#the romance not really being the main focus is also what made it so good

[aphel1on]

the more i think abt it the more i realize what a big influence thg was on my taste in stories + my own writing

like a lot of things went into influencing how i gravitate to 'dark' media and tragedies but somehow i never remember to count thg. i was sat there when i was 11 reading the hunger games like 😦

it's not so much the 'dark' stuff itself that stuck with me as it was the extremely realistic trauma responses and the way the books illustrated over and over again how the human spirit endures even as it breaks

and what it had to say about pyrrhic victories and cycles of violence, and how it humanized the capitol citizens too

(and the part where it was a scathing critique of very real institutions, which went over my head a bit at 11 but which i was able to grasp by the time the movies were coming out)

like. the countless soulless copycats could never

the hunger games was so fucking good actually

[twig-tea]

It is such a wild time to be watching QL, there is SO MUCH every day. And a lot of it is really good?!

Today I watched EIGHT different shows, and of them, I was really happy with the episode for all but one. Here are a few words about the ones I had a good time with today:

Addicted Heroin Thailand crossed the first hurdle of adaptation by including the kidnapping scene. Looks like they're continuing to stay true to the source. I appreciated that this scene in particular retained the emotional core while toning down the SA threat (though Hero's desire is still very much present). This is a solid adaptation so far!

Reverse 4 U is using the powers so well, and I am loving the sister relationship, especially how they tease one another around their powers. It's also building to the relationship turn between Four and Wa in a believable way, which I'm really enjoying.

Peaceful Property is delightful and as @lurkingshan already articulated so well, I love what is being set up re: inequality. Plus this show is just so funny! it's balancing these two threads really well and doing a good job maintaining the haunting-of-the-week energy so far.

Love is like a poison had an incredible first episode, I love the effects and cutaways in this show, and the way it is making fun of its protagonist is so much fun. Ryoma is a dork with main character syndrome and I am obsessed with him. Curious how they're going to turn around this setup into a romance!

I Saw You In My Dream was a baller episode, @my-rose-tinted-glasses wrote about how great it is to see a conversation like this between friends as well as between lovers; all of the conversations in this episode were good (between both couples, between the besties, and between the parents). I really appreciate how, as many folks have said, everyone in a relationship in this episode wants to have sex, and the barriers to having sex are real and discussed openly. Big fan of everything in this ep. We've really departed from the dreams, which I think we need to get back to, but this ep was worth the deviation.

The On1y One continues to be incredible; Thank you in particular to Faiza (@usertoxicyaoi) who has been giffing like mad to capture every important conversation in this episode which was so many of them. The one about moving to the dorms together made me misty fr. I love when youths who did not get a chance to have a childhood get to blow bubbles.

Unlock Your Love also started today, I really enjoyed the very pulpy and trope-filled previous show this team put together (Lucky My Love) so I've been excited for this. We have a workplace GL filled with canon bisexuals, a grumpy/sunshine dynamic with a history from college, and a playgirl. I'm so seated.

I don't usually do a roundup post like this but it just hit me how much good television I got to watch today, and how rare it is that I have this good a time with almost everything I'm watching, and I needed to capture the moment.

Tomorrow, all 6 episodes of A Time of Fever drop on iQIYI, as well as How to Make a Million Before Grandma Dies on Netflix, and that's in addition to the episodes of The Onl1y one, The Two of Us, Monster Next Door, Twilight Out of Focus, and probably Seoul Blues that will be dropping too.

I'm really having trouble keeping up with everything airing, everything I want to write about it, and everything being said about the shows on tumblr. It's the best possible problem to have!

[catandthewell-if]

There is an ichor creeping its way through Wonderland, devouring residents never to be seen again. That's how you got your "promotion" to the Role of the Cheshire Cat. You thought things would be okay until an Ink Well appeared right in the middle of the Red Queen's garden and took out half of the court gathered there. Now you're tasked with finding the source of the ichor and stopping it before it consumes all of Wonderland.

The Curious Case of the Cat and the Well is a WIP and interactive CYOA novel. It is a fantasy adventure romance story with heavy focus on plot, romance, and stats. It is inspired by Alice in Wonderland and Through the Looking Glass. It's being written in Twine.

Note: Because this is a WIP the name of some places or people may change between now and the final version.

Genre: Adventure, Fantasy, Romance

Rating: Not rated as of right now.

Tracked Tag: #cat and the well

Status: In Development (Writing/Slow Coding)

Demo || Romance Options || Side Characters || FAQ || Ask Guidelines || Tag Navigation || Dev's Main Blog ||

In The Curious Case of the Cat and the Well, you play as a Wonderland resident who's been "promoted" to the position of the Cheshire Cat. You were simply minding your own business one day when you were ripped from your original Role and put into the Role of the Cheshire Cat. You've been in the Role for a little bit now. As for who put you in the role? Wonderland, itself did that. A bit bizarre, but it does have a mind of its own.

Without the interference of an "Alice" figure, life is pretty normal. Odd but normal. It's not always wacky and nonsensical in Wonderland, believe it or not. When an "Alice" appears, Wonderland moves all of its pieces to tell the story again and again like a play. That's how its supposed to work anyways. But ever since this strange ink-like substance appeared the story hasn't been running smoothly like it should.

When an Ink Well appears during a tea party in the Red Queen's garden and consumes half of the court, you decide it's time to do something about this. With a group of pretty unlikely allies, you set off to find what's causing the ichor to appear and stop it.

Play as a male, female, or nonbinary Cheshire Cat

Customize the way you look, including your ears and tail and your cat form! Your normal form is humanoid with cat ears and a tail

Choose what your Role was before Wonderland made you the Cheshire Cat. Your previous Role will give you exclusive abilities not available to other roles

Choose to romance 1 of 5 options or none at all

Figure out what's going on with the ichor and why it's appearing and where do the residents it absorbs go

Make a decision with the fate of Wonderland in your hands

The Cheshire Cat - You (he/him), (she/her), or (they/them)

You play as the Cheshire Cat. You possess all the typical things associated with the cat, such as disappearing and reappearing and your iconic grin. Your previous Role will also give you specific abilities. Being put in a Main Role made you functionally immortal so you don't know how old you really are, but physically, you appear to be in your mid-twenties (24-26).

The people of Wonderland sometimes call you Chess/Chessie.

Appearance: Player Determined, although your base figure is humanoid with cat ears and a tail

The Alice - Alice/Alex Liddle (she/her) or (he/him)

A is the newest "Alice" to Wonderland. The 103rd "Alice" to be exact. Because of the ichor, their story broke apart pretty early on leaving them basically stranded in Wonderland with no direction. It's good that they're a precocious person and found their own way to the Red Queen's garden. They're a bit naive but are earnest and kind and was one of the first people to volunteer to go with you. Their only stipulation: to go home when it's done.

Appearance: A is on the shorter side of average in terms of height. Alice is 5'3 and Alex is 5'8. They both have fair skin with freckles and loosely curly blonde hair. Alice has long hair while Alex's is about medium-length. Their eyes are light blue and their frame is lithe and thin. They appear to be in their early twenties (20-23).

The Mad Hatter - Olivia/Oliver (she/her) or (he/him)

O is the Mad Hatter. They aren't the "original" Mad Hatter, but they've been in their Role longer than you've been the Cheshire Cat. They are eccentric and a bit unpredictable. That's probably why they were the second person to volunteer to go with you to figure out what's going on, after Alice/Alex. You two don't really get along, bickering often when not in your Roles, so you're surprised when they volunteered. Being a Main Role, like you, they also are functionally immortal, but appear to be in their mid-twenties (24-26), as well.

Appearance: O is pretty tall with Olivia being around 5'9 and Oliver being about 6'1. They both have clear tanned skin and orange-red hair. Their hair is mixed textures with some strands being straight and others wavy. They always keep their hair down, even if it's inconvenient. They have brown eyes and a lanky frame.

The Red Queen/The Queen of Hearts - Isabelle (she/her)

Isabelle is the Red Queen and the Queen of Hearts. You find her Role varies from "Alice" to "Alice". She's fairly new to the Role, having acquired her position around the same time you became the Cheshire Cat. She's a bit stiff and serious, trying to figure out where her role stops and where she begins. She, like her predecessors, has a passion for roses and it was her garden that was destroyed by the Ink Well. You aren't surprised when she says she's coming with you "for her rose garden". As a Main Role, she is also functionally immortal. She physically appears to be in her early thirties (30-33).

Appearance: Isabelle is a woman of about average height, standing at 5'5. She has soft brown skin and straight black hair. She has red eyes and a fuller figure.

The Jabberwocky - Fenrir (he/him)

Fenrir is the Jabberwocky. He is the second Jabberwocky ever in Wonderland. His role, like Isabelle's, varies from "Alice" to "Alice". Some "Alices" don't ever go near him while others face him. He's solemn and fairly stoic and serious. He's the last person you expected to volunteer since he prefers to be solitary, although you suspect it's because he just wants to get this over with and go back to minding his own business. As a Main Role, he is functionally immortal, but physically appears in his late twenties (27-29).

Appearance: Fenrir is pretty tall, standing at a wild 6'5. He has tanned olive skin and black hair with streaks/highlights of dull blue and green. His eyes are grey and he has an fit figure, not too muscular but not lanky either. He has a few light scars on his face.

Wonderland - ??? (it/its)

Wonderland is... Wonderland. It has a personality of its own and is the one who moves you and the others around when there's an "Alice". It's in charge of making sure the "Alice's" story runs smoothly and to get them in and out quickly. Due to the ichor appearing, it's no longer running smoothly, often forgetting to move pieces around causing a disruption of the cycle. When the Ink Well appeared in the Red Queen's garden, it seems to have stopped "working" all together.

Appearance: It's a land, so far. Notable chessboard fields?

Mysterious Figure - ??? (they/them)

What's Wonderland without one mysterious figure? After the latest Ink Well in the Red Queen's garden, you've been seeing them around Wonderland. You aren't sure if they're following you or if you're indirectly following them, but you seen them quite often. Even odder, every time you see them, they look confused. How strange...

Appearance: You haven't gotten close enough to fully look at them, but you think they at least have blue hair? Or was it purple? Maybe green or even pink? You swear it was white one time. Their skin is very pale, nearly paper white. They're tall from what you can tell. Probably around 6'2. They're clothed in a long black robe with a hood. It's a bit on the nose, don't you think?

[wisteria-lodge]

I’d love if you ever expanded your thoughts on the way JKR writes romance, because it’s something I’ve been thinking about for a while. One thing that’s very interesting to me is that jealousy is used as a driving force for both of the main romantic storylines in HP. It’s more obvious with Ron/Hermione (the Yule Ball, basically everything that happens between them in book 6, the locket horcrux stuff) but also plays a big role in Harry/Ginny. Harry’s jealousy of her relationship with Dean is what makes him realize he’s into her, and moments where he’s pining for Ginny tend to focus on that jealousy more than an actual appreciation of Ginny’s personality. The most important part of writing a convincing romance is making readers believe that these characters actually care about each other and want to spend time together, and it feels like maybe what you describe as JKR’s obsession with pining made her lose sight of that. What do you think?

We've also got jealousy as a motif in Harry/Cho and Severus/Lily. It is absolutely a trope she uses, a lot. 

When I was trying to get my head around how JKR writes romance, the main thing that made it click for me was realizing that, to her - romance is inherently threatening. And/or embarrassing, overpowering, animalistic, dangerous. (thanks to @the-phoenix-heart for that line.) 

Really, the Harry Potter books are kind of a romance-free zone. It is incredibly unusual to see a romantic couple, acting like a couple, on the page. We spend a lot of time with Arthur and Molly, and while they’re both pretty fleshed out as characters, we get almost nothing of their couple dynamic (and what we do get doesn’t seem all that positive…) The blocking tends to physically separate them - Molly isn’t at the World Cup or Harry’s hearing, Arthur is working overtime when Harry is at the Burrow, etc. This is a pattern: her romantic couples, of which there are not many, have a way of being in different rooms, on different side quests, one of them is mind-controlled, one of them is unconscious, it cuts to black right before Harry kisses Cho, and right after he kisses Ginny.

Ron/Hermione takes place mostly outside of Harry’s perspective, and Harry/Ginny takes place mostly out of *the reader's* perspective. It’s a lot of narration, a lot of “Harry could not help himself talking to Ginny, laughing with her, walking back from practice with her” and “[Harry] was supposedly finishing his Herbology homework but in reality reliving a particularly happy hour he had spent down by the lake with Ginny at lunchtime.” Like, I don’t know. I might have liked to see those scenes play out.  

Bill/Fleur is probably her most successful couple (I mean, who doesn't like Bill and Fleur?) But even they almost never interact with each other. They talk about their relationship to other people, other people talk about them, but like… I’m just going to go through a rundown of every single time we see Bill and Fleur interact: 

 “’E is always so thoughtful,” purred Fleur adoringly, stroking Bill’s nose. Ginny mimed vomiting into her cereal behind Fleur. Harry choked over his cornflakes.

(Romance = embarrassing) 

What if [Ron and Hermione] became like Bill and Fleur, and it became excruciatingly embarrassing to be in their presence, so that he was shut out for good?

(Romance = embarassing, threatening)

Most [of the people at Dumbledore’s funeral] Harry did not recognize, but a few he did, including (...) Bill supported by Fleur and followed by Fred and George

(put a pin in this one, I’m going to come back to it) 

“Bah,” said Fleur [in Harry’s body], checking herself in the microwave door, “Bill, don’t look at me — I’m ’ideous.”

(I actually think this is kind of cute in context, but unfortunately JKR is being uncharitable to her hyper-femme characters again, and making a joke about woman-in-male-body, which unfortunately makes it less cute in the grand scheme of things) 

“I’m taking Fleur on a thestral,” said Bill. “She’s not that fond of brooms.” Fleur walked over to stand beside him, giving him a soppy, slavish look that Harry hoped with all his heart would never appear on his face again.

(Romance = embarrassing) 

“We saw [Mad-Eye die]” said Bill; Fleur nodded, tear tracks glittering on her cheeks... 

(Not sure if this counts as them interacting, but they are at least next to each other)

“No,” said Bill at once, “I’ll do it, I’ll come.” “Where are you going?” said Tonks and Fleur together. “Mad-Eye’s body,” said Lupin. “We need to recover it.”

(this one doesn’t even frame them as a couple, since the teams have split into Bill and Lupin and Tonks and Fleur.) 

“We can’t tell you what we’re doing,” said Harry flatly. “You’re in the Order, Bill, you know Dumbledore left us a mission. We’re not supposed to talk about it to anyone else.” Fleur made an impatient noise, but Bill did not look at her.”

(... does this imply that Fleur isn’t in the Order? Anyway, they’re married at this point, and kinda disagreeing a la Molly and Arthur) 

[Griphook] continued to request trays of food in his room, like the still frail Ollivander, until Bill (following an angry outburst from Fleur) went upstairs to tell him that the arrangement could not continue.

(Another conflict, but hey, at least it sounds like they resolved it. We hear about their daughter Victoire in the epilogue, but this is the last time we see Bill and Fleur together.) 

But, okay. Not putting romance in the Harry Potter books is a perfectly fine creative choice. JKR can absolutely decide she just wants to give other things more emotional weight. What clarified this for me was the Fantastic Beasts films and her adult literature (particularly the Cormoran Strike books.) In those, JKR is wanting to write romance. And yet....

In Fantastic Beasts, she can write the awkward getting-to-know-you pre-romance stuff, but the second Jacob and Queenie are actually a couple - he loses his memory, then he’s brainwashed, she’s with Grindelwald, they’re different plot lines that never intersect… and then they just get married at the end of Secrets of Dumbledore. So it’s not even a slow-burn, will-they-won’t-they thing. Tina and Newt get the same treatment, except their pre-romance getting-to-know-you beats are so subtle that a lot of people missed them completely. Then Tina's angry at Newt for a very silly misunderstanding… then in a separate plotline… and is only in the third film for two minutes at the end. People compare the structure of these films to Indiana Jones, but in those movies the love interest is actually hanging out with Indy the whole time. In the Cormoran Strike books, the romantic leads do spend time together, but they’ve also been doing a pining, bad timing, will they/won’t they back-and-forth thing for seven books. And they’re long books. 

So okay. What’s going on. Why is this. 

JK Rowling has been very public about the trauma she has from abusive relationships and sexual assault, and I’m afraid I do have to bring that up in a conversation about why she treats romance so negatively. More specifically - if I had to guess - I think she finds male attraction towards women threatening. (I’m sure we all remember Harry’s chest monster.)  I think she feels a little icky writing it, which is why when she does do it… it feels perfunctory, generic, repetitive, and also not the sort of thing that would come from a teenage boy. (Like when has a 14-year-old boy ever thought a girl was pretty because she had nice teeth. That’s such a straight girl compliment.) BUT, when she writes about the attractiveness of guys - it gets more specific, more nuanced, more interesting, and also a lot less uncomfortable. J.K. Rowling likes guys! She’s allowed. 

But of course, she also tends to write male viewpoint characters, and I think this is why a lot of her guys (and Harry specifically) kinda read as queer to a lot of people. We’re told Harry is distracted by/attracted to Cho Chang… but is he though? Compared to the way “pretty boy” Cedric, or “sleek haired” Draco get under his skin? 

I want to take a look at her adult romantic leads for a second. Because in Fantastic Beasts, she really did pull out all the stops to make Newt and Jacob as non-threatening as humanly possible. Newt is a gentle, pacifist, Doctor Dolittle-type conservationist who barely seems interested in women at all, and Jacob… is a Muggle baker. She pairs Newt with Tina, tough as nails American star auror. Jacob is with Queenie, who is constantly literally reading his mind. Which is an ability we’ve only seen with the most powerful wizards. These guys are not a threat to these ladies. In Queenie’s case, the power balance is tipped so insanely far in her direction that I’m a little bit worried for Jacob (and she does in fact, bewitch him into doing stuff.) I think JKR wrote her couples this way so any romance she wrote with them would also feel safe… and sadly I don’t think it worked. The most fleshed out couple dynamic we get is Dumbledore/Grindelwald, who have a coffee date and a duel in the third movie. But - that’s the one movie where she doesn’t have sole screenwriting credit, they’re exes, and they're also both GUYS, so she doesn’t have to worry about any kind of male/female power imbalance gunk, or put herself in the headspace of a guy being attracted to women.

Now I do want to talk about Cormoran Strike. Of all her non-threatening male love interests, this is the one who seems to work best for her. She’s stuck with him the longest, and it actually seems possible that we might get an actual romantic scene with him in the next book. 

Here’s my theory. I think that when JKR was writing Goblet of Fire, and it came time to introduce the real Mad-Eye Moody - imprisoned in the bottom of his own trunk, weak, down a leg and an eye -  something clicked. Because that is someone who is both entirely masculine, and entirely safe, and that makes him the perfect romantic figure. And I absolutely think she grabbed that archetype when it came to writing Cormoran Strike.

Basically, this character just is Mad-Eye Moody, only 15(ish) years younger, and non-magical. Strike is an ex-military cop who now freelances. He’s older than his love interest, he’s been around the block a few times. He’s gruff, but careful and kind, world-weary and grizzled, extremely capable, principled, tough, and just sort of hyper aware of what’s going on around him. He is also a bigger guy with some access weight who is not “conventionally attractive” - and for JKR this is a feature, not a bug. If your female character is into someone who is not *~*~handsome~*~* that means they’re cool, deep, not like other girls. Viktor Krum is not conventionally attractive, and (after the werewolf attack) neither is Bill. In fact “he now bore a distinct resemblance to Mad-Eye Moody.” JKR likes Mad-Eye Moody. 

And you better believe that Cormoran Strike has a broken nose and a missing leg, just like Mad-Eye Moody. Strike’s prosthetic leg comes up a *lot.* I think it’s telling that the loving interaction we see between Bill and Fleur is her physically supporting him at Dumbledore's funeral post werewolf attack, and the loving little wrist squeeze we get between Lucius and Narcissa is right before Lucius hands his wand over. Basically, JKR likes someone who is sexy and capable and has a lot of presence, but who you get to take care of, and who… can’t chase you. Doesn’t pose a threat. That's the fantasy. 

[portsandstars]

Revisiting Red Spring Studio's Interview with Blerdy Otome - Select Quotes

It's been almost a year since RSS had this interview, but I think that many people have not listened to it, or recently revisited it. I thought I'd highlight some quotes from it, though the entire interview is worth watching! Some of these quotes I have lightly modified for clarity or succinctness but the majority are direct transcripts.

23:30: "Touchstarved is a horror romance visual novel where the entire cast is made up of characters where you're like, "I can fix them!" but you actually can't. I think that Touchstarved is a very complex and mature story with really really complex themes and interwoven routes and obviously it's very sexy at the same it's a romance - and I think it's one of those games that I've always wanted to see exist and I think that a lot of the team has always wanted to see this game exist as far as being this kind of like dark, broody, moody, but also very deep, right, and authentic and honest exploration - Monsters, and the feeling of being a monster - feeling of being an "other", right, whether you're queer or POC or anything like that… we've created a game that's not only really fun and action-packed and bloody and all that kind of stuff… but very heartfelt in a way that I hope readers can pick up on.

Imo, this line of reasoning ("you can't fix them", and the cast's monstrous nature and how it intrinsically ties to/is an analogy for being queer, or POC) - makes me think that even in the good endings for the game, your character won't be minimizing the character's monstrousness. For example, even if your character has the Power of True Love, it's not going to make Vere nonviolent or absolve Kuras's guilt.

25:35: "These themes are pretty complicated in a way that's messy and honestly bloody and I think for that reason is why we're looking at a mature rating - that said, when we set out to make the game our goal wasn't really to be explicit, it was much more to focus on sexiness . . ."

Just clarifying that there won't be explicit sex scenes in the game.

28:55: "What are some aspects of the story that you are most excited to showcase?" "I'm so excited that people get to die terribly, that just gets me so pumped up. Like in previous jobs I have not been allowed to brutally murder . . . main characters permanently and it's very important to me that I now have the power to write really just messed up awful endings…Don't worry, there's also good endings there too, they just get as much passion and all that stuff as the bad endings… but the bad endings, oh my gosh, those are some of my favorites."

This line makes me curious about whether the main characters are just MC, or if the other characters will brutally die as well!

30:50 "A little while ago we posted Kuras's character reveal and people really like the fact that he can't cook so for me it's really cute and innocent seeing people obsess over that fact and I really just want them to see the contrast between that version of Kuras in their head and what he's actually like in his route. Like I just really want to see them react to like the terrible things he's going to do. . . They're all awful in different ways that I'm really excited for people to see it - it's very funny to see everyone be like _Literally name any of the characters of the cast and be like "they're my little meow meow" and it's like, oh. good. I hope this continues once they learn more about the characters. Obviously they're all wonderful - right, the characters are all awful but they're also all wonderful".

32:26 : "the theme of monstrousness and how each character kind of approaches it differently . . . because they're all monsters, even if they're not literally monsters . . .it also plays into each character's brand of horror in their own way as well that ties into their monstrous nature."

This line especially (to me) hints at how Leander is likely not SPECIFICALLY a monster, but a human with a monstrous nature.

34:30: - Ais was the first character they made and each of the other characters build upon him, so they spent a lot of time getting him right. Vere was the easiest to create and they made him in a weekend. Kuras was the hardest to create (especially visually).

38:00 "This is a romance game and a big draw of the game is making a love connection with these characters - do you all plan on including platonic friendship routes in addition to romance routes, or is it strictly romance?" The way that we planned out this game is that we wanted to focus on the intimacy of these individual relationships between the main character and the love interest and the route that they're on, right, so this is the way we had planned the game from the beginning. We really like poly romances, for example, and friendships, but we think that it wouldn't have made much sense for the characters in the story that we had written for them because this entire story - with who the main character is and why they're having to turn to these mysterious monstrous strangers - there's a level of intimacy involved in the themes and stories that we really focused on for how we're writing…

It's almost like a narrative design intentionality we did early on because each route that you'll be able to play from the main five cast is very driven and each character is like a ticking time bomb in their own way. So if you choose to romance Vere, Kuras's route still continues and you can see the effects of what not choosing Kuras is in Vere's route when you're playing Vere's route. So the world is meant to be very interwoven and interconnected where you can see the ripples of everyone's choices even when you're not romancing them and in that way we've designed this cast that's woven together. So if we did want to do a poly route, we would probably have to do entirely new characters . ."

43:30: "One of the fundamental goals of this game was to have, as you've been saying, a living world - a world that's evolving, and one of the ways that we wanted to communicate that was with the idea that these characters are not doing great… um, they're all in very very bad situations, uh, they're all essentially doomed if you do not go with them and it's seeing that carried out in each route that I hope will be really interesting for people.. it will be very sad, in a good way".

ARGHHH this is the WORST. This means that if you choose a character, you're essentially dooming the others. Though this will undoubtedly manufacture delicious angst, I'm soooo sad at imagining each of the other characters faltering and ultimately failing on their paths because you didn't chose them. Though, I wonder if there are some routes where multiple characters turn out ok, or if the entire cast is doomed as soon as you don't select them (in different ways depending on the route)?

54:30: "I also want to clarify too that even though we've been talking about blood a lot and all that kind of stuff and death and we love those parts of the story, um, if you get those endings there's a reason why, you know what I'm saying - you have to actively try to get those endings - poke the bear with a stick."

Definitely referencing Vere's bad ending in the demo. Personally I am too curious to avoid them, but it's encouraging that some of the MC deaths appear to be because you deliberately make dangerous choices, rather than simply "tricking" the player and surprising them.

Let me know what you think of these quotes, and the whole interview is definitely worth a watch if you haven't seen it!

[ladyloveandjustice]

Summer 2024 Anime Overview: DEAD DEAD DEMONS DEDEDEDE DESTRUCTION

A giant mothership is hovering over Tokyo. The aliens haven’t done anything or even made themselves known yet, but Japan and America are already trying to blow that UFO up, and show off who has the best weapons, causing many civilian casualties along the way. While all this happens, two girls are just casually living their lives. But are they as normal as they appear?

One thing I want to say is if you watch this anime and care about being intensely spoiled, do not watch "episode 0" until you've finished episode 16. It actually slots chronologically between episode 16 and 17, and that's where the episode took place in the manga, so I have no idea why they did that. Fortunately I had someone to warn me about that, so I will be that someone for you.

Dead Dead Demons DeDeDeDe Destruction or De x 8 as I will be calling it, can be really tough show to watch—not because it’s bad, it’s very good, but because of how depressing and visceral it is at times, and how devastatingly accurate it is to the shitshow of our world. This tends to be balanced a bit by the touching friendships (and possibly? More?) of the very likeable cast of teenagers…but you also feel a huge sense of dread about their safety as things ramp up and their stories deepen.

The anime goes hard on criticizing the military industrial complex, Japan’s government, America’s government, xenophobia, treatment of immigrants, rich people, and conspiracy theorists. All things I also hate, so that’s great. What hurts is how you could easily see the events happening—waging war on the aliens despite no provocation, people using an app to to hunt down and slaughter them...

It shows how even some of the protestors of the genocide use their movement to cover their own selfish motivations, meanwhile countries taking the situation as an opportunity to vie for power and dominance, rich government officials lie to their people and abandon them…obviously there's a lot of commentary here on how we dehumanize immigrants and minorities and enable genocides for capitalism and political power.

It's very bleak, and there were a lot of episode that had me just feeling sad, especially comparing it to current events. But there's also this interesting focus on normal people trying to live their lives during this alien "invasion", and the kids who still go through the dramas and upsets of everyday life. And especially the “I’d burn down the world for you” intense emotional relationship between Kadode and Ouran, the two teen girl leads.

Ouran is the main lead, and she’s a chuuni beyond chuuni, acting wacky and cheerful and spouting nonsense-- except if you pay attention, she's saying some pretty valid things—critiques of capitalism, war, government surveillance—but then following it up with something wild like “and that’s why I should rule the world”. You get the sense she’s cloaking an awareness of how shit the world is in humor, and as the show goes on and as her surprisingly intense and weird backstory unfolds, it becomes clear why that is.

The relationship between Ouran and Kadode is the center of everything--their bond IS the show. It's that kind of ride-or-die, I'd-kill-for-you, I'll-be-by-your-side-even-if-the-whole-world-is-against-you, in-every-life-i'd-find-you-and-love-you, soul-bonded, fiery devotion and love. They are the most important person in each other's lives, full stop. It's those kind of relationships that are so transcendent it goes beyond simple definitions of romantic and platonic. In other words, my kind of shit exactly.

But, as far as romance goes, Ouran, at least, is definitely queer and the depths of her determination to keep Kadode safe in a world that wants to destroy her girl that would make Homura Madoka Magica blush. (Kadode is more ambiguous, but she’s definitely soul bonded with Ouran. And honestly should just date Ouran because god she needs to be rescued).

There’s also a gentle empathy for marginalized people underneath all the horror—the girls befriend an alien trying to survive in the guise of a human, and it doesn’t seem like a coincidence that the first person our alien tells absolutely everything to is the gnc/potentially trans person of the group, Makoto (To be specific, they seem to still be figuring out their identity, but they definitely present feminine and specifically came to Tokyo because their small town wouldn’t be okay with how they like to dress). The way Makoto immediately shields their alien friend from others when they make the reveal that they saying “Don’t let them see, it’s not safe” and how it’s followed up by the alien reassuring Makoto that their friends will be okay with it if they take their wig off to swim...it makes the metaphor extremely clear, and it’s always nice when a series can explore marginalized characters both textually and metaphorically.

Through the kids, we get kernels of hope in this story, a reassurance there are kinder people in this world, and a hope that kindness will endure.

As depressing as the story can be, what it has to say is important and it doesn’t hold back in making you see what it’s going for—from the “Cool Japan” logo flashing right before the  Japanese government gives a weapons demonstration that will later kill citizens and destroy innocents...

...to the Trump-alike American President (and let me tell you it’s startling to be watching a show in Japanese and suddenly Donald Trump impression in perfect English) *(had to use the manga here because Crunchyroll didn't close-caption this part :/)

Then there's the American tourists, who were clearly va’d by someone really good at English, potentially a native speaker, and it’s incredibly funny how much of their dialogue has “fuck” in it and seeing the subtitles skip over that. Also much of their dialogue is treating the devastated Japan as a tourist attraction and saying how funny it all is to them. Logan Paul has entered the chat.

De x 8 very clearly hates America and recognizes it as a blood thirsty colonial power, which is correct, but the show is just as hard on it’s own country, saying the Japanese government would happily get back on the colonizing horse if they had an excuse, and many citizwns would mindlessly support them.

A small thing I appreciate is far from the usual anime aesthetic where everyone is blandly cute, the anime gives a ton of people ridiculously cartoony features that make everyone distinct—and being goofy looking is not meant to indicate a character is stupid or ugly—Makoto’s a super sympathetic character with giant cartoon buck teeth and one character that’s even pointed out as pretty has like, a pig snout nose. (It also makes it so the character noted as being drop dead gorgeous...actually is, instead of coming off as just as conventionally attractive as the rest)

Soooo a lot of good stuff going into this story. Let’s talk about some caveats.

There’s a continuing storyline between Kadode and her adult teacher, who takes her to his place to have sex with her. When he does, she ends up ditching him because of her feels for Ouran (gay) and I thought that would be the end of it, but nooope he’s a groomer, they pick up dating again when she’s in college, literally months after the previous encounter. The dude is presented as a scumbag, he cheats on his girlfriend, he seems generally apathetic, his clear discomfort with Kadode calling him “sensei” shows that he knows what he’s doing is wrong …and ultimately the relationship is shown to be unfulfilling, with Kadode directly stating so and acknowledging he’s just advantage. That doesn’t stop it from being uncomfortable though, especially since it’s confirmed he and Kadode have sex eventually (offscreen, thank god) and honestly, I felt it dragged on way too long. The first encounter pretty much demonstrated everything we needed to know about the whole thing in my view.

And of course there’s a ton of potentially triggering content in a story like this—from genocide to suicide to child murder to almost anything you can think of. Also like, one character has a sister complex, but on the milder side for anime. One where it’s conceivably platonic, and it’s not like he goes after her boyfriend Yuri Forger style, so it doesn’t bother me too much. There's also a good dose of fatphobia. And finally moment where a woman reveals she has ADHD (which I've never actually heard anyone say in anime so I actually got a little excited the more fool me) and then is almost immediately shown to be faking it.

The ending…is another big sticking point for me. It feels disconnected from the rest of the series, mainly focusing on a character we barely know and likely don’t care about and spending very little time with the characters we do, presenting an interesting status quo and immediately abandoning it, and while earlier episodes of the series presented "actions have consequences and we gotta live with them" as a major theme, it was suddenly like, actually they don’t!

The ultimate ending, again, hinges on a decision from a character we don’t care about and honestly feels like a deus ex machina. It felt almost like the author really wanted a happier ending but knew that wasn’t in line with the story he’s told so far, so he just tacked it on. Or maybe it was an editorial mandate, who knows. I think the most satisfying way to see watch episode 1-16 as its own pretty satisfying complete story (which works really well), and then treat episodes 0 and 17 as their own separate thing, a potential additional ending but not the definitive one. At least that’s what I did.

Overall, De x 8 is a show with a lot to say and it gives you plenty to chew on. While it is often depressing, it is very rewarding. The unbreakable bond between two messy girls, as well as the moments of ordinary joy and small human/alien journeys are the core of the show, and what makes it shine. I definitely encourage you to give it a watch. It's being really slept on, and it shouldn't be.

[hyenafu]

I know this might seem like a bit of a random question, but what are some criticisms of Slightly Damned you can't stand, and what are some you think are at least somewhat valid? I only ask because I do have a few problems with the comic (not really gonna go into here because I don't want to come off as too critical obviously) but I feel like some of the more noteworthy ones have been too long established to just change it altogether, and the best one can do is make something better from its foundation (which I must say, you've done a really good job at ^^)

The complaints that I think are the most unfair are by bigots who think my comic is only getting more inclusive because I'm pandering to wokeness or whatever. These people are also the most likely to misgender me and have no idea what they're talking about. They just can't stand the bare minimum of gay and are often hypocritical, using fallacies as the basis of their arguments. It's tempting to want to argue back, but when has that ever worked on the internet? I think the most valid complaint is that the pacing of the comic is too slow. Sure. Not much I can do about that one. My comic alone doesn't pay all my bills. If I focus exclusively on work, I get depressed, so I have to goof off sometimes. I'm just one person. I don't have a team. I'm doing the best I can already. Another valid complaint is that people don't like my blend of humor and drama. Sometimes readers find it inappropriate or jarring. It's valid because I recognize it as a difference of opinion and understand why they feel that way. But I don't care. I like my weird mix of goofy faces and drama. I sometimes make jokes during periods of great stress in real life. I love all the wacky faces and over-the-top cartoon action among dire circumstances in comics like One Piece and Usagi Yojimbo. Like, it's just my style, man I don't seek out unsolicited advice about my comic. Some people may think that's snobbish of me, but the truth is, very little of what you find that way is actually valuable.

"And as to those critics, she said that she’s managed to do something that might make us all better off- she doesn’t read the comment sections. In perhaps the most roundabout poignant part of the talk, she likened receiving feedback about her work as being like consuming food. She would take a pie from someone she knew and trusted but compared taking unsolicited barbs from strangers as “licking a handle on the subway.” She used to pay very close attention to that kind of critique because she felt that it somehow would make her a better creator but ultimately decided that it was only toxic." - I HAVE SEEN OLIVIA JAIMES, THE CARTOONIST BEHIND THE NEW NANCY, by Rocko Jerome (2018)

Besides the outright hateful sentiments, a lot of unsolicited criticism can be categorized as "I don't like this story because it didn't do what I wanted it to do." Which is fine. I do the same thing when I try to process stories and talk to my friends about them.

But I don't get in the author's face to tell them I think they did a bad job. At the end of the day, no matter how crap I think someone's story might be, I'm not psychic. I don't really know if they did exactly what they set out to do. For example, people have never stopped giving me crap about the death of certain characters. But their whining has only made my convictions stronger. I don't like when other stories don't take deaths seriously, with a real sense of permanence and grief that is not easily solved. To someone else, seeing that character be alive might have solved all sorts of problems they had-- but that's not my story. I've had someone tell me that the focus on Buwaro and Kieri's mushy romance is too distracting to the main story. I don't think that person knew that a large part of why I started making this comic in the first place was as a vehicle for my OTP. I also want to make said vehicle entertaining and worthwhile. If I didn't succeed for that person, that's fine. But don't tell me that half the reason I made the comic is distracting from it. What do they know about what I want? What do you really know about what the author wanted to achieve? That isn't to say that my comic is immune to scrutiny. Of course it has problems; every story has problems, depending on your perspective and the basis by which it's getting judged. I've solicited and received thoughtful criticism and helpful advice from teachers, my advisor, my friends, and from reading/watching tutorials. Some I agreed with, others I chose to ignore. Sometimes it just took a while for me to come around. I hope I never stop learning and improving. Like you said, I have to keep working with the foundation I already set. But I don't feel trapped by it; my creativity is being challenged in new ways. I have a lot of playing pieces and now I get to see what kinds of connections I can make between them with my older, more experienced (both good and bad) mind. Since Slightly Damned is a story serialized over a long period of time, a certain amount of it is made up as I go along. I do have plans and goals, of course, but I'm also discovering this world alongside my readers.

[flower-boi16]

Why didn't Viv just make a pure romance animation instead of throwing away premise for the favor of terminally online shippers?

Probably because she doesn't really know how to stick to the premise of her shows. Like I genuinely think that Viv initially started with the idea of Helluva Boss being about assasins going to the human world to kill people for clients, but over the course of the show's production she slowely started coming up with more plotlines and ideas and slowely put them into the show regardless how many of them there would end up being, and Stolitz was likely the biggest one.

I've seen some people even say that Stolitz is the point of the show. It is not. Stolitz was not the premise of HB. It just eventually took over HB as the series went on. The show completely lost it's focus and PLOT in favor of becoming a melodramitic romance story featuring a horrendously written reletionship that people for SOME REASON insist on trying to defend.

It's genuinely pretty sad how HB went into this direction. Like the show had such an interesting premise that could've made for so many creative ideas but the writers just threw it away in favor of throwing a gizzalion plotlines at the wall because they coulden't decide which one to focus on.

Stolitz is the worst of these not only because the reletionship is just badly written, but also because it warps the show to be about it. The show has now become a shitty romance story intended to cater only to shippers, completely alienating the demographic the first season and pilot attracted. And I'm sick of people defending this shit with "ohhhh but the show's premise would get repetive!" because there are plenty of ways a show could utilize it's premise without it being repetive. I got an ask mentioning BDFI but there's also Penn Zero Part Time Hero; a prime example of a show that utilizes it's premise to it's full creative potiential and makes it into the main appeal of the show.

And that's the thing; the main premise of the show is the APPEAL of it. It's the thing that draws a viewer into checking it out. A show abandoning that is not good writting. Helluva Boss feels like it doesn't know what it wants to even BE anymore. Is it a episodic dark comedy show? A romantic drama show? Just a straight drama show? We don't fucking know anymore and the show certainly doesn't.

There ARE ways to stray from the premise a bit without alienating past viewers, Amphibia's third season moved to earth for the first half but that was because it was a natural way to progress the series. Helluva Boss jams three premises for three different shows into one and what we now have is a completely confused mess of a story that lost it's identity.

And THAT'S why abonding the premise killed HB. It lost any real focus of what it wanted to be and is the sole thing behind most of the show's major issues. It jams too many plotlines into just 1-2 seasons resulting in everything being a completely unfocused mess.

[popculturebuffet]

MGADD: The Gatekeeper Review: The Masterpiece Shelved by Disney's Cowardice and Transphobia (Comissioned by WeirdKev27

Hello world I have arrived... because Disney has done something so monumentally stupid and offensive, even for them. I genuinely wish I was talking about this episode under circumstances that weren't "Disney showed what it really thinks of queer people... again", but if it weren't for a brave animator mentioning it off hand and the episode leaking soon after, I wouldn't of been able to.

The short vision since i'm sure most of you reading this know what's going on but to recap: thursday night an animator on Moon Girl and Devil Dinosaur, Derrick Malik Johnson (Thank you The Mary Sue for recording the names), mentioned that an episode of the show was shelved due to "Which party won", while a poster on reddit, superootoro backed up the story. Both posts have since been deleted because the mouse clearly got upset this story got out.

Their also likely not pleased the episode ITSELF got out soon after thanks to disney fan Owlphibia. How they got it I don't know, and someone on the crew definitely supplied it.. and I applaud our anonymous hero. If a company isn't going to make something fully available for audiences to see, there is no shame in leaking it anyway. I felt that way when I thought Scooby Doo and Krypto Too was never getting released and reviewed it last year. and still want someone to escape Warner HQ with copies of Batgirl, Scoob: Holiday Haunt and Coyote Vs Acme.

We'll get into the episode shortly but needless to say it's focus on an openly trans character who outright states she's trans with a bigoted asshole who tries to move goalposts as the villian made it clear WHY Disney shelved the episode indefinitely, with Johnson claming they said it was due to who won the election. That said the presence of the beyonder, who disappears early into season 2 and the redditor saying the episode was meant for early season 2 makes it clear this is just an excuse: They shelved it, waited to see which way the country turned, then formally dumped it the second it was clear they MIGHT get heat from the new president over this rather than stand up for what's right.

Their response... does not help. Disney CLAIMS the episode was shelved not banned and their PROUD OF THE DISCUSSIONS IT BRINGS AND OF THIS SHOW WE JUST CANCELLED. NO FOR REAL. I doubt this will actually make it go away and making the tweets making accusations go away, thank alvis for screenshotting, just makes it more clear that no, they just wanted to shelve an episode that frankly and honestly talked about a trans child's struggles with no metaphors about brooklyn being trans: her transness is why the villain hates her and why the episode happens. It happens because a woman is a bigot, and Disney coudln't handle that. They can handle when the bigots an immortal definitely religious man but we don't say that or a super soldier from another dimension, where the subtext is blatant and what it's calling out is blatant, but Disney still has deniability. But when someone wants to tackle queerness openly and honestly.. they run.

It's a pattern for them. They cancelled owl house because its main romance is between two girls. They are oddly and throughly convinced that Lightyear failed not because it's a tonal mess that tries to squeeze buzz light year's cheesy good world building into a darker hard sci fi story that it doesn't fit in, but because two women kissed, and were so paranoid about that that they tried to make Inside Out 2 straight as possible by making the girl Riley has a blatant crush on older than her.. which.. it just makes it a crush guys. Thank god their so bad at this

And of course the piece de resitance before this: Firing openly queer black man and show runner for X-Men 97 Beau Demayo for both wanting his show to actually tackle prejudice instead of just rubber stamping it and being openly sexy on his socials when.. tha'ts his right, thent rying to frame him as an abuser, allegations that ONLY sprung up long after the show had already aired and only when they tried to bar him from showing up at an awards ceremony for an episode he fucking wrote.

Disney is not a good company on most days. They fuck up at least once a year from their implicit support of the don't say gay bill, to the owl house debacle to writing off a ton of shows for tax purposes. I love the CONTENT they fund, I love the card game ravensburger made with their properties, I love the creative stories many an animator has made. But I don't love them. Not anymore and probably not in the foreseable future. I love the stuff peopl ehave created under them but it's become clear Disney has become desperate, greedy and souless. While all companies struggle to be represnetive it's disney who shows their ass the most. Wether it's saying "first gay character evah come see" for characters who were there for a minute so it could be cut from china, banning pride flags, or not letting an alien we can all tell is gay just.. say she is when everything around Penny implied it. Let her fuck a duck disney christ.

I'm so.. tired of this. I've been at this for almost 6 years. I've been covering disney this whole time, starting with ducktales reviews and while I haven't been covering shows as they come out for a variety of reasons, I have kept a firm eye on them. And they just, keep fucking up. They dont' care about queer people. They haven't evolved AT ALL since this half assed tweet Alex Hirsch mocked back when twitter was relevant

And this should be spammed to them because my god. This is a fuckup of monumental proprtions. And it hits personally as I fear for my trans nephew in this colder, worse world we're entering. He may be 14 but he would've appricaited this and so would the many trans kids who just need someone to say: your okay you matter. That's what this episode was trying to do.. and it got shuttered.

The only good news is the pressure MIGHT get disney to actually release it. MIght being a strong word. Last i checked you could find the episode on internet archive, but I'd find it where youc an while you can as Disney is likely going to be doing everything to cover their ass

And that dear friends is one of the main reasons for covering this episode: Disney might try to bury it as deep as they can, so I want a full record of it. To show the content and context of it. The other is to judge the episode on it's own merits. I'll say right now: this is an excellent episode and it deserves to be released. But it's important to get into why: why this episode is good, why it deserved better and why this SHOW deserves better. Moon Girl was canceld recently and if anything this story draws more attention to somethign Disney likely thought they could do quietly and to the show from people who haven't watched it or may of given up after season 1. It's important to me as a critic and person to look at this work for what it is and not just what disney has done to it: a well done story that takes a side character and makes her a star, while also being bonkers in the conkers in a way that absolutely works. Join me under the cut won't you as I break down this tremendous episode.

The episode begins with the volleyball team at lunella's school gearing up for a regionals match. I'd honestly forgotten about these guys as their main spotlight episode for season 1, Goodnight Moon Girl was one I kinda half payed attention to as I wasn't a huge fan of the gimmick.

Looking back on the ep though it's easy to see why they gave the team's captain, Brooklyn, her own episode: she's funny, has an entirely relatable rivalrly with her sibling, and was open and welcoming to lunella. IT's easy to see why Lunella is now the team's eager hydration technician and casey is preparing the half time show. It also shows off the series tight continuity: They tend to bring back characters you wouldn't THINK come back, or if needing a side character using one of the casts established friends, with the volleyball team also playing a supporting role in the dance episode that chronologically comes after this. Brooklyn and co are pumped and ready for the other team whose team name I forgot but is mostly a threat thanks to their leader and her mom/coach greer.

Greer is played by Amy Sedaris and look the show had me at Amy Sedaris plays the main villian. I forgot just how good she is at being evil and her comedic energy nicely offsets just how.. nasty this person is.

While i'm not hiding that Greer turns out to be awful a touch I like is that the episode does for a second: Greer seems like a hypercompetivie hellicopter mom, but offers orange slices and is nice and cordial to everyone. It seems like it was just a bait and switch and given how the show goes, had this episode not been banned, you'd be expecting it to simply segue into some problem for Lunella that leads to her doing a science.

Instead the problem is entirely Greer and it starts simply because Brooklyn and her best friend Tai, who was previously established as non binary, something the episode makes sure to point out again later. They just joke and laugh reminscing about playing soccer together back before Brooklyn transitioned, with Brooklyn being happy she's not on the "boys team".

Unfortunately for her, Greer hears this. And just like that a switch flips: the animation is exagerated and it's clear this bitch is immediately nettled. It telegraphs a problem trans people in general face: that just saying your trans immediately makes some people target you. That just an offhand mention can lead to someone trying to make you miserable simply for being YOU. It's one of MANY reasons the targeting of trans kids disgusts me and i'ts something the show portrays chillingly well this sudden.. entitlement to decide who a person is based on their body. That because you can't get past it, this kid has to suffer. I"ve seen it, I hate it, and the show does it well and Sedaris does it very well, using her usual comedic energy to make a character whose utterly loathsome, yet in such a skincrawlingly real way. Greer is far from a subtle character.. but transphobes tend not to be. While her tactics are for the most part not over the top, her bigotry is portrayed as loud and hateful as we've seen from the right. (Not to give the democrats a pass given the sheer number who want to throw trans people under the buss for the party's systemic issues that caused the election loss, but the right are far more vitrolic and operatic about their transphobia, like Elon Musk deadnaming their daughter and making up a story about them being intrested in women's clothing.. only to get utterly wrecked by his daughter pointing out he was never around for her as a child. Given how fragile elon's ego is and how terminally online he is, zinging him on his own platform does way more damage than anything else could possibly do.

So Greer goes to tell coach Hrbek, Luna's reluctant science teacher and loveable jock, that Brooklyn was biologically a male. Not her terms but fuck her for that. I like how greer just tries to imply it.. she won't come out and SAY Brooklyn's trans: just because transphobes aren't subtle dosen't mean they don't try to do this doubletalk bullshit. Hrbek nosells it just blinking condescndingly and when she dosen't get it telling her bluntly yeah he knows and tells her in no uncertain terms Brooklyn is a girl and she's playing.

He then slips on an orange because life is not kind to this man: like he dosen't get injured a lot but he is stuck teaching a concept that while giving it his best, he's not good at and dosen't like teaching. And now after doing something genuinely heroic, standing up for a kids right to be who they are and telling off a bigot, and only likely not saying fuck off because a crowd's present, he gets hurt. Poor guy. True hero

With the only adult out of the room Greer tries every bullshit tactic in the book to get Brooklyn disqulaified and I love her reactions: no coach, player coach. Her pride flag pads are ones she got from the store. Her bottle.. has water. Greer tries every bullshit thing but you get the sense this isn't the first, and sadly probably isn't the last time, some asshole has tried to disqualify brooklyn based on her gender.

In the locker room getting ready the rest of the Squirrels have picked up on what's going on. Lunella is upset and want sto do something but can't, but it's telling both Brooklyn and Tai try and brush it off. Tai outright tells them not to mentoin their non binary or Greer might explode and Brooklyn shakes it off just.. used to it. And it's fucking sad that a child whose 14 at most, the same age as my nephew, just has to be.. used to it. That people will hate you and try to unperson you just for being what you are. It's part of why this episode being delissted is so frustrating: the message is told well and it's one trans kids need to hear. It's why representation matters: that little voice that says "you are not alone". As a bisexual seeing bi characters makes me happy as their not common even now. While we don't share a gender, Luz being bi on loud house and the show making sure that was clear felt nice. It felt good being seen. That kids after me won't have to struggle with these feelings and just see someone and go "That's me.. that's what I am" and it's so fucking terrible Disney coudlnt' see past their already overflowing wallets to understand that, that the only chance the episode has of release is because they fucked up.

Since greer can't rules lawyer or bully a child out of competttion she goes with plan b: a magical key. Yeah another good reason to cover this one and something that understandably won't get as much coverage? This episode is fucking bonkers. While greer is a well written villian.. she's also a TERF who bought a magical key at a yard sale. No really the beyonder recaps how she got the key. It's not the first villian whose done that on the show, and I do want to someday meet the villian who hosted that yard sale, so it still works in the shows mythology. It also hope the show has had some rediculous villians: Living hair , a symboite tha'ts an online troll, lady stitlman at home. The show is serious when it needs to be this episode included, even the living hair episode had a serious aseop on the racisim black women get about their hair and the internalized racisim that creates. But the show isn't afraid to get weird so while a karen with a magical key she what bought at a yard sale is defintely the weridest foe lunella's faced, it's still within the realm of posisblity for this show. And definitely the marvel universe as a whole. I mean spider-man's rogues include a nazi made of bees and a stegasaurs man, both of whom I hope lunella fights if we get a season 3.

So Greer locks them in the locker room which turns into an escape room/death trap where they have to find keys. Thankfully Brooklyn's awful little brother loves them, so they have an edge and she shoots down lunella just.. mcguivering their way out. It's also intresting to have a super villian fight.. where lunella ISN'T in costume. She's just her normal self, and still just as competent and the only reason she dosen't break things right away is that everyone involved , particularly their leader, assumes they have to play this game fair. And given how in most death games breaking the rules usually kills you it's an easy assumption.

Our heroes do solve the puzzles well, and we get a great joke with Kai whose excited by the lava... and one of their teamates shouts "no it can kill us stop that".

That's a suprising thing I found with the episode: it is REALLY funny. I forget how funny the show can be, and this ep might be it's funniest as Casey, Luna's bestie and sidekick, is forced to stall like a motherfucker as she gets the sense something is wrong.. I mean opening the locker room to find no one there is a good clue. And yes Casey dosen't figure out this is supervillian stuff till near the end but it's done resonably: she can probably get the hint Greer's done SOMETHING but assumes she just locked them in another room or tricked them or something. You know standard school setting vilian shenanigans. Not "This terf tiger mom happens to have a magic key she found at a yard sale. Casey HAS seem some shit at this point, I mean one of the episodes in this very season not long before this was suppposed to come out is her and lunella having to travel inside the dinosaur whose also one of their best friends. But usually the villians on this show wear a costume. Even the gentrifying assholes from season 1, while wearing suits still had super tech and a very obvious black and white motif Lunella should've seen as a red flag. Greer for all intensive puproses is just a bog standard transphobic karen. You just.. can't plan for "turns out she has a key from a super villian yard sale." It's like "a giant obese monster from another dimension who literally needs raitings to lives kidnaps you to star in his shows or else". It's certainly plausible given how weird the marvel universe, but no ones ever really prepared for Mojo that hasn't met the floating fat man. Who for those who aren't freebasing x-men regularly is entirley real. I made none of that up

He also made chibi clones of the x-men called the x-babies. Look it up.

Point is no matter how fucking weird a characters life is, they can still be surprised. So Casey instead decides to stall. Stall as if her life depended on it which.. it dosen't but a lot of other kids do. So she makes up a tradition where they have to do THE WAVE before a game. And I love both her hammy calls to do the wave and the mascots gradual exhaustion. Best gag of the episode.

Let him Rest. Eventuallyt he poor guy collapses, but luckily Devil comes in as Casey called him over and tells him to vamp. Vamp like he's never vamped before. Vamp as if, in her words "Your mariah carey opening for beyonce". And he does... and while he sounds about how you'd expect him singing to, like he's gargling the marbles he ate this morning, everyone loves it. Because it's a singing dinosaur.

This comedy is just... fantastic. The shows humor dosen't always land, but this is it at it's best: silly, over the top, yet grounded in the characters; Casey using her natural ambtion and improv skills and Devil using the voice Satan gave him to sing to a souled out crowd. It's good stuff and nicely helps with the tension of the a plot, with the two cutting back and forth, i'm just not doing that because I don't gotta.

Speaking of which we get a nice musical montage of our heroes bravely solving the puzzles. And they do, passing all sorts of shit to do, opening the final door.. only to find the game's reset.

And here it is: the episodes signature scene. Out of all the cut stuff from the episode, this is the bit i've seen the most on social media, the bit I saw before I even saw the full episode. The speech that helps make what Disney did SO much worse and helps tie this all together.

Brooklyn realizes the hard truth: because Greer dosen't consider her a girl, she has to quit the team as in Greer's warped eyes, her playing at all is against the rules. It's a metaphor that's blantat as it is heartbreakingly accurate: Society always keeps moving the goal posts for queer people. No matter what you do, no matter how hard you try to fit in or just be accepted, there were always be people who will just not care and will keep trying to shove you back int he closet because what you are is inconveint to them. if it dosen't exist to THEM it dosen't and they will keep making your life harder to try to break you down, to try and get you to quit.

I'm Bisexual. Mentioned it before in this article, and have never been shy about it. But it's also a side I struggle to explore sometimes. Growing up in a society that didn't even seem to have a word for what I was and already horribly awkward with women, I FEARED my bisexuality, convinced myself I wasn't. In hindsight.. I didn't want another thing on top of my autisim and anxiety for people to judge me for. Even now I don't try to date.. I mean part of it is i'm broke and have issues, but I realized as I wrote this article.. part of it is fear. Fear of rejection, fear of someone trying to change who I am, fear of getting beat up for being who I am.

And the fears I have I need to deal with, the reality I deal with.. is multipled twentyfold for any trans person. I have trans relatives. I won't get deep into details on the ground i'ts not my story to tell, but what they've faced is heartbreaking. What my nephew has had to put up with just for existing is fucking devistating. It's a bleak world that just wont' let them be who they are without a fight because the idiots who can't accept it have the power and some of those who have the power to stop it.. turn a blind eye. Again a good chunk of democrats were all too quick to try and throw trans people under the bus when Kamala didn't say hardly ANYTHING about trans rights. The knives come out easily and quickly and someone's personhood simply dosen't matter the second it makes your life harder. It's why these guys hate prounouns and trans people: They see just wanting to be who you are as entitlement, as a lot to ask.. when .. it's not. It's not hard at all to ask. It's not hard to treat someone with dignity.

In my case.. it was thanks to, ironically enough tv. It was the summer after high school, I was bored and had a lot of spare time so I watched a lot of the canadian teen drama Degrassi: The Next Generation. And while degrassi is far from the most subtle show or free of mistakes, when it came to queer rep it had a solid track record, slowly evolving with the times. As such this is the first show I saw with actual trans representation: a character whose out as a trans man, adam torres, and has to deal with the metric ton of bullshit kids STILL face, while also having plenty of story outside it, from his friendship with best bud eli to his marveling at his brother Drew's poor life choices. Adam wasn't a token, wasn't just a prop for trans stories (Though this being an early 2010's teen drama he both had a TON of stories about being trans and perscuted against and was played by a cis actress. Again not exactly free of mistakes), he was a fleshed out human who just wanted to be who they were. It helped me see Trans people exist, and accept it easily.

And that's why this episode being pulled.. fucking bothers me. Because realizing she can't win, Brooklyn breaks down, blaming herself for what's simply truly isn't her fault. It's Tai who naturally steps forward, pointing out she CAN open up to them and that when Tai came out as nonbinary.. Brooklyn supported them. It's not selfish or being a burdern to let others help you.. and it's easy to support others. to lift them up and accept who they are and defned them against dickheads who say otherwise. The most heartbreaking part is the simplist as brooklyn laments

"How many doors do I have to break down before they stop locking them"? And given disney put one up themselvfes.. it's galling. Btu the message.. persisits: support is easy, and support matters and you are not alone. It's okay to let others carry you sometimes, and it's not a burdern or drama to vent about shit this frustrating.

The other message is an important one as the republicans no doubt prepare to lock more doors... sometimes... playing by the rules dosen't work. Bigots simply will make more to try and keep you from playing. Sometimes you just gotta say fuck it and say fuck them. Fight. Don't play civlity politics, don't play nice, tell them to fuck off.

So our heroes do smashing reality and reealizing things are fragile in this reality: it's held together only so much.. and thus they start breaking it.

Back outside Greer's key starts to glitch and Casey finally gets it.. as does Greer's daughter whose HORRIFIED at what her mom did. That she wanted a fair match. And so did greer.. but only by her rules. GIRL POWER.. no really she says that. I love they just make her a TERF outright and the way amy sedaris says it just shows how hollow that statment is when you won't accept ALL WOMEN.

Her daughter also isn't having this shit and steals the refs whistle, not letting this start till EVERYONE is here. Luckily it's time for the shows ocne an episode beautfully animated musical sequence. This time using all sorts of pride colors and some really nice looking sprites. I lespecailly love them taking the menus of an rpg battle system and breaking out of the frame with it. Really fun stuff and of course we get the shot almost everyone has used and I'm no exception. Brooklyn in front of a pride flag, using a trans flag volleyball to smash her way out.

So our heroes are free, and with the key obviously glitching the Ref, whose mostly just been.. done this whole episode, gets the picture and Brooklyn, not being stupid, uses those soccer skills she mentioned to smash the key while Greer's escorted the fuck out. I mean granted the ref should also.. call the police or shield or somebody as several woman were kidnapped, but given it was in front of a large crowd AND this is the cellphone age i'm sure someone did. But it's just as statsifying Greer is left making hollow threats to get the ref decertified as the door slams in her face. Now she's locked out and that door should neve ropen again.

So Brooklyn and head.. rival team girl... whatever her name was, shake hands. Also kev sugggested they end up going out and I like that. Mostly because i'm pretty sure greer would fucking melt and then all the children everywhere would sing.

So we end on Brooklyn spiking. We don't know who won or lost.. and it jus tdosen't matter. What matters is Brooklyn got to play the game.

The Gatekeeper is excellent. Strong contender for my best of the year list which fast approaches as my backlog

Piles up as usual.. i'll manage most of this. But this episode is fantatic and wether you've seen the show before or not, watch it. It's excellent, and I hope to god the pressure from it makes disney actually release it on disney + next batch. I'm still not 100% they will hence doing this.. but as long as we keep the pressure up it could happen. And who knows, we could even get a season 3. Why not shoot for the moon? Thanks for reading and just remember "I'm pulling for you we're all in this together"

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[jenyifer]

Hum I realized I haven’t shared any of my book recs on here. I know I should watch new bl. I plan on finding something in June.

Since I got broken up I’ve been reading lgbt books. My ex gf had been showing me things about being lgbt that I had never imagined before and without her I still wanted to learn to experience different stories. So I used my love of fantasy and sci-fi and started listening and reading as much as I could. I don’t really care for overly spicy things but I like when the characters are realistic adults. So keep that in mind with this list.

1. The House in the Cerulean Sea 10/10 Fantasy great characters and mc growth. Found family always gets me. The ending was perfect. I’ve listened to it 15 times and forced my parents and uncle to read it. I’m excited for book 2.

2. The Darkness Outside of Us. 10/10 Sci-fi Space. This book made me feel so much. Surprised me. Had me gasping for air in my cube to the point people had to ask if I was okay. Had me running to the car to cry as I listened to the last part. Go in blind and enjoy the space and gay of it all.

3. Dark Rise 10/10 Classic Fantasy It is incredibly rare any book surprises me. Most of the time I can guess the plot a mile away. Dark Rise hit me over the head a couple times had me crying. But it was so epic and adventurous reminded of the feeling I had reading David Eddings as a child. (Not that lgbt as I would have liked but… it was there I assume book 2 a lot more)

4. Iron Widow 10/10 Sci-fi Mechs Fantasy Post Apocalypse I adore a mechs and history. It was extremely exciting. I adore the main couple even though main girl is actually mentally unstable but you love her anyways.

5. The Extraordinaries 9/10 Superhero. The main character is lovably stupid aside from his ADHD which I can relate on. I loved the lesbian side couple. The story was fun felt like it was written for the early college me who loved superheroes.

5. Adam Binder Series White Trash Warlock 9/10. Urban Fantasy. It gives me flash backs to Harry Dresden and Iron Druid but not in the obvious way just in vibe. I love main characters being country. I’m from Mississippi not Oklahoma but I can relate to being a gay in a small town moving to a big city. I love the main couple. The mystery magic system was interesting. I wish it had a bit more romance actually. Just because I love the main couple and side characters a lot and want happiness. I wish I could get more people to read this one it’s wonderful a lot better than a lot of urban str8 fantasy I’ve read and it was my main category for years. The mystery element was decent. I need to start book 3.

6. Ocean’s Echo 8.5/10 sci-fi mystery the main characters are… so wonderful. They are extreme but I love them so much. I’ll protect them to the end of days. I have this book over it’s… I guess in the same universe book Winter’s Orbit because I think the mystery suspense is more intense in Ocean’s echo also much more spacey sci-fi. Romance is also arranged marriage but is VERY different from winters orbit. I wish… I wish this book wasn’t associated with the other because it gets unfairly compared because the narrator is the same etc but Ocean’s Echo is great in its own right and is definitely not a copy

7. Winter’s Orbit 8.5/10 MYSTERY sci-fi edging on fantasy. Arranged marriage. Slow burn. These characters are also 10/10 I love them. I have experienced an abusive relationship before and appreciated seeing a character with the scars a similar past. Often if a character is portrayed as in an abusive relationship they focus on the event but it effects Everything in your world. Even now I have these scars after 8 years. I loved the mystery it was the main focus which I liked. The romance felt natural.

8. Fragile Remedy 8/10 one of the first books I read it made me cry and was a good single dystopian gem. Had a real… divergent hunger games kind of vibe to the world from what I remember.

9. Lightning struck heart 7/10 classic fantasy this is what I said on my insta at the time “It is an extremely comedic fantasy adventure with wizards, unicorns, knights, and dragons. Right up my alley! However the ending was disappointing. I'll listen to the next book in the series and hope it improves. Just found character arch unbelievable in last chapters.”

10. A wish upon a star by tj klune ^follow up books I read like 4 of them 5/10 I did stop listening to it this is what I said on my insta “Well I continued listening the tales of verania series and made it to the original end of the series. I'd say if you want a gay fantasy comedy without too much thinking Listen to the audio. Narrator is the biggest part of why I didn't quit. Idk if I'll read the other books though it is very friendship is magic smooth brain ideas I've read”

Unable to finish (been desperately trying to find a lesbian story and finding nothing)

Girl, Serpent, Thorn 4/10 my review from insta “Unable to finish it. The world is interesting. The first 3rd seemed promising but after major conflict the writing goes way down. But the MC doesn't grow. The f/f is so shallow it made me roll my.eyes until I had to stop listening. Wanted the bad guy to win and kill everyone”

The Midnight Girls. So intensely annoying and childish. I couldn’t do it I think I made it to chapter 3 but it was a struggle.

In the ravenous dark. I got to one third of the audio book and had to stop. The universe was okay but main girl was very annoying. Was kind of hoping her and the ghost would be together not… not the weird bullshit that was going on. Idk what the end of the book was going to be but it was not for me.

I’ll post another with my current to read list. I’m really going through them now because I have to drive two hours a day to and from work. Give me your suggestions though please thank you.

[rwbyrg]

Hello!

I would like to ask if there's already a post a long the lines of "Why Rosegarden is a good ship" or reasons to ship RG? If none would it be alright to ask for your insights?

It's my first time being interested in them but I just can't wrap it around my head for now. I would love to read about them!

Thank you in advance ^^

Hi Anon!

I have not yet made any posts specifically with these questions in mind, no. Just a small, unfinished, series about why I believe the ship is likely to be canon. I am happy to offer some insight, but I don't know that I'm going to give you the answers you're looking for. 😅

First and foremost, the questions you're asking aren't really ones that can be answered objectively. What makes a ship "good" or "bad" is largely subjective, as there are as many ways to view a ship as there are people viewing it. I could make an argument about how I think it is - objectively speaking - a well written pairing that follows the typical beats and tropes (with delightful subversions) of a good romance arc, that also parallels how other canon ships within RWBY have been established... but at the end of the day, if you're not a fan of what RG is about, then there's not much I can say to change your mind.

Which brings me to your second question. The best reasons to ship RG are going to be the same reasons for why anyone should ship anything: ship it if you want to, ship it if it resonates with you, and ship it if you enjoy it.

If their characters, interactions, themes, parallels, allusions, tropes, symbolisms, foils, designs, messages, etc., aren't your cup of tea, it's completely okay if you pick something else on the menu! So long as you don't like. verbally harass people that do like it or fill the tag w the same discourse that we are all very tired of seeing.

I don't know if that is a sufficient answer to your question, so I'll take a chance and also provide some of my personal reasons as to why I think it's "good" and why I ship it. While there are many reasons I can't all include, the main things are just how much they mirror each other:

From their complementary character designs (red vs. green, silver vs. gold, moon vs. sun, etc.),

To shared fairytale allusions (Little Prince and the Rose, Dorothy and Princess Ozma/Tip, Warrior in the Woods, etc.),

To the narrative parallels (both being the youngest of the group when they joined respectively; how both of their attachments to each other keep being put into focus; to their shared themes around choice and identity: Ruby having chosen adventure but feeling as if she has no choice but to keep moving forward, while Oscar was chosen by adventure but chooses to do what he can despite his circumstances; Oscar not knowing who he is because of the merge and asking: "I'm just going to be another one of his lives, aren't I?", versus Ruby not wanting to be who she is after chasing the the ghost of an unachievable ideal, but being asked "what if you could be anyone?"; how they're both just kids thrown into war and unfair responsibility before they even have a chance to figure out the kinds of people they want to be, etc.),

to perhaps, most importantly, the show of mutual support between the two of them.

Ruby supports everyone as best she can. She is always giving to and supporting others as a show companionship and leadership. But thanks to V9 and also E4 of RWBY Beyond, we know this was not sustainable or sufficiently reciprocated.

She was let down by Weiss who constantly managed to hit her right in her insecurities; let down by Blake who - even while trying to uplift her - just ended up adding more pressure by treating Ruby like a role model; to Yang and Qrow who both tried to support her as best they could, but kept comparing her to Summer in the process; to Penny having so much of her own lack of experience, stressors, and very immediate worries going on that she couldn't offer Ruby the support she needed even if she wanted to; to Jaune flipping his lid at her and pointing the blame even when he himself was guilty and knew he was out of line; to Ozpin, Qrow, Maria, Tai, Summer, Cordovin, Ironwood, etc., all being adults who could have taken responsibility or done the right thing, but fumbled or failed leaving her to pick up the pieces in their wake. But Oscar? We see it from Oscar's introduction that he - like their shared fairytale allusions - is in awe from the moment he meets her. But after one conversation about the weight of her grief, trauma, and the responsibilities she is carrying - a conversation she has not had with anyone else up to this point - he immediately sees how heavy Ruby's burdens are. Saying, as early as V5: "This must be really hard on her too". And while it is subtle, he never stops looking after her as best he can as the volumes go onward ("Looks like you're needed elsewhere."/"You're sure?"/"Yeah, I've got it."). However, it's only in V9 that her sister Yang is asking "why didn't she just talk to us?". It is only in V9 when her partner Weiss admits: "Maybe it's because she didn't feel like she could". It is only V9 when Ruby finally lays her burdens out to someone else again, this time to the Blacksmith, after almost having given up completely.

For a character who's 116 episode long arc has been about carrying the weight of responsibility far beyond her limits, never asking for anything in return no matter how difficult it gets... to meet another character that instantly notices her struggles and makes a conscious effort to help where all others have failed? To have one conversation and say "that looks heavy, let me help you carry that" without her asking or waiting for an answer? It's just one of the most beautiful acts of care I can think of. The themes and the parallels all resonate very strongly with me on a personal level, making it - in my humble opinion - a brilliant, and very stable foundation for a relationship, and for a story.

Thank you for your question, I hope I was able to offer some of the insight you were looking for. 💕

[orionsangel86]

Seeing criticism of Good Omens Season 2 on here is a wild ride for me because I generally seem to agree with everything gomens critical people are saying whilst at the same time still absolutely loving gomens S2.

It's like this: Okay so you have written this super popular book revolving around this precocious kid who happens to be the antichrist whose birth kickstarts the apocalypse. The four horseman turn up as well as these other strange human characters one of which is an actual witch whose great great great grandmother wrote an accurate prophecy book which predicts armaggedon. Through a series of somewhat hilarious events, the kid, his friends, and the other weird humans manage to stop the apocalypse.

Also throughout the whole thing there are these angel and demon characters fussing about getting into arguments but not actually doing anything to forward the plot or make any difference to the main storyline. For some reason everyone reading the book finds these characters far more compelling and entertaining and seems to think they are the main characters. But they are not.

Then the book gets adapted into a show and the focus shifts onto the angel and demon characters because obviously they are the popular ones that everyone loves. So what's a writer to do when the fan favourite characters basically don't have any part in the primary plot points? Give them a more coherent side plot steeped in romantic tropes and claim that they are in love. Boom. Instant fandom catnip.

But then you are presented with a problem. The show has become super successful and everyone wants more story. You may have discussed a sequel over the years with your writing partner but it never really came to anything probably because its difficult to plot out a sequel centred around two characters who weren't the protagonist of the first book, and that story is done and dusted. Whats a writer to do?

Lean into the fans thirst for more angel on demon action and write what amounts to high budget fanfiction pulling the love story b plot of season 1 into the main focus for season 2. Of course book purists are gonna hate that!

Any legitimate sequel to Good Omens should have centered around Adam. The former antichrist now coping with everything he went through growing up a normal human whilst still having a creeping sense that its not quite over, that maybe heaven and hell still have a part for you to play in their grand plan. Sure, Crowley and Aziraphale could have been involved, continuing their b plot love story, but at least this way the sequel would have been more consistent with the plot of season 1.

The problem with continuing Adam's story is that, and I mean no disrespect here, no one cares about Adam. Adam and his friends are the weakest elements of season 1. People tune into Good Omens for the Crowley and Aziraphale show, and Neil Gaiman knows this.

The plot of Gomens S2 is weak. The mystery around Gabriel is a bit silly, and is only connected to the season 1 plot in the loosest sense. The fact that he and Beelzebub speedrun an angel/demon romance is bizarre and does come out of left field... like something out of fanfiction. It also does indeed rob some of what made Crowley/Aziraphale so special - the fact that they were unique in their love and respect for each other despite being on opposite sides. Also I wish Maggie and Nina were given more development (and less clunky dialogue).

The only criticism I really don't agree with is the criticism that Aziraphale was written out of character, because quite simply, season 1 never ever resolved the fundamental issue at the center of Crowley and Aziraphales relationship. Throughout season 1 Aziraphale constantly insults and berates Crowley, claiming he's the "bad one" and refusing to accept that they aren't on opposite sides. There have been plenty of metas stating that this was all out of fear and a need to protect Crowley, and sure, you can interpret it that way, but not once in season 1 does Aziraphale actually say "yes we are on our side. Yes we are the same. I was wrong to claim you were bad when you've clearly been showing me how good you are for millennia." Its maybe implied that he has learned, but its never truly confirmed, because season 1 wasn't about Crowley and Aziraphale and their relationship. But season 2 takes its lead from that.

It's just rather amusing to me how the discourse that has built around season 2 seems to be fundamentally forgetting these points. GOS2 isn't really a sequel to Good Omens. It's a spin off. It's a spin off about Crowley and Aziraphale and their silly relationship drama whilst they deal with a silly low stakes mystery regarding Heaven and Hell (also characters that were barely involved in the book if at all!). It doesn't really tie into the first story at all.

In my opinion, all it needed to link it more closely to season 1, was to bring back Frances McDormand as God to do the narration. If that had happened, season 2 would have been just fine. As it stands, it comes across rather like a spin off fanfiction. But I love fanfiction, and I have always only ever watched Good Omens for Aziraphale and Crowley. To me, season 2 is fantastic, its like if Supernatural had a spin off show all about Castiel in which he is the lead character, and part of the main A plot is him getting together with Dean finally - Dean being the love interest in this particular show. Amazing. 10/10 would watch another 15 seasons of just that - but general Supernatural fans who aren't fandom specific would probably HATE IT.

So yeah, I do understand the criticism its receiving, but I find it funny, because ultimately Neil Gaiman gave fans exactly what they wanted, he gave them an Ineffable Husbands fanfiction - M/M Romance, F/F OC Side Pairing, Rated: Teen and Up, #Fluff, #Dancing, #Excessive Jane Austen References, #Crack Treated Seriously, #Surprise Final Pairing (check the end notes for spoilers!), #Miscommunication, #Love Confessions, #First Kiss, #Angst #Hurt/No Comfort, #Cliffhanger Ending.

Can any of us really say we wouldn't immediately click "proceed" on this fic and then stay up til 3am reading it til our eyes bled? Me neither.

[ca-suffit]

“loumand were happy together most of the time” is kind of an insane take bc louis spent eps 1-4 haunted by lestat and distracted by a hallucination of him, fought badly with armand and called him a boring beige pillow in ep 5, the closest they probably came to being genuinely happy was in 6, the ep which had louis acting really off (i think jacob himself said he’d regressed to a lot of his past personality). eps 7, 8 and dubai speak for themselves lol. whereas loustat *were* happy, especially when they were raising claudia (“we were a happy trio”), and it’s clear that louis downplayed a lot of that happiness (see all of jacob and sam’s comments about dreamstat reflecting the softer and happier parts of loustat that louis wants to forget). but people also ship them because a) their intense chemistry and b) the whole show revolves around their romance, which is tragic and destructive because they love each other *so much*. it’s fucked up but also so compelling and epic and romantic because they will literally love each other forever and nothing can stop it no matter the cost. that doesn’t mean you have to ship it, but it actually surprises me that someone could even enjoy the show if they don’t even “get” loustat at all

tbh I think an argument could be made for both relationships either way. I don't think any of it has to be a contest of any kind. ppl come into the show from all different backgrounds and awareness of the books / characters or not. I think it's fine to let ppl come into the story however they want.

loustat allowed louis to feel seen for the first time in his life but also unseen in other ways. we do see them have happy moments but the more time goes on, the worse they get and the less "alive" he seems. then there's the explosive endings of the fight and mardi gras. although the show has told us there's layers to this and a general back and forth of whether things were better or worse all over their timeline.

loumand and being in paris gives louis more freedom in ways than he's ever known. he explores hobbies, he feels less judged as a black man in public spaces, he feels like he's allowed to have boundaries and voice desires. armand pretends to relinquish control at times when he knows it's what louis requires to feel good. that's something that lestat wasn't doing. for a lot of S2, in dubai, there is an unease felt and a forced manner of discussing all of these "happy" memories they have together, but a lot of it still feels real. like an authentic couple that's been married a long, long time and settled into each other. 2x5 shows us a layer peeled back and starts to break the illusion, but just like with louis' happy moments with lestat, it doesn't change that those moments still exist.

the show itself is always telling us that everything we see of any of this are parts of a whole. just like real life, all events have different perspectives. if louis' memory hadn't been erased after 2x5 then who knows what would have happened. but louis also wouldn't have left lestat on his own without claudia too, so maybe nothing?

the core of all of these relationships is what they reveal about the characters. while loustat has been said to be the main focus throughout, it doesn't lessen any of the others. all of these characters are around each other for eternity and have to endure each other somehow, whatever their current status with each other. I don't think anyone has to have any relationship preference to watch the show tbh, bcuz they're all related in the end anyway.

[tanenigiri]

I'm floored that people are still liking and reblogging the collage of BL and BL-adjacent works that I reviewed two (!!) years ago. I haven't stopped growing my collection of manga, so I figured I'd make a sort-of Part 2 with a collage of some other fluffy slice-of-life BL and BL-adjacent titles I've enjoyed ever since I ended that project.

While I don't have time to give them full-fledged reviews like before, you can find some of my quick thoughts on each of them under the cut. I recommend all of these titles just as much as the 18 I included in the first collage - if you liked any of those, give these 10 stories a try!

Hirano and Kagiura by Shou Harusono - From the creator of Sasaki and Miyano and set in the same universe, this series revolves around one of Miyano's senpais and the roommate that he's been shipping him with since the start. This is every bit as charming and wholesome as Sasaki and Miyano, though I think this is a lot more chaotic considering the more hilarious take on the main pair's dynamic. I did a more comprehensive review of its first volume here if you wanna check it out.

Candy Color Paradox by Isaku Natsume - I'm not usually a big fan of enemies to lovers - the tropes they work with are rarely my cup of tea. This is one of the few stories I've read where that dynamic works really well, though, with these two reporters clashing a lot early on but finding out that they're exactly what the other needs. I wasn't too sold on the first volume but the second one really brought me onboard - I thought they treated the personal conflicts of one of the main characters incredibly well there.

My Brother's Husband by Gengoroh Tagame - More BL-adjacent than BL, this tells the story of a man reconnecting with the husband of his late brother (and no, there isn't any romance involved at all - this is a family-centric story first and foremost). It doesn't focus entirely on dealing with this loss, though - it's also a look into the protagonist's own family dynamics and troubles, with his daughter being a very prominent character here a la Tane in Our Dining Table. One of my favorites of this batch as it has a lot of heart and soul poured into it.

My Love Mix-Up by Watanu Hinekure and Aruko - The most comedic title here, this takes the misunderstanding trope to a really funny direction and builds a really good story out of it. The main couple is very adorable, and their dynamic with the side couple evolves in such a fun way that I ended up seeing this as a story about the four of them that just so happens to have two couples. If you watched the live action, the manga has a slightly different take on the story, and of course it spends more time on certain plot points, but it has the same chaotic and hilarious vibe.

Hyperventilation by Bboungbbangkkyu - I've only read a few Korean BLs, but this one is easily my favorite of the ones I've read so far. This is a lot steamier than most of the titles in this and in the previous collage, but those scenes are surrounded by a heartfelt dynamic between its two leads who are realizing that the connection they shared back in high school was a lot deeper than they thought. If you've watched the animation of this title, the manhwa's pretty much that but in book form, but I did notice some differences in the manhwa that made the story stronger in my opinion.

I'm Kinda Chubby and I'm Your Hero by Nore - I was slightly wary of this title since body image issues are quite difficult to tackle, but it turned out to not really be the focus of the story - one of the protagonists just happens to be chubby, and while there is some discussion on it, this story focuses a lot more on his growth as an actor and his newfound dynamic with the story's other protagonist. It's a really sweet story at its core, and the pun is definitely intended as the other protagonist is a pastry chef lol. (I'm also not sure if I would consider this as BL or BL-adjacent, coz by the second volume (which is the latest one so far) they aren't really together, but you can definitely sense that their dynamic goes beyond friendship.)

That Blue Sky Feeling by Okura and Coma Hashii - Picked this up mainly because the story is by the same person behind I Think Our Son Is Gay, one of my favorites in the original project. This has a slightly similar vibe, where it focuses more on exploring homosexuality and identity instead of romance, and it does so with the same interesting depth that Okura did in the other work. This one definitely has more BL tropes than I Think Our Son Is Gay though, and I'm more inclined to call it BL than BL-adjacent.

I Want to Be a Wall by Honami Shirono - "Marriage of convenience between a gay man and an asexual woman" is such an incredible pitch that I picked this up immediately, and I really enjoyed it for what it is. Said asexual woman is also a fujoshi, and the man that her husband is crushing on (who is straight) is a prominent supporting character, so you can imagine the hilarity that ensues. This isn't a comedy though - it's very much a heartwarming tale about identity and finding joy in a situation that isn't exactly the best.

Delinquent Daddy and Tender Teacher by Tama Mizuki - Already the second title here that has the same two-male-leads-plus-child dynamic as Our Dining Table - do you see the clear bias hahaha. This is quite far from that story and My Brother's Husband though, and I honestly thought that this was going to be trashier than it was because of the title, but I really shouldn't have judged this book by its cover as it's a great story about family and building connections with each other. It ended up being closer to Would You Like To Be a Family? in that regard, but this takes the time to flesh out the relationship between the two protagonists and the child, creating a silly but heartwarming dynamic.

Hello, Green Days by Ayu Sakumoto - Stumbled upon this short story online, and it has stayed with me ever since even if it doesn't have a physical English release (yet?). The dynamic between the protagonists is really sweet, and how it weaves in the plant talk (one of the main characters is a botany major) into the story is very clever. I also did a more comprehensive review of this before, so check it out here if you want.

If you made it this far, thanks for reading! I hope you found more titles to add to your to-read list.

[becomingpart2]

i remember candy liked season 6 and defended it on the basis that it “deconstructed” spuffy. she also defended the attempted r*pe on the basis that “it’s in character for spike” and it “shattered the fallacy of the exception” which is like 🤮 like I’m not disputing that it was in character for spike but that doesn’t mean that it’s good to subject a female character to a season of abuse and an attempted r*pe. like it was a gross thing to make an abusive relationship the central romance of the season, and it’s not even like the show handled the abuse well. like they subjected Buffy to all that trauma only for it to culminate in SPIKE’S “character development” and getting a soul. and spuffy was then completely romanticized in season 7 and spike was given a redemption arc that was built on Buffy’s pain and trauma.

Ughhh. Of course candy would say that. Her hatred of women was always so strong.

I think in theory those would be valid points to make: spuffy being "deconstructed" aka de-romanticized with the attempted rape; and that "shattering the fallacy of exception" because yeah, any woman can suffer that kind of violence, no one is safe, no matter how "well-behaved" and "different" they might be.

So yeah, on surface level those are good points. But it's all tainted by the fact that it's all fucking lies! Lmao

The attemped rape didn't "deconstruct" spuffy at all. It only served to make it stronger and, worse, it shifted the attention completely to spike. Now he was the focus of the ship; his needs, his redemption, his pain, his arc. Fans were mad not because buffy suffered a horrible violence, they were mad because it was spike who did it! And that was unfair to him! It was unfair to paint him in such a light, it was out of character, it was against his supposed "development" (nevermind he had been gaslighting and manipulating her all season, knowingly taking advantage of her fragile mental state). It traumatized his actor!!!

And then we got Season 7, where everything concerning the ship is centered around buffy taking care of him and protecting him and the writers act like they didn't have a past of violence. Actually no, the only "violence" that's acknowledged in the text in season 7 is the one perpetrated by buffy agaisnt him - because you know, she was totally using him while being depressed! She was mean to him and beat him up!!! They act like spuffy in s7 is a completely new relationship and only acknowledge its past when it's to whitewash what spike did to buffy, when it's to try and put buffy and spike on the same level, as if they were both "abusive" to each other. There's no such a thing as mutual abuse.

The "it can happen to anyone" side of the argument was never made because what happened was completely ignored after the fact, because they didn't address how it affected buffy and how she pulled herself back together. If candy was really interested in seeing how a heroine like buffy handled such traumatic event, thus making her relatable and "not special", she'd want for that to be an arc that was followed through but lol that's not really what she wanted, was it?

So you see how in this context, where buffy's abuse was completely swept under the rug and forgotten in favor of elevating her abuser in the story, candy celebrating what happened as some kind of victory for "feminism" (bc she got off on seeing main female characters being put in their places) is not only misogynistic but also completely dishonest because it's not what fucking happened.