#thats not exactly what this post is about
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prof-peach · 3 days ago
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Bit ooc but I have a question. How you do go about planing out your PLA comic? Like how do you actually turn your ideas/ storyline into comic form? Is it chapter to chapter or do you have the whole idea already planned out? Trying to find my own way in comic making so I’m just wondering if you could give any advice. Feel free to ignore if you don’t feel comfortable answering
So, at first this was al i could think to send.
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because its incredibly accurate to my process.
Jokes aside, a lot of how i work is back and forth chaos, fighting with ideas until im happy with them. I will start with a list (usually not written down because im unhinged and keep a ot of it in my brain) and organise it in a way that makes sense to the situation, in this case workign with a game with an established plot...not that its a very strong one.
with a set of ideas, and a game to work around i will ramble and rant to a few choice people who i bounce well off, and also stare into space for hours on end building the ideas. This process can be days, it can be years. For context, i have some notes from 2019 about things i wanted to include that are still relevant. I have been scheming how to break and rebuild this OC for ages. Theres no correct time frame, so long as you simply do the work.
Once i have a fairly loose plan, i start to solidify the benning and the end. What is required to make a character compelling, what makes them believable, what makes them human in a way that we recognise. this isnt always a positive thing, people like to call characters who do bad things problematic, but its human nature to make mistakes and be damaged or difficult, the process of the story is not always rainbows and sunshine. For me, this hits even harder, as im trying to tell a story from the perspective of someone fundamentally broken, so showing those breaks and cracks has to be done wisely.
This is the point where i make notes about things that need to change from the start to the end. And ill say one thing, this story in particular, I have not solidly planned the middle. I am allowing space for me to come up with new ideas at points. Being locked into a dead set of ideas can be quite limiting, and as creators we consume and process things constantly to generate new stories. Id be a fool to make a plan and stick to it. everything i do is vague guidelines.
However, I know exactly how the story ends in Hisui, and where it goes to from there. And i think me personally knowing the end goal makes it easier to plot steps towards that, and some of those steps are anything but progressive.
If nothing else, the end was the only thing i saw clearly, and it has only become more complex and loaded and emotional as the rest of this has fallen into place. If you can see the goal, you can work out how to get there with time.
Regarding the chapters, i tend to draft plan up like 3-4 of them at a time, and then go in order to sketch out one after the other, so i have plenty of time to change things while i adjust. its constantly a process of seeing what you make, seeing issues, and scrapping whole parts just to redraw something better or new, unique even. I dont think a single page ive posted has resembled the very VERY first draft thumbnail ive made, and thats just how i do. Every panel, how big they are, the angle you hand the viewer, the way you light things, the expressions, this all dictates SO SO much.
Taking time over it is kind of the job, and let me stress, this is normally a job done by a team, especially the highly popular comics. one inks, one colours, one shades, one handles text, one edits, theres so many people behind it, so dont be bothered by the pace at which things are made if youre working alone like i am. One person means longer production times, if you can, spread the workload out, but its not required. Its why i always say it doesnt matter how long it takes to make, so long as youre still making.
I think its also worth noting, comics are consumed quickly, the bakcgournds and small details can be lost in the ace of the storytelling, pick and choosing your battles is wise, save your time on panels where you want the reader to shift along quicker, keep that pace high, and add in more detail and depth to panels you want to champion or get the viewers to hang around on more. its ok to let go of a "perfect" image in favour of getting content out, if youre being driven nuts by it. Again, time be damned, be happy with it. And if you can let go of petty details, id suggest doing it when possible, so long as it doesnt effect the storytelling.
I mean what else can i even say. This work is a passion project, I love it, more than i can even put into words, and i think you kind of have to, to make comics without monetary motivation. sure you can get lucky and find ways to make it big, but for most of us, its the love of the story. So maybe try not to be your biggest hater, its easy to slip into the behaviour, so try be gentle on yourself and the process. I should take that advice myself haha! but i really do mean it. This is HARD work, so be kind to yourself over it.
anyway, with a rough idea, a bunch of sketches, and time, they get inked and fussed over, i make a billion changes to layout and story, and eventually posting can happen but not after fighting with the monster that is creating. Idk what else i can say. This is not work for the feint of heart, but anyone can learn to do it.
Good luck, comic artists can always use it!
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schizochroal · 2 years ago
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While I think the current panic regarding ai art being like “theft” (as far as i can tell unless a weird new legal precedent is set what is being referred to as theft would not be considered infringement under US and probably EU copyright law) is probably the most notable instance of it, ive noticed a kind of lack of understanding with what exactly copyright does and does not protect, and how something being “protected�� even works among internet communities (especially digital artists) for a while now.
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lemongogo · 2 months ago
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life of regret
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verflares · 8 months ago
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(click for higher quality!) draconified link concept ive been chipping away at this past week ..... here's my funny little compendium concept for him:
"A heroic spirit has taken the form of this bestial dragon. Unlike it's kin, this creature exhibits an extremely aggressive disposition. It appears highly territorial, and will relentlessly chase down those who disturb its skywide patrols - of which it seems to be endlessly searching for either a long-time vassal or foe. Unfortunately, it seems the spirit within has long since forgotten exactly who it was looking for…"
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newspecies · 4 months ago
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trying to think of a reason [ERROR] is so possessive of the OIAR crew and my current theory is that since the Archives are gone, this thing that might be a remnant of the other universe's Beholding is searching for something else to be the seat of the Beholding's power and took notice of the OIAR because Sam and Alice are the ones that released it (however unknowingly). The OIAR is not only doing something very similar to the Archives, but also clearly has SOMETHING akin to the Beholding attached to it with all the recordings we're hearing and the use of Jon, Martin and (possibly) Jonah's voices. So TLDR I think [ERROR] looked at the OIAR, said "close enough", and claimed everyone there. Anyway I think the tape recorders should bite more people
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doomedclockworkdotmp3 · 1 month ago
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heeyyy gaaanggg
the pose and the background of the album version (left) are based on oingo boingos only a lad album art. not cause i think he has anything to do with it but just cause ive been wantin to draw that pose for like. weeks and i didnt know who to put there. so why not my latest bug man.
#my art#digital art#digital painting#fanart#resident evil 7#ethan winters#goddd PLEAAASEEEE#i havent known if i was gonna post this or not multiple times in the process of drawin this. but ultimately i spent too much time on it to#NOT post it. embarrassment be damned#but at the same time what am i even doin yknow. what is this what is goin on pleaaseee PLEASEEEEE#I DONT KNOW ANYTHING ABOUT RESIDENT EVIL!!! I DONT KNOW N O T H I NG I KNOW LESS THAN NOTHING#HOW?? HOW DID I GET HERE??? WHY DID THIS HAPPEN???? i know exactly the answer to all those questions but it still boggles me how fast this#happened. usually it takes WEEKS if not MONTHS for me to start makin fanart. this was faaasttttt TOO FAST and im like. genuinely constantly#thinkin about this game. im ALWAYS thinkin about this game. part of why this took me so long to do is cause i always wanna play re7 or thin#about re7 in a strange and deranged way. ive actually genuinely been SICK WHAT HAPPENEDDDDDD#im losing it!! anyways this took me a looonggg ass time and i redrew it soo many timmmessss#i did like. 3 lineart passes. the album version i did 3 shading passes. i really struggled!! and ultimately i dont know how i feel about it#like i kinda resent it. for takin so long and makin me suffer so much#never again. never again will i spend that much time on a drawing. i HATE when drawins take a long time. i HATE that. it makes me madddd#ive been insane. ive been so insane. and im not gettin better like i cant sleep sometimes cause im thinkin about this game and this guy and#that gal like i think about them!! so! so much!! oh my god!!#in the time it took me to finish this ive done like 10 sketches for other pieces like. and ive had like 3 ideas ive written down.#and like 50 that i havent written or sketched.#IVE WRITTEN POETRY!! P O E T R Y !!!#i write the occasional poem when im feelin some kinda profound emotion but i NEVER write poetry about media SOBBING#anyways thats the post i think this is the beginnin of the end so lets hold hands and pray. ugh sorry if i get sick. im shakin.
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luck-of-the-drawings · 22 days ago
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EDYN TIDESTRIDER, CHALLENGER OF THE UNDERSEA, RIVAL OF THE DEEP. WHAT WOULD YOU DO IF YOUR BROTHER WAS CHOSEN TO BE A WEAPON OF THE GODS? HOW WILL YOU UNDO WHAT THEY HAVE DONE TO HIM?
#jrwi fanart#jrwi show#jrwi riptide#edyn tidestrider#cw blood#EDYYYNNNN TTIDESTRIDERRR OHH HOW I LOVE HERRRR#THIS IS A PAGE FULLA REEAALLY OLD DOODLES AND REALLY REALLY OLD DOODELS AND NEW DOODLES. ENJOY.#ONLY CLEANED IT UP A BUNCH TTODAY AND IM ACTUALLY SO SO HAPPY W IT WEEEEE#WHAT WAS IT LIKE? DOWN IN THE UNDERSEA. TO VISIT YOUR BROTHER WHENEVER THE ADULTS WOULD LET YOU#A KID WHO DIDNT UNDERSTAND WHAT WAS GOING ON OR WHY HER BROTHER WAS BEING TAKEN AWAY OR WHY HE KEEPS GETTING HURT#OR WHY THE ADULTS JUST KEEP LETTING IT HAPPEN. ITS FOR THE BEST? FATE OF THE WORLD AND ALL THAT? HEY WHO THE FUCK IS IN CHARGE HERE#HOW DO WE STOP IT. HOW DO I STOP IT. THERES PEOPLE OUT THERE WORKING ON SOMETHING. ARITIFICIAL LEVIATHAN YOU SAY?#WE COULD BUILD A THING TO RIVAL THE GODS. WELL. SIGN ME UP. IM GOING TO UNDO WHAT THEY DID TO YOU#WHAT A FASCINATING THING SHE ACTUALLY SAID. 'IM GOING TO UNDO WHAT THEY DID TO YOU' HELLO?? EDYN? WHAT DOES THAT MEAN#WHAT EXACTLY DID THEY DO TO HIM. OTHER THAN THE PROPHECY TRAINING. YOU CAN UNDO THAT? YOU CAN UNDO ALL THAT? HOW?? HELLO???#LIKE SURE I JUST SPOUTED MY THEORIES I THINK SHE WANTS TO KILL GOD BUT THATS JUSTA THEORY... A GA#WHAT IS EDYNS GOAL AND WHY CANT SHE TELL ANYONE OOUUUHHH EDYNNNN CMERE EDYNN CMERRE STOP WALKING AWAY CMERE. COME HERE.#fuuuuuck shes so mysteriousss what is she HIDING!!shes also so so so so angry i fucken know she is. shes so gentle and so sweet and timid#but she is ANGRY and shes SMART and clearly shes AMBITIOUS bc shes TALKING TO THE FUCKING BIG HEAD HONCHO O THE FUCKEN NNAAAVYYYYY#ALSO WHO IS NICHOLAS. IF THATS EVEN HIS REAL NAME. WHO DID YYYOU MEET EDYN. DO YOU HAVE A WISH TO BE GRANTED EDYN???#CHEWING ON THE BARS O MY CELL I NNNNEEEEED TO KNOW MORE ABOUT EDYN IM SO CURIOUS IMG ONNA KILL PEOPLE#i said once in another post 'the oath an eldest sister takes on is on par w that of a paladins-#-and sometimes upheld w the very same ferocity'. I REALLY LIKED THAT LINE.#pleeese... if u can hear me.. pls join me and draw edyn w unbridled plasmatic rage abt the way her brother was treated by the Elders#also pls draw her SCARY. I NEED HER TO BE SSCARY. PLEEASEE I NEED HER TO BE JUST AS VIOLENT AS GILLION BUT INA ICE COLD WAY#JUST AS VIOLENT JUST AS STRONG JUST AS MUCH OF AN AQUATIC MONSTER. im sure u see the vision.#ok i gotta go t bed now i got work in tha morning n i should nnot be stayin up this late. if u hav thoughts abt edyn pls scream abt em#okay byyyyeee goodniiigihhttttt
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vristrogen · 6 months ago
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something about people calling vrisrezi "toxic yuri" always puts me off. i understand the lack of words to really put their dynamic but like you know theyre in a relationship thats largely good for them right. they arent dating because "it sucks but it would be worse without each other" they genuinely really love each other a lot
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beaulesbian · 2 years ago
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Trigun Stampede 1.02
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opens-up-4-nobody · 2 months ago
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RODBT therapist @ the group: Does anyone have any examples of situations that generated complex emotions?
Me: Well... recently, scintists identified the remains of James Fitzjames who died in the Franklin expedition for the Northwest Passage like 176 years ago... it made me feel a lot of things...
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konfizry · 6 months ago
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raccoonnutella13 · 8 months ago
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why are ppl always so mean about taz :(
#every time theres a new arc everyone who only liked balance is like 'oh if u dropped off after balance u have to listen to THIS arc bc its#JUST LIKE BALANCE'#every damn time.#it happened with ethersea a bit but especially w steeplechase and vs dracula#and u get ppl in the notes of these posts saying 'oh yeah i fucking hated everything after balance sooo glad theyre finally doing exactly#what i want them to!!'#like. its ok to have personal preference but dont be mean about it :(#and comparing every campaign to balance is rlly annoying sry#let them be their own thing#stop being so blinded by nostalgia ig#like not to be rude but. i think ppl think balance is the most Perfect Thing Ever but its rlly...not#all the campaigns have flaws but i aint canceling them for that#like what happened with grad#idk its like if balance came later ppl would probably be much more mean about it#bc they wouldnt be blinded by nostalgia as much or smthn#anyways#at the end of the day the mcelroys shouldnt be expected to make a replica of balance every campaign#and thats not what theyre trying to do. theyre doing what THEY personally want to do. like they clearly dont care abt what others think lol#theyre experimenting and having fun#its like. a free podcast with a bunch of silly dudes playing for funsies. they shouldnt have such high expectations or be demonized#in any way#my point being. if i see anyone being mean abt taz u get blocked#>:(#coon speaks#not tagging taz. i dont wanna see nasty ppl in my notifs ty
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greasydumbfuck · 4 months ago
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thinking about frank and sex (in a sad way)
#marvel#frank castle#the punisher#not as in about sex with him but like how hes portrayed in relation to it in the comics if that makes sense#hes just always so deeply uninterested not just in the women but the act itself too like#so many times hes like. not pressured thats the wrong word but like i can think of at least two times i saw#where the women just kinda. walk themselves into his bed. and hes like 'eh idk about this' but then just kinda does it anyway#like i imagine the writers intended for this to be like a cool guy thing yk like ah he gets so much action and he DOESNT CARE cuz hes COOL#but ME personally i cant help but read it like. god idk i dont want to say him letting himself get used and using them in turn#theres this expression 'going through the motions' that kind of feels right here but idk how to explain it#hes just so weird about it. every time. in my mind i cant imagine him ever really wanting it very much#like maybe to feel good sometimes but its never. idk am i making sense am i just saying shit#is he gay asexual missing his dead wife or just so so fucking traumatized and dead on the inside that his body is just an object now#so many fun ways to interpret this#<guy who is not having fun interpreting this#wish i could just project my thoughts into your heads so youd see exactly what i mean cuz i dont feel im verbalizing this well enough#god take a shot every time i say 'like' or 'just'. youll be off your face from this post only#i may be making shit up tbh idk the thought struck me out of nowhere while i was looking at the ceiling
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chompe-diem · 11 months ago
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on my extrapolating about characters arc so im thinking about. gorgug and riz. do u ever think of them
gorgug who grew up knowing intimately how much he stuck out like a sore thumb. riz who can count all the goblins in elmville on one clawed hand.
riz who hides behind walls and in dark corners because he cannot stand in a crowd and simply blend in; gorgug who wakes up his whole childhood in a room too small. two people who garner attention that they aren't seeking. riz the rogue whose keen eye notices, knows how people will stare if given the opportunity. gorgug who more often than not sits timidly with his headphones on and hands in his hoodie pocket, who hates the stomach flip when someone assumes he must be a barbarian, and hates the fact that he proves them right.
riz and gorgug who are different in their upbringings, but share the same quiet sense of unbelonging, in green skin and craned necks and cruel cruel assumptions
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carnivalcarriondiscarded · 9 months ago
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Fantasy Wally but he talks to everyone like this one tumblr post I can’t find where the warlock calls the party “chat” and the god/demon patron “mod(s)”
“Hey mod this guy’s being mean. Kick em.”
*bandit dies a thousand deaths in the span of a millisecond*
Something like that 😂
this Immediately made me picture Wally & Home making a (poorly set up & executed) joke where Frank is being A Lot while Home is unfolded and Wally just goes "mod, chat is being too loud. ban them" & Home fully grabs Frank and starts to drag him into the building
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redheadedfailgirl · 5 months ago
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From 'Dream of a woman' By Cacey Plett.
This sums up exactly how I feel about most transition timelines. As much as they reflect people's experiences, they are also a narrative. And the narratives that get shared the most tell a lot about what our values are. The timelines that get the most attention are the ones where people go from sad, loser, nothing boys into beautiful women.
But if you go to /r/transitiontimelines or a similar place, and sort by controversial or look at what has the least likes, its people who made timelines when they still don't 'pass' yet. Even if they're happy as can be, that's not what people are looking for.
I think it says a lot about what people expect from trans women, that they only want to see us be beautiful. In some cases, that they want to believe they can be beautiful. So there is no value in trans life if you're not beautiful.
#i dont know if this is exactly what the narrative was trying to convey here but it is something i felt while reading it#and i hope thats meaningful to others when shared#i know he's kind of a chucklefuck but i so think 'the queer art of failure' by J. Halberstam has a lot to say about the impetus to he happy#and its conditions#a lot of the time i feel like i have to perform positivity as a trans woman because its whats expected both from women#and from people lucky enough to transition#while at the same time social conditions are worsening and even personally#there arent solutions to much of my dysphoria#regardless of all that you're expected to just be happy even though the conditions for that don't exist#i think being honest about those things#that negativity#can bring its own happiness#and i think thats also valuable#i guess what im trying to say is that i think ugly trannies can be happy and should be valued#i think sad trannies are wonderful and ought to be cherished#and i think people shouldnt have to pretend to be happy in the same way a woman shouldn't have to pretend to be a man#maybe that doesnt make full sense and i need to think harder to communicate my feelings#but thats the vibe rn#anyways#i really like this book and yall should check it out#dream of a woman#cacey plett#trans women#transgender#trans#transmisogyny#transition timeline#i dont mean this post to denigrate timelines btw#just the way that we give certain ones attention and the teleology of transition that follows#books
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