#so i have no energy to do most things

[immeg-12]

I swear im not lazy, im just doing a comic and it will take a long while to finish (someone call God, plz)

[ruporas]

trigunned the hades or hadesed the trigun (id in alt)

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[poorly-drawn-mdzs]

with Luo Qingyang and Lou Binghe having the same last name I got start thinking of an au: like what if lbh was her little brother

tho what's funnier lbh in the mdzs universe or that means tlj is lou qingyangs dad in that au

I wanted to give this a genuine answer but I kept getting distracted by Lou Binghe...so...yeah.

[lemon-wedges]

Some process gifs of my paintings this year!

[verefex]

He left just as quickly as he arrived, not once looking your way. Yet all you could think of was how soft his hands must be, were they to only hold you for a moment.

[malenjoyer]

Hello! I hope this doesn’t sound weird, but I just wanted to tell you about how your style has inspired me so much!! Probably an ask you’ve gotten a lot, but I just have to know; how do you go at line work? It looks so good when you do it. Like, you’ve perfected where to leave gaps, what should be thick and thin, what should be subtle shading, etc. I’m so jealous! Do you have any suggestions on how to improve in this area? I’d love some insight!!

Thank you! That's very unexpected to hear but also kind of nice! :D That's the first time anyone has said that to me.

For line weight, Mark Morales covers it very well here

Aside from using line weight to show light source, you can also use it to emphasize stuff, which is what I like doing. I think it's essentially the same logic though- I just bend the rules often to make it work the way I want it to. Lots of trial and error and fixing stuff.

As for the gaps, I don't really know how to explain it without sounding a little weird. I think it's just something I developed as a habit where areas where you're supposed to connect with thin lines, I just don't finish it. Most of the time I don't finish my lines, because I don't need to. I live and embrace the karma of not connected line art when I color it.

I think my style boils down to How do I draw good with the least amount of work which sounds questionable, but the less I focus on whether each individual line connects or looks good, the more stamina I have for the rest of the drawing.

If you've got this hamster, you're like 60% of the way there.

Real answer: probably try doing gesture drawings with the least amount of lines possible with 2 minute timer to simulate what happens in my brain when I do line art. you can try to apply the line weight stuff and think okay where would I apply thickness to show shadow or emphasize curves

[moeblob]

Honestly? Good anime imo! I really enjoyed Aileen. I enjoyed Claude. I enjoyed Isaac and Keith and Rachel and Almond and Ribbon. I enjoyed Belzebuth and the flock of ducks (Walt/Kyle/Auguste) and Jasper.

[aro-culture-is]

aro culture is getting really annoyed with the relationships unit in your sociology class because the whole thing is just 100% amatonormativity.

:\

if think your teacher, professor, and/or TAs might be interested in discussing the concept, I have some idea of bringing up the topic?

I'd personally say something like, "Hi, During our section in sociology around relationships, I couldn't help but think it would be interesting to discuss how a sociological theory called "amatonormativity" might relate to these lessons. I gathered a few sources from the professor who coined it, a thesis written on it, and a law review written about the connection between it and laws in the USA. There's some connections between its use in feminist thought and in queer theories, and I'd love to know your thoughts about it. I personally was thinking of when [specific statement] was said, and how I would apply this theory. I hope it's as interesting to you as it is to me."

Coiner's current webpage: https://elizabethbrake.com/amatonormativity/

Thesis: https://vc.bridgew.edu/honors_proj/330/ (click download in upper right hand corner for the PDF, depending on the individual it may be worth downloading and sending that rather than a link)

Law Review: https://uclawreview.org/2022/06/09/amatonormativity-in-the-law-an-introduction/

[bacchuschucklefuck]

[wonder-worker]

Thinking about Elizabeth Woodville as a gothic heroine is making me go insane. She entered the story by overturning existing social structures, provoking both ire and fascination. She married into a dynasty doomed to eat itself alive. She was repeatedly associated with the supernatural, both in terms of love and death. Her life was shaped entirely by uncanny repetitions - two marriages, two widowhoods, two depositions, two flights to sanctuary, two ultimate reclamations - all paralleling and ricocheting off each other. Her plight after 1483 exposed the true rot at the heart of the monarchy - the trappings of royalty pulled away to reveal nothing, a never-ending cycle of betrayal and war, the price of power being the (literal) blood of children. She lived past the end of her family name, she lived past the end of her myth. She ended her life in a deeply anomalous position, half-in and half-out of royal society. She was both a haunting tragedy and the ultimate survivor who was finally free.

[luck-of-the-drawings]

smth smth about 'the thing that the character did that you thought was rly rly funny in the moment is actually linked to a terrible trauma that lies within said character.' or wahtever.

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[sforzesco]

Lucullus and Cicero were, as I have said, ardent friends, and members of the same political party, for Lucullus had not withdrawn himself entirely from political life, although he lost no time in leaving to Crassus and Cato the ambitious struggle for the chief place and the greatest power, since he saw that it involved both peril and ignominy.

-Plutarch, Lucullus

rejected panel layouts for a scene between lucullus and crassus, but it was still fun enough to play with that it gets memorialized on the blog :)

crassus ???? reaction has less to do with his own characterization and more to do with me, who was mostly thinking about how much cato wanted to Stab Sulla and completely forgot that lucullus had independent ties with cato. like, a whole relationship dynamic was going on with those two.

so jump cut to

lmao. anyway! something interesting (gestures vaguely) is happening in all of this

Cato the Younger: Life and Death at the End of the Roman Republic, Fred K. Drogula

Lucullus, a Life, Arthur Keaveney

A Life in Pieces, Plutarch, Crassus 12.1-16-8, James T Chlup

Lucullus: A Life, Arthur Keaveney

Plutarch, Cato 3

bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost

[momentomori24]

"I don't think a fictional rapist/sex trafficker should have merch even if it's for adults because it's sExuALisInG rape (bzz), so Viv and Morgana are terrible people (bzz) who deserve to be haras-- I mean criticised for their actions (bzz). Anyway, let me explain to you why characters like The Joker, William Afton and Makima are totally valid merch material to sell to kids instead and not problematic unlike Valentino whatsoever (bzz)"

Too many of you fuckers unironically 💀

[avichor]

interacting and writing with people here is a two way street and i’ve noticed a lot of the times that people who complain about nobody writing with them, are the ones not putting forth any effort to initiate nor maintain interactions. why is the burden put on someone to reply to your messages or content expeditiously if you do not do the same? i’m genuinely tired of the victim complex people set up for themselves here and i won’t entertain it anymore