#stories: taking the long way

[krtart]

“It would be fucking wonderful,” Space muttered, “if you could just go two weeks without getting injured or sick.”

“I’ve had a few aches and scrapes recently,” Ventro said, amused. “But I seem to remember it was someone else who almost killed himself—”

“Saving everyone!”

“And almost lost an eye—“

“It didn’t even cut all the way through my nictating membrane, it was fine—”

“And almost got eaten by alien termites…”

“…mm.”

Ventro grinned. Space subsided with a grumble.

[seiwas]

cw: pro-hero bakugo, reader has boobs, kind of explicit/nsfw? idk i describe boobs, reader is smaller and shorter than bakugo, unedited sawry

bakugo's muscle tee looks as ill-fitting as it'll ever be draped over you.

there are reasons for this, perfectly founded and logical reasons for why that is—the main one being that, it's, well, his; two, maybe even three sizes larger than what it should be to fit you properly.

but, he can't stop staring, and there are reasons for that too—the main one being that, it's his, and yet, the only way he can ever imagine it now is when it's being worn by you.

your hips sway to the song you've been humming for the past five minutes. it's the same one, the chorus on a perpetual loop. he's sure it's the only part you know; you do this often enough that it's the only part he knows now, too.

the hem of his tee hits right at the top of your thighs, concealing just enough to tease, but he’s confident that if you reach up even the slightest bit for the cupboard overhead, there'll be nothing to hide.

he feels a little bit like a creep like this, watching as he stands in the middle of your shared living room, but it's impossible too look away—you've got to be doing this on purpose, right?

heat flares inside of him when you turn your body ever so slightly, the armhole of his muscle tee large enough to give him the clearest view of skin—

he gulps.

it's smooth, sloping just right; the side view of your under boob curves into its perfect shape and he can imagine it, feel—

(is this considered perving if he's been with you for years?)

the pan in front of you sizzles as you plop in god knows what. you pour in something from the side and wait, one hand propped on the hip you pop out. then, you pick up the pan, attempting to flip what's inside (probably a pancake, now that he thinks about it).

it’s hard to focus on what you’re cooking though, especially when all he sees is plump flesh jiggling, bouncing as you further agitate the pan.

he just got the pants of this suit readjusted, and now they're fucking tight.

bakugo normally runs hot; it’s kind of part of his dna. but this warmth is different, flushing him from head to toe. it creeps up the side of his neck, painting the tips of his ears a blooming red.

you turn around then, plopping the pancake on the plate atop the counter behind you.

"oh! you're done," you greet him with a smile. so. fucking. casually.

as if your tits aren't fucking peaking against the gray fabric of his tee.

as if you think he buys the fake innocence poorly concealing that sly, conniving look in your pretty eyes.

as if you aren't standing in front of him in his muscle tee, wearing nothing underneath it like you didn’t do this on purpose. like you don’t know what it fucking does to him.

his eyes squint suspiciously, deep vermillion staring straight into yours.

you tilt your head, the tips of your lashes kissing the top of your cheekbones as you blink. you reach for a bottle of honey.

“everything okay?” you ask, voice syrupy, sickeningly sweet.

your movements play in front of him languidly, the corner of your lips curling up slightly as you smirk. honey catches on your finger as you pop open the bottle cap.

he’s supposed to be out the door in five minutes if he wants to make it in time for a meeting at the agency. technically, he should already be there if he wants to keep up his track record of consistently being fifteen minutes too early.

but you start to approach him, rounding the kitchen island. there’s a narrow space between him and the slab of marble, but you slide into it like it was made for you.

he’s certain it was, from the way the tip of your nose brushes against his as you tiptoe. your tits are right fucking there, brushing against the skintight material of his suit.

there’s too much fucking fabric if you ask him, between cotton and spandex.

your grin widens, and he feels hot, the heat from his cheeks radiating.

then you whisper, still saccharine, “breakfast is ready,” before kissing him on the lips lightly. a short peck, soft in the way that promises more before you slip away, giggling in your retreat.

he huffs, watching you leave. his feet shift as he thinks.

five minutes, huh?

like hell he’s going to eat these damn pancakes for breakfast today.

[zephyrchama]

🎁🥔

Beelzebub and Mammon made their presence very well known when they entered the living room, with heads held high and chests puffed out proudly. They were a little sweaty and disheveled but strangely upbeat. Beelzebub was clearly concealing something behind his back. Mammon had his nose pointed so far up, it was almost a challenge to the Avatar of Pride's moniker.

You looked up from the couch and asked, "What's up, guys?" Feeling for all the world like a kindergarten teacher about to play a game with their students.

"We got you something," Beelzebub said with a pleasant smile. It was almost entirely drowned out by Mammon's loud boasting.

"You won't believe what I found. You're 'bout to be real grateful, so get our praise ready."

They plopped down into seats on either side of you, Beelzebub careful not to jostle the mystery in his hand.

It wasn't every day they made a big deal out of giving you something. Normally, they'd just do it. Your interest was piqued. "What is it?"

They smirked at each other. Both demons wanted to drag out the suspense, but were also too impatient to wait much longer. Still in their school uniforms, they probably rushed straight home as soon as they procured their present. After grinning for several prolonged seconds in self-satisfaction, Mammon snapped his fingers dramatically. "Show 'em, Beel!"

Beelzebub placed the gift in your lap as if it were made of the finest glass.

It was a potato.

"A human world potato," Beelzebub explained, as if there was any doubt.

"Ya don't see this in the Devildom everyday. We thought you'd like a human treat every once 'n a while."

It was green and wrinkly, with multiple spuds sprouting out the top. It looked like somebody had dropped it behind a shelf and found it months later through smell alone. It was impossible to discern if it had been washed recently or if, at this point, the slimy and moist texture was just this tuber's natural state of existence.

Two sets of eyes filled with anticipation were locked on to your face, scrutinizing its every move. They were waiting for their shower of praise. You forced an awkward smile and laughed with strained excitement. "A potato! Wow, thanks guys!"

"What are you gonna make with it?" Beelzebub was eager to know.

"I'm not sure." You gazed at the gift. You kind of wanted to fling it off your legs before your skin started crawling. Though, you couldn't insult the brothers after their hard work. It was time to start lying through your teeth. "I'm so touched. Really. That you went and got... this potato for me. I kind of want to keep it as a memento!"

Mammon waved his hand to dismiss your idea. "Nah, don't hold back! I paid a pretty hefty sum to get a hold a' this, y'know."

Your heartstrings twinged with guilt. To avoid stirring Beelzebub and his endless stomach, Mammon leaned over towards your ear. "Fry it, bake it, boil it. It's all yours," he whispered. "'Long as you're happy, yeah?"

You were not happy. Every day with these demons brought a fresh source of stress. At least you were never dull.

"Solomon once said that green vegetables are good for humans," Beelzebub revealed.

You twirled your head around so fast that you accidentally bumped Mammon in the nose and asked, "You actually took food advice from Solomon?"

"Only after Belphie confirmed it," he clarified. So they did do their research.

While that was usually true, this was an incredibly unfortunate exception. You could not bring yourself to consume the sad green potato. You needed a new idea.

"Can human plants be cultivated in the Devildom? I want to plant this, and then we'll have more potatoes we can all share." The wet sensation on your leg only grew more unpleasant and you wanted to get rid of it as soon as possible. "Let's go plant it out back and see."

The siblings began talking over one again again, saying, "My human's got a heart of gold" and "I'd like that" while squeezing you with bear hugs from either size. It jostled the potato and you feared it would start leaking more.

"Let's go, let's go!" you ushered, eager to give this old vegetable a proper burial. You could vaguely hear Mammon brag to his younger brother, "I told you this was a great idea, they're gonna be thankin' us for weeks," as you raced towards the doorway.

[poorly-drawn-mdzs]

No time to play. You are being sent away.

[First] Prev <–-> Next

[screwpinecaprice]

Frolicking among the flowers I think.

I feel like I already drew this before so hoping I didn't!

[aletterinthenameofsanity]

Me, to my new date: doctor who thinks it's a sci-fi story because the Doctor thinks it's a sci-fi story and because the companions think it's a sci-fi story, but it's really just a story about ghosts. a story about an ancient creature carrying the ghosts of everyone they have ever loved, meeting new people, and seeing them only as future ghosts. they are haunted by the future and the past and the present because they are the only constant in a world constantly in flux, and they are running as fast as they can to things before they burn and fade to dust but everything will always end, you understand, because this is the only thing the Doctor understands and yet they keep going. they love too much to stop. doctor who is not science-fiction, it's horror and optimism and spiritual more than anything else, it's religious unto itself, the TARDIS is a haunted house and a church and a graveyard and a hospital and the Doctor is the most haunted being in the universe but more than anything, this is a love story, because how can you love something without being haunted by it- hey, what are you doing?

My date, shoving breadsticks in their purse: I have to go-

[alaynestone]

you're an angel, i'm a dog or you're a dog and i'm your man you believe me like a god i destroy you like i am

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[rowanthestrange]

A thing I think should be included with Ruby’s abandonment/attachment issues when we’re writing her, is that she was a foster sibling to a lot of kids. Like a lot of kids. She has effectively lost so many siblings and playmates and even babies/very young children she’s essentially had a hand in raising. Her entire life has been loving and losing. And for foster kids getting adopted or reunited with their parents under better circumstances, she will basically have been unable to grieve that properly because it’s a good thing they’re gone and they’re supposed to celebrate it. She’s clearly very loving and caring even after a whole life of that, even though each time they leave a piece of her goes with them.

No shit she’s going to end up with some attachment issues. Especially if she considers herself the lucky one, survivor’s guilt, Carla adopted her and none of the others, who have probably expressed that sentiment to her directly and asked why, in the hopes they could stay forever too, or just jealousy - what made you so special?

Foster children/youths in the UK also have to choose themselves to stay in-touch. Foster carers cannot directly contact the child once they have left their care. A “clean slate” approach is preferred. So if the child doesn’t request to get into contact — and sometimes aren’t told they would have to or are discouraged from doing so — that means losing contact immediately and for good. Does that remind you of anything? Sometimes it also happens very quickly - it is far from unheard of for a foster sibling to go to school in the morning and find out the child they’ve been living with for months has gone when they come back in the evening. Even with warning it could still often be only days. I think you could argue 73 Yards has more to do with Ruby’s experience as a foster sibling than being an adoptee.

And of course the continuous loss of loved ones mirrors the Doctor’s experience with their companions fairly often. Another thing that quietly binds them that most other people couldn’t understand.

[krtart]

Sign language for deaf tellurians in the modern interstellar era is often integrated into clearspeech translators by way of motion capture ear pieces and gloves. These same capture rigs can also be used for direct transcription (glossing) without translation.

Speech-to-tactile-text devices can fill the receptive communication gap, and other orientation and mobility skills and devices can fill the role of echolocation. In combination, these technologies can allow for a high degree of independence and self-expression.

Even so, many deaf tellurians still make use of personal assistants to serve as tactile sign interpreters and hearing guides. When speed and ease of use are a higher priority than strict single-person independence — as is often the case within many tellurian cultures — a skilled professional generally remains the preferred choice.

In-person communication within deaf communities also generally opts in favor of tactile sign.

[iwritenarrativesandstuff]

Suddenly remembered something I wanted to say re:Akechi, because I think it's really core to his character (at least the way I interpreted him?) and I feel like it explains a lot of his contradictions. Essentially, he is incapable of seeing himself as just a person - he's either the greatest hero/detective ever, or he's some violent monster, and it's like there's no in-between. It's very in keeping with his obvious superiority-inferiority complex, but it goes deeper than that too; when he's in a role, it seems like his self-perception kind of changes too depending on how he is perceived by others. He really does get a confidence boost from being the Detective Prince. He really does shut down emotionally as the Black Mask.

They're masks that he's made, and it's not that aspects of them aren't based in truth to some extent, but I think it goes to show why he's not actually that fantastic a liar (imo, I found the outright lies pretty obvious), but he is a very good actor. He's either an angel or a demon, and never a person, but there are conditions to that. He is an angel when he is perfect - to society. He is a demon when he is vengeful - again, to society. He is never a person, because he never was seen as one - to society. He was disregarded. To be anything of value or notoriety, whether that's hero or villain, he has to be wildly more or less than who he actually is, and he's been building these masks up for so long that I really think he lost sight of the actual person behind it all. And I don't think he wanted to see that person anyways, because that person "wasn't good enough" and I do think he'd rather be anything other than himself. That trickery, that deflection from the person within, in itself brings him pride and satisfaction. He wants to be loved and needed instead of being cast aside, but I also think that if he can't have that then he'd much rather be hated than never have mattered at all. He weaponizes his own loneliness - if he can't ever be accepted then he'll build his own pedestal apart from everyone else.

It's so fascinating too, because I just wonder how much of this he was consciously aware of pre, during, and post engine room. There's this recurring thing with him where he goes "I can only be myself" etc but I just want to shake him because, well, who is that, Akechi??? Or, who do you think that is? Do you actually have an answer? Is it predicated on your actual feelings or solely on your success at fooling everyone around you? Is there any part of you that you actually like that isn't based on a painstakingly constructed mask? Isn't it all mostly lies to deflect from the truth? Isn't it all founded mostly on truth, nonetheless?

It drives me insane. And I think this is a big reason why he breaks so hard in the engine room, because so much of his mask requires his "audience" to perform in a particular way. And here he is, and the Thieves have beaten him, so there goes the first mask, because he's no longer "perfect". He swings wildly into the ugliest sides of him, but this mask is broken too, amidst him vehemently and desperately denying that he has any other emotions than hatred and rage, or any other needs or desires than vengeance. And after that, it's just him. And they should reject him, right? That's what happens. He's not useful, he's not needed or perfect, his hands are stained with blood. But the Thieves, again, don't play the role he expects them to. They, despite everything, relate to him - because he is in fact very similar in a lot of ways and they acknowledge him as a person - not a hero, or idol, or villain, or tool, or unwanted child - but as a damaged teen like the rest of them. And he does not know what to do with that. His identity is intrinsically dependent on getting the right reactions from other people as a form of ingratiating himself - if he does not get that reciprocal reaction he's looking for, his act falters, and, I really do believe that so does his self-perception. That's why you see different aspects of him seep out when he's spending time with Joker, because Joker does not react the way he expects, and Akechi both does and does not like this, because it leaves him feeling both intrigued and vulnerable.

I do think this particular aspect of his character is something a lot of the Thieves don't fully grasp - certainly, I think Joker "I need the mask" Persona 5 understands to a degree, but the sheer degree of reliance and the level of pride attached to it is something that confuses him a little, I think, especially in Mementos Mission. I think the thief that comes closest is actually Morgana, who has a similar superiority-inferiority complex and a desperate need to be seen as competent and useful lest he be discarded. (This is a big part of why the rather lackluster writing with Morgana's arc frustrates me so much because I really do feel it was meant to be contrasted with Akechi's, but I digress.) Morgana is the one to make that emotional appeal to Akechi, which makes a degree of sense - Morgana struggled all along with finding a place in the world. His form leads others to underestimate him; he visually doesn't fit in. He's acting out the role of a chivalrous and cool phantom thief but is more pragmatic with how he views relationships, at least at first. He wants a place to belong where he is appreciated more than anything but his pride won't let him spit it out. Accepting that he belongs and that he is loved even if he really did have nothing of value to provide is a big part of the resolution of his arc. He tries to offer that learned lesson to Akechi in turn ("Follow your true feelings. Even if you think people hate you, or don't want you around-"), but Akechi just wasn't in the right space to listen. There's also an important distinction between the two - Morgana envies humans and looks up to them. Akechi envies humans and looks down on them. Morgana is perfectly happy once he is assured a place amongst the group, but Akechi see-saws wildly between wanting to belong and wanting to be a step above the rest and separating himself further. So while Morgana actually really did cut to the core of the issue, his appeal would never have worked at this point because a) Akechi's pride is dependent on him maintaining his solo act, and b) he just got outed as not actually hating Joker in front of seven other people including Joker himself lmao.

So, uh, sorry, Morgana. Points for trying.

[freakbullet]

cant believe when im consuming deltarune theories i have to sit through takes like "yeah I guess ANOTHER HIM sounds kinda like gasters theme but theres no proof" or "yeah people assume the intro narrator is gaster but we dont actually know"

like do yall need Toby to spell it out in big block letters for you?

OH WAIT. HE DID.

[pineappical]

in light of tedtrent becoming so real, im also jumping on the tedtrent epilogue 😊

there's just no way ted wouldn't keep in touch with the others (and have weekly zoom meetings just like in the christmas special) and I just love the thought of the whole team having reunions once in a while.

and going back to trent's arc in s3, the sunflowers conversation, "And your daughter?" "She's never been happier." I think it could go the same for ted.. we've never really properly saw how henry felt about his dad being in london, it's always other people that told ted his son misses him, who's to say henry would rather see his dad happy because that in turn would make him happy too? he was there to win the whole thing, right? I just know ted’s story isn’t done yet when he still hasn’t learned to let others take care of him in return and who else to pair him with than the man who blew up his career because a man was nice to him (and also because they were so. so cruel for the fakeout tedbecca scenes for that finale) 🥺

I'm no writer so just pretend these are snapshots of a slow burn fic where ted visits london for their team reunion and slowly realizes that trent has a crush on him and they kiss about it 💛

[elbdot]

How long will it take till El and Guzma start showing *CANON* feelings towards eachother?

*looks at planned story arcs* Ok so we have regular bonding shenanigans, then we have a vital Guzma arc in here, an El arc planned as well, plans for Season 3, scheduling time for comics between commission work and other projects, calculating... ...ah shit we'll be here for another 7 years again, won't we

[wheres-hoid]

This is an RE: Dracula (Bloody FM) appreciation post 💕💕

[not-the-coffee-machine4]

Me: *tries to see what the Queen fans on TikTok have to say*

*Jim hate*

*”facts” that may or not be actually true*

*”Freddie Mercury was bisexual-“*

*Using Barbara Valentin as evidence*

*thinking things that happened in the movie actually happened irl*

*general misinformation about everyone and everything*

Me: aaaaand back to Tumblr I go

(open tags at your own risk, there’s a whole essay in there)