#the fact that they don’t do this any other time in this arc

[onepiecethingsilike]

𝒯𝓌𝑒𝑒𝓃 𝒽𝒾𝓂

[crossbackpoke-check]

re last answer: please don't stop, being very unhinged about these two pretty white boys is helping distract me from the sharks losing streak rn so bring it on

https://www.tumblr.com/bondedpairs/764566430180147200?source=share

(sideblog woes but there's the link for you) anyway in the vid they talk about going over to each other's houses to have dinner and things and while that is a delicious example of their codependence i love it bc through an rpf lens there is definitely some old man ******* going on. they can have the dilfs and each other.

(someone else mentioned kept boys which i could write an essay on but i fear being Perceived™️)

anyway if you have anything to add to this please do, if not ignore me and i will hide under a rock until the stress-related insanity has worn off and i am a functioning member of society once more 😂

- @bondedpairs

ty for the video!!! and please, WRITE THE KEPT BOYS ESSAYYYY i promise i will read it with my hands over my eyes if you don’t want to be perceived. do it scared!! do it anyway!! we’ll all love you for it!!!

[dark-fics-4-you]

In the Night

dark!Ghostface!stepbro!Rafe x f!Reader w a side of JJ x Reader

READ ENTIRE WARNING BEFORE PROCEEDING

Warnings: noncon (rape), incest (step siblings), murder, major character death, p in v smut, lowkey yandere themes, knife kink, blood kink, unprotected sex, creampie, Rafe is very obsessed with his little step sister (everyone is 18+)

You cowered behind the car, trying to quiet your shivering sobs. Your mind was racing, barely able to hold onto any thought other than the ghastly scene you had just been forced into.

For months, a masked killer had been terrorizing Kildare and tonight you came face to face with him.

Only to realize that you had been living with him for half of your life.

For the most part, it had been a night like any other, JJ had taken you out on a little dinner date before bringing you back to his house.

You had been dating for several months at this point, a fact that your stepfather, Ward, begrudgingly accepted, but your stepbrother seemed to harbor more resentment towards him than any of the other Pogues.

Just before you had left, Rafe had gotten into yet another argument with you about him, although he had never been so aggressive with you about it before.

“He’s not good enough for you, Y/N! You know he’s just going to get you into trouble.” Your older step brother scolded you.

“Maybe he’d stay out of trouble if you and your gang didn’t bring it to him all the time,” you sniped back, pushing past him to get to the door.

You were interrupted when his hand clamped down hard around your arm just above your elbow, stopping you in your tracks.

“Are you seriously trying to walk away from me right now?” Rafe growled as he turned to you, his hold still tight on your arm.

“Yeah, I am, JJ is out front waiting for me. Now let go of me, Rafe.”

He stared down at you, a familiar yet unrecognizable glint in his blue eyes. He scanned your face for a moment, tension heavy in the air, before finally reluctantly releasing your arm with a huff.

“Just uh… stay safe, okay, Y/N? You know how dangerous it’s been recently.” You could have sworn you saw a small smirk on his face before you turned to exit.

When you and JJ got back to his place after dinner, the two of you had just gotten out of the car when you heard him yell.

You turned to see a large figure wearing the same ghost face mask you had seen all over the news holding your boyfriend at knifepoint, the blade pressed into his throat.

JJ struggled against him for a moment, but he flinched when the man dug the sharp metal in just a bit.

“Stop fighting, or she dies next.” The man hissed, his familiar voice stopping you in your tracks as you raced around the car to them.

You were several feet away from them but too petrified to move.

“Stop!” You cried out, tears burning at your eyes. You felt terrified and helpless, unable to take your gaze off of your boyfriend.

The masked man ignored you, continuing to speak to JJ, “you don’t deserve Y/N, you know? She’s too good to be with a filthy Pogue like you.”

His words washed over you like a bucket of cold water as you finally recognized his voice and you wanted to be sick.

Your lips parted to beg with him, don't do this, please, don't hurt him don't hurt him!

At the flinch of his wrist, it was too late. You knew it. The blade glinted as it slid across JJ's neck, and you finally found your voice as a cascade of crimson followed its arc and JJ fell to ground.

You screamed as you felt the air get knocked out of your lungs. You wanted to collapse, and you probably would have if not for the sound of the killer’s horribly recognizable laughter drawing closer.

In the darkness, you turned, stumbling to the ground painfully before picking yourself up again and running before crouching behind the car JJ had been fixing up.

The chilly autumn air made you shiver and your vision was blurred by your tears.

You still hadn’t gotten over your shock when you heard your name being called.

“Y/N,” he taunted, voice getting closer with each step.

Your heart was thundering in your ears so loudly you were scared he could hear it.

“Just come out now and I promise, I won’t hurt you.” He was on the other side of the car now and you felt your stomach clench in terror.

Your eyes widened when he walked around the car, easily spotting you crouched near the back door.

When he ran towards you, you opened the back car door, blocking him momentarily as you climbed in, planning to slide across and run out the other side.

Your fingertips reached for the door handle, but large hand gripped your legs, pulling you back towards him. Flipping onto your back, you tried to kick him off, desperately scratching at his arms with your your nails at the same time.

The man pinned you beneath him, cackling at your pathetic attempts to fight back. In your panic, you grabbed at his face, pulling his mask off at the same moment his bloodied knife came to your throat.

You froze beneath him, staring up into your step brother’s eyes in shock and horror.

“Rafe?” You whispered, tears spilling past your lashes. “Why?”

A sickening grin spread across his lips as he leered above you. “Didn’t I always tell you, sweetheart? JJ isn’t good enough for you. He didn’t know you like I do.”

His free hand came to your cheek, stroking it lovingly and accidentally smearing JJ’s blood across your skin.

“Stop it!” You whimpered, nausea bubbling up in your gut as the coppery scent hit your nostrils. “You’re insane!”

Rafe’s eyebrows furrowed at that, anger darkening his eyes. He drew so close you could feel his breath against your skin, “I’m just trying to protect you-”

“Protect me?!” You hissed, tears streaming down your cheeks now.

Rafe’s nose twitched, frustration written all over his face.

“You don’t get it,” he mumbled, eyes leaving your face and trailing down your chest. “But I’ll show you.”

Rafe removed the large blade from your throat, grabbing the bottom of your shirt before slicing it down the middle.

You whimpered beneath him, trying to cover yourself up, but his knife found your throat again, pressing down slightly.

“Don’t make me hurt you too,” he threatened, his low voice making your stomach twist.

His pupils were blown wide as he took you in.

“No bra?” He grinned wickedly, “guess my lil sis is more of a slut than I expected.”

“Rafe,” you pleaded, voice breaking through your tears as you looked up at him. “Please, I’m scared.”

He groaned at that, pressing closer and you shuddered at the feel of him growing harder against you. You squirmed when his large hand cupped over your tit, squeezing your nipple between two fingers and drawing a whine from your throat.

His lips smothered yours, hungrily tasting you and taking your breath away. With the cold metal at your throat, there was nowhere to turn to get away from him. Nausea churned inside you when he pushed his tongue into your mouth.

He pulled away finally and put the knife down on the floor to unbuckle his belt, fumbling with his button and zipper before freeing his erect cock from his boxers, not even bothering to push his pants down.

At the sight of your step brother stroking his hard dick above you, your tears started flowing again, disgust and horror mixing with a third emotion you were too ashamed to identify.

Rafe forced your thighs apart, pushing your skirt up to reveal your pink panties.

“Shit, Y/N,” he groaned, pressing his thumb to your covered clit. You squirmed in his grasp, biting your lip to stop your whimpers from escaping.

“Can’t wait anymore,” he breathed through gritted teeth, grabbing your panties and sliding them to the side before lining his tip up with your slick entrance.

“Stop, Rafe-!” your protest was cut off when your step brother pushed himself inside you, stretching your unprepared cunt around him.

You whined loudly, heart skipping a beat when his hand wrapped around your throat, smearing the blood from the knife across your tender skin.

He stilled above you for a moment, taking a shaky breath as he basked in the feeling of your snug walls squeezing around him, tighter than he could have imagined. He inched himself deeper until his tip kissed your cervix.

Rafe leaned closer to you, his lips covering your before he began slowly thrusting into you, increasing his pace with each push of his cock.

You mewled against his lips, confused and disgusted with yourself when you could feel yourself growing wetter around him.

He broke the kiss and you gasped for breath, only for his grip to tighten around your throat.

There was nowhere to go, and Rafe easily caged you in on top of the leather seats of car. You felt claustrophobic, overstimulated by the feel of him rutting into you in the cramped backseat.

The lewd sound of his cock plunging into your slick cunt taunted you, and you couldn’t control the pornographic moans that he was forcing out of you.

His thrusts were brutal, bordering on punishing at this point, and his fingers were squeezing around your neck so tight your vision was becoming fuzzy at the edges.

“Rafe-!” You choked, hot tears burning at your eyes.

The world was spinning around you, the pressure building between your legs. You grabbed onto Rafe, clinging to him tightly in your confusion.

“Tell me you love me,” he groaned, not slowing his pace at all as his thumb found your clit, messily rolling over it.

Your skin crawled at his words, stomach flipping as you nervously shook your head no, but you couldn’t bite back your moan as he teased your tender bud.

You knew that only pissed him off more though, and his grip on your throat tightened in warning.

“Tell your big brother you love him, dumb fucking slut.” He hissed, hitting a spot that made you see stars.

“I-” you whimpered before whispering. “I love you.”

He kissed you hard, growling as he pulled away and resting his damp forehead against yours.

“Tell me again, baby.”

His hips tilted to meet yours, pushing himself deep inside you with each thrust. His thumb lazily traced your clit, pulling you to the brink.

“I love you,” you moaned, primal desires overcoming your thoughts of resisting.

“Again.”

“I love you, fuck, Rafe!” you whimpered as you were pushed over the edge.

Blinding white light exploded behind your closed eyes as you came undone around him. Sinful pleasure tingled between your legs as he fucked you even harder, and he cursed as you squeezed around him.

You couldn’t think straight, much less control your mouth, and the endless string of “I love you Rafe”’s that rolled off your tongue was the reason it wasn’t long before your step brother was painting your walls with his sticky seed.

[catopoliscat]

next time / kento nanami/fem!reader.

who would have thought that kento nanami was a virgin? not you. not after this long. perhaps he was saving himself for someone. perhaps he was waiting for you.

tags: nsfw. 18+. fem!reader. afab reader. penetrative sex. alcohol. dry humping. virgin!nanami. mutual pining. friends to lovers. creampie (wrap it kids). unprotected sex. touch-starved!nanami. canon!verse. you've known nanami since school. tinges of angst. nanami wanted you bad lmao. it's love babey. reader has experience. no use of y/n or any other placeholders. ever. wc: 7.7k. a/n: i kind of fear nanami's a little ooc here lmao, but i've spent too long on this so fuck it we ball he deserves this

also how mad would you be if i said this was set a week before shibuya arc be honest

mdni.

You’re a bottle and half of zinfandel deep when Nanami tells you. 

Although you’re both a little warm, tipsy perhaps, you didn’t think either of you were quite drunk enough for this conversation just yet. It was a regular occurrence for the two of you to share a drink on a Friday, or a bottle in more pressing times. 

There were more bottles than glasses, lately. 

It was just two old friends, catching up. Talking. Complaining--usually about Satoru. Often you’d reminisce on easier times. Warm summers in the Jujutsu High courtyard, the cold tin of a soda in your hands, a bottle of water in his. Quiet talks of dreams and eventualities. Ignoring the gaping absence of a third at between you. 

Tonight though, you’re not sure when the topic had changed. Somewhere between the last dregs of the first bottle and the beginning of the second, the conversation had grown more sombre than usual. Talk of love and relationships always seemed to make the air heavier around the two of you, for different reasons. A stark air of loneliness that not even the most tart of white wine could overpower.

You had offhandedly mentioned turning down one of the windows you had met on your last mission. He had been younger than you, still full of life where the holes in yourself had long since emptied it out. You had shaken your head, flattered, but tired. There were better options for a man like him, still full of hope and vitality, a whole life ahead of him… when you knew any day yours could be cut deftly short. 

You had told yourself it had little to do with the fact that the man’s bright smile had reminded you of another, so many years ago.  

In the quiet of Nanami’s living room, swirling the last drops of your wine in your glass, you had mentioned that you had no real desire for relationships anymore. Other than sex, of course, but only sexual. A temporary release, one of the few you had left. Nameless faces and hurried touches. Sometimes clinical, sometimes primal. Always quick, and never the same person twice. 

You know?

To which Nanami had replied, “No.” 

Misunderstanding the gravity of what he was saying, you had raised an eyebrow, a curious smile playing at your lips. “Not one for one-night stands?” 

It occurs to you distantly that you don’t know a lot about Nanami’s romantic life. Close as you two were, or so you liked to believe, he had never really mentioned it. And you had never asked. 

Nanami had shook his head in response to your question, and you had nodded. It aligned with his character, you thought. As cold and stoic as he liked to act, you couldn’t imagine a world where he would use and discard someone. He felt too much, cared too much. He would love too much too, if given the chance. If he gave himself the chance. 

In your musings, you had almost missed what he had murmured next. 

“I’ve never had sex at all.” 

Kento Nanami. A virgin.

The confession has your lips parting, your eyes blinking. Once, then twice, akin to an owl. You glance down at your wine glass for a moment, as if it had been the slightly smeared glass that had been speaking to you instead, and not the esteemed stoic sorcerer you had known for the better part of ten years. 

You look over at Nanami on the couch, but he’s staring at the carpet, his expression contemplative, almost pensive. His brows are drawn taut, a small knit on his forehead. His lips are drawn into a thin line, a slight crease in his chin. There was a specific emotion dancing in his eyes. You almost dared to use the word vulnerable.

It seems… ridiculous. Nanami? Attractive as he was? Kind, considerate, hard-working, to a degree. A woman’s dream. In another life, perhaps your dream too.

Had it not been for Nanami’s serious demeanour, and the fact that ‘joke’ and ‘Nanami’ rarely went together in the same sentence, you might have thought he was pulling your leg. A joke between friends. 

But he wasn’t. He very clearly wasn’t. 

“That’s… fine,” you finally say after a small moment, fearing you had let the silence linger too long. “There’s no rush for these things.” 

Nanami’s hum is short and clipped. Gruff, almost. He still refuses to meet your eye for now, and you make no move to change that. You get the distinct feeling that this newfound vulnerability doesn’t stem from him never having sex, but rather, the reason why he’s denied himself - because you know for a fact it has little to do with opportunity. 

You had lost track of how many women you had watched Nanami turn down, clipped and short, yet always polite. 

The silence is heavy between you. In the other room, you can hear the hum of his refrigerator, the buzz of the bulbs in the lights. Nanami’s apartment has always been quiet, but this silence feels suffocating. Paired with the wine, your head feels thick, your tongue thicker. 

A few moments pass, and as the revelation of his virginity settles into your stomach like seltzer water, you realise… it makes sense. Nanami wasn’t the type to use someone for sex, even if eager. He’d only have sex with someone he was in love with. Someone he trusted at the very least. 

And Nanami, as he had told you and a few others before, refused to entertain the thought of love whilst he was a sorcerer. No one with two working brain cells needed to ask why. He wasn’t alone in that choice, either. 

You toy with the stem of your wineglass whilst you toy with a reoccurring thought in your mind, one that you entertained often, but had yet to voice aloud. 

“You shouldn’t keep depriving yourself, Kento,” you say quietly. The use of his first name, rarely used in your adulthood, garners you a glance from him. It’s a small sign that you’re taking this seriously. 

“I’m not deprived of anything.” 

You scoff at that, small and quiet. “You deprive yourself of a lot, apart from pain,” you drawl, setting your wine glass down on the coffee table. Like always, the wine and Nanami’s masochistic tendencies have your tongue loosening more than it should. “I understand not wanting to have sex with anyone you’re not in a committed relationship with. It’s kind of… admirable, and definitely you.” You fold your arms across your chest, fixing him with a stare that he still refuses to meet head-on. “But why deny yourself the chance of love?” 

In the back of your mind somewhere is a voice chanting ‘hypocrite’, but you ignore it. Nanami, however, does not. 

He finally turns his head to face you, the lines underneath his eyes seemingly heavier in the dim light of his apartment. An eyebrow arches. “And meaningless sex is different?”

You scoff again, louder this time. “It’s not meaningless just because I don’t love my partner.” 

“Or even know their name?” 

You raise a sharp eyebrow, your own lips now pressing into a thin line. A part of you wants to retort, to snap, but you remember the vulnerability in his face from a few moments ago, and you just about hold your tongue.

With an exhale, you grab the half-empty wine bottle off of the coffee table instead and gesture for Nanami to hold out his glass. He does, and the glug of the wine fills the space between you.

“You ever thought about it?” You ask, filling up your own glass. In your peripheral, you see him sit quietly for a moment before he nods his head. 

“I’m only human.” 

You hum. “You should experience it,” you add. You swirl the wine in your glass once before bringing it up to your lips. “Even once. Even if it means nothing.”  

With one glance, you can tell immediately that the idea doesn’t sit right with him. It was easy to forget sometimes how rigid and traditional he could be. Formalities that few seemed to care about these days. Always on the things you least expected. 

“I couldn’t,” Nanami replies, shaking his head. 

Oddly, you feel the desire to insist. Days of a sorcerer were short, and getting shorter every year. Younger than yourself and Nanami had already died long before they would ever have the opportunity to touch another, kiss another; to feel the warmth of a body against your own. They would never know what that distinct pleasure was like, even if they desperately wanted to. Time was infinite to the young, until it wasn’t.  

It occurs to you quickly that you’re thinking of Haibara, and everything you and Nanami had experienced that he never would. 

Something must show in your expression because Nanami raises an eyebrow at you. You swallow, before setting your glass back down on the coffee table with a dull clink. You look at him, your face surprisingly collected and casual for what you’re about to ask. 

“What about me?” 

Nanami’s questioning look only deepens for a moment, before something passes by his eyes. His lips part, his version of a falter. You know he knows what you’re implying, but still, he asks, “…what about you?” 

“What if we had sex?” You say without hesitation. “You know me. You trust me.” 

Nanami falters further. He straightens in his seat, his glass resting on his thigh, the thick muscle straining against his slacks. His whole body is thick with a tension you usually only see before a fight with a particularly highly graded curse. A vein protrudes from his neck.

His eyes flick between your face and your own glass, clearly wondering if it is time to call this night done, but you rise from your seat before he can, taking a small step toward the couch he’s sitting on. 

You sit down next to him, a little closer than you usually might. He doesn’t move away. Your thigh brushes against his, and this close, you can hear his breath hitch in response. 

“I’m not going to push this any further, Kento,” you say quietly, “but I’m letting you know it’s an option.” 

Although you and Kento were hardly affectionate with one another like most friends, you decided to take a chance tonight. You had already taken several, what was one more?

Reaching out, you take his glass from his hand and set it next to yours on the coffee table. Hesitating only a moment, you place your hand on top of his, your fingers curling around until your fingertips touch his palm.

His hand is stiff and warm underneath your own. The bones and knuckles press against your skin.

Something in the back of your mind is wondering why you’re pushing this at all. Would it matter if Nanami died without experiencing the pleasures of the body, really? Would the world stop turning for either of you? You know if Nanami really wanted to, if he felt the want, the desire - then he could leave this apartment right now and find someone willing, someone other than you. He could have done so years ago, during those few years he had masqueraded as a normal human being with a nine-to-five. 

You were risking a friendship over… what? The implied hopes and dreams of a dead fifteen-year-old? Haibara was dead. It didn’t matter to him whether Nanami experienced the things he never could. 

Nanami’s gaze flickers between your eyes for a moment, and this close, you can see the faint traces of the wine staining his lips. Your gaze must linger for a touch too long because his tongue swipes across his bottom lip. The pink skin glistens with the faint glimmer of his saliva.

When you look up, you see his eyes trained on your own lips, before they quickly flick back up to meet your eyes. 

“We’re friends,” he murmurs, his voice low, slightly thick. 

“And we always will be,” you reply.

He glances down at your hands. Somewhere between your own thoughts and Nanami’s reiteration of your friendship, your hands had interlocked, fingers intertwined like vines. He was gripping your hand a little too tightly to be comfortable, but you didn’t flinch. 

You’re not sure whether it had been your subconscious doing, or his. 

“I… can’t,” Nanami mutters finally, closing his eyes for a moment. “Not like this. Not… now.” 

Something clenches in your heart at his rejection, although you had expected it. You’re not sure if it’s because he’s denying you, or himself. 

You smile softly nonetheless and nod. “If you ever change your mind, you know where to find me,” you say quietly, going to pull your hand from his grip and give him some space. 

Only he doesn’t let go. If anything, his grip tightens slightly. 

Your eyes flick between his hand and his eyes, still trained on your face. You raise an eyebrow, your lips parting to speak, but he beats you to it. 

“But I’d like to kiss you.” 

Something resembling a very quiet ‘uh’ pushes past your lips in a long exhale.

You’re not sure why the idea of kissing him felt more… intimate than the fact that you had offered your body to him only seconds prior. You’re not sure why there’s a prickle of heat at the back of your neck or your lips burn with a sudden need.

“Nanam-“

As if remembering himself, he shakes his head slightly, blinking away whatever stupor had just possessed him. He looks away, his grip on your hand loosening, but not quite pulling away. 

“I… don’t know why I said that,” he mumbles. “You should go-“

Your free hand is already gripping his chin, turning his face toward yours a little too sharply. A subtle grunt leaves his throat as he looks at you, his gaze foggier than usual. From the wine, you, or the whole situation? Who knows. 

Fingers against his neck, feeling the quickened thrum of his pulse, your thumb brushes against his chin, pulling the skin until his lips naturally part. You feel Nanami’s shaky exhale against your lips as you lean forward, warmth breath mingling with yours, the scent of wine heavy on the air. 

You close the distance slowly, giving him time to stop this, to pull or push away. To draw an end to this nonsense before it went any further. 

Instead of pulling back or pushing you away, he closes the gap so quickly your noses almost bump together. 

The first press of his lips against you feels hurried and unsure. It’s off-center slightly, barely hitting the corner of your mouth, but Nanami is quick to correct it. He slots his lips against yours more firmly the second time, his lips parting to capture yours fully. You feel a rush of air against your cheek as he exhales through his nose. 

The kiss is unhurried, curious almost, yet there’s a subtle urgency in it that surprises you. Your free hand moves from his chin to his jaw, fingertips softly caressing the sharp curve of it. The sound and feel of his sigh against your lips makes you shiver, and you become enamoured with it. 

Enamoured with him.

You part your lips further, your tongue swiping against his bottom lip, finally tasting the remnants of the wine that you had spotted earlier. An odd sound builds at the back of his throat before his mouth parts too, his tongue brushing against yours. 

Something changes quickly then. His hand, larger than you ever really noticed, cups the back of your neck, his calloused thumb pressing against your jaw, drawing you closer. Your other hands, still intertwined, seem to tighten around one another like a snake's coils. The wet smacks of your lips grow louder in the quiet of his apartment, just about overriding the sound of increasingly ragged breaths, borderline panting. 

Your head feels thick. Dizzy. The kiss is indulgent, almost sloppy now. Nanami’s tongue is in your mouth, exploring every crevice, tasting you with an eagerness you hadn’t thought he was capable of. Every time you brush your tongue against his, your taste buds wetly sliding against his own, a small sound rumbles in the back of his throat, somewhere between a groan and grumble. 

After a moment that feels like an eternity too short, you pull back slightly, just enough to see his eyes as you open yours. Nanami denies you this, however, because when you open your eyes, his are still closed, almost scrunched. A faint frown tugs at his brow. 

He leans forward until his forehead rests against yours. The heat of his skin against yours feels searing, your noses softly brushing against one another’s. He sighs deeply, as if pulled from the back of his chest. It almost sounds like defeat. 

“Kento-“

“I want you,” he breathes out, and your voice almost hitches as you feel rather than hear his voice. It’s a deep, husky sound, more rumble than syllable. But there’s a crack in his tone belying a raw vulnerability that you weren’t familiar with. Not from him.

His eyes finally open, looking up at you from underneath his brow. His hazel eyes are almost black, you realise, the familiar colour you’ve always admired swallowed up by a sea of coal. You wonder if yours are the same. 

He’s trembling too. You can feel his fingertips shake where they press against the nape of your neck. 

“I thought you didn’t want… this,” you murmur. ‘Sex’ suddenly feels too…

“I changed my mind,” he replies, a touch too quickly for you to believe that he was thinking clearly. 

But God, did you want him too. You want him so fucking bad it almost makes you ache. Your feelings toward Nanami had always been friendly, respectful. He had been your closest friend, your ally, your confidant. You had been through so much together. You liked him, every part. 

And somewhere along the way, between the four years apart as he pursued a different life and the first time you had hugged him when he finally returned, Gojo grinning over his shoulder… you think, that like had changed to love.

It quickly occurs to you that you weren’t pushing Nanami to experience sex for fear of him missing out. That was you. You were scared of missing out on him.

It’s that revelation that makes you pull back slightly, and Nanami’s eyes widen a little, some of the hazy fog clearing. His hand slides from the back of your neck, falling limply against the couch next to your thigh. 

“I… I shouldn’t have put you in this position,” you mutter, glancing away, staring at the two wine glasses on the coffee table before looking back at him. “It’s your choice. Your first time should be on your terms, not because I think you’re missing out or depriving yourself.”

You go to remove your hand from his, but once again, his grip tightens, but there’s a tenderness to it this time. A gentle squeeze, almost begging you not to go. Not yet. 

He looks serious now, staring at you squarely, as if about to deliver a mission report, and its the first familiar expression you’ve seen on his face thus far. He swallows thickly, the only thing belying his hesitation. 

“I said I couldn’t have a one-night stand.” 

You frown. “And th-“

“I don’t want this to be a one-night stand.” 

Some of the breath flees your lungs as you look at him. His lips are still pink and slightly swollen from kissing, his cheeks still slightly flushed from the wine and your touch. You become distinctly aware of the scent of his cologne, faded but warm from his skin. It’s soft, smoky almost. You have the urge to bury his nose in the crook of his neck and breathe.

You know what he’s trying to say, what he’s trying to ask. You know what he wants because you want it too. You realise you’ve wanted it for a long damn time. 

Words fail you. They feel… inadequate to describe what you’re feeling, what you desire, what you’ve always desired buried down underneath the guilt and trauma. 

But you still can’t bring yourself to say it out loud. Not here. Not yet. 

And neither can he.

You’re not sure who makes the first move, all you know is that your lips are pressed against his and he moans into your mouth as if something had finally let go. It’s like a cork had finally been released, a lifetime of pent-up feelings pouring out in one gush. 

His hand is back at the nape of your neck, holding you tightly this time, unwilling to let go. His lips part more readily with every press, his tongue seeking yours with a pinpoint determination. You skip his jaw this time altogether, aiming straight for his hair that you’ve been dying to touch since… you don’t know when. 

The hand that had been holding yours hostage finally releases, only so his fingers can brush against your waist. His fingers brush against your ribs through your clothes, tugging you closer until you’re rising up onto your knees on the couch just to oblige. He’s tilting back, his broad shoulders bumping against the couch cushions behind him - and it’s only distantly you register it’s because you’re pushing him back against it. 

Something shouts at you in the back of your mind to take your time, to savour this, to savour him. You may want each other badly, but this is Nanami’s first time. It should be done carefully, respectfully, the way he would treat you if this position had been reversed. 

But then Nanami’s hand has moved from your waist to your thigh, blindly grabbing it as he pulls it over his lap. Before you know it, you’re straddling his hips with a huff against his lips, and something like a sharp, pained groan leaves his lips. 

You pull away from his lips with a ragged breath, concern knitting your brow until you realise what the cause of his groan was. 

Straddling him, you can feel the pulse of his desire underneath you, the hard ridge of the bulge in his pants pressing insistently against your core through your own clothes. One hand is grabbing your hip tightly, almost too tight, as his forehead rests against your shoulder. The other hand is on your thigh, his thumb digging into the plush flesh there. 

His breathing is ragged, extremely so. Hot puffs fall against your skin. You weave your fingers through his hair softly, and you watch with reverence as a strong shudder rolls down his spine in response.

“We can stop, if you’d like,” you murmur against his ear, going to rise up on your knees to give him a little breathing room.

“Don’t,” he grunts, the grip on your hip and thigh quickly stopping you. He exhales again, a shaky sound as he keeps his forehead stamped against your shoulder. His voice emerges again, barely audible, slightly pained. “...I’ve wanted this for so long.”

Your grip in his hair tightens in response. In a flood, memories of him rush through your mind. A thousand different glances, subtle touches, small clues. Even in school, the way he would linger, a touch closer every time Suguru or Satoru would appear. The hand at the bottom of your back in a restaurant. The way he would lean in to hear you in a crowded place. 

The way his arms had tightened around you when he had returned after four years away. I missed you too, almost inaudible against your ear. 

Nanami didn’t want a one-night stand. What was the point of sex at all, if it wasn’t with you? 

The thought has you rolling your hips down against his before you can stop yourself, feeling the firm length of his cock grind against your core. A moan leaves your lips, and something guttural leaves his. 

The hand on your thigh moves up to your other hip, pulling you down tighter against him as if he could slide inside you right now. “Don’t tease,” he hisses between clenched teeth. He turns his head slightly, his lips brushing against your neck. He leaves a searing, open-mouthed kiss against your pulse point. “Not now, not after this long.” 

“You think you’re the only one who waited?” You pant as you grind again, firmer this time. His hips buck against yours in response, a muffled groan leaving his lips, imprinted against your neck. You can feel his cock throb against you, twitching against the fabric that separates you. 

“…you wanted this too?” He breathes out after a moment. 

You nod, though you doubt he can see it from the way his face is buried against the crook of your neck. “Since you came back. Since you hugged me back and said you missed me.” 

His hands move from your hips to wrap tightly around your waist as if he couldn’t bear for a single slither of space to be left between you two. His hips jut up against you once again, a ragged breath leaving his lips. It seems the idea of you wanting him for so long the same as he had the same effect on him as it had on you. If not more. 

He holds you a little tighter, running the sharp point of his nose along your throat as he tilts his head up. Finally, finally, he breaks free of your neck to look up at you, lips parted, eyes almost desperate. 

With a thick swallow, Adam’s apple bobbing, he goes to say something but falters, and murmurs your name instead. His dark eyes flick between your eyes and your lips. His cock twitches underneath you. 

“Please,” is all he can croak out, and the moan that almost leaves your lips would have been primal. 

You nod your head, giving his shoulders a small squeeze, pushing him back slightly. He seems reluctant to let go, but finally relents after a little insistence, reclining back against the couch. His arms unwind and his hands drop to your hips. He looks up at you, clearly waiting for your lead. 

You sit back slightly on his parted thighs, the muscles firm and supportive underneath you. Letting your hands fall from his shoulders, you drag your fingertips slowly down over the expanse of his chest, feeling the warmth of his skin through his wrinkled shirt. As your fingers skate over his abdomen, you feel the muscles flex and roll. Nanami looks at you readily. 

“We should do this properly,” you murmur, your eyes trained on the lower buttons of his shirt, near the waistband of his slacks. “In a bed.” 

Nanami, to your surprise, shakes his head quickly, giving your hips a small squeeze. “We’ve waited long enough.” 

You raise an eyebrow but don’t disagree. Despite the need, the ache, the pulse of your own core, you can’t help but think of if the positions were reversed. The image of candles, roses and soft music fills your mind, Nanami’s guiding hands and murmured praises. It would be slow and romantic. Perfect. 

“Nanami,” you breathe out, almost chastising. With the way his cock is pressing against you, you have no doubt he’s not thinking clearly right now; the thought of having what he had wanted for so long within his grasp clouding rational thought. 

He shakes his head again, a lock of his mussed hair tickling his brow. “Next time.” He shifts, sliding down the couch a little more and spreading his thighs - and in turn, spreading yours. He grips your hips tighter, pulling you a little closer until you’re seated right on top of him. “Next time,” he repeats in a groan. “We’ll go slow. I’ll explore every inch of you, taste you. Now, I just want…” He exhales an unsteady breath, sounding like your name. “I just want you.” 

Your fingers linger near his shirt's lower button, and one of Nanami’s hands unclasps itself from your hip to gently grasp your wrist. He guides your fingertips to the belt buckle, the metal cool against your hot fingers. 

You meet his eyes once more, and his gaze is a paradox of firmness and vulnerability. He’s nervous, you think, but ready. Almost desperately so. 

Without another word, your other hand reaches down to join your other one, and your fingers are surprisingly deft as you slide the leather through the metal. Nanami watches your hands with rapt attention until the belt is loose. Your fingers slide over the metal button of his slacks, and you don’t check in this time. You pop it open before sliding his zipper down, the crackle of the metal teeth as loud as a gunshot between you.

A small sigh of what you think is relief leaves his lips as the fabric parts, giving you a small glimpse of the dark boxers underneath, straining over his cock. A small wet patch blooms at the top, wear his tip would be, and a shudder runs through you. 

Your fingers tuck into the waistband of his underwear, lingering for a moment. You look up at him at the same time he looks up at you. Without a sound, Nanami lifts his hips and you rise up to your knees. 

With a few firm tugs, you manage to inch his slacks and boxers down enough to free him. A small huff leaves his lips as the cooler air of the apartment hits his overheated flesh, and you watch in rapt attention as his cock twitches, the flushed tip glistening already.

It’s longer than you expected. Thicker too. Uncut. A prominent vein runs up the underside of it, and you have the sudden urge to follow it with your finger, or your tongue. 

Nanami shifts underneath you, and you realise you’ve been staring a touch too long.

You pull your eyes away from his cock to meet his eyes, and his breathing seemed to have quickened. Anticipation is making him stiff, almost antsy, a rare sight on a man you’ve rarely ever seen anything of other than composed. 

It’s endearing. 

Reaching down, you satisfy your own urge and run your fingertip up his shaft, following the vein, feeling it pulse steadily to the rhythm of his heart. Nanami’s hips twitch, his eyelids fluttering. Dark eyelashes tickle his cheeks.

When you curl your fingers around him, gripping him firmly at the base, his eyes shoot open, snapping to the sight of him in your palm. You give him one pull upwards, and a bead of pre-cum wells in the divot of his slit. 

“Fuck,” comes out in a very quiet, gruff choke. Your eyebrows rise in surprise, a small smile on your lips. Nanami didn’t always curse, and especially not like that. 

“Language, Nanami,” you tease, and his eyes flick up to you, something indignant and impatient in his eyes. You usually weren’t one to tease, and he wasn’t one to be teased. 

You continue to stroke him slowly for a moment, rubbing your thumb against the sensitive tip. You fingers quickly become tacky, the glide of your hand more fluid, until the lewd wet noise starts to rise to the same level as Nanami’s breathing. He grunts with every upward stroke, his hips twitching underneath you. Had it not been for your weight on top of him, you get the distinct feeling he’d be bucking up into your palm a little more eagerly. His head falls back against the couch, lips parted, his eyes fluttering closed once more as he relaxes more into the sensation. 

It occurs to you that you’ve seldom seen Nanami this relaxed. 

“Are you sure you want to do this here?” you ask, “with me on top?” 

He nods but doesn’t open his eyes. His hands run up from your hips to your waist, a soft caress. “It’ll be… easier for me- hah-“ Another choked groan leaves his lips as you give the head of his cock a small squeeze, and Nanami’s hand flies to your wrist in a blink, stopping you from making another move. 

You feel his cock throbbing in your grasp, and Nanami’s straight-up panting now, his eyes slightly wild as he tilts his head up to look at you. It’s an arousing reality to know that you had just pushed Nanami dangerously close to the edge without even meaning to. 

“I won’t last,” he murmurs, looking up at you, his eyes shining.

 You realise quickly that he’s actually asking a question. Are you sure? 

“This time,” you reply with a small smile. With his hand still around your wrist, you give his cock another squeeze, and he grits his teeth, that vein in his neck protruding once more. You can see the taut muscles in his abdomen flexing from where his shirt has bunched up. 

As much as the idea of making Nanami cum, right here, right now, appeals to you, you relent for now. You’d love nothing more than to watch him spill into your palm, to see the euphoria and bliss play out on his face… but that was for another time. The next time, perhaps. 

You release his cock, letting it fall back against his lower stomach with a dull smack, making him hiss through his teeth. Leaning forward, you brush your lips against his throat, nipping at the skin softly. 

You guide his hands to the waistband of your own bottoms, and he wastes little time in following your unspoken order. The press of your lips against his throat clearly distracts him, but he manages to pull down your clothes enough to leave you in your underwear. You kick them off the sofa haphazardly, not leaving his neck for a single moment. 

He catches you off guard when his hand immediately dives for your sex, cupping your heat through the dampened fabric. You stutter against his neck, gripping onto his shoulders for support in response. 

Your eyelids close, goosebumps erupting across your skin as you feel just how wet you are. “Nanami,” you gasp.

“Kento,” he whispers quickly. Once, then twice, he rubs his palm along your clothed pussy, something guttural building in the back of his throat as you buck down into his touch. “You’re… so wet.” 

The wet spot on the fabric clings tightly to your folds, doing very little to dampen the sensation of his touch. His fingers are exploratory, a tentativeness that belies his lack of experience with this, but his touch, the fact it’s him, here and now, makes up for it all. 

You can’t remember the last time you enjoyed a touch such as this. Not like this. 

Despite toying with Nanami’s cock until he almost burst, hypocritical impatience gets the better of you, and you remove your hand from his shoulders to tug down your own underwear, kicking it off to join the growing pile on the floor. Bare from the waist down, Nanami’s eyes roam over the exposed skin almost hungrily. 

Both calloused hands run up your thighs, pressing into the soft flesh slightly. You see his hand move for your pussy once more, but your fingers are curling back around his cock again before he can distract you. 

Next time, keep parroting in your mind. Next time you can both endure hours of foreplay; touching, kissing, tasting, the whole nine yards. You promise to make him cry out before he even sinks inside you, to run your tongue along every inch of his skin until you’re sick of the taste of him. You’d know he’d do the same. 

But you two had waited long enough. 

Gripping the base of his cock again, you brush it up against your heat, your own slick smearing across him. Nanami’s eyes almost roll back into his head, but he closes his lids before you witness it. You’re faring little better, the mere sensation of having him against you like this, the tip of his cock rubbing up against your clit sending you dizzy. You angle your hips, and just feeling the thick head press against the tight, slick ring of muscle is enough for a moan to already tumble past your lips. 

Something flickers in Nanami’s gaze as he opens his eyes again, honing in on the sight of you braced above him like this. He grips your hips, his touch light, merely supporting you for now. You look back once into his eyes, and go to check in just once more, but he leans forward, capturing your lips in a kiss that’s little more than teeth and raw need. 

His lips pressed against yours, you sink down, the wider head of his cock slipping inside you. Your lips part in a soundless gasp against his mouth, swallowing the ragged groan that leaves his throat. The stretch is slightly more than you’re prepared for. Distantly, you think, skipping foreplay wasn’t the wisest idea, but desperation, need, pushes you forward regardless. 

So you sink down further, inch by inch, and as he slides deeper and deeper, his grip on your hips grows tighter and tighter, until the force of his fingers dulls the ache of his cock kissing your cervix. 

“Oh, fuck,” you gasp as you finally bottom out, hips sitting on top of his. You realise you’re breathless, and that cowgirl might not have been the best position for taking someone of his size. Certainly not in one go, like you just had. 

Nanami is fairing no better. His mouth is agape, his biceps trembling where he clings to you. He seems dazed, winded, panting into your mouth as his arms wind against you. He pulls you forward, and you both moan as his cock seems to slide just that little bit deeper. 

You’re dizzy, strained, stretched out far more than you can ever remember being before. Your eyes are scrunched closed, your forehead knocking against his. Everything feels distant and muffled. It takes you a moment to realise Nanami’s muttering something repeatedly in fragmented gasps.

When you open your eyes, he’s looking at you almost panicked, his eyebrows knitted upward. His teeth are bared, gritted - and it’s now you notice that you’re clenching around him so tight that you’re not sure if you’re causing him more discomfort than pleasure.

You swallow thickly, trying to catch your breath. You’re flushed, prickly heat blooming across your chest and neck. You shift a little, and something pained rumbles from the back of Nanami’s chest in response.  

“Do you want me to stop or-“

“Don’t,” he grunts, his fingers shaking against your back. “Don’t move.” 

The throb of his cock inside you is insistent, and it takes everything in you not to clench tighter around him in response. You know he’s close, dangerously close, and as much as you want to rise up on your knees and slam yourself down on his cock until he’s begging you to stop, you clench your jaw and relax. 

You bury your face in the crook of his neck, kissing his skin softly; small pecks and affectionate touches. He shivers, and his cock still pulses, but slowly, muscle by muscle, he relaxes too, ragged pants dissolving into hot, muted breaths. His arms around you loosen, holding now, not gripping. 

“Tell me when you want me to move,” you whisper against his ear, pressing a small kiss to the lobe. 

He nods, brushing his cheek against yours with a soft sigh. His hand moves from your back upward, until he cups the back of your head, drawing your lips back to his. It’s a soft kiss, loving; slow and sensual slides of wet skin mingling with gentle exhales. Before you know it, and before he says, you’re rolling your hips greedily, just grinding against him for now. 

A guttural sound leaves his lips. His forehead feels hot and sticky pressed against yours like this, a strand of his hair tickling your cheek. 

You feel his thighs shift, widening as far as the slacks still around his thighs can allow, feet planted more firmly into the carpet. The first roll of his hips is disjointed, off rhythm with your own, but the slight drag of his cock against your walls has you moaning brokenly. The second roll, a little more confident, has you pressing your hips down to meet it, and your back arches like a cat.

“Fuck yes,” you moan, your voice thick and throaty. You moan his name, wait for the third shallow thrust, and meet it. “You feel so fucking good.” 

He looks up at you like you hung the stars, his eyes widening at the sound of his name tumbling past your lips like a fractured halo. He loses his rhythm, but you soon pick it back up for him, starting to use your thighs to slide more eagerly down his cock. It’s still shallow, Nanami’s arms around your waist preventing you from really going for it, but you’re unwilling to part from the closeness for now. 

You bounce a few inches at a time, the dull clap of your hips and the lewd squelch of your hot cunt wrapped tight around him filling the air of the apartment. With each bounce, a grunt pushes out from his chest, hot breath fanning across your face. 

Nanami, though inexperienced, starts to let his body guide him. His hips buck up to meet you more confidently, and the growing force of his movements has you keening, fingernails biting into his shoulders. 

You look square into his hooded eyes, breath mingling, and see the flush across his skin, his lips glistening with saliva. You moan again, higher pitched this time, and Nanami’s next thrust has you jolting up a little, nose bumping against his. You clench around him again, and his brow knits together. 

“S-Shit,” he pants, his hips starting to jolt more readily, pushing a little too forcefully into you, quickly losing his rhythm. “I’m not… I’m not going to last…” His movements quicken, grow more erratic, and you’re not even sure he realises. “… you’re so fucking… tight.” 

The last part is little more than a throaty whisper, his voice cracking. You stop meeting his thrusts and instead, widen your stance, tighten your core, and let him take what he needs. The movement, though small, isn’t lost on him, and he looks up at you, emotion swimming heavily in his dark gaze. 

He thrusts up grow more erratic, sloppier, something like a grunt leaving his mouth with every dull thwap of his hips against your ass. His arms tighten around you, fingertips pressing into your skin. A groan, a hiss, and a swallow. The couch creaks and strains. 

“N-Next time - hah - next time… I want t-to feel you cum around me,” he pants, his arms starting to shake. “I’ll give you everything, anything, fuck, I-I’ll keep going until… until… God-“ 

He’s barely pulling out now, a mere inch is all he’s moving, the head of his cock bullying against the soft spot right next to your cervix. Choked, high-pitch moans are the only sounds you can make, and you distantly note you’ve never sounded like before. Not ever. 

You’re getting there, you realise. Not quite close, and definitely not as close as him, but the way his cock fits inside you, the slap of his hips against you, the way he’s looking at you… it’s pushing you there fast. 

But it’s not quite enough. 

“I’m close,” he gasps. “I… where…” 

“Inside,” you reply without hesitation. Something passes by his eyes, a small flicker of concern, perhaps, swimming in the sea of lust and arousal. You try to find your bearings enough to tell him it’s okay, you wouldn’t have taken him inside if you weren’t protected-

-but then his cock is twitching inside you, and Nanami is shaking, shaking underneath you, his thighs jolting, nearly bucking you off his lap altogether. 

With one last slam of his hips against you, buried as deep as he could possibly ago, a long, primal groan leaves him. It’s deep, visceral, easily mistaken for something pained - and it might be the most divine fucking sound you’ve ever heard in your life. 

He buries his face against your throat as his hips buck involuntarily a few times, and you shiver as you feel that familiar warmth bloom inside you. He’s giving you everything, or what feels like it. Your pussy flutters around him, and his fingertips press into you so tight you wouldn’t be surprised to see bruises. 

His heart is hammering against your chest, the thump pounding even in your own chest. Ragged pants and a heavy quiet settles over the living room. His cock continues to twitch inside you, growing weaker with every thud of his heart. 

Nanami doesn’t pull his head from your throat for a long while, his nose pressing into your skin as he pants against you. 

After a moment, he finally swallows. “… I’m sorry,” he mutters. “I… I should have made you-“ 

“Shut up,” you murmur against his warm hair, breathing in the faint scent of sweat and his shampoo. He seems to get the picture, of what you were trying to say. He always did. “Next time,” you add anyway, just to be sure. 

He lifts his head from your skin, looking up at you blearily. You smile fondly as you see his face again, the harsh lines on his brow and his eyes smoother now, no longer creased as they always seemed to be. He looks… so much younger, you think, like this. Relaxed. Sated. 

You brush some of his sweaty hair out of his face, and his eyelids flutter at the brief contact. He seems exhausted, you think.

“I meant what I said,” he murmurs as he looks up at you. “I don’t want this to…” His palm moves against your back, sliding down your spine. “I want you. Properly. I always have.” He swallows. “Always.” 

Your eyes soften. He looks at you expectantly, almost vulnerably. 

“You have me,” you murmur in reply, finally. “Properly.” 

A small smile tugs at his lips, and it’s warmer than you’ve ever seen before. Genuine. Light. It’s as if a decade of weight lifts from his broad shoulders, if only briefly. 

He pulls you close once more, his lips pressing against yours softly, lovingly, and the world seems to fade away. 

For now, of course. 

masterlist.

[inbarfink]

Okay, so here’s the thing….

We are still at a very early point in the narrative of ‘Fionna and Cake’ and therefore at a very early point in Simon’s character arc. It’s pretty clear that “I need to become Ice King again” is not the end point by any meaning of the word. But I am wondering where we’re going to go with this, cause… The series has yet to really tackle how miserable Ice King himself was a lot of the time. And how often he hurt people. 

Like, yes, I was an advent advocates for 'trying to bring back Simon Petrikov was a really really Bad Idea on Betty's part, it was more healthy to focus on making sure Ice King was as happy and healthy and harmless as he could be', but I am also fully aware that he started the show being both extremely lonely and extremely sad and also a serial kidnapper who was very much a danger to those around him. And as much progress as he made during the show, getting Ice King to that point was a very serious struggle with a lot of backslidings and problems.

'Friends Forever' is, for example, an episode that stuck with me for a long time as a really heart-wrenching demonstration how even in that late stage, when he has buddies and people trying to seriously take care of him - Ice King was still very capable of seriously sabotaging his own relationships and hurting others and himself.

And it does make sense narratively that, like, characters like Astrid and Fionna and Cake, all of whom lack the full context of what Ice King's life was like (Fionna and Cake really just saw Simon at his worst and only got snippets of clips of Ice King and since Astrid was born after Humans came to Ooo that means she was also born after the events of ‘Come Along With Me’) all see Simon as a downgrade. Because they really don’t understand how bad Ice King was beforehand. 

And thus is does make sense that with Simon's current mental state, and how he is surrounded lately with these kinda people who never really knew Ice King and don’t really understand how terrible and miserable he could be, and now hearing that his ‘sanity’ just took away magic and whimsy from some else’s whole universe, and how it feels like the actual gods of the multiverse are telling him that he should be Ice King, that he's supposed to be Ice King....

It makes sense that he might start kinda... romanticizing that time in his life again. 

You know, the big thing about the outlook that Betty should’ve accepted Ice King as who he is rather than basically destroy herself to bring Simon back wasn't about whatever Ice King or Simon Petrikov were better or 'cooler' than the other. It was about, like, embracing change. Not obsessing about a past where things were ‘Better’ but seeing what is the best you can do with things as they are. Moving forwards.

And we all know how Simon feels about moving forwards right now…

And obviously that's a pretty bad mindset, even if it's understandable how he got there...

And honestly, if we do explicitly acknowledge that, hey! Ice King’s life was often just as much of a depressive spiral as Simon's is right now! There might be an element of… resignation in Simon’s decision. 

Because Simon's downward spiral since getting cured is not a demonstration that he was better off under the Ice Crown's curse.... But, to him, more a demonstration that he doesn't need the Crown to screw up his own life anymore.

‘Cause as both as Ice King and as good ol’ ‘sane’ Simon Petrikov he is just as capable of being lonely and depressed.

And just as capable of losing his own identity.

And just as capable of pushing his loved ones away and ruining his own life.

And just as capable of becoming a weirdo obsessive.

And just as capable of making little girls cry.

He even started kidnapping people again! That’s the Ice King Classic!

So on some level, maybe Simon is resigned to the fact he’s always going to be SOME sort of screwed up lonely sadman who hurts others. And if that is his fate, he might as well be the screwed up lonely sadman who is mostly oblivious to how sad he really is and can shoot ice from his fingertips. And his arc is going to be about realizing that, whether he is Ice King or Simon Petrikov, healing and change ARE always possible for him.

But we’re gonna have to see where it goes…

[daybrightsims]

Alright, they've lived in my brain too long; Time to air out my thoughts about the polyamory in BG3

To give a little context: I am currently ethically non-monogamous with my primary partner of almost 7 years. I am not a monolith of thought when it comes to polyamory/ENM/open relationships. These are my own personal thoughts and feelings. I've also completed the game with Astarion and Halsin romanced. Spoilers ahead, read at your own risk.

TL;DR - I don't share the current opinion of whether or not Astarion is okay with Tav pursuing Halsin and the discourse around his agency and choices in the relationship are bumming me out and frustrating me.

I am getting increasingly frustrated about the conversation about Astarion being polyamorous/okay with Tav being with Halsin in the game, primarily because I think a lot of the "think pieces" are coming from 1) monogamous people who have only ever been monogamous, 2) monogamous people who have been burned/cheated on/forced into polyamory by a partner (I feel for ya'll, that wasn't okay), 3) people who are very VERY protective of Astarion, and 4) people who are blatantly uncomfortable with polyamory. My goal is not to invalidate anyone's experiences, but to share an alternate perspective.

I do think that Astarion is not only okay, but happy with Tav dating Halsin. I glean this from how he responds to being poly with ANY OTHER companion. If you ask him to share with literally anyone else, he will say no and give his reason.

Gale: He doesn’t want to be in a love triangle (which with Gale, it would be).

Lae’zel: He’s uncomfortable and Lae’zel would kill him (also true).

Wyll: He knows Wyll is old fashioned and monogamous.

Karlach: He knows Karlach’s feelings for you are strong and he doesn’t want to stand in the way of that (he even says he’d be cool with an arrangement but knows Karlach will need all of your affection based on what she’s been through).

Shadowheart: He would be cool IF Shadowheart had more experience and ya’ll were together longer. But he knows Shadowheart is fragile in her current state.

Minthara: He REALLY doesn’t like this idea and will dump you immediately.

I did also see that ***SPOILER*** they updated or are updating some of the spawn Astarion language to have issues with your affair with Mizora should you pursue it, and it requires a persuasion/deception role to keep you two together.

Up to this point in your relationship with Astarion, he has become more comfortable voicing his opinions and concerns with you. He is learning to value his autonomy and his non-physical relationships. He will tell you when he doesn’t want to do something. In fact, he’ll break up with you over pushing his boundaries. He is fine with you pursuing the Drow twins and fine with you sleeping with Haarlep, even comforts you when Haarlep uses your form. So when he says he is okay with you pursuing Halsin, he means it. Yes, he voices his insecurity with you that you may be pursuing Halsin because you and he haven’t had sex in a while. But he acknowledges that Halsin has experience in this arrangement and doesn’t pose a threat to your relationship. Plus, if you kiss Halsin in front of him, he’ll say “don’t mind me, I’m just enjoying the show.”

To me, the idea that this is the ONE thing that Astarion doesn't have agency over in an arc of showing he can speak up for himself is you sleeping with Halsin is an idea that takes more agency from Astarion. He is a grown man. A 240 YEAR OLD man. That trauma he's endured does not mean he needs to be babied or coddled because he can't make his own choices. I think that's an unfair assumption to put on him that Halsin and Tav being together is the ONLY thing he can't enforce his boundaries on.

If he didn't want you to be with Halsin, he would say no like every other monogamous character in the game.

If you want a good example of someone saying yes just because they want to keep you, look at Karlach. You can tell she is HEARTBROKEN when you ask her, but she says “I don’t want to lose you”. That is not an enthusiastic participant in a polyamorous relationship. Astarion says “yeah, go for it! Just give me some reassurance”. Polyamory is not immune to insecurity. I've asked for reassurance in my own relationships and so has my primary partner. That’s not unenthusiastic. That’s realistic as shit. If you ask him about the relationship after you finish his questline, he doesn’t need reassurance because you’re having sex again. That’s also super realistic.

Am I sensitive to this as someone who practices ENM? Almost certainly. It's hard to see a lifestyle I live be villainized and claimed to be "forced" onto characters. I was actually really excited that I could pursue both Astarion and Halsin, and that Halsin places so much importance on consent and not misleading your partner. And it sucks SOO much to see one of my favorite characters be reduced to "oh, he's only doing it because he's afraid to lose Tav." It makes me almost feel bad for liking the interactions between them and enjoying to option. Do I think people mean to make me or other poly people feel bad? No.

But it does.

Headcanons are headcanons. I get it. People are absolutely allowed to interpret the poly aspect of BG3 how they want to. People are allowed to feel uncomfy with how it's portrayed and not pursue it. But it still bums a queer ENM Astarion and Halsin lover out.

Now excuse me whilst I live out my Astarion x Halsin x Tav polycule fantasies in the form of fanfiction.

[redphlox]

Shouto's ruined character arc in the epilogue

The epilogue’s toxicity-positivity message about smiling ruined Shouto’s characterization and undoes the growth and purpose of his arc because he’s not allowed to mourn the imminent death of his brother Touya.

Shouto partaking in these tone-deaf, festive activities with his friends in chapter 429 feels out of character, feels cheap and shallow, and is a slap in the face to his family. In the past Shouto declined school-related activities and prioritized spending time with his mom at the hospital. Now the narrative is trying to sell the idea that he would NOT spend every remaining minute alongside his family with his dying brother, who he has always wanted to know, the brother he practically begged to confront and said, "Our paths will cross whether you want them to or not" to. Shouto spent all this manga reconciling his feelings about his family and reconnecting to them to just... not be with them when they’re about to experience loss AGAIN? 

I'm not saying I want Shouto to be miserable, but realistically (since readers are so obsessed with realism in this superhero manga), he wouldn’t be wasting the limited time he has left with his brother by going to a farewell party, or any party. Damn, can the author let him mourn? Despite all the celebration the kids are doing, Shouto didn’t get a happy ending. While the rest of their community is rebuilding and making sense of what happened, the Todoroki family is still going through their crisis. It’s not over for them. At least let them cry.

This is a regression for Shouto’s character because the concept of allowing heroes to cry was first presented through Shouto, literally through his own words. The narrative then picks up this concept again during Ochako's speech at the UA shelter civilians, and then... Shouto isn't allowed to cry in the epilogue, and is forced to fake a smile so his friends don’t worry about him.

It’s not like Shouto has cried in this manga. He cried during the sports festival, during the Dabi reveal, and after Dabi escaped to Gunga to go after Endeavor because he knew this meant he had failed to reach his brother -- so no, it doesn’t make sense that he wouldn’t cry now. Instead, he's the one fake smiling, and only Ochako is allowed to be shown crying and being comforted. The double standard and retcon is astounding.

You can literally see the light not reaching his eyes in this panel from 425 when Deku asks if he’s okay. And yes, Shouto is prioritizing his family in this panel, but like I said, Touya doesn't have much time left... why waste it?

Shouto doesn’t want anyone to worry about him, so he’s putting on a brave face. And yet Deku and the other classmates reaching out to Ochako in 429 is selling the opposite message - don’t cry alone, let us be here for you, etc. Why isn’t Shouto granted the same support, especially from these classmates he claims are there for him?

If Horikoshi was aiming for a happy ending where people smile, then Touya’s grimdark, cruel, second and final death doesn't fit because Shouto has to mourn. You can't have both fake smiling and off-screen assumed mourning… it makes no sense for Shouto’s arc, or for the epilogue’s message about reaching out for help or to help. It doesn’t make sense in any context.

Shouto's characterization feels so off in this epilogue. He’s a shell of the person he was becoming. The story starts out by saying that this character is supposed to process the trauma of childhood and a dysfunctional family that he always wished was different, but now he has his found family in his classmates instead. And I'm not saying he can't have both - I'd say the support from his friends is imperative - but, it doesn't make sense that he has seemingly moved on because the fact is, his family situation was his entire start. 

It's not just Shouto that feels off, but his family too. Their once-considered-dead brother/son is alive, but now is dying in front of their eyes for real this time and they just… don’t try to spend as much time with him as possible? Even the sentiment that Shouto gave the family more time to talk falls empty because Touya can only endure a few minutes of conversation at a time, and it’s not like he’s slowly improving and that time will increase. It will only decrease. And yet, the family doesn’t seem too concerned or heartbroken that they’re witnessing someone they love die a second time, this time slowly. He can’t even communicate with them, and he’ll most likely have many things left unsaid when he dies.

The Todoroki family plot was set up to be about reconciliation, but they’re not reconnecting even with Touya’s upcoming death. This scene of Touya and the other siblings kicking a ball while Shoto looked on from the second story of the house begging his father to allow him to play with his siblings has been addressed like four times, and yet in the end he doesn’t get to spend happy moments with his siblings. His reward for his heroism is Touya’s slow march toward death and the knowledge that he has the same favorite food as the brother who his father neglected to death twice. 

Instead of being shown mourning or connecting, the family is acting cold and distant - only Natsuo is acting with a semblance of his normal self. I know some readers attribute the family’s aloofness to Japanese culture not being very affectionate or open with their emotions, but that doesn’t mean Japanese people are devoid of feelings. That’s so fucking racist. We’ve seen parents express love and concern for their children in this manga, and yet the Todoroki family continues to say “we’ll talk, we’ll talk” but we’ve never seen any follow-up. It’s ironic because Shouto’s whole mentality is “actions speak louder than words”.

For a family that became unstable because of misunderstandings about feeling loved and wanted, the family continues to feel devoid of caring. No one comforts Shouto, no one talks about how they feel except for Endeavor. Shouto isn’t allowed to grieve in front of his friends because Ochako takes priority because the narrative is pushing this toxic positivity message about smiling that works on the surface but fails to address any systemic changes. 

This ending doesn't fit the hopeful tone of Shouto's arc.

RIP Shouto’s arc. We loved you. 

[harmonysanreads]

hi! i love the way you write aventurine, could you give me some tips on writing for him bc im struggling her to grasp his character :(

if you don’t have the time then that’s alright!

Hello, nonnie. Thank you so much :') Since you didn't mention whether this was in the Yandere context or not, I'll list some general tips. I hope you find these helpful!

— FOR BASIC CHARACTERIZATION

One of the most important aspects of Aventurine is that he's insanely smart, but they always sign it off with luck at the other side of the equation. This is intentional of course and whether or not luck really is the ultimate deciding factor isn't really the question we should be pondering about for a video game. Everything Aventurine does is through careful strategizing, scheming and calculating. What you need to remember is that ‘luck’ is more like a protective layer on top of it all. When deciding upon a plot, try your best to keep Aventurine's intelligence in mind. Then you can seal it off by using ‘luck’ in classic Aventurine style, or use dramatic irony with this point.

I think, for Aventurine, having a reader who surprises him is very convenient. It doesn't need to be a head-on challenge, sometimes the strongest impressions are made through silence and passivity. Remember, Aventurine is an incredibly observant character. For example : when he offers the Trailblazer ten thousand Credits after their first encounter, if you refuse politely, he becomes extremely pleased, as opposed to his somewhat miffed reaction if you pick the other option.

As you know, he's often partial to extremes. His ‘all or nothing’ motto can be useful to stir inner conflict.

Body language is very important for building his character. Instead of writing a whole paragraph about how beneath his bravado, he's always scared of losing, they conveyed much more through revealing the fact that he hides his left hand behind his back during all daring gambles. Aventurine isn't the type to be upfront about emotions that can make him vulnerable — that's detrimental to survival. So I think you can reveal those emotions through body language.

He's a very... unconventional gambler. His tendency to pose things as gambles and bets is more like a shield than anything. In any case, it makes for a great tool in adding drama.

— FOR DIALOGUE

Aventurine is a pretty complex character so I often forget certain things if I don't stay in practice, listening to his voicelines really helps me get a quick refresh in those cases. There's this channel on YouTube that compiles the characters' scenes individually, it's very helpful.

I think we all can agree one of Aventurine's greatest strengths is how he weaponizes words against others. There's more to this though. Be mindful to the upward and downward inflections in his sentences, the pauses between phrases and which words he's putting emphasis on.

He's also an interesting mix of straight-forward and roundabout. He says he prefers people to be direct and he often is direct himself. But with his ‘insults’ in particular, he's very roundabout. By the time you realize what he just said, it's already too late to shoot a comeback and he has you exactly where he wants.

— MISC. TIPS

Keep his backstory in mind and be respectful to it, but don't let it stop you from experimenting.

He has religious trauma, survivor's guilt, trust and commitment issues, as well as a complicated attachment style. Do you research on how these things affect people in relationships.

Aventurine's arc hasn't ended, which is why many things about him aren't definite. Consider how you might use it to your advantage.

[literaryvein-reblogs]

Writing Notes: Plot Holes & Other Structural Issues

Create chapter maps to find the main issues within your manuscript.

This method is faster than reading through your entire manuscript without knowing what you’re looking for.

Examine your chapter maps for the following…

Plot Issues

Would these events really happen?

Does the inciting incident happen early enough to grab the reader?

Are there errors in the chronology of events?

Are you able to trace the plot arcs throughout the whole manuscript? For example, is there a storyline that just drops off mid-way through?

Can you follow all your subplots to the end?

Are the events well-linked? Are there any holes in the plot that need to be filled?

How is the manuscript structured? Chapters, parts, various different sections? Is it working in this format?

Can something be done to strengthen how it’s presented to the reader?

Is there enough conflict?

Have you made the stakes high enough?

Why are these events happening?

Have you adequately described what set them in motion?

Does each individual event progress the story?

Is the plot complicated enough to sustain the story until the last page?

Is the plot too complex?

Character Issues

Whose story is this? Who is telling it? Is it engaging enough?

Do you believe the characters’ motivations? Are these clear enough?

Are the support/minor characters sufficiently developed? Is there a character you’d like to see become more prominent? Is there room for a new subplot or point of view? How would this affect the current structure of your novel?

Is the development of your characters limited by the point of view you have chosen for your novel? For example, if you’ve used a child’s point of view but need to explain something complicated, how can you resolve this?

What are the reasons behind your protagonist’s decisions? Do these link back to their original motivations?

Do the characters talk in a believable way? Does this reflect their background?

Is the reader given enough reason early on to care about your characters and what happens to them later?

Do your characters change and develop in conjunction with their experiences?

Does the reader see your protagonist at their best and their worst?

Have you made your characters as in-depth as possible? Where could you add in more backstory?

Do the backstories of your characters affect the plot? How? Make sure this is worked in throughout the novel.

Do the relationships in the narrative progress realistically?

What else can you do to make things difficult for your protagonist?

Does the reader experience a range of authentic emotions due to the characters and their interactions?

Would the character really react in this way to an event?

Is each character the appropriate choice for the role they play in the narrative?

Do you have both likeable and unlikable characters?

Is your protagonist active enough?

Are the traits of your characters distinctive and consistent throughout the novel?

Are the descriptions of the characters consistent throughout? For example, you don’t want a character’s hair to be red in Chapter 1, but blonde in Chapter 11 without any reason.

Setting Issues

Is there a strong sense of place? Are there elements of history and culture? How can these factors be developed further?

Does the setting suit the events that are occurring?

Does the setting create a sense of intrigue? Enough that the reader wants to spend time here?

Are the settings described using multiple senses?

Do you favour one sense in particular? Make sure you even this out.

Are the settings logical in terms of their relation to one another?

Are the details of the setting such as climate and conditions realistic? Does more research need to be done?

Does the setting require fact-checking?

Would a different setting be more effective?

Are the settings consistent throughout the novel? Such as the number of rooms in a house, or the position of a window?

Pacing Issues

Consistency of pacing: do the subplots, climaxes, and tension work in the current order?

Is the speed at which events unfold suitable to your genre and target reader?

Are the major events in the novel given the weight they need and deserve?

Is there enough description in the manuscript that the reader feels grounded within your world?

Is there so much description that the story lags?

What are the turning points of the narrative?

How can the tension be built further in these sections?

Examine the beginning and end of the manuscript by themselves: are they gripping enough? Do they convey enough information without giving everything away? Are they effective in terms of the author’s intentions?

Are there too many action scenes in a row?

Are there passages bogged down by too much detail?

Other Issues

Is the story accessible to the reader? Can the reader relate?

Does each chapter start and end with a hook?

Are the tone, content and language appropriate for the target reader?

Is the point of view maintained throughout the various scenes? Is it consistent?

Is there one element of the story that overwhelms the rest? Try to even things out.

Are character thoughts, actions, and dialogue balanced out with setting and description?

Source ⚜ Writing Notes & References More: On Editing

[arioko]

aizawa experienced a quirk awakening, specifically during shirakumo’s death.

analysis? insane ramblings?? me looking too deep into things??? these all can be true. let’s just get into the meat and potatoes of this first and foremost.

quirk awakenings in my hero academia are usually defined by a quirk either gaining new abilities or going beyond the original scope of the quirk. an example of this is when toga found out she could use the quirks of people she transformed into, or dabi finding out he also had an ice aspect to his quirk similar to shoto. these awakenings are extremely rare, are only seem to happen during traumatic, life threatening circumstances.

one of the most recognizable things about aizawa is how his hair and capture weapon will float whenever he uses his quirk, and something i don’t think i’ve seen anyone else point out is the fact that in vigilantes, during the school days arc, teen aizawa’s erasure doesn’t do this at all.

these are two of the instances where we see teen aizawa use his quirk, and his hair and capture weapon don’t levitate like they usually do. “maybe they forgot,” and here’s the thing, i don’t think that’s the case? like i said earlier, aizawa’s floating hair and scarf are one of the most recognizable aspects of his design, to the point that in universe deku even points it out. betten court, the artist of vigilantes, had been drawing aizawa for 50+ chapters at this point, so i sincerely doubt he genuinely forgot to add this.

even here, for a second you think that his hair is floating here, but then you see that he’s actively moving and that’s why he’s hair is flowing backwards. almost like they’re tricking you into thinking that it’s floating before showing you what’s actually happening.

so, basically, back when aizawa was a teenager, his quirk didn’t do any sort of levitation effect. which, eventually, leads to this.

the first time we ever see aizawa’s quirk do the levitation effect, it’s during one of the most traumatic moments of his life, the garvey fight. this was specifically after he had witnessed shirakumo’s death.

and when do quirk awakenings usually happen? after extremely traumatic experiences. which was what aizawa had experienced just seconds before. keep in mind that aizawa was so on edge during the fight that he (supposedly) hallucinated shirakumo’s voice cheering him on. there was most likely multiple other physical things going on as a result of the stress and adrenaline rush, so a quirk awakening isn’t exactly too extreme here.

how does this aid his quirk? i dunno, but it falls into the quirk awakening category by virtue of the fact that it wasn’t something his quirk was thought to be capable of doing prior to the event. we aren’t sure if erasure worked differently when aizawa was younger.

so, tl:dr, teen aizawa’s erasure didn’t cause a levitation effect, however, after witnessing shirakumo’s death, it caused a quirk awakening which created the levitation effect we see in the present.

[absolutebl]

This Week in BL - It's Wild Out There but the Kisses are Good

Organized, in each category, with ones I'm enjoying most at the top.

NOV 2024 Week 3

Ongoing Series - Thai

Kidnap (Fri YT) ep 11 of 12 - I’m really enjoying this show. But I will be glad when it ends next week. I’m ready. The motorcycle rescue in the middle of the kidnapping sequence was so absurdly bad I actually laughed. Meanwhile, in the hospital room did you notice Q’s dad used chan/nai with Min? I actually gasped out “oh, mad respect “ when he did. Papang it’s so damn hot, could he PLEASE get the lead in a BL? Please GMMTV.  

Love Sick 2024 (Sun iQIYI) ep 9 of 15 - I like Earn’s sincerity and open admission in the new version, and I like how genuine and delicate Noh is coping with someone crushing on him. Probably because he knows how painful it is from the other side. The conversation between Phun and Aim was much better and more kind in the new version, too. I'm chronicling my experience with 2024 as compared to 2014 here. 

Every You Every Me (Mon Gaga) ep 6 of 10 - I like this couple a lot, and not just because of all the sex positivity. I just enjoy their dynamic of artist and musician, introvert extrovert. Anybody wondering about that “up against the window blurring thing” with the shirt off the shoulder? That’s a very very old yaoi trope (mostly office yaoi from the early 2000s) that I haven’t seen in a long time. In fact, I’m not sure I’ve ever seen it in Thai BL…… wild. 

Meanwhile, let the weird interweaving of the filming crew begin. The show within a show that we all suspected was due is now happening. I’m not sure about that. (I worry it will be some clumsy commentary on pair branding.) But how hot does Fiat look these days? 

Fourever You (Thurs YT) ep 7 of 16 - I really don’t like the second storyline. It find it unpleasant. I also don’t think the chemistry between Maxky and Bas is good. In fact I begin to suspect Star Hunter should cut Bas lose. Yes I said it.

Caged Again (Fri Gaga) ep 1-2 of 10 - Penguin escapes zoo by turning into a human. Gets trapped in a boys school and a panther falls in love with him. How does a penguin know how to read? OK I’m not gonna try to figure out the logic of this show. There is none. Do I like it? Not sure. I’m not mad about the dynamic or the setting but the main foundational conceit is…… odd. It’s not uncommon in BL, the “my cat boyfriend” thing has been done for many years now. So I know what to expect. It’s not that. Or is it? I do like how the actor playing Junior looks a bit like a bird. I also like how the actor playing Sun really does behave like a cat in his social interactions, it’s funny. I think…… I’m not wild about this so far, but I like it better than I thought I would. Love seeing Jaonine & Nokia in any form. 

Perfect 10 Liners (Sun YT?) ep 3 of 24 - I just don’t like Arc and Arm. Sorry not sorry. However, I do like the sides and future couples. So I’m sticking with this one. 

Jack & Joker (Mon IQIYI) ep 10 of 12 - Because I heard this episode was really rough and the world is a mess I gave this one a miss this week. We’ll see if I’m up for it next week.

Your Sky (Sun iQIYI) 12 eps - (starts tomorrow) A naive freshman and the campus’s popular senior agree to pretend to be a couple - but their fake deal begins to generate real feelings.

Ongoing Series - Not Thai

My Damn Business (Korea Sat YT) ep 7 end - Ooooo counter lift!!! And caught in the act. Very nice. It was a really good final episode and an absolutely fantastic kiss.

In summation: 

Two men work their last few days together at a failing company. I like this but I’m not sure I should like it. This is a classic office romance, short even for Korea, with more than usual workplace harassment (even for BL) in the guise of aggressive pursuit from older boss to younger employee. (The optics are NOT good.) It reminded me of Jun and Jun only shorter, colder, and with more dub con. Now, I happen to be one of the few who truly loved Jun and Jun, it’s very much my style of KBL. I think that’s part of why I liked this one so much. But I suspect that might have given this show too much shine by association. Still, eminently rewatchable and it’s nice to have Korean IP drop on YouTube. 8/10 

Our Youth AKA Miseinen: Mijukuna Oretachi wa Bukiyo ni Shinkochu (Japan Tues Gaga) ep 2 of 11 - Another one that is about abuse, but for some reason I don’t mind it as much as I did Let Free the Curse. Maybe it’s Japan? Maybe it’s the disinterested nature of the director’s lens? This show is examining the inclination of teenagers towards spectatorhood out of fear, while simultaneously giving us a contrived spectator’s perspective with its style of the filming. For example: there is a lot of shots in alleyways and looking in and out of apertures (like doorways and windows) at Hirukawa. He’s often seen from a distance, because Minase thinks of him as distant and somewhat like a specimen. It’s very clever and what I expect from Japan. But it also makes me feel distanced from the characters and their story (intentionally, I believe) which means it’s less raw than Curse, and a lot easier for me to watch. In other words, I am observing this BL, not living it. But that’s the point. And because of that, I’m also liking it. But I’m extremely wary. Japan never drops a kiss early on in a series without some serious trauma to follow.

See Your Love (Taiwan Weds Gaga) ep 5 of 13 - I love them all very much. Carry on.

Blue Canvas of Youthful Days (China Sun iQIYI) eps 5-6 of 12 - So far as I can gather it was episode five that got this one censored and kicked off the air in China. So now we are in unchartered (and presumably only lightly censored) territory. Honestly? I have no idea how they get away with what they get away with these days. Onto the actual meet of the show. I don’t think the teacher should be flirting with the kid if he’s gonna blow hot and cold like that. He is ostensibly the mature one in the relationship. Although if he’s flirting with a child, that is clearly not the case. I get the conflict of the main characters a bit more. Because it’s all about class and the risks that you can take with your identity depending on how much autonomy you have in society. 

Teenager Judge (Vietnam Sat YT) ep 8 of ? - Basically this is just a narrative about bullying. And I’d like to get onto the revenge portion of the program, and that doesn’t seem to be happening anytime soon. I do love that Dat asked for permission to kiss. Consent is very sexy. Also it was a good tentative careful cautious timid first kiss. The actors are older but it felt high school. (Although apparently Bach entirely kissed away Dat’s injury.) 

Love is Like a Poison AKA Doku Koi: Doku mo Sugireba Koi to Naru (Japan Tues Netflix?) 9 of 12 eps - Gosh I really do like this couple. And I like the legal proceedings. But I’m worried about whether this show is going to end well. 

Love in the Air: Koi no Yokan (Japan Sat Gaga) ep 3 of 10 - Frankly I didn’t want LITA the original, so I’m pretty sure I don’t want the Japanese cliffs notes version of LITA. It’s somehow softer, which I wasn’t expecting from Japan. But I don’t mind. The brevity and softness are improving matters, IMHO. I continue to unequivocally loathe the wardrobe department. I’m offended on the actors’ behalf. 

Eccentric Romance (Korea Weds Viki) eps 11-12 end - An odd and somewhat lackluster piece about two college friends, one Thai and one Korean, who get together and become boyfriends while investigating murderer - each speaking in their own language. Neither the BL component nor the murder component was well executed or engaging. It’s not terrible, but that’s no ringing endorsement. "Odd yet still somehow forgettable" is probably how I would put it. 6/10

It's airing but......

Love for Loves Sake got some kind of special supposed to air 11/9. Not sure what, why, or where. Only the rumor that it...... is. I'll believe it when I see it...... literally.

Bad Guy My Boss (Thai Sun Gaga) 10 eps - I DNF'd at ep 7, I couldn't make it. I am weak. Life is hard enough right now, this show is making it harder. It’s not what I want from my entertainment.

Secret Love (Sat YT) 10 eps - Another take on my beloved stepbrothers trope. Adopted into a rich family, boy falls in love. But when he is made the heir instead, everything goes wrong and he leaves. Now enemies the two boys reunite in uni.

DAMN IT! This is airing but in two minute increments on a proprietary app that’s mostly for Android, and it’s already up to episode 11. I’m not wild about this style of distribution, so I’m not gonna bother unless somebody cuts it together as a full piece. Although I do adore the premise.

Bad to Bed (Taiwan Sat YouTube) 10 eps - This is a little too low production value even for me. And just very very odd. DNF

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

November BL still to come:

11/20 Winter Is Not The Death of Summer (Thai Weds YT) ?? eps - Criminals who meet in prison fall in love

11/20 The Heart Killers (Thai Weds Gaga) 12 eps - Jojo directs FirstKhao & JoongDunk in an action romcom about assassin brothers (Khao & Joong) who meet a tattoo artist ex-booster (First) and a mechanic (Dunk). I'm highly amused that Joong plays the older brother to Khao and that we have a take on the Taming of the ShrewBL. I like that everyone is morally gray. This has all GMMTV's best chemistry in one BL and some fresh concepts that I've only seen tackled in m/m romance novels (check out Amy Lane's Racing for the Sun, thank me later). I'm excited. My only quibble is Jojo, I like his style but his characters can get unreliably messy so…... this gonna be interesting.

THIS WEEK’S BEST MOMENT

Apparently I have feels about wardrobe departments this week, because, to use an old fashioned term, this look on him absolutely slaps. (Love Sick)

It's rare for Thai BL to beat out JBL in the fashion department.

(last week)

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

[midnight-in-town]

About Yor: she isn’t dense, but most likely indoctrinated by Garden

So I wanted to address this for a long while now, because I’ve seen one too many posts talking about Yor like she’s just an aloof assassin who doesn’t care about things outside her direct environment, which is why sometimes she says dense things. 

I’m well aware that she’s a fan favorite so people don’t mean her harm, yet I think the whole story actually hints at way more than her being dense, especially considering her background and who she still works for. 

In other words, since Yor was trained but also half raised by Garden’s leader, the Shopkeeper, it’s likely that, considering how they operate and what they’re about, they instilled in her a conditioned dependency since childhood or teenage years that would make her unable to learn things on her own without asking for their opinion, making it very hard for her to turn against them ever. 

Want a striking example? Her encounter with Melinda Desmond. 

Not only did she not know who Melinda was (but I mean, that at least could be understandable)...

...but she also didn’t know what a First Lady is. 

Sure, it’s funny on first glance, but after thinking about it, what does it betray? That Garden probably made sure over years Yor would never get the slightest basic info and understanding on what politics of this country are all about. Because if their strong soldiers start to get opinions of their own, then they could start disagreeing with Garden and turning on them. So, “let’s prohibit people having free thinking, so that they can remain good little pawns” as we “fight for peace in our country”.

In fact, for Yor, until a short time ago (when she met Loid and Anya), all she did was thought and decided for her by Garden and, to this day, she still voluntarily asks them for their agreement when she opens up her close circle little by little: she asked them if it was okay to marry Loid and then she asked them if it was okay to befriend Melinda. 

To be honest, that’s a scary ass thought process to envision, when Yor’s an independent working lady well into her 20s, but this shows how deep Garden’s indoctrination runs in Yor, since they got hold of her as a child/young teen. 

Another striking example is the way she always describes her job, in an almost childish way. Her nickname “thorn princess” aside, I always found it interesting that Yor’s aware she’s an assassin but she isn’t morally anguished at all about killing people and never mentions or distinguishes any grey area in her missions. In fact...

... it’s all in black and white and she clearly thinks that the people she kills are all evildoers (which as we saw in the recent arc with the Red Circus isn’t always the case and begs the rhetorical question “why does Garden get to decide who’s evil?”), therefore “she’s not doing anything wrong”, which also pretty much betrays how she was pushed into it. 

Long ago, Garden probably baited Yor with Yuri’s protection and told her that, since they’re “about peace”, Yor’s work would just help them to “fight against evil”. As a child, she wasn’t mentally fit to understand the deeper implications and then she was mentally conditioned to always do and think like Garden tells her to, which promotes this systematic childish description of her assassin’s job. 

Finally, please take notice of the Shopkeeper’s reaction the first time she tries to argue about her work, in the ship arc: 

Enough said, Garden’s awful. I’m sure there are more examples throughout the story, but I now want to talk about future character development. 

After all, since the story obviously calls for Yor to ditch Garden, to protect what’s actually important to her (Yuri, Loid and Anya), we actually do see her changing little by little so far, thanks to her living with Loid and Anya. Her coworkers quickly mentioned that she’s more lively ever since she got married and the ship arc overall emphasizes that her family is starting to become more important to her than her job, so there is high hope for Yor. :D

Additionally, while she’s still far away from noticing that Garden mentally drove her into a corner, she now openly voices her concerns that “she’s not normal” but that she wants to understand why in order to learn how to change. 

To be fair, fighting against indoctrination is tough and takes time so I’m very proud of her for slowly realizing that she ought to decide for herself from now on. :D 

TL;DR Yor is not dense. She was indoctrinated as a child by Garden and can only (for now) see the world through the filters they taught her. 

Ironically enough, the only character who knows about her real job and could, thus, notice that Yor isn’t being critical about Garden...... actually can’t because she’s a four year old who is too young to understand that Mama’s job is wrong. Well done, Endo-sensei!

[spectralreplica]

Uhhhhhhhh Sburb AU!! This was more of an excuse to classpect and make sprites, so don’t ask me questions about plot details because I put like zero thought into it. Tsumugi probably had something to do with setting up the session, and she’s hiding her real title and the fact it’s not her first session. Baby Kiibo is a robot baby because I thought that was the funniest option.

Drawing with anti-aliasing off really brings me back...

Classpect thoughts under the cut if you really want:

Immediate caveat: I mention speculative stuff here like unconfirmed active/passive class pairs and inversion theory. If you don’t like those things or otherwise disagree with the titles I gave people that’s fine but just know I’m not super interested in debating about it and won’t reply.

So, to start out with I wanted to make the 8 of them a session, so I needed no overlaps in class or aspect and one Time + one Space. I also wanted to have Kaito and Kokichi as opposing aspects. In general, I think of a Title as kind of the end of your assigned character arc, so depending on your level of maturity/introspection at the start, it can seem either really obvious or really unintuitive. I tried to base them off of the hypothetical chapter 6/survivor versions of characters, since those (plus maybe the chapter 5 deaths) of the ones that get a full arc in DR canon.

Immediately Tsumugi seemed like a deadringer for Space, not so much because of the literal physics-related stuff but because of its associations with creation/narratives and setting things up for other people to act. I made her Sylph of Space here, but that's a facade. She's actually a Muse of Space who participated in past session(s) and wants to watch how things play out.

Based on the Extended Zodiac description, Kaito or Kaede has to be time, but Kokichi CANNOT be Space by any stretch of the imagination. I made her Heir of Time with the interpretation of Heir as someone who invites change/influences of/through their aspect. Time is also associated with music and death, which is both fitting and a little mean. (I can also see Kaede as Breath outside of having to have someone be Time.)

So moving onto Kaito and Kokichi, I was considering Hope vs Rage (belief vs doubt, possibility vs restrictions), but 1) Rage is defined partially by hatred of lies despite otherwise sounding Kokichi-ish (that alone could be interesting, with the possibility of a negative/reverse title or else giving him Hope and Kaito Rage for the unexpected swerve........) 2) I really wanted to give Hope to Kiibo. So instead I went with Heart and Mind (emotion vs logic, intuition vs planning, identity/motivation vs action/decisiveness).

Kokichi is Thief of Mind for taking away other people's decisions for his own purposes but also for generally "stealing" things (e.g., the Mastermind Role, narrative importance in general, along with literal items) through his own cleverness. Vs Kaito, a Knight of Heart, who uses his constructed identity as a weapon to face challenges. I'm also a fan of inversion theory, so I think at low points they'd both trend towards Page of Heart (grows powerful late in the narrative based on his own ego/identity) and Rogue of Mind (taking choices/agency/logic away from people for their own good), respectively.

I always wanted Kiibo to be Hope since 1) Ult. Hope Robot 2) big on possibilities/faith but can be a little self-centered. I went with Bard at least partially to make a "guess we know whether he has a dick or not now!" joke, but I also think "inviting destruction through Hope, inviting destruction of (false) hope" is pretty spot on for chapter 6 Kiibo. Like, as the camera/audience surrogate, he's been forced into passively leading the others to despair, not to mention how the audience takes him over to destroy the hope of ending the show. But Kiibo ends up reversing this and helping destroy the audience's faith in Danganronpa, destroying the whole academy in accordance with the vote. (Sidenote: I wonder if Kiibo gets taken over by Horrorterrors and goes grimdark? Or if he's just really, really susceptible to orders from his Exile)

Shuichi, Page of Void, was another one that immediately came to mind. Like, "starts off weak but becomes really strong/important by the end" is Shuichi's thing! Also, counterpart to Kaito's Knight. And Void is all about secrets, mystery, etc. From the Extended Zodiac: "Where others might be compelled to go out and seek answers, the Void-bound lean more toward casting doubt on what is already considered understood. They don't take much on faith and would rather live in a state of confusion- than believe something that might be untrue or bow to intellectual authority... At their best, Void-bound are wise, intuitive, and vibrant. At their worst, they can be dismissive, indecisive and apathetic." 

I had considering Light, for seeking out knowledge/truth, but Shuichi's character arc ends on "fuck you, I refuse to play. You all get nothing more from us" and learning to live with ambiguity, so I think he's way more Void. But, again, inversion would be Thief of Light, so selfishly taking away knowledge/importance from others.

Speaking of Light, I made Miu Mage of Light. Mage is like, active Seer, seeking out knowledge for yourself (vs advising others) and Light is luck, knowledge, and also importance/plot relevance. As an inventor, Miu keeps innovating and figuring things out, plus she's very motivated by her own importance to the world. She wants to be seen more than anything else and loves being smarter than those around her. Also: "At their best, the Light-bound are resourceful and driven. At their worst they can be fussy, pedantic, and insensitive." Inversion is Heir of Void, so "inviting change via hiding things" or "changing what's kept secret", which suits Miu when plotting murder.

Finally, Maki is Prince of Blood. Blood is trust, bonds, relationships, stubbornness, duty, obligation (vs freedom, change, choices) so "someone who breaks bonds/destroys relationships" but also "someone who destroys using/motivated by duty/relationships". Like, Maki is inherently a fracture point in the group because of her talent and then directly breaks the group apart and sabotages her relationships with the others in chapter 5, but also she's deeply motivated by her bonds to others in all of her destructive actions (protectiveness for orphanage/friend, love for Kaito). This sound super negative, but I think this is also the Maki who commits to destroying the institution of Danganronpa in chapter 6. Sometimes you have to be decisive and cut bad relationships out of your life.

Inversion would be Sylph of Breath, so "healing via change" or "encouraging growth towards freedom", which you can argue is sort of the way Kaito wants her to go? But she just doesn't. Idk, for better or worse, I think Maki is very aware of who she is and how people related to her, so even at her worst she's true to herself, vs, say, Kaito or Kokichi, who act "ooc".

[kurishiri]

01 . . . william v.s. darius

— this translation may not be 100% accurate or contain creative liberties due to characterization or narrative flow purposes. if you enjoy, please consider reblogging, but don’t repost these or claim these as your own!

— cw: none.

Today was what one would call a comfortable, ideal day.

Kate: Thank you for inviting me here, Will.

K: It really has been a while since we last visited the city. I’m really looking forward to it.

William: As am I. Besides——

W: The possibility of encountering something unexpected is another thing I do look forward to, perhaps.

The glance he gave me made my heart flutter...

Kate: I would assume there’s some reason why we’re going out to the street fair going on today, right?

...and I returned his look with a searching one of my own, seeing those lips forming a perfect arc.

William: It is a reward for a very clever and discerning little robin——

W: Ahh, before that, though, let us extend our greetings to our guest here.

When I followed his gaze, there I saw Darius, who was walking toward us with a bright, innocent smile playing on his lips.

Darius: Hello there, Sir Rex. I’ve been eagerly awaiting an opportunity to be able to chat with you.

D: Ahh, and to the little miss fairytale keeper as well. Hello there.

Kate: Hi, Darius. Were you taking a stroll?

Darius: It’s such a good day out, it would be a shame if I stayed holed up in the castle, you see.

William: So, it would appear the castle is slightly too cramped for your tastes.

Darius: Whoops, you got me.

D: The higher-ups here in the castle are so stiff and formal, I could hardly take it. In fact, it was getting a bit hard to breathe, so I came here to escape, you see.

Kate: I see, then——

I was about to invite Darius as well, when I suddenly realized something.

(That’s right, Will was about to say something a couple minutes ago too. If this outing has anything to do with a mission...)

I probably shouldn’t be the one to decide that, so I turned toward Will, only to find him staring at me with an amused expression.

William: It is as you wish, Kate.

Kate: Thank you.

(As always, he seems to know exactly what I’m thinking.)

Darius: What’s this now? Will you let me join your merry group?

Kate: Darius, how about you join us in going to a street fair?

K: Since you have come a long way to England, it would make me happy if you ended up enjoying London.

Darius: Well that sounds very interesting. Perhaps I’ll take you up on your offer.

A smile blossomed on Darius’ face in an instant, and the sight made Will narrow his eyes in response.

William: Alright then, let us share a carriage then to the fair, the three of us. [1]

—— In a carriage ——

William: So the other day, we took down a crime syndicate that committed a great many thefts,

W: and that organization would have impoverished children steal in exchange for a generous reward.

W: We have taken the children who have been used by them under custody and are supporting them now, but that is not to say we were able to completely wipe all the traces out.

Darius: ——I imagine many of those children would stain their hands with crime once again in order to survive.

D: And what better place to do so than a street fair, which is teeming with people?

D: That’s why you are going to patrol around, and should you find any child who may have relations to that organization, you will take them into custody...

D: I wonder, did my guess hit the mark, Sir Rex?

William: Straight in the mark. I would expect no less from you, director.

Darius: I’m deeply honored by your kind words.

D: Even so, though, going out to find the children who had been targeted...

D: It’s a little reminiscent to Versteckspiel.

William: Indeed, it’s fine to see this as a game of hide and seek.

W: After all, since you are staying in England for a period of time, I would like for the director of Vogel to have fun in this fair.

Kate: The fairs here in England are really fun, so I myself enjoy them too. Ah, look, we’re almost there.

When we got off the carriage in front of the fair venue, Darius’ eyes lit up at the scene before him.

Darius: Wow, it’s so lively here. Ah, what are those wavy things?

Kate: Those are garlands the people have decorated the city with. They’re all handmade, so they come in many different shapes.

Darius: Ohh, then are those flags also garlands? They have such an interesting shape. And there are so many shops I don’t know where to even start.

D: They’re a tad different from the festivals over in Germany, but the excitement never changes for any festival.

Darius’ eyes wandered around everywhere with interest, and his frolicking had a very innocent air.

(I’m glad he’s having fun. Just seeing him makes me happy as well.)

William: It seems like he is having a good time.

Kate: Right? I’m glad I invited him. Ah, look, there’s a pie wagon coming!

William: Would you care for some berry pie, director?

Will and I went to buy enough pies for three people, offering one to Darius.

However, once he took the pie, he only stared down at it, not bothering to eat any of it.

William: Oh? It is considered bad manners to eat while you stand. Or perhaps…

Without putting on any airs, Will grabbed his own portion and took a bite.

At the sight of him chewing and swallowing, seeming to enjoy the taste, Darius widened his eyes.

William: If you were worried that poison had been mixed in, let this be proof that it is a groundless worry.

Will wiped the berry sauce on the corner of his lips with his thumb, smiling as he met Darius’ gaze.

Darius: Ahaha, to think you would fulfill the role of a poison taster of your own volition… it’s almost wasted on you.

D: But, that is also groundless on your part.

D: I am actually quite good, you see, at eating with bad manners.

The next moment, he took a large bite out of the pie, stuffing his cheeks.

Kate: Oh, you’ve got cream all over your mouth.

Darius: Hmm? It’s fiiine. Here, why don’t you have some, too, miss fairytale keeper? It’s scrumptious.

Darius paid zero mind to the fact that cream was on his face,

and seeing him munching so happily——

I remembered how he had mentioned that the castle felt a bit cramped.

(So right now, I would like it if he can spread his wings out as far as he can.)

Seeing the two before me so casually eat away, naturally my cheeks started to relax.

With a liberating feeling, I also took a large bite out of my pie.

Kate: Mm! It’s really good!

(Ah, come to think of it…)

Kate: Darius, you mentioned that you like foods that are either hard to make or hard to obtain, right?

Darius: Huh?

Kate: Those types of things don’t seem to be around here, so I will try to find some again next time!

Darius: Oh wow, so you remember the things that others have said very well.

William: Our little robin here is one to take actions for others; it is one of her virtues.

W: This pie as well, I see you have chosen my favorite flavor.

Kate: Yes, as I don’t make a mistake when it comes to whatever you say tastes good.

Darius: Ah, you like strawberries, don’t you, Sir Rex?

William: Oh? How did you know?

Darius: Is it not natural to do some research on the people you want to get along with?

William: Ahaha, your ardent words are loving music to my ears, director.

W: Actually, I am in the midst of unraveling the mystery that is you.

Darius: Oh? You are?

William: Indeed, I have come to learn a variety of things about you in this short time we’ve spent together.

W: Such as how you so heartily eat pie, among other things.

Darius: Ahaha, you aren’t wrong about that.

William: If the little robin hadn’t invited the director on this outing, such would remain a mystery. So thank you, Kate.

Kate: If you would like to give thanks, it is better suited for the ‘coincidence’ of meeting Darius right before we left.

K: Besides, I feel the same. I would like to get to know you more, Darius.

When I turned toward Darius, his entire face was smiling.

Darius: So you would like to get along more with me, miss fairytale keeper. I’m delighted to hear.

D: Let’s play together and get along much, much more, okay? And Sir Rex as well.

William: You can call me William.

Darius: Then you can just call me Darius. And miss fairytale keeper, that goes for you too?

Kate: Huh, is it really alright for me to call you Darius as well?

Darius: Why, of course. There’s no need to get so caught up in formalities if we’re going to get along with each other, right? So call me Darius, okay?

Kate: Okay then, Darius. I’ll do that from now on!

Then, William extended a hand to Darius.

William: We welcome you to England.

Smiling, Darius exchanged a handshake with Will.

Darius: Thank you. I hope next time you’ll find a time to come visit us in Germany.

D: Of course, that goes for both Crown… and the little miss fairytale keeper.

—— Scene change ——

While enjoying the lively festivities in contrast to the everyday, we could hear a notably loud shout of joy.

Darius: Hm? What are they all doing over there?

With our interests piqued, we headed toward the area where people were gathered, and——

Kate: Oh, they’re throwing horse shoes.

Darius: Ohh, it looks so fun. Now I want to try it.

William: Well then, I may participate as well.

Darius: Ah, then how about we have a match?

William: I don’t mind. I do imagine having a reward for the winner would make this match even more interesting as well, but…

Darius: Then how does miss fairytale keeper here sound for a reward?

to be continued…

will vs darius jude vs nica alfons vs ring

first next →

NOTES:

[1] Will says [ひとつ共有しておこう] (hitotsu kyouyū shite okō), which means “sharing one”... thing... in order to like stay as a three man group at the fair. I just assumed he meant a carriage, as the next scene takes place in a carriage, but I may be wrong here.

full masterlist 🌹🪽

[stevetonydatingsim]

Steve/Tony dating sim announcement & writer casting call!

The best part about a multiverse is all the different Steves and Tonys we get—and imagining them meeting. And kissing. And flirting. And maybe doing something a little spicier.

But why stick with imagining that when we can make it a reality? When we can make a Steve/Tony multiverse dating game? 

That’s right, we’re making a game and it'll be free to play! What exactly does that entail? The Steve/Tony dating sim (name TBD. We’re all ears for any ideas you have) will be a visual novel-style game that’s mostly dialogue with some simple minigames thrown in. You get to play as a Steve or Tony from one of the many universes that exist who’s thrown into a rift in reality with a bunch of other Steves and Tonys. You’ll get to decide whom to work with to invent, fight, flirt, and date your way back home. 

We’ll be sharing updates on the game development and launch on this Tumblr so make sure to follow us!

Who we are

The Steve/Tony dating sim team is made up of passionate Steve/Tony fans who have come together to write and illustrate the dating game of our dreams, coded by the wonderfully talented @v-thinks-on. You can read more about us here.

How this works

In order to make the game, we need writers for the player and love interest characters, artists for the visuals, and more. At this point, we’re looking specifically for love interest writers, but make sure to follow us as we’ll be looking for volunteers for other roles in the coming months!

Love interest writers can either work on their own or with a partner(s) to plot out and write a simple narrative arc and series of dates for a potential love interest character (a character that the player can choose to interact with and date). They construct the foundational beats for the story and dialogue for the love interest character, and they provide choices for player responses (you can indicate that the player can respond angrily, morosely, or happily to a certain line, but you’re not writing the player dialogue yourself). Later, player writers will insert responses to the existing love interest’s dialogue you wrote. It’s kind of like roleplay! 

For example, your script may look something like this:

Tony616 “So, you’re a Steve, huh” If <angry response>: Tony616 “Sorry I asked” If <happy response>: Tony616 “You’re a cheerful one, eh?” [the player gets closer to Tony616]

To get a more detailed understanding of how this works, see this guide here. We’re also happy to answer any questions, and we have a Discord server where we brainstorm and talk as a group.

Existing love interest storylines (more to come later!)

The following characters have arcs that are outlined already, and their writers are looking for a partner to collaborate with. Here are short pitches to give you a sense of each character’s emotional journey through the game.

616 Tony 

Iron Man V.1 128 Tony is newly sober for the first time and still hiding that he’s Iron Man. The player can either help Tony open up or drive him to drinking again. 

1872 Tony

Pre-canon Tony has lost faith in humanity and himself. Will the player convince him to get back on his feet? Or will he think everyone's better off with him at the bottom of a bottle?

616 Steve 

Avengers V4 Steve has just returned from the dead after his fight with his Tony about the Superhero Registration Act. He wants to trust Player, but can he?

MCU Steve

Post-2012 Avengers Steve is lost and doesn't know his place in the new century. Through his interactions with the player, he finds his home and purpose.

Don’t see a character you want to write for on this list? 

You can volunteer to write any Steve or Tony you want! In fact, we actively want more Steves and Tonys. This is a multiverse dating sim, after all, so the more the merrier. Just contact us with the canon character you’re interested in writing for and whether you’d like to work solo or with a partner(s).

How to apply

Please email stevetonydatingsim@gmail.com with the following information:

Confirmation that you’re over 18 (just let us know you’re 18+; we’re not asking you to share personal info)

The best way(s) to contact you

What character you’d like to write for (universe and name). If you have multiple, please order by preference

Do you want to write alone or with a partner(s)?

A writing sample focusing on Steve and Tony (link or attachment), ideally with a good amount of dialogue. This doesn’t have to be a complete piece with a beginning, middle, and end; it's more to get a sense of your style and understanding of characterization, so all we ask is that it’s easy to follow. This can be something you’ve already written or you can write something new for this application. We don't have a minimum word requirement; if we need more from you, we'll let you know.

Contact us

Please don’t hesitate to contact us if you have any questions. You can reach us by email, Tumblr Messenger, askbox, Twitter DM, or Bluesky DM. Thank you!

[bonefall]

⭕️Hey Bones! Is it ok if you explain and/or elaborate how Crowfeather is abusive to Breezepelt if please?⭕️

I do KNOW that crowfeather is indeed, abusive to Breezepelt, due to the fact that he emotionally and/or physically neglected him - with child neglect being known to BE a form of child abuse - and I also heard that he slashed and/or hit him within one of the books, which I believe is in the book Outcast, in chapter 16.

But I also wish people would talk and be informed about it more within the fandom, because in the parts of the fandom I’ve known portrayed Crowfeather’s neglect on Breezepelt as negative and bad, but not in a way that made me think and/or feel: “Wow, that’s pretty bad. That’s…actually abusive.” I suppose? So I hope more people will talk about it more in that type of way.

Also, please be aware that I have NOT read PoT, OoTS, etc. or barely any warrior cats books, since the majority of the information I got from the series is from the wiki and the fandom, so that probably explains why I didn’t know this part of Crowfeather’s character is as bad as it actually is until now. Also, feel free to talk about Crowfeather’s abuse on Breezepelt I haven’t mentioned and/or don’t know right now as well if you want.

I’m SO sorry that if this ask is unintentionally quite long, and feel free to make sure to take all the time you need to answer it. Thank you!

OH LET'S GOOOO

Breezepelt is both physically and emotionally abused by Crowfeather. I'm not talking about only child neglect; he is screamed at, belittled, and even once hit on-screen.

The fact that Crowfeather both neglected and abused him is very important to the canonical story of Breezepaw. There's actually a lot more to this character than people remember! Even from his first appearances he displays good qualities, a strained relationship with his father and adult clanmates, and is clearly shown to be troubled before we understand why.

As many problems as I have with the direction of Breezepelt's arc (especially Crowfeather's Trial), his setup is legitimately a praiseworthy bit of writing from Po3 which carries over into OotS. To say that Breezepelt was not abused is to completely miss two arcs worth of books SCREAMING it.

BIG POST. Glossary;

INTRO TO BREEZEPELT: The Sight and Dark River

ABUSE: Outcast, Social Alienation, the Tribe Journey.

DARK FOREST: How these factors push him towards radicalization.

For "brevity," I'm not getting into anything post-OotS. I'm just showing that Breezepelt was abused, the narrative wants you to know that he was abused, and that his status as a victim of child abuse is CENTRAL to understanding why he is training in the Dark Forest.

INTRO TO BREEZEPELT: The Sight and Dark River

Our very first introduction to Breeze is when Jaypaw walks off a cliff in the first book of Po3 and is rescued by a WindClan patrol. He's making snarky remarks, and Whitetail and Crowfeather are not happy about it. Whitetail snaps for Crow to teach his son some manners, and Crow growls for Breezepaw to be quiet.

But our proper introduction to him is at his announcement gathering, when Heatherpaw playfully introduces him as a friend,

From the offset something's not entirely right here between Breezepaw and his father. He's cut off by Heatherpaw here, but he's touchy whenever his father is involved, and we're not entirely sure why.

Throughout Book 1, he's just rude, with a notable xenophobic streak. He's a bit of a mean rival character for Lionpaw, as they're both interested in the affections of Heatherpaw and make bids to get her attention, but nothing particularly violent yet.

He participates in the beloved Kitty Olympics and gets buried in liquid dirt with Lionpaw, basically a rite of passage for any arc.

(And Nightcloud has a cute moment where she watches over them until they fall asleep)

As the books progress, the relationship between Crow and Breeze visibly deteriorates. They start from being simply tense with each other in The Sight, to the open shouting and hitting we see in Outcast.

In the very first chapter of Dark River, we learn where his behavioral issues are really coming from;

Crowfeather.

Breezepelt is getting xenophobia from his father. Occasionally he says something bigoted and his dad will agree and chime in, and those are the only positive moments they have together.

(Note: In contrast, Nightcloud explicitly pushes back against xenophobia, chiding Breezepelt for his rudeness to Lionpaw in back in The Sight, Chapter 21. The Sight is the book where a lot of "evidence" that the Evil Overbearing Woman is actually responsible for the rift between father and son but. No. She's not. Though she can be overprotective; Crow and Breeze have a bad relationship when she's not even around in Breeze's first appearance and even his Crowfeather's Trial Epiphany refutes it. Anyway this post isn't about Nightcloud.)

So he starts acting on his bigotry, accusing cats in other Clans of stealing, running really close to the border. What's interesting though, is that this is not entirely his doing. The first time we get physical trouble from Breezepaw, DUSTPELT aggressed it. Breezepaw and Harepaw were just chasing a squirrel and hadn't yet gone over the border at all.

We learn that WindClan is teaching its apprentices how to hunt in woodland, and tensions between the two Clans is starting to escalate as ThunderClan isn't entirely trusting of their intentions.

The second time, fighting breaks out over him and Harepaw actually crossing the border and catching a squirrel. WindClan is adamant that because it came from their land, it's their squirrel. So it's as if Breezepaw is modelling the aggression around him, learning how to behave from the older warriors and his father.

When he joins Heatherpaw and The Three to go find Gorsetail's kits in the tunnels, he's grouchy towards the ThunderClan cats, but very gentle with the kittens. Notably so. When Thistlekit is dangerously cold, he cuddles up next to her, and even assures Swallowkit when she's scared,

Through this entire excursion, he's the one in the comforting roles for the kittens. Breezepaw is the one who is taking time to tell the kits they'll be okay, that he'll protect them, and physically supporting them when they're weak, even when he's terrified.

And it's always contrasted to Heatherpaw who's way more 'disciplined,' as a side note. It's a detail I'm just fond of.

All this to point out,

Breezepelt displays his best qualities when he's away from the older warriors of WindClan, and he's at his worst whenever he's near Crowfeather. Even while he's essentially just a bully character for The Three to deal with. He's gruff but cooperative when it's just him and Heatherpaw interacting with The Three, but mean when there is an adult to please.

We're getting to the on-screen abuse now, but Po3 actually sets up Breezepaw's troubles and dynamics well before it's finally confirmed that he is a victim of child abuse.

ABUSE: Outcast, the Tribe Journey.

In Outcast, Breezepaw's problems have escalated into open aggression towards cats of other Clans, and is now a legitimate concern for his own safety. Yet, he's spoken over by older warriors, and reprimanded at nearly every opportunity, right in front of the warrior of another Clan.

Squilf just asked the poor kid how his training was going, and then Whitetail JUMPS to talk over him so she can complain, RIGHT in front of his face.

They can't even wait until they're alone to grumble something rude about Breezepaw, who is still just a teenager here;

They taught him already that a bit of prey that runs off their own territory still belongs to WindClan, encourage him to blow past borders in pursuit, and started a battle with ThunderClan over this. And then they're pissed off at him for being aggressive, thinking it's deserved to scold him in public.

When Onestar announces that he wants Breezepaw to go on the Tribe Journey, he's devastated by it...

Because he thinks WindClan doesn't like him, and he's right. He's gossiped about, torn into in front of a ThunderClan warrior, and even his own dad doesn't want to be around him. It's clear that Breezepaw's impulsive "codebreaking" behaviors are a desire to prove himself, and once you realize that, the way that he's being alienated is heartbreaking.

But Wait!! Hold on a minute! Where did he get a "patrol of apprentices" from to confront the dogs with, exactly?

Simple. Breezepaw CAN make friends! He actually values them a lot! So much that it's the first thing Crowfeather snaps at him over, out of frustration that his son is also being forced on this journey with him. It's an angry response to his child having emotional and physical needs, resentment that will continue all journey long.

Note that it's plural, friends. Breezepelt has multiple friends, at least one who is not Heatherpaw, and she promises to say goodbye to them.

Up next, they state over and over, Crowfeather and Breezepaw do not like each other. Crowfeather resents being around him and dealing with his rudeness, embarrassed and angry, and Breezepaw is absolutely miserable being sent on a journey to the mountains with a man who hates his guts.

The whole while, Crowfeather is brooding longingly about Feathertail, already thinking about her as soon as he kitty-kisses Nightcloud goodbye, his eyes looking somewhere distant. He makes a jab about loyalty when Breezepaw doesn't understand why they're helping the Tribe.

Breezepaw gets smacked after he's "shoved" at Purdy and acts rude to him, while the other three manage to be polite (while still having internal dialogue about how stinky he is).

Without so much as a, "cut that out," Crowfeather raises his paw and hits him. Breeze is quiet after that.

I don't give a shit how rude your teenager is being. Do not hit kids. Being throttled on the head is not okay.

In spite of the Three not liking Breezepaw, or even Crowfeather, they're constantly noting that their arguments are not normal, and that Crow is a cold, unsupportive father who digs into his kid constantly, and the only time he ever DOES "discipline" his child it's through immediately smacking him.

At one point, the apprentices get hungry, and decide to foolishly hunt in a barn that they know has dogs in it against Purdy's warnings. Once again, JUST like the first two books, Breezepaw is more friendly when Crowfeather is not around.

EVERY time he is alone with cats his own age, he's grumpy but cooperative. Even enthusiastic at times! The minute Crowfeather is in the picture, he's nasty.

Naturally, the dogs show up, but Purdy rescues them. Though Brambleclaw also chews his kids out (and i have strong opinions about bramble's parenting style for another time), Hollypaw is taken aback by the contrast of what a scolding from Brambleclaw looks like vs how Crowfeather reacts.

The narrative is desperately trying to tell you that the way Crowfeather treats his son is not normal.

And then Crowfeather is pissed off that Breezepaw is exhausted from running for his life from hungry dogs,

And he's constantly losing his shit whenever Breezepaw says something as innocuous as "dad im hungry"

Then, Breezepaw is made to watch his dad pine over the grave of a woman who died long before Crowfeather was even considering his mother for a mate. What he feels is jealousy, because he knows his own father doesn't love him anywhere near as much as he loves the memory of Feathertail.

This really goes on and on and on. The ENTIRE trip is like this, with Crowfeather treating Breezepelt poorly, giving him a smack before even verbally warning him, pushing him past his limits and blowing up on him when he asks simple questions about eating or resting.

It all comes to a head in this one exchange, towards the end. Hollypaw ends up snapping at Breezepaw for his rudeness, before having an epiphany.

It's explicit. Crowfeather's emotional abuse, his "scorn" for Breezepelt, is what is driving a wedge between him and all of his older Clanmates. Between EVERYONE in Breezepelt's life who wasn't already his friend. This awful treatment is only making him worse and worse.

Realizing this, she has more sympathy for him, but it's too late. He continues to be rude to her because he feels insulted, and her patience completely runs out. She's just a kid. They're both just kids. She's not responsible for fixing him when he's pushing everyone away at this point.

That's the end of Breezepelt in Outcast. It can't be helped anymore. Any spark of friendship they had together in the barn, or in the tunnels, is gone.

As the series progresses, Crowfeather continues to refuse any personal responsibility for the mistreatment of his son, even pinning all of Breezepelt's behavioral problems on Nightcloud. He is a cold, selfish father who only ever thinks about his own pain and reputation.

DARK FOREST: How these factors push him towards radicalization.

Everyone talks about the Attack on Poppyfrost, which happens in the first book of OotS, in oversimplified terms. YES he is going after a nun and a pregnant woman. I've never said that's not Bad.

But no one talks about "WHY", and that reason is NOT just that he desires power like so many other WC villains. Breezepelt makes his motivation very clear on the page.

Escalating to violence was about making Jayfeather feel the way that he does.

When Breezepelt says that he wants Jay to be surrounded by "lies, hatred, and things that should never have happened," he's talking about the way HE grew up, knowing his father never wanted him, and that his Clan HATES him as a result. Killing Poppyfrost is about trying to frame Jayfeather for her murder, so ThunderClan won't trust him anymore.

When Jayfeather points out the simple truth that what Breezepelt is saying doesn't make any goddamn sense, his hatred "falters." He's blaming his half-clan half-brother for his own treatment because of the reveal, but totally failed to consider that JAYFEATHER'S ALREADY GOING THROUGH IT... so his response is just this pitiful, "s-shut up, man."

Then the ghost of Brokenstar and Breezepelt bounce him back and forth between them like a beach ball for a bit until Honeyfern's spirit shows up.

Breezepelt's childhood abuse and social alienation was a hook that the Dark Forest latched onto, to reel him in. His anger at his half-brother is so obviously misplaced that its absurdity was something Jayfeather pointed out.

We soon learn that it's the Dark Forest who's planting that ridiculous idea in his head;

The narration is SCREAMING, "The Dark Forest is validating the anger he feels towards his father, and redirecting it towards The Three." He's described as 'kitlike,' Tigerstar's eyes are compared to a hypnotizing snake.

This prose could not make it more obvious if it drove to your house, beat you with it, and then spoon fed you the point while you were hospitalized.

At the end of this scene, Tigerstar sends Hawkfrost to recruit Ivypaw. This scene where Breezepelt is being lovebombed, and the command to start grooming Ivypaw, ARE LINKED. That was a choice.

A VERY GOOD choice! Again, as many issues as I have with OotS, its handling of indoctrination is unironically fantastic, and it owes a good amount of that to the outstanding setup of Breezepelt that was done back in Po3. And that setup doesn't work if Crowfeather was merely distant.

Breezepelt was abused by his father, both verbally and physically. It drove him to be more aggressive to prove himself, modeling the battle culture around him. The adults of WindClan judged him based off Crowfeather's responses, shunning and belittling the 'problem' teenager, which eventually drove Breezepelt to the only group that he felt "understood" him.

In a book series that is RIFE with abuse apologia, this is one of the few times that there's any behavioral consequences for abuse and the narrative holds the perpetrator accountable for it.

But people hear Crowfeather's deflective excuse in The Last Hope where he says he never hated him, blames Nightcloud for everything, and just lick it up uncritically.

Gee whiz, I wonder why the guy who never blames himself for any of his problems would suddenly say it was his ex-wife's fault. Real headscratcher!

(Crowfeather's Trial then goes onto, for all my own problems with it, also hold Crow accountable as the reason why Breezepelt turned out like he did. But that's a topic for another day.)