#so they are less scared

[zerogravityinq]

It's okay to die for a bit. It will hurt less and you will be right back, I promise.

-- Things Harry has had to tell his children and husband and its no less terrifying each time they hear it.

[shushmal]

"Dude," Steve says, pressing on his eyes because he feels like he's about to cry. "What the fuck."

"What?" Dustin squeaks, alarmed. "What? Steve, you're freaking me out!"

"Good!" Because Steve just worked eighteen hours and it's past midnight and he got thrown up on twice and there was a bed pan incident and even though he showered at the hospital he probably smells awful and it rained and he lost his keys so he had to take the bus and he's sweaty and tired and wet and cold and Dustin's DnD friend is hot. "I can't believe you'd do this to me!" Okay, maybe Steve's feeling a little delirious.

"Do what??" Dustin is full on shrieking right now. His hot friend is standing in their apartment looking more and more worried and hot.

"You didn't tell me he was hot!"

The expressions that go across Dustin's face is impressive, before they stop and he settles on a flat glare. "Seriously??"

Hot guy is now blushing and Steve will collapse if he doesn't keep with the righteous fury.

"I've been TRYING to get you two to meet for months now!"

"You didn't tell me he was hot, though! Dustin!!"

"I don't know what guys are hot, Steve!" Dustin says indignantly. "I thought you didn't like nerds!"

"Dustin!"

"Um," says hot guy. He looks like he's panicking.

Dustin's face changes again. "Oh, no. Oh, no, you're right."

"All this time!" Steve says and he really is close to tears. "You've been nagging on me all this time to find my soulmate, and you had the perfect guy right here?? You had him in my home??? Dustin!"

"Whoa," whispers hot guy.

"I'm sorry," Dustin wails now, just as distraught. "You love nerds, all your favorite people are nerds, I don't know what I was thinking, oh my god!" He whirls on hot guy. "Eddie, give Steve your number right now!"

"Okay," says hot guy Eddie, immediately. His face is super red and his eyes are wide, and he looks scared out of his mind as he fumbles his pocket for his phone. "Yeah-Yep-Absolutely. This is a thing that's happening."

Steve, tears burning in his eyes, watches as Dustin punches his number into Eddie's phone. "Okay," he says a little nasally, wiping quickly at his face. "Okay, I'm going to shower and then sleep for two days, and then pretend like this never happened so I can look hot guy in the eye when he asks me on a date. Sound good?"

"Sounds great!" Dustin says, all cheery now. Behind him, still looking vaguely scared for his life, hot guy gives him a shaky thumbs up.

[starry-bi-sky]

I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt

“Woah. You look like shit."

Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.

The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.

"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."

And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.

The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.

If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.

"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.

"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.

"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.

The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.

He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."

There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.

"Daniel? Quit your games, badger, Gotham is dangerous for children."

Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"

"Daniel? Is that you?"

His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[tervaneula]

Ouugghhgjg them... Leo deserves some closure after the events of the second chapter of and just like that, and because my brain isn't letting me think in words (I'd wanted to write a drabble for this) I'll just think in pictures instead

Leo's having a tough time and obviously Leonardo isn't just going to let him fester in those feelings 🥺 He's not leaving! Yuichi isn't taking him away from his family! It's A PROMISE

[laddersmp3]

Whatever. Doodles of those guys I’m fond of

[peaches2217]

Very Big Fan of the whole "Mario glaring down a threat while putting himself between said threat and his loved ones" trope, 10/10 never gets old

[lightnersdream]

i've been thinking about exactly why people portraying one of the other crew members successfully killing Jimmy as a "for what you did to Anya" kind of thing rubs me the wrong way a bit and it's because like..... this is just another form of taking agency away from Anya, in a way. it's kind of framing her as some meek, shivery woman-thing who's entirely at the mercy of the men around her, either to hurt her or save her.

(i understand these are mostly for wish fulfillment on the audience's behalf because everyone would like to see Jimmy pay for his crimes. whether or not this is the intention of the person writing it isn't really relevant, characterization happens with or without intent. i feel like it misses the point by portraying it as an 'ideal ending'.)

because... Anya is a capable person. she takes things into her own hands when she can. it was partially(?) her idea to get into the cargo,

(before he interrupts her.. remember when she interrupted Curly in the dead pixel segment?)

it was her idea to get the code scanner from the cockpit,

it was her idea to get the medication from behind the foam.

(the chance to do these things herself is not given to her.)

she'd been keeping Curly alive for months in a critical state somehow, her psych evaluations at the start are only so useless because Jimmy refuses to take it/her seriously and Curly is obviously biased when he puts it into his own hands. he's known him a long time, like he said. "I'll just put good for that one."

there's not a lot of material to work with because of how the game is framed, but it's there. we are working with two very biased perspectives and neither one lends Anya what she deserves

there's significant changes in how she speaks post- and pre- crash, and depending on who she happens to be talking to. i recommend re-reading her dialogue, because the difference is drastic

she acts the way she does around Jimmy because he has tangibly done horrible things to her, is actively hostile, and physically could not escape him by any means. she can't take away Curly's agency herself, in my eyes. you have to remember that Especially in the post-crash segments of the game, it's entirely from Jimmy's POV, and he obviously does not (and has never) thought very highly of her or treated her with a shred of respect

i've seen a general idea that she can't bear to hurt other people for any reason, but that doesn't really track to me. this is the real point of the post by the way

it seems based on the parts where she says she struggles to give Curly medication. "It just hurts him so much, I can't stand the noise." "It makes me nauseous."

it's not really the same thing as, say, hurting someone in self defense

this sounds like she did want the gun itself. this never felt worded like someone who would refuse to, at very least, threaten Jimmy with a gun, with violence. if she had been given the agency to make that decision on her own. she wasn't though

she still tries to reclaim some of it even as she's denied it

by the end she's still trying to keep that gun out of his hands

i think some people overly soften her, for similar reasons the game itself is trying to comment on. she's not a tender victim who couldn't cause pain to another out of the softness of her soul, she's a person who's had every last bit of agency ripped from her repeatedly until she couldn't take it anymore. that's the point. that's why framing her that way, "needing" someone to save her, is odd to me

she didn't need Curly to save her, she needed him to take responsibility

she didn't want to escalate things, but she's not an idiot. self defense was absolutely on her mind

but who knows im just saying shit *smiles serenely*

[fawn-tongues]

Safe Bet

[maragarita]

Jimmy's face here is so devastating to me because you can tell that when he looks at Kara he doesn't see the cute girl he showed around metropolis anymore. This is the face of a boy who's afraid

[nelkcats]

Roomba

Honestly Danny would be the first to admit that trying to overshadow anything after the Technus incident was a bad idea. But he was also a very bored teenager, visiting a strange city at the request of his older sister so, can you blame him?

It had seemed like a fun idea to the halfa the moment he saw a small roomba in a store window in Gotham. It didn't look like many wanted to buy it but it was there anyway.

So yes, Danny could admit that it was all a strange combination of his boredom and lack of sleep because before he knew it he had overshadowed the damn roomba, causing the light above it to glow bright green.

It was just luck that some of his powers worked, because he made it through the store window with no problems, and had some fun chasing the denizens of Gotham all over the place.

It wasn't so much fun when he realized he was stuck inside the roomba; or when some people started to look at the machine curiously, trying to catch it.

He managed to escape with some luck and set about being a real nuisance to anyone he came across, including the clown laughing like a maniac and the live scarecrow, because well, what other option did he have besides waiting for it to sort itself out?

It wasn't long before the bats heard the report of "a roomba on the loose" in disbelief. Dick wondered if Alfred would appreciate them bringing the machine to the mansion to help him with cleaning.

[marzipanandminutiae]

Why I fucking hate "The Handmaid's Tale" comparisons to real life (ie "this means THT is going to come true!!!")

that was not an elected government in the story. it was a fringe group that slaughtered the entire US government and took control by force. which makes little sense if you think about it, but that's because it doesn't matter HOW the dystopia happened; it just had to be there for the fiction to make a comment upon the author's present.

Dystopia is never a future prediction. see above: it's always a comment on the present in which it's written

That is massively fucking insulting to women who have actually lived with systemic oppression. They don't have to take away your name or your ability to read and write or put you in a color-coded costume. That's not what violent systemic misogyny looks like, because we KNOW what it looks like.

Sarah Emerson (1762-1784) could absolutely read. Based on what was expected of wealthy girls in her era, she probably spoke at least two languages- English and some French -as well as having knowledge of household accounting, basic first aid, history, literature, drawing, music, etc. She was still married to a man in his twenties when she was fourteen, because he wanted the inheritance her parents had left her (property she owned because, yes, women COULD own property back then). His family disapproved- they called her "the child bride" -but it still happened.

Women in the 19th century who couldn't vote, were discouraged strongly from public speaking (as in, speeches, not conversation), who sometimes had no control over that property they could in fact own, if they married, did normal things. They laughed and cried and petted cute animals. They spoke their minds. They wore what they wanted, albeit with societal constraints. They had names and voices and they still had so few rights under the law.

Women who died from backalley abortions as late as the 1960s could read and write. They had jobs. They dressed in ways we wouldn't consider remarkable today. They voted. They had access to the fucking pill, for gods' sakes. And yet that still happened to them. And yet they still died because the government didn't care about their lives as much as clumps of cells inside them.

Shirley Jackson (1916-1965) was a popular author with a rapier wit that she wasn't above using freely, living once again in a time we'd recognize many features of today. she married a Jewish man over the objections of...well, most of society back then, really. the nurse still wrote "housewife" for her career when she said "writer," during hospital admission to deliver her daughter Sarah

and that's all without getting into the double-damnations of women who aren't white, who aren't Christian, who aren't straight or cisgender. women in non-western countries where some of those things- like clothing laws or movement restrictions -have come to pass, but still not all and not in that way precisely

It doesn't have to be The Handmaid's Tale. In fact, it usually isn't, historically speaking. It's Call the Midwife. It's Harlots. It's Hidden Figures. it's Carol. It's astonishingly normal, among normal women living relatively normal- even happy lives, many of them.

Don't insult their memories by implying that it has to be speculative fiction to be real.

[starscream-is-my-wife]

Continuation of my other post here, the autobots have come close to figuring out that Optimus is the sire but Optimus is way too moral to spark up an subordinate so they don’t look into it more

Skywarp stole the evidence, Ratchet doesn’t notice cause he and Optimus are too busy with the baby for any fun private parties

[chiricat]

acheswan 🔥

[puppyeared]

I can teach you how to be just like me

crying all night, sleeping till three

[idontmindifuforgetme]

I hate to be that one person who’s like when ur so busy ur not consumed by other people or being in a relationship blah blah blah …. But truly when u have ur hands full you could fucking care less and it’s so liberating