#that whole video is so good

[justfriendsbestthings]

omar rudberg for omr beauty

[sforzesco]

something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.

it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.

and love. it's also about love. even when you had nothing, you had love.

on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.

edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.

Perseus, Daniel Ogden

Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[princema-k]

so draw your blade, you wretched fiend and let's you and i fight like the dishonourable dogs we are savage, violent, yet free and when the curtain calls, let me put you out of my misery

[soulsty]

I made a few Cinnabort redraws of Lime’s song “Who Knows” cus the music video reminds me a lot of them <3 yay <3

[monkayy]

[gummypaint]

[somegrumpynerd]

A little animation I made of Dream and Nightmare for fun, it's pretty short and simple but not bad for my second go at animation I think ^^

The music is from here, I highly recommend listening to the full thing cause it's so beautiful!

Quick explanation for the song and a gif version under the cut

So when I was first dipping my toes into utmv stuff like a year ago, I made a slideshow for my sister with a bunch of au Sanses, let her guess what kinda vibe she thought they had and then gave her a list of names/ aus to see if she could figure out who was who (she did surprisingly well and I'm proud of her).

Well, when I first showed her pictures of Dream her immediate reaction was "this guy looks like he's from zelda" and it's just always stuck with me. Somewhere along the way I started headcanoning Dream playing some kind of instrument when they were kids and when I heard the pan flute version of zelda's lullaby everything kind of fell into place.

So here they are, having a little moment of peace finally, brothers together again c:

[babychosen]

jumpsuit angela you will always be famous to me

[vagueconfusion]

[righteous-r0de0]

early david “i don’t know how to properly convey how i feel with words so i’m going to kiss you until you can’t breathe” shaw

[langernameohnebedeutung]

gonna say, something or someone being misogynistic is on its own a good enough reason not to like it or not to spend time with that person. It's not just that misogyny is so normalised that not watching a show or not spending with someone just because of misogyny is treated as not enough of a reason - it's also that as a woman, you are under constant scrutiny and constantly thrown tests to show that you are 'not one of the difficult ones', that you can 'take a joke'.

But 'your friend keeps saying degrading things about women' is a good enough reason not to hang out with that person or not to go to a gathering. 'i read the last book by his author and it was deeply misogynistic' is a good enough reason why you don't want to read things by that author anymore. 'This comedian specifically makes a lot of mean-spirited jokes about women' reason enogh not to watch that or see that show, even if your friends want to go. 'This content creator keeps going on weird tangents about women' reason enough not to watch their stuff or support them.

and it is especially a very good reason not to date someone.

[moongothic]

Madoka is the promise you won't turn from a child, full of hopes and dreams and the wish to save the world, into a bitter adult who just wants to hurt others and ruin people's lives

Madoka promised to be there for you to remind you of the person you wanted to be and to stop you from becoming what you sought to destroy

Madoka made that promise and became the very embodiment of it

[moeblob]

A lil guy !

[billcarden]

i look good! (what's so wrong with that?)

for @jacksmannequin

[kinnbig]

it really throws me off, because for some reason my English fails me, and I'm like, "how do - how do you - how would I say this 'natively'?"

Our Experience as Foreign Actors in Thailand | Perth Nakhun (ft. Luke Plowden)