#thats not exactly what this post is about

[prof-peach]

Bit ooc but I have a question. How you do go about planing out your PLA comic? Like how do you actually turn your ideas/ storyline into comic form? Is it chapter to chapter or do you have the whole idea already planned out? Trying to find my own way in comic making so I’m just wondering if you could give any advice. Feel free to ignore if you don’t feel comfortable answering

So, at first this was al i could think to send.

because its incredibly accurate to my process.

Jokes aside, a lot of how i work is back and forth chaos, fighting with ideas until im happy with them. I will start with a list (usually not written down because im unhinged and keep a ot of it in my brain) and organise it in a way that makes sense to the situation, in this case workign with a game with an established plot...not that its a very strong one.

with a set of ideas, and a game to work around i will ramble and rant to a few choice people who i bounce well off, and also stare into space for hours on end building the ideas. This process can be days, it can be years. For context, i have some notes from 2019 about things i wanted to include that are still relevant. I have been scheming how to break and rebuild this OC for ages. Theres no correct time frame, so long as you simply do the work.

Once i have a fairly loose plan, i start to solidify the benning and the end. What is required to make a character compelling, what makes them believable, what makes them human in a way that we recognise. this isnt always a positive thing, people like to call characters who do bad things problematic, but its human nature to make mistakes and be damaged or difficult, the process of the story is not always rainbows and sunshine. For me, this hits even harder, as im trying to tell a story from the perspective of someone fundamentally broken, so showing those breaks and cracks has to be done wisely.

This is the point where i make notes about things that need to change from the start to the end. And ill say one thing, this story in particular, I have not solidly planned the middle. I am allowing space for me to come up with new ideas at points. Being locked into a dead set of ideas can be quite limiting, and as creators we consume and process things constantly to generate new stories. Id be a fool to make a plan and stick to it. everything i do is vague guidelines.

However, I know exactly how the story ends in Hisui, and where it goes to from there. And i think me personally knowing the end goal makes it easier to plot steps towards that, and some of those steps are anything but progressive.

If nothing else, the end was the only thing i saw clearly, and it has only become more complex and loaded and emotional as the rest of this has fallen into place. If you can see the goal, you can work out how to get there with time.

Regarding the chapters, i tend to draft plan up like 3-4 of them at a time, and then go in order to sketch out one after the other, so i have plenty of time to change things while i adjust. its constantly a process of seeing what you make, seeing issues, and scrapping whole parts just to redraw something better or new, unique even. I dont think a single page ive posted has resembled the very VERY first draft thumbnail ive made, and thats just how i do. Every panel, how big they are, the angle you hand the viewer, the way you light things, the expressions, this all dictates SO SO much.

Taking time over it is kind of the job, and let me stress, this is normally a job done by a team, especially the highly popular comics. one inks, one colours, one shades, one handles text, one edits, theres so many people behind it, so dont be bothered by the pace at which things are made if youre working alone like i am. One person means longer production times, if you can, spread the workload out, but its not required. Its why i always say it doesnt matter how long it takes to make, so long as youre still making.

I think its also worth noting, comics are consumed quickly, the bakcgournds and small details can be lost in the ace of the storytelling, pick and choosing your battles is wise, save your time on panels where you want the reader to shift along quicker, keep that pace high, and add in more detail and depth to panels you want to champion or get the viewers to hang around on more. its ok to let go of a "perfect" image in favour of getting content out, if youre being driven nuts by it. Again, time be damned, be happy with it. And if you can let go of petty details, id suggest doing it when possible, so long as it doesnt effect the storytelling.

I mean what else can i even say. This work is a passion project, I love it, more than i can even put into words, and i think you kind of have to, to make comics without monetary motivation. sure you can get lucky and find ways to make it big, but for most of us, its the love of the story. So maybe try not to be your biggest hater, its easy to slip into the behaviour, so try be gentle on yourself and the process. I should take that advice myself haha! but i really do mean it. This is HARD work, so be kind to yourself over it.

anyway, with a rough idea, a bunch of sketches, and time, they get inked and fussed over, i make a billion changes to layout and story, and eventually posting can happen but not after fighting with the monster that is creating. Idk what else i can say. This is not work for the feint of heart, but anyone can learn to do it.

Good luck, comic artists can always use it!

[schizochroal]

While I think the current panic regarding ai art being like “theft” (as far as i can tell unless a weird new legal precedent is set what is being referred to as theft would not be considered infringement under US and probably EU copyright law) is probably the most notable instance of it, ive noticed a kind of lack of understanding with what exactly copyright does and does not protect, and how something being “protected�� even works among internet communities (especially digital artists) for a while now.

[lemongogo]

life of regret

[verflares]

(click for higher quality!) draconified link concept ive been chipping away at this past week ..... here's my funny little compendium concept for him:

"A heroic spirit has taken the form of this bestial dragon. Unlike it's kin, this creature exhibits an extremely aggressive disposition. It appears highly territorial, and will relentlessly chase down those who disturb its skywide patrols - of which it seems to be endlessly searching for either a long-time vassal or foe. Unfortunately, it seems the spirit within has long since forgotten exactly who it was looking for…"

[newspecies]

trying to think of a reason [ERROR] is so possessive of the OIAR crew and my current theory is that since the Archives are gone, this thing that might be a remnant of the other universe's Beholding is searching for something else to be the seat of the Beholding's power and took notice of the OIAR because Sam and Alice are the ones that released it (however unknowingly). The OIAR is not only doing something very similar to the Archives, but also clearly has SOMETHING akin to the Beholding attached to it with all the recordings we're hearing and the use of Jon, Martin and (possibly) Jonah's voices. So TLDR I think [ERROR] looked at the OIAR, said "close enough", and claimed everyone there. Anyway I think the tape recorders should bite more people

[doomedclockworkdotmp3]

heeyyy gaaanggg

the pose and the background of the album version (left) are based on oingo boingos only a lad album art. not cause i think he has anything to do with it but just cause ive been wantin to draw that pose for like. weeks and i didnt know who to put there. so why not my latest bug man.

[luck-of-the-drawings]

EDYN TIDESTRIDER, CHALLENGER OF THE UNDERSEA, RIVAL OF THE DEEP. WHAT WOULD YOU DO IF YOUR BROTHER WAS CHOSEN TO BE A WEAPON OF THE GODS? HOW WILL YOU UNDO WHAT THEY HAVE DONE TO HIM?

[vristrogen]

something about people calling vrisrezi "toxic yuri" always puts me off. i understand the lack of words to really put their dynamic but like you know theyre in a relationship thats largely good for them right. they arent dating because "it sucks but it would be worse without each other" they genuinely really love each other a lot

[beaulesbian]

Trigun Stampede 1.02

[opens-up-4-nobody]

RODBT therapist @ the group: Does anyone have any examples of situations that generated complex emotions?

Me: Well... recently, scintists identified the remains of James Fitzjames who died in the Franklin expedition for the Northwest Passage like 176 years ago... it made me feel a lot of things...

[konfizry]

[raccoonnutella13]

why are ppl always so mean about taz :(

[greasydumbfuck]

thinking about frank and sex (in a sad way)

[chompe-diem]

on my extrapolating about characters arc so im thinking about. gorgug and riz. do u ever think of them

gorgug who grew up knowing intimately how much he stuck out like a sore thumb. riz who can count all the goblins in elmville on one clawed hand.

riz who hides behind walls and in dark corners because he cannot stand in a crowd and simply blend in; gorgug who wakes up his whole childhood in a room too small. two people who garner attention that they aren't seeking. riz the rogue whose keen eye notices, knows how people will stare if given the opportunity. gorgug who more often than not sits timidly with his headphones on and hands in his hoodie pocket, who hates the stomach flip when someone assumes he must be a barbarian, and hates the fact that he proves them right.

riz and gorgug who are different in their upbringings, but share the same quiet sense of unbelonging, in green skin and craned necks and cruel cruel assumptions

[carnivalcarriondiscarded]

Fantasy Wally but he talks to everyone like this one tumblr post I can’t find where the warlock calls the party “chat” and the god/demon patron “mod(s)”

“Hey mod this guy’s being mean. Kick em.”

*bandit dies a thousand deaths in the span of a millisecond*

Something like that 😂

this Immediately made me picture Wally & Home making a (poorly set up & executed) joke where Frank is being A Lot while Home is unfolded and Wally just goes "mod, chat is being too loud. ban them" & Home fully grabs Frank and starts to drag him into the building

[redheadedfailgirl]

From 'Dream of a woman' By Cacey Plett.

This sums up exactly how I feel about most transition timelines. As much as they reflect people's experiences, they are also a narrative. And the narratives that get shared the most tell a lot about what our values are. The timelines that get the most attention are the ones where people go from sad, loser, nothing boys into beautiful women.

But if you go to /r/transitiontimelines or a similar place, and sort by controversial or look at what has the least likes, its people who made timelines when they still don't 'pass' yet. Even if they're happy as can be, that's not what people are looking for.

I think it says a lot about what people expect from trans women, that they only want to see us be beautiful. In some cases, that they want to believe they can be beautiful. So there is no value in trans life if you're not beautiful.