#that’s what a job is. except I’m not getting shit for this

[plaidos]

Please god I've been fighting the fight of "not every single character has to be a canvas for you to project onto, sometimes you can write about and relate to a character who is not exactly like you" and I'm so tired.

This is bitchy and petty but I stopped writing fanfiction for a fandom I really enjoyed because I was one of like three people who wasn't a gay trans man and cared about the actual in text trans lesbians who do shit on screen and not the imagined headcanoned offscreen men who might be gay. It got very very obvious. and everyone was obsessed with this character that never had their pronouns stated in the source material which was very fun! Lots of room for post canon exploration especially when said character is taken from their beurocratic white collar job into a place with more freedom for gender expression. Except they were always gay and transmasc. Every single time they would talk about the character being so relatable to everyone in the fandom now which actually meant they were only ever be gay and transmasc. "Gender neutral character" transmasc. They always meant transmasc. Please god. Get me out of here.

what fandom is this and why doesn’t it surprise me that that’s your experiences 😭 i’m so sorry that sounds so fucking annoying and blatantly sexist

[feng-shui71]

soo since i love your content i wanna ask more ask's muhahaha>:D in all seriousness, how is Jordan's relationship with Chris (or the other S.T.A.R.S members in that case) like i figured that Chris wont be glad after finding out his traitor of an captain is married to his friend/comrade

Ohhh!!! I love asks like these yes yes

Formatted in headcanons because I didn’t feel like writing paragraphs, just thinking of it is giving me a headache. Includes every single S.T.A.R.S. member from Alpha and Bravo team, the rest is under the cut. The lesser known members don’t have a lot of information though and some of them are a bit short because I didn’t know what else to write.

ALPHA TEAM

Albert Wesker:

Not going to put much on these two and their dynamic since I can’t shut the fuck up about them but I’ll drop a few S.T.A.R.S. era tidbits.

Married, however nobody on the force knows except for Irons, Barry and Jordan’s twin, Jaiden. Irons is their employer so he’s obligated to know, and he’s not stupid he could see it. However with Barry, Jordan accidentally let it slip one time and had to make that man swear to secrecy. He regularly teases the two about it.

Guy does NOT play favourites at all which pisses Jordan off. He’s actually way harder on her than the rest of S.T.A.R.S. and expects the best from her, god forbid she hands in a report past the deadline because he’s going to be very pissed. Very firm believer in keeping work and personal life seperate.

When he’s stressed he likes to call her into his office, blinds shut and sunglasses taken off as he holds her. Face buried in the crook of her neck to try to ease the aching migraine that seeningly never goes away. Probably because you got 2 jobs bro.

Speaking of his office they fuck in there all the time sorry

Wesker initially never intended to harm Jordan during the mansion incident and originally was going to try to keep her away from his plans until they were carried out, taking her with him. This obviously failed and Jordan caught onto his true nature because of that one Umbrella researchers photo, confronting him in his lab. Chris was supposed to see those, to confront him, not her. It was foolish of him to bring her. To improvise, he shot her instead and was planning to bring her body with him, infecting her with Progenitor to ensure her safety + turn her into a superhuman like him. Unfortunately the surviving S.T.A.R.S. crew brought her with them so he couldn’t even do that. (Sorry if this bit is wonky, I’m still working on their Re1 lore)

Friendship scale is womp womp an 8/10. Wesker lies far too much to her and manipulates Jordan regularly, scale is nowhere near a 10/10 because of it. Don't get me wrong they have good chemistry and love eachother but y'neow, it's Wesker. No relationship with him is exempt from being toxic.

Chris Redfield:

They’re pretty close I think, she appreciates Chris’ rebellious spirit and honestly just sees a lot of her younger self in him. Chris thinks she’s cool, like an older sister or “girl next door” type and has no clue why a prude like Wesker is so close with her. Little does he know ..

He definitely pisses her off a ton though LMAO he’s so stupid.

I think sometimes it gets a little awkward because she’s like .. 11 years older than him. So some of the dumb shit he says goes over her head and some of the dumb shit she says makes him cringe a little. They get along nonetheless.

“You like Billie Holiday?”

“.. Oh, yeah, yeah sure I love him!”

“… Dude..”

Wesker ABSOLUTELY despises their relationship and does not like how close Chris is to her. He barely voices it, however a common thing he does is bring up negative things about Chris in hopes to deter her from interacting with him. Yeah, he’s controlling. Jordan does get weirded out if, say for example, he brings up a misogynistic remark that Chris said, but she gets over it after a day.

A lot of common interests, they both love Queen! I like to think that if either of them need a smoke they go to eachother since they’re both avid smokers. Smoked weed on the job one time and Wesker had to hose them both down because the office reeked of Alaskan Thunder Fuck.

I think after the Arklay Incident Chris was suspicious of Jordan because of her affiliation with Wesker however this skepticism dies down after he realizes she was also a victim of Wesker’s plans. (cough.. cough. shot.) Alongside this, Jordan vehemently denied knowing anything regarding Wesker’s double life and shared Chris’ intense feelings of resentment and hatred towards the man after Arklay. Chris is sympathetic of Jordan, she felt used and disgusted with herself considering how long she’d been with him, how much of it all was a lie? she fell in love with a facade, a fake constructed persona, hell, did he even love her? spends a lot of his time comforting her and keeping her company because of it.

This sympathy doesn’t last for long though, after Re4 and especially post-Re5 this guy is so sick of her ass for going back to Wesker time after time, he understands Jordan loves him to the point of it being unconditional, which is why she always runs back to him but come onnnn. Girl if you don’t get your ass back here I will smack the shit out of you. Their relationship is definitely strained at this point, tons of resentment between the two. I cover Chris’ feelings about this in this ask.

You guys got a friend where they have a toxic relationship and always go to you for advice but never listen? you tell them the exact same thing every time but don’t go through with it anyway? Yeah that’s Jordan to Chris. She’s the problem here.

"I miss him"

"Shut the fuck up"

They love eachother though.

Jordan thinks Re8 Chris is cute but you will never get this out of her ever especially since she feels guilty about Wesker’s death still. He is rolling over in that volcano everytime that thought crosses her mind. She will never act on this though, widowed Jordan is real.

Friendship scale sat at a 9/10 during Re1. Anything beyond Re4 is extremely strained and sits at a 6/10. Too much resentment.

Jill Valentine:

Uhmmm definitely not as close as Barry and Chris however they are friends, yeah. Her, Jordan and Rebecca stick together at RPD since they’re all women, they try to look out for eachother and talk to one another often. Jordan is definitely close to Jill than she is Rebecca though.

Jordan sees Jill as a bad ass little sister that needs to get her ass whooped sometimes, however Jill doesn’t make Jordan mad to the point of crashing out unlike someone. (Chris) It’s kind of just a mild annoyance like she’ll sigh really heavy if Jill does something stupid.

They definitely gossip a ton though, Jill pulls Jordan aside and rants about whatever is on her mind at the moment, whether it be a guy or something Chris did earlier that day. Literally world’s biggest haters god forbid you wear a terrible outfit around them they are pointing and laughing at you to the point of snorting and wheezing. Brad is a common victim.

She is definitely super sus of Jordan and Wesker and thinks they’re friends with benefits, interrogates Jordan on it regularly and asks her why she’s so close with the Captain. This is a mild accusation though I think Jordan gets flack regularly at the office because of her affiliation with Wesker, a common one is that she “slept to the top hence her position at S.T.A.R.S”

Uhhhmm besides that though I think their friendship is mainly confined to RPD, I don’t think they go out a ton besides the S.T.A.R.S. troupes occasional bar runs. I think either her or Annette would be Jordan’s girl best friends but i’m not sure !

Their friendship is pretty good! I'd say it's around a 7/10

Barry Burton:

These two have the cops from Superbad dynamic. Barry is the Seth Rogan cop and Jordan is the Bill Hader cop. You can't tell me Barry doesn't have the Seth Rogan laugh because he does I mean just look at him. (Jackie and Jordan have this exact same dynamic too)

Cue these two doing donuts in an empty parking lot in their cruiser.

God forbid you catch either of them hungry I think both of them could clear a buffet in like 30 mins tops and they would still be starving. Barry brought her a whole rack of ribs one time while he was barbecuing and it moved her to tears. These two are fat as hell sorry.

Speaking of food I think Barry invites her and their family over when he’s throwing anything, Wesker would rather not but Jordan convinces him every single time. Guy just wants to go home but is forced to be social for hours, I think Barry and the rest of the neighborhood dads kidnap him though and keep Wesker with them, he has no idea what to talk about until cars are brought up and he uses the opportunity to brag about the Porsche he splurged on.

Hands down Jordan’s best friend from S.T.A.R.S. (if we aren’t including Jaiden, Wesker or Silna’s OC, Jackie)

Due to their closeless I think their children are close too. Mainly Junior and Moira, both rebellious little shits who resent their fathers, perfect combo.

Friendship scale sits at a 9/10. Practically family.

Joseph Frost:

Not as close as Jaiden is to him but yeah they’re cool I think.

Honestly I think the Forest, Chris and Joseph trio are all cool with Jordan and Jaiden since all of them are mischievous shitheads who like to cause trouble and have fun while on the job. Jordan doesn’t really join them as often as Jaiden does though. Irons HATES all of them with a passion

“Are you wearing a durag?”

“???? No???”

I think if they got into an argument it’d be the worst thing ever to deal with, both Joseph and Jordan are crashouts due to their temper so they’d 100% be at eachothers throats trying to kill each other. Joseph throws a paper airplane at Jordan’s head, Jordan retaliates by picking up one of the tables in the breakroom and hurling it at the poor guy’s head. Fortunately, Jordan has Wesker to ground her so this doesn’t happen a lot.

Also another reason as to why they never really fought is because they both have that very chipper, humorous and optimistic attitude.

I remember seeing somewhere that his nickname was “Frosty”, I like to think it’s because both Jordan and Joseph’s nicknames were “Joe” within the team so to avoid confusion, Joseph was coined the nickname “Frosty” and Jordan was “Jords���.

6/10 friendship, they're cool with eachother but she flocks more towards the other S.T.A.R.S. members.

Brad Vickers:

Mannnn he is the Family Guy Meg of the friendgroup god bless his soul Jordan thinks it’s funny to make fun of him LMAO

I think she’s like.. okay with him but I don’t think they’re friends, more of acquaintances if anything. Some of the shit he says pisses her off and honestly I don't think he's too fond of her either, she's mean.

I think she’s wayyy more nicer to him than Jaiden is though this guy is a fucking bully. Brad catches strays in every single argument.

Jaiden: “Bro I’m literally prime Michael Jordan like 91 MJ.”

Jordan: “Nah you’re more like Celtics Shaq”

Jaiden: “Shut up, not even, but you know who is? Brad.”

Brad: “Oh…”

Poor guy gets peer pressured to do shit. Like hey Brad!! go lick that pile of white dog shit. Or like hey Brad !! eat this handful of 300 mg edibles that’ll leave you seeing demons. This guy is always like what.. why me ??? until money is mentioned and he jumps on the opportunity. Easy 60 dollars.

The making fun of Brad jokes have to be funny though otherwise Jordan is just going to stare at you

Like there’s a point.

She respects the fact that he works such a profession with an attitude like his, the fact that he can overcome his cowardice in order to pull a job off. Not a lot of people can do that.

Friendship sits at like a 5/10, poor guy just wants to live in peace.

BRAVO TEAM

Enrico Marini:

Another guy who’s super sus of Wesker and Jordan’s relationship. Like his feelings towards Chris and Barry, I think he was scared that she’d take his position as second in command as well. One of the few guys that conspired that Jordan “slept her way into S.T.A.R.S.”

Besides that though I think they’re on good terms. They’re acquaintances at most I feel, really the only thing that keeps them together is the fact that they’re both close friends with Barry and are part of the same team.

Okay so I think this guy is half Hispanic (Maybe Ecuador) and half Italian, hence the Marini last name. Just wanted to throw that out there sorry he is not white he has a little bit of spice.

I think they spar often when Wesker isn’t in the office, gee I wonder where he went.

Again, this is another individual where Jaiden would be closer to them rather than Jordan, they mainly just coexist. I like to think Jaiden is Enrico's right hand man and helps keep Enrico's attitude optimistic in such a profession, nobody has a clue as to how Enrico is so patient with this guy.

Friendship scale sits at a 3, their friendship is strictly professional however they're on good terms, he just gets uhh, envious.

Rebecca Chambers:

Oh my sweet baby Rebecca I love you

Definitely calls her “Bex” or “Becca” as nicknames.

They're both basketball lovers so they definitely play every so often, I like to think when they take their 15, these two, Jaiden, and a few other S.T.A.R.S. members join them for a few games of ball. Rebecca is capable of some nasty crossovers, absolute demon on the court.

Jaiden accidentally posterized her so bad to where she fell face first once and the entire team was fuming at him LMAO sorry he will not pass up on the opportunity to flex. Other than that he's like an uncle to her.

Similar to Jaiden, Jordan assumes a motherly role towards Rebecca and feels inclined to look after her, especially since she's so young and naive, she knows people like to take advantage of girls like that, the world is corrupt and she'd rather not have Rebeca be affected by it. Jordan knows how it feels to be creeped on and it's disgusting, if Rebecca was ever a victim to that Jordan wouldn't be able to forgive herself.

Before Alpha Team was dispatched to investigate the Spencer Mansion, I think Jordan was terrified that something would happen to her specifically (Besides worrying about Jaiden), Jaiden and the rest of Bravo are more than capable of protecting themselves, however Rebecca is a medic with not a lot of combat experience, hence her concern.

Friendship scale is at a 6/10! I'd say they're friends yes but not that close.

Richard Aiken:

Again, another guy she's acquintances with at most.

She thinks he's really sweet though, pretty nice guy. Very appreciative of how protective he is over Rebecca as well, we all love Becca here.

Felt really bad for his girlfriend, Bridgette, after his death. Jordan thought their relationship was really sweet and super cute, seeing another woman so heartbroken over their lovers death made her feel worse.

Friendship scale sits at a 3/10, she doesn't really know him but they do have mutual respect.

Edward Dewey:

Okay there's not a lot known about this guy in general so this'll be short.

Jordan calls him "Speddie Eddie" she thinks it's funny LMAO

Since dance is a hobby they both share I think they like to indulge in it their spare-time, I can see this big guy b-boying, yeah. It's not a thing that's done often though.

She thinks he's very sweet! nicest member on S.T.A.R.S. by far, I think he was the first person on Bravo team she befriended because of it.

Friendship is 5/10. Sweet guy, but he's just an acquaintance.

Forest Speyer:

This fucking guy

Out of all her homeboys he pisses her off the most by far but I think besides Chris and Barry, Forest's one of her favourites. I like to think he's the worst out of the Chris, Joseph and Forest trio I mean just look at him.

This guy is sooo fucking cocky oh my god, they hangout at the shooting range pretty often because that's literally the only thing Forest is willing to do because he's so good at it. Rubs it in Jordan's face everytime, pretty sizeable ratio going 34-20.

She has to call Chris over to humble him every single time

Him and Jaiden's combined ego is horrible they are both extremely insufferable.

I have a feeling this guy is extremely funny though, like snorting and wheezing levels, humour is a characteristic that Jordan loves so I think that's what draws these two together. Common interests in general like tattoos, I think they both like Ed Hardy.

Friendship scale is around uhmm probably like a 7-8/10. They're pretty friendly with one another and she thinks his cocky attitude is a bit charming, albeit annoying.

Kenneth J. Sullivan:

Ehhh

Not that close but this guy is cool

He seems really nonchalant I think she'd go to him for advice and wisdom considering he's the oldest S.T.A.R.S. member

Ball-ups with him are insane he will drop the deepest statement/speech ever and then act like everything is normal.

Okay considering Jordan's a Filipino and one of our martial arts is knife fighting (One of his strengths) I think they'd spar together often so she could hone her skill since she's kinda meh at it. Helps her with posture and getting accustomed to the ice-pick grip.

Kind of hard on her, he's a perfectionist.

Friendship scale is like uhmm, a 4/10. They're cool but they wouldn't go out of their way to seek eachother out

[lafiametta]

Just saw Anora and got so obsessed w Igor its not funny i need to see more posts about him 😭😭😭😭

Igor’s on such a journey and I love it.

Can you imagine: it’s your birthday and you get a call from the Armenian guy you work for to pick him up at a baptism so you both can check on his boss’s boss’s rich-ass useless son and see if he has or has not married a prostitute. You understand the job — look tough, provide a little muscle if the situation calls for it — and once it’s done you can go return your grandmother’s car from where you borrowed it and visit with her for an hour or so before maybe heading out for a lowkey night to celebrate.

Instead, the rich-ass useless son runs away and you end up having to make sure the girl he married — who takes great offense to being called a prostitute, by the way — doesn’t take off too, and because she won’t stop throwing things and hitting you in the face and screaming you don’t know what else to do except restrain her with a phone cord.

And then she bites you and breaks the Armenian’s nose even as you’ve got her in a hold on top of you.

It’s not exactly what Igor had in mind for the day, is all I’m saying.

As an audience, we also get our expectations turned on their head: Igor, who at first just seems like your standard Slavic hired goon, turns out to have a heart of gold, or at least a soft spot just big enough for a beautiful, foul-mouthed erotic dancer with an impressive left hook. (Although he’s no slouch either, considering how he wields that aluminum bat.) There’s something about her that he really likes, even from the beginning, and you can see him looking out for her and trying (mostly unsuccessfully) to make up for what he did to her back at the house.

I think he admires her brashness, and the way she’s determined to fight for the Cinderella dream that a life with Ivan promised her. In both the courtroom scene and on the tarmac with Ivan’s mother he secretly smiles as he listens to her argue and threaten, even against people far wealthier and more powerful.

(There also seems to be a class element, at least where her conflict with the Zakharovs are concerned. Igor probably doesn’t love the fact that he’s employed by these rich assholes and Ani saying that she’s going to take half their money has him silently cheering her on, because, yeah, fuck them. And when Galina Zakharov winks at him after threatening Ani’s whole existence, he has to look away in shame, because he still works for them, and they think that means they own him.)

I’d love to know when he decides to steal the ring from Toros. Maybe at some point on the plane, after he can see that part of her has given up. It’s a brilliant display of rebellion, made even better by the fact that he waits until the very last minute to give it to her. (Would we have heard all that shit about “hunchback weirdos” and “rape eyes” if he had surprised her with it the first moment they were alone? But Igor is secure enough to take all her insults, and probably likes the fact that she feels safe enough to keep roasting him again and again. “Touché, motherfucker?” she says, and all he can do is giggle.)

Which brings us to the car scene.

The ring is an act of atonement, something to make up for what she’s been through over the past two days — some of which he knows he’s responsible for — and one last fuck you to the family that humiliated her. Igor thinks he’s evening the score before he says goodbye, not realizing that Ani sees it as a gesture she needs to pay back to keep feeling like she’s in control. So she gives him what she thinks he wants — what all men want from her.

Igor’s an adaptive, street-smart guy, but he wasn’t prepared for what she ends up doing. He doesn’t resist, though, taking initiative only once she’s fully on top of him and then just to take her face in his hands. Does some part of him know this is transactional? Does some part of him want it to be real the way Ani wanted Ivan to be real? He wants to pretend at least, and tries to kiss her, only for Ani it’s too real, too much, and she’ll fight to make it stop, like she fights for so many things in her life. But the emotions bubble up anyway, and even through the haze of sex Igor can see she’s in pain, so he pulls her in close and lets her cry, steady and silent as the sobs wrack her body like waves.

It’s a scene that neatly mirrors the one from the living room — him holding her as she’s on top of him — now cast as an expression of vulnerability and care rather than fear and aggression. He’s always been strong enough to hold her, but it’s only at the very end that Ani is willing to be held.

[cyus-on-the-internet]

I should get paid money to put up with this shit

[fujii-draws]

OKAY! Chatot rant in tags below! Read at your own discretion.

[hearteyespierce]

god the hits really don’t stop fucking coming do they.

[iliveinprocrasti-nationn]

one thing abt being disabled/chronically ill that some people don’t get is that sometimes body maintenance that ensures you have the absolute minimum amount of function can also be something that takes away a lot of control and autonomy. you can argue till the cows come home that making those decisions to try and help yourself (or realistically to try to make sure things aren’t worse than they already are) is something that exhibits control and autonomy and stuff, but they can be so limiting in practice because they’re things that take up so much time but have to be done to do anything else

[autism-purgatory]

yippee I can’t wait to watch “The yassification of Overconsumption”, I’m sure they’ll be able to be informative and nuanced about this in 20 minutes-oh, ten of those minutes are for a sponsor.

[ep1thymy]

I’m so sad

[joestarfucker420]

going from being ashton all week to being my legal name again is honestly one of the worst feelings in the world

[sunnibits]

anyways not to pull out the “I’m literally neurodivergent and a minor” card but I honestly something makes the whole Discourse™️ thing in this fandom extra funny for me is the fact that I’m a minor (or at least will be for two more months lmao) and most of the people I see arguing all the time are like. grown ass adults in their 20s and 30s. like I’m sorry but isn’t it my job to be annoying and immature on the internet?? and y’all’s job to mind ur own business and be normal???? I think someone missed a memo here like don’t y’all have taxes to do or something 🤨 stop writing 2k+ word discourse posts online and go grocery shopping girl. your bread is literally growing mold as we speak

[campirebitesarchive]

:)

[nope-body]

.

[rafecameronssl4t]

Gold, Coffee, and Mabel || Rafe Cameron x fem!reader

Summary: based on s3 ep 7 with that scene above except it includes reader and Mabel 🥰🥰

Warnings: swearing, other than that fluff!!!

Word count: 1,036

A/n: yeah I procrastinated and wrote this in like 5 mins

MASTERLIST (dad!rafe au masterlist)

divider by @h-aewo

"And you're sure this guy’s good?" Barry asks, his voice tinged with doubt as he glances sideways at Rafe, who walks beside him, hands casually stuffed in his pockets. They round the corner, and Rafe hums in response, clearly unconcerned.

"I mean, we’ve got a lot of people to see today," Rafe adds, a smirk tugging at the corners of his mouth. He doesn’t even look at Barry, his gaze sweeping over the street with anticipation. It’s clear to Barry that Rafe is in his element, the prospect of a profitable day of gold-selling putting a spring in his step.

Rafe was confident, and that confidence was infectious. Today was going to be a good day. Hell, it was going to be a great day. He could feel it in his bones. Barry opens his mouth to ask about the next move, but the words die on his lips as Rafe suddenly comes to a halt.

Barry nearly collides with him, caught off guard by the abrupt stop. "What the fuck?" Barry blurts out, confusion etched on his face. Rafe doesn’t answer, his focus now entirely on a woman sitting at an outdoor table at a nearby café.

Without a word, he strides over to her, placing a hand on her shoulder and leaning down to kiss her, leaving Barry standing there like an idiot. It’s only when he sees the way Rafe's lips curve into a familiar smile that Barry realises who the woman is. It’s you.

“What are you doing here?” Rafe asks, his voice softening, a warm smile spreading across his face as he takes in the sight of you and Mabel. The hard edge that usually defines Rafe’s tone melts away, replaced by something warmer, gentler. You glance up at him, a bright smile lighting up your features.

"Having brunch with Mom," you reply adjusting Mabel so that Rafe can scoop her up into his arms. He does so effortlessly, his movements tender as he cradles his daughter against his chest.

Barry, still trying to piece together what's happening, blurts out, “Shit, almost didn't recognise ya-” , but Rafe cuts him off with a sharp look. "Language, Barry," Rafe says, his voice low and warning, a stark contrast to the affectionate tone he just used with you.

Barry throws his hands up in mock surrender. "My bad, my bad," he mutters, glancing at you with an apologetic smile. You chuckle at his usual antics. "Maybe because of my hair," you say, running a hand through your freshly coloured locks, your eyes bright as you wait for Barry's reaction.

"Looks good," Barry says, genuine in his compliment. You thank him with a nod, your eyes crinkling in the corners. As Rafe settles into a chair, Mabel perched contentedly on his lap, Barry shifts his weight, reminding himself of the job they’re supposed to be doing.

“Country club, don’t we need to get goin'?” he prods, noticing how comfortable Rafe seems, his focus entirely on entertaining Mabel, who giggles at his playful antics. You smile at the sight, feeling a warmth in your chest before you turn to Barry. “Busy day ahead?” you ask, a knowing glint in your eye.

Barry shoots a glance at Rafe, who seems completely absorbed in his role as a father, oblivious to the conversation and Barry’s questioning gaze. “Uh, yeah. Apparently so,” Barry replies with a chuckle, still not entirely sure how this unexpected stop fits into their tight schedule.

“I’m just going to order some coffee for my mom, I'll be two seconds,” you say, standing up from the table. "I’ll come with you. Might as well grab a coffee while we’re here," Rafe says, rising to his feet. He looks down at Mabel, then back at Barry with a grin. “Mind holdin' her for a minute?”

Before Barry can protest, Rafe is already handing Mabel over to him. Barry’s eyes widen in panic as Mabel, with her big blue eyes, stares up at him with a curious expression. He stands there stiff as a board, awkwardly patting her back and trying to figure out how to hold a baby without looking like a complete idiot.

As Rafe and you disappear into the café, Barry glances nervously at the door, silently begging one of you to come back quickly. At first, Mabel seems fine, but then her bottom lip starts to tremble. Before Barry can react, she lets out a wail, her cries escalating quickly. “Fuck—shit! No, no, no, please don’t cry,” Barry mutters under his breath, his heart racing as he tries to bounce her gently, but her cries only grow louder.

Just as Mabel’s wails reach a peak, you emerge from the café with Rafe right behind you. Relief floods Barry’s face, but it’s quickly replaced by anxiety as you approach, your eyebrows raised in a mix of concern and amusement.

“Did you make my daughter cry?” you ask, taking Mabel in your arms, though there’s a teasing lilt to your voice that Barry is too flustered to pick up on. Barry looks like a deer caught in headlights, especially under Rafe’s intense gaze. “What? No! I swear, I didn’t do anything—” Barry stammers, his face flushed, but you laugh, placing a comforting hand on his arm.

“I’m just messing with you. She’s probably just hungry,” you say, glancing at your watch before pulling out Mabel’s bottle. Barry lets out a nervous chuckle, scratching the back of his neck as the tension slowly eases from his shoulders.

Rafe watches the interaction with a smirk, clearly amused by Barry’s discomfort. “Well, we should get going,” Rafe finally says, leaning in to give you a kiss before gently pressing his lips to Mabel’s forehead. She’s already drinking her bottle, her little hands reaching up to grab at Rafe’s chin, making you chuckle softly at the adorable sight.

"I’ll see you at home later," Rafe says warmly, his eyes locking with yours as he leans in for one last kiss. He gives Mabel a gentle smile before glancing back at you, a lingering look full of affection. With a final nod, he turns to Barry, the smile still playing on his lips, as they head off to make a shit ton of money.

[not-neverland06]

conflicted spaces

Arthur Morgan x fem!reader

a/n: He doesn’t get TB in this. Why? Because this is fanfiction and I’m god and fuck canon (I just finished the game, I’m emotionally distraught and needed this)

Warnings: brief attempted SA

Summary: Your father is a gambling man and you’re always the collateral. He refuses to pay the wrong man and now you’re being dragged across country roads to a man you’ve never met. Arthur Morgan, an outlaw down to the bone, is in charge of making sure you get there in one piece. Except, he doesn’t feel right selling a woman off like she’s property.

You’re done being a doormat and letting the men in your life tell you what you’re worth. You’ve got three days to escape him, but you’re not prepared for the reality of the real world.

“Put your hands where I can see ‘em, cowboy.” Arthur’s shoulders tense and he curses under his breath. His hand darts to the revolver on his hip, but the second his fingers twitch towards it he hears a hammer being pulled back. The cool barrel of a gun digs into his neck and he raises his hand in surrender. 

The man behind him lets out a familiar laugh and tugs him around. Arthur rolls his eyes and glares at Dutch. “The hell are you doing?”

Dutch clears his throat, still laughing slightly. “Relax, Arthur, but if I had been an O’Driscoll you’d be dead right now.” Arthur doesn’t point out that the only thing they have to worry about out here are the Lemonye raiders. He’s more focused on why Dutch is even out here. Rarely does he leave Shady Belle to traverse the streets of St. Denis. 

None of them are particularly fond of the place. If he wanted to step in horse shit every other step he’d go to a stable. At least those smell better. Dutch slings an arm around Arthur’s shoulder, tugging him away from the saloon he was heading towards. 

“You’re gonna have to save the cheating for later, Arthur, I need you for something.”

“You know I don’t cheat,” Arthur jokes and Dutch grins at him and it’s nice. This is familiar to him. This feels right. Dutch has been odd lately, the jobs he’s been taking, the risks he’s been imposing, none of them feels like the man he knows. 

Now, Arthur would follow Dutch straight into hell without being asked. But he can’t abide by how he’s putting their people in harm's way. He’s felt like a stranger more often than not and he’s been doubting the people he shouldn’t. Right now, though, he can see the man he knows in the teasing curl of his lips. 

“What’dya need?”

Dutch pauses in front of a tailor and pats Arthur’s chest. “I need you to look prim and proper for a party we’ve got tonight.”

Arthur’s brows furrow cynically and he scoffs. “Someone invited us to a party?”

Dutch hesitates, a stiff smile on his face. “Well, let’s just say someone is interested in our work.” Arthur wants to question him further, he’s hiding something from him. But Dutch is pushing him towards the door of the shop before he can argue. “And get a haircut, we need to look presentable not like a bunch of mountain men.”

Arthur watches as Dutch leaves, something heavy weighing down on him. Dutch doesn’t usually tell people about his plans beforehand. At least not every step of them. But this is odd, he’s definitely hiding something and Arthur isn’t sure he wants to know what. 

With a resigned huff, he heads into the tailor. He has to mentally prepare himself for being stuffed into a starched collar and a stiff suit for the rest of the night. He hates these damn parties, hates having to pretend like he knows what the hell is being said. 

Most of the people that attend are educated or pretend to be. And when he lets it slip that he’s more likely to shoot a gun than read a book they turn on him like jackals. You can’t let them see that you’re different than them or you’ll never get a word in edgewise. 

The only part he enjoys is the booze and robbing them of their money. It’s not like they earned any of it. Most of it was made by breaking the backs of the people they mock for being too poor to afford a fancy suit. 

Arthur takes a deep breath and looks for the cheapest suit he can find in the overpriced shop. 

“Now,” Mr. Crane’s hand tightens around your bicep and he jerks you closer to him. You keep your face impassive, not letting him see just how much he’s hurting you. But you can feel your skin being stretched to its limits by his clammy fingers. “You’re going to behave tonight. I’ve got a few gentlemen I’d like you to meet.”

He looks at you expectantly but you keep your mouth firmly shut. His eyes narrow and he jerks you around roughly. “Understood,” you force the word out through gritted teeth. You’re trying to breathe as little as possible, not wanting to smell his cigar-laced breath any longer. 

Finally, after a tortuously long moment, he releases you. You take ten steps back, smoothing out nonexistent wrinkles from the silk skirt he’d forced you in. You glance out the window of his office, watching as the workers scramble to set up the tables for tonight. You can hear cooks in the kitchen, shouting out orders for the food for tonight. 

Everything must be perfect. Mr. Crane never fails to deliver on his extravagantly indulgent parties. The man himself is the very embodiment of greed. You glance over with a disgusted sneer as he sinks himself into his leather chair and pulls out a wad of cash. 

He catches your eye and sends you a sickly sweet smile. “This,” he waves the money at you and you track the movement boredly. “Is how much you’re worth, sweetheart.” Your brows raise in amusement and you scoff. More than you thought he would put up for you. 

You wonder who he’s going to have transport you. He’ll need you out of the city soon, your father is starting to catch onto what’s happening. It took him long enough. You’ve been missing a month, you’d think he would have put two and two together faster. Then again, he’d never been very interested in you beyond what you were worth to others. 

“When will I be able to meet these gentlemen?” You ask, taking a step towards him. Your eyes dart towards the letter opener on his desk and for a brief moment you picture yourself strabbing it into his fattened jugular. 

But he flicks his wrist and like magic the door opens, his men coming inside and standing resolutely by your side. “Not anytime soon, my dear.” He looks to the men surrounding you and you take in a sharp breath, wishing you’d just taken the chance when you had it. “My associate is feeling quite tired, take her back to her room, please.”

They grab you by the elbows, even though it's entirely unnecessary. You wouldn’t run, and even if you did you wouldn’t get far with the chains he has hidden under your dress. A punishment for the first time you snuck from his home. You’ve been well behaved since then but he doesn’t trust you. 

You’re whisked away without another word. The trek of the stairs is a slow one. They’re forced to help you navigate by lifting your skirts and not tripping on the chains. It no longer brings you any satisfaction to cause a hindrance in any of their days. 

Before, you would think of being an annoyance as a small victory. But it’s not, it never was. It was just a way for them to keep you complacent by allowing you to think you’d done something for yourself. You believe your father used to do the same thing. 

It’s just another way of keeping you quiet. 

When you make it to your rooms, they shove you inside. Like clockwork, you hear the jingle of the keys and then the lock clicks. You sigh and take a step towards your vanity, working on touching up your hair. 

You think the worst part of this must be how well you’re treated. You have meals made by a private chef. Your quarters are decorated more lavishly than they ever were at your father’s house. Yet, you hear the suffocating tick of the clock as it counts down your doom. 

You’re not entirely sure what their plan is with you. You know your father had made a promise to Mr. Crane involving some land. Or perhaps it had been a wager. But as always, you were collateral when your father refused to pay up. 

You know Mr. Crane wants you out of town so that he has more time to negotiate with your father, to call in the interest he owes him. You also know the only reason your father is interested in finding you is because you’re meant to marry the son of a business partner in two months. The money he’ll get from that will be enough to finally pay off his debts. 

Except, now, Mr. Crane tells you that should your father refuse to pay you’ll be married to one of his associates. And the deal he’ll make from that will be enough to cover what your father has refused to pay. 

No matter what, you’re going to be married off to some man you’ve never met and yet again be a quiet trophy on a shelf. It’s a very convoluted situation, one which makes you think leaping from a window might be a better fate. 

None of the men your father or Mr. Crane is in business with are particularly kind. They’ve got more skeletons in the closet than there are in the graveyard. You doubt you’ll live a very happy life with whoever they pick for you. 

You slump forward onto the vanity, trying to fight off the burning feeling in the back of your eyes. You’ve known this would happen for years. Even before Mr. Crane had you kidnapped, you knew that this would be your destiny. You would never get to be one of the free-spirited women who fought for the right to choose. You would always be forced into this role. 

Yet, being so close to it coming to fruition makes you feel choked and suffocated. You can feel the noose around your neck tightening, the hangman’s fingers twitching as he waits to see you drop. 

You dig your nails into your palm, taking in a deep breath and fighting back the wave of despair. Where there is doom, you also see a sliver of hope. Your next journey will be a long one. He’s hiring someone to have you transported to an area further up the map. 

If you play your cards right you might be able to escape while you’re traveling. If you’re incredibly smart about this, thinking with your head and not your heart, you might have a shot at freedom. 

You take in a deep breath, reapplying your makeup and resolving yourself to another night of mindless entertainment. But you hold onto that fleeting feeling of hope. You have a shot, you just have to take it. 

Arthur’s heard of these parties before. Some Mr. Crane fella that likes to blow all his money on food and booze. He indulges his guests and when they’re weakest, gets their secrets from them. He’s a snake and everyone knows it. Yet, missing his party is social suicide. They have no choice but to go and indulge in him. 

Arthur had never had any interest in meeting him or doing any business with him. But Dutch had informed him that’s exactly what’s happening tonight. They’ll mingle for a little while, maybe scout some other jobs, and then Mr. Crane will invite them up to his office for a private discussion. 

Dutch still hasn’t told him what exactly their business with him is. He brought Hosea along tonight so he has to assume it’s not going to be anything violent. But he can’t think of anything else they could be good for. 

“Alright, gentlemen,” Dutch places his hands on Hosea’s and Arthur’s shoulders, a scheming smile on his face. “Try not to embarrass me.” He slips behind them, heading up the stairs of the home. Hosea and Arthur share a brief look before they split up, blending into the background of the garden. 

Arthur lurks near the bar, he knows he should be talking to these assholes, possibly learning something useful. But he can’t be bothered. He orders a whiskey, gaze surveying the partygoers. They’re all loud with painted faces and fake smiles. Not a goddamn person here seems to be genuinely interested in anything they’re doing. 

“First time?” The soft voice beside him catches him off guard. He glances to the side and is surprised to see that you’ve slipped past him. He hadn’t even noticed you slide up next to him. You laugh at the look on his face and it’s the first thing here that seems real. “Sorry, it’s just that look on your face, I recognize the disappointment. You’ve never been to one of Crane’s parties before?”

“No,” he clears his throat, still recovering from the surprise. “Uh, I can’t say I have.”

You suck on your teeth, narrowing your eyes at the people passing by. “They’re not worth the effort. Everyone who leaves here leaves carrying his debt on their back.”

Arthur chuckles a little, lips twitching up into a small smile. He’s surprised by your frankness, most people like to hide behind passive-aggressive digs. He appreciates the straightforward attitude. “Then why are you here?”

You shrug and Arthur finds himself enchanted. He shouldn’t be, he’s never been one for romance. He finds women pretty and he’s been in love before, but he’s never bought into the idea of love at first sight. Or any of that mushy stuff that Mary Beth devours in those books of hers. 

But you are absolutely gorgeous, dressed in a silk dress that’s so expensive he’s sure he could buy two new horses with it. Your fingers and neck are decorated in dainty jewels that you fidget with as you stare down at your drink. When you set your eyes on him again he thinks he might have been struck by Cupid’s arrow. 

“I don’t have a choice,” you finally answer, sending him a stiff smile. “What about you? Why are you here?”

Arthur suddenly remembers himself, remembers why he’s here and what he’s supposed to be doing. The fog in his head dissipates and he’s disappointed in himself. Pretty women have never done anything except get him in trouble. 

“Business,” he answers vaguely. Your eyes narrow and your brows twitch in discontent. Something like realization dawns on your face and you back away from him. The easy attitude you’d carried yourself with is gone, replaced by a vague look of distrust. 

“Right, should’ve known.” You let out a rough sigh and Arthur can’t help but feel like he’s said the wrong thing. “I suppose I’ll be seeing you again soon.” You slip past him before he can ask you what you mean. He hears the faint sound of metal clinking as you walk back up the stairs. 

Something silver flashes under your skirts but he can’t get a good glimpse of it. He feels unsettled as he turns back to the bar. The whole interaction was odd. From how stricken he was with you to how cold you turned. 

He doesn’t know what you saw in him but it was probably for the best that you left when you did. Neither of you needed the trouble the other would bring. He shakes his head, downing his whiskey and muttering nonsense to himself about not thinking with the wrong head. 

It’s not that much later that Dutch is appearing on the balcony and silently motions him forward. Arthur leaves the bar behind and slips up the same stairs you’d disappeared on. Dutch says nothing as he leads Hosea and Arthur through the house. 

The mansion is a maze more than anything. Arthur loses track of all the turns they take and the winding staircases they descend. Finally, Dutch stops them all in front of two large oak doors. He raps once on the door and then lets himself in. 

A large, balding man with a shiny head is perched on top of a leather chair. He looms behind his desk, fingers steepled as he greets them all with a false smile. “Ah, gentlemen, so nice to finally meet you.”

Dutch grins and motions to Arthur, “This is the man who will be doing the transporting, Arthur.” Arthur’s eyes narrow in confusion but he says nothing as Dutch moves to Hosea, “And this is my associate, Hosea. He’s a lot better with money than I am, Mr. Crane. You understand.”

Mr. Crane lets out a boisterous laugh that makes Arthur’s ears hurt and nods his head, his cheeks jiggling with the movement. “That I do! Well,” he waves them forward when they linger in the doorway too long, “come in, come in.”

Arthur closes the doors behind them as Mr. Crane lifts himself from his desk. There are two couches positioned in front of an unlit fire. He takes one of them and Dutch and Hosea take the other. Arthur perches himself on the armrest of their couch, eyes surveying the office like it might reveal the truth of their visit. 

“I trust Mr. Van der Linde has kept this all quiet?” 

“He has,” Arthur grouses. 

At the same time, Dutch says, “Of course, Mr. Crane. I promised confidentiality and Dutch Van der Linde is nothing if not a man who keeps to his promises.” Crane nods, looking satisfied and  Arthur holds back a laugh at how easily he seems to trust Dutch.

“Good, good.” He dips his hand inside his jacket and Arthur’s palm instinctively drops to where his gun should be. Of course, they’d had to give up their weapons before they came into the party, if he does has a gun Arthur can’t do a damn thing. 

But he doesn’t, instead, he pulls out the thickest stack of cash that Arthur has ever laid his eyes on. A loud thud resounds through the room as he slams the bills on top of the table between them. Arthur’s eyes widen and Hosea’s jaw nearly drops at the sight of it all. 

This would be enough to get them out of St. Denis tonight. Shock sours quickly into suspicion. What the hell has Dutch signed up for? “Now, this is the first half. This is simply for accepting the job and,” he gives them all severe looks, “for your silence.”

Arthur shifts uncomfortably on his perch and waits for Mr. Crane to finish. “The other half will be given once the package has been safely delivered.” There’s a certain lilt to his words when he says package that has Arthur’s hackles raising. Whatever is getting delivered is not going to be good. 

Crane turns towards the bookshelves on the wall and calls out, “Darling, won’t you join us?” Arthur figures the man must have lost his mind, they should just take the money and leave. But there’s a loud creak and something like metal gears grinding together. One of the shelves pops open and the panel swings forward. 

You pop your head out, glancing towards Crane and then taking a step forward. Arthur, without even thinking about it, finds himself sitting up, and brushing some of the dirt off his pants from the ride over. 

At first, he’s so confused by seeing you again that he doesn’t realize why exactly he’s seeing you again. Then you glance towards him, a knowing look on your face and it clicks. You’re the package. You’re what he’s meant to be transporting. 

He glares over at Dutch, when exactly did they get into the business of trading women?

Hosea voices his doubts in a much calmer manner. “If I may, sir, why does she need to be delivered so discreetly?”

Mr. Crane laughs and your face twitches unpleasantly. You grimace, glaring at the back of the man’s head with something like murder in your eyes. He doesn’t know what he’s done to cause such a visceral look of hate and he doesn’t want to think about it. This whole situation is bothering him. You’re not here willingly, which means you’re not going to be transported willingly either. 

None of this makes sense. Dutch would never have taken a job like this before, even when they needed the money. And there’s no way in hell a rich man like this one would want to pay a couple of grungy outlaws so much money. There’s got to be some sort of trick in all of this. 

Cran clears his throat, “She’s a daughter of a, well,” he frowns and struggles for the words. “Let’s just say we’re in a hostile competition for a lot of land. This land, boys, could be very beneficial in expanding my business. He’s not interested in selling and, well, desperate times, desperate measures.”

You scoff, laughing slightly at him and rounding the couch. Dutch ignores you, Hosea looks uncomfortable, and Crane continues prattling on without missing a beat. “Should her father not pay me, she will be married to the associate you’re bringing her to. He’s promised me enough land and money to cover what I lost to her father. And if he does pay, she’ll be returned in time for her wedding here.”

Arthur’s eyes dart towards you and you send him a bitter smile. It makes him shift where he sits, hating the way your eyes bore into him. “I just need someone who's not afraid of getting their hands a little dirty to make sure she behaves while she’s delivered to my friend,” Crane glances over at Arthur. He asses him, the bulge of his arms in the suit and the scars on his face, whatever he finds must be satisfactory because he smiles over at Dutch. 

Arthur stands, ready for Dutch to tell Mr. Crane that they’re not in the business of selling women off. But Dutch doesn’t, he smiles at Mr. Crane and reaches for the money, passing it off to Hosea to count. “Well, I do believe my friend Arthur is just the man for the job.” 

“I think you’re right, Dutch.” He stands up now, pot belly nearly bursting the buttons of his shirt, and reaches for Dutch’s hand. “Pleasure doing business with you.”

Dutch smiles and takes his sweaty palm, “You as well, sir.” Dutch walks towards you and holds his arm out. “This way, my dear.” You glance between him and his elbow before rolling your eyes and reluctantly placing your hand on his arm. You follow him silently and obediently, no fight is left in you. Hosea follows after you both, a concerned look on his face. 

Arthur remains in the office, standing dumbfounded and staring at the doorway you’d disappeared through. He’s struggling to process what just happened. Arthur has helped people get home safely before and provided protection. But he’s never been one to traffic a hostage. 

Crane glances up, finally noticing him still standing there. He walks past him, patting his shoulder as he does and giving him an approving smile. “Don’t be afraid to take care of her should she get out of hand.” He’s nearly out the door but he looks back and adds, “Just don’t bruise her too much.”

Arthur’s fingers twitch for his revolver once more and he’s never wanted to shoot a man more. But he knows Dutch is waiting for him and he’d never make it out of here alive if he started a fight right now. Reluctantly, he makes his way out of the manor and towards where you’re all waiting for him. 

He’s fuming by the time he stops in front of Dutch. He’s trying to help you onto his horse and Arthur finally realizes what the metal sound he heard earlier is. There are chains around your ankles and you can’t maneuver yourself on the saddle. 

His eyes narrow and he glares at Dutch, “What the hell are you doing? We’re selling women now?”

Dutch glowers at the tone of Arthur’s voice. You watch them both passively, fiddling with the rings on your fingers and looking unbothered by the entire situation. “Watch yourself, Arthur,” there’s a clear warning in his tone but Arthur’s too upset to care. 

They’ve done a lot of bad things. They weren’t good men. But this was just going too far. “We need this, Arthur. You want to get out of here, you want to keep our people safe?” Arthur let out a deep exhale, gritting his teeth together and nodding reluctantly. Dutch huffs, “That’s what I thought. We’re not selling anyone, Arthur. It’s a simple delivery.”

His jaw clenches as he watches Dutch struggle to help you again. “It’s not going to work,” you inform Dutch. You lift your skirts, flashing him the chains he hadn’t seemed to notice yet. Neither of you gets a chance to say anything as Arthur pulls out his gun and shoots the lock off. 

He feels a little guilty at how startled you look. Your eyes widen until they look like they might bulge out. Your hands fly up to cover your ears as the sound rocks through you. It breaks violently through the silence of the night. 

Dutch turns and gives him a stern look, “Have you forgotten the meaning of subtlety?” Arthur can tell he’s trying not to shout and drag any more attention towards you all. 

Arthur glares at Dutch, something wicked brewing in his stomach. “The lady wouldn’t be able to ride a horse like that.” He mounts his horse and rides off without a look back. He can’t stand to be near you or Dutch any longer. 

The reality of what they’ve turned into hits him like a bag of rocks and it makes him irate. They’ve never been these people. Never traded a person off like they were an object. He’s sure plenty of people in camp would have a problem with this. But he doubts Dutch will let them know the truth until the job is done. 

And by then, everyone will be too happy with the money to complain. Dutch is nothing if not good at saving his ass. He’s hitching his horse as the rest of you ride into camp. He lingers by Diablo, resting a hand on the thick neck of the shire while Dutch helps you off the saddle. 

His eyes narrow in on the way Dutch’s fingers glide along your waist as you jump down. You take a step back the second your legs are steady sending Dutch a dirty look that almost makes Arthur laugh. 

He starts towards Dutch, ready to try and reason with him again. But he holds his hand up and walks away, not even giving him a chance to speak. Arthur lets out a rough sigh as Hosea comes up behind him. 

He pats his shoulder comfortingly, “You should get some sleep, Arthur. You’ll ride with her to Strawberry tomorrow morning.” He almost walks off but he whispers a quiet, “I’m sorry,” before he goes. 

Arthur glances towards you but you’re looking around the camp, eyes lingering on Javier as he sings by the fire. He swears he almost sees you smile but it's gone as quickly as it came. He takes his hat off, running his hand through his hair and letting out a tired sigh. 

“Alright, come with me,” he starts towards the house. It takes a minute to realize you’re not directly behind him. When he looks over your shoulder he sees you with your skirts lifted, tiptoeing through the mud and trying not to get your pretty skirts dirty. 

He rolls his eyes, storming back towards you. Your eyes widen at the look on his face and you stumble back a few steps. Undeterred, he bends over, throwing you over his shoulder and walking towards the house. 

Your hands claw at his back, desperately grasping onto his shirt so you keep your balance. He storms up the stairs, ignoring the alarmed looks he gets from others in camp. He can already hear them whispering, wondering who you are and why he’s dragging you into his room. 

They can make up whatever the hell they want. Arthur’s too pissed off to give a shit about rumors tonight. He drops you unceremoniously onto his bed and storms back out. He heads downstairs, rooting around in one of the chests for some extra clothes. 

You won’t be able to ride to Strawberry in those ridiculous clothes. You’ll need some pants if you’re going to sit on the horse properly. He tucks the outfit under his arm and makes his way back to you. 

When he opens the door your hand immediately darts away from his shaving kit and shoves itself under your butt. His brows furrow as he catches a flash of silver in your hand. He places the clothes down on the end of the bed, eyes drifting towards his shaving kit. Sure enough, his razor seems to be missing. 

He lets out a sigh and you tense up, hand clenching around your prize. He briefly debates taking it from you. But he figures you should be allowed a modicum of comfort. Even if you did try and use it against him it’s dull, he hasn’t sharpened it in a while and you wouldn’t be able to do much damage anyway. 

He lets you keep it, leaving you on your own without another word. He can hear the exhale of relief you let out when he walks away and it makes him feel just a little better about this. At least you’re not completely terrified. 

You change into the clothes Arthur gave you. They’re a little big, but you appreciate the pants. It’s much better than the ridiculous dresses Crane had you in. You collect your dress and toss it out the window of Arthur’s room, watching it sink into the mud pit below. It brings you some satisfaction to see Crane’s pretty silk getting ruined. 

You take off the jewelry you’d been given and stuff it into your boots. If you did manage to escape while you were traveling with Arthur then you were going to need some cash. You could sell off the jewels and hopefully, it would be enough to keep you comfortable. 

It feels nice, to wear real clothes. Not being dressed up like a doll for once. You envy some of the women here, who can wear what they want. There is an appeal to the outlaw life. As long as you’re on the right side of it, which, currently, you’re not. 

You slip out of the house before anyone has a chance to retrieve you. The whole night you were curled up around a dull razor with your eyes wide open. Spending a night surrounded by outlaws isn’t exactly restful. 

You figure you might as well try and walk around before you’re on the back of a horse for the rest of the day. There are more people up than you’d expected. Luckily, you don’t see Dutch around anywhere. You don’t feel like having to deal with any more of his false charm or empty apologies. 

The same man you’d seen strumming his guitar the night before is asleep next to the dying fire. A blonde woman catches your eye, she’s walking past some other women in dresses. They’re still asleep but she looks like she’s been up for hours. 

There’s a bit of blood on her pants and you briefly wonder what she’d been doing. “Who are you?” She asks, surveying you from head to toe with suspicion in her eyes. 

“A package,” you tell her bluntly, walking past her towards the only lit fire of camp. She follows you, a wry grin on her face as she watches you pour yourself some coffee. 

“You’ve got a real attitude, I like it.” 

You huff out a laugh, taking a sip of the burnt coffee and giving her a brief smile. “I’m sure my future husband won’t.” 

She rolls her eyes and scoffs, waving you off. “Husbands, good for nothing. I loved mine but he was useless as a sack o’ flour. You’re better off without them.”

Your smile turns strained and you look down at your feet, at the boots that aren’t your own. You’ll never get to dress like this again. Or speak like this to a woman who isn’t afraid to voice what's on her mind. 

“Yes, well,” you shrug and meet her eyes again, “I don’t seem to have much of a choice.”

Her eyes narrow and she frowns, “What’s that supposed to-”

“Mrs. Adler!” Dutch’s voice booms from across the camp and forces the others awake. Most of them grumble, but they’re quick to get started on morning chores. “I see you’ve met our guest,” he says your name with a flourish that almost makes you laugh. 

He’s a good actor. He’s especially good at covering up his mistakes. “Yeah, what’s going on, Dutch? Who is she? Why don’t you guys ever let me in on this stuff?” She fires off questions rapidly, you almost don’t catch them all. There are clearly underlying issues here other than your unexpected presence. 

“In due time,” he assures her, laying the charm on thick. But even you can tell he’s full of it. He’s not planning on letting her in on anything unless it benefits him. “And this is our guest, her fiancee has paid us handsomely to provide her safe passage back to him.” 

He walks towards you, laying a hand over your arm and squeezing slightly. You give Sadie a stiff smile and let him lead you away. “I do believe it’s best that you just wait for Arthur, dear.” He gives you a look that lets you know it’s an order, not a suggestion. 

Still, you play along, “I think you might be right, Mr. Van der Linde, thank you for the hospitality.” You run a tired hand over your face, sitting down on the stoop of the house and finishing off the rest of your coffee. Dutch watches you for a while, never straying too far from where you are and intercepting anyone who asks about you. 

He spins quite the romantic tale of your lost love and how he desperately wants you back. You wish it were true, that you were living out some wonderful fairytale and were about to be reunited with the love of your life. Instead, it feels like one long walk to the gallows. 

The wood creaks behind you and you don’t need to turn to see who it is. “Ready?” Arthur asks and you figure he means, ready to leave freedom and happiness and the will to live behind? 

No, “Sure,” you toss the rest of the coffee into the grass and leave the mug on the stairs. You get to your feet and let him lead you towards the horses. He shares a brief look with Dutch as you pass by him but it doesn’t look entirely pleasant. 

He makes his way toward a towering black shire and your eyes widen in horror. “What’s this?”

He works on saddling the horse up, not paying much attention to you. “This is Diablo.” You take a step closer and the horse starts huffing, swinging his neck towards you with his lips pulled back. You jump back a step back, eyeing him warily. 

Arthur glances over and lets out a low chuckle, “He won’t bite. He’s just curious.”

“Mhm,” you give him a disbelieving look. “You’ll have to excuse me for being wary, I’ve not met a lot of horses.”

Arthur looks a bit shocked by your admission. “Really?” He questions, sounding doubtful. 

You give him a brief smile and nod. “Hard to believe, I know, but I’ve lived a very sheltered life, Mr. Morgan. Haven’t had many opportunities for exploring on my own.” 

He opens his mouth, looking like he wants to say something. At the last second, he stops himself, instead taking a step closer to you. You flinch away from him when he reaches for you and he lets out a sigh. “You can’t spend the next three days terrified of him, come on.”

He coaxes you forward and you reluctantly step closer to the beast. He chuckles at the scared look on your face. You don’t appreciate how much amusement he’s gaining from this. “Come on,” he mutters, taking your wrist and leading you closer to Diablo. 

The damn thing is named Devil, how could you not be terrified of it? 

“He won’t bite, I promise.” You don’t trust him but he doesn’t give you much of a choice. He presses your open palm to Diablo’s nose and you wince, bracing for him to lash out at you. 

But he doesn’t, he lets out a soft knicker and it seems like he doesn’t even care that you’re there. You let out a relieved laugh, running your hand tentatively over his muzzle. It’s shockingly soft and oddly squishy. 

He doesn’t seem to mind as you awe over him. You smile and glance over at Arthur but it drops when you see the odd look on his face. He seems perplexed by your reaction and you can’t fathom why. “You really never have ridden a horse before, have you?”

You shake your head, “No. I told you.”

He purses his lips and nods. You don’t know what it is about this that’s bothering him and you don’t care to ask. If he doesn’t believe just how strict your upbringing has been then fine. “Alright, come on, we need to get a move on.” 

He leads you around to the saddle and helps you up on the back of the horse. It’s beyond odd, sitting on something in pants. Getting to spread your legs freely is something you are going to greatly enjoy during this journey. 

Arthur takes off without much warning and you yelp, throwing your arms around his waist to steady yourself. He glances over his shoulder at you but says nothing. You turn your head, watching as the camp gets smaller and smaller. 

The people mill about, greet each other, and break bread together. It hits you suddenly, this will be the last time you get to see people being free. If you don’t get out, if you can’t escape, your life will be filled with starched collars and powdered faces. You’ll never have a genuine conversation with someone again. You’ll be turned into pretty jewelry hanging off the arm of a man you never met. 

The ride to Strawberry is three days at least. You have three days to get your plan together and to escape. You almost feel sorry for Arthur and the repercussions he’ll have to face losing you. But not sorry enough that you’re not gonna try. 

Arthur’s speed evens out and you let your arms relax, easing away from him slightly. Your wrist jolts against the gun on his hip and you eye it curiously. If you had a gun there would be no doubt you could escape. You see Arthur’s fingers twitch on the reigns of the horse and you move your arms higher up his torso. 

You doubt you’ll be a quicker draw than he is. He is an outlaw after all. You don’t think he’d have many qualms about delivering you to your fiancee with a few extra holes in your gut. Your mind drifts to the razor in your pocket and you consider it for a moment. 

You’re sure you’d be quick enough to just whip it out and slit his throat. You sigh and dismiss the thought. You were a lot of things but you were not a murderer. There are lines you can’t bring yourself to cross. Besides, as wicked as what he’s doing to you is, you know he’s a good man. 

It was an instinctual feeling. Mr. Crane and your father were both horrible, evil men. They knew nothing but greed and would never be satisfied by all the riches they reaped. They were the type of men you looked at and knew deep down that there was nothing left to save. 

Arthur has undoubtedly bad things. You don’t become an outlaw without spilling some blood. He was weathered and rough from a hard life, but that didn’t mean there was nothing good left in him. You won’t have his blood on your hands, no matter how much you might want to get away from him. 

As grateful as Arthur is for the silence, it is odd. He’s helped a few ladies find their way back home before and for some reason, they seem to think he’s the best listener in the world. It seems everyone who rides with him wants to tell him their life stories. 

You’re completely silent, though. He has to keep looking back just to make sure you haven’t fallen off the back of the horse. You’re pretty complacent, following along with whatever Dutch said and coming along quietly. You seem beaten down, the fight dragged out of you. 

He wonders what Mr. Crane had done to you. A few times, he’s seen just a glimpse of the spark that used to be there. But it was snuffed out before he got a chance to know it. He almost wishes you would talk. It would distract him from what he was doing right now.

It didn’t feel right, bringing you along to marry a man you’ve never even met. He has to keep reminding himself that it would have happened no matter what. Ladies like you are always sold off into a profitable marriage. The only thing he’s doing is switching up who the fiancee might be. 

None of that makes him feel better, though. He should be helping you, not dragging you away to your worst nightmare. But, his people come first. The amount of money Dutch’ll get from this will be enough to get them all out of here. This could finally be the last score. 

You gasp behind him and he whips his head around, immediately expecting someone to be following along beside you both. Maybe your father’s men or just some raiders. But he doesn’t see anything except a herd of deer running through the trees. 

His brows furrow in confusion and he glances back at you. You’re watching them like they’re something spectacular. Arthur’s always been a fan of the quiet beauty of nature. He appreciates them in ways most folks don’t understand. But you’re looking at ‘em like you just found God. 

“Never seen deer before?” He teases, chuckling a little at your reaction. 

You startle, not realizing he had been watching. You clear your throat and look away from them sheepishly. He almost feels bad for ruining the moment for you. “No. No, I haven’t.” 

He knows it's possible, but it’s astounding to him that someone truly lived their whole life in the city. It just doesn’t seem right. Cities are full of shit, smog, and bad people. Not even having a moment out of that your whole life seems like torture. 

“I’ll just enjoy it while it lasts,” you mutter, eyes darting back to the tree line. But the deer are gone and you don’t look very interested anymore. 

“Right,” he shifts forward, the air between you awkward. He’d only meant it in jest. He didn’t mean to remind you of what was about to happen to you. He doesn’t like the silence, not this time, it feels wrong. It makes him stew in his shame and that’s a nasty feeling. 

Selfishly, he prods you for more. “A few days on the road, you’ll be eager for the city again.”

You laugh but there’s no humor to it. “I very much doubt that Mr. Morgan.”

“Arthur,” he corrects, “just call me Arthur.”

“Right,” your tone remains cold, “well if you don’t mind Arthur, I’d like to ride there in silence.”

He's got no other choice but to comply. If you don’t want to talk he won’t make you. He just wishes he could make this a little easier for you both. 

Camping is something. You don’t have a word for it. It’s nice to be out in nature and embrace it for the first time in your life. But you really would not mind the comfort of your bed right now. 

Rocks digging into your spine and head do not make for a good night’s sleep. You’ve been lying in front of the fire for hours, flipping around uselessly. It doesn’t matter how much you shift, the rock stays digging painfully into you. 

You let out a loud huff, flopping onto your back and glaring up at the starry sky in defeat. At least the view is nice. In the city, you can’t see the stars. The smoke’s too thick and you never get a good look at them.

Out here, they almost feel fake. They’re so bright and beautiful, you thought the paintings in the museum had always been exaggerating just how breathtaking a night sky can be. But you were wrong. And you hate that there’s a potential future where you’ll never get to see this again. 

“Would you quit squirming so damn much?”

You shoot up, resting on your elbows and glaring over at Arthur. He’s got his hat over his eyes, arms crossed, and looking like he’s been asleep for the past few hours. You hadn’t realized you’d been keeping him up. 

“Some of us aren’t used to sleeping outside,” you hiss, throwing yourself back down to the ground. He doesn’t say anything for a while and you figure that’s the end of it. You clench your eyes shut, counting sheep in your mind and trying to force yourself asleep. 

You hear boots crunching across leaves and your eyes fly open. Arthur’s standing over you, hands propped on his hips as he glares down at you. “Can I help you?” You snap when you get tired of the staring. 

He scoffs and shakes his head, kneeling to be eye level with you. You’re startled by the proximity, an odd heat creeping up your neck. “Come on, I’m gonna tire you out. Maybe then you’ll get some sleep.”

You gasp, astonished at the audacity of his suggestion. “Excuse me?” You demand, tone incredulous. 

His brows furrow before he shakes his head and rolls his eyes. “Not like that,” he grouses. “Get up,” he doesn’t give you much of a choice. He places his hand under your back, shoving you onto your feet. You stand with a slight stumble, glaring at him as you brush dirt off your shirt and pants. 

You can’t help the snotty tone of your voice as you ask, “What are we doing?” 

“Huntin,’” He answers gruffly, going over to the horse and taking the bow out of his saddle. 

Your brows furrow as you recall the few stories your father told you of hunting bison. “Aren’t you supposed to use a rifle?”

He shakes his head and nods towards the treeline. You glance back at the fire before reluctantly following him into the dark forest. The moon is full enough that it provides just enough light for you not to be terrified of what’s lurking in the underbrush. 

“Got a friend,” he tells you, kneeling and glancing at some tracks on the ground. “Taught me how to hunt properly. Bows are quieter, less disruptive, and they provide quicker, cleaner kills.” He looks back at you and motions towards the arrows, “Less pain for the animal.”

Your face slacks with something like astonishment. All you’d heard from your father was the thrill of the hunt, the satisfaction of the kill. He never mentioned keeping anything from the animal, using it for meat, or about how long it took for them to die. You’d never thought there was anybody who actually cared for the creature’s comfort as it died. 

You suppose there’s going to be a lot about Arthur that’s different from the men you know. 

“Arthur,” a twig snaps behind you, and your eyes widen. You drop your voice to a whisper, not wanting to draw too much attention towards you both. “I don’t want to kill anything,” you hiss.

“Ha!” He barks out a laugh and you purse your lips in irritation. He stands and looks at you, chuckling again before shaking his head. “I wouldn’t be so confident in your huntin’ skill, kid.”

You click your tongue and glare at him, “Don’t call me that,” you snap. It’s the same patronizing nickname your father loved to use on you and you detest it. He raises his hands in surrender and you roll your eyes at the smirk on his face. “Then what’s the point of this?”

He shrugs and heads further into the trees, you have no choice but to follow along behind him. “Figure you should be taught a few skills before I get rid of ya.”

You want to argue with him that there’s no point. If you are given to Crane’s associate, you’ll never set foot in the woods again. However, if you do manage to escape him, learning a few survival skills wouldn’t be a bad idea. 

So, you keep your mouth shut and let him lead you through the forest. “How do you know where to go?” You ask, trying to figure out what it is he keeps looking at in the mud. He waves you forward, moving you so you’re standing directly in front of him. 

“You see that?” You have to squint, relying solely on the light from the moon, to make out what he’s pointing at. There are some tracks in the mud that look vaguely like hooves. “It’s buck tracks, you can tell by the size.” He kneels and when you don’t follow he tugs you down by the sleeve. “You can’t rely on just the tracks, though. You have to look for other signs of ‘em.”

You glance around, noticing some crushed twigs and grass a few feet ahead. “Like that?” You point towards it and he huffs in amusement. 

“Caught on quicker than I thought.”

You feel vaguely offended by that but don’t bother voicing it, just glare at his back as he gets up. You walk silently through the forest, letting Arthur show you which tracks to follow and which to avoid. You’re not comforted by how many cougar prints you find. You stare up into the branches always expecting something to already be looking down at you. 

Miraculously, no wild cat chooses you for dinner as you track the buck down. You find him near a small stream, antlers dipping into the water as he takes a drink. He’s got to be one of the most gorgeous creatures you’ve ever seen. 

You’ve lived your whole life in St. Denis. The most you’ve seen are overworked carriage horses and mangy dogs. No life slips through the cracks of that place. There’s just smoke and misery. This is nature, real beauty. It’s breathtaking, the way the leaves ripple in the wind and the starlight reflects in the water. 

You can’t imagine seeing this and wanting to tear it down to put up an oily machine that contributes nothing to the earth but death. It just makes you hate your father more. It also makes you more resolved to not be forced back into that life. You can’t do it. You can’t have this one taste of freedom and then let it go without a fight. 

Arthur pulls the bow out and nocks an arrow. You glance between him and the buck and rapidly shake your head. “No,” you hiss, “I don’t wanna kill it.”

He rolls his eyes and moves you in front of him. You don’t have much choice as he places your hands on the string and guides you into the right position. “Relax,” he murmurs in your ear as you fight against his grip. “You ain’t gonna kill it.” 

It doesn’t bring you much comfort, but if you’re going to make it on your own, sometimes you’ll have to do something you don’t like. “Now,” his hand drifts down your bicep and you suck in a sharp breath. “Don’t hold it too long, you’ll get tired.” 

It’s dawning on you just how close you both are. You’re kneeling on the ground with him behind you, essentially cradling your body to him. You’ve never been this familiar with a man before, it’s making your brain short-circuit. You can hardly pay attention to what he’s telling you. 

He lifts your elbow slightly and points you towards the left. “You need to keep your arm steady even after you let go or your aim will be off. Take in a deep breath and release on the exhale.” You give him an apprehensive look, still not wanting to hurt the buck. He just nods and there’s something in his gaze that lets you relax slightly. 

You release the string and the arrow flies over the buck’s head, burying itself into the tree behind it. Its head shoots up and it turns towards you both before dashing off. You let out an astonished laugh, glancing down the bow and then back at Arthur. 

“My god, I’ve never shot anything before.”

“Congratulations, you’ve killed your first tree,” he remarks dryly, but you see the glint of humor in his eye. 

He gets to his feet and offers you a hand up. You smile up at him, undeterred by his attitude. “Thank you for this,” you tell him earnestly. He gives you an odd look but nods anyway. He doesn’t understand just how important this is to you. Knowing how to do something like this is the difference between life and death when you’re on your own. Of course, he doesn’t realize you’ll be making an escape attempt soon. 

He retrieves the arrow from the tree and you run your hand over the curve of the bow. You wonder just how much he’d miss this if you took it from him. 

Arthur’s tearing down the camp and you’re standing by Diablo, feeding him some apples. You stroke absentmindedly over the horse's muzzle, watching Arthur intently. He’s too busy pulling the tent apart to be paying attention to you. 

You got better sleep last night than you did at Crane’s. He was right, hunting had tired you out. You were eager enough to sleep that you didn’t even feel the rough ground underneath you. He seems to be a little more lax about his watch over you. 

Something about last night must have eased him into a sense of comfort that you’re not going to run. That’s his own fault, though. You glance over the curve of the hill, noticing a carriage that will be passing by soon enough. 

You look back at Arthur and ease slightly away from Diablo. Arthur is still collecting the blankets and rolling them up. He turns towards the dying fire and tosses the rest of the coffee out. You take another step back and he keeps his back to you. 

Slowly, you release Diablo’s reigns, giving him one last apple before you turn on your heel and run down the hill. Your foot slips out from under you and you let out a loud yelp as you go flying headfirst down the grass. 

You land on your back with enough impact to make the breath rush out of you. But your descent is still going and you’re flipping over headfirst into the road. You slide forward, the dirt scraping up your chin as you cough and try and catch your breath. 

“Look out!” You roll out of the way just before the carriage rolls over you. Someone shouts your name from the top of the hill and you see Arthur glaring down at you. He starts towards you and you scramble to your feet. 

“Stop!” You scream, waving your arms wildly and chasing after the carriage. The man gives you a bewildered look as you throw yourself at him. “Please, sir, I’ve been kidnapped, you must help me get back to my husband.”

The man looks behind you, sees a very angry Arthur bellowing out your name, and moves to the side. “Hurry up,” he urges, giving you a hand on the bench beside him. You let out a relieved breath, taking his hand and throwing yourself the rest of the way up. 

He whips the horses, hurrying them along all the while Arthur is yelling after you. It’s not hard to believe that he would kidnap you. He looks half-crazed as he follows along behind you. You turn over your shoulder, giving him a brief wave and a smile. “Thanks for the help,” you tell the man beside you. You offer your hand and name. 

He glances down at it but doesn’t take it, instead looking forward and ignoring you entirely. Something uneasy settles in your stomach but you push it aside. You blame the feeling on the adrenaline still pumping through you. 

“Where are you headed?” You ask, glancing into the back of the carriage. You notice some moonshine and a crate full of guns but decide not to question it. 

“Said yer husband’s waitin’ for ya?” He demands, completely ignoring your question. You stare at the side of his face but his expression isn’t giving anything away. He comes to an intersection. You see a sign pointing towards a town and figure he’s going to take it, but instead, he pulls onto a smaller trail leading to the woods. 

“Um,” you clear your throat uncertainly, glancing back at the sign. “Yes,” your voice cracks and you know you sound like you’re full of shit. 

He laughs and the sound sends chills down your spine. You rip your eyes off of him, looking down at the horses and suddenly realizing just what you’d gotten yourself into. “You sure about that, little lady?”

Something cold digs into your side and you gasp quietly, looking down to see a gun pressed against your ribs. “You scream, run, or do anythin’ to piss me off and I’ll put a fourth hole in ya.” When you don’t say anything he digs it harder into you. “Understand?” He growls and you can do nothing but nod your head. 

You want to move, want to shove him off the side of the carriage and make a run for it. But you can’t, you’re frozen solid. You’re so petrified with fear you can’t even blink. You think you’re holding your breath, as if taking in air is going to set the gun off. 

He grins, a blackened curl of lips over rotted teeth, at your obedience and comes to a stop in the trees. “What are you doing?” You whisper, staring at the secluded area with a newfound sense of horror. 

“Shut up,” he snaps, his voice echoing through the quiet of the woods. You hear no birds or animals and you feel so alone it makes you want to cry. He gets off the carriage and turns towards you. “Down,” he demands. Your eyes dart towards the reigns of the horses and he pulls the hammer of the gun back. “Don’t even think about it.”

You lift your hands in the air, slowly slipping down the seat. He doesn’t appreciate you taking your time He grabs the front of your shirt, jerking you further into the trees and tossing you to the ground. 

You let out a rough groan at the impact, blood staining your shirt as your elbow slips across a jagged rock. It’s like something is snapped loose in your mind. He comes stomping towards you, kneeling between your spread legs and it finally clicks. 

You lunge forward with a shout and he rears back in surprise. You wonder how often someone’s actually fought against him or just let it happen. You don’t want to die, you don’t want to get shot by this scum, but there are a lot of things worse than dying. 

You grab the arm holding the gun, jerking it around, and knocking it out of his hand. “You bitch!” He hisses, bringing his open palm down across your cheek. The smack rings through the trees and ricochets through the air. Your head whips to the side so hard you think you might have snapped your neck. 

Blood dribbles out from your lips, your teeth having bitten into the fat of your cheeks. You spot the gun nearby, the silver of the barrel glinting from under the leaves. Just as you reach for it, he’s wrapping his hands around your ankles and dragging you back towards him. 

You feel like screaming as your hands desperately grasp at the dirt underneath you. But there’s not enough air to scream. You dig your nails into the mud, feel them split against the rocks, and kick at his chest hard enough to make him lose his breath. 

His grip on you loosens and you throw yourself at the pile of leaves. Hands groping for something solid. Just as he flips you over you wrap your hand around the handle of the gun. You pull the trigger and the bang is deafening. 

Your ears ring and your hands are trembling from the recoil. His jaw goes slack and he tumbles on top of you. You let out a grunt, breath pushed out of you by his weight. You scramble against his chest, something warm making your hands slip as you struggle to roll him off of you. 

You glance over, waiting for him to spring back up. But there’s something dark pooling around him and sinking into the dirt below. There’s a hole in his chest and his eyes are already flattening. You fall back against the earth, staring up at the trees above you. 

The sounds rush back to you all at once. The birds singing, deers prancing somewhere in the distance. You hear a stream rushing nearby and let out a stunned laugh. There’s a smile on your face but there’s nothing to be happy about. 

You think you might be in shock. Mind still trying to catch up to what just happened. You glance down at the gun in your hand and toss it to the side, not wanting it near you anymore. Only a second later do you reach for it again. 

You struggle onto your hands and knees, checking over yourself for any injuries that you might be numb to right now. The only blood on you is from the dead man on the ground. You keel over, hands on your knees, and suck in a deep gasping breath. 

You stumble back, limping towards the carriage. You dig around in the back of the wagon, tugging out a giant hunting knife and walking towards the horses. You cut them loose, keeping the rope on one of them and tugging yourself onto her back. You tuck the knife in your belt and nudge her side, leading her forward gently. 

You don't even have time to process the fact that you’re riding a horse on your own. Your body is moving on autopilot. You can only think about getting ahead, getting away. What just happened will hit you later. You slump against the neck of the horse, adrenaline leaking out of you and exhaustion catching up. 

He’s going to find you and he’s going to kill you. Leaving while he had his back turned. Getting on some carriage with a man you’ve never met before. How dumb do you have to be? You can’t trust people out here. Not when there are gangs, raiders, hell, he’s encountered a few cannibals. 

For all he knows, you’re already dead and he’ll be delivering a body to the train station. The thought makes him curse and urge Diablo forward. It’s not hard to follow the tracks of the carriage, what concerns him is when they lead into the forest instead of the town. 

“Goddammit,” he mutters, “the hell have you done woman?” He leaps off Diablo, figuring it will be easier to track you on foot. He follows the paths of the wheels, finding the wagon abandoned and the horses cut loose. 

His brows furrow in confusion as he wanders around the side and spots a lump in the leaves. All he can see is the bottom of a boot and blood splattered across the orange of the fallen leaves. 

His stomach plummets and he races towards it. But it’s not you buried under the foliage, it’s the man who offered you a ride. “What the hell?” He kneels, brushing the leaves off his chest and frowning when he sees the blood splattered all along his chest. 

He doesn’t need to look long to figure out what killed him. He’s sure the bullet buried in his heart did the job. Arthur curses and stalks away from the man. There are prints where the horses were but there are too many to tell which one you might have taken. 

He’ll have to rely on instinct to find you. You’re becoming a real pain in the ass for what was supposed to be a simple job. Still, he can’t help but be a little relieved that it was a stranger and not you lying dead on the ground. 

He turns back onto the road, taking the turn into town. Someone on horseback rides past him, they look disgusted by something up ahead and it makes alarms go off in his head. He urges Diablo forward, running the rest of the way into town. 

An unsaddled mare lazily eats some grass as the sound of a rushing river meets his ears. Diablo’s hooves sound off against the wood of the bridge. He finally sees what disturbed the other rider so much. 

You’re sitting on the railing of the bridge, legs dangling dangerously over the edge as you stare down into the crashing waters below you. Arthur gets off his horse, approaching you slowly. He doesn’t want to startle you and have you go tumbling over the edge. 

He calls out your name and you glance briefly over at him. Blood is splattered across your neck and the front of your shirt is soaked with it. He knows it isn’t yours but it still puts him on edge. “What’re you doin’ kid?” 

You don’t answer him, “Did you follow me?” He eases up beside you, straddling the railing so he can catch you if you slip. He nods and you let out a rough sigh. “Is he dead?”

He scoffs, “Sure as shit hope so, don’t know how someone would survive that.”

A manic laugh bursts through your lips and you double over your head falling into your hands. Arthur surges forward, steadying you before you dive headfirst into the river. “Alright, let’s go,” he quietly urges you around. You don’t put up a fight, letting him maneuver you how he likes.

He gets you on your feet and leads you back to Diablo. You latch onto the horse's reigns immediately, stroking your hand over his mane. Your silence is concerning. Arthur doesn’t know what your regular behavior is, the most he’s seen of you, you have been quiet. This is different, though. He’s seen this sort of quiet in women before and it never ends pretty. 

“You’re alright, come on,” he tries to keep his voice low so he doesn’t set you off. He keeps his hands light as they land around your waist, giving you help onto Diablo’s saddle. Your gaze is distant and you move like someone else is controlling your body. 

He collects the mare you’d brought along with you and leads both horses into town. He’ll have to get a saddle for her, she already seems attached to you. And maybe taking a horse with you into the city will let you escape a little. 

The town, at least, is on the way to Strawberry so he doesn’t have to worry about being too far off schedule. Though, that’s the least of his concerns right now. His eyes keep darting up to you. Waiting for you to try and bolt again or finally break down. It doesn’t look like anything is going on in your head, you seem completely distanced from the situation. 

It’s a good thing for him. He can’t handle a distraught woman. He’s not a kind enough man for it. 

He hitches the horses in front of the hotel. You turn in the saddle, staring down at him and waiting for a hand down. You slide easily through his hands, landing in the mud with a dull thud and heading up the stairs of the hotel without prompt. 

He huffs and follows after you. He doesn’t know how to explain the blood on your clothes away and hopes he won’t have to. The man running the place, thankfully, doesn’t have many questions. He looks disturbed but keeps his qualms to himself when Arthur slips him a little extra cash. 

Arthur guides you up the stairs with a light hand on your back, opening the door of the bath for you. “Alright, here’s your room key. I’ll be out for a while so, just,” he sighs, taking in the blank look on your face and shaking his head. “Try not to cause any more trouble.” You nod and close the door behind him. 

There’s no worries that you’re going to make a run for it again. He’s sure whatever happened in those woods was scarring enough to make you want to go back to the city and never see country folk again. He wouldn’t blame you, there are some nasty people out here. Himself included, but he could never imagine hurting a woman like that. It just ain’t right. 

He heads to the shop across the street, buying some new clothes for you that actually fight properly. The horses are brought to the stables and he goes ahead and gets a paper for your mare under your name. Diablo will be faster tomorrow if he doesn’t have to carry the weight of two people. You might make it to your handler in time. 

Arthur still doesn’t feel right about this whole thing. Leaving you with a man you’ve never met feels even worse knowing what happened to you today. He doesn’t think you being so calm about it all is a good thing. Shouldn’t women react?

Dutch likes to tell him women are a more sensitive breed. He’s seen some tough ones in his life, but this seems like the time to be in hysterics if there ever was one. He heads back to the hotel, planning on just leaving the change of clothes in your room. 

He passes by the bath and hears an odd sound seeping through the cracks. Frowning, he presses his ear up against the door. A man passes by him, giving him a disgusted look as he goes into his room. Arthur sighs but he stays where he is. 

It’s clearer now, you’re crying and it’s hard to listen to. It's the type that makes it hard to breathe. That sort of crying makes your ribs ache and bruise. It’s wrong to keep listening to such a vulnerable moment. So, he does what he planned, drops the clothes in your room, and then heads to bed himself. 

Sleep comes easier than he thought it would. It’s not as restful as he’d been hoping but it draws over him faster than it normally does. He’s always been a light sleeper, though. It comes from years of having to be on guard in case some O’Driscoll is gonna try and slit his throat while he’s asleep. 

When he hears the door creak his hand is already on the trigger of his revolver as he shoots up in bed. The glow of the lamps outside illuminates what’s clearly a woman’s form. But he can’t see your face until you take a step further into the room and the moonlight provides some light. 

“Arthur?” You whisper his name, peering into his room. “Are you awake?”

“I am now,” he grumbles. With a sigh, he shoves the gun back under his pillow and runs a rough hand over his face. “What'd ya want?”

You let out a low breath and rock back on your heels. “I’m sorry,” you mutter. “I just, I can’t sleep. I keep thinking he’s gonna creep out of my closet or bust through the door, I-”

You cut yourself off but he can hear the emotion thickening your voice. He clenches his eyes shut in irritation, arguing with himself over what he’s about to say. “You wanna sleep in here?” He mumbles reluctantly. 

You close the door immediately, practically running towards his bed. “You don’t mind?”

You’re not really giving him a choice, but he’s not going to say that to you. “No.” He grabs a pillow and blanket off the bed and rounds the end of the mattress. You frown as you watch him toss everything to the ground. 

“Well, what’re you doing?”

“What’s it look like?” He snaps, angrily gesturing towards the floor. “I’m givin’ you the bed.” 

You bite your lip and he feels horrible instantly because you look like you’re about to cry. He’s not trying to be rude but you woke him up in the dead of night. What’d you expect him to say?

“I was sort of hoping we could share the bed.”

His eyes widen and he glares at you in disbelief. “You mean-”

“No!” You cut him off with an aggrieved sigh. “You fool, that’s not what I mean at all. I just don’t want to be alone, alright?” 

“Look,” he scoffs and shakes his head. “I don’t think I’m the man you want to bunk with for company, alright. I’m not that kind of guy.” You glare at him and snatch his pillow and blanket off the floor. 

“Don’t be so damn stubborn.” You aggressively fluff the pillows, throwing the covers back and gesturing towards them, your brow set in anger. 

“Right,” he huffs, “I’m stubborn.” He reluctantly crawls into bed and you follow behind him. It’s not that he minds sharing a bed with a pretty lady. He’s just not the sort of guy you should be coming to for comfort. 

He doesn’t think he can provide whatever it is you need at this moment. But you seem to think otherwise as you inch towards him slowly. He lays on his back, arms under his head as he watches you out of the side of his eye. You think you’re being subtle, slowly moving into his side until you’re flush against him. 

He doesn’t say anything to object and you don’t bring up the proximity. He doesn’t want to admit it but it is nice having someone else beside him. He’s so used to camping out on his own. He hasn’t had anyone beside him in a long while. He lost interest in women of leisure a long while ago. And ever since Mary, he’s given up on any sort of intimacy. 

He hates to admit it, but he finds himself easing towards the warmth you provide. The second you feel him reciprocating you’re inching a tentative hand around his waist, cuddling closer to him. He recognizes it for what it is. 

He’s always been looked at as someone who can protect, at least by the gang. He’s their muscle. To most others, he incites nothing but fear. It should be the same for you. But after what happened today, you just see someone who can keep the monsters in the dark away. 

He doesn’t mind being used like this. He wraps an arm around your shoulders and waits until he feels you settle to ease into sleep again. 

Arthur figures you should both get breakfast in town while you’re here. He reasons you should enjoy a hot meal before you’re on the road again. You don’t point out that you know he’s just trying to ease you into the day. 

You appreciate it, honestly, but yesterday wasn’t your first run-in with men like that. It’s become incomprehensibly normal in day-to-day life, even for a city girl like yourself. You’d cried everything out in the bath once you’d scrubbed your skin raw. 

You don’t think Arthur will ever understand just how much his presence helped you last night. If you’d been on your own, jumping every time you heard the wood creaking outside, you’d have driven yourself over the edge. He protected you, even if there was nothing to be protected from. 

You don’t think he gives himself enough credit. Ignoring the situation you’re both in and what he’s taking you to do, he’s a good man. While the caliber of the men you’ve met is questionable at best, he’s one of the best ones you’ve ever known. At the end of the day, he disagrees with the whole situation, but he’s doing this for his family. That’s admirable in its own way. 

But, god, does he have poor conversational skills. “So, yesterday.” You glance up from your toast, brows raised in question. He clears his throat, eyes darting between you and his food like he can’t choose what to focus on. “That man, did he…”

He trails off and you feel your hackles rise. “Don’t worry,” you hiss, a bite to your words, “I’m still pure for my husband. Your pay won’t be docked, if that’s what you’re worried about.”

His hand clenches around his fork and his eyes bore into yours, “That’s not what I meant,” he growls. “I wasn’t worried about that,” he snaps, “I was worried ‘bout you, woman.”

You take in a deep breath, actively biting your tongue from saying something spiteful. He wasn’t being rude, that’s just what you’re used to. “I’m sorry,” you concede lowly. “Nothing happened,” you repeat without the attitude. 

“Well,” he huffs and goes back to his breakfast, “good,” he settles on dully. 

“Good,” you agree quietly, pushing the rest of your food around. You find your appetite dulled and you push the plate away. You lean back in the booth and stare out the window. The horses seem to be getting on well enough. “Did you name her?”

Arthur gives you an odd look and you nod towards the mare hitched next to Diablo. He swallows the food he’d been chewing and takes a swig of his coffee. “No, figured you’d want to do it.”

Your brows furrow and your lips quirk in confusion. “Why?”

“She’s yours, ain’t she?” He grouses. 

You shake your head, “Nope,” you tell him, popping the p. “I just took her so I’d have something to get me to town.”

“Yeah, well,” he sounds less sure of himself and he’s looking like he made a mistake. “I thought she’d be nice for you to have with you in the city. A way for you to get around without relyin’ on someone else.”

You can’t help but smile, something in your chest easing away at the kind gesture. “I appreciate it,” he lights up a little at your approval, but you crush it in an instant. “But I can’t keep her, I won’t be allowed to. I’ve tried to have my own horse before, hard to control something that can get away from you,” you tell him blankly. There’s no emotion in your voice because it’s something you’re used to. 

He looks slightly horrified at how blunt you are. He can’t comprehend not having that freedom but he fails to recognize that he’s got a leash of his own. You doubt a man like Dutch would ever let his main asset just run off to wherever he wants to. 

A few people walk into the saloon, the women giving you odd looks when they see the pants on your legs. You smile cheekily at them, reveling in what you know will be a short-lived experience. You’ve never been on the receiving end of a judgmental look like that. 

You’ve always blended in. Been the perfect wallflower for the men in your life. You were never something to gawk at or cause trouble. It’s a relief to stick out for once, to break the mould for the first time in your life. 

Arthur clocks the interaction and chuckles. “Missin’ the skirts yet?”

“Not one damn bit,” you tell him, smiling as you take a sip of your coffee. “I’m going to miss being able to run around without having to lug an extra four pounds of fabric behind me.” 

“Ya know, you could just wear some pants, you’ve got a choice.”

You grin patronizingly at him, propping your head on your chin and watching him finish the rest of his breakfast. “You don’t know city men very well, do you?”

“Glad for it,” he grumbles, distaste clear in his tone.

A laugh breaks through your chest, the first real one in a while. “I’m going to be marrying one, Arthur. I won’t have a choice in much of anything anymore.” You can tell he wants to object, tell you there’s always a choice. 

He’ll never truly understand what’s going to happen to you, though. You’re no longer human once you’re married. You’re cattle and property, meant to be bred and shown off. You accepted your fate a long while ago. And after you’re failed escape attempt, you’ve realized this is what you were always meant to be. There’s no point in fighting fate. 

“Don’t apologize or argue,” you tell him, no spite or bitterness in your tone, just the honest truth. “I don’t mind anymore, really. What place is there for me in this world, anyway? I can’t exactly take care of myself.”

“You did a damn good job yesterday,” he snaps back quickly. He doesn’t seem too keen on the way you’re talking about yourself. But you’re not lying. Yesterday was a wake-up call. If you let yourself get screwed over by a hillbilly that quickly then how were you ever going to make it on your own? In your defense, you were raised to be dependent, you never had a chance. 

“Sure, but that was a one-off incident. I’m not going to run again, Arthur. There’s no point. And there’s no point in fighting against the way things are, they’re never going to change for me.” You take in a deep breath, the easy mood ruined by your sincerity. 

“I’m just gonna wait by the horses.”

You slide out of the booth, leaving Arthur to stare pensively at his plate. You’ve nearly slipped through the door when Arthur calls out, “You should name her.” You pause at the doorway, glancing back at him. He’s settling the bill at the front and you walk back out to the horses. 

The mare picks her head up as you walk towards her, ears perked and tail flicking. “Hey, girl,” you run a hand over her muzzle, admiring the sleek silver of her coat. “I guess I should name you.”

You run a hand over her mane and swing yourself onto the saddle. “How ‘bout Bullet, it’s how I got you, anyway.” A dark joke, but it eases the macabre feeling hanging around you. 

Arthur walks out of the saloon, tucking his money away into his bag. He lifts himself onto Diablo, glancing over at you with a knowing glint. 

“Name her?”

You resent how smug he sounds. “Bullet,” you answer reluctantly. 

“Bullet?” He questions, tone incredulous. 

You grin at him, “It’s how I got her.” There’s a slightly stunned expression on his face before it slacks away into something more amused. 

He shakes his head and nudges Diablo forward, Bullet follows alongside him eagerly. “Clever,” he mutters.

“Not really,” you snort, running a hand over her neck lovingly. “But I think it works for her.”

“Your husband’s gonna have his hands full with you,” you know he means it in jest. The lightness of the conversation turns into something heavier. Realization sinks over both of you and the smiles slowly drop away. “I-”

“How much further to Strawberry, anyway?” You effectively cut off whatever train of thought he was going to follow, distracting you both from the truth. 

“Half a day,” he tells you, frowning when you refuse to meet his eye again. Half a day. That’s all you’ve got to enjoy the last bits of freedom you have. You’re gonna take your damn time getting there, that’s for sure. 

You slow down from the steady trot Arthur had led the horses into, easing Bullet into a slow walk. You’re slowly getting the hang of riding a horse. It’s easy when she’s so intuitive. By god, though, your ass is sore. 

Arthur shoots you a questioning glance at the slow pace and you shrug. “Might as well take the time I’ve got left.”

“You’re actin’ like you’re on death row,” he chuckles. 

“Aren’t I?” He falls silent and you don’t know what’s bothering him but you don’t have the energy to inquire. 

He’s slowing you down on purpose, he knows it and you know it. Neither of you says a damn thing about it but it’s bugging him. He shouldn’t be this bothered by a job. He knows how to separate himself from what he does. He just can’t this time. 

There’s something about you that glows. You’re sitting beside him on the peak of a hill, overlooking the roads below you, and laughing as you make up stories for the people that pass by. It’s a far cry from the beaten-down woman he’d seen at Crane’s house. 

Even after what happened yesterday, you somehow manage to seem happier. There’s nothing about it that makes him happy. This feels like the last goodbye of someone who knows they’re going soon. The last bout of happiness before they just give in. 

You’re not gaining your spark back, you’re just giving in to what you think is inevitable. But it doesn’t have to be inevitable. You could fight back you just refuse to. He’s sure growing up the way you have, you don’t think it's possible to stand up for yourself. 

But you don’t have to give in like this. You don’t have to roll over and let someone else dictate your life. Which is rich, coming from him. He’s practically Dutch’s lap dog now. Even when he disagrees he still follows along behind him. 

He shouldn’t even be thinking like this. He can’t criticize you for not standing up for yourself when he’s the one thing standing between you and freedom. “Not hungry?” You nod towards the uneaten meat on his knife. 

He shakes his head, plucking it off the blade and passing it to you. You give him an odd look before popping it in your mouth. “Ya know,” you mutter around a full mouth. You take a moment to swallow it down before smiling over at him. “I’ve grown up with private chefs my whole life, but there’s is something infinitely more satisfying about this.”

He takes his hat off, running a hand through his hair. He snorts at your comment, “I find that hard to believe.”

“No,” you shake your head, insistent, “I mean it. Being out here, hunting the game myself, I don’t know, it’s nice.” You shrug and lean back on your hands, gazing across the way at the trees and river. 

“You can always get a bow and go hunting.” He speaks to you like it's a cut-and-dry truth that you’re just not accepting. Your face screws up and you give him an annoyed glare. 

“No. I can’t,” you tell him again. Where your words were patient before, he can tell you’re growing irritated at how much he’s pushing this.

“Yes, you can,” he snaps. “You don’t have to keep yourself boxed up in some manor in the city. Get out, woman, do something with your life!” His voice echoes through the air and you flinch back from it, lips pulling down into a sneer. 

“You know, that’s really easy for you to say, Arthur. You have a goddamn choice. Sure, I grew up with a silver spoon in my mouth, little miss rich girl crying about being pampered.”

He lets out a rough sigh, “That’s not what I meant-”

You cut him off, getting to your feet and glaring down at him. “You got to grow up with a choice. What to do with your body, your life, your career. You get to have an education if you want it. Every goddamn door is open to you. You don’t get hated for not wanting to have a family. You get to choose. And as much as you insist I can too, you will never understand the position I am in.”

You kick dirt over the fire and head back towards Bullet. “It’s a double-edged sword, Arthur. Sure, my life might be comfortable, but it’s never really gonna be my life.” He stays there on the ground, too stunned to get up. 

You glare down at him, impatiently waiting for him to get a move on. This isn’t how he wants things to end. He doesn’t want you to go off thinking he’s just some ignorant fool. But he is, much as he denies it, he’s always been a fool. 

He should never have thought he could make a difference in your life. Not when he’s the one backing you into this corner. He could have helped you escape the very first night he saw you. But he was too selfish to let you go, now you’re both paying for it. 

He mounts Diablo and you both head back to the roads silently. You’re moving faster now, leaving him behind if he lingers in one area for too long. You’re too pissed off to enjoy the rest of your day and he hates that he ruined it for you. You, at the very least, deserved a slower journey towards your future. 

You’re in Strawberry before he’s ready, he’s sure you aren’t. “Hey, we could-”

“I think that’s him.” You cut him off before he says something stupid like spend another night in town before you go. He’ll miss you, he thinks. Odd, he’s known you such a short time but it’s been so different having someone beside him as he rides. It was nice, what he wished he and Mary could have had. 

Arthur follows your gaze and lets out a tired sigh. Sure enough, some prim and proper ass is standing in front of the ticket station, foot tapping impatiently. He’s got a large bag beside him, gaze wandering around expectantly. He doesn’t doubt the man who looks like he’s got a five-foot stick up his ass is Mr. Crane’s associate. He’s got the same slimy glint.

You slide off Bullet and Arthur follows suit, taking the reigns of both horses and leading them towards the platform. The man’s eyes narrow in on you before lighting up. He calls out your name and it’s like a mask being dropped over your face. 

The spark is gone once more, a subdued and demure smile resting on your face as you wave at him. “I apologize for my dress,” you tell him as you walk up the steps. “Pants were more conducive to such a long ride.”

He takes your hand, pressing a lingering kiss to your knuckles that makes Arthur roll his eyes. “No apologies necessary, I brought you a change of clothes. I figured you would be less than put together after such a journey. I’m only sorry I couldn’t accompany you.”

You scoff and nod along, “Okay,” you mutter, not believing a word of his bullshit. You take the bag from him and move towards the saloon to find a room to change in. They both watch you leave, though the other man with a much more devious glint in his eye. 

Arthur’s hands tighten on the reigns of the horses, anything to keep him from reaching for his revolver. He’s already getting a bad feeling about this. There’s nothing trustworthy about the man in front of him. 

“Mr. Finch,” he holds out his hand and Arthur gives it a distrusting look before reluctantly shaking. Finch attempts to squeeze the life out of his hand but Arthur can barely feel it. He tightens his own grip and revels in the way Finch’s face blanches. 

“Arthur Morgan.”

Mr. Finch looks him up and down in the same way Crane had. He sees a commodity, not a person. “I trust,” he drawls, “nothing unsavory happened.”

Arthur feels rage bubbling in his gut. The only damn thing he cares about is whether or not you’re “pure.” Not if you were okay or injured during the journey. If he told him that he’d punched you out for talking back Finch would just ask if you were bruised. 

“She’s fine,” Arthur grits out. 

“Oh, good, good. Glad everything went smoothly.” Finch has a way of talking he’s found most self-important men do. He draws everything he says out, and forces you to listen to him speak. Makes you pay attention so he can pretend he has power for a moment. 

His gaze darts behind Arthur and he turns just in time to see you slipping out of the saloon. The dress Finch has provided you is ridiculously large. It poofs out at the waist in a way that makes Arthur wonder how you’re going to fit into your seat. 

You look beyond uncomfortable. Grimacing as you join them again. You try and plaster a smile on but it’s a struggle. You look to Arthur, a finality on your face that makes him want to throw you over his shoulder and run. He’s doing this for the others, he reminds himself. They’ll be on a boat to Tahiti in a week. 

“Thank you, Mr. Morgan, for everything.” The smile you leave him with is real, if just barely. Something lurks under your words that Mr. Finch will never understand and Arthur knows it will drive him crazy. 

“Let’s go,” Finch grabs your hand, looping it through his arm and tugging you towards the doors of the station. 

“Wait!” Arthur calls out, feeling foolish when you both look back at him with perplexed expressions. “You’ll be wanting Bullet, won’t you?”

Mr. Finch answers for you with a condescending tone, “She won’t be needing a horse, thank you.” You give him a knowing smile, turning away and slipping through the doors of the station and onto the train. 

Arthur stays rooted where he is, something crawling up in his chest and rooting around restlessly. The whistle blows and the wheels start cranking slowly forward. Arthur just barely catches a glimpse of you through a window as the train chugs past. 

“Shit!” He hisses. He tugs himself up onto Diablo’s saddle and urges him after the train. He was born a fool, he’s always going to be a damn fool. But he’d have to be a complete moron to just let you go. 

Mr. Finch keeps a painfully tight grip on your elbow, jerking you through the passenger cars and practically throwing you into your seat. You land with a thud, your arm bouncing against the window painfully. You keep a stoic expression, trying not to let him break you so soon. 

He takes a seat beside you, straightening out his jacket and tugging on his tie. Something white flashes in his jacket pocket and you lean forward, perplexed when you realize what it is. “What is that?” You question, not quite believing your eyes. Finch glances down at the thick wad of cash in his jacket and grins. 

“Oh, this? Mr. Morgan must have forgotten to collect the rest of his payment.” He sends you a condescending smile and you flinch away in disgust. “He was too enamored with my fiancee to pay much attention, I’m afraid.”

“That’s his money,” you snap, the volume of your voice catching the attention of a few other passengers. Finch sends them apologetic smiles, making you seem like a mad woman. “He earned that!” You object, eyeing the money warily. 

His hand snakes out, gripping you tightly around the arm and dragging you towards him until your noses are nearly touching. You nearly gag at the smell of his cigar-infused breath. It’s not like when Arthur would smoke one, you didn’t mind that. But this was making you sick to your stomach. 

“Let's get a few things clear, I will not be dealing with an obstinate wife. You can either get yourself in order or I’ll do it for you.”

Your lips pull back in disgust and you jerk yourself out of his grip. He’s not as strong as he pretends to be and you’re not going to be scared into submission again. “I’m not your wife yet. My father still has time to pay.”

He laughs at you, spittle flying from your lips and sprinkling across your cheeks. “He has time to pay, but that doesn’t mean he’ll be getting you back, sweetheart.” Your eyes widen with the realization and you want to throw yourself off the side of the train. 

You never had any chance to get out of this situation. Mr. Crane was always in control of it all. To even think of having a hope of getting back home was foolish. To believe for a second that you were going to escape this had been utter idiocy. 

He sees the crestfallen expression and sinks into his seat with a satisfactory look on his face. He thinks you to be subdued. But now you’re nothing more than a cornered animal with no other choice of escape. You’ve got nothing left for you, nothing to hold onto. 

As much as you’d thought you’d bonded with Arthur, you were still nothing more than a job to him. You were nothing more than a commodity to be traded between men. You would never have a say over your life. 

You have nothing, you doubt you ever actually had anything left for you. You glance over at the man beside you and feel a cool dread blanket itself over you. Nothing left to lose. 

There’s a solid weight tucked into the bodice of your dress. Its cool metal has been warmed by your skin. Its handle curves around your ribs and it only has one bullet left. You reach down the front of your dress, fingers curling around the revolver you’d stolen from a dead man. 

Finch glowers at your inappropriate behavior “What are-” You pull the gun out, turning it on him. He jumps back in shock and throws his hands in the air on instinct. “Please-” you revel in his pathetic pleading only for a moment. Pulling the trigger a second time is surprisingly easy. The screams that ring out through the train car are less enjoyable. “Shit!” He cusses, hands coming up to try and staunch the flow of blood pouring from his stomach. 

You slip your hand into his blazer, stealing the money before he can object. You run out of the passenger car, leaping to the flat car with all the cargo. It will take a few minutes for them to catch onto what happened and figure out where you went. 

You don’t know what you’re going to do now. You’re stuck on a moving train, there’s nowhere for you to hide. You hadn’t thought when you’d shot him, you just wanted that smug look on his face to disappear. 

“Where is she?” You hear the guards shouting out your name, flipping over crates to find you. They’re still at the front of the train, but you don’t have long until they start moving back here. 

God, what have you done?

You just know, if you made it to that train station, you were never going to make it out. His men would be waiting there to transport you. You’d be watched every second of your life, you can’t do it again. You can’t be locked in a gilded cage, that’s not a life worth living. 

There’s no escape for you. Nowhere left to run, nowhere to hide. You glance over the left side of the train. There’s a slight dip into a deep ravine. The crashing water looks almost peaceful from up here. 

You don’t know if it would be a quick death but you know it would be merciful compared to what’s waiting for you at your last stop. You keep your eyes on the water, see yourself taking control of your life for the first time, and take a step up on the rail. 

Someone shouts your name from the right side of the train and you gasp, arms circling wildly as you almost go toppling over the edge. They shout your name again, panic laced in the tone. This doesn’t sound like Finch or any of the other guards. You whip around and find Arthur riding his horse beside the train. 

“What the hell are you doing, woman?” 

Your brows furrow in confusion and your eyes dart between him and the ravine. “Jumping! What the hell are you doing?”

His gaze narrows and he shouts to be heard over the rumble of the train tracks. “Stopping you from being a goddamn fool. Get over here!” You hear the guards getting closer as they storm down the rest of the train. 

You don’t have long to make a decision, you can already see his horse struggling to keep up with the speed of the train. There’s a bridge coming up in a moment, he won’t be able to go any further and they won’t be able to come after you. 

It’s a split-second decision, one that has you pushing off the railing of the car and rushing towards him. You don’t have time to doubt yourself or plan this out further, you take a running leap off the train, towards his outstretched arms. 

He barely catches you in time, jerking on the reigns of the horse and bringing him to a sudden stop before all three of you go tumbling into the water. Shots fire off on the train, but they’re gone before they can do any real damage. 

Your chest heaves as you dangle from his arms, fingers digging into his shirt desperately. Your heart is pounding so hard against your chest that you almost can’t hear what he’s saying, but you get the gist of it. 

“The hell were you thinking? Trying to jump off the damn train! You’re a fool, woman.” He tugs you onto the saddle the rest of the way. As much as he tries to sound angry you can feel his relief in the way he squeezes you close to him. 

“Thank you,” you whisper, head sinking into his neck and breathing in the familiar scent. 

He sighs, struggling between yelling at you more and just enjoying the fact that he got to you before you did something neither of you could recover from. “You’re welcome, just,” he pauses, holding you a little closer, “don’t be so damn stupid again.”

You laugh and it’s a little wet as tears start to pool in your eyes. “I’m not planning on it.” You sit up, easing away from him and glancing over your shoulder. You watch as the train grows smaller until you can only see a plume of smoke and nothing more. “What the hell are we going to do?”

He sighs and turns the horse around. You maneuver yourself around, facing forward and pushing back against him.  “I don’t know. Dutch ain’t gonna be happy about you comin’ back with me.” 

You bite your lip, a hundred different possibilities swirling through your head. You’ve never been able to make a choice before, faced with it, you’re overwhelmed with options. You can’t pick one so you blurt out the first coherent thought you have. 

“What if we don’t go back?”

Arthur stills behind you, “What?” His tone is low and filled with something you know means he’s ready to say no. 

“Just for a little while,” you rush the words out quickly, trying to fight for a chance to get him to listen. “We can send this to the camp,” you tug out the wad of cash you’d stolen from Finch and Arthur barks out a laugh. You feel his chest tremble behind you and it makes you grin. 

“Did you steal his money?”

“Your money, technically,” you correct, grinning over your shoulder at him. “Besides, he doesn’t need it anymore.” He gives you a concerned look but you just wave him off. “We can send the camp some money and go off on our own for a while.”

“I don’t know, kid.”

“Don’t call me that,” you interrupt, glaring at him. “It’ll only be for a little while, Arthur. Come on, I’m free for the first time in my life, enjoy it with me.”

He looks uncertain and you know it’s an odd notion to him, putting himself first instead of the camp or Dutch. You’re sure he’s never done it before. Breaking away from them instead of going about like the loyal soldier he is. 

“Just a little while?”

You nod, turning just enough to tuck the money in his pocket. “Just a little while,” you swear.

“John Marston!” You frown, turning away from the oven and glancing out the window. Arthur’s grinning by the gates of the horse pen, leaping over the wood, and walking out to greet someone. You abandon the stew, heading towards the door of your home. 

Outside are two horses, one with a woman and her son, and an abandoned one. The owner is currently bringing Arthur into a brief embrace, John, you presume. Arthur’s told you about him a bit. They weren’t always close but it was getting better before Arthur went away. 

Sometimes you feel bad, having dragged him away from everything he was familiar with. You meant it when you said you only wanted to be gone for a little while. You knew if you went back immediately there would be hell to pay with Dutch and you’d both be put to work. 

You’d be going from one owner to another. All you’d wanted was a few weeks on the road on your own. But a few weeks turned into six months and then a year, and it was Arthur telling you he couldn’t go back. He couldn’t stand what the gang was turning into. What Dutch was turning into. All you’d given him was an excuse to finally get out before it all blew up.

You walk down the steps of the home Arthur built, wiping your hands off on your apron. You give a brief wave to the woman you assume is Abigail. She waves back, slipping off the horse and helping Jack down. 

Arthur pulls away from John, turning towards you and motioning you forward. John gives you an apprehensive look. “Do I know you?”

Arthur gives him your name, throwing an arm over your shoulder and pulling you in closer. “That job Dutch got from Crane.” John’s face lights up with recognition and he smirks. 

“I see,” he shakes his head and gives Arthur a knowing look. “It’s always a woman with you, isn’t it?” You snort at how aggrieved Arthur looks. “Well,” John turns towards you and smiles, “nice to finally meet the woman that got him under control.”

“Nice to meet you too,” you smile lightly at him, pulling away from Arthur. “Are you going to be joining us for dinner?”

“No, he’s not,” Arthur answers at the same time John says, “I would love to.”

Arthur and John share a look you can’t understand. You glance past John and wave Abigail forward, “Come in, please. I’d enjoy the company.”

“Forgive my obstinate husband, he tends to linger where he ain’t wanted.” She brushes past him and you lead her inside your home. Leaving Arthur and John to bicker outside. Jack stays outside, smiling up at Arthur. You know he’s missed the boy, you’re sure he’s okay entertaining them for one night. 

Abigail helps you set the table while Arthur and John catch up over a bottle of whiskey. Arthur tried to pull out a cigar but you’d shut that down quick. He’d had a cough a little while ago and the doctor advised cutting down on tobacco if he wanted it to go away. You know it’s hard but you’re cracking down on how much he smokes. 

“We got the money you sent,” John’s telling Arthur as they come over to join you all at the table. Jack eagerly hops into the seat beside Arthur before you can snag it and you grin. “Dutch blew it all and wouldn’t tell us on what. He kept saying we still needed another score.”

John shakes his head and the distant look in his eyes makes your stomach churn. “You’re a lucky bastard you got out when you did, Arthur, truly.”

“Hosea?” Arthur questions and you grimace at the look on John’s face. You can see Arthur deflate as John shakes his head. 

“There was a bank robbery, Molly told the Pinkertons we were going to be there, he didn’t make it.”

Arthur’s hand clenches around the fork and you wish you could say something that would make him realize it’s not his fault. “I should have been there,” he mutters. 

“Wouldn’t have done anything, man. Hosea had given up in the end. We all had. It was so damn divided, the family was gone.”

“Still.” Arthur insists, glaring down at his plate like it had offended him. 

“No,” to your surprise it’s Abigail that snaps. “Dutch was gone and that bastard Micah just kept pushing him over the edge. The only thing you would have done is get yourself killed. You’re damn lucky Arthur Morgan.”

You’re sure he’ll still blame himself later. Reason a hundred times over that had he been there something would have been different. Even if it was him on the other end of the gun he’d be happier knowing someone else hadn’t died when it could have been him. You couldn’t stand that these self-sacrificing ideals Dutch had drilled into him were still present. 

But you know Abigail and John help ease the guilt slightly. It’s on Arthur to let it go entirely, though you doubt that will happen anytime soon. John picks up on the change in mood, he’s reluctant to let the night sour so soon. 

He turns towards you with a look that makes you feel like you need to prepare for trouble. “So you did all that to escape getting married. And then you marry this moron?” He motions towards Arthur and you can’t help but laugh. 

“John!” Abigail snaps but he only smiles at her. You can see the way she fights the twitch of her lips and it makes you smile in turn. 

You correct him, “We’re not technically married-”

“Might as well be,” Arthur argues, glaring at John. You reach across the table, taking his hand in yours and gently squeezing. You can’t help but laugh at him. 

“Yeah, we might as well be,” you agree. “But it was never about not wanting to be a wife. I just wanted to have a damn choice. That’s what I got out here. I can hunt or cook. Sew or go out and make some money. And it’s a lot nicer being a wife out in the country than it is in the city, I’ll tell you that much.”

“Here’s hoping,” Abigail mutters. She glances towards Arthur, “That’s why we’re out here. We got word from a few people that you might be lurking around here. John’s thinking of getting a house, really settling down.”

Arthur sighs, leaning back in his chair and glaring at John. “That’s why you’re here? You want a handout,” he accuses. 

“No!” John snaps. “Dammit, Arthur, why you always gotta assume the worst of me?”

“Because it’s usually true,” Arthur mutters. “If that’s not what you want then what is it?”

John purses his lips and lets out a spluttering breath. “A loan,” he lands on, struggling to find the right word. 

Arthur barks out a laugh, slapping his hand on the table and poking a knowing finger into John’s chest. “I knew it!”

John swats his hand away and glares. “Look, Morgan, I only need a little. Just to buy some animals, get started on the house.”

“What’d ya want Marston, my whole damn house?”

Abigail lands a gentle hand on your arm and nods to the porch. “They’ll be at it for a while.” You nod and leave the table, following her to the swing out back. She settles down on it with a sigh, gazing out at the trees that line your home. 

“You’ve got a nice life out here.”

You smile fondly, “I like to think so. We’re thinking about getting a few cows, maybe starting a proper ranch.”

Her face lights up at the idea and she laughs. “That’s what John wants. It’s unbelievable how similar they are, they’re too thick-headed to see it.”

You can still vaguely hear them bickering inside the house. You peer inside and see Jack sitting at the table, watching them both with an entranced expression. You can’t help but grin at the look on Arthur’s face. He’s laying into John but he looks happier than you’ve seen him in a while. 

You know he’s missing everybody, has been for a long time. Maybe if Abigail and John are close by he’ll have that sense of familiarity again. “The others,” you start, turning back to Abigail. “Charles and Sadie, what happened to everyone else?”

“A few of them are living good lives, some of them aren’t. Most of them are drifting, not ready to give up the outlaw life just yet.”

“It’s hard to watch the world change while you’re still stuck in the same spot.” You brush some hair out of your eyes and smile at Abigail. “Me and Arthur are gonna help you and John. But I’d like it if you were both close by. It would be nice to have someone familiar near us, we’re pretty lonely up here.”

She gives you a brief smile back, “I think that would be nice.”

John’s voice picks up from inside and you jump, “Oh that’s a load of bull-”

Abigail’s smile drops and she leans over your shoulder to shout, “Watch it!” at John. You laugh when you see the perturbed look on his face. She motions towards his son and Arthur gives John a smug look. 

“You gonna help him?” You ask Arthur as you settle into bed later. He opens his arms, pulling you into his embrace once you’re settled under the covers. 

“John?” You nod, brushing a strand of hair out of his eyes. “Yeah, ‘course I’m gonna help him. But there’s nothing wrong with jerking him around a little bit first.”

You roll your eyes and shake your head, tucking yourself under his chin. You almost think he’s asleep but then he’s speaking up again. “We should really do it.”

You pull back, brows furrowed in confusion. “Do what?”

There’s a certain look in his eyes that causes something to swirl in your stomach. It’s not an unpleasant feeling, just an excited one, “Get married.”

You give him a bewildered look, shaking your head in disbelief. Nearly five years you’ve both been living out here and he’s never once mentioned getting married. You never thought you two actually needed it. You always knew what you were to each other, how much you meant to one another. 

You were each other’s salvation. There’s no telling what graves you would be laying in were it not for Dutch bringing you both together. You hadn’t thought he wanted to be married, he always told you he’d given those dreams up. “You really mean that?”

He shrugs like it’s the easiest decision in the world. “Might as well, right?” 

You shake your head, but there’s no fighting the way your lips curl up. “You’re a fool, Arthur Morgan.”

He nods, dipping his head down to press a gentle kiss on your temple. He treats you so gently, it makes you want to cry. But then he goes and says something ridiculous like, “Yeah, a fool for you,” and he makes you laugh. 

You tug him down, lips nearly touching his. “Yes,” you whisper, “I’ll marry you.” You were always scared of living a life like this. Being tied to one man for the rest of your time on earth. But he’s not some city man looking to make you into a pet. He lets you live, breathe, and be free. He’s a partner not a warden and that’s all you’ve ever wanted. 

end. — I do not own the characters or the game Red Dead Redemption 1/2, but this writing is my own all rights reserved © not-neverland06 2024. do not copy, repost, translate & recommend elsewhere.

[4unnyr0se]

❥ men and their office siren

warnings: fem! reader, office siren! reader, perversion, lewd thoughts, fingering, rough sex, unprotected sex, mentions of bondage, mentions of breeding, incredibly lewd language, hickeys

MDNI | 18+ content

word count -> 522

Men who fall in love with their local office siren. Their boring desk jobs become something to look forward to daily because you would be there gracing the monotonously grey cubicles with your beauty and sickenly sexy high heels.

Men who instantly got hard whenever you would walk by in your tiny little pencil skirt that barely covered your ass and those thin black stockings that looked so fucking tearable. Your perfect posture is even more elevated with those red-bottomed heels you proudly strutted around in, no doubt a gift from a previous boyfriend. Or maybe a current boyfriend. He didn’t care. There was no ring on your finger. 

Men who fantasize about fucking you at their desk when lunchtime rolls around. When the office is empty, except for the two of you. How he so longs to grab you by your skirt collar and rip it in half, the buttons of your tight blouse flying in multiple directions. He craves the feeling of your tits in his mouth and his fingers curling deep inside of you, your slutty screams rolling like honey off your tongue as you cum on his fingers like a good girl. But he isn’t finished with you, not at all. He rips the fabric of your stockings and slams his aching cock inside of you, not even bothering to use protection. He shoves all of his stupid stationery off the cheap desk, so you’re sprawled out like a slut, practically screaming as he rips you in two with his massive cock. He cums inside you over and over and over again until you’re whimpering and begging him to stop. His hand is wrapped so deliciously around your throat. His eyes are glued to his cock disappearing inside your greedy pussy.

Men who thought they would never be able to fuck their pretty office sirens until the pretty little thing shows up drunk at his doorstep one day, still in your work clothes. He wastes no time in throwing you onto his bed and tying your pretty wrists above your head so you can’t run anywhere. Who ruins you while you’re still in your pencil skirt, littering your neck with hickeys that would be impossible to cover up. Men who can’t stop spewing filth from their lips as they fuck you so desperately, and you take it so gladly.

“Shit, I’m gonna cum again inside of you. You’re gonna take it all, aren’t you, princess? Oh, such a good little fucking slut you are, taking all my fucking cum. It’s gonna be leaking out of you for weeks.”

“You dress like such a fucking slut every single day, it’s only fair that I fuck you like one. Clenching around my cock like a slut, yeah? Don’t worry, pretty girl. I won’t stop fucking you until you pass out.”

“Fucking take it, fuck! Yeah, you like that, don’t you? Getting fucked by your coworker with those heels still on your feet? I should take a picture and email it to everyone; show them what a slut you’re being. Maybe someone will wanna come over and get his fill, hm?”

KENTO NANAMI, timeskip! tetsuro kuroo, shiu kong, doppo kunikida, SHOTA AIZAWA, timeskip! daichi sawamura, timeskip! keiji akaashi, choso kamo, RANPO EDOGAWA, loid forger