#so this is somewhere in the middle

[dr11ft]

I think I like you again, I can't see you as a friend

[thelien-art]

Lúthien Tinúviel

"-for Lúthien was the most beautiful of all the Children of Ilúvatar. Blue was her raiment as the unclouded heaven, but her eyes were grey as the starlit evening; her mantle was sewn with golden flowers, but her hair was dark as the shadows of twilight."

The Silmarillion - J.R.R. Tolkien

[hajihiko]

[emo-batboy]

Me: I hate fans that insist Gotham’s in New York when DC says it’s in New Jersey! Why won’t they just accept that?? It’s been canon for YEARS—

DC: Metropolis is in Delaware.

Me: Shut the entire fuck up.

[mulderscully]

I resisted. Because I knew the wisdom of the great laws. Because I knew pain and anxiety would be her only birth right.

[autistook]

ON THIS DAY, JULY 4th

Boromir sets out from Minas Tirith to Rivendell

'Therefore my brother, seeing how desperate was our need, was eager to heed the dream and seek for Imladris; but since the way was full of doubt and danger, I took the journey upon myself. Loth was my father to give me leave, and long have I wandered by roads forgotten, seeking the house of Elrond, of which many had heard, but few knew where it lay.'

[transxfiles]

i walk into the across the spider verse spider society lobby right as everyone starts trying to kill some teen. i walk past whatever weird chase scene shit is going on. i walk directly into the free gender clinic and talk to the spider physician about starting hrt.

[fisheito]

still thinking about those promo pics where they locked the tops and bottoms in separate rooms

[quartergremlin]

Do you by any chance have any more ideas or plans for the leosagi babies comic

Do we get to see leo explain to Sagi? Or announce to the fam? Or stuffs like that

Its genuinely my favorite comic if yours to go back and reread it is so well written

vbdjhvbsfdj thank you 🥺

not really, at least not for now! I have one more ask that i'll probably answer, but other than that there's not much there for me - at least until i flesh out what the future actually looks like.

"I'm so happy!" "me too!"

I wanted to focus on a different turtle for each stage of development to avoid reiterating the same things over again - mikey (pre-baby) > leo (baby) > raph (post-baby) > donnie (post-post baby, otherwise known as a child).

"Baby Angst Hammer"

[perfectlyripeclementine]

the sexual tension between the angel on my shoulder who wants to be patient and let them take their time teasing me and the devil who wants me to make pretty noises and moan their name and tell them i need them just to see how much of my desire they can handle before they cave and give me everything

[edorazzi]

It's Tintin Day again!!! ✨

A little delayed but hopefully worth the wait! Aro/ace Tintin vs slimy obsessive Sakharine my beloveds 💖

[randomminty]

Yippee

[paras-atashnak]

i think angela is just a rude and hateful person at heart and i’ve felt this the entire season and i held off on saying anything because i genuinely do think we need rude hateful cold malevolent (sans prejudice is very important) people on reality tv. so i don’t think there’s any valid reason to trash her and i didn’t want to do that. but people really do have a valid reason to not like her and her cast mates ESPECIALLY have reasons so a lot of the shock people have for negativity towards her feels, i don’t know, oblivious? to me. or something like that.

[caeslxys]

Something I think is extremely interesting thematically when it comes to connecting what Downfall and the ideas it tackled to the overarching narrative of campaign three is that the things Downfall made a point to showcase of Aeor—Cassida, Hallis, the visual of an aeormaton proposing to her partner, the specific and intentional decision to shed light on a far from insignificant amount of the population being civilians or refugees—is that it plays in perfect parallel across from what is happening (and, really, has been happening) to the ruidusborn on Exandria in present.

Bear with me for a moment. Aeor is ultimately a city that was collectively punished for the decisions of its leadership. We could (and, judging by the amount of discourse around this particular topic already, probably will) argue about what the Gods’ motivation for all of this was—whether it be that they could not, in the end, bear to kill their siblings or that they were terrified at the prospect of mortality—for me it is a very healthy dose of both—but for this I am much more interested in the latter. They were scared. That, really, is the driving force behind both this arc and their role in c3 as a whole.

Why I point this out is: It is far more interesting to me, especially as we go back to Bells Hells this week, to dissect the Gods and their decisions not purely on sympathetic motivation alone but as beings in the highest seat of power in the highest social class in Exandria.

So, having established that the Gods (in relation to mortals) are more a higher social class than anything we could compare to our real life understanding of divinity and that Aeor was eviscerated largely because of their fear—what is the difference between those innocents in Aeor caught in the trappings of their autocratic government leadership and a divine war on the ground, and those of the ruidusborn being manipulated both by Ludinus and by the very thing that inspired such visceral fear in the Gods to start with. I would argue very little.

I think of Cassida, doing what she genuinely thought was right and good and would save people, her son, and the object of her worship—and how that did not matter enough to any of them to spare her because of the fear they held at the very concept of mortality. I think of Liliana and Imogen, one of which we know begged for the gods to help her or send her a sign for years on years, and how every single one of their largest struggles could have been avoided had the gods loved them, their supposed children, as much as they feared what they could be. I think of how the thing that did save Imogen, in the end, was a woman who herself existed in direct defiance of the gods will. I think of that young boy, sixteen years old, that Laudna exalted on Ruidus.

I think it’s completely fair to judge Aeor’s overall society as deeply corrupt—it was!—but its leadership and police force are not a reflection of every one of its citizens. Similarly, it is fair to judge the Ruby Vanguard as corrupt—it is!—but its multiple heads of leadership and even the god-eater further are not a reflection of every one of its members.

Notably, and what I think the Hells will latch onto, this did not matter to the Gods. It did not matter that Cassida was trying to help. She was still too much of a risk. Will it matter, what Imogen does? Will it matter, if that young boy is in the blast radius when they decide to take no further chances?

I’ve seen a lot of people say that the Hells will side with the gods and I don’t think I agree. Especially as Imogen has been scolded and villainized over and over for daring to try and save her mother—who herself has been seen by some as an irredeemable evil in spite of her drive being the exact same—her family—but when it’s the Gods it’s justified? When it’s the Gods, it’s sympathetic? Too sympathetic to criticize further than “they’re family”?

I obviously do not think the Gods should die or be eaten or what have you, and I certainly don’t agree with Ludinus (though I find him much more compelling than just a variation of hubris wizard), but when talking about the Gods in Aeor and in present it isn’t really at all about their motivation or their family. It can’t be. Too many people, including our active protagonists, lives have been effected for it to be as cut and dry as “they’re family”. These are your children. They are your family, too.

[little-pup-pip]

I am a feminine adventurous middle. So no pacifier on my mood board. Let’s do a where’s Waldo moodboard with hiking explorations.

Here you go!!

[payasita]

engraved