles to the fact his mind is more focused on his position and reputation as a Captain rather than the personal impact Jimmy's harm has caused Anya. This issue is an occupational obstacle to him first and foremost.

Jimmy: "This can be remembered as a tragedy".

Jimmy: "The Tuplar crew was never found."

Jimmy: "You're standing at the top. Feet in cement. Right?"

Curly: "...Right."

And his complacency and dissonance of that truth leads him to do absolutely nothing.

I have seen so much art, and discourse treating him like he wasn't an active enabler. You know what. Fuck it. Half of this is going to double as an Anya Post. thinking about how people disgustingly twist her character to redeem two shitty men who are completely at fault irks me so much.

Anya

The fact that Anya doesn't really get to build herself as a character outside of the scenes that reinforce her tragedy, and antagonist environment feels super sucky.

The purpose of such a narrative direction is of course meant to feed into Jimmy's resentful apathetic attitude towards her, and emphasize the cold unfeeling corporate entity that hired her to be on the tulpar, but as a narrative choice, it still feels rather cruel to take in. Jimmy literally erases her personhood from his mind and only internalizes her presence as a threatening womb while taking the rest of the games runtime to focus on himself and the other men on board.

I see many renditions of Anya in fanart. Adding to her character in ways people weren't really given the time to appreciate or take in during the actual game due to how little she's left with.

I find her canon resolution both annoying and interesting due to this type of interaction where the fans are being pushed towards an interpretive play pen where they are motivated to give Anya more characteristics, quirks, and perspectives than she was allowed to have or emphasize within the game.

Using such field of creative deliberation to redeem the men that actively harmed her is such a gross way to use that play pen.

To get into some interpretations

A pretty important moment occurs after Anya runs out of the medical room during the painkiller scene with the thought:

"I have to believe that our worst moments don't make us monsters"

I think there are quite a few different ways to take this line in this moment, but to share my own perspective I believe it most likely stems from these potential factors:

Anya is trying to maintain a metric of empathy and trust to continue to control herself in the current conditions and stresses she's under at this moment. The needs of the crew can not be upheld without this kind of thinking while under the orders of her abuser.

Anya still cares for Curly and is disconnecting the harm he caused from the rest of his humanity as a person who is also suffering.

Anya is reflecting on her own legitimacy while the internalized trauma she went through makes her feel alienated from herself. Accepting the actual piece of shit that is Curly allows her to hold faith in herself as a person through the shared correlation of pain and "mistakes" as she percieves it bonding her with Curly.

While somewhat ambigous I think its important to generally understand these types of potential layers when interacting with the themes and subjects presented by Anya as a character. Ideas which are critical and dissective of Anya as an actual Subject above a simple generalized understanding of her peripherally as a victim.

also Idea 2 doesn't make Curly vindicated. Curly was the only member that Gave Anya some sense of care (As ingenuine as that care was). That dependency is toxic and was unfortuately potentially of mental necessity to Her. To reframe it as a point for Curly to show he was better than what he presented himself to be so deeply annoys me with how uncritical that reframing is when addressing the actual faults and mentality that led him to his bedridden state. With how little Anya is already focused on, it feels like that interpretation and dynamic hands Curly the position of "Subject" while Anya still remains an "Event" to some people.

That kind of thinking not only significantly reeks of a lack of indulgence in actually trying to further interpret the facets presented in Anya's character, position, and mental state, but also dilutes the meaning to be had in analyzing Curly as an enabler. The framing of Curly as an "Enabler in Rehab" or "Tragic Casualty" feels so utterly ignorant, redundant, and enigmatic to my senses when he is so utterly undeserving compared to Anya who barely gets any other elaboration or analysis from the community outside of "awww wasn't that sad" or sensationalization around "The Event".

I WOULD go into Anya's logic leading up to her death, but thats a post and analysis for a different tumblr user to take care of. I honestly just gradually have developed new ways to hate the Mouthwashing fandom, so I really needed this to make mental space for the next few horrible bizarre takes i'll inevitably see about this game.

[rocksibblingsau]

The TBT got me thinking about the movie's writing again, so here's some thoughts. Clay being the only one to get an on-screen apologize doesn't make any sense narrative wise.

When you look exclusively at what's implicitly canon (so no 'he was at the tree that whole time' headcanons, even if they make some sense), Clay is the least in need of apologizing compared to the other three. Bruce is slightly more in need of apologizing than him because he was the second eldest and second to leave, but this point is not about him, it's about how it should have been either JD or Floyd (ideally it would be all of them apologizing actually, but again, not about that rn)

John Dory is practically the main force behind the movie's plot and emotional conflict, so we're talking about him first. John Dory in the movies, well, he kinda sucks a lot of ass. During the Brozone days, he was very bossy, overbearing, lowkey emotional/verbally abusive and the first to leave them all while being the oldest and implied to be their only caretaker outside of their elderly grandma. And even though some people give Clay and Bruce shit for how they behaved towards JD during the Rhonda fight scene, they were RIGHT, he was being bossy and a dick during that scene, and while all the bros were at fault about how they treated Branch during it, he was also the worst of them (like he was the only one who not only denied they would stay together after saving Floyd, but also actually made fun of Branch for even thinking so). And that is without mentioning how he got the the three of them trapped later in the film in the stupidest way possible.

This is NOT to say that he is some kinda of unredeemable abusive monster, no, even if its not said out loud in the movie, its left pretty implicit that he had his reasons for acting the way he did and that he was under a lot of stress himself running the band and caring for his 4 younger brothers while likely being a kid himself during the Brozone days. BUT, after all that, it feels so strange to have the time for one singular apologize apparently and to not give it to HIM of all people. He giving Branch the lead during the Family Harmony is the only thing he does that implies he changed his way after ALL of that, even Venner gets more redeemable qualities than that!

It just makes his storyline feel incomplete honestly, like the movie only bothers to drop slight hints that this man doesn't completely suck and then turns around and both doesn't build up further on those hints AND doesn't make him do anything to redeem himself with Branch and any of his other brothers.

And if for whatever reason it wasn't going to be John, why not Floyd??? I don't even care that much that we don't get a reason for why Floyd never went back, its kinda even implied that he never intended to come back and was just trying to comfort Branch by lying, but again, if you're going to set aside time for one-on-one apologizes after everything is set and done, why not use it for tying up one of the main story points set in the begging of the movie.

Is like they even forgot that they set up Floyd promising to come back and never doing so, because as far as I remember (could be wrong tho), after the introduction, Branch only refers to Floyd as "the only one who said goodbye". With for Branch's character makes sense really, but for the narrative feels plain unsatisfactory. It sets time aside to set up out loud that something was supposed to happen and it never did (crucially affecting the trajectory of the main character's life) and it just... never brought up again. No excuse, no Im sorry for that actually, no anything. Instead we get Clay, which in the movie, has no special relationship or plotline with Branch compared to the rest whatsoever, being the one that gets to have on-screen closure. Why?????

In conclusion, the movie could have an 100% better script and tighter emotional conclusion if they had just let the writers have two even ONE extra rewrites. But not, instead we get two plotlines that likely will never get resolved because got forbid this franchise actually has a proper continuity between films yippeeeeee

(Im truly sorry for this ramble, I just have too many thoughts and too little friends that even know what Trolls are, and by too little I do mean actual zero. Hope you enjoyed it at least, if not, Im sorry again)

I agree that Clay was the one Troll who had a good reason he never got to go back and visit or anything. It was definitely weird that he was the only one who apologized for never getting to see Branch grow up, but I think it says a lot about his character that he did.

[cluescorner]

Randomized Robins AU - Ages + Worst Trait Exercise:

Steph (25):

Says her worst trait is her murderous rages (she is exaggerating for dramatic/comedic effect, she’s killed 3 people tops and for very good reason)

Thinks her worst trait is her spitefulness (one of the few traits she definitely got from her father + one that prevents her from fixing her relationships and living her best possible life. She’ll refuse to interact with someone she dearly loves after an argument (happens significantly less after Tim’s death) or will say things she knows are hurtful just for the sake of having the last word. This trait will worsen in some ways as the list of people who have wronged her and those she loves grows, but will also ease up as she matures and realizes the harm it’s doing to her relationships with those she loves most.)

Her worst trait really is her spitefulness

Cass (26)

Says her worst trait is her self-righteousness (she believes that her goals are righteous and, as a result, she is righteous. Cass becomes very defensive whenever someone questions the mission and often does not second-guess herself. This is a trait she only develops later in life as she grows closer to Bruce/learns to understand herself more/starts to love herself more. But she knows she isn’t perfect and when somebody she trusts criticizes something she is doing she is willing to listen. She just usually isn’t the one to START the introspection.) 

Thinks her worst trait is her self-righteousness. 

Her worst trait actually is her obsessiveness (she gets it from Bruce and, while not as bad as him, she will easily become preoccupied with her night-life and the mission if someone isn’t there to pull her back. She will do this to the point of self-destruction and it hurts her relationships with the people she loves, especially Steph.)

Tim (24)

Says his worst trait is his spitefulness (he actively rejects the idea of mending his relationships with the older members of the family and this causes him to also lack good relationships with the younger ones)

Thinks his worst trait is his obsessiveness (similar to Cass, if he gets fixated on a task or idea he will neglect everything else in his life in order to dedicate more time to it. Unlike Cass, he will almost never be dragged away from it unless Pierrot snatches control of the body and forces them to take care of themself.)

His worst trait actually is how manipulative he is (the KING of guilt-tripping and using people’s emotions against them. He’ll do whatever he needs to do to get what he wants, he’s not above crocodile tears. And he will do it to whoever he needs (or wants) to with little care for how his actions impact others.)

Pierrot (Insists: “Age doesn’t apply to me! And even if it did, I'd probably be the oldest. Or the youngest! I’d never be a middle child, though.” Mental assessments by the Bats have put him around 21, with a margin of error of 3 years. Pierrot has called this “blatant character assassination by my eternal rival!”)

Says his worst trait is that he is an irredeemable psychopath without any regard for the wellbeing of others (this is a lie and everyone who's important to him understands this). 

Thinks his worst trait is his parasitic nature (he literally would not exist had Tim not suffered the way he did. Plus he is a living reminder of one of the worst things that happened to many of his loved ones. He is a parasite injected into a functional person's body and contributes to his continued suffering. This is also a largely incorrect judgement of himself, caused by his actual worst trait.)

His worst trait actually is his limited sense of self (he doesn’t really know who he is outside of ‘inheritor to the legacy of the Joker (a man he despises yet also views as a father)’ and ‘chip in Tim’s brain that became sentient’. He slowly develops an identity over the course of his life and relationships with other people, but he lacks the foundations of identity that most people have. Pierrot will often almost become a caricature of himself and what others perceive him to be because it's the only person he knows how to be. This causes wild swings in how he behaves and relates to others, sometimes to the detriment of himself and others.)

Dick (17) 

Says his worst trait is his clinginess (he is a very extraverted person who likes to be around others, which mixed with his fear of abandonment after his parents died means that if he goes a few days without seeing/talking to a friend he will get very anxious.)

Thinks his worst trait is his anger issues (he gets ticked off very easily and will explode on people. He’s kind at his core and is usually very nice, but he has a temper that can escalate significantly. Spoiler (and later Twist) help him channel this anger into something positive.)

His worst trait actually is his anger issues.

Barbara (18)

Says her worst trait is her disability (internalized ableism, she thinks of herself as less valuable than the other Bats because she cannot be out there in the capes like they can. She will grow out of this as she matures and as she learns how invaluable her support for the team is.)  

Thinks her worst trait is her disability 

Her worst trait actually is her overly-independent nature (In an attempt to overcompensate for everything she can no longer do, she has resolved to do literally everything that she possibly can without any help from others. This results in many instances where she either takes on too much and winds up not being able to fully realize any of her tasks or where she makes her life and the lives of others significantly harder by refusing help when offered/not asking for it when she needs it.)

Damian (16)

Says his worst trait is his perfectionism (he is overly critical of both himself and others, taking any flaw or problem and amplifying it to an absurd degree. This is due in part to his life with the LoA (where even a brief misstep could lead to death), in part to how others treated him initially as Spoiler (any flaw was fixated on and used as a reason to either mistrust him or portray him as unworthy of the mantle), and in part due to the fact that he is Bruce’s son (the only person with worse perfectionism problems than Damian). Gradually, Damian has improved in this regard but it’s still a massive barrier to both his own happiness and his relationships with others.)

Thinks his worst trait is his perfectionism 

His worst trait actually is his perfectionism

Duke (16)

Says his worst trait is his definitely-real secret evil side (says this as a ‘my dad is a villain so who knows??’ joke)

Thinks his worst trait is his impulsivity in his words (Sometimes he will crack a joke or say a remark without thinking it through, leading to a LOT of hurt feelings and drama. He’ll say something without thinking it through and wind up seeming insensitive. This isn’t done because of malice, rather because Duke is someone who’s quick to act and speak. But while the mantle of Insight and his awakening powers have helped him with his actions, they do not always help with his loose tongue. As such, Duke gains an unfair reputation in the media as an instigator and will accidentally cause family drama through what he says.)

His worst trait actually is his impulsivity in his words

Jason (14)

Says his worst trait is his bad manners (he grew up on the streets and has no idea how rich-people society works, which he’s pretty insecure about considering he’s now the youngest kid of Bruce freaking Wayne). 

Thinks his worst trait is his reactiveness (Jason never got the privilege of planning ahead for various events in his life, so he instead needed to rely on being swift and harsh in how he could react to situations. It’s saved his life on multiple occasions and helps significantly in his role as Spoiler, but it can also lead to extreme overreactions (accidentally causing kidnapping scare after Jason ran away following a fight with Dick) and a struggle to plan things out ahead of time. As he grows more secure in his place in the family and in life, this trait will lessen but never fully dissipate.)

His worst trait actually is his reactiveness

[batsplat]

casey also talks about sepang 2015 what do you think of that

oh in that podcast? uh... lemme listen again...

yeah idk it's not really anything new I'd say? he's said basically all the same stuff in more interesting and extensive ways elsewhere. I think casey inevitably has a very 'well feuding is bad and helps nobody' point of view, has expressed that before in the past, does it here again, and he's also drawn a parallel between himself and marc on several occasions. which... well, of course there's similarities in terms of public discourse or whatever, but the parallel really falls apart whenever casey argues the feuds cost valentino. like, I do think it's sometimes important to just. keep in mind. it's interesting that casey draws this comparison in his mind but that doesn't necessarily means he's right about this. I'm not sure how you'd argue that starting a feud with casey cost valentino anything competitively? you can argue it didn't help him I guess, and then we can have a debate about the ins and outs of the 2008 season. we can also have an argument that in a hypothetical world where casey isn't ill in 2009, valentino doesn't break his leg and casey isn't on a piece of junk in 2010, and valentino isn't on a piece of junk in 2011-12, then actually maybe valentino sparking open animosity with casey COULD have cost him. but we don't know that! didn't happen! I wish we could have found out, but we never got the chance! as it stands, the tally on this is pretty straightforward: casey won the title when things were reasonably civil between them in 2007, and valentino took control of the following season at the exact moment he worsened the relationship between the pair of them in 2008. obviously, it's all more complicated than that and casey would of course argue laguna didn't negatively affect his subsequent performances... but it certainly didn't help them. like, at the very worst valentino escalating tensions in 2008 is a complete net neutral. after 2009, them being bitchy to each other every other tuesday was completely competitively irrelevant beyond maybe affecting how they approached occasionally fighting for a podium position. hey, maybe casey used that feud to fire himself up through sheer spite throughout the later stages of his career, but that doesn't actually support his anti-feud stance - it's basically the exact same thing as what valentino does. they're both quite similar in that regard! always so hungry to prove a point, to show how someone else is wrong. kinda half the point with this feuding business is to get yourself going, get yourself motivated, yeah. he straight up openly admits to using yamaha's repeat rejection of him as a way of giving himself motivation, and at the end of the day that's really not all that different?

anyway, what else does casey say... oh yeah, that him and the other aliens were already kinda prepared for this and had learned vale's tricks. that valentino had only been able to get into the minds of the previous generation. welllllll *wiggles hand* sure, I mean, he did clearly have to change his approach... he couldn't just use the exact same playbook to get to them, either on-track or off-track. but that's why he did change up the playbook... again, whether you want to believe valentino won his final two titles 'in the head' rather than just through pure pace kinda depends on how you assess the evidence, but it is at the very least a debate. and, y'know, it's always worth remembering that valentino's most important mind games with casey didn't happen in a press conference... it was on the track. and the on-track stuff really is just embedded in how valentino approaches winning. speaking of aliens, this is what dani and jorge have said:

like, valentino's entire approach to his riding, even to the way he's setting his bike up, is deliberately about directly fucking with you... he's not actually always trying to be faster than you as much as he's trying to give himself the tools to make your life miserable, to pressure you into mistakes, etc etc... and again, especially with casey (if anything because he was so mentally sturdy), the off-track stuff was really just window dressing. (I know they bicker a lot after 2009 but it's just so fundamentally irrelevant to actual on-track competition.) so you can be aware of those tricks, but it also doesn't necessarily help you when someone's being nasty to you on-track in a way you just fully do not enjoy. which is what it was like for casey! for casey, a lot of this comes back to the truly unpleasant context of how he was perceived by the public, how he was treated as mentally weak or 'broken' or whatever partly because he had the misfortune of coming up against a bloke who had the reputation for breaking rivals. I think it's quite natural to end up with a bit of a hardliner 'actually I've never been mentally affected by a result in my life' stance - and of course casey is a lot tougher than a lot of people give him credit for. that being said. sometimes your rivals affect you, shit happens, it's part of the game. it's fundamentally a nice idea to think that valentino's tactics weren't just morally wrong but also ineffective, which is kind of the appeal of this narrative, right? you want to believe you're above that, you want to believe you were adequately prepared and wise to valentino's tactic. it's unsurprising and understandable that casey does tend to tell the story that way, but again it's *wiggles hand* also hard to describe it as completely factual

uh. what else. oh I'm thrilled casey does canonically know valentino and marc were friends, he has said he wasn't following motogp too much during that time period so you couldn't be sure of that. does this mean anything? does it tell you anything? well, no, but it's just a pleasing thought to me. I like that. oh also 'provoking particularly aggressive riders isn't a good idea' is kinda a funny take from casey? like, he of all people would hate the idea of being cowed by someone's reputation like that... casey's right that provoking fast riders can potentially be dangerous, but y'know I do think that's probably not news to anyone almost nine years later. um. that's all I've got I think

[dennisboobs]

do you guys ever sit and remember that dennis takes a mental health day is an episode that exists

[lord-squiggletits]

No offense but I feel like among IDW1 Megatron fans you can lowkey tell who's read multiple series of the comics (namely, phase 1 and early phase 2) and who's only read MTMTE by the way they talk about, headcanon, or write Megatron. And like it does genuinely make a huge difference because I feel like MTMTE Megatron in general is a different flavor of Megatron from the rest of the series..... not OOC, that's the wrong word, but like....... more as if JRO had a very specific vision of him and janked the reins of the series to drive Megatron down a specific interpretation of his character, which is still in-character but is very different from the way he was characterized early in the series.

But in terms of Megatron fans, you can really tell the difference between MTMTE-only readers and other-parts-of-IDW readers.

[curiouschaosstarlight]

Desire to be in a fandom space without any stupid people in it

[tariah23]

Outside of all of… that happening to Gojo, and finishing Snowfall the other day, eek……..

[blindedguilt]

//Was thinking about posting this on my alt, but since I figure I've spoken about this frequently enough on this blog and it's THE dedicated Leonard Space™️... //I'm throwing up and crying thinking about how leonard had never gotten to experience romantic or sexual attraction (or will ever GET to experience those things, unrequited or not) without complete dread and self-blame and guilt and how that must have been growing up with the hope and expectations of "Being in love must be so nice, I hope I'll be able feel that one day" and not ONLY having that hope gradually dwindle as he grew into the "expected marriageable age" watching those around him go on with their lives and attain those things in a way that seems so natural but is so foreign to him and the absolute sadness of the point the notion of "attraction" and "falling in love" turned to complete and abject horror and disgust when he realises that this is what his mind has decided is "Normal" for him, and all possibilities and aspirations he may have had of a child, teen, young adult, etc. up to that point of even the bare minimum is now a complete impossibility. //how it fully sets in he'll never experience love. never find his own family or someone to be interested in and care about in such a way or even feel attraction without that weight attached.... like idc, actual relationships are one thing but if ANYTHING you should at least be able to know the joy of falling in love if even for a SECOND without any strings (Disgust, guilt, self-hate, etc.) attached!!!! guys!!!!!!! //HE'S WAY TOO KIND AND GENTLE AND HANDSOME AND CARING AND HUMBLE AND A GENTLEMAN AND HANDSOME AND HIS VOICE IS WAY TOO SEXY FOR THIS SHIT, HE DOESN'T DESERVE THIS!!!!! LET HIM LOVE!!!!!!! HE'S SHOWN TO HAVE SO MUCH TO GIVE IN SO MANY DIFFERENT WAYS (Parental, familial, just being an empathetic person towards his "enemies" in general) AND YET HE DIES HAVING NEVER KNOWN IT...... WHY IS THIS HAPPENING TO HIM........... ouuugughhh.........

[lover-of-mine]

Per your post about Gale, I think it boils down to the fact that Liam Hemsworth is charmless. I remember that during the first Hunger Games movie era a lot of people really did like Gale and wanted to see him with Katniss, this was also right after Liam and Miley got engaged. But then they had broke up and a lot of people blamed Liam for Miley's "spiral" in 2013/2014 and the release of Wrecking Ball and all of this coinciding with the release of the remaining movies, his reputation never quite recovered so no one really had sympathy for Gale because he had the face of the guy that seemingly destroyed America's sweetheart. Not to mention this was also the height of Chris Hemsworth's career and between Liam and Chris, Chris is just more attractive and charming and Liam just looked like a dude struggling and failing to get out of his much more talented older brother's shadow, like a nepotism baby almost (even though Liam was the first of the two to really be "famous" because of his relationship to Miley.)

This makes a lot of sense, actually, the drama with Miley definitely didn't help and he really doesn't have Chris' charm (or talent) so things never looked good for him. I think there's also the way that even during the hunger games promo, Josh was such a compelling presence that his charm completely eclipsed Liam too. There was nothing trying to make us go for Gale. Not in the series or with Liam. I think you're right, he wasn't an appealing person, no matter how objectively hot he is, and things kept stacking against him.

[droppingartintotheinfinite]

I hate him so much his hair is stupid and his glasses are stupid and his weird pants are stupid and his shirt is stupid it is absolutely unforgivable that he’s my favorite. Why are all parts of him things that I can’t draw. Why does this keep happening with homestuck characters I feel targeted