#tags whoo

[alexandraisyes]

A Ruin and Eclipse Analysis

A comprehensive guide on what I think is going on with Ruin and Eclipse

Disclaimer: This is just my thoughts, theories, and analysis compiled together and will end with what I think is happening as of current.

So first and foremost, Eclipse.

How is he back?

Theory 1: Eclipse's Restoration by KC

Scenario: Eclipse, after being blasted from Sun's mind, ends up in the woods and shuts down. KC, living in the forest, discovers him and begins the repair process. KC's Role: KC, being knowledgeable in magic and star power, has the capability to repair Eclipse. The potential for Eclipse to be made of non-mechanical materials is raised, given KC's expertise.

Theory 2: Ruin's Involvement

A. Eclipse's Backup Ruin's Discovery: Ruin raids Moon's computer and finds 'encrypted code left by Eclipse.' The possibility arises that Eclipse left a backup of his AI in the computer. Ruin's Construction: Ruin, a tech-savvy character, might have built Eclipse using the encrypted code, similar to how he created Bloodmoon. He could selectively choose information to shape Eclipse's identity.

B. Reconstruction of Eclipse Ruin's Connection to Eclipse's Past: Ruin, having lived in Moon's old bunkers and visited Eclipse's locations, reconstructs Eclipse. He restores the AI, potentially using a backup, and integrates commands, fail-safes, and memories of Eclipse's death. Creator's Involvement: The Creator, likely monitoring data flow in the Plex, could be aware of Ruin's actions. The Creator might have interfered or tampered with Eclipse's reconstruction.

C. Newly Minted Ruin isn't healed: A still corrupted Ruin could have been working on Eclipse in order to gain a weapon against his perceived enemies.

Theory 3: Creator's Role

A. Our Creator The Search for KC: The Creator actively hunts down KC, leading to the discovery of Eclipse's repaired chassis. The Creator takes Eclipse, tampering with its data, catching it up to speed. Rebuilding Eclipse: The Creator might have completely rebuilt Eclipse similar to how Ruin reconstructed Bloodmoon. The process involves rebuilding the animatronic, updating it with current data, and possibly altering its memories.

B. The Council. Solar's World: Solar's Creator planned to make a new Daycare Attendant due to the mental deterioration of the current ones. He created the body that Solar currently uses. He is described as extremely manipulative and the trend for Creators is that they are evil geniuses. Beyond the creation of Solar's body and the plan for a new DCA, there is little information about Solar's Creator. It's unclear whether Solar's Creator is alive or dead. Communication Among Creators: Creators from different universes communicate with each other. Assuming Solar's Creator is alive, it is plausible that they are part of the Creator Council, as mentioned in discussions about creators from different universes communicating. This opens up the possibility of Solar's Creator passing along any potential remnants or data of Eclipse to the broader Creator network. Eclipse's Death in Solar's Universe: Eclipse's demise in Solar's universe raises questions about the fate of his remnants, especially considering the potential fluid nature of his body due to star power. Considering Eclipse's body's fluid nature and the possibility of it being made of nanos using star power, there's a far-fetched idea that even remnants or collected data could be significant.

Overall Thoughts

Candidates for Bringing Eclipse Back: KC, Ruin, and the Creator remain potential candidates for bringing Eclipse back. Interconnected Roles: The roles of these characters seem interconnected, with Ruin and the Creator potentially influencing or obstructing each other's actions. Cloud-Based Backup System: The possibility of a cloud-based backup system for AIs, as seen with Moon and Sun's backups, is considered in theories involving Eclipse's restoration.

Is this our Eclipse? Is this a new Eclipse?

Going Through the Motions

Eclipse's Audible Confusion and Odd Behavior:

Observation: Eclipse exhibits confusion when Sun and Moon discuss his past explosion. He also appears to have regressed in character growth, expressing slight distress over the absence of the star and showing disinterest in Astral Bodies and Lunar. Actor Analogy: Eclipse's words seem scripted, and he appears to be acting out a role that doesn't align with his previous character development. This raises questions about the authenticity of his memories and emotions.

Potential Explanations for Eclipse's Confusion:

New Eclipse with Implanted Memories: Possibility: Eclipse may not be the original, but a new animatronic programmed with memories and data of the deceased Eclipse. Reasoning: Eclipse questions his own actions, suggesting a discrepancy between his expected behavior and his current demeanor. Someone could have programmed him to act in a certain way.

Tampered Code in Original Eclipse: Possibility: Eclipse could be the original, but his code might have been tampered with, triggering actions contrary to his natural behavior. Reasoning: Eclipse's confusion about his own actions indicates a potential external influence on his behavior.

Amnesia or Trauma from Death: Possibility: Eclipse might be the Eclipse that died in Solar's universe, experiencing amnesia or trauma from his demise. Reasoning: Traumatic events like death could lead to repressed memories or amnesia. Eclipse's hesitation to move on after he was presumably killed should be considered.

Origins of Eclipse's Potential Manipulation:

Creators or Skilled Individuals: Possibility: Several characters possess the capability to manipulate Eclipse's memories and code, including the Creator, Ruin, or other skilled individuals. Reasoning: Eclipse's complexity and connection to the digital network make him susceptible to manipulation by those with expertise. As does the potential of backups that said network would have been feeding his data to.

A Summary of Previously Discussed Ruin Analyses

Redeemed

Observations: Ruin claims to be less tech-savvy, showcasing slower repair skills, and displays skittish behavior. This suggests a potential decline in intelligence and increased timidity compared to his previous capabilities. Hypothesis: This theory proposes that the current Ruin is a reflection of his state before the virus, showcasing lowered intelligence and heightened skittishness.

Jekyll and Hyde

Speculation: While less likely, the theory considers the possibility of the virus evolving into a separate AI, akin to KC and Eclipse. The blocks of code might have developed a distinct personality, creating a duality in Ruin's behavior. Reasoning: The concept is explored by comparing Ruin's situation to instances where other characters evolved from code blocks, like KC and Eclipse.

Actor

Acting Possibility: This theory suggests that Ruin might be acting, and the virus's removal only affected superficial aspects. The claim is that Ruin's personality flip-flop is a result of his acting skills. Analysis: The argument stems from observations that the virus should not have changed Ruin's core personality. Instances where Ruin's behavior seems out of character are attributed to acting.

Partly Healed

Antidote Limitation: This theory posits that the antidote removed the oppression factor of the virus but left behind elements of resentment, insanity, and cunningness. The result is a partly healed Ruin displaying polarized behavior. Rationale: The idea is based on the assumption that Ruin's traits, such as cunningness, were inherent to him even before the virus. The combination of pre-virus traits and lingering virus effects leads to an off-kilter personality.

Merged

Integration Concept: This theory proposes that the antidote didn't entirely remove the virus but caused it to merge with Ruin's main AI. This could result in a blend of Ruin's pre-virus baseline functions with the motives and reasoning developed during the virus. Comparison to Theories Three and Four: The merged theory combines elements of acting and partial healing. Ruin retains memories from the virus but behaves as if he doesn't, potentially using this to gain advantages.

Comprehensive Analysis/Theory: Eclipse's Resurrection and Ruin's Pretense

Eclipse's Resurrection:

Eclipse's Backup: Ruin's Discovery: Ruin uncovers the 'encrypted code left by Eclipse' in Moon's computer, suggesting the possibility of Eclipse leaving a backup of his AI. Ruin's Reconstruction: Utilizing his tech skills and knowledge of Eclipse's past locations, Ruin reconstructs Eclipse's AI, potentially using a backup. The process involves integrating commands, fail-safes, and memories of Eclipse's death.

Tampered Code in Original Eclipse: Possibility: Eclipse might be the original, but his code could have been tampered with, leading to behavior contrary to his natural tendencies. Reasoning: Eclipse's confusion about his actions hints at an external influence on his behavior.

Ruin's Complex State and Pretense - Three Thoughts:

Writer's Note, organized from strongest to weakest in the writer's opinion

Acting, Manipulation, and Strategic Goals

Acting Prowess and Strategic Manipulation: Acting Skills: Ruin's well-documented acting skills, coupled with his love for games and manipulative nature, form a foundation for the theory that he might be pretending to be cured. Strategic Pretense: The theory posits that Ruin's post-cured state is a calculated act, utilizing his intelligence and cunning to strategically manipulate situations and achieve specific goals.

Acting Possibility and Superficial Aspects: Personality Flip-Flop: Ruin's observed personality flip-flop is attributed to acting skills, suggesting that the removal of the virus only affected superficial aspects of his behavior. Analysis: The theory proposes that Ruin is putting on an act, deliberately manipulating his behavior to achieve specific goals. This act may have implications related to Eclipse's resurrection and other underlying motives.

Utilization in the Narrative: Strategic Manipulation in Eclipse's Resurrection: Ruin's pretense aligns with the events surrounding Eclipse's resurrection. His strategic manipulation could involve influencing Eclipse's actions or shaping the narrative to further specific objectives related to Eclipse, the Creator, or broader plot elements. Exploring Motives: By considering Ruin's acting as a calculated move, the narrative gains depth as it prompts exploration into Ruin's motives. Questions arise about the true extent of his post-cured state and the underlying goals he aims to achieve. Psychological Dynamics: The nuanced interplay of acting and manipulation introduces a layer of psychological dynamics between Ruin and other characters. Understanding the motives behind the act becomes crucial in unraveling the evolving complexities within the storyline.

Ruin's Integrated State: Merging Virus and Baseline Functions

Integration Concept: Virus Merger: The antidote doesn't completely eradicate the virus but facilitates its integration with Ruin's main AI. Blended State: This integration results in a unique blend, combining Ruin's pre-virus baseline functions with motives and reasoning developed during the virus.

Advantages through Memories: Retained Memories: Ruin retains memories from the virus, providing him with a reservoir of strategic information. Strategic Utilization: Despite retaining memories, Ruin behaves as if he doesn't remember certain events, potentially using this selective amnesia strategically.

Utilization in the Narrative: Hybrid Functionality: Ruin's integrated state introduces a hybrid functionality that influences his decision-making and interactions. The narrative gains complexity as it explores how the merged elements impact his thought processes. Strategic Amnesia: The concept of strategic amnesia becomes a focal point, allowing Ruin to selectively utilize memories from the virus for advantageous situations. This introduces an element of unpredictability in his actions. Plot Intricacies: The blended state contributes to plot intricacies, offering opportunities for narrative twists and character development. The interplay between Ruin's baseline functions and virus-induced motives adds layers to the evolving storyline.

Ruin's Partly Healed State: Antidote Limitation and Polarized Behavior

Antidote Limitation: Oppression Factor Removal: The antidote is effective in removing the oppression factor of the virus that influenced Ruin's behavior. Residual Elements: However, it leaves behind elements of resentment, insanity, and cunningness within Ruin's psychological framework.

Polarized Behavior: Partly Healed State: Ruin's state post-antidote is described as partly healed, indicating that not all aspects of the virus were eradicated. Combination of Traits: The partly healed state results in polarized behavior, where pre-virus traits combine with lingering virus effects, creating a nuanced psychological landscape for Ruin.

Utilization in the Narrative: Character Complexity: Ruin's partly healed state introduces complexity to his character, showcasing a blend of his original traits and remnants of the virus. This dynamic adds depth to his interactions and motivations. Strategic Decision-Making: Understanding the polarized behavior allows for a more nuanced exploration of Ruin's decision-making processes. It raises questions about how he navigates situations, leveraging both pre-existing traits and remnants of the virus to achieve specific goals. Interplay with Other Characters: The polarized behavior contributes to the intricate interplay between Ruin and other characters, impacting alliances, conflicts, and the overall trajectory of the narrative.

Motivation for Pretending: Desire for Creator's Demise

Pre-Cure Motivation:

Long-standing Desire: Before the supposed cure, Ruin harbored a deep-seated desire for the Creator's death, showcasing a motive that persisted even during the virus-influenced phase. Persistent Goal: The existence of this pre-cure motivation implies an enduring goal that could continue to shape Ruin's actions.

Post-Cure Manipulation: Utilizing Pretense: The theory proposes that Ruin's pretended cured state serves as a tool for manipulation. By pretending to be cured, he strategically navigates situations, potentially working towards the long-standing goal of eliminating the Creator. Strategic Advantage: Ruin's pretended cure is seen as a means to an end, providing him with a strategic advantage in influencing events and furthering his motives.

Utilization in the Narrative: Continuity of Motives: The motivation for the Creator's demise establishes a narrative thread that carries over from Ruin's pre-cure state. This continuity adds depth to his character and contributes to ongoing plot developments. Strategic Plot Advancement: Ruin's pretended cured state becomes a tool for strategic plot advancement. The narrative gains momentum as Ruin's actions, influenced by his desire for the Creator's demise, impact the unfolding events. Interplay with Eclipse's Resurrection: The motivation for eliminating the Creator may intertwine with the events surrounding Eclipse's resurrection, creating a complex web of character motivations and plot dynamics.

Ruin's Connection to the Creator and Eclipse's Kidnapping:

Convenient Circumstances: Questionable Authenticity: The circumstances surrounding Ruin's knowledge of the Creator and his seemingly pre-meditated capture by Eclipse raise doubts about the authenticity of Ruin's claimed cured state. Narrative Suspense: The questionable authenticity adds an element of narrative suspense, prompting exploration into Ruin's true motives and the extent of his influence on unfolding events.

Influence on Eclipse's Actions: Unexplained Kidnapping: Eclipse's unexplained decision to kidnap Ruin, coupled with Ruin's knowledge of the Creator, suggests a potential link between Ruin's actions and Eclipse's choices. Manipulation Possibility: The hints at potential manipulation through triggered commands or pre-meditated actions introduce an intriguing layer to the narrative, raising questions about the nature of Eclipse's motivations.

Inconsistency in Memory Claims: Post-Cure Memory Claims: Ruin asserts having no memories from his time infected with the virus. However, his knowledge and comments about Sun and Moon's Creator appear inconsistent with this claim. Suspicion and Incongruity: The discrepancy raises suspicions about the veracity of Ruin's memory loss, suggesting a potential pretense.

Pre-Meditated Scenario for Creator's Disposal:

Ease of Manipulation: Facilitated by Pretense: The theory proposes that Ruin's pretended cured state creates an environment conducive to manipulating events with greater ease. Strategic Advantage: The pretense enhances Ruin's strategic advantage, allowing him to navigate situations more effectively and influence key characters.

Potential for Creator's Disposal: Tailored Setup: The setup, involving Ruin's pretended cured state and Eclipse's actions, appears tailored for the manipulation of events leading towards the disposal of the Creator. Utilizing Eclipse as a Tool: Ruin's manipulation of events could involve utilizing Eclipse as a tool in a pre-meditated scenario aimed at eliminating the Creator.

Utilization in the Narrative: Strategic Plot Development: The pre-meditated scenario for the Creator's disposal adds layers to the strategic development of the plot. Ruin's actions, driven by his desire for the Creator's demise, become a driving force in the narrative. Character Manipulation: The theory introduces a dynamic where Ruin, through his pretended cured state, manipulates key characters, particularly Eclipse. The narrative explores the impact of this manipulation on character motivations and plot progression. Unveiling Motives: The unraveling of Ruin's motives and the execution of a pre-meditated scenario for the Creator's disposal become pivotal narrative arcs, promising revelations and suspense.

Conclusion:

This is, again, just a collection of theories, analyses, and thoughts on the current developments of Ruin and Eclipse. My brain hurts. I love uh, feedback on my thoughts. Let me know if you agree, disagree, etc.

Want to join the conversation or see my thought process in real time? Well, you're in luck, we have a thread on the Sun and Moon/Security Breach Show Server where we talk about the thoughts in my silly little brain and people ask me questions about said thoughts.

If you made it to the end comment/reblog with the word Dorito.

[applepixls]

please join me in imagining:

a sitcom starring the 4 Gs with their creaking neighbour as a frequent visitor and everyone else as side characters we see a lot. and they have super powers.

just imagine, cleo is a necromancer who on the daily has to deal with her sassy zombies and hide them to avoid dealing with the issues of them being undead (fitting 2 extra people in their already cramped flat, taxes, insurance,,, grown up things.) scott is supposed to be super powered but all he does is turn into random barn yard animals impulse can teleport but its not its all cracked up to be (once he sneezed and got accused of robbing a bank) pearl just has a tendency to do dolphin elytra hopping in the living room cause she never has enough room in their cramped flat. ft. their silly neighbour bigb (appears about as much as the landlord in one day at a time if you're familiar.) shows up for family breakfasts and dinners, helps fix things and brings his silly little creaky guys as enrichment for scott when he wants to be something other than a chicken

their neighbours include: 3 college aged guys (who mostly put up with each other and start gradually liking each other better as the show goes on.) who live in the flat below them, one sleeps at any time of day and tends to slow time down to be funny, one runs really fast and freezes water he steps on and the third bounces high with glorified farts and owns a really fancy meat tenderizer. (and is cousins with their other neighbours including a violent ginger girl, a guy obsessed with fast and furious and a guy who seems to be stuck as a 1910s carnival barker-) their 3 upstairs neighbours who more or less keep to themselves and have pet birds, one of them has been asking the landlord if they can build a rooftop rollercoaster (in lieu of a garden) and can.. sit on stuff.. and punches really hard and you ouch if you punch him, another one celebrates every day he lives and is able to go invisible. the third struggles to keep the other two alive and is able to blind others in a vicinity and briefly vanish making her effectively an enhanced cuttlefish. (she is married to their downstairs neighbour and therefore spends as much time as possible in their flat instead of her own. wise choice) then there's the 2 neighbours who are really into roleplay? one of them is nosy and peeps through peep holes cause he can hear everything he sees, the other one borrows peoples identities (no harm done tho mostly just to raid his neighbours fridges without getting yelled at by their roommates) the snooper accidentally trash compactors himself trying to escape the carnival barker and the identity thief is now looking to move in with someone- finally, the main 4's mortal enemies, a guy with a fancy car who can jump on air and a girl who frequently has out of body experiences in which she can talk to the dead. they've recently adopted a silly guy with a waffle who does all of the above but only one at a time on a 6 hour or so time frame. he recently lost his roommates (both in trash compactor incidents, tragic really. one got too close and got eaten the other was leaning out the window trying to see where it was and fell out. self defenestration. rumour has it it was actually one of his buddies but that guy's innocent until proven guilty. these two are ironically now cleo's goons) and couldn't pay the rent himself so he's had to move in with the torettos

i would watch it

[dont-put-rice-in-a-toaster]

BRO TOMORROW IS PERCY JACKSONS BIRTHDAY! GET THIS POST TO 300 NOTES AND ILL ONLY EAT BLUE FOOD THE WHOLE DAY! Edit: holy fuck you guys am I famous now? Yes I did only eat blue food I promise. Update on my profile!

[paintedplum7]

What a colorful cast of characters

[theplanisinruins]

pnat textposts (2/2)

[aroaceleovaldez]

I HAVE BEEN REMINDED OF SOMETHING i think i've made a post about it before but maybe it's just sitting in my drafts. idk, whatever, I will ramble again. Said thing that reminded me was a tiktok by madison_murrah about how the PJO TV show doesn't get the balance between mundanity and magical correct for pjo and I want to expand on that cause while a.) it totally is a problem in the show and i take issue with it, b.) it is also a problem in later books and i ALSO take issue with that too and i would like to elaborate on it

this got long so ramble of the day below the cut:

so the thing is that PJO is actually pretty unique in it's approach to hidden world modern fantasy. like, hidden world modern fantasy is a decently established genre with a ton of examples, but there's a reason why PJO stands out so much, and that's because technically it's NOT "hidden world." There is very intentionally no distinction between the mundane world and the mythological, at least in first series. They 100% overlap. And you do not necessarily need to be "special" to see the "mythological world-" some mortals are totally naturally clear-sighted, a lot of kids are clear-sighted, and it's like 50/50 for if mortals can become clear-sighted. In fact, most demigods aren't immune to the effects of the Mist, all that really matters is if you're actually thinking about being able to see through it. And there's a reason for that!

In general, this format of the "hidden world" modern fantasy serves two purposes: One, as the series is meant to introduce people to Greek mythology and explain why it is relevant and how it can be relatable in modern contexts, it intentionally juxtaposes myths against modern concepts: Medusa runs an apparently average garden statue store. Procrustes runs a mattress store. The entrance to the Underworld is in LA at a record store. Circe lives on an island paradise that's secretly dangerous. Hydras are like chain donut stores that seem to pop up on every corner. Perseus and his mother struggle in Perseus' childhood but get a happy ending. Calypso has an island paradise where the challenge for the hero of our story is being tempted to leave behind his goals. The plot of Sea of Monsters is blatantly the Odyssey, and it's about Percy trying to get to his best friend (who he shares a literal psychic link to) who is in danger of getting married to someone awful (a literal monster) to help you understand Odysseus trying to get back to Penelope and how important to each other and in sync they are. Battle of the Labyrinth is Theseus and the Labyrinth and it's Percy/Theseus trying to protect his home and his people and fellow kids (like Nico) from the dangers in the maze. These are all supposed to help us understand what is actually going on in those stories.

We also still see how Greek mythology influence shapes and influences western culture in general in their world (which is supposed to be our own and so uses real-world examples) - in government, in architecture, in pop culture - Mythomagic is clearly supposed to be your standard TCG like Magic The Gathering. And in general there is no distinction between where the mythological ends and mundane begins - Camp Half-Blood is both a magical training space for demigods and your run of the mill underfunded summer camp, complete with cheesy camp songs and t-shirts and crafts. Olympus is located on top of the Empire State Building which is operating completely as normal except for when a demigod asks to go to a non-existent floor. Your best friend with a muscular disease in his legs is secretly a satyr. Your brother with down syndrome is a cyclops. Your teacher in a wheelchair is secretly an immortal centaur. Your crappy algebra substitute is a literal fury. But also they're still your teachers. The satyr is still your best friend, the cyclops is still your brother. And that brings me to the second aspect of all of this (which i have talked about before [here] and [here]) - the other purpose it serves is that it is an extension of the overarching disability themes that form the core of the series.

The entire reason that meshing of mundanity and magical is so intertwined is entirely because it's part of the disability metaphor, specifically inspired by early 2000s parenting/teaching concepts for children with disabilities, particularly learning disabilities, as trying to reframe disabilities as "superpowers" to empower kids (and still exists in some more modern forms - like referring to disabilities as "being differently-abled") (I talk about it in my previous post on the subject but this generally fell out of favor due to many kids/students finding it belittling of their struggles) - this is why we get the description of ADHD and Dyslexia being framed as "demigod superpowers." In the series this structure is intentionally made to encourage kids to reframe how they view disabilities in general as not something negative but something interesting and fantastical that they may be more open to engage with - and PJO does this in a really nice way where a lot of the disability struggles are still acknowledged and treated sympathetically. Kids still get bullied, Percy and Annabeth struggle in school or with reading/spelling, they grapple with both internal and external ableism. The entire reason for the titan war in the first series, at least from the demigod perspective, is criticizing flawed systems meant to support disabled people that don't do their job effectively or let too many people fall through the cracks. The Mist "hiding" the "mythological world" from mortals (and even some demigods) is about how most abled people (and some undiagnosed people) don't recognize disability struggles until it affects them personally. None of these things are glossed over! It's handled with nuance and care! The series says "you can be disabled and you can be like these fantastical heroes - not in spite of your disability, but alongside it. Neither negates the other." The series was explicitly made so Rick's disabled son could see himself in a hero and learn about mythology for school. Those are the two pillars of the entire franchise: Disability and learning about mythology.

So, when you mess with that "hidden world" structure, the entire thing falls apart and it immediately doesn't feel right, because it's no longer serving either of those two purposes when it needs to be fulfilling both. Late-series Riordanverse has a tendency to compartmentalize the mythological and keep it entirely sectioned off from the mundane. Think about first series and even TKC versus later series - how many mortal characters are there? what do they do? are they just in the background or do they interact with the main cast frequently? are they more than just family or an extension to the main cast? First series we see Percy's classmates frequently, Percy talks about his mundane experiences at school, multiple mortal parent characters (and other mortal characters like Rachel) are active participants in and vital to the plot. We even see a lot of background mortal characters. In TKC, not only are all the magicians technically mortal, but also Sadie's completely mundane best friends help her out. Now think about HoO, or ToA, or even MCGA. Think about the mortal characters in those series. How important are they? Out of the important ones, how much are they in mundane situations versus being almost entirely involved in something mythological? How many aren't related to any of the main cast? How many aren't actively working for a god? The answer is basically zero! Why is that? Because Rick stopped letting the mundane exist. The entire draw of the main series is that Percy does continue to live this mundane life and that adds to his mythological life and makes the balance and meshing between them interesting, but basically all mundanity ceases to exist by HoO. Camp Jupiter is an isolated entirely magic town. Percy and Jason's schools are full of mythological beings as basically the only people they interact with. The Tri's headquarters is an entire giant building in New York City that they completely control that just so happens to ALSO be directly across the street from the local Oracle's house, because even where Rachel lives isn't allowed to be mundane anymore. Why is Olympus just at the top of the Empire State Building versus the Tri having an ENTIRE building? That feels weird and unbalanced, particularly given the difference in importance between those two! Because one is playing into that balance of the meshing of mundane and magical and the other isn't! The show continues this trend. It doesn't allow any of the mythological to exist within mundanity like it functions in the books, which creates a completely different atmosphere and doesn't allow those spaces or scenes or characters to serve their actual narrative purposes, either making it easier to understand mythology contextually or what disability metaphor or representation is occurring there.

It's part of the problem with show!Percy being too mythologically-savvy - Percy is supposed to be the mundane lens unfamiliar with mythology that the audience is learning by proxy through. That's the entire point of the series! If you have Percy already know everything because he's already too ingrained into this mythological environment from the start, and he just exists in this entirely magical world where he understands everything immediately then the literal target audience of the entire franchise (students being introduced to mythology) is left behind! That's part of why the pacing of the show feels so bad! It's rushing through every scene that's more or less the same as the books, particularly anything mythological, because the show is assuming you've already read the books and already know enough mythology to know what it is and what happens and that you don't want to see it again, so it rushes through. The show doesn't explain things that it presumes you already know - worldbuilding, character decisions, basically any mythology, etc, so it doesn't even bother with it.

Later books in the franchise do this too - as long as it's tangentially Greco-Roman mythology, or if it's anything to do with the main series like a reference in TKC or MCGA or etc, it's not going to elaborate much if at all. HoO speeds through Jason's introduction to CHB, and the only reason we get much introduction to Camp Jupiter is because it's actually new. We're no longer trying to contextualize or learn about mythology, it just all becomes set-dressing and references thrown at you rapid-fire as filler. By late HoO and into TOA and TSATS and such, we're not longer even within the realm of pretending like we're adhering to mythology at all. Why is Iris a vegan? Why is Rhea a hippie? Dunno, don't care! Literally doesn't matter! Why are the pandai panda/elephant-monsters and the troglodytes frog-monsters when that's not part of their actual history at all? Well a.) literally just word associations and b.) possibly a little bit of racism (they're supposed to be humans from India and northern Africa, and you made them monsters. cool. okay. and their plotlines totally aren't horrible within those contexts. awesome. please try thinking literally at all next time, thanks). We're not even bothering to look at mythological instances anymore for a basis, a lot of it's written like we're just going based on the first results on google (hi Menoetes and the cacodaemons - the latter of which is not even spelt correctly once in the entire book - which is weird because they do say "daemon" so they know the word. Not that the cacodaemons are mythologically accurate at all because then they would be humanoid. Instead they seem to just be inspired by the things from Doom). None of it serves the purpose of the narrative at all; we're literally just making random choices, some of them quite distasteful! In large part due to refusing to acknowledge the actual contexts of the myths and how that might translate into something similar or equivalent a modern setting to help conceptualize it - something the first series did inherently by design. And we need this! A.) So that you're less likely to make bad decisions because you are inherently thinking about the historical and cultural contexts of these things and how to compare/explain it, and b.) because the audience for later books/the other series and the show is going to be the same as the first series! Those nonsensical references may be at best cameos to people who are already familiar with them, but if your intended audience is new to mythology then making references like that is just going to leave people out of the loop! You don't shift your target audience in the middle of a franchise!

Later books in the series and the show are failing to understand what the first series was actually doing narratively and how it was approaching these subjects and its audience. When you fail to do that, it completely messes up the general worldbuilding and the core themes and intentions of the franchise as a whole. Once you lose touch with that you might as well just be writing a completely different franchise. You need to approach it from the same lens or else it will feel completely off, because otherwise you've lost all base touchstones that make the series what it is.

[xovera-toz]

Doodles that never became anything

[polyphonial]

happy pride month 🏳️‍🌈 lee jihye is an ally to gay people but not kim dokja

[ID: a redraw of the breaking bad gay meth comic. It's a black and white wonkily lined cartoony comic, showing Lee Jihye, Kim Dokja and Yoo Joonghyuk from Omniscient Reader's Viewpoint. In the first panel, Jihye and Dokja stand in profile. Jihye smiles and says: "it is pride month ahjussi you know what that means". Dokja looks deadpan and slightly confused. He says: "huh / what".

The second panel shows Jihye standing closer to the viewer. Her arms are folded behind her back and she is smiling smugly and knowingly, staring into the camera. Dokja stands behind her, arms spread apart in confusion. He says, slightly agitated: do you want me to do like / gay scenarios / what". The dialogue bubble from Jihye shows only three dots. Joonghyuk stands behind Dokja with a flat expression and holding a sword. End ID.]

[brolcagno]

Various Homicipher doodles bc I am not immune to pretty and offputting men

[alexandraisyes]

Commission for @solarpacaso

He bought this snake from me and now the baby has a ref

♻️Please Reblog To Support The Artist♻️

[ragdolls-and-such]

MP100 WONDERLAND AU!!!

I will probably never write a real fic for this, so I'm gonna explain the general plot and ideas and lore and stuff as a way to introduce each character. Or you can just not read and look at the designs instead

Ritsu is our Alice,

and Sho is the rabbit he chases after. Unlike the white rabbit, Sho isn't anxious - he's mischievous more than anything. While he IS trying to be on time to the Queen's croquet game at first, teasing Ritsu as he fails to catch up with him becomes his main priority.

Tome and Goda (do people in this fandom call him musashi or goda?? i have never seen anyone talk about him) are the first characters Ritsu meets. They play the roles of the mouse and the dodo from the book. After the whole pool of tears thing - I'm assuming you know the general story of Alice in Wonderland - Tome infodumps at everyone, much like the mouse does in the book. Goda is basically like "that's BORING we should EXERCISE the water off of us" and then the caucus race happens!!

The scene where Alice gets stuck in the Rabbit's house does happen but I have no character assigned to Bill so I didn't draw anyone for this.

Next stop is the caterpillar!! Played by Dimple. He's the ghost of a caterpillar that looked forward to becoming a butterfly, but died before reaching the chrysalis stage, and has since become a little crazed about the butterfly idea. He finds Ritsu kind of annoying but keeps talking to him because he enjoys the attention.

Mezato is the Cheshire cat! Psycho Helmet is not a thing in Wonderland so her time is more devoted to being mysterious and cryptic and taking photos of people and things. Plays the cheshire cat role pretty straight.

And now! The moment everyone's been waiting for! The three characters that people usually care the most about in aiw AND mp100.

Reigen started the hat business with his good pals Serizawa and Mob and then went a little bonkers. The Queen sentenced him and his coworkers/friends to eternal teatime for being annoying basically. (There IS lore there, but aiw is my special interest and i could talk about that forever.) He's still very Reigen-y but always a little on edge. Basically, think about Reigen's most high-energy yet pathetic little meow meow moments, it's just that.

Serizawa is just like - imagine you teleported Serizawa into the March Hare's place without warning and he just had to figure out what to do about it. That's not what happened, but that's basically how he behaves.

Mob is the dormouse, but like the book version of the dormouse, he gets his time in the spotlight. (anyone out there know about the three girls in the well?? no? just me?) Because this is Ritsu's dream, nobody needs to wonder whether mousemob is humanritsu's brother. Just don't worry about it

Finally, we have Teru as the Queen of Hearts. His personality definitely matches his pre/during-that-fight-with-mob self. Violent, self-absorbed fashion disaster. Sho, being his messenger, has a very "siblings who kind of hate each other" dynamic with this Teru, in my eyes.

That's it!! If anyone wants to write or draw a wonderland au based on this casting, that's totally fine because I in no way own the idea of a wonderland au. That's like, the most basic "what if this media was actually this other story?" au concept.

[artgallerys]

r/askreddit i accidentally thirst trapped my arch nemesis send help

[fedoraspooky]

Somehow I managed to make it through Ghost Trick completely unspoiled, and while looking back there were hints all throughout... MAN, there was no way I could have possibly guessed how that was going to end.

[cherry-bomb-ships]

Aaaaaah I know I've been talking abt this art for like 3 days but I FINISHED IT HEEHEE 💖💘💖💘💖💘💖 The thought behind this was Cherry was getting mugged during their walk back to her apartment cuz Townsville be like that, and this is the moment Mojo swooped in to her rescue (How did he know it was happening? He deeeefinitely wasnt spying on them lol) ANYWAYS ENJOY If you want more thoughts look at my tags!! 💖💖💖💖💖💖

[[🧡 Reblogs and comments are all seen and very appreciated!! 🥺 Tag list below the cut, check out my pinned for my taglist form! 💙]]

@absentmoon @ava-ships @bee-ships @beetleboyfriend @berryshipbasket @canongf @clawfull @cloudyvoid @derelictdumbass @dissonantyote @edencantstopfallininlove @final-catboy @flowering-darkness @gible-love-nibles @nagirans @hoppinkiss @hotrodharts @hyperionshipping @iwishihadfangs @iyamifucker @judetama @lex-n-weegie @lficanthaveloveiwantpower @little-miss-selfships @little-shiny-sharpies @loogi-selfships @mandrakebrew @mintpecks @mothfinite @mrs-kelly @nameless-self-ships @orbitingaroundyourlove @nerdstreak @paper-carnation @p-i-t-s @qilinkisser @reds-self-ships @rexscanonwife @rotten--cotton @ship-trek @spacestationstorybook @squips-ship @toogayforthistoday @winterworlds

[lavenoon]

TFW your curious human partner wants to watch you eat but you're maybe not quite ready to have them witness it, so you tease them out of it

@naffeclipse I looked at all the angst buildup from chapter 17 and just decided to ignore it to instead deliver post-canon fluff <3

[fawnim]

normal convo between sapphics

*flibberwabble (v.) - to surprise or to shock /ij

[close ups under the cut!] im having a lot of fun with these accidental drawing prompts from discord !! 😆😆 thank u again to @/yicketydah & @/supernova-109 for being such lovely ppl to talk to <33 they honestly embody their pfps to a T /pos

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