#thats not exactly what this post is about

[muwapsturniolo]

This is the only thing I’m gonna say cuz it don’t involve me AT ALL but I’ve gotten a few things in my inbox about it.

Blocking does not hurt anyone. I understand you may want to know why you were blocked but like @leoslaboratory said and I’m switching up just a little bit to fit what I’m saying. Maybe rose didn’t like something you said and she decided to block. It really is that simple. It’s ok for her to block if she don’t wanna see something or for her to block if you didn’t give credit for whatever it is.

So to the anon who sent her that long ass paragraph saying “the fic will still be up even if you block the acct so what’s the point?” The point is she won’t have to see it! It’s ok for her to protect her peace in any way she sees fit.

Yall jump her (and many others) for calling out being copied. So when she stops calling people out and just blocks, it still an issue? It doesn’t make sense.

It’s ok not to like her, but going into her inbox to send hate, coming into my inbox cuz she turned hers off so you can say shit to me, and going into others inbox to complain about her or egg on “drama” that really isn’t even drama, is not ok.

And I’m bringing this up as an example (no hard feelings towards her at all) this is exactly the same shit with Kay (again no hard feelings towards her at all) she was answering anons that were hateful towards me and other writers which was getting me and other writers irritated.

if you don’t want drama, why keep answering anons, especially anons that are lying and twisting roses words, and egging this shit on when it didn’t even have to be like this fr?

Let’s not act like yall don’t have anyone blocked on any media at all. I have one person blocked on here, and maybe five on Twitter, and like 7 on instagram.

And until tumblr makes a setting like Twitter where you can mute an acct without blocking, then blocking is just gonna have to work for now.

Blocking someone does not mean you hate them, you just don’t wanna see what they have to say, AND THATS FINE.

Now imma say this before anons try to jump me, I personally have no ill feelings towards @leoslaboratory and @liiixsturniolos . This was mainly a post for the anons I’ve been getting trying to dog rose.

[mytearsbuckochet]

What's your most hated Bummy scene?? I'll tell you mine. It has to be the kiss in the hospital lobby and buck getting outed because of his soot covered mouth. Never hated a 911 episode more than that. I love Buck. They just made a mockery out of him by that scene.

Where do I even start.. Couldn't agree more about the soot scene, although I'm more angry at the writers about that one than I am at Tommy, given how important it was to Buck that he came out to Eddie and Maddie on his own terms and how much weight he gave those interactions I feel like even though that one was supposed to be a cute little "hehe look this is very Buck coded", it fell short in that I would've liked everyone else at the 118 to find out in a more heartfelt way ya know??

In terms of my least favourite(s), the whole arc with billy boils was a very interesting play by the writers in that it highlighted the differences between Eddie and Tommy in a meaningful way. On one hand, Eddie, who has presumably been with Buck in the hospital the whole time he was being treated for his boils, is used to Buck's hyperfixations and Wiki deep dives, and finds them wholesome and cute. I reblogged a post a little bit ago where Buck told Maddie about how her and Chim always finish each others sentences and that theyre basically already dating, and then contrasted with how Eddie was finishing Buck's sentences in that scene. Buddie fanatic aside (I will admit im obsessed with these two idiots), THIS is the kind of domesticity I've always wanted for Buck's partners, where they acknowledge and love those little moments that he has.

Now lets go ahead and look at Tommy's side of this whole thing: Tommy's reaction to seeing the boils + how he treated and viewed Buck's obsession as exactly that, an obsession + the graveyard scene??? You can break it down into "oh well Buddie have known eachother since s2, Bummy have been together 6 months", but from my perspective the fact that Buck didn't even realise Tommy didn't like women until their 6 month anniversary (???) just goes to show that they don't really know that much about one another. Tommy was completely right in the breakup scene; he was definitely not Buck's last, and the poor guy is definitely in need of some self exploration (#letbuckfuck) before I'd be happy to see Buddie honestly (and thats not even considering the work that needs to be done on Eddie, my guy is going through it rn with Chris). Anyway; I just read this amazing fic by playinginthundestorms (on ao3) and I think the way they described Tommy (slightly Tommy bashing), was overall how I imagine he sees Buck. It never really felt like Tommy was fond of these little things Buck does in the way that Eddie (and the rest of the 118) are, more seeing him as childish or juvenile as the fic described. And it makes sense, tommy is older than Buck. A whole other can of worms and probably the icing on the cake for me was the Abby debacle, the misogyny really showed??? like man you have not changed since Hen my lord. Calling Abby out for running off with some "himbo half her age" was wild considering thats what he is currently doing with Buck? Especially with all the shit she had to go through with her mum at the time? Like what on earth is your excuse Temu? Anyway, to cut a long rant short, I actually have given you like 50 reasons, but i definitely think that Tommy was a well placed plot device and it was obvious from the start. Also, ABC could've chosen ANYONE to be Buck's first experience with a man and they were like yep lets use the racist homophobe from Chim and Hen begins cos why not?! I probably would've had a far less negative opinion of him if he was a fresh character, and I think that's on purpose, I think it would be really interesting if they go down the road of hen and chim sharing their experiences with Tommy now that they've broken up, and that they didn't say anything cos they just wanted Buck to be happy. Definitely after that heartfelt scene with Hen especially, that I didn't get cos of that bloody soot scene.

[124ndm]

villain!deku rambles.. eeerrmmm

i rlly want to start a comic about villain!deku, but im a little hesitant because i feel like it would be WAY too big of an undertaking for me..

but if ur at all interested, my ideas are below the cut. ^_^

My concept would start with the sludge villain incident. Other heroes get to saving bakugou before both midoriya or all might. This, in turn, means that he never gets OFA.. and never joins the hero course (yadada im sure this has all been written before). However I DO think that he would still join UA. Thats really my main motivation behind making a comic like this. In a lot of villain!deku stuff I see, he tends to abandon hero work altogether.. which i just dont think he'd do!! midoriya is VERY determined when he has his mind set on something, so I feel like he'd find some way to go to UA one way or another.

So, what would make him a villain then?? Well, it would definitely be a gradual build-up overtime. Assuming he takes the support-course route (which ig would make this a mashup of two aus, LOL), I think it would start with him helping vigilantes. Low-level illegal heroes convince him that by making support items, midoriya can advance in his field. He keeps doing these sorts of favors, knowing its unethical, out of a desperation to feel useful and help the 'heroes.'

I also think as a sort of parallel to bakugo, he'd start hanging around bad classmates like bakugo did during middle school. Being in a support course as opposed to a hero course means a very different demographic of students. We see a lot of instances IRL of students going into engineering good intentions, only to throw away morals for higher paying jobs (i'm sure yall have seen those Lockheed Martin tiktoks, need I say more 💀). We know characters like mei hatsume are very honest and dedicated to their craft, but what are the lower-level students like? What about the other classes? We don't really see much of that, so I think it'd be fun to explore the morally gray students of UA.

I think his final breaking point would be when he gets in kahoots with Giran. I don't think giran would immediately clock midoriya as a potential recruit, but instead would change his mind later: seeking out midoriya after Shigaraki shows interest in bakugo. (sure, they aren't in the same class anymore, but both of them being in UA works as a convenient connection).

After midoriya gets with shigiraki, I believe he'd certainly get a quirk (whether or not midoriya actually wants it, Im sure theyd give him one anyways. more power to their organization, and more leverage over midoriya). Soon after, the LoV would get into an altercation with class 1-A, which would probably get him expelled. Although, in-turn, fuel a stronger disproval towards hero society (and also compel izuku to get better at using his quirk, knowing that he has a lot of catching up to do).

And duh as the cherry on top, there'd be bkdk angst.. bakugo only realizing that midoriya got into UA after seeing his association with the league. The weird guilty feeling bakugou would get knowing that a kid he bullied ended up becoming a villain, but also pure anger at knowing that he even got into UA in the first place. And also, the inevitable midoriya/bakugo fight that would happen when the league and class 1-A have more encounters.

I haven't exactly decided on how to end it, but I feel like it would end with either a redemption or something similar to the whole togachako situation. More likely a redemption because, lets be for real here, midoriya is so kind-spirited that even as a villain: he'd probably fold when faced with a genuine bakugo apology or heart-to-heart All Might encounter LOL.

anyways im deffff yapping here, I did NOT intend for this post to be so fucking long HELP. I just really wanted to get my stupid ideas written down. Like i said earlier, this has prob been done before if we're being quite honest.. but I still I think making a comic like this would be sooo fun. But godd i am NOT a good writer so I worry that I would start and then never finish. aaaaah 😭😭

I'll just have to see if my motivation sticks around these next few weeks. If so, I'll probably start drafting this out!! If I do lose interest, well then.. this'll be the last you hear of my villain!deku rambles LMAO. I rlly hope I don't lose interest because this would be the first time ive written since like, early high school, and I really want to get back into writing again. Even in comic form, any kind of writing would be great practice for me. Dx

[prof-peach]

Bit ooc but I have a question. How you do go about planing out your PLA comic? Like how do you actually turn your ideas/ storyline into comic form? Is it chapter to chapter or do you have the whole idea already planned out? Trying to find my own way in comic making so I’m just wondering if you could give any advice. Feel free to ignore if you don’t feel comfortable answering

So, at first this was al i could think to send.

because its incredibly accurate to my process.

Jokes aside, a lot of how i work is back and forth chaos, fighting with ideas until im happy with them. I will start with a list (usually not written down because im unhinged and keep a ot of it in my brain) and organise it in a way that makes sense to the situation, in this case workign with a game with an established plot...not that its a very strong one.

with a set of ideas, and a game to work around i will ramble and rant to a few choice people who i bounce well off, and also stare into space for hours on end building the ideas. This process can be days, it can be years. For context, i have some notes from 2019 about things i wanted to include that are still relevant. I have been scheming how to break and rebuild this OC for ages. Theres no correct time frame, so long as you simply do the work.

Once i have a fairly loose plan, i start to solidify the benning and the end. What is required to make a character compelling, what makes them believable, what makes them human in a way that we recognise. this isnt always a positive thing, people like to call characters who do bad things problematic, but its human nature to make mistakes and be damaged or difficult, the process of the story is not always rainbows and sunshine. For me, this hits even harder, as im trying to tell a story from the perspective of someone fundamentally broken, so showing those breaks and cracks has to be done wisely.

This is the point where i make notes about things that need to change from the start to the end. And ill say one thing, this story in particular, I have not solidly planned the middle. I am allowing space for me to come up with new ideas at points. Being locked into a dead set of ideas can be quite limiting, and as creators we consume and process things constantly to generate new stories. Id be a fool to make a plan and stick to it. everything i do is vague guidelines.

However, I know exactly how the story ends in Hisui, and where it goes to from there. And i think me personally knowing the end goal makes it easier to plot steps towards that, and some of those steps are anything but progressive.

If nothing else, the end was the only thing i saw clearly, and it has only become more complex and loaded and emotional as the rest of this has fallen into place. If you can see the goal, you can work out how to get there with time.

Regarding the chapters, i tend to draft plan up like 3-4 of them at a time, and then go in order to sketch out one after the other, so i have plenty of time to change things while i adjust. its constantly a process of seeing what you make, seeing issues, and scrapping whole parts just to redraw something better or new, unique even. I dont think a single page ive posted has resembled the very VERY first draft thumbnail ive made, and thats just how i do. Every panel, how big they are, the angle you hand the viewer, the way you light things, the expressions, this all dictates SO SO much.

Taking time over it is kind of the job, and let me stress, this is normally a job done by a team, especially the highly popular comics. one inks, one colours, one shades, one handles text, one edits, theres so many people behind it, so dont be bothered by the pace at which things are made if youre working alone like i am. One person means longer production times, if you can, spread the workload out, but its not required. Its why i always say it doesnt matter how long it takes to make, so long as youre still making.

I think its also worth noting, comics are consumed quickly, the bakcgournds and small details can be lost in the ace of the storytelling, pick and choosing your battles is wise, save your time on panels where you want the reader to shift along quicker, keep that pace high, and add in more detail and depth to panels you want to champion or get the viewers to hang around on more. its ok to let go of a "perfect" image in favour of getting content out, if youre being driven nuts by it. Again, time be damned, be happy with it. And if you can let go of petty details, id suggest doing it when possible, so long as it doesnt effect the storytelling.

I mean what else can i even say. This work is a passion project, I love it, more than i can even put into words, and i think you kind of have to, to make comics without monetary motivation. sure you can get lucky and find ways to make it big, but for most of us, its the love of the story. So maybe try not to be your biggest hater, its easy to slip into the behaviour, so try be gentle on yourself and the process. I should take that advice myself haha! but i really do mean it. This is HARD work, so be kind to yourself over it.

anyway, with a rough idea, a bunch of sketches, and time, they get inked and fussed over, i make a billion changes to layout and story, and eventually posting can happen but not after fighting with the monster that is creating. Idk what else i can say. This is not work for the feint of heart, but anyone can learn to do it.

Good luck, comic artists can always use it!

[schizochroal]

While I think the current panic regarding ai art being like “theft” (as far as i can tell unless a weird new legal precedent is set what is being referred to as theft would not be considered infringement under US and probably EU copyright law) is probably the most notable instance of it, ive noticed a kind of lack of understanding with what exactly copyright does and does not protect, and how something being “protected” even works among internet communities (especially digital artists) for a while now.

[lemongogo]

life of regret

[verflares]

(click for higher quality!) draconified link concept ive been chipping away at this past week ..... here's my funny little compendium concept for him:

"A heroic spirit has taken the form of this bestial dragon. Unlike it's kin, this creature exhibits an extremely aggressive disposition. It appears highly territorial, and will relentlessly chase down those who disturb its skywide patrols - of which it seems to be endlessly searching for either a long-time vassal or foe. Unfortunately, it seems the spirit within has long since forgotten exactly who it was looking for…"

[newspecies]

trying to think of a reason [ERROR] is so possessive of the OIAR crew and my current theory is that since the Archives are gone, this thing that might be a remnant of the other universe's Beholding is searching for something else to be the seat of the Beholding's power and took notice of the OIAR because Sam and Alice are the ones that released it (however unknowingly). The OIAR is not only doing something very similar to the Archives, but also clearly has SOMETHING akin to the Beholding attached to it with all the recordings we're hearing and the use of Jon, Martin and (possibly) Jonah's voices. So TLDR I think [ERROR] looked at the OIAR, said "close enough", and claimed everyone there. Anyway I think the tape recorders should bite more people

[doomedclockworkdotmp3]

heeyyy gaaanggg

the pose and the background of the album version (left) are based on oingo boingos only a lad album art. not cause i think he has anything to do with it but just cause ive been wantin to draw that pose for like. weeks and i didnt know who to put there. so why not my latest bug man.

[luck-of-the-drawings]

EDYN TIDESTRIDER, CHALLENGER OF THE UNDERSEA, RIVAL OF THE DEEP. WHAT WOULD YOU DO IF YOUR BROTHER WAS CHOSEN TO BE A WEAPON OF THE GODS? HOW WILL YOU UNDO WHAT THEY HAVE DONE TO HIM?

[vristrogen]

something about people calling vrisrezi "toxic yuri" always puts me off. i understand the lack of words to really put their dynamic but like you know theyre in a relationship thats largely good for them right. they arent dating because "it sucks but it would be worse without each other" they genuinely really love each other a lot

[beaulesbian]

Trigun Stampede 1.02

[opens-up-4-nobody]

RODBT therapist @ the group: Does anyone have any examples of situations that generated complex emotions?

Me: Well... recently, scintists identified the remains of James Fitzjames who died in the Franklin expedition for the Northwest Passage like 176 years ago... it made me feel a lot of things...

[konfizry]

[raccoonnutella13]

why are ppl always so mean about taz :(

[greasydumbfuck]

thinking about frank and sex (in a sad way)