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life-rewritten · 4 years ago

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The doomed futility of Sisyphus; Sisyphus The Myth Kdrama Analysis

Before we start this analysis, I did have a lot of help getting to understand what's happening in this show especially the logical rules of time travelling, due to this website bitchesoverdrama, we have a great community over there we talk about shows and comment our thoughts and the way packmule sees things in shows is so inspiring. So even though this is my theory it is based of her own theories and opinions on what's going on in the show.

Sisyphus The Myth Ep 1-4

Let's talk about Sisyphus. The Korean drama that everyone seems to have something to say, mostly negative because they don't understand where the storyline is going, and because of that frustration of lack of understanding, they go to insults, and annoyance, and lack of patience to wait it out, they call the show ridiculous with it's terrible directing and also outlandish action scenes and unreasonable logic. The first mistake these people made is going into this show, thinking it was a logical sci-fi. There is another show where people have mistaken a mystery fantasy plot (as the writers announced it was, in an interview) for sci-fi because it includes scientific rules sometimes and discusses time travel. Do you the know the show? It's The king's Eternal Monarch. So because logical people have it out for writers using specific sci-fi plotlines to write a romantic mystery show; that doesn't actually base its self on the realism or logic of the science they expected, people call these stories dumb; they say it's ridiculous and should not have been done. And it's hard for people like me who completely gets bored at the idea of a sci-fi show, I'm not logical. Let's first get that out of the way; I won't be calculating mass, and time, and velocity and use maths and science as a base for my analysis. In fact, I usually run away from anything to do with sci-fi. But there's something funny about this, that with TKEM and now Sisyphus, mystery fantasies that do incorporate a piece of the sci-fi genre, actually make me enjoy them.

Perhaps it could be argued that it's because I'm not smart and I like ridiculous things, I only want romance with shitty writing, and maybe that's it. However, I disagree, what I see in these stories are a different sort of basis; instead of relying on scientific logic rules, or whatever is seen as appropriate in a sci-fi plotline, they use meta; they use other things to make their world mean something. For TKEM, it was literature and fairytales, and stories, and for Sisyphus actually named after the Greek myth, it's the same. In order to understand where a show is going when it uses a literature base, you have to first understand the source. What is the source saying? Why have they chosen this source to tell this story? But people clock out and don't want to wait, aren't connected to the characters enough to care, or just plain detest anything that doesn't follow a specific set of logical rules, and that's fine; you're allowed to like or want whatever you want to see on TV, it's your experience, but for the others who do want a show that is maybe deeper, interesting, laced with a good plot and love story that is sad, futile and also romantic, then I would suggest Sisyphus being for you. This isn't going to have a lot of support, and I already know this. Still, I do want to write about this show and explain why I'm into it because it has everything I like, a mysterious plot, fantasy/sci-fi elements, and a romance that is very angsty but also very deep. The show's director maybe not be as great as the others before him, but I think he's doing an okay job showcasing what he wants from the story. So yes, Sisyphus has so many scientific questions to ponder about, but I want to get rid of all that and focus on the bare bones of the story. How does this myth connect to this story, and why does it foreshadow how good this plot could be? This doesn't mean, this plot will be great because it all depends on the directing and writing skills, I'm not familiar with their work and with the director. I don't particularly care a lot about what he offers. But I know how he makes shows, I know the themes he's into and from this myth analysis, this show is definitely up his alley. So for now, I'll keep enjoying it and analysing, but it doesn't mean I think it's the best thing ever to exist in this genre. Okay, now we have that out of the way; let's learn about Greek Mythology, shall we?

An Introduction to a Genius

So who or what is Sisyphus? When I hear about Sisyphus, I think about the guy who tried to run away from d*ath but ended up being captured by Zeus for even trying to think he could do that. He ends up basically with this painful task of constantly rolling a boulder uphill. In a way, it's depressing AF, and it really holds this theme of futility and punishment. So it's interesting to see we have a character who is being punished for his brains and his cunningness to evade situations and save people, and it seems unfair that he gets this ending. It also makes me worry about Tae Sul, our main character in Sisyphus the myth, who begins the first episode evading d*ath by saving tons of people on a plane and then also wanting to revert a specific family member's demise that he feels guilty about. Taesul is just as smart and cunning as Sisyphus; he uses his skills, his brain and his talent to help people. So it's a bit disturbing because already from looking at him, it's unfortunate he's destined for a futile, sad ending; he's destined to be punished by powers be, for being an obstacle. And will you have it, the whole plot revolves around him being chased by people who want to get rid of him because it seems he's found a way to prevent d*ath and prolong the lifespan of the people he loves. What a surprise. Honestly, it's that simple; the boulder represents him having to take on weight constantly because of his actions and live with that repeatedly being chased by the thing he tried to avoid. The episodes scream that it's because he tried to bring back his brother from the past, but the thing is, there's more to the myth of Sisyphus than just this outline. So before we can truly understand the big picture and where this plot is, we need to truly go back and understand the real story of Sisyphus, the myth.

Let's go back. So yes, Sisyphus is cunning, smart, witty, he has many moments since he's apparently a king, royal full of influence and power. He really cares about protecting people, including himself, yet the way people see him is actually harmful. They see him as childish, sneaky, heartless and a player. Surprise. The thing is, this is precisely how we are introduced to Taesul. He's a big flirt, a big child who complains and acts immaturely with his company. He's someone of influence, in fact, significant impact; so much money and prominence, and yet he doesn't seem like he cares about anything. So yes, you can understand why people have a wrong perspective of our Sisyphus. However, he doesn't want to care about anything because he's self-destructive, broken by the guilt of letting pride, money and greed stop him from preventing his brother from being eliminated.

And it's something that lives with him every day; in fact, he's dependent on self-medication to get rid of the haunting figment of his brother. Now he says he doesn't care about people and others, but we know he's lying; he's clearly someone who's destined to protect, he does care even when he acts nonchalant, for example, saving a whole plane from crashing and hurting people, especially when he has said he is waiting and has been excited to leave the world, if he were selfish he would have let the plane crash, he didn't care as he said, but something in him still went back and provided the solution to help.

So this is really vital, this idea of Sisyphus being misunderstood by people in a way he's actually with a saviour complex, he protects, and he saves people with what he has yet even his actions are deemed evil or selfish or a natural disaster for them. So again, it's obvious the plot is based on whatever he has done to create this apocalyptic future we see in the show that is being misunderstood. The people who are out to get him are seeing him and hating him when in reality, it's obvious this was meant to better the world/ also himself because as much as Sisyphus has a saviour complex, it doesn't mean he's selfless; in fact, he's a very selfish character, he'll put his own needs above the world at times. This is where Taesul will make a mistake. Because for him, his only goal is to bring back his brother, even when warned he shouldn't, even when there are hints that him unveiling the truth will lead to suffering and the end of the world as we know it, it's still all he wants to do. Is it just that though? I'm getting ahead of my self I still need to break down this myth.

The Problem with Cunningness

So Sisyphus is someone with cunningness, knowledgeable and powerful, so when the first time he sees an opportunity to get rid of this thing we call mortality for people (not just him), he's punished when the gods aren't happy. Especially the god of war himself, Ares, who is frustrated at Sisyphus for chaining de*ath, Ares is upset; he is annoyed that Sisyphus is getting in his way, making people lose the meaning of war, what's the fun of war if no one is being removed? Which is interesting because we also find out in Sisyphus that Taesul's actions and mistakes and his own demise will lead to a war that will end everything and some organisation isn't happy they were at the losing end of that war. They hated the result of Taesul being alive to either cause or prevent that war. So they're sending people from the future who look creepy as hell and also like don't have limbs because they're rushing the process of uploading or just using a fake uploader with more errors (not yet sure which), but they are here with one goal; to get rid of Taesul, like Ares. Wow.

So Sisyphus punishment is actually that he is eliminated and sent to the underworld. Wait, so it wasn't the boulder that was his first punishment; his first punishment was to be chased by De*ath (I'm going to find another name for this we're gonna say D because of this stupid flagging system in Tumblr) just like Taesul is suffering in the present time in our show. Oh, okay, so where do we get the other punishment, the one Sisyphus is really known for. This is where the plot of this show unfolds, surprisingly. Because there's another character connected in this Sisyphean myth, Seohae, meaning Sisyphus had a wife. So when Sisyphus ends up, you know, getting axed, he still has a few tricks up his sleeves; he asks his wife to do something for him, not to bury him or respect his body wishes appropriately, in fact, to drop him naked in the middle of the city (that's obviously a parallel to how people are being downloaded into the past in the show visually). So because he did this, he's able to trick Hades and Persephone into letting them allow him to run back to the past to his wife to have a go at her, to tell her she didn't respect his wishes. And oh boy, oh boy, does he end up again evading D. Genius, in fact, he ends up going back to his wife and staying a very long time because it was his plan all along; he wasn't back to the underworld; they were all chumps who allowed his escape. So Sisyphus is a funny character, he chooses to go back, and he again avoids D; however, when he finally reaches his old age, he has to face everyone, including the gods; Zeus isn't happy with Sis; he says it's a bit of an insult really for what he has done, so Zeus basically punishes him with that godforsaken boulder.

Okay, hold, that's a lot to unpack. So what happened here is we're still seeing Taesul as Sisyphus in this second part of the myth, right? So he's going to find a way to avoid Sigma always and survive, but we know he doesn't. His story ends truly when his demise leads to the war if we're following a timeline mentioned by Seohae. So what is this second punishment about a boulder? Because this is the most crucial plot for every Sisyphus myth.

Our Surprise Sisyphus

Well, look at it carefully;

it has themes of running back to the past to criticise a lover,

it has themes of trying to prevent a lovers demise,

it has themes of futility and repetitive actions, it has themes of being punished by a powerful source,

it also has themes of someone who is rebellious and doesn't want to let D win.

It's Seohae. And that blew my mind. We don't have one Sisyphus in the storyline; we have two. The show's title is Sisyphus the myth because the love of these two is actually the role of Sisyphus; let me explain.

The first acquaintance with D is Taesul's story he's the one who invents a way to chain D and then is punished by being taken by D. The person who ends up wanting him to save himself is not himself in this show; it's Seohae her whole goal, her whole reason to want to go back is also to evade D for her mother (she mentions this in episode 1 to her father) but also to stop Taesul from being eliminated, to stop the war but more of all because she loves him, she's married to him, they're meant to be lovers. However, she doesn't have all her memories of everything. All she knows is that another version of her self has told her she needs to go back in time to warn Taesul, so he doesn't make this mistake, so they live happily together after marriage, and the war doesn't happen.

Ohhh, that's what's happening. So who's Zeus, you ask? It's the ICB, the Control Borough, that has to find balance and makes things right with all of the time travellers; they're looking for Seohae because she's illegal; she's not meant to be doing what she is doing. Just like Zeus has to intervene to punish Sis. So alright, we're getting there, we have Taesul, he's going to do something to avoid D, but unfortunately, he is going to be found by D because someone does not want him to succeed. Okay, however, we have Seohae; she is in love with Taesul and is determined to keep him safe. Hence, she finds a way to go back and warn him to prevent D from finding him; she essentially tricks the system to find and save the world, but also selfishly to go live a happy life with the guy she loves. So what's this about this boulder then?

The boulder; A heavy frustrating punishment

Well, unfortunately for our two characters, it's pretty apparent Taesul always ends up being eliminated #, and it always leads to the war that destroyed earth. But also we know Seohae gets shot; during her wedding, she also is fated to suffer and be eliminated if she goes back to save Taesul. Her father warns her repeatedly about this. She doesn't listen. The clue here is the boulder keeps on being pushed; Sisyphus is in a constant struggle of the futility of his punishment; he can't escape; he is tied to this boulder to keep trying to push it to a destination, but all he does is repeatedly keep pushing the boulder infinitely.

Oh, wait, a show about time travel, a show about the futility of trying to change the past, a show where the future versions can go back with regret and meet their past versions which make the same mistakes over and over again, no matter how much Seohae tries to stop Taesul from opening the stupid suitcase that starts everything, he always opens it, it's useless, they're in a time loop. Each time he always creates the uploader, and each time the war happens, Seohae returns to stop him from being eliminated each time they always fail, and Seohae somehow leaves her diary telling her next self to do the same. It's an eternal loop. She's stuck being punished for carrying that weight, constantly relive that story over and over again, to try and save Taesul; her destination is always the start again. Like Sisyphus with the boulder.

The only thing is why does she not remember or why is she acting like she doesn't remember, because it's different versions of her, it's a paradox, she always goes to find her next self, and she leaves that diary starting this all over again, her next self has now instructions always telling her to find Taesul, to save him and when she's going to be eliminated. (her wedding probably). Each time she goes back to save Taesul, she falls in love with him, they get closer to the wedding, and she gets shot. For Taesul, we see that the wedding leads to him making an ultimate decision, remember Sisyphus evades D twice. Seohae does this all the time to escape D for her mum and Taesul.

Meanwhile, Taesul only does this to avoid it for Tae san, his brother. Who is the second person? It's Seohae. They're Sisyphus for each other, surprise, Seohae ends up becoming Sisyphus always to try to prevent Taesul's demise and the war, but Taesul has a choice on the wedding day to choose either Seohae's life, or the world, what do you think he chooses? That's why I think he continually invents the uploader because of her, to save her, more than anything else. He always chooses futilely to save her above the results of the war. In doing so, he always ends up being the one who gets eliminated, but she always ends up determined to prevent that situation.

Her dad was indeed right; she shouldn't meet with him; they both are in this repetitive loop, and the world is always a victim because of it. See how Sisyphus can try to be good and protective but still be seen as evil, a disaster, and a curse. So, in the end, both Seohae and Taesul are Sisyphus; both are punished every time. One by Taesul continually being caught and two by Seohae constantly losing her memories and forcing her self to repeat the journey again, to push that boulder over and over again. But with TKEM, we entered a timeline where change could happen after being stuck in an infinite loop forever, and that's interesting. With this show with how many times it seems Seohae has always written more instructions each time she travels, could we be in the timeline where things may become different?

Sisyphus; A chance to change the past futilely

It seems like it more things are being revealed to them, that might be new information, Jung apologising and realising his mistake in probably being the one who takes Seohae's life in the wedding because he thinks she's evil (lied to by ICB) might be a new occurrence in this new timeline. There's more information slowly being added each time we do this time loop; the question is, where are we now? As I said, I don't know the science or calculations needed to understand the time travel aspect of the show, but that is important.

So we have a star crossed romance that is being torn between the claws of D, two people punished continuously for just wanting to be with each other and putting the world at risk. We've seen what the results of Taesul's actions lead to; it leads to an apocalypse, a disaster and more; we've seen his stubbornness and determination not to let that stop him. All he wants is to evade D for his loved ones. But Seohae also becomes like that; she's also stubborn, also determined just like him to protect her loved ones despite both being advised not to do anything more, not to shake fate, not to mess around with time and life. Still, they never listen; they've put themselves in a time loop where they're being punished, and their punishment leads them again to do the same thing because of their desperate need to be together.

It's heartbreaking; however, there's a slight hope for a happy ending, one because this director does stories of couples torn apart by forces and things they can't control (Master's sun, Dr Strange etc...) being tied to each other's downfall and growth, being pulled away no matter how desperate they want each other. Their need to be with each other puts others at harm, but he always ends it in a happy ending. Sisyphus actually gets his goal a bit, not how he wants it, but he gets to live a long life with the woman he loves. However, it's after he lives that life; he goes back to being punished. So maybe this timeline Seohae may succeed and live the married life she wanted with Taesul (she does not know she loves him, she will fall for him repeatedly each time they do a loop, both of them always do); however, the sad truth is it was not her first version/authentic version that got to live that happy ever after, it might be this version though who knows? Either way, her original (her first-ever version, always suffered and had to be the one to push that eternal boulder with no end, she didn't get to see her ending) but this one or another future version may do. Taesul also has a chance to have a happy ending because even though his story ends with the first part of Sisyphus, Sisyphus finds a way to get out of the underworld and go back to his wife, so again it's like yeah, his first version did get punished, did get eliminated, failed, but this version or a future version may get a chance to spend that time with this Seohae.

Do you get me? It's not their original versions that get the happy ending, but it's still them that gets a chance to live old and have a happy life. So I'm hopeful, is what I'm trying to say. Thought that infinite loop of futility and failure to escape mistakes isn't a great sign. Let me know what you think about Sisyphus so far. Are you like me? Are you intrigued by this love story, and what are your theories? Let me know.

#sisyphus the myth #sisyphus #kdrama #sisyphus the myth kdrama #cwg #march #korean drama #park shin hye #cho seung woo

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bitch-for-a-rainbow · 3 years ago

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So there's a blanddcheadcanons post that says that "Kara is the mortal avatar of Rao" and I really don't like it, especially in the context of SG 3x04 (The Faithful). At best, as was pointed out to me by a friend with whom I discussed this post, the House of El is likely blessed and somewhat sponsored by Rao, which probably doesn't do much but produce Krypton's greatest heroes, given what the word "El" **means** in Kryptonian. I'm interested in your thoughts on this (pls post your answer).

I reject the headcannon solely because if it were true it would mean Coville was right and I fucking hate that bitch.

In all seriousness, though, this is an idea I've seen a lot and I'm not a huge fan of. I don't know much about Raoism beyond what appears in the show and that which can be inferred off of the show. One thing I would point out though is that El in Kryptonian (while obviously being intended to mean God by the original comic writers) can mean Sun or Stars, and since the Kryptonians in the show are, as far as I can tell, monotheistic, and worshipped only one particular star, the El family is not necessarily named God. It would, however, signify their enormous prestige on Krypton and contribute to the famous El pride (or rather, arrogance). I’m not sure it would necessarily have to mean anything more than that-- that the Els are a respected house who have produced a variety of successful politicians, civil servants, and scientists. And (this time reaching a little bit) that they are perhaps so old and respected that their house name was once a title.

There is a certain allure to the theory, for sure. Kara is a paragon character. She always, always does what she thinks is right, regardless of the cost, personal or global, and regardless of what other people might think of it. She has a very direct moral compass, and there are only a handful of times when she doesn’t follow it, all of which involve saving Lena. Ship who you want, but it is notable that Kara routinely prioritzes Lena’s life over that of others given the rarity of that happening otherwise. She never even considered breaking Rick Thompson’s father out of prison when he kidnapped Alex, and all he’d committed was bank robbery. Kara has lines she does not cross (though murder is clearly not one of them). She is a character that has seen some of the worst that sentient life is capable of, has seen more death and suffering than most people could imagine, and she came out of it with an all-encompassing desire to protect others. She lives to give people hope. Plus, the humor of having Kara-- the one person most offended by the idea of being an Avatar of Rao-- turn out to be an Avatar of Rao is great.

But, I would also say that having Kara want to do good because she is the avatar of a benevolent god is reductive and not particularly true to her character. It is true that helping and protecting people is a large part of the core of who Kara is. But there is a difference between altruism and the self-destructive, bordering of suicidal desperation to save absolutely everyone that Kara practices. And to anyone who doubts the suicidal bit, I direct you to the season 1 finale where Kara literally goes on a goodbye tour because she thinks if she goes out to fight Non she’ll die. She still goes because she has hope, but that hope is that she can at least save Earth with her life. She doesn’t fight because she is certain in the ultimate victory of good and justice. She does it because she more afraid to lose another family than she is to die. Kara doesn’t become Supergirl and risk her own life because she believes in good, she does it because she can’t stand to listen to people suffer-- because she has suffered. To use Alex’s words in 1x13 “You fight everyday to keep people from struggling like you have.” Notably also in 1x13, Kara wakes up from the Black Mercy and her first words are “Who did this to me?” and then she goes after Non in what could arguably be described as a homicidal rage-- a rage that is fueled entirely for personal reasons, not the greater good of Earth (though that comes as an added benefit), which is.... not very befitting the avatar of a benevolent god.

A major part of season 1 is Kara dealing with grief and rage. She nearly breaks a guy's arm in episode 6 because he screamed at her for damaging his car, to hell with the children he'd almost hit with it. In season 3's Midvale flashbacks we see her first put both hands through a lunch table, then attack Jake when she suspects him for Kenny's death. She gets better at controlling it as the seasons progress, but during Crisis she very nearly melts Lex. Also not particularly godly of her.

Then there is the fact that so much of who Kara is is shaped by fear: fear of the government, fear of humanity, fear of abandonment, and fear of herself. In her civilian life, Kara is, for the most part, unnoticeable. She's polite, soft-spoken, doesn't wear a lot of bold colors or styles, and is often a pushover. As shown by her encounter with Red Kryptonite, Kara would not dress or speak the same way to people without the pressure of hiding her identity (though much of her dialogue is purely the loss of her "don't be an asshole" filter, some of it is stuff she had every right to say before and just didn't). I have always found that episode to be very interesting purely for the fact that Kara doesn't actually seem to be seeking harm on others so much as seeking their attention. Her argument with Alex is almost entirely about how much she hates having to hide and pretend to be less than she is. Kara drops Cat off the balcony and then catches her. She attacks the police when they point weapons at her but doesn't kill or even hurt them that badly, instead of destroying the car they're using as shelter. Red-K removed her inhibitions, made her angrier, yes, but if her goal was to actually hurt people, she could have done so-- would have done so, and with great ease. She goes to a public bar and uses super strength to smash bottles by flicking peanuts. Why do that at a crowded bar? Why not just flick potato chips at the windows in her own apartment?

This is Kara at her absolute worst-- but does she seek out the DEO agents who shot her out of the sky? Does she go after Maxwell Lord or Non? No. She tries to make people pay attention to her. Her most shameful and hideous desire is for people to give her respect. (Admittedly, respect gained through fear, but still.). Kara's a nice person-- much, much nicer than average-- but a lot of that "nice" is just her avoiding conflict to avoid attention.

Kara is a good person. Kara inspires people. But that is because Kara gets up every day and chooses to be good and to inspire. It's one of the reasons I enjoy Non as a villain so much-- he and Astra are Kara's narrative foils. They also remember Krypton and grieve its loss. They also were trapped in the Phantom Zone. But where Kara had the Danvers to convince her that some good people existed and would risk themselves just to help others, Non and Astra had Alura sentencing them to eternal suffering rather than helping them save their planet (through the means they thought necessary) and then landed on Earth and found it headed on the same path as the planet they'd just lost. Kara had people to help her grieve. Non and Astra were surrounded by misery. They lost hope. Kara discovered it.

Kara is the Paragon of Hope because she has been hopeless. Because she has suffered so much, seen so much, and because she chooses to believe in a better future. She didn't have hope her first time in the Phantom Zone. She didn't even have hope for a while on earth. From what we can gather, Kara's choice to start actually believing in the future was a gradual shift that occurred sometime after Kenny's death and has lasted her ever since. For Kara, hope is learned. She chose to hope and she won't let it go, and to assign that incredible victory off to her being a God is an insult to her growth and to her character.

Now I personally thought “The Faithful” handled this concept very well. 3x04 is one of my favorite episodes of television in general, let alone in Supergirl. Season 3 is my second favorite season, and that says a lot for its good episodes when the bad of season 3 is so, so very bad (To say nothing of the episode to episode production value, we have the waste of Argo, Mon El’s return as obviously he’s grown he has a beard Mon El, and whatever the hell was going on with Kryptonian genetic engineering eclipse causing witches). To this day I don’t know why Kara had magic dreams. The show did nothing to explain it and I can’t imagine up a reason.

But “The Faithful” works because it highlights the whole paragon part of who Kara is. When you realize that every person in the room of Coville’s cult is a person she has personally saved-- that hits hard. Especially since only a fraction of the people she’s saved would ever set foot inside that building with the totally not-creepy, entirely wholesome way they deliver the invitations. (“Your daughter is special. She has been chosen. As have you.”) It works because it focuses on how the average human must view Kara, the ones who don’t see her argue with her sister over potstickers and crush her phone when she gets mad. It works because of how desperately hard Kara tries to be a human. It works because the writers know that we, the audience, do not see Kara as anything but a regular person with irregular abilities: a kind and remarkably devoted person, but not a god.

#I didnt discuss it above. but Kara gets REALLY mad about Covilles whole deal #I really love watching her reaction to kryptonian artifacts #girl goes suspicion first and anger second #and it highlights her humanity #even as it puts her on a pedastal #Kara saved all these people but she will still tear her holy book from your hands #and scream at you for daring to quote it #Supergirl 3x04 #Supergirl 1x13 #Supergirl 1x20 #Supergirl #Kara Danvers #Supergirl meta #Kara Zor el #Raoism

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alfredosauce50 · 4 years ago

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[APH x AOT] Headcanons: The countries’ military regiment, fighting style and ranking

I only managed to get Germany, China, America, England and Russia in this, but I went pretty deep with all of them: There will be reasons for joining, strengths, weaknesses, and their overall ranking. The total wordcount for this is 3, 759, so that’s triple the amount of a regular headcanons post.

I hope you guys enjoy reading this as much as I enjoyed writing it!

Garrison

The regiment with the most personnel, and arguably, the most productive. With limited entry into the military police and high fatality rate of the Survey Corps, most graduates wind up here.

But there is lots of work to be done. Whether it be maintaining and protecting walls, or evacuating citizens and adhering to emergency plans when disaster strikes--a breach in the wall and an invasion--there are always important jobs to get busy with. The Garrison frequently encounter both titans and civilians, so the soldiers here are well-rounded in titan combat, cannons, security detail, crowd control, and rifle usage.

Given their concrete role and how they successfully deliver what they pledge, they are objectively the most deserving of respect.

Germany

He always had his eyes set on the Garrison, having a high regard for their integral role in maintaining and protecting society.

Ludwig is well aware of his plethora of skills while remaining humble, and wishes to use them to his full potential. While he admires the will and purpose of the Survey Corps, he’d much rather join a regiment that has a better ratio of risk and return. The scouts who die outside the protection of the walls may not die meaningful deaths, but members of the Garrison have clear goals to dedicate themselves to, and he wants nothing more than to be a part of it.

As a hardworking person, he believes in sacrificing every bit of his time and energy to serving the people. What better way to be productive than defending civilians and the home he loves?

Fighting style

Selfless, strong and disciplined

Strengths

He’s outstanding in all areas. He’s fast, sharp, unafraid to tackle problems had on, and to top it all off, his cuts are deep and damaging. Using 3DMG in a city as convenient as it is dangerous. Infrastructure often hides titans from the naked eye, but he’s able to take in clues and process them quickly to take the quickest and safest route.

He has a high pain tolerance. Theoretically, if he got his arm bitten off, he could make his own way to find medical attention.

Ludwig is a natural born leader. He has one of the finest military minds. If you want strategy, you go to him. Not only is he renowned for remaining calm and level-headed no matter how grim circumstances become, he is direct and detail-oriented, so he’s a great communicator. Thus, he can be relied upon by everyone who works with him.

He has a strong moral compass, but isn’t very emotional. More often than not, he will take the initiative to go out of his way to save someone, putting his life on the line in the process. Ludwig won’t linger on any setbacks and incidents, and will make the most out of them by trying to learn something. This sources from being mentally strong, so he’s able to keep pushing without the troubles of self-doubt.

He possesses a very high standard for his work, and everything he does will be done well. As he takes on more authoritative roles, he will implement his work ethics into administrative tasks, and demand that others follow his example. Ludwig will not turn a blind eye to any instances of incompetence, and corruption will automatically result in your termination.

He’s a fearsome fighter. His combat skills are one of the best. Ludwig never held back when sparring in his training days, but now that he’s faced with real enemies, he will dedicate his time to studying and perfecting variety of techniques. If you can do so little as touch him, consider yourself good. Breaking your ribs is merely a warning from him.

Weaknesses

Ludwig is a workaholic, and he will get carried away. He can get too obsessed with completing his tasks to the point of neglecting his own health. This may result in pulling consecutive all-nighters or skipping meals, believing that his body can handle it. However, the long-term effects will be detrimental if somebody doesn’t stop him.

He takes on too much responsibility, sometimes more than what he can handle. There’s never too many burdens for him to shoulder, or at least, that’s what he thinks, but he’ll end up pushing himself and getting in trouble. This coincides with his selflessness, but he puts himself in harm’s way too often.

He can get fixated on the smallest imperfections and inexplicabilities in himself and the happenings in his regiment. As a detail-oriented person with high standards, he could get distracted by these fluctuations. Ludwig believes everything has to be accounted for, but he ends up counting in the more trivial matters.

Rank: 2nd

Military police

Only the top ten get to join the military police as the most prestigious branch in the military. They operate in wall Sina, the innermost wall, and maintain order, as well as serve the king. Ironically, they are the biggest farce of all regiments by nature. Soldiers train to be the best at fighting titans just to get away from them in the safest spot of their civilization.

That sounds appealing, doesn’t it? To hide away from the humanoid beasts and live a nice cushy life with the royals. Of course, this paves way for corruption, and their higher authority over the two other regiments leads to misuse and abuse of power.

Considering how little oversight they have, the military police often clashes heads with the other two regiments, but especially the Survey Corps.

Russia

He doesn’t like people enough to join a branch that will actually help them.

Ivan understands that its more worthwhile to join the Garrison or Survey Corps because they actually contribute to society. But his view on their work and humanity in general is far too pessimistic. When will the scouts actually do something useful after so many meaningless deaths? People will inevitably die inside the walls, with or without the Garrison, so what’s the point?

If he can live his own life not caring about things he can’t change, why not do it?

Being in the military police, the most prestigious and powerful regiment, and yet, met with their jarring incompetency everyday reminds him that maybe, he shouldn’t sell himself to saving the human race. His soul is far too bitter--too disappointed. He ends up prioritizing himself in a world he believes will eventually self-destruct. These walls won’t last forever. The people will only break down faster.

Fighting style:

Sharp and unpredictable

Strengths (In the military police)

Ivan’s ability to outsmart his colleagues allows him to stay on top of all the going-ons in the military police. He’s very cynical, but that’s the perfect trait for thriving in such a corrupt environment. Nobody will be able to take advantage of him, and he ends up doing it to others without even trying.

It’s impossible to anticipate where and how he will attack you. Ivan has a keen eye for body language, and will mirror his opponents’ movements for the most part, then when they least expect it, he will come for them in the most merciless fashion.

Thus, his combat style is definitely special, but that’s what makes him so deadly. He won’t always use punches and kicks because they’re easy to defend against. He might just hold you in a chokehold, but if he wants to get rid of you, he’ll use his height and strength to his advantage and slam you to the ground by your neck.

Weaknesses (In the military police)

None

His transfer to the Survey Corps

Nobody anticipated this. Not even Ivan himself.

He grew up rather poor, but fortunately, he wasn’t impoverished to the point of living in the underground slums. His father was a no-show, and his mother struggled to put food on the table for as long as he could remember. Already, the thought of joining the military police to escape poverty was starting to look like a realistic goal to strive towards.

Who would have thought the nice but strange-looking boy he befriended from his neighborhood would change his mind one day? He didn’t, not as he stood in the line of the top ten graduates of the 104th training corps, determined to fulfil his lifelong dream and finally stop suffering.

Every day, he’s reminded it was the right choice to join the military police. His superiors are corrupt, his colleagues incompetent and everyone is absorbed with gambling and drinking. Humanity was hopeless. It would face its eventual demise as the Garrison struggled to keep swarms of titans from invading one district to another, and as the personnel of the Survey Corps decreased every expedition with little progress. He might as well enjoy himself while he can.

His deep attachment to his childhood friend Yao would change all of this. As a child, he was always quite clingy to the boy, but one needs to wonder if it was because he gave him things to eat. While they went off on different paths to join different regiments, they kept a close connection, and would often meet up in secret to discuss each other’s military branches.

Eventually, Ivan’s attitude begins to change as his relationship with Yao deepens. After all, his friendship with the man reminds him of what’s left of the good in humanity. Soon, as he learns about the change in tide for the Survey Corps where they encounter new, real progress, and eventually, a real chance for salvation, he begins to question his morals and beliefs.

The military police start to look more distasteful to him at every passing day. The tables finally turn when he learns that the Survey Corps are to embark on an expedition outside the walls in a few months, meaning Yao will face uncertain death--that’s what convinces him to transfer.

Strengths (In the survey corps)

Like his personality, he has an unpredictable and unique 3DMG style. Most people will choose to swing by one way, he will choose the other. He might even go upside down for a while wherever he sees fit. That’s what makes him so strong against aberrants/abnormals. He might even laugh at how ‘predictable’ they were when they were anything but. Like the saying goes, to catch a thief, you have to think like one.

He always shows up at the right time. He will appear from obscure spots and pull you into a hiding spot when you’ve abandoned all hope. To his comrades, seeing Ivan in strange places is the best thing that could happen to you, because his presence signals a threat nearby and he’ll end up being your only ticket out.

His intelligence is one of a kind. On top of this, he’s very difficult to faze so he can orientate himself quickly in foreign environments and pick up on situations without panicking. Friends tend to rely on him in dire moments for this reason.

Weaknesses

He often rubs people the wrong way with how he speaks. Half the time, he’s being too blunt and honest that it’s hard-hitting. If not, he mentions grotesque or unpleasant things with a smile on his face. And in a world with titans, there are many things that fit the description. People have a hard time liking and trusting someone like Ivan, which may cause his isolation and a disconnect with the goals of the majority.

His blades don’t last as long as most people’s because he has a questionable way of cutting up titans. He gets the job done, but he definitely over does it. He’ll have to rely on his 3DMG to survive for the meantime until he’s able to replenish.

Ivan isn’t the best communicator in the world, and this is mostly because he assumes people already understand what they need to do. Unfortunately, not a lot of his comrades are as bright as him, so it doesn’t help that he can be quite vague. He can’t be relied on to relay important information, so he stays where the action all happens, or in other words, where trouble begins. This will put him at a greater risk even if he’s good at facing unexpected and dire situations.

Rank: 4th

Survey corps

You’d definitely be called crazy for considering joining. The Survey Corps is the branch of military that specializes in titan research, human expansion, and exploration of the outside world. Thus, this regiment symbolizes a hope for mankind—for freedom. However, the mortality rate is high. Stepping into titan territory will decimate members, and most will die within 4 years of joining. High risk, and almost zero return.

They are notorious for how little their success rate is so that citizens and other military regiments look on in disapproval. But they keep fighting and fighting, hoping that one day, their efforts won’t be in vain in their quest to change the world for the better.

Only the most convicted individuals will join. But only the most talented, and perhaps, luckiest, will survive.

America

This isn’t even a question.

He knows the risks. It’s not certain whether his death will be meaningful either, and count as one step forward for humanity. It probably won’t. But he’ll be damned if he’s stuck in these walls for the rest of his life, getting fattened up by taxes just to turn into livestock for titans.

Unlike Ivan who believes in self-preservation, Alfred thinks the meaning of life is to join a cause bigger than himself. To build something that will last for lifetimes.

He’s also a free spirit, and yearns for true freedom and justice. So he’ll fight for it. The logo representing the scouts aren’t “The Wings of Freedom” for nothing. Call him cocky, but he’s convinced he was born to join the scouts. Everything they believe in, he does too. Their goals resonate with the deepest fibres of his soul. He craves knowledge. Bleeds for revolution. He won’t rest until he satisfies his quest for discovery, and hope.

Fighting style:

Powerful and explosive, but a little flamboyant.

Strengths

Alfred possesses an almost super-human strength and stamina. He can go long, and go hard. He will go on a killing rampage for as long as his gas and blades allow him to.

He’s very hardy and able to make fast decisions in risky situations. Hence, when he’s subject to difficult situations, he makes it out without a hitch. This is evident in how he can make narrow escapes to survive in cases most people wouldn’t. Losing your horse outside the walls guarantees death, but he has a half and half chance of surviving.

His slashes are always deep to ensure he incapacitates a titan. He spins and flips a lot. He could easily dismember them if he wanted to.

A terrifying opponent to spar against because his attacks are usually too strong to defend against. The immense force he uses coincides with his incredible speed, so his opponents will have a hard time dodging and keeping up with him. One punch to the head will leave them blacked out, and two could mean permanent brain damage. Three and you’re probably as good as dead.

A good and calm communicator and works well in a team. He’s more observant than he lets on, so he has a keen eye for his friends’ abilities and will take them into consideration.

Weaknesses

He can be rash and act out on his own accord when he thinks he’s right. That’s why his teammates are wary of him when a plan is a little more complex and ambiguous. This often creates problems for other team members because once Alfred starts improvising, they have to as well. It never ends well.

As earnest as he is, he tends to talk back to his superiors. Looks like he’s on toilet cleaning duty again.

He can let his emotions get in the way. Anger is not his friend. It clouds his mind and that’s when he’s the most reckless, and thus, vulnerable.

As skilled as he is, his blades tends to dull faster than everyone else’s because he puts them under too much pressure. He will be the first to break them and could wind up defenseless for a while, but he has an uncanny ability to survive against all odds.

Rank: 3rd

England

Unlike Alfred, freedom and justice isn’t his main motivation to join the Survey Corps. But there is one thing they share in common--a deep passion for the quest for discovery. As human beings, arguably the most intelligent species in existence, he finds it to be a devastating waste to know so little about the world he was born in.

Is there another civilization out there fighting titans like his people in the walls? What kinds of foreign cultures, languages and religions could be waiting for him to come into contact with? And is the ocean really something that exists? If it does, then there’s a whole new world in the waters waiting to be discovered. The answers to these profound questions are well worth dying for, especially for someone who embodies human curiosity.

Salvation comes in a little further down the list. He has his doubts on whether he can save the human race. But when the chance comes, his loyalty and determination will be unbreakable, and he will go to the most extreme means to seize the opportunity.

Fighting style:

Swift and resourceful, but unsociable

Strengths

He’s one of the fastest and most efficient 3DMG users. One of the reasons is that he can use his gas sparingly, but not without cutting back speed. That way, he can survive for longer without stopping to replenish.

With this in mind, Arthur can go back and save any comrades in a tight spot. That’s what makes him an irreplaceable member of any team--with him around, you have a higher chance of surviving.

He can move like nobody else can. Tight spaces and unexpected obstacles will not slow him down, as he can make sharp turns and good approximations under pressure.

Cunning and good at avoiding conflict. Rather than direct confrontations, whether its with people or titans, he will only fight when he absolutely has to. This minimizes expense of energy and resources, as well as casualties.

Arthur has impeccable navigation skills and threat perception. When he’s outside the walls and on horseback, he’s often right next to the soldier holding the colored flares. If not, he’s in charge of firing them. He can accurately estimate the distance between his squad to the nearest titan, and he always knows where he’s going. That’s how he can make all the right calls.

Weaknesses

He’s a bit hot-headed and rough around the edges. This will make working in a team harder. Other times, he just doesn’t talk at all. A rather poor communicator when it comes down to it.

While his leaner build gives him speed, it also makes him a little weaker in hand-to-hand combat. Height and weight does not put a cap on sparring abilities, but since he isn’t great at it in the first place, he ends up sustaining worse injuries.

Arthur’s stamina is pretty average. Usually, he makes up for it with his 3DMG skills and conflict avoidance, but when he has to fight, he won’t last forever. That’s where his speed comes in. He has to end things quickly, if not, he won’t make it.

He take things personally and lingers on any incidents that happen. He’s mentally weak, and does crack from time to time. So if someone doesn’t talk to him, he could spiral down a path of self-destruction because it’s hard for him to reach out.

Rank: 5th

China

Along with the pursuit of intellect and salvation, he sacrifices himself so that one day, future generations can live in a safe world free from titans. This priceless moment in history will not be forgotten, and instead, remembered as proof of the spirit of humanity, unwavering and strong in the face of adversity.

There’s nothing more human than fighting for a cause you believe in. To know this while confronting those beasts, the very opposite of a thinking and feeling human being, sparks a fire inside him to keep pushing. Like everyone else, he’s under the impression the people in the walls are what’s left of humanity--the last remnants of culture, intellect, love, and joy--and he will defend it until his last breath.

If anything, he’s one of the most selfless characters of all. He’s prepared to put everything and everyone else before him, because he knows he’s replaceable. But everything aforementioned isn’t, so he will choose to save them over himself in a heartbeat.

Fighting style:

Graceful and gifted

Strengths

He’s the dark horse of the military. Despite his friendly demeanor, Yao is incredibly talented and proficient in all areas, and keeps updated with the going-ons in the other regiments.

He’s the most skilled with his blades so they dull the slowest. He uses them as if they were an extension of his body. To many, all you have to do is slice hard and fast, but he has technique that lets him lengthen the life of his blade while maintaining a good, clean cut. This lets him last even longer than Alfred, who is rather reckless with his weapons. If he can kill twelve before replenishing, Yao can kill twenty.

Nobody can beat him in hand-to-hand combat, not even Ludwig. This is where the saying ‘size doesn’t matter’ comes in.

He knows a variety of martial arts, so it’s a given he can use moves targeting bigger opponents. If you somehow last more than two seconds, he’ll dodge and deflect any attacks you try to land on him, then retaliate so quickly, you’ll be down faster than you realize he even hit you. He’ll use your own limbs against you and make it seem like you’re hitting yourself.

His manoeuvring skills are impeccable and crazy fast. With his smaller build, he can beat Arthur. And while they’re both cunning, Yao prefers to use it to his advantage to exterminate threats rather than avoiding them. This draws a fine line between the two men, and makes him so dangerous. When it’s not just titans he’s killing, he is perceived as a threat by human enemies.

He can remain calm and resist the urge of panicking when faced with adversity. That way, he can keep his head and rely on logic to come up with a solution.

Weaknesses

Like Alfred, he can be unpredictable when plans are ambiguous and complex. He will have his own agenda, and is confident enough to pursue them, so this will cause some discord among team members. Fortunately, he isn’t as reckless and won’t rope others into trouble.

Unlike Alfred, he doesn’t have the same fire to survive. If his chances are incredibly slim, he will probably sit down and accept his demise, whereas Alfred will keep fighting until the bitter end. This sources from his belief that he is replaceable, and he shouldn’t waste energy avoiding something inevitable.

Rank: 1st

To all the AOT fans following my page, this is a treat for you! If people liked this, I’ll have a part two and include France, Italy, Japan, Spain and a few other characters. That’s when we’ll get even deeper into the lore, because not all of them will join the military but will have important roles all the same. Yes I’ve read the manga and watched all four seasons, so I’m also aware of the Azumabito clan. But there are no mentions of it here.

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rachetmath · 4 years ago

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Why I love team JNPR

You know the usual. This is in my opinion. If you like it, reblog it or both that’s your choice. If you have questions, or want to add on to this then comment. Read at your own time and will.

Ren and Nora compared to Yang: Yang had a mother. May not be by blood related but by relationship. Her mother died while she was young, but she still had her father and uncle to raise her. She had a social life in school, and she was trained by her father and uncle. Ren and Nora on the other hand, have no parents, only watched after each other and were trained by a bunch of strangers or by themselves. So unlike Yang, Ren and Nora would have a hard time relating to some people than Yang would.

Pyrrha compared to Weiss: Weiss was born and raised in a rich family. True, she was always cautious when it comes down to others using her for their own gain. But she takes her title way too seriously and it made her arrogant and cocky. Pyrrha doesn’t take her title too seriously, but she was overwhelmed by it. She hated how everyone only saw her as a tool or a weapon they can use for battle, and not as a person. She tries to welcome anyone into her life, but they always reject her, mainly feeling unworthy of her. Because of this Pyrrha felt truly more alone than Weiss. Unlike her, Pyrrha made her way to the top, she wasn’t born into it nor took the easy way to get there.

Jaune in comparison to Ruby and Blake: Jaune had nobody! Jaune had no uncle, no best friend, no teacher(sensei), NO SUPPORT to help him become a hunter. Jaune literally unlike Ruby is way out of his comfort zone. And unlike everyone he had no aura or training to help him. Jaune unlike Blake was treated, like a faunus, as a huge literal joke. This guy has literally had more reasons to be a villian than any of his teammates do. Plus, he has more things in common with the bad guys than he does with the heroes. He lost his partner and best friend due to the heroes, and Ozpin’s actions.

I liked team RWBY in volume 1-3, mostly because it made sense and was reviling each character’s problems and goals and was setting up the conflict of the story. But in volume three I started liking team JNPR more, because how they are not like the other teams. Everyone knows Pyrrha Nikkos, and believes without her, team JNPR is nothing more than failures. And you can’t blame them considering Jaune only became a leader because he was assigned to be one, and Ren and Nora were a bit too relaxed and into to each other to be leaders at all. And now with Pyrrha gone, they must prove that even without her, they can still be a great team. While defying the so-called “destiny” Cinder described as well.

In volume 4, we see Jaune does miss Pyrrha, and that he trains at night to her video message. He does feel sad that he lost her and that he couldn’t even express his feelings towards her as she did to him. And when he realized the truth, of course he was suspicious, his friend would have died either way by Amburn’s soul taking over or being a target for the rest of her life. Ren and Nora not only had to be there for each other still but now they had to be there for Jaune like Pyrrha did. (Even though they were completely horrible at it considering their flashback and action in volume four.)

In volume 5, (oh my gosh, this one is the reason I hate the show sometimes because of time constants) we learned the whole reason behind Jaune’s actions, which is revenge on Cinder. Team JNR were first to see Oscar before Ruby. Oscar was place under Jaune’s care do to the fact he was also a underdog (even though Oscar can just learn from muscle memory like Ozpin said) but Ruby takes that role for some reason and we are expected to take it. When the battle arrived, when Jaune had Cinder right in front of him, he did not hesitate to fight her. This backfired and one of his friends got hurt. He acknowledged that he missed up, that it was not suppose happen, and by doing so, he got his semblance. (Even when that makes no sense considering Cinder was after Ruby and Jaune’s secondary reason for coming along was keeping Ruby safe. At least I hope it was.)

In volume 6, could’ve better, Jaune made Oscar question himself even further, which is good. Because, one, Oscar is fourteen, and unlike Ruby he doesn’t have much of a clear idea on why he came along on the journey in first place other than Ozpin telling him to. When Jaune heard Oscar ran away, unlike Qrow, who punched him by the way, and don’t say it was for Ozpin because they share the same body, Qrow still hit a child, Jaune helped in the search and apologized to Oscar for his behavior. He gave Ruby an option when she couldn’t think of anything then she takes charge over it. Also, Ren and Nora admitted that they love Jaune and would not want to lose him just like Pyrrha. (Again, they were completely bad at that, considering they didn’t talk about that on the train, nor called Jaune out on his actions, completely ignoring him and etc. Really Jaune needs new friends.)

In volume 7, here’s the thing, Jaune had no reason to hate the General because he already worked things out with Qrow. How and when? We don’t know. But that shouldn’t mean he should flat out trust James with his life unlike Clover. Why you may ask, first, Qrow told him about the maiden powers. I mean, he wouldn’t leave out the people who knew about them like Ozpin, Good-witch and Ironwood, right? No. So Jaune has a reason not to trust James, not because of Pyrrha but Lionheart, the general’s actions so far and how the truth almost torn them apart mainly himself. Plus Jaune, and his team work more in Mantle, than RWBY, so they would have more run-in times with happy huntresses than team RWBY would on a regular basis. Then it’s how Mantle and Atlas situation is affecting their team with Ren and Nora butting heads over who’s right and who’s wrong, whether their ready to be hunters or not, and more importantly questioning their relationship and loyalty to not only each other but their friends. Image Ren, taking it too far where he could say something he’ll regret. Or by finding James to be right, he would sell out his friends believing it was the right thing to do. Image Nora having to choose between Ren or Jaune, which will be devasting more for Ren than Jaune because of how close they are to each other.

In volume 8, (Even though I highly doubt that team JNR will ever have a scene to themselves and now preview.) Jaune will feel bad because he not only lost the relic, he lost Oscar even though he’s alive. Now, how would this disturb him? Well, even though Nora would have to decide between him and Ren, in volume 4, there was a scene with Jaune going with Ruby and Nora going with Ren. It would feel obvious that she would follow Ren anywhere, even if it means leaving her friends behind. That could leave Jaune broken because he lost not only Pyrrha and Oscar but his teammates, making him the official Qrow and Raven of the group. This could cause Jaune to further out cast himself from everyone, trusting less in others and undoubtably make more horrible decisions than he already has before. That could also make him more of a target for the villains themselves. However, Jaune’s will to still protect the people and his friends will be the what keeps him sane and less brainwashed like Salem’s forces or the Ace Ops. (Or call team RWBY out on their mistakes.) But who can save him from a self-destructive path?

Many of you will say team RWBY might be able to help since their the main crew. Well, sadly, I disagree. Do to the fact that none of them tried to talk to Jaune after the Cinder and Ozpin incident. And there are multiple characters who have gone through a similar process or are wiser, than the main cast. The only ones who I feel can make an impact on him are maybe Maria and Penny. Penny may be android, but she seems more human than the RWBY girls put together. She is kind, friendly and mostly very supportive towards her allies. Maria may not have had many friends or levels of companionship as others, but she does know about how it feels to be powerless and scared of what’s to come. Maria would basically remind Jaune that being afraid and sorry for himself isn’t going to make things better. Penny would try to keep his sanity alive until he could once again maintain it on his own. However, the final person who I believe can help him is Qrow or even Oscar (Ozpin). Qrow would just remind Jaune on how far he has come, and for him to understand that nothing will play out as he planned. He would even tell him more about his team, mainly Raven and himself and how their decisions affected their family. Same goes for Oscar (Ozpin) but telling him how many mistakes he has made during his lifetime. He might even tell Jaune he knew about his fake transcripts, just didn’t care much about it if Jaune was willing to work and improve.

I know many people love team RWBY due to them being an all-female cast or for other reasons I cannot explain. But sometimes, there are situations that they cannot relate to. And even if there was, team RWBY does nothing to resolve it. For example, Jaune was sad about Pyrrha and trains under her videos. He wanted revenge on Cinder and Weiss almost died for it. And though he was asking appropriate questions, he went about it the wrong way, causing Oscar to feel unwanted and run away. Yet, none of his friends, bothered to either call him out on it, nor done anything to cheer him up or reason with him. Ruby who literally saw Jaune committing every one of those transaction, and has a dead relative, said nothing. Yang who lost both her moms, whose uncle was a constant drunk and had to take care of Ruby while her worthless dad is busy, said nothing. Weiss who has a somewhat of a dysfunctional family, said nothing. Blake who is supposed to be an escape victim of a one-sided relationship, who seen how friends change or show their true colors with time, and literally seen more death than her team members and blames it on herself, said, nothing. Basically, Jaune overcame some of his problems on his own along with the help of the Red-Haired Women (and she barely mattered). And even though Ren and Nora talked to him, he already had reinsurances he needed to move forward. The point I’m trying to make is the reason I like team JNPR is that they are more real than team RWBY. They have weakness, they have arguments, nothing goes their way and when something bad happens they face the consequences.

That is why I love JNPR better than RWBY. Jaune, he was just a normal person until he made a chose to leave his old life behind for something greater, only to have his character taken by Ruby and Oscar, who just ruins it, and to never improve. And we still know nothing about him. Pyrrha who should just stayed alive because no one has learned from her death. Ren and Nora are just to be a better ship than Bumblebee. I hope these characters get better, but I highly doubt it.

#rwby #Jaune Arc #pyrrha nikos #lie ren #nora valkyrie #JNPR #ruby rose #weiss schnee #Blake Belladonna #yang xiao long #oscar pines #james ironwood #qrow branwen #rwby ozpin #Glynda Goodwitch

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rainsonata · 4 years ago

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Doppelgänger 15/15

Chapter 15: Connect

Fandom/Pairing: Elsword; none Rating: T Word Count: 6,674

Summary: It was like looking into a mirror. What happens when one’s reflection talks back and throws uncomfortable questions? El Search Party struggles to find entrance into the Demon Realm, but Dominator has a plan.

Alternative Title: Dominator fucked up and now everyone meets their alternative selves.

AO3 Link I FF.NET Link

— [Chapter 01] [Chapter 02] [Chapter 03] [Chapter 04] [Chapter 05] [Chapter 06] [Chapter 07] [Chapter 08] [Chapter 09] [Chapter 10] [Chapter 11] [Chapter 12] [Chapter 13] [Chapter 14] [Chapter 15] —

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Class Notes:

Canon Path: Knight Emperor, Aether Sage, Daybreaker, Rage Hearts, Code: Esencia, Comet Crusader, Apsara, Empire Sword, Doom Bringer, Ishtar and Chevalier (Innocent), Bluhen

Alternative Path: Rune Master, Oz Sorcerer, Anemos, Furious Blade, Code: Ultimate, Fatal Phantom, Devi, Flame Lord, Dominator, Timoria and Abysser (Catastrophe), Richter

Transformation Path: Immortal, Metamorphy, Twilight, Nova Imperator, Code: Sariel, Centurion, Shakti, Bloody Queen, Mad Paradox, Iblis and Anular (Diangelion), Herrscher

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2 Weeks Later

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Rune Master

Red haze from the smoke and flames clouded Rune's vision. Everything was hot to the touch. The air was stiffening from the dry wind and the ground was uncomfortably warm. There was electricity in his hair that left the fire user on the edge. His mind was going to burst into flames if someone didn't put out the fire! Dominator snarked it was all the meat he ate before being silenced by Ultimate's glares. His body was overheating, Blade kindly told him and forced him on the side while the rest of the party dealt with Rosso.

Pain struck Rune in the lower part of his abdomen, struggling to catch his breath as he dragged himself across the floor. He hugged his stomach and straightened his back in an attempt to sit up to avoid nausea. There was nothing to support his back except for the remaining tree trunk exposed by the winds. Rune poured water from his canteen over his face. The fire user shuddered from the cold water trickling down to the base of his neck. Rune tilted his head back again to chug down the rest of the water.

Dead plants and tangled weed curled up at his feet. Was Varnimyr always like this or was this caused by Rosso's presence? Varnimyr was the same as Rune had remembered. The only difference he noticed between the different Demon Realms was that this one didn't know about humans until their arrival.

They made it to the correct Demon Realm, or at least one that wasn't already occupied by another El Search Party. As they traveled up north in the Varnimyr region, Rune kept wondering if Knight and Immortal encountered the same challenges and problems as they had. The only thing Rune was sure of was that Rosso existed across their timelines.

Immortal wasn't kidding. Despite his size, Rosso hit like a brick wall. There was so much anger and sadness coming from the El Master of fire. Every burst of flame and swipe was followed by the half-demon's pained screams. What could have caused someone as powerful as an El Master to curse everything around him? If only Rune was spared enough time to look into the source of Rosso's pain…

Forcing an eye open, Rune looked up to be greeted by haze and dusty clouds. Rosso's fires have hindered his view of the stars that once dotted the eternal night sky. His friends' cries scattered in the distance as he laid himself to the floor. His fingers felt numb from clutching onto his sword until his knuckles were white.

Warm palms pressed over Rune's, applying pressure to his knuckles before letting them go. Covered in calluses, it was a wonder how those hands could pull a trigger, but those hands were also responsible for saving his life among many others in the past. Phantom sat beside Rune with one hand over his destroyer and his eyes staring into the thin winding tower where Rosso was.

"What are you thinking?" Phantom kept his voice low. His eyes darted to Rune's with care in his words, "You've been quiet."

"It took us two attempts to get to the right Demon Realm," Rune laughed without humor. "We still couldn't avoid fighting Rosso."

"I think there are some things that can't be prevented even with prior knowledge," Phantom said. "Rosso was already here before we arrived. I don't know what his goals are, but it's up to us to take him down."

"You won't kill him, will you?" Rune asked.

Rune briefly caught a glimpse of Rosso's figure before being forced to leave by his teammates. What could have pushed an El Master to cause such destruction? The El Search Party managed to reverse their previous enemies from mind control in the past, but Rosso was different. He was alive and aware of his condition. Rosso actively screamed at the El Search Party to leave, resorting to violence when his wish went ignored. There had to be a chance to save him from his poor fate.

"I won't hesitate if it means coming out of this alive," Phantom said. "There are people depending on me."

Those that didn't know him well would have taken his statement as being cold, but Rune understood. After nearly losing his kingdom to demons, Phantom had learned the harsh lesson of what it meant if one hesitated to fight back. Delaying their next action by the merest second could mean a premature death to them all. They have followed Immortal's advice to split the team into two to rotate whenever Rosso changed his battle strategies - if mindless thrashing and crushing buildings counted as such.

Rosso was not to be trifled with. Despite having control over fire, Rune had suffered burns from attempting to breach Rosso's tower. Rosso's flames were demonic, impatient, and demanding. His skin was still hot when he applied cold water to the nape of his neck and the rest of his body. They were already struggling to fight back when the half-demon was using a small portion of his abilities. Immortal warned him what would happen if they weren't prepared to give it their all.

Half of their team was out of commission from the fight outside of Rosso's tower. His sister was leading their remaining team inside to find the El Master. Rune was half-listening to the occasional messages sent between team members. He was thankful for Dominator making last-minute adjustments so they could communicate with each other over long distances. The messages were getting shorter.

"They'll be okay," Phantom noticed Rune looking back and forth between the Hamel protector and his communication. "Your job is to stay alive."

"Not making sure none of us do something stupid?" Rune chuckled.

"That's my job," Phantom broke out of his facade and smirked.

Rune's heart nearly leaped out of his chest to the sight of the blonde man's smile, unable to stop himself from grinning like an idiot. He distracted himself by examining the freshly cleaned bandages wrapped around his joints. Soaked in an herbal bath to alleviate burns, Rune was proud to say he was getting better at prioritizing himself first so he could attend to his teammates. He and Richter helped prepare the bandages while Oz and Dominator counted how many people needed elixirs. They were lucky that most of their injuries were minor. There should be enough resources for them to last for at least a week.

"You're still worried," Phantom studied Rune's face.

"I was," Rune admitted. "Rosso makes Perkisas look weak."

"Was?" Phantom made note of Rune's wording. "What else is there?"

"We're already fighting Rosso, so there's no turning back." Rune said, "We did everything we could to prepare for this moment. Even if we fail, I can at least say that we tried. I have you guys to help me."

"I think I can live with that answer." Their fingers brushed. Phantom brought his hands back to his lap and leaned his head back. "You're not afraid to die?"

"Nah," Rune laughed. "If I was, I never would have left Ruben considering how many times I almost died. Gotta sacrifice myself at least once a week, right?"

"Not funny," Phantom growled.

Phantom gave him a look as if wondering, "Really?". The blonde was going to drill holes into Rune if he kept glaring at him like that. A lopsided grin found its way onto Rune's facial features, giving his partner a shrug and cocking his head to one side to show he was joking. Rune knew it wasn't going to work, but man was he going to try.

"You know being an adventurer isn't the safest job," Rune said with a more serious expression. Maybe joking about his own death wasn't the best way to cope, especially around his friends. Old habits were hard to break. "That's why they make so much money. They do the jobs no one else wants to do. Not even soldiers want to do it."

"That doesn't mean I'm okay with you joking about your death," Phantom said.

"I know, sorry."

Rune hated how lame his response was, how hollow his words rang. He wished he could say more than that, but he couldn't take back his words. Even if he did, Rune still made light of people's feelings. How many times was he going to ignore how his words impacted others? He was supposed to stop keeping things to himself and rely on others more, yet struggled to be honest about himself without making self-deprecating jokes.

"Did Immortal tell you Rosso's weakness?" Phantom asked.

"I didn't get it when he told me, but now I can see that Rosso was not completely in control of himself," Rune said. That much was certain from his enragement, sometimes crying to an outside influence with no name. "When his shadow appeared, I saw him covering his left eye. Do you think that has to do with why he overpowered us?"

"He's also an El Master," Phantom added. "We struggled against Solace when we defied him. Did you think fighting Rosso would be easier?"

"No, but isn't it strange that Solace barely mentioned him when we saw the other El Masters?" Rune grew frustrated, "I'm sure he has a lot to worry about because of the El Lady and the state of the El, but isn't it important to wonder what happened to his friend?"

"Unless they don't get along," Dominator interjected into the conversation. With a potion in hand, the scientist had a smug expression, "Talking about others behind their backs? I can't believe I thought you were a good boy."

"I can," Oz deadpanned.

"Don't scare us like that!" Rune twisted his body to pout. Couldn't a guy get some privacy for once? He crossed his arms, "We're talking about battle strategies."

"Like your distrust for an El Master?" Dominator cackled.

"I'm getting tired of nobody telling me what's going on," Rune sighed.

"Solace probably didn't think it was something we should be concerned about," Oz reasoned. "We already have a lot on our plate as is. Don't you think he may have kept Rosso's existence away from us because he didn't want us to throw ourselves into danger again?"

"You mean this brat doing something dumb?" Dominator pointed to Rune.

"Don't pretend you don't do stupid things too," Phantom wasn't impressed. "What about that knife-wielding cleaning robot?"

"T-that's different!" Dominator protested and turned pink, "I was testing something!"

"Already done healing everyone?" Rune stiffened a laugh to Dominator's shock of being talked back by the quietest person on the team. Although they lacked in battle healers, their team compensated by having a handful of alchemists. Natural resources weren't lacking from the various plants and rocks they found on their ventures.

"Nothing a few doses of elixirs and rest can't fix." Dominator was relieved to change the subject. "Is Solace obligated to tell you everything going on in his head? I'm not sure if he knows about the fire midget being here if he was so eager to throw us here instead of coming himself."

Rune wasn't sure if Solace was as keen as Dominator claimed about sending them over to another dimension, but his words made the rune user wonder. Would Solace find a way to the Demon Realm if he knew that Rosso had imprisoned himself in a tower? If one of their teammates had disappeared, Rune wanted to believe he would have done something about it, but he wasn't so sure after meeting Solace. He and the El Master of the sun were both Rubenians, obligated by an invisible force to carry responsibilities over the El. Although Solace had deemed him as a worthy equal, Rune couldn't shake off the unwavering restlessness he felt around the older man. Solace was a reminder of what human desperation could do to a single person and those around them.

"Regardless of Solace's intentions, we need to calm down Rosso if we want to get any information out of him." Phantom said, "Someone with that kind of power would likely know something about the Dark El."

"I can't promise I won't kill the midget," Dominator mused.

"Are you trying to get us killed?" Oz forced the scientist to jerk his head down by pulling on his collar. She hissed, "Rosso may have lost his mind, but he can still hear us."

"Then there must be two of him," Dominator laughed. "Because I heard him screaming about Elesis while I was talking to the priest."

More fire? Who are you people?

Rune ran his hand over his temples, that voice again… Rosso? His voice sounded so young yet ancient, easily centuries older than Rune. The half-demon's voice echoed like a memory ingrained into his subconscious, refusing to let go and forced the leader of the El Search Party to look into the faces of his teammates. A darkened blade covered in gold scriptures, Flame brought her Claymore over her head to strike a giant demonic eye covered in thorns. Fire spun from her fingertips as she led five other people by her side.

A row of grey thorns was blocked from spawning above their heads by Ultimate, who had summoned a dozen spears at her disposal. With the help of a few demon allies, blue flames rose to form a firewall controlled by Timoria and Abysser. Fire splashed to the side as Blade made his way across to slash through the barriers protecting the demonic eye. Green wind swirled as Anemos spun around into a high-jump kick. Dozens of arrows flew from her nimble bow.

Blood shot out from the demonic eye in all directions. Its shrieks caused all to cover their ears. Seismic waves riveted over the floor as everyone dug their weapons into the ground for stability. Its thorns shriveled back into the eye's core before it stopped moving.

"Is everyone okay?" Flame checked on her teammates. "Careful, it's getting restless…"

"That eye must be a part of someone who could very well be within this tower," Ultimate stated. "Energy levels have elevated."

"I think we angered him," Timoria backed away from the flames. "I'm not sure if there's enough time to retreat for this one."

"We need to let the others know," Abysser clenched his teeth. "We're reaching our limits. Els-"

"Elsword!"

Rune opened his eyes to his name being screamed by his sister. He rushed over to meet Flame and the rest of their shabby team, clearly worn out from the last battle.

At the wake of the demonic eye's death, the earth had opened up. A fault emerged from the depths of the Demon Realm. The long narrow tower once protected by its prisoner had split open, engulfed by violent crimson flames. Once the flames had cleared, darkness cloaked a towering figure rising from the horizon.

GO AWAY!

Towering at a height that was easily comparable to Eltrion, the colossal figure was composed of a material that reminded Rune of black lava rock. Darkened wings made of the same material expanded outward for the monster to look down at the El Search Party. Red horns protruded from its forehead, matching its equally red eyes hinted with an unworldly hue of blue etched into its pupils and the rest of its body. This was Rosso?

"Is that our demon?" Devi grabbed her spear. Hunger replaced her once emotionless expression, bringing her spear pointed downward and lowering her body close to the ground. The older woman gave a dark chuckle, "I won't let it get away this time."

"Find shelter while we deal with Rosso!" Rune looked to Anemos and Abysser, "It's okay, I promise. We'll come out of this alive."

"You better," Abysser laughed. "Lu isn't too happy after he nearly took her eye out."

"Ciel and I will do our best to heal everyone in case you need to switch out," Anemos said. "Watch out for the eye. There's a lot of demonic energy coming from it."

"Not unless we blind him first," Dominator grinned.

"I can help him," Richter said with a serious expression.

"Spread out and watch your feet," Rune ordered his team. He couldn't believe the scientist could find the time to joke at a time like this. Richter too? Or maybe the priest thought Dominator meant it and agreed. "Don't rush into this battle. We only have six people active and can't afford to lose anyone."

Richter nodded. Light shone from his palms, grasping around the spears materializing in his hands. Raising one arm from the side, spears rained down from above and shattered into Rosso's left shoulder, sending the half-demon roaring in pain. Red flashed over the already reddened landscape. The priest dodged a laser blast from Rosso's eye and tumbled onto the floor.

High pitch cackling roared out of Rosso. The earth rolled as a pillar of thorns erupted from the floor. Long shadows extended beneath Oz's feet, followed by firing dark energy to propel herself into the air. Dominator and Oz moved towards the center of the battlefield, out of reach from Rosso's spiny attack. Multiple drones were set up at the base of Rosso's waist level to fire lasers around the half-demon. Orange orbs from Devi spun around in circles before consuming the rest of Rosso's remaining pillar of thorns.

"Look out!" Phantom shouted to him.

A pair of giant conal structures swung from the side. They were slow-moving, descending onto Rune and spinning counterclockwise with the intent to crush the leader of the El Search Party. The runes on his body glowed as he concentrated and released flames from his fingertips. Smoke filled his vicinity to create confusion for the towering half-demon. Rune slammed his greatsword against the dirt as a launchpad to distance himself from the strange structures that could move on their own, perhaps controlled by Rosso. He could muse about Rosso's abilities later when he wasn't running for his life.

Silver bullets flew from Rune's direction. There wasn't time for Rune to look and see Phantom sliding over with his arsenal of pistols and an oversized cannon he kept from his early teen years. The blonde wasn't taking any chances and had them fired at the eye visible on Rosso's face, red layered with unnatural bright blue rings around the pupil.

Rosso didn't like that. His arms extended from behind the cliff where the rest of his body was, clawing at their team of six and howling. The left eye glowed. Red and gray thorns erupted from the ground up, threatening to pierce into the toughest man-made armor.

Phantom cursed loudly over the chaotic fight. Blood gushed from beneath his armor, pushing forward and using the last few bullets to get in between Rosso's hardened shell. The way he limped over when he crawled to the side was one Rune was too familiar with. He had broken a few bones. The thorns were stopping him from bleeding out, but they would need to remove them eventually - if they made it out of this alive.

Rune felt his hands form into fists. This could not happen, he wasn't going to allow it! He gripped his blade, forcing himself to breathe through his mouth because of the overwhelming smoke from his own fires and from Rosso's. This was what happened when one fought fire with fire.

"Keep going!" Phantom hugged where the thorns dug into armor and into his skin, "I'll be back on my feet in no time!"

"Not in that condition," Rune glared. "You're going to Rena and the others."

"You can't defeat Rosso with only five people!" Phantom argued, "Our friends barely stunned him long enough before he found us!"

"Arguing in the middle of the fight?" Devi backflipped to land neatly on her feet and turned to wipe blood dripping down her forehead. "I can't believe you're purposely missing this opportunity to kill this demon to bicker amongst yourselves. You must think you can win this fight by idling around. Move!"

Both men silenced. Rune grabbed Phantom and tossed his weight over his shoulder, ignoring the definitely-not-taller man's protests as he and Devi ran together to avoid another line of lasers. Rosso's wings expanded as he brought his arms to the side to summon a sea of energy orbs. The orbs floated slowly like bubbles and surrounded the El Search Party. Rune stared at the orbs in awe.

Rune blinked. The orbs have disappeared. His blade clashed against Rosso's arm swinging towards him, bearing down his weight and struggling not to get pushed off the cliff. Rosso backed off when sparks flew from his hands and surprised the half-demon. Flames licked Rosso's arm and traveled to the rest of his body before disappearing. Just enough to buy him time to run to the opposite side of the battlefield.

"How many times do we need to bring down this brat to make him stop moving?" Dominator complained.

"As many times as needed," Richter said.

Metal clashed against the conal structures rising once more against Devi, who had her spear extended and her hair turned white. The wind howled as the spear user flipped her weapon so that its tip was facing the floor, bringing her feet up and jumping to the opposite side to avoid another row of thorns fired in her direction. Her girly laughter filled the silence as Devi summoned orange orbs to fire at Rosso.

A tiny figure fought beside Oz. Cladded in purple clothing to match with the dark mage, Angkor assisted Oz in opening a dimensional gate. Purple bats flew from the portal and dislocated the arm Rosso used to summon the thorns. Rosso cursed at the woman as his form began to darken and lowered his head. His eyes glowed and the battlefield shone brightly.

"Did we defeat him?" Rune asked.

Dominator frowned and looked to his screens for help before his eyes widened, "No, you idiot. He was just playing with us!"

A small body rose from the collapsed rubble. Red hair draped past the shoulders and hid the right side of the face. The body was covered in black markings and the arms were colored bright magenta, wielding a scythe over the head. Rune recognized the figure. It was the form Rosso held when they tried to break into the tower.

"Is everyone alright?" Rune checked his teammates.

There was no time to listen to a response as he turned around to duck a scythe aiming for his neck. Great, now he was going to truly lose his head as Dominator always complained. Rune held his arms up to concentrate fire into his hands and touched Rosso by the wrists. Unfortunately, Rosso was also made of fire and used the moment to raise more thorns at the red-head. Rune was pulled out from the rows of thorns summoned by the half-demon by Oz, who was quick to teleport to his side with Angkor following her.

"I should be asking if you can still run," Oz gasped. "Worry about yourself first, silly."

"Hard to when most of us are barely avoiding his attacks," Rune said. "One wrong move and we're dead."

"Only if we get hit," Richter said. "I'll bring Mr. Guardrian back to Rena. I will return as briskly as the El permits."

Rune was in awe of Richter's confidence, never letting the little things get to him. He needed to ask the priest how to do that. Once again, Rune pulled out his blade to fight. His flames were eager to show Rosso what real fire looked like. Rune weaved around his opponent, only taking a few steps to allow Rosso to slide to the side. His friends joined the macabre dance in their own rhythm, spinning new steps with their unique fighting styles.

Oz and Angkor relied on each other as a medium to summon familiars to aid them in the battle. Bats flew above their heads and struck Rosso from behind. Drones floated the area from Dominator's endless supplies of technology. Forming into a triangular formation, lasers flew into a straight line to disarm Rosso from his weapon. Devi's eyes glowed red in bloody prance, swinging her spear to the side in precise movement as an extension of the demon-loathing woman. Her attempt to cut into Rosso's stomach at the midline was only stopped by the reddened scythe armored in demonic energy.

"What a dangerous monster," Devi glared at the half-demon with disgust. "You sure you don't want to kill him, boy?"

"No, we can't do that." Rune gasped. "He was crying for help. Something is controlling him. Something is…"

Rune's voice was cut off by the sound of his own scream. His blood sang when Rosso's scythe sliced through his shoulder. Red blood dripped from his pores and he heard his name being called.

Fuck.

He had suffered many injuries in the past. Some were worse than others, so why did this one hurt the most? His brief stay in the Demon Realm had strengthened his endurance of demonic energy, but Rosso was too strong. Solace barely held a candle against what Rune had witnessed from the El Master of fire.

Was there an end to this battle? Rune grasped where he bled, fumbling through the limited cloth he had to stop himself from bleeding. If only they had a healer, he thought in blinding pain. No matter how many times he wanted to tell Rosso he was sorry for the pain, his own had made it difficult for him to see past the battle.

Phantom was already out of commission and had joined Anemos and the others shortly after he was hit by the thorns. Fighting Rosso was barely feasible with a team of six when his sister did it, but a team of four? What was going to happen to them?

Footsteps scattered all around him as Rosso swung his blade, blocked by Devi's swift blade. It was impressive how long the older woman could withstand ongoing battles with such vigor. Dominator ordered Dynamo to switch to a different install to fly higher to release a rain of laser grenades. Oz dropped her staff to pull Rune to the side.

"I can walk," Rune waved his hand away when Oz offered to help him up. "You go fight Rosso. I'll take care of myself."

"And let you bleed to death?" She scowled.

"There's only three of us left because Ain left with Chung," Rune argued. "You need to stay. Ain should be back by now."

Oz looked as if she was ready to argue back, but stopped. Glazing over the bombed battlefield with pain visible on her face, the black mage nodded, clearly unhappy about their predicament. Rune didn't like it either, but what else was there to do? Rosso had neatly cut into their defense like tissue paper.

A woman appeared within his eyesight. Rune wiped his eyes to make sure it wasn't an illusion by one of those demon plants. Ultimate? Cladded in black spandex covered in white plated armor, she bore a strong resemblance to Ultimate. When Rune was able to get a better look at the stranger, he noticed her face lacked the same depth of emotions as his teammate.

"There they are!" Immortal exclaimed.

The swordsman brought attention to himself by raising one of his many swords as a guiding beacon. Rune was too stunned to vocalize his shock about his counterpart appearing. He was greeted by Immortal's signature grin, pearly white teeth and dried lips. Richter was with him. The priest must have shown Immortal where they were, although it wasn't very hard with the lasers and thorns flying in their general direction.

Rune's gaze switched back to Ultimate's doppelganger. She must have been Eve from Immortal's dimension. Unlike her rowdy teammate, she kept to herself and was silent with Richter, who equally had nothing to say amongst the chattering party. The priest made eye contact with Rune and acknowledged the rune user with a curt nod. It looked like Richter was able to bring Phantom to safety with no complications.

Knight appeared in good health albeit his expression suggesting worn and wear from the long journey. He nodded tiredly to a person Rune didn't recognize. A petite girl whose height was only rivaled by Timoria's ("Hey!"), her pink wavy hair reminded him of cotton candy. Keeping up with cotton candy as inspiration, the rest of her attire was in various hues of pink and pastel blue. Rune noticed a large amount of energy coming from the mirror bobbing next to the girl's head as she talked loudly in the middle of a warzone.

"Sorry for being late," Richter apologized.

"We were kinda lost until Richter found us." Immortal laughed.

"Elsword lacks understanding in reading coordinates," Ultimate's look-alike stated.

"Shhhh, I'm trying to look cool in front of myself!" Immortal stage whispered.

"You mean Metamorphy isn't here?" Rune still couldn't believe they were here.

"She was, but said she had business to deal with." Immortal shrugged, "Magical girl duties, or whatever."

Rune didn't get it, but couldn't bother to ask. His mind was on his friends, who were fighting for their lives against a corrupted El Master. The sight of his counterparts and their friends should have brought ease to the tension in his shoulders, but Rune couldn't shake off the fear that they were too late. He looked to Richter for help.

"What are they doing here?" Oz looked at the new strangers with concern.

"We're here to help," Knight said. "Richter told us you were fighting Rosso. It sounds like he's been giving you guys as much trouble as he did for us."

"In all fairness, Rosso isn't a pushover, especially when angry." Immortal mused, "Funny guy with a hot and cold personality."

Rune frowned. Why was Immortal talking as if he personally had the half-demon over for tea and biscuits? Was this another one of Immortal's moments of undermining things that were worse than how he phrased it?

"Oh no, you're bleeding!" The pink-haired girl tugged Rune's arm. Her eyes watered and pointed to his bleeding shoulder. "Why are you hurt?"

"Who's the kid?" Rune looked at the girl with confusion. He would have remembered someone who dressed as strangely as the young girl if they had met before. "Are you recruiting kids now?"

"This is Laby." The girl talked. Her voice was as sweet as hard candy and had to look up to make eye contact with Rune, "Is this one of Elsword's friends?"

"Yes," Knight said with wariness. What was up with this guy? One would think he had lost a pet rabbit in a fire. Too soon? "We met when we were trapped in the Demon Realm. We came here because Laby wanted to meet you guys."

"How did you get here if Bringer isn't with you?" Rune noticed the brawler's absence.

"I think Add gave the machine to Elsword as an apology," Laby said.

"For what?" Immortal asked.

"Elsword needs to have his wounds attended to immediately," Richter interrupted. There was irritation in his tone after what he thought to be too much conversing. "That demon is still alive."

"Right," Oz looked at Knight and Immortal. "Think you can keep up with us? We need someone to create a diversion while Richter and I remove the weapon from Rosso."

"Of course," Immortal smirked. "Why didn't you say so?"

Oz rolled her eyes but smiled.

"Laby, can you help Rune with his injuries?" Knight asked.

"Of course!" Laby waved her arms out in excitement. She bounced onto her feet and pulled Rune to look at his sorry state.

"Thank you," Rune lowered his head to hide the tears. Their timing was impeccable when they were down to a few adventurers. He couldn't have imagined his next meeting with his counterparts to be at the edge of a one-sided battle. "Please help my friends."

Laby's healing was gentle and reminded him of Bluhen, who wasn't with Knight today. He thought the priest would have stayed close to the knight and noticed how tense his counterpart was when Bringer was mentioned. Did something happen between them? Rune shook his head, that was their business to deal with unless Knight was looking for a second opinion. But still…

"Don't forget we're your friends too," Knight smiled for the first time since his arrival. "You're welcome to join us after Laby helps you."

"Man, how come you get two healers?" Immortal whined, "Ow!"

Immortal rubbed his forehead where Knight had smacked him. Laby failed to stop herself giggling from the man's pain.

Greatsword pulled out, Knight had the imposing demeanor of a Velder soldier ready for battle. Nodding towards the direction of the battle, Knight gestured Immortal to follow him. The swordsman pulled out his two blades. Sleek in design and balanced, Immortal struck a pose as Sariel ordered her Nasod drones to fly into combat mode. Richter looked to Oz for the signal and the two ran into the battlefield to join their teammates.

The cathartic landscape of torn-down buildings and the ground set ablaze was enough to bring most men on their knees. However, as Rune witnessed Knight and Immortal pulling Rosso towards their blades, he saw the fire light up in their faces. The excitement of battle in fusion with fear of uncertainty. Sariel's drones weaved along with Dominator's as they roped Rosso into using his thorns opposite Devi as she harpooned her spear into the half-demon's flesh.

His strength was slowly returning when a strong wave of power flooded his vicinity. It was coming from Rosso. Even those not sensitive to the El could feel it. The corruption had taken over Rosso. Rune stood up, suddenly finding strength in his voice.

"I'm going," Rune said. "They need our help."

Laby looked up at him in confusion, but it must have been his tone that stopped her from protesting. After much arguing with the pink girl (Who would have thought someone so tiny could be so stubborn?), Rune had forced himself to be content on resting, at least until he could move his limbs without wincing. He could no longer ignore the crave to return to the fight.

It was as if all of the pain in his body had disappeared. Maybe it was the strange food Laby gave him to recover or maybe he was delirious from the adrenaline, but he couldn't let the fight go on without talking to Rosso one more time. Fire lit up in one hand and his sword in the other, Rune calmly stepped into the battlefield to face the Master of Fire. It was time to settle this once and for all.

----------------------------

Metamorphy

"Ugh, I hate snow." Metamorphy sighed.

What could be so important for the magical girl to be summoned to Pruinaum? Although it was barren in demons since most tried to avoid the cold, no amount of layers could get rid of the frigid wind finding its way through her clear pores. It was a good thing Metamorphy was the nicest and most patient person in the world, otherwise, she would have been very angry to meet up with the person who was so generous to invite her to the coldest place in Demon Realm.

Sitting at the edge on top of a tall glacial structure was a tiny figure. They were a single black dot to the naked eye. When Metamorphy teleported to the figure, she was greeted by a child. She made out a pair of cat ears sitting atop of the hood they wore and the chains dangling from the back of their jacket.

"How long are you going to pretend you're a kid?" Metamorphy asked.

"How long are you going to pretend you're nice?" Paradox snarked.

"Add, you requested this meeting." She said in her sweetest voice possible. "So this better be good."

She cracked her knuckles between the grip of her staff.

Paradox wasn't shivering only because of the cold, although she couldn't understand how the literal man-child wasn't freezing from how little he wore. Light flashed for the child to be replaced with a man in a body-tight suit. His hair reached past his shoulders and nearly touched the ground.

Metamorphy shrieked when a portal opened from the side and a frozen body tumbled out. Red hair sprawled out from the roots and over the unidentified person. Their hair was so long that Metamorphy was sure it could have gone past the ankles. A red Claymore laced in black stuck uncomfortably between their ribcage.

"Add, what is this?" Metamorphy gasped.

"A body," Paradox said as a matter-of-fact. "I found her under the ice. Aren't you going to thank me?"

"She's dead!"

"Her heart is still beating," Paradox corrected.

Metamorphy flipped the woman onto her back to press her ear against the Queen's chest. A faint heartbeat fluttered weakly like a dim light on a winter night. She kneeled down to frantically tend to Bloody Queen's wounds. They needed to pull out the Claymore to clean her cuts. Metamorphy looked to Paradox for help. It took more effort than it should have to pull out the weapon. It was tempting to toss out the weapon since it was rusting from excessive use, but she also didn't want to risk losing her head to a frostbitten woman. Time froze in place as Paradox unwound time to heal the deep cut.

"What are we supposed to do with her?" Metamorphy asked more to herself than the Paradox. The time traveler didn't make a good conversationalist most of the time and she struggled to understand the brat.

"Do you want her or not?" Paradox asked, "If not, I can throw her back to the demons."

"Like hell you are," Metamorphy growled and pressed one hand over her temple. "What do you want out of this? It's not like you did this because you felt like being nice."

"Don't you have some brats to pick up from their fun little fight?" Paradox asked.

How did he know?

"You never told me what's going on between you and Glave." Metamorphy said, "Why didn't you complain when he agreed to keep the timelines together? Are you planning to mess with time again?"

"That's for me to know and you to wonder," Paradox said. Cryptic as ever, typical. "Not everything I do involves destroying time and space, you know."

"You always seem to know where everyone is too," Metamorphy made note of how the time traveler always popped up whenever they were in trouble. Even more so, he often held important information they needed for any obstacle that got in their way. "Could it be that you actually car-"

"Mention me about having feelings for you losers and I'm going to throw up." Paradox interrupted.

"Of course," Metamorphy smirked. "Then you just happened to stumble onto Elesis's frozen body and asked me to come pick it up."

"Yes, and now you have a new problem." Paradox grinned.

Metamorphy could never understand the enigmatic man. Albeit childhood trauma from the short glimpses of Paradox's past, she didn't know much of the time traveler. Maybe it was for the best. There was no point in digging up painful memories when it didn't help them in the present.

She turned to thank the man but he had disappeared. Metamorphy groaned. Why did Paradox always do this to her? The magical girl was one hundred percent sure he lured her to do the dirty work so he could take his leave. Looking at Queen's still body, she tucked some of the hair behind the older woman's ear. It was going to take time to bring Queen back to the others before checking on Immortal. Metamorphy lifted the woman and sighed. Immortal was not going to be happy about this. Her sole hope was that Queen wasn't going to wake up and dart the other direction when reunited with her brother like the last time in Velder.

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highkingfen · 5 years ago

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A TM FB ground asked ‘’What do you love about fen’’ I had a lot to say...

Alright, so I am procrastinating to do something else so let me write why I love fen.

Something Brittany said as she was saying goodbye to her character was how Fen was born to be a side character and became a hero. I remember starting to cry after hearing that because this is exactly why I adore her.

I had an abusive relationship where the guy didn't even realize how abusive he was and destroyed the little self-confidence I had build in myself after years of bullying and not being smart enough in math for my high school. And then I decided to stop dating and rebuild myself and it is by mistake that I fell in love with my husband (We both didn't want to date, the irony) and when he introduced me to The Magicians he told me I’d associate with Fen. Most likely because I’d love her kindness and princess-y vibe. What he didn't expect is that I loved her for so much more than that

Fen comes from a world that doesn't value women the same as men. In a world where her father refuses to show her how to make magical blades because she was a girl . And yet, she learns how to use them and how to sharpen them with whetstone, despite not what a woman should do. She learned her father’s craft enough that she was able to appreciate a good blade (The couple’s torture device) or even know the difference between a blade cut vs an animal one (S03E02)

Fen was raised with the only goal to be a wife; one day it might happen that a stranger comes at their door and she will have to marry him without even saying anything, so her family could rise in the rank of Fillorian royalty. And arrive, Eliot who married her, thinking he would die and not to have to handle her, so when he came back alive she had to manage to be newlywed to a self-destructive man.

Tick never valued her or the pesant, we see her face when he get means to the FU fighter, and I am sure it is not the only side remark Tick has done toward her; she was never one of the ‘’royalty’’.

One of their first conversation in the castle is how she wants to be obedient to him. which means she was told to be so, and probably that her job was also to produce an heir. Her job was to be the quiet wife of the High King and provide lineage. But that is not what happens. Despite Eliot saying he wanted her to be his equal, it took nearly 4 seasons for him to do so. He dismissed her, never told her when he left or what would happen and only truly cared when she was in danger or taken over by the fairy. Fen only knew what she had to do: be a wife and give a baby . But Eliot was not attracted to her and would never love her and Margo gave her baby away.

So this leads us to her breakdown. Margo and Eliot clearly didn’t know what to do with her because they let her be in a psychosis where she was carrying a log as a baby, but losing her baby to the fairies was Fen's last straw. I think she was starting to accept that Eliot would never love her and that she might be able to help Fillory by staying with Eliot (’’You think I stay because of how deeply attracted to me you are. I love Fillory. It is my home’’ - S02E06) and losing her baby, the one thing she knew she could provide, was just too much; everything she was told to be and do she could not.

This is why Margo giving her the crown as an Acting King in the end of S03 is HUGE. Not only she became the first crowned Fillorian (Tick never wore it) but it was also a sign for Margo to recognized that during season 3, she was learning how to heal and becoming her own person. Not Eliot's wife, but fen. There is this amazing moment where Fen says to Eliot that she can’t go to her old life and they are stuck together. This is both of them admiring their marriage will never work, but they promised to care for one another and they will. At least, they try. They do.

If Julia showed Fen that healing of trauma is complicated but does not mean going toward a darker you, Margo showed Fen how to be her own voice. Not to be Eliot’s wife or Margo’s confidente, but Fen. Margo even let her lead the quest and make her own mistake before saving her from fraud (S04E08) because Margo knows that she would stay naive if she is never given the chance to do something on her own. Even more, when Margo learns that Fen wants to overthrow her, she trusts and know her enough that this is not a back-stabbing move but something bigger, and she accepts her fate in order to save Eliot, but also making sure Fen will be safe (’’I curse you Fen! But be nice to her!’’ S04E09) Fen will try to lead like Margo leads, being daring and trying to use her power to help; this is how her and Josh discover The Secret Sea in the castle after all.

But then she gets abandoned in the past and learns that Margo had given up on saving her and even tried to kill her in the heat of a battle. While part of it could be forgiven (margo was wolfing hard let's be real) That is when Fen stop seeing Margo on a pedestal. (S05E03) She discovers that Margo, much like Eliot, has severe flaws. This doesn't mean that she will stop caring about her, but that she will be able to have her own voice when talking to her.

Season 5, now having a voice, she had to struggle just like Kady not to be the one in the background that nobody listens. If more than once she is ignored and that some of them are just cruel for no apparent reason when they need her she decide to say no. To call their bullshit and say that they would try harder to save Earth if it was happening on their planet. Eliot teaches her then what it means to have a voice and to be a hero; sometimes there is no perfect solution, just two choices and you take the less shitty. She learns there that having a voice is to listen to what other say and then put your own knowledge into the group instead of trying to do like Margo and stump on everyone with her idea. (S05E11) We see her during the heist episode, she use herself being FIllorian to insure her friend security (S05E12) and this confidence was totally new for Fen. I don't think she would have been able to put her life on the line without what Eliot had told her before).

Lastly, Fen wanted to be a mom. Losing her baby will be a trauma she will have to live with forever. But it is beautiful that, in a sense, she carried Fillory within her (i Mean literally) until it was ready to be hatched. (S05E12-13) FIllory 2.0 is her baby, she will be forever the mother of the land, forever linked with the history of the one place she loved and defended from the moment we met her.

I love fen for all those reasons. Because sometimes, rebuilding yourself after trauma is messy and full of mistakes. But when you are ready to listen to your friends, to forgive and to stand up for what you believe, you can become a version of yourself nobody ever believes you could ever be. I am pretty sure if she’d go back to her dad, he would not recognize his daughter. This proud and self assured woman who, despite her trauma, seek to find good and kindness in people, try to forgive those who hurt her and also, fucking put fillory in her vagina.

#the magicians #fen #sorry for the long text #not really sorry but sorry

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timeagainreviews · 4 years ago

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Reappraising Companions

Years after having watched every available episode of Doctor Who, I've had plenty of opportunities to rewatch episodes time and time again. As with most movies and television, I've found revisiting certain stories and eras has caused me to see them in a different light. A story I may have once reviled is suddenly more interesting. I even came to appreciate Peter Davison's performance as the Fifth Doctor for its subtle nature. But what about companions? Are there any companions I didn't care for at first, which I've softened toward over time? That is the question I wish to explore.

Below I've chosen a selection of companions of whom I had initially disliked for various reasons. They span across multiple eras and both the classic and modern versions of the show. With each companion, I have endeavoured to be fair in my reappraisal, but this doesn't mean I've changed my mind. I would also like to state that none of these appraisals are about the actors. My goal is to evaluate companions by the way they were written. The performance will come secondary.

1. Danny Pink

I chose Danny Pink to kick this list off because he is the reason I am writing this article in the first place. Recently, I took to rewatching a selection of Danny Pink episodes, in hopes that I may find something I didn't initially see. When Samuel Anderson was cast as Danny, I was excited. I've always been a big fan of male companions. They offer a different dynamic to the TARDIS that we don't often get to experience. However, in the wrong hands, they can be exhausting. Enter Steven Moffat.

When Steven Moffat took the reins of Doctor Who, he introduced us to Rory Williams. A smart, loyal, and combative male companion, not at all enamoured with the Doctor's mystique. At his worst, Rory was made to compete with the Doctor for Amy's affection. At his best, Rory held the Doctor accountable for the lives he brought aboard the TARDIS. With Danny, I felt like this is what Moffat was trying to do again, but this time, it wasn't as successful.

When we're introduced to Danny, we watch him and Clara fumble over their words like teenagers. It's meant to be cute, but their chemistry is non-existent. It feels like watching an episode of Coupling, in that it's painful and causes me to scan the room for exits. Their adorkable awkwardness is supposed to endear us to their relationship, but it seems forced. This is compounded when the Doctor enters the equation. Forcing Danny to fight for something very few of us in the audience believe in the first place.

Once again we find the male companion being forced to compete with the Doctor for the affection of a woman. But in this instance, instead of holding the Doctor accountable, Danny seems to hold the Doctor in contempt. Coming from his own history of military training and PTSD, Danny projects all of his inner struggles onto the Doctor. Which is unfortunate, as Danny's inner turmoil is his most humanistic trait. This wouldn't be the first time in Moffat's era where the Doctor's nature as a hero was called into play. The problem with Danny's appraisal of the Doctor as a general, barking orders, is that he's wrong. And we as an audience know it.

Not only do we know it, but so does the Doctor. The Doctor even gets a character arc over the identity crisis Danny gives him, wherein he realises Danny is wrong about him. Danny, however, never comes around to the Doctor's side. Even in his final moments on screen, he remains combative with the Doctor, in an exhausting refusal to grow as a character. We're supposed to believe he's come to some sort of character growth of self-acceptance by sacrificing his chance at a new life, for the life of a boy he mistakenly killed. Instead, he carries the same chip on his shoulder to his grave.

Danny is a companion wholly failed by writing. Even at his most heroic, it seems in service of making the Doctor look like a buffoon. His mimicking a soldier while yelling in the Doctor's face is embarrassing for everyone involved. Imagine this is your boyfriend meeting your friends. You would be mortified by his behaviour. Now imagine you have to lie about hanging out with your friends because it might make your boyfriend upset. Now imagine this friend is a very dashing person who constantly puts the lives of others before him. Danny and Clara's courtship is a romance by gaslight.

2. Clara Oswald

Clara is a whole other can of worms. I could probably dedicate an entire article to her character. I should clarify that my initial dislike for her character is somewhat mired in personal disappointment. By the time Clara was introduced, we had seen a string of modern human companions. We got the occasional tertiary companions from the future, such as Captain Jack or River Song. But we hadn't had a main companion from the past, future, or another planet. So when Jenna Coleman was introduced as Oswin Oswald, Junior Entertainment Manager of the starliner Alaska, I was very excited. Finally, a companion from the future! I was so ready for the Doctor to go on a quest to save Oswin from the cruel fate of becoming a Dalek. What an exciting storyline that was going to be.

And then we see her as governess Clara Oswin Oswald. Ok... Well at least she's still from a different era, right? Oh, she's dead now too? Oh. Much like Moffat's Dracula, all of this great promise was suddenly dashed against the rocks of a contemporary setting. Sigh. I was so excited. What we're given in “The Bells of St. John,” is a new character with less direction than either Oswin or the governess before her. So much that Moffat had taken to literally modulating her brain with an app. Maybe she's really good with computers now? Sorry friends, much like Rose Tyler's gymnastics and Peri Brown's botany, it's never going to come up again.

And this is the biggest issue I have had with Clara Oswald. She spends most of her screen time fluctuating between what character they're writing her as this week. The writers simply didn't know what to do with her while the Doctor tried to figure out why she's so "impossible." One week she's wacky, one week she's stern, another week she's bisexual queer bait. Her characterisation is all over the charts, which sadly, tracks with her entire storyline. She's a woman, fragmented across time, and so is her personality. And don't even get me started on that impossible girl nonsense.

Steven Moffat once said in an interview that one or two people usually guess his big reveal ahead of time, but that no one had guessed Clara's. Perhaps that's because nobody's fan theory was "It's going to be absolute shite." Instead of just being a woman who gets to be her own person, she has to become the most importantest companion. She has to save the Doctor by being planted throughout his timeline, saving him from the Great Intelligence. You know, by sometimes being born as herself, and other times being born as a Time Lord. Sometimes knowing who the Doctor is, other times having no idea whatsoever. Sometimes having a name that is a play on of Oswald, or Oswin, or Clara. And at no times did it make any kind of sense.

The funny thing is, that for me at least, Clara's character doesn't really become interesting until all of that nonsense is behind her. The Clara I find most compelling is the Clara in mourning. Clara post-Danny Pink is a Clara with focus. Her mood swings seem more from a place of destructive behaviour in the wake of great loss. Watching her hold the TARDIS keys hostage above a volcano was some seriously gripping stuff. Aside from the gross digs at her appearance, I found the Twelfth Doctor's relationship with Clara far more endearing than that of the Eleventh Doctor. It may have taken them until her final moments as a companion, but they did get her right, in the end.

3. Melanie Bush

Back in 2015, I had the opportunity to meet Louise Jameson, who played Leela, my all-time favourite Doctor Who companion. I also got to meet Colin Baker, who was all charm. Also in attendance was Bonnie Langford, aka, Doctor Who's Mel. After having gotten autographs from Louise and Colin, and having circled the convention hall a few times, I decided "Sure, why not. Let's meet Bonnie Langford. It's only 10 quid for an autograph." Upon meeting her, she was a very kind woman, and even still, I was racking my brain for something nice to say about Mel. To save face, I lied a very simple lie. I said, "I really liked you in Doctor Who." She smiled, said thank you, and signed my picture. And I walked away, taking my shitty liar mouth with me.

Because the fact is, I didn't like her in Doctor Who. I found every moment she was onscreen excruciating. From her poodle haircuts, to her 80's disaster attire, to her fat-shaming the Sixth Doctor, to her constant screaming at every little thing, she depressed me. I spoke in my review of "Terror of the Vervoids," just how weird it was that we're never actually introduced to her as a character. Instead, Peri is written off, and suddenly, Mel is there, already chummy with the Doctor. You guys know Mel, she's the Doctor's friend, because we told you she was! Instead of getting to know Mel slowly, we're thrown into the deep end, forced to sink or swim within the curls of red hair piled high. Mel doesn't just come out of nowhere, she comes on strong. Fitness expert Mel here to get your fat Doctor Who loving asses into shape. Drink this carrot juice you geek pig!

Not even in Big Finish audios was I finding myself warming up to Mel. When Ace was introduced, they couldn't have pushed Mel out quicker. I found everything about Ace immediately refreshing. Here was a calm and collected badass rebel that I could get behind. It's ironic then; that it was in the Seventh Doctor era that I have begun to find something likeable in Mel. Much like Clara Oswald, a changing of Doctors enriched my appreciation for her character. This appreciation didn't come immediately, mind you, it came about around my third or fourth watch-through of "Paradise Towers."

Perhaps it's the influence of Andrew Cartmel, but with the Seventh Doctor, I have begun to appreciate Mel in the snarkiest manner. Mel is best utilised as a commentary on the Doctor/Companion relationship. She's precocious to a fault, she chews scenery, she screams at the drop of a hat, and she is oftentimes a naive idiot. Yet in "Paradise Towers," it becomes hilarious. Like much of the 80's era of Doctor Who, there is a very "2000 AD," atmosphere to the stories, and I could easily see this as a setting for Judge Dredd to drudge through, busting skulls and filling bodies with bullets. Setting the sunshiny persona of Mel against this backdrop is so brilliant that I can't imagine another companion in this story. Where she would usually grate against me, her sharp contrast from the things happening around her is exactly why I began to soften toward her.

Not even the ire from the Kangs could shake Mel's confidence, which is oddly what makes her cool. Or "ice-hot," as they would say. For the first time, Mel's headstrong sense of self makes her a rebel. She doesn't need to follow a crowd to feel accepted. Sadly, very few writers were able to find this core to Mel, but it was enough for me to be able to look at her in a different light. I could finally look at Mel and say I did like her in Doctor Who. Even if it was just for a moment, and even if it was somewhat at her expense. From a very cynical perspective, Mel can actually be pretty fun.

4. River Song

I know a lot of you are probably aghast to see River Song on this list, but I assure you, I have my reasons, and they are not without consideration. I should begin by saying some good things about River. She's smart, she's competent, she's got a healthy grasp on her sexuality, and she's cool. Why then did I not like her very much the first few times I watched her? Well, if you hadn't noticed, the bulk of this list are characters written by Steven Moffat, and once again, it all comes down to writing.

We're first introduced to River in the Tenth Doctor two-parter "Silence in the Library/Forest of the Dead." At first, she's just one of a team of forgettable space scientists on an expedition. However, as she finds out the Doctor is who he is, her entire demeanour changes. Like Mel on steroids, we're given a heaping dose of "Who does this bitch think she is, being all familiar with the Doctor?" Only, instead of it lasting one episode, it's every interaction we have with her character beyond this point. Instead of getting to watch River and the Doctor grow as a couple, we're forced to watch them meet in opposite directions. It is the antithesis of "show, don't tell." Everything about the Doctor and River's relationship is implied. "You're going to love me someday," she promises. Couldn't we just see it play out naturally? Spoilers.

This idea is one that can only really be done on a show like Doctor Who, where things are wibbly-wobbly, timey-wimey. The problem is, this doesn't mean that the idea is worth exploring, or even successful. It's made even worse when the relationship implied is one deeper than friendship. The Doctor is famously chaste, married only to his TARDIS and what lies ahead. Because of this, the idea of a person the Doctor will someday trust enough to share his real name and eventually marry carries with it a sizeable amount of convincing. Such a huge shift in the show's dynamic requires a lot of character development. Sadly none of that is to be seen onscreen. Who is Jim the Fish? Who cares? Steven Moffat's joke of "I'll explain later," became painfully prophetic of his time as showrunner.

I've got no complaints about River being a Time Lord, or even her being the child of Amy and Rory. Those elements are fine, really. It's the way in which she is presented which I find most detrimental to her character. I never did buy into the idea that the Doctor loved her as a wife. Their wedding seemed necessary to save the universe, as opposed to a union made out of love. Any kind of enjoyment I've ever gotten out of River stems mostly out of my love for Alex Kingston's performance. Where the show fails to establish her, she more than makes up for in style and substance. I grew to like River Song, despite the show's failure to ground her properly. River grew on me as she always said she would, but by no effort on the part of the writers. River is cool because River is cool, not because it was inferred that she was.

5. Susan

If you’ve followed this blog long enough, you’ll know I’ve already mellowed on Susan. In my reviews of the First Doctor era, I’ve had mostly good things to say about her character. This doesn’t change the fact that I found her utterly irritating at first, and it feels appropriate to talk about it here.

My initial dislike for Susan is a lot like my intial dislike for Clara. A lot of it was wrapped up in my own expectations of the character. Susan is the Doctor’s granddaughter. She is a Time Lord, therefore she should also be brilliant. And we get a lot of that in her first episode. She is mysterious, she’s enigmatic, and she is brilliant. Even her teachers at school found her perplexing. But the show doesn’t continue down that line. In fact, there are times when they make Susan borderline stupid. But how much of this is clouded by my own preconceptions?

For starters, Susan wasn’t a Time Lord. At least, not then. She was just a young girl. She may have been smarter than her fellow students, but this played more into how she was raised. So when the show depicts Susan screaming at every little thing, grabbing her hair dramatically, it smashed apart my mental image of a Time Lord. I couldn’t appreciate that they had her act this way to help sell a bad effect. Oftentimes Susan, like many Doctor Who companions, had her character sacrificed to make the baddies scarier. It was a product of her time, and even still I feel her character suffers for it.

However, one of the things I have discovered through repeat viewings of the First Doctor era is the surprising amount of character development among the TARDIS crew. The Doctor, Ian, Barbara, and Susan all go through deep character development that was sadly often secondary in classic Doctor Who. Before the nature of the Doctor and companions was transient, there was a feeling of a family bond forming. Through this, I have come to find Susan to be a rather deep and sensitive person.

When it comes time to say goodbye to Susan, I can’t say I exactly agreed with the method. The Doctor locking her out and deciding she was mature enough to set out on her own felt hasty. But I would be lying if I didn’t agree that Susan had gone from a little girl to a young woman at that point. When you stop expecting Susan to be the Doctor, and allow her to be a kid, she grows on you instantly.

6. Adric

Let's be honest; it's not really original to hate on Adric. It's nothing new to point out what a bad companion he is, but here we are. Something I constantly endeavour to do on this blog is to be fair. One of my biggest complaints about the Doctor Who fandom is the proprietary attitude people take toward the fandom. The "I don't like it; therefore you shouldn't like it," attitude spat with such vitriol is one of the worst parts about being in the Doctor Who fandom. So when you say "Adric is my favourite companion," I'm not devising an argument for how wrong you are, it's fine. Like who you like. This doesn't mean I'm not also thinking in my head "What? Why?" Because I honestly, without malice, do not understand.

The most I ever enjoyed Adric, was in his introductory story "Full Circle." Setting him against a group of fellow Alzarians dilutes his lesser qualities. In fact, when paired with Varsh, he almost seems likeable. Sadly, we have to say goodbye to Varsh, and it's downhill from there. We're forced to watch a contrarian boy genius butt heads with the Doctor while he waddles around in a toddler's outfit while showing off his pound shop sheriffs badge for "mathematical excellence," to anyone who will listen. Adric is so obnoxious that he makes Wesley Crusher seem likeable in contrast.

However, it's not just his contrarian nature that makes me despise Adric, he's also disloyal to the Doctor and his friends. He's so susceptible to bad ideas as long as they a presented logically, that I've dubbed him the Ben Shapiro of the TARDIS. He's a smarmy little shit who believes himself superior to women, and he's really got no justification for his ill-placed self-confidence. Constantly demanding respect while giving very little reason to deserve it, he's like a poster child for incels. To make matters worse, he's oftentimes wrong and easily duped into taking the side of evil, turning him into more of a liability than an asset.

Recently, the idea that the Thirteenth Doctor could save someone from sacrificing themselves by using the TARDIS at the last moment to save them came under fire. "Why didn't the Doctor do this for Adric?" they said, forgetting conveniently when the Twelfth Doctor did the exact same thing in "Into the Dalek." But yes, why indeed? Why would the Doctor ever let a duplicitous, argumentative braggart die by their own stupid need to solve a math problem? My headcanon is that the Doctor got better at flying the TARDIS. The real reason is that people hated his character. The silence over the credits after Adric dies isn't out of respect for the character. The real reason is that the BBC couldn't secure the rights to Kool and the Gang's "Celebrate Good Times," before it aired.

Listen, I am not unsympathetic toward Matthew Waterhouse. He never should have been given such a big role, considering his utter lack of ability at the time. I imagine it was his own insecurity that fuelled his on-set antics. Giving unsolicited advice to veteran actors is cringey, but also the actions of a young and naive boy, in over his head. I know I said I was going to try and treat the performance as secondary, but in this case, it goes hand in hand. He has the stage presence of a fake. Every moment he's onscreen is disingenuous. The fact that he is present at the death of my favourite Doctor, stinking up the scene is genuine pain to me. If he has been made better in Big Finish, I've not yet heard it. As of now, there is nothing I've seen of Adric that has changed my opinion. But I'm glad if he makes you happy.

#Doctor Who #Danny Pink #samuel anderson #clara oswald #jenna coleman #Melanie Bush #Bonnie Langford #River Song #Alex Kingston #Susan #carole ann ford #adric #Matthew Waterhouse #tardis #bbc #companions

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talkingtomyselfandotheroddities · 5 years ago

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Talking to Myself: Anger Management (or Not Really)

There comes a moment in your life/month/day when you go green. And I don't mean:

become environmentally conscious, eco-friendly, warrior for better tomorrow (which is not a bad idea, maybe sans the warrior part: peacefully explaining and teaching is more my jam; I do understand the urgency of the matters like climate change and I understand some want to take a firm stand because the soft way didn't work, etc. - but this post is not about that);

as in 'green with envy' (it's a nasty thing, quite an issue to go through, but this post is not about that either);

What I mean is: something happens/doesn't happen and you go: rooooaaaaar big green guy. Hulk, I mean Hulk (not UFO). Your blood is boiling with rage just like every gamma rayed blood cell of his. In an instant. Okay, so you get the picture. If you didn't experience that or don't fly into rage for you are a creature of calm and composed nature – you were born under the lucky star. Just remember bottling it up doesn't count. It's not calm, it's storm in brewing (again: different issue, talked about it before: keeping these in = not good).

Right, so for those not familiar with Hulk. Here's the newsflash: he's always angry. That's why I find him to be my spirit animal. I feel like I'm angry all the time and I'm sure it has something to do with years of unresolved issues (perks of growing up in not so... encouraging? healthy? normal? home). And how I hate the questions like: “Why are you so angry?” “Why did you get so angry?” Or statements: “You seem angry all the time” followed by: “Why?” If I knew “why”, I probably wouldn't be angry anymore. I don't know why this particular thing made me go from dove to gargoyle. On top of that I know that I can't stop it and that thought only fuels gargoyle to breathe fire and sulfur. And if someone tells me to calm down or asks the question that's fuel to the fire too.

I wonder sometimes if there's one reason that causes the outbursts. Is there a way to get to the bottom of this? Let's see:

Am I unable to take a failure as a lesson and move on to either repeating the task or moving on to something else?

Maybe. I do have to repeat it until it's not a complete disaster. I get stuck in the loop, I guess. But there's the thing: repeating the task until desired result could have either good or bad outcome.

Being stubborn and achieving the goal, tasting the victory is sweet. Technically it shapes your character to not to give up to easily when obstacles occur.

But obsessing over something to the point it gives you headache and takes joy from the process away – not so sweet. When you finally get there it can happen you've exhausted yourself so much that you can't enjoy the finish line. Anger siphoned it away and you play on repeat the trials that took that joy away focusing on failings and not the win.

There's a stigma put on failing. Even though it's natural part of the process: trial and errors. Isn't it after all? We wouldn't have so many discoveries if people weren't stubborn (and crazy) enough to proceed (sometimes like maniacs). I know, I know: the glorified image is “the successful ones”.

I'm not saying that now we have to go and celebrate every failure and fall that we take, but... shake hands with it. It's a learning curve. I know easier said than done. But it's definitely something to think about – it's a step to accept yourself a little bit more, too. It's part of you. It's part of me. It does interfere with the yearning to be enough, to succeed. But maybe the key is – shifting the perspective: making space for both and not choosing between these two. I guess it gives us depth, structure, one dimension is a bit boring, each of us is predisposed to more than one choice.

Question is how can you switch the frustration with enjoying the ride?

It's not going to be a magic wand and star dust over your head that will shift the thinking. Safe bet is: hard work. Loads of it. And guess what: there will be failure there.

Something made you lose it and instead of taking it in calm manner, listening to reason you flipped and headache's there. It's okay. Rome wasn't built in a day. You'll try next time. Tell yourself: those things don't define you, you define your path and things around you. Cheesy? Hell yeah. Stupid? Maybe. Did you say it? Did you think about it? Possessions. Items. Is your health and life not more important than a thing (you don't want to have a heart attack over a non functioning valve, do you? I get it, it's new, so? Take a look again, ah, wrong order, change it, check it and... et voilà!)?

You'll say: pot calling the kettle (I did go batshit crazy trying to put together the air mattress and a pump – it wasn't pretty). Well, I might just take my own advice. Cause it's helluva annoying to lose energy on the outbursts. And as much as I love Hulk, it's not very healthy or practical to roam the streets or socialise when you're walking chaos.

I know these are trying times. We're stuck at home either alone or with others. We're observing idiotic behaviours and unreasonable decisions of the ones around us and these circumstances they don't help keep calm and carry on. But it shouldn't be an excuse. Don't let idiots control your progress. I know it can be suffocating in four walls. I know it can be super scary about your future: saving, jobs, health wise, etc. it could be the trigger, I know.

I know that the feeling “Hulk – smash!' is strong and seems to be the right response. Again: not keeping negativity inside you – that's a right step. Unleashing apocalypse and pressing self-destruct button in the process – not really. So one step at a time. One outburst after another. Trying to shift the narrative: these things are not relevant, your health and existence is. Failing is part of the journey, but just a part, so taking another step is essential.

Maybe that chain of more or less connected threads will be a start of a transformation from Hulk to Bruce Banner [scientist, smart guy 'n all, before he was radioactive green guy]. Maybe it will be effective on me? Maybe it won't, but will help someone else? Then why not: those things don't define you, you define your path and things around you.

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tessatechaitea · 4 years ago

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Justice League #2 (1987)

I didn't know Orgazmo was in this comic book.

Once again, I'm surprised by how quickly an old comic book I read years ago gets to some of the stories I think of as major story arcs. These pseudo-Marvel heroes on the cover are the precursor to The Extremists whom I remember as major antagonists to this team. I don't know if The Extremists appear any time soon though. First, the Justice League have to deal with these peaceniks. Only after they've become allies with Blue Jay and Bald Thor and Brown Scarlet Witch do the Extremists finally come to destroy Earth. The issue begins with Kevin Maguire going, "Look at these lips. You like these lips and this mouth. Well, you're gonna get lots of them! Even Maxwell Lord gets some lovely pouty face slugs!"

I'm sorry for referring to lips as "face slugs."

Batman's main goal is to get to the bottom of how Doctor Light became a member of his League. He'd already hired Black Canary so why would he need another woman in the group? Isn't a ratio of eight men to one woman good enough?! I'm counting Oberon in the number of men just to make it seem even more lopsided. Although Doctor Fate has already ditched (and will become a woman soon anyway, right?!) so, not including Oberon, that makes the ratio six to one! Getting better! Plus add Doctor Light since she was on the cover and has somehow forced her way in, a ratio of six to two! That's three to one if you reduce it! Which is practically one to one if you squint and put your fingers in your ears and go, "Nyah nyah nyah! Everything is already equal! Why are women fighting for more than they already have?!" Anyway, my point was: Fucking Batman. What a monster!

I wouldn't think a sleeveless vest with a wacky collar layered on top of a turtle neck with elbow length white gloves would look so cool!

I prefer to concentrate on Guy's outfit rather than his misogyny and lack of intelligence and terrible haircut. In this issue is an advert for the all new Dr. Fate four issue mini-series by Giffen and DeMatteis. So that solves the mystery of why he was sort of included in the first issue. He was basically a commercial. Jack Ryder's gossip television show has been trying to portray the new Justice League in a negative light because that's the kind of reporting that gets eyeballs and raises revenue. Maybe if people's lives weren't so boring, they wouldn't eat up all that hot take drama shit from people like Jack Ryder and Sean Hannity and Tucker Carlson and Laura Ingraham. I suppose I shouldn't wonder how rational people watch that shit because most people, rational or not, are just looking for somebody to repeat their inner views back to them. And Fox News has honed that ability to a razor edge. Sometimes I imagine Sean Hannity doesn't believe the stupid shit he comes up with but then I remember my high school and college friend Soy Rakelson and I think, "Oh yeah. He actually believes that shit."

I recently found this letter by Soy from our college paper. It's been in my head since 1994 when I could not fucking believe he wrote it. Poor, poor discriminated Soy, self-declared "Defender of Western Civilization."

One small note about Soy: maybe a month or two after Trump became president, he quietly disappeared from Facebook for good. I won't speculate on why but I suppose if I spent some time trying, I'd probably come up with his actual reasoning. After Guy throws another tantrum that has to be quelled by Batman, Doctor Fate gets a scene of his own! I guess he didn't completely disappear from the comic book. At least not yet. Although, if Doctor Fate sticks around for a dozen or more issues, I'm going to feel even more shitty than I already feel about my memory. Doctor Fate visits some purple haired guy who sees everything as gray and warns him to take back up his destiny. I don't know who it is. The only purple haired character I remember is Pariah. But what is his destiny other than to watch worlds burn? Also, he has other selves across the world reaching into people's souls. Is he Jim Corrigan? I have no idea! Meanwhile, Blue Jay, Wandjina, and Silver Sorceress (whose costume is brown), from Earth-Marvel-Parodies (or some other new world, I suppose. In 1987, there was just one Earth left, right?), are busy dismantling Bialya's nuclear arsenal. Bialya is one of DC's evil countries. Sometimes you don't want to write a story that exists in a gray world; you just want pure black and white, good and evil. When that's the case, you have the heroes battle Bialyans! Blue Jay and friends are here to rid the Earth of all their nuclear weapons so as to save it from the fate that befell their homeworld. The leader of Bialya sees an opportunity for mischief and power and the destruction of America, so he greets them with open arms. Rumaan Harjavti, the leader of Bialya, teams up with Blue Jay and Friends to help guide them to other nations who have nuclear weapons that need to be disposed of. The first country he sends them to is Israel. Probably because it's close by and not because he has ulterior racist motives. Guy Gardner hears the news and is thrilled because he gets a boner imagining a world where only Ronald Reagan has control over a nuclear arsenal.

When he first mentioned Ronnie, I thought it was a mistake. I forgot how old this comic book is!

Batman is all, "We're going to stop these peaceniks from making the world a safer place!" Because if there's one story that can't be told enough it's the one where we all learn a lesson about how the ends do not justify the means, no matter how amazing the ends will be and how messy the means are. I suppose the ends justify the means if the means are compassionately thought out and done with respect for all parties' opinions! So maybe sometimes the ends justify the means? Or does the statement not work that way because the point is that you can't just make that blanket statement. Like, do you murder five million people to save one little girl's life? Probably not! Or do I have it completely wrong and everybody thinks the ends do justify the means? Anyway, Batman doesn't think world peace should be achieved through the destruction of other people's dangerous property. It's basically the same story that season one of Stargirl just told. The Injustice Society of America wants to make the world a leftist dreamscape but at the cost of 25 million lives or something. And the Justice Society is all, "Well, we really like your manifesto. We agree with all of these points. But maybe the cost is too high?" So in the end, I was left supporting the Injustice Society of America because I guess I believe the ends do justify the means?! Also, I'm fairly certain I don't like a quarter of the population so good riddance? But also maybe the entire season of Stargirl was some sort of anti-leftist parable about how you have to let people come to their own decisions about saving the world because forcing them to get on board is rude and it's better if climate change destroys the world than to force one person to believe that manmade climate change is an actual thing? I had philosophical whiplash by the end of Stargirl season one. One character is all, "Murder is wrong!" and then goes and murders somebody and another character is all "I need revenge because this monster killed my parents!" and then he gets all merciful and lets Solomon Grundy go so he can kill other parents and the Injustice Society is all, "We'll kill indiscriminately to make the world a better place for our rich white kids!" and then their all, "A lot of rich white people's kids are going to die from our plan but that's okay because they're not ours." Also, the worst part of the show, the part of the show that I cannot forgive, is how they introduced us to Doctor Mid-Nite's sad owl back at the abandoned JSA headquarters and Luke Wilson is all, "Yeah, he's just waiting for Doctor Mid-Nite to return. It's sad, right? He just hangs out here alone super sad." And then Beth becomes the new Doctor Mid-Nite and you keep expecting the owl to befriend her but the owl never appears, ever again. Every episode, when the sad owl didn't appear onscreen, I was reminded of the sad owl. So every minute of every episode, I kept thinking, "Is the owl going to befriend Beth now?" And nothing. The season ends with the sad owl still super sad and all alone and fuck the writers and showrunners for that. I suppose they couldn't afford a CGI owl after ejaculating all of their CGI money on the five minute Solomon Grundy fight. I just digressed so much I need to take a shower.

Guy and I are in 99.5% agreement about the dismantling of nuclear weapons. That last bit is where he thinks the U.S.A. should get to keep theirs.

Everybody treats Guy Gardner like his argument isn't even worth listening to but they're all wrong! They're just treating him like a dumb jerk! Sure, I agree that the Justice League just can't take it upon themselves to rid the world of all nuclear weapons. I mean, do I?! Hmm. I'm not so sure I do agree with that! If Superman really cared about Earth, shouldn't he martyr himself by becoming the biggest criminal in the history of the entire world by destroying all nuclear weapons against the will of every nation that has them?! There are plenty of other planets in the DCU that he could go live on after becoming a giant Earth menace! Can't he even make that small sacrifice for the safety of his homeworld?! And if his actions cause some kind of horrible repercussions that cause the world to spiral into chaos, he can probably just blame Batman. Silver But Really Brown Sorceress questions if what they're doing is right. Bald Thor says, "In the end they'll thank us. And even if they don't, at least they'll be alive to hate us." See?! That's what I just said about Superman! He should totally take that bullet! That was not a tasteless George Reeves joke and even if somebody read it that way, it's been like a hundred years since his death! Blue Jay and Friends tell each other their origin story as they remember how their world was destroyed by nuclear weapons and how they decided to interfere with everybody else's lives because of it. I think their origin was supposed to make me see their side of things and feel empathy for them but it totally made me rethink their position and now I totally think they need to be stopped. Because I was fine when I thought the argument was "Destroy all nuclear weapons to save Earth." But I dislike the argument, "Something bad happened to me and now I have to make sure it never happens to anybody else no matter how annoying I make myself!" It's like when somebody's dumb kid gets hit by a bus while riding their bike and then they have to get a law passed making it illegal for busses to run over kids and to name the law after their kid and to get politicians who support the law because it doesn't really change anything (being that busses running over kids was probably already frowned upon if not illegal) but it's good press and makes it look like they're doing something. Then after the dumb law is passed, the parents of the dumb kid can say things like, "My baby didn't die in vain!" Even if that's totally untrue and their baby did die in vain and the law never actually makes the world a better place at all. Guy rushes in to stop Blue Jay and Friends all alone but fails because writers can't reward brash arrogant heroes who are mostly just big jerks. It would be unseemly.

So far, I've liked the bits with Captain Marvel but I'm still weirded out that he's a little boy in a grown man's muscular body.

Blue Jay and Friends fly into Bialyan airspace and the Justice League have to back off. But they'll get another chance to stop Blue Jay and Friends next issue when Blue Jay and Friends try to disarm Russia! Justice League #2 Rating: B+. It gets too complicated when super heroes bump up against the wall of political conflicts. When Batman points out that the Justice League can't chase Blue Jay and Friends into Bialyan airspace without creating an international incident, some readers might start questioning how super heroes can act even within the borders of one specific country! Surely every time they commit their vigilantism, they're creating a domestic incident! Don't make me start asking questions about the fundamental nature of masked people doing whatever the fuck they think is justice without the consent of any kind of laws or political powers, comic book! This is too heady for my tastes! I guess the whole point is to eventually have the Justice League backed by the United Nations so that the reader can think, "Okay, right. So they have the authority to do whatever they want now if I'm willing to believe the United Nations has any real authority at all!" And then the reader goes on to prove the moon landing never happened and that Project Cloverleaf rains human excrement down on our heads on a daily basis for some kind of Nazi experimentation.

#Justice League #DC Comics #DC #Keith Giffen #J.M. DeMatteis #Kevin Maguire

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yourrealitybeyondtime · 5 years ago

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My OC Descriptions!

Thank you so much for your positive responses, @dasjansel @corvid-moon @teeny-weeny-ducklings @technoxslayer360 @incoherentmoose and @cake-and-roses ! Since you guys asked, I made overall descriptions of my OCs and a bit of a synopsis. Sorry it's so long! I hope you enjoy it and please provide feedback!

This is a story that takes the "chosen ones" and fantasy tropes and turns them on their heads. The main character never accepts his role. The guy doesn't get the girl. There's no prophecy or guide. The populace thinks they're monsters, not heros. Their powers are explained scientifically. They have to help themselves emotionally so they can help others physically. It's just a bunch of young adults with problems getting into shenanigans, figuring out life's lessons, and maybe saving the world.

Name: Adrian

Age: 18

Height: 5'8"

Gender Identity: Male

Pronouns: He/Him

Sexuality: Bisexual (Feminine leaning)

Race: Human

Ethnicity: German/Portugese

Neurodivergent: Narcissistic Personality Disorder

Active Power: Super strength

Passive Power: Truth (Ability to see through illusions, understands foreign languages, can tell when someone is lying, etc)

Activating Emotion: Courage

Associated Color: Yellow/Gold

Associated Element: Air/Wind

Description: This rich, all-American, high school boy has had a near perfect life growing up until a burglar breaks in his home. Thankfully, he stops the villain… by tackling him through an oak door! First hailed as a hero, his social life then gets thrown into disarray as this new found strength that seems to randomly come and go ends up earning him the reputation of a destructive menace. On top of that, he starts passing out and having "visions." Doctors say he's having seizures, but these visions feel more real than his life ever has, and it's always of the same place, a magic lab where he's the experiment! His visions keep getting worse until one day he fully wakes up in the lab and escapes, but now he can't go back home!

Adrian finds out he's stuck in the world of Mythos, the parallel Earth where all of our fantastical dreams come from, and he's not happy about it! And the locals don't seem happy about him either. Just wanting to get this over with and go home, Adrian faces more ugly reality in this fantasy world than he ever did in his privileged life in our world. With no guides or prophecies and regarded as a monster, Adrian has to figure out how to find others like himself to help him save the world and go back home.

Adrian is the self-proclaimed leader of the group. He's obnoxious, self-centered, and stubborn, and completely uninterested in helping unless it benefits him somehow. You are supposed to dislike him at first. He matures and becomes much more open-minded and accepting through the journey.

Initial Motivation: To get back home

Journey: Breaking out of your bubble is more important than staying in it, others suffer in a way different from you, you cannot speak for others, use privilege to help those that don't have privilege, attraction to anyone who shows femininity or doing female-assigned tasks/behaviors (being kind, showing emotions, being vulnerable) does not make you less of a man, the greatest strength is facing the truth

Name: Iola

Age: 20

Height: 6'2"

Gender Identity: Female

Pronouns: She/Her

Sexuality: Lesbian

Race: Human

Ethnicity: Afro-Columbian

Neurodivergent: Anxiety

Active Power: Shield

Passive Power: Acceleration/Regeneration (Subconsciously heals others, requires focus if needs boost in power, ie, if someone is bleeding out. Can cause things to grow, but also age. Cannot remove poisons/curses, cannot bring people back to life, conditional)

Activating Emotion: Care

Associated Color: Pink/Orange

Associated Element: Earth/Wood

Description: Iola's life had been pretty quiet since she and her dad started a farm out in the wilderness, until a strange boy pops up who brings a whole lot of unwanted attention. She stumbles upon her own powers as she defends her home, and then sets out to find others with Adrian.

Iola is the mom of the group, both the good parts and the bad. She is kind and caring and helpful and also stressed af and sometimes pokes her nose where she's not welcome. It's suggested at first that she may be the Adrian's love interest, but, surprise! She only likes girls. She seems to have lost someone precious to her, and it's not her mom.

Initial Motivation: Believes in following destiny

Journey: Self-sacrifice is not always necessary, mediation is more important than appeasement, give without expectation of return, worthy of just existing, important to take care of self in order to take care of others, rest is a type of work and just as important as being active

Name: Emlyn

Age: 21

Height: 6'0"

Gender Identity: Androgynous

Pronouns: He/Him

Sexuality: Pansexual

Race: Human

Ethnicity: Northern Irish

Neurodivergent: Complex PTSD, Depression

Active Power: Chemical Reaction (Interaction of two or more substances that results in different substances. Can only initiate reaction, cannot control the outcome. Usually uses fire as a weapon, but can use others. Can also stop reaction in process, but cannot reverse.)

Passive Power: Psychic (Ability to sense when others are nearby, can receive symbolic messages through dreams, not prophetic)

Activating Emotion: Passion

Associated Color: Deep blood red

Associated Element: Fire

Description: Emlyn finally seems to have found a home at the inn he works at when two strangers pop up with trouble following them. He unleashes his powers to defend them, but his loved ones reject him when his secret is exposed. With nowhere else to go, he tags along with Adrian and Iola, the only people who seem to accept him how he is. However, he harbors a terrible secret that he's hellbent on taking to the grave, and it creates a division between himself and the others.

Emlyn is very quiet and reclusive. He doesn't talk much, and seems to be insistent on covering as much skin as possible at all times. He's not the angry or brooding type, but surprisingly polite and soft spoken. And surprisingly strong. However, he seems like he'll do anything to avoid using his powers, and almost seems scared of them. Adrian bullies him frequently, threatened by the fact that he's attracted to Emlyn. Emlyn doesn't seem to care, but eventually lashes out, showing a very different, vicious side.

Initial Motivation: Redemption

Journey: The past is the past, use mistakes to learn and teach, secrets create unnecessary burden, it's okay to have darkness, do not let negative emotions rule over logical decisions, take both capabilities and lack of into account, sometimes you just can't do what you want even if others can, you are not damned

Name: Liesel

Age: 82

Height: 5'0"

Gender Identity: Genderfluid

Pronouns: She/Her, He/Him, They/Them

Sexuality: Abrosexual

Race: Fairy/Changeling

Ethnicity: Jewish

Neurodivergent: Autistic

Active Power: Freedom (Ability to unlock anything, create doors/portals with conditions)

Passive Power: Choice (Can tell what someone has decided before they act on it, very useful in combat; can see what future "paths" can be taken but cannot tell outcomes)

Activating Emotion: Hope

Associated Color: Sky blue

Associated Element: Water

Description: Liesel has had to protect her people for decades, so she's more than a bit reluctant to leave with some humans to go on some adventure. When she realizes that she needs to, she goes with them, but completely mistrusts them.

Where Iola and Emlyn are more passive, Liesel is even more aggressive than Adrian. She challenges everything Adrian knows and really gets him to start looking at things differently. They develop a weird rivalry dynamic and eventually soften up with each other.

Initial Motivation: Protect her people

Journey: Evil does not originate from the same place, no group of people are all the same, there's a difference between honesty and being cruel

Name: Uri

Age: ??? (They tell a different number every time they're asked)

Height: 5'4"

Gender Identity: Agender

Pronouns: They/Them

Sexuality: Asexual

Race: Dragon

Ethnicity: Nigerian

Neurodivergent: N/A

Active Power: Light Manipulation (Can be used to make self or others invisible, create illusions, blind someone, etc. Does not actually makes things disappear/materialize, just makes it look like it.)

Passive Power: Compulsion (Redirects electrical impulses between neurons. Makes people think certain things, somewhat like intrusive thoughts. The more impulsive someone is, the easier they are to manipulate. Often accidentally shares own thoughts with others. Usually uses for persuasion among foes and to pull pranks among friends. Cannot read minds.)

Activating Emotion: Elation

Associated Color: Emerald green

Associated Element: Metal

Other: Disabled/Born without wings

Description: Uri's just minding their own business, napping on top of their treasure trove when some adventurers break in. Those same adventurers open that weird lock contraption they've been trying to open for the last two centuries. Interesting. Rather than confronting the adventurers, Uri decides to join them in hopes of making sure their treasure doesn't get destroyed, to find some more, and to enjoy some chaos along the way.

Uri is confident, charasmatic, and devilishly handsome. They only care about their treasure, but slowly finds themself caring about the others.

Initial Motivation: To protect their treasure

Journey: Self-preservation includes helping others, happiness is worth going the long way for, people have different paths to the same goal and that's okay

Name: Oriana

Age: 19

Height: 5'6"

Gender Identity: Demigirl

Pronouns: She/Her

Sexuality: Pansexual

Race: Human?

Ethnicity: Cherokee

Neurodivergent: ADHD

Active Power: Sonic/Song

Passive Power: Empath (Ability to sense motives, can literally share emotions when making physical contact, can transfer powers between people)

Activating Emotion: Love (Both romantic and platonic)

Associated Color: White/Purple

Associated Element: Spirit/Aether

Other: Intersex

Description: Oriana has been waiting at the edge of the Ancient Forest for a long time. She doesn't remember why, but she knows she needs to guide five adventurers through the massive forest that covers half the world. For some reason, she's the only one who can survive traversing it.

Oriana is sweet and kind and too naive for her own good, having never been exposed to civilization or other people before. She seems to have a mind of a child, but has the wisdom and understanding of someone who has been alive for a very long time. Emlyn develops a crush on her due to her friendly and accepting nature and eventually confides in her. Their past is far more intertwined than either of them remember, and is the answer to why this is all happening.

Initial Motivation: Because she was asked to

Journey: Evil lives in everyone, purity is non-existent, be kind to those who "don't deserve it" without allowing self to be walked on, different facets of love

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traiinedhard-a · 6 years ago

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[ CHARACTER STUDY; SAITAMA & GENOS ]

THE FOLLOWING ANALYSIS CAN GO EITHER PLATONICALLY VIEWED OR ROMANTICALLY FOR THE DUO. i don’t care how you interpret it. go nuts! just know this is long as fuck.

I’m so GLAD Genos and Saitama have each other now. Without each other,,, genos would be wrecklessly trying to push himself to the point of near death and saitama would be wallowing in his own depression but now saitama has something to look forward to talking wise and genos has someone who cares so much about his well-being that he refuses to let him try and basically kill himself like the way he used to. now genos has someone who actually worries if he'll make it through a fight instead of just trying to self destruct at everything he just about loses to. he has been given a safer and more realistic goal to look forward to and he's become more relaxed. saitama's been able to be more expressive since he's constantly with genos, and he doesn't feel as empty because he feels like he has a reason to live now. it's clear that when they're apart saitama worries endlessly for genos (and once worries that something horrific would happen to genos if he were by himself) but without genos around he immediately goes back to his old, lonely ways and feels so unbearably sad and lonely that even king's like "shit man. u ok". and guess what? the moment he sees genos is safe and not dead or hanging on by a string, he’s IMMEDIATELY far happier and even visibly cheers up, and king’s like “WOAH you look awfully refreshed” and saitama’s like “yeah dude my head’s suddenly clear” and if that isn’t love then i don’t know what is.

Of course kuseno cares if genos almost dies, but the thing is, kuseno seems to be just as bent on finding that cyborg as genos is. I feel like... though kuseno still cares for genos PERIOD, he seems to be pretty iffy on the fact that genos has been given more realistic goals to shoot for by saitama and even comments "you're seriously trying to aim for be s rank 1? is that what your master told you to do? what happened to getting vengence against the mad cyborg? where's your passion for that?" and genos is just. shocked and doesn't even reply for a moment and he's like "uh.. i mean.. OF COURSE i still want vengence but i gotta do what sensei wants.." etcBut I do think kuseno notes that this is for the better anyways, iffy feelings or not, because at least genos isn't basiclaly dragging himself in every single week and in tatters, because hell, while genos is strong even when saitama and him first met what was his solution to battles he couldn't win, and even sometimes now? use my core, self destruct, im not worthy of defeating the borg if im losing to this, time to end it, sorry dr kuseno, family, master etc Now Saitama steps in, and I was just REMINDED OF THIS SCENE IN PARTICULAR but like the arc where saitama knocks out genos in the middle of him and sonic’s fight? He was concerned for genos and as someone who rarely expresses concern or care for others, don't you think it's very telling that he stepped in on his own volition to make sure genos didn't get hurt to beat sonic's ass?even sonic comments "are you trying to protect him?" and saitama's like "yeah, of course" and he's clearly getting serious because he doesn't want genos hurt. hell, he even basically ghosted fubuki the moment he saw genos and sonic fighting! saitama really does worry a lot for genos and some of the things he worries about are really concerning.. but this isn't the first time he's been pretty scared for genos. remember the deep sea king fight? he was afraid genos bit the dust there for a it and even visibly relaxes when he finds out genos is okay and he says "Don't ever scare me like that again!" As for the saitama part of things, it's not hard to see the difference of before genos vs after genos. Genos brought color to his world and gave him company, and it's what he claims he never wanted but it's clear how much it helped him. I feel like if it weren't for genos, saitama would be just as shelled up if not more than he used to be -- he didn't really have much of anything to do and it's obvious he was starting to get bored of... life, to put it lightly. But when genos basically asserts himself into his life? he starts to feel again. he's not moping all the time, he has somebody to talk to instead of harmfully isolating himself. he's the kind of guy who was alone with his thoughts for too long -- we get glimpses of it every now and them, but we can clearly tell that he's got a lot of sad emotional baggage. it all stems from being too strong, ofc. but, still, he is DEEPLY troubled by it and life basically lost all meaning for him. any farther and i feel like he would've legitimately felt like existing was useless, though with a body like his i highly doubt he could take... action. And the longer he's alone with his thoughts, the worse he gets, and he just becomes so... mopey. forgive me if i sound repetitive, but like!! genos comes in, and all of that is GONE within a few days. He must've spilled about how lonely he felt to genos at some point before he started getting closer to him -- based on the canon info where saitama actually got genos to cry uncontrollably when he told him how lonely he felt which had to have been some serious shit because. genos does NOT cry. with someone else to keep him away from his thoughts, he started to lighten up. at the beginning of the series it's safe to say he was pretty damn standoffish -- but now? now he's actually attempting to socialize with other people, he actually hangs out with more people whether he wants to admit it or not. He's become a bit softer (not much) to those he doesn't know, and DEFINITELY more expressive -- ESPECIALLY AROUND genos. he's become more thoughtful -- he doesn't mope about his powers much anymore, he does anything and everything with genos because he can talk about it and lose himself in the moment. At least, that's what i like to think. and all around... he's found a new passion for life. the dude isn't just wandering around aimlessly now, he's hanging out with genos and he's living to protect the citizens and genos after he moved in. Yeah, he's always gonna have a strong moral compass and save people, but the joy and the meaning of such actions fall to black and white until genos shows up again. now he's got a reason to keep fighting. he has a reason to get out of bed and feel like his strength means something -- because he can use it to protect others and protect genos even if nobody but genos is thankful of it. As much as he detests the attention he gets from Genos -- think about it, don't you think it helps to have someone think you're not totally useless? That your work does mean something to at least one person even if the world basically gives you the finger? Because I don't think saitama realizes it, but Genos is the one thing keeping him going in the hero job. I honestly think he would have quit when everyone chanted at him to give it up after destroying that meteor if it wasn't for genos -- he saved everyone's lives, and genos was the only one to see it. genos is the one that gets him to calm down and realize that if they don't care, that doesn't matter -- he'd always be there for saitama And anyways, the gist of all this goes back to my first point -- it's amazing that they have each other now, because imagine all the development and all the ways they've been improving just never existing. Without Saitama, genos would still be the same wreckless kid trying to throw himself without thought into wreckless battles. Saitama has helped him heed himself on that, and to relax and stop taking everything so seriously. Genos still takes some things too literally., like the 10-20 word limit when talking to saitama, but I feel like half the time, Saitama couldn't really care less. Without Genos, Saitama would be the same old sad sack of hero he used to be, holed up and his depression worsening because he hardly ever leaves the apartment but for what? Sales? Manga? Sometimes Monsters if he happens to run into them? He doesn't do much of anything and it took a heavy toll on his mental health, but now Genos is there to get him out, to possibly even comfort him or just support him if he needs it. He gets Saitama out of the house, involved ina lot of other activities, and when Genos isn't around, Saitama... doesn't fare too well at all. //COUGHS LOUDLY@ THE MANGA REFERENCED EARLIER (( and personally, despite saitama coming off as almost always :^| i feel like the poor guy really really overthinks things. you may think there's nothing going on in there, but his thoughts really are dangerous for him to be alone with )) Romance or not, there’s no denying this. Like, I DARE anyone to try to say they would be good w/o each other -- I feel like so much of the fandom takes this kinda.. not seriously? It’s not really meant as a dig or anything, but a lot of ppl take what they have for granted..

Saitama just wants to be carefree and he’s still very much lax, and even though he knows he’s a shitty teacher, I think that he does a great job of teaching genos that there’s more to life than REVENGE, SELF DESTRUCTION, and FIGHTING. He teaches him to enjoy the little things in life, and Genos rejuvenates his passion for heroism. I feel like Genos wants to be strong physically and that’s why he so heavily admires Saitama, too, but that’s a bit off topic. It’s something Saitama’s been missing for a long time, and something Genos never had -- he just wants Genos to feel as human as possible, and I feel like he tries all too hard to get Saitama to open up as well. Genos may not be the best at therapy or whatever, but seeing as he’s the person Saitama is closest to, he definitely does want Saitama to feel like he’s never alone and I just. Cannot stress how IMPORTANT THIS IS. Saitama’s got a history of bottling everything up and avoiding confrontation, But Genos? The cyborg wears his heart on his SLEEVE, even if he probably wouldn’t view it that way himself. Thanks to him, Saitama can be himself. He doesn’t have to hide away what he really acts like -- not that he cared much for it anyways -- but around genos he can be.. childish. He can be difficult. He can be whatever he wants, and no matter what, Genos will be there to support him. And I really, really admire that. ONE & Murata did them the best justice i’ve ever seenwith a relationship like theirs. And if there was ever anyone to get romantic with for them -- not even as a shipper, but from a story pov -- saigenos makes so much more sense. They bring out the BEST in each other, and they live together, and... well,, THIS post sums up all my feelings on the matter.

Genos wants to help Saitama in whatever way he can. Saitama wants to make sure Genos lives out his life like any normal person would. You get the gist?

sO. IN CONCLUSION, Saitama and genos may not realize it.... but they definitely need each other. Them meeting was for the best of both of their lives -- and without each other there's no way in HELL they'd be doing as good as they are now.

#OKAY RANT OVER #I KNOW IT'S A JUMBLED MESS BUT HNNNNNNN #⌠jonesy speaks⌡#okay to reblog #⌠character study; jonesy rambles⌡

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trainedhard · 5 years ago

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[ CHARACTER STUDY; SAITAMA & GENOS ]

THE FOLLOWING ANALYSIS CAN GO EITHER PLATONICALLY VIEWED OR ROMANTICALLY FOR THE DUO. i don’t care how you interpret it. go nuts! just know this is long as fuck. This is reposted with some edits from my archived blog.

saitama’s been able to be more expressive since he’s constantly with genos, and he doesn’t feel as empty because he feels like he has a reason to live now. it’s clear that when they’re apart saitama worries endlessly for genos (and once worries that something horrific would happen to genos if he were by himself) but without genos around he immediately goes back to his old, lonely ways and feels so unbearably sad and lonely that even king’s like “shit man. u ok”. and guess what? the moment he sees genos is safe and not dead or hanging on by a string, he’s IMMEDIATELY far happier and even visibly cheers up, and king’s like “WOAH you look awfully refreshed” and saitama’s like “yeah dude my head’s suddenly clear”; of course, this is also because he got to release a bit of pent up rage, but considering how worried he was for genos.. i think that smile goes for the cyborg as well.

Of course kuseno cares if genos almost dies, but the thing is, kuseno seems to be just as bent on finding that cyborg as genos is for his sake. He’s surprised by the fact that genos has been given more realistic goals to shoot for by saitama and even comments “you’re trying to aim for be s rank 1? is that what your master told you to do? what happened to getting vengence against the mad cyborg? where’s your passion for that?” and genos is just. shocked and doesn’t even reply for a moment and he’s like “uh.. i mean.. OF COURSE i still want vengence but i gotta do what sensei wants..” etc. But I do think kuseno notes that this is for the better anyways, because at least genos isn’t basically dragging himself in every single week and in tatters. while genos is strong; even considering when saitama and him first met what was his solution to battles he couldn’t win, he’d default to saying use my core, self destruct, im not worthy of defeating the borg if im losing to this, time to end it, sorry dr kuseno, family, master etc. Now Saitama steps in, and I was just REMINDED OF THIS SCENE IN PARTICULAR but like the arc where saitama knocks out genos in the middle of him and sonic’s fight? He was concerned for genos and as someone who rarely expresses concern or care for others, don’t you think it’s very telling that he stepped in on his own volition to make sure genos didn’t get hurt to beat sonic’s ass? even sonic comments “are you trying to protect him?” and saitama’s like “yeah, of course” and he’s clearly getting serious because he doesn’t want genos hurt.

he even basically ghosted fubuki the moment he saw genos and sonic fighting! saitama really does worry a lot for genos and some of the things he worries about are really concerning.. but this isn’t the first time he’s been pretty scared for genos. remember the deep sea king fight? he was afraid genos bit the dust there for a it and even visibly relaxes when he finds out genos is okay and he says “Don’t ever scare me like that again!” As for the saitama part of things, it’s not hard to see the difference of before genos vs after genos. Genos brought color to his world and gave him company, and it’s what he claims he never wanted but it’s clear how much it helped him. I feel like if it weren’t for genos, saitama would be just as shelled up if not more than he used to be – he didn’t really have much of anything to do and it’s obvious he was starting to get bored of… life, to put it lightly. But when genos basically asserts himself into his life?

he starts to feel again. he’s not moping all the time (unless genos is away for a long period of time), he has somebody to talk to instead of harmfully isolating himself. he’s the kind of guy who was alone with his thoughts for too long – we get glimpses of it every now and them, but we can clearly tell that he’s got a lot of sad emotional baggage. it all stems from being too strong, ofc. but, still, he is DEEPLY troubled by it and life basically lost all meaning for him. any farther and i feel like he would’ve legitimately felt like existing was useless, though with a body like his i highly doubt he could take… action. And the longer he’s alone with his thoughts, the worse he gets, and he just becomes so… mopey. forgive me if i sound repetitive, but like!! genos comes in, and all of that is GONE within a few days. He must’ve spilled about how lonely he felt to genos at some point before he started getting closer to him – based on the canon info where saitama actually got genos to cry uncontrollably when he told him how lonely he felt which had to have been some serious shit. Granted, Genos IS softer and more emotional for those he cares about, but.. still. with someone else to keep him away from his thoughts, he started to lighten up. at the beginning of the series it’s safe to say he was pretty damn standoffish – but now? now he’s actually attempting to socialize with other people, he actually hangs out with more people whether he wants to admit it or not. He’s become a bit softer (not much) to those he doesn’t know, and DEFINITELY more expressive – ESPECIALLY AROUND genos. he’s become more thoughtful – he doesn’t mope about his powers much anymore, he does anything and everything with genos because he can talk about it and lose himself in the moment. At least, that’s what i like to think. and all around… he’s found a new passion for life. the dude isn’t just wandering around aimlessly and being mega depressed now, he’s hanging out with genos and he’s living to protect the citizens and genos after he moved in. Yeah, he’s always gonna have a strong moral compass and save people, but the joy and the meaning of such actions fall to black and white until genos shows up again. now he’s got a reason to keep fighting. he has a reason to get out of bed and feel like his strength means something – because he can use it to protect others and protect genos even if nobody but genos is thankful of it. As much as he detests the attention he gets from Genos – think about it, don’t you think it helps to have someone think you’re not totally useless? That your work does mean something to at least one person even if the world basically gives you the bird? Because I don’t think saitama realizes it, but Genos is the one thing keeping him going in the hero job. I honestly think he would have quit when everyone chanted at him to give it up after destroying that meteor if it wasn’t for genos – he saved everyone’s lives, and genos was the only one to see it. genos is the one that gets him to calm down and realize that if they don’t care, that doesn’t matter – he’d always be there for saitama And anyways, the gist of all this goes back to my first point – it’s amazing that they have each other now, because imagine all the development and all the ways they’ve been improving just never existing!

Without Saitama, genos would still be the same wreckless dude trying to throw himself without thought into intense battles. Saitama has helped him heed himself on that, and to relax and stop taking everything so seriously. Without Genos, Saitama would be the same old sad sack of hero he used to be, holed up and his depression worsening because he hardly ever leaves the apartment but for what? Sales? Manga? Sometimes Monsters if he happens to run into them? He doesn’t do much of anything and it took a heavy toll on his mental health, but now Genos is there to get him out, to possibly even comfort him or just support him if he needs it. He gets Saitama out of the house, involved ina lot of other activities, and when Genos isn’t around, Saitama… doesn’t fare too well at all. //COUGHS LOUDLY@ THE MANGA REFERENCED EARLIER

( and personally, despite saitama coming off as almost always :^| i feel like the poor guy really really overthinks things. you may think there’s nothing going on in there, but his thoughts really are dangerous for him to be alone with )

It’s something Saitama’s been missing for a long time, and something Genos never had – he just wants Genos to feel as human as possible, and I feel like he tries all too hard to get Saitama to open up as well. Genos may not be the best at therapy or whatever, but seeing as he’s the person Saitama is closest to, he definitely does want Saitama to feel like he’s never alone and I just. Cannot stress how IMPORTANT THIS IS. Saitama’s got a history of bottling everything up and avoiding confrontation, But Genos? The cyborg wears his heart on his SLEEVE, even if he probably wouldn’t view it that way himself. Thanks to him, Saitama can be himself. He doesn’t have to hide away what he really acts like – not that he cared much for how he comes off to others anyways – but around genos he can be.. childish. He can be comfortable. He can be difficult. He can be whatever he wants, and no matter what, Genos will be there to support him. And I really, really admire that. ONE & Murata did them the best justice i’ve ever seen with a relationship like theirs. Genos wants to help Saitama in whatever way he can. Saitama wants to make sure Genos lives out his life like any normal person would. Genos knows how to live again, and Saitama has a reason to live.

sO. IN CONCLUSION, Saitama and genos may not realize it…. but they definitely need each other. Them meeting was for the best of both of their lives – and without each other there’s no way in HELL they’d be doing as good as they are now.

#⌠character study; jonesy rambles⌡#this is just a repost from my archived blog but #it's fixed up a bit #please do not rb #likes are okay though #i'll compile edits and more content to this over time

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cinnbar-bun · 6 years ago

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Mystic Messenger: Chess AU

So guys, here’s the AU I’ve been working on for a while! I had some sketches for it and wanted to write some stories with it, and I hope you guys are interested enough in it to want me to continue with it!

And just real quick, if you are interested in this au and want to use it for inspiration for some of your works, could you please message me or give me credit on your work? I’d really like to see some of them!!

Warning: Contains spoilers regarding the characters!!!

“In this world, not everything is as black and white as it seems.”

In a land of magic and secrets, two kingdoms struggle with the rift their own mistakes had caused. Brother turned against brother, and the divide has only worsened as time went on. The breaking point was the introduction of a new player, one who’s very identity could ruin or reform the kingdoms.

The White Kingdom

The King- Jumin Han

A man of calculated and stoic appearance. His very presence sends those near him in awe, and his voice commands respect. Although seemingly cold and detached, he keeps his kingdom’s best interests at heart and does what he must to improve their lifestyle. Guided by the kindness of his queen, he has learned how being a leader and king takes much more than riches and power. So long as he is breathing, he will stop at nothing to reach his goals, all with his friends by his side. Contrary to the previous king, Jumin was difficult to marry off, and because of that, many rumors had circulated concerning his sexuality. Of course, he denied every single one and explained how he simply didn’t care about entering a relationship right now. It all changed once he had met the queen.

The Queen- MC

A woman of many secrets and mysteries. No one knows how she wound up in the kingdom, how she met the king, and where she is from. Some claim to have never even seen her face, or heard her real name. Her identity is something few truly know, but despite her rather strange appearance, she had quickly gained the affection of her subjects. They might not be able to see her, but they can feel her. Her love and kindness can be felt throughout the land, and many will say that the day she arrived, the kingdom had never looked prettier. Her devout followers would call her an angel, but she merely giggles and claims she is just doing her best.

The Bishop- 707

A man of many mysteries and a trivial past, he has become a devout follower of God to help those in need. His eccentricities might fool others to believing he doesn’t take his job seriously, but he ignores that in exchange for working in the shadows. He used to work for the Black Kingdom, but left to sort out his own feelings. Now, after having met the Queen, has been devoted to keeping her safe. He dreams of another life in which she could be his, but due to many unfortunate circumstances, he sticks with simply having her company. He isn’t above doing the ‘dirty work’ if it means his Queen is safe. He is the first to protect her, and is usually seen by her side telling her of anything that might be of concern.

The Bishop- Jaehee Kang

A rather quiet and hardworking woman, who despite being a religious figure, has sometimes been known to help the King. The King, while seemingly uncaring for her, trusts her immensely to help, and she always gives her best effort. She does have plenty of admiration for one of the Knights, Zen, and when not working, usually stops by and watches him train or helps him with anything he may need. While at first suspicious of the Queen, she has since become great friends with her and the two hang out for tea and coffee whenever they can. She confides in her Queen whenever she can, and appreciates her for encouraging her to achieve her dreams. Doesn’t like conflict and is quick to end disputes.

The Knight- Zen

A passionate and outgoing knight who takes pride in protecting his kingdom. He tends to joke about saving ‘damsels-in-distress’, and many females adore him for his looks. Although he can be considered narcissistic, he hates when people only see his face, not the hard work he contributes. Even though he gets on the ire of the King, both have some begrudging respect for one another. His love for the Queen is what fuels his desire to be better, and he takes his job as protecting her seriously. Zen occasionally forgets himself and gushes about how wonderful she is, and has tried to make songs to showcase his passion for her. Even though he has absolutely no chance with her, he still dreams of one day finding a lover who’ll appreciate him for him, and who he can spend the rest of his life with. He tends to be more brotherly with his fellow knight, Yoosung, and the two tend to spend time with one another, wallowing about how forever alone they’ll be. If he’s not working, he is most likely to be found get drunk at a pub or playing cards with some other knights.

The Knight- Yoosung Kim

A fresh recruit to the order of knights, admittedly, many don’t know how he got in. Some say the King promised the young knight a chance, but whatever the reason is, many can’t see it. He is prone to get emotional and lonely, and while he appears sunny on the outside, holds a lot of trauma internally. Originally born into the Black Kingdom, he grew up with a loving family and his biggest motivator to become a knight was his cousin Rika. After she committed suicide when she was supposed to become Queen, he cursed the Black King and left to the White Kingdom, where he could start fresh. He may seem childish, but when matters turn dark, he is the first to sacrifice himself and help whoever. Animals seem to flock to him as well, and he says they’re a lot easier to understand than people. He is one the dirtiest knights to bunk with, but Zen manages to stand him. He has grown close to the White Queen and likes to chat with her about anything-leaving many of the servants to compare him to an excited puppy. He has much to learn, but with his kind heart, he is sure to become an excellent knight.

The Black Kingdom

The King- V

A rather quiet man who grew up as childhood friends with the White King. He seemed to be promising, and many looked up to him to help them. The stress of being king didn’t deter him until he met Rika. The couple was to be engaged and married soon, but during that time many things changed about him. His sight had grown increasingly worse and his betrothed had become more unstable. Combined with the lack of trust between him and Jumin, a small rift formed. No longer was he the bright monarch his people could count on, but he submitted to the Black Queen and became a hallow shell of his former self. The sins he had committed will forever haunt him, as he tries to salvage whatever bit of humanity was left in himself and his queen. The supposed “suicide” of his queen only made him even more of a puppet to her schemes, and he prays for a day in which things could return to normal.

The Queen-Rika

A once caring woman who became corrupted by the image she had to uphold. Hated from birth, she grew attached to V and wanted him to save her. She did her best to try and stay sane by helping others, but they had grown so dependent on her as they called her their ‘savior’. With no way to find an outlet, she began taking her pain out on V, the one thing that mattered in her life. She needed to be needed and devised a plan with V to stage her suicide. After her ‘death’ she grew a cult following behind the scenes to recruit more followers. She is the puppet-master, running both the cult and the kingdom with her iron fist. Her soft voice and words can lull anyone to her beck and call, as she tries to overtake the land to become the savior everyone wanted her to be. Her original goals and morals lost, she has abandoned rational thought in exchange for complete devotion to her and her ideals. There is absolutely NOTHING that will stop her from getting her way.

The Pawn- Unknown

The Queen’s most prized player. Mistakenly thinking he was abandoned by his brother, he was quick to fall into Rika’s divisive hands. Abused and reduced to nothing more than her personal pawn, he forgot who he truly was. His emotions numbed by the elixirs, he cannot remember much of himself except the name, ‘Saeyoung’, and a constant feeling of misery and pain. He carries out all her duties and takes his aggression out on supposed traitors. Unknown has difficulty understanding his own self and the world around him, instead longing for a place called ‘paradise’. He has no clue of what it will look like, but he has a feeling that if he kidnaps the White Queen, she’ll be the answer to what he’s looking for.

Unknown Pieces

Killer Queen

Her appearance is similar to that of the White Queen, although that’s where the similarities end. She is a conniving and selfish woman, who craves whatever her hearts desire is at the time. Nothing can stand in between her and her beloved, and she’ll make sure they feel absolute hell. She is an anomaly, a figure who had no previous background or history. As the White Queen becomes more brilliant, the Killer Queen becomes more repulsive and destructive. If the two halves were to meet...it is unknown what would happen, but the very fabric of the universe could possibly tear in two.

#mystic messenger #mm au #mm #mystic messenger au #jumin han #jaehee kang #zen #707 #luciel choi #saeran #unknown #chess #chess au #au idea #au #yoosung kim #long post

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gffa · 6 years ago

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I’ve quoted a lot from this book, it’s one I think is really worth reading as it has a lot of overviews of Star Wars through the lens of psychology and this interpretation of Anakin is one I thought was really interesting, as someone driven by fear rather than by evil. That it doesn’t excuse that his actions are evil, nor excuse that he could have applied the mindfulness teachings he was given and didn’t, but that he’s far more complicated in what actually drives him, all that scared little boy that he could never move past, not with Sidious there sabotaging every step of the way. Anakin is still responsible for Anakin’s choices, but it’s so, so much more complicated than that!

The most common answer to my question is, “Darth Vader is evil and the Jedi are good.” But I argue the point that Darth Vader really isn’t evil. His actions are clearly bad and should be characterized as evil, but those actions are motivated by something else. He is driven by a magnified emotion we all experience to one degree or another. Darth Vader is motivated by anxiety. Therefore, the correct answer to my question about the difference between the Jedi and Vader is where they place their sense of control. Vader attempts to control everything external to him, whereas the Jedi strive to demonstrate self-control and allow for free will.

and

More failures ensue, and Anakin focuses on them, building further on his increasing lack of control. Instead of looking inward, focusing on his emotions, and being mindful of the moment and his purpose, he externalizes and emotionally reacts with little thought to his underlying fears and anxiety. Over and over he runs into variables he cannot control, and this plants more seeds of anxiety, doubt, and fear.

Anxiety Disorder’s Need for Imperial Control: Was Darth Vader Evil or Scared? Frank Gaskill

“Father-son myths attracted huge audiences in the 1970s and ’80s. Men feared being like their fathers, but they wanted desperately to bond with them even if they could never really please them enough to feel anointed.” —psychiatrist Frank Pittman “Join me and we can end this destructive conflict….” —Darth Vader to his son Luke

Viewing Star Wars for the first time was and is for many people a life-changing experience. Princess Leia’s ship comes into view with Tatooine in the distance as Darth Vader’s Star Destroyer closes in. This opening sequence is the iconic memory from Lucas’s classic film that we all share. Despite the power of the opening scene, the image that held me captive as an eight-year-old seeing Star Wars for the first time was the moment when Darth Vader steps through the smoking air lock his troopers blasted open. With his black cape flowing about him, Vader stands to survey the damage in the smoke-filled corridor. Without a word, his mere presence bleeds ultimate power and fear. The only sound we hear is his slow, deep breathing. I knew I liked Vader. Throughout the next 40+ years of viewing the Star Wars films, I knew Vader was similar to me, but I was unclear initially how that could be. He didn’t feel like a villain to be feared and at times seemed almost aspirational in his goal of galactic stability and peace. As the films progressed, he became more and more human. As a little boy, I couldn’t understand what I was sensing about Vader. As my dad and I left the theater that night in May 1977, he held my hand. Squeezing it, he looked down at me and said, “You know, that Darth Vader was pretty cool.” I looked into his eyes and agreed. Vader was cool. The 54 Darth Vader toys and figures inhabiting my office are a testament to that coolness. But how could a murdering, planet-destroying, princess-torturing (his daughter, I might add) machine of a man be cool? Cool is probably not the right word, but more important, I don’t believe Darth Vader was evil. Darth Vader wasn’t a bad guy. He was just very scared.

This Present Unconscious Menace Living under Imperial rule has to be stressful. Freedoms are being undermined, the Senate is dissolved, the existential threat of the Death Star is unleashed, and the knowledge that all the Jedi have been killed or expelled offers little to no hope. The tiny rebellion has little chance against the Imperial Starfleet or the regional governors who hold planets captive on the basis of fear. Other threats are ever present from the Hutts, bounty hunters, slavery, and bribery. Stress is omnipresent under the Empire. As Ben Kenobi tells Luke, there had been a sense of safety and hope when the Jedi were considered “the guardians of peace and justice in the Old Republic, before the dark times … before the Empire.” In the present day, we may not be living under an empire, but we could be living under another, more sinister menace that is walking among us every day. In my private practice as a psychologist, I see a lot of scared kids and parents. More accurately, I serve the needs of a lot of anxious people. As a society, we are working harder in our jobs now than at any other time in history. Levels of anxiety are the highest ever reported. Individuals are reporting 40 percent more stress, worry, and panic now than they did in the 1950s. With parents under such intensive pressure and stress, the lives of children are similarly under mounting pressure. Living in such conditions on an ongoing basis raises levels of anxiety to pathological levels. Our innate fight-flight-freeze responses tend to engage in situations in which these responses are not needed. When we lived in caves and jungles, fight-or-flight responses served us well and kept us alive. However, exaggerated or uncontrolled responses to anxiety can have dire consequences in those who have limited awareness of how fear can affect them personally in regard to anger outbursts and rash decision-making. In Star Wars, the Sith are well versed in anger as this emotion is what they use to channel the Force. A deeper human emotion fuels the anger of the Sith. Emotions need to be addressed because without such attention, the dark side awaits. Cognitive behavioral therapy (CBT) is an approach to psychological treatment that alters thinking patterns and/or behaviors that cause problems in people’s lives. CBT is used in an attempt to reduce anxiety-based negative thoughts and behaviors that interfere with successful living. CBT is the state-of-the-art tool for anxiety reduction. Anxiety can be paralyzing. It can make you feel that you are under an existential threat, but CBT can help. Before beginning CBT sessions, my most frequently used tool is an introduction to the true nature of Darth Vader. As he is one of the best-known characters in cinematic history, the majority of my clients, even little five-year-olds, have a good understanding of his story. My first session with anxious and fearful kids begins with a foundational question: “There is only one difference between the Jedi and Darth Vader. What is it?” The most common answer to my question is, “Darth Vader is evil and the Jedi are good.” But I argue the point that Darth Vader really isn’t evil. His actions are clearly bad and should be characterized as evil, but those actions are motivated by something else. He is driven by a magnified emotion we all experience to one degree or another. Darth Vader is motivated by anxiety. Therefore, the correct answer to my question about the difference between the Jedi and Vader is where they place their sense of control. Vader attempts to control everything external to him, whereas the Jedi strive to demonstrate self-control and allow for free will. Darth Vader wants peace and justice throughout the galaxy. He aspires to an admirable goal for sure. Vader so much desires and believes in a peaceful galactic future that he implores his son to join him on his quest and to destroy the Emperor. Vader actually wants the same goal as the Jedi, but he pursues that goal in a manner that leads him down a frustrating, failure-ridden, and dark path. Vader’s Childhood: Tell Me About Your Mother … Experiencing so many early life stressors must be very hard on young Anakin. His time on Tatooine probably reinforces within him a deep-seated sense that he is controlled by life circumstances. His ultimate unconscious conclusion could be that he has little control over his own destiny, and this may reinforce his desire to seek control of his own destiny. Control of future events drives him. In its response to being controlled by so many factors, Anakin’s nature is to attempt to control as much as possible, even things far outside his ability to control. When under stress, people tend to seek ways of gaining control, sometimes even using magical thinking. Before he leaves his mother to train as a Jedi, we get a clear glimpse into Anakin’s heart as he says, “I will come back and free you … I promise.” Although the sentiment is beautiful, we are able to see the pressure this 10-year-old child places on himself. No child should feel that he is responsible for saving his parent. Perfectionism has been described as a kind of neurosis that pushes someone to achieve severe and exacting goals. A subtype of perfectionism in children has been identified as “pervasive perfectionism.” Such individuals are very well organized and tend to set incredibly high personal standards. However, these individuals often react strongly and very negatively to mistakes in a way that results in anger outbursts or meltdowns. Pervasively perfectionistic children tend to have parents who have high expectations of them or are often very critical (think about the Emperor as Anakin’s father figure with unreasonably high expectations). Having such a perfectionist manner of thinking leaves a person with unavoidable failure as nobody can be perfect, not even one who expected to bring balance to the Force. Having repeated experiences of failure plus never feeling a sense of perfect completion can leave one feeling defeated, shameful, and guilty. Individuals who tend toward perfection often develop a dichotomous way of thinking that is very moralistic. Anakin, as he turns to the dark side, surmises his dichotomous manner of thinking by stating, “If you’re not with me, then you are my enemy.” Obi-Wan responds to the Sith way of thinking by stating, “Only a Sith deals in absolutes.” The Story of Anxiety and Fear in Vader’s Life Anxiety is a powerful force, one required for survival. Anxiety is a more modern term for a base emotion we know as fear. Fear affects all the parts of our brains but especially the limbic system and a little area called the amygdala. When researchers electrically stimulate the amygdala, individuals can immediately experience a fear response and demonstrate all the symptoms of fear, including sweating and a rapid heart rate. Human beings need this fear response especially when living in caves with lions, tigers, and bears as their adversaries. With the fear response, heart rate goes up, breathing quickens, and blood flow moves to the extremities, placing us in a ready state to fight or run. This state is often called fight or flight. In the physical body’s effort to survive, it will attempt to control the external environment in any way possible even if that requires jumping out of the way of a car, fighting off a perceived attack, or jumping onto a robot that hovers over lava. In an increasingly stress-filled world, people’s bodies often invoke the fight-or-flight response as the biological self perceives an existential threat despite the absence of such a threat. Examples of this can include public speaking and taking a test, which for some people can result in sheer panic. An underlying propensity for anxiety or a perfectionistic style can fuel the fight-or-flight response and makes us believe in the little “brain lies” that can cause us to think we must control variables that are far beyond our control. Stressed brains seek control over stressors, real or imagined. Fear and the need to control external events repeatedly arise in Anakin’s personality. He fears for his mother and feels the need to return to Tatooine to free her. He also fears the loss and potential death of Padmé, the woman he loves, after a blaster hit causes her to fall from a Republic gunship during the chase for Count Dooku. Ben Kenobi embarrassingly challenges and reprimands Anakin so that his Padawan will remain focused on the mission. Anger and frustration are clearly evident in Anakin’s face. His heart is with Padmé and cannot be in two places at once. In this moment, he loses sight of the mission because of his fear for Padmé’s safety. A true Jedi would release his fear and not allow emotions to cloud his judgment. A similar display manifests during the Jedi rescue mission against General Grievous’s ship. As Ben and Anakin are trying to rescue the Chancellor, Anakin wants to break off the attack to help save the clone pilots who were being slaughtered behind him. At every turn, Anakin demonstrates his core of fear and unreasonable goal setting. He repeatedly experiences the pull to save others to prevent bad things from happening. Ultimately, the variables that he strives to control grow into the most unreasonable and unattainable goal of all: the establishment of peace and order throughout the galaxy. As Anakin attempts to control seen, unforeseen, and imagined tragic life and galactic events, he experiences failure time and time again. Anakin fits the model of the “pervasive perfectionist.” He increasingly responds with anger and ultimately rage. He perceives himself as having failed his mother by not saving her from the Sand People. Imagine the personal sense of failure when she dies in his arms. His response to this perceived self-imposed failure is to react with rage in an attempt to seek moralistic justice by killing an entire village of Sand People, including women and children. More failures ensue, and Anakin focuses on them, building further on his increasing lack of control. Instead of looking inward, focusing on his emotions, and being mindful of the moment and his purpose, he externalizes and emotionally reacts with little thought to his underlying fears and anxiety. Over and over he runs into variables he cannot control, and this plants more seeds of anxiety, doubt, and fear. Hope of Redemption I grew up in an abusive household where I would be physically attacked for even minor infractions. For a child struggling to see the best in people, finding coping mechanisms in the midst of this upbringing was incredibly difficult. Seeing Return of the Jedi seems to be the only thing that got me through my childhood. Star Wars became a coping mechanism and gave me hope that things could be better. The familial relationship between Luke and Vader is the most tortured I could imagine, but Luke never gave up hope that there was good within his father. The moment Vader comes back to the light and saves his son was always a teary-eyed catharsis for me. If Vader could come back from such ugliness, maybe my dad could, too. It took me years to decode why Return of the Jedi was my favorite part of the saga, but once I connected the dots, it made sense. I just wish I would have had someone there to point it out to me sooner. That’s why I tell this story often, to show that Star Wars helps. And for the little boy I used to be, it was the only help I had. The culmination of his anger that is based on fear and doubt is a physical assault against his wife. As Anakin’s fear increases, his anxiety escalates, resulting in an intensification of his desire for external control. This never-ending cycle is what leads him down the path to the dark side. Vader on the Psychoanalytic Couch Our emotions are complicated. Sometimes we don’t even have the words to express accurately the way we are feeling. This lack of emotional language can be very hard for kids, particularly for boys. An example of confusing emotions would be when someone is both angry and sad. It would be hard to come up with words to explain the emotion other than “sangry.” Even adults can emotionally revert to this childlike feeling. The best visual of such an emotion is when Luke responds to the knowledge that Darth Vader is truly his father. We see and hear shock, anger, sadness, and fear all at once expressed in Luke’s face and his tortured scream. One model of understanding complicated and even competing emotions is to think about our emotions in four boxes: (1) mad, (2) sad, (3) worry, and (4) happy. When mad, we are typically being blocked by something that has been placed in our way. Anakin is mad that he is refused permission to sit on the Jedi Council. The Jedi have blocked his way. But worry is why Anakin ultimately becomes Darth Vader. Worry is seated in a person’s desire to control the unknown. People are unable to control the past or the future, but those who remain firmly rooted in the present can manage their circumstances more effectively. Yoda and many other Jedi stay rooted in the present. Yoda once tells Luke, “Difficult to see. Always in motion the future.” I like to rewrite the quote as “Difficult to see. Always emotion the future.” Darth Vader’s emotions cloud his judgment, and this focuses his mind and heart on the future and the past, not on the present. Anakin was not mindful of the present as Sidious gained greater control over him through lies and deceit. If Anakin had been more aware of his complicated emotions and the way fear ruled his life, he might have become more aware of the dire circumstances that held him within the grip of the dark side. Being mindful of the present may have resulted in the destruction of Sidious rather than the destruction of Vader’s own life by his own turning to the dark side. With You Always Star Wars is just a movie series, not a real story, but we can still dream it all happened. Although the films have a nice, tidy ending as Anakin returns to the fold and dies in his son’s arms, we are left with a complicated picture of a little gifted boy who turned to the dark side. The character of Darth Vader has fascinated us and will continue to fascinate us for generations to come. It is all too easy to cast a blanket commentary on Darth Vader by calling him out as bad or even evil. We similarly can name the white-dressed princess as good and pure. Such simplistic and dichotomous thinking can cause us to miss the great emotional depth of the characters in Star Wars. These characters are complicated, real, and relevant to our lives. Good people can be bad. Bad people can be mean but also have great aspirations. Darth Vader does a lot of bad stuff because he is scared. And he’s really cool, too! Thanks, Dad.

#anakin skywalker #darth vader #psychology #star wars meta #meta

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