#so i can’t disturb him

[track-five]

how am i supposed to sleep when my gigantic cat is taking up half the bed

[keferon]

*clasps your shoulders gently and looks you straight in the eye*

Keferon. Please read Ninth by Kyn on AO3. I think you would love it very much. It has a large chapter count, but don't be intimidated, it's very easy to get into. It is currently unfinished, but is being updated regularly.

You are the seventh person that recommended this fic to me so ahahahaha yeah

I’m doing great Help I hate some parts of it but I love the other parts I’m spinning in the blender

…..I made the moodboard….

[juvinadelgreko]

piper and colin greenmantle are so fucking funny because what do you mean the death of niall lynch, a living god, and the subsequent torment of his son, was orchestrated by a fucking soccer mom and her harangued husband posing as said son’s latin teacher?

[clegfly]

Calling

[animanytotsllyinsany]

The second you demonize the character, the second you remove the nuance that it needs to be handled with. The second you say the character is a monster, the second you remove the accountability that the subtext held, you destroy the point of the character. No one is 100% good, or 100% evil. Terrible people have done good things. Good people have done something bad in their past. If you say that the character is 100% evil, then you remove the plot point of human nature. Humans cannot be 100% good or evil. Humans change, adapt, they’re irrational. Removing a characters humanity removes their accountability. It removes their ability to show something real. Their ability to spread a message.

[outsidershottakes]

I dunno if you know anything about age regression but I cannot see Johnny and Pony not being regressors like legit cannot. (I need to quit projecting)

.

[fffuckthelaxbros]

alternatively‚

Also if you’ve only read the main comic so far I recommend also checking out the extras tag! There’s a lot more fun stuff in there (like. A lot)

[gardening--tools]

🐶.

perhaps the reason this sickness is hanging on is in part due to the fact i have to rescue the puppies from being put outside to sleep at night. they don’t have their second coats yet!!! they can’t be outside at night!!! in winter!!!! it’s sub freezing let’s use our fucking brains!!!

[a-bucket-in-the-void]

hey guys not to be gay on main again but god he’s so fuckng sweet i can’t handle this he is adorable

[theres-whump-in-that-nebula]

Uh… sorry about your boyfriend. He was bitten by a spider… yeah, we had to amputate his leg… But we also taught him how to swim and fight to the death; he’s a pro at it!

[lesbianyosano]

i will never be able to draw dazai the way i actually think he looks like not bc of lack of skill but bc it’d be sooo boring

[pendinganchor]

(before the post starts: to everyone who follows me for stranger things i’m sorry you have to deal with my random adventures into other fandoms — this is for the marauders fandom so if you don’t care about that feel free to scroll 💞 and also as always fuck jkr)

me: this fic is going to be so fucking full of angst and jealousy and toxicity with rosekiller endgame

also me:

It’s silent for a moment— Barty convinced the Gryffindor’s eyes could bore into his soul if he let him stare long enough. “You’ve never needed to simply feel something, Potter?”

-

[Barty] lowered his voice, a hand almost absently reaching up to the other boy’s face. His middle finger ran down his jawline. “What does [Regulus] see in you?”

“What-?”

“He’s never looked at me the way he looks at you. What are you doing that I wasn’t?”

-

“I can move. Do you want-“

“No, stay.” James laid back down. It was dark, but Barty reached up anyway. His hand started in James’ hair then ran down to his cheek. His middle finger traced his jaw again— like it had that night on the tower. “I can see what he sees in you now.”

me in some tags AFTER i wrote the stuff above:

BRO OPEN YOUR FUCKING EYES YOU SHIP IT AND THIS IS HAPPENING

[daydreamerdrew]

Marvel Super-Heroes (1967) #13 and Captain Marvel (1968) #1

[schmidtho]

if my dogs would just sleep on me 24/7 it would be so easy to quit smoking

[uisceb]

Okay I want to talk about this moment between Morrible and Glinda for a sec because it adds such a wonderfully sinister layer to a scene that is otherwise a triumphant defining moment for Elphaba, and it sets up the dynamics for Part 2 so perfectly.

At this point, we are in the thick of “Defying Gravity.” Everyone’s attention is on Elphaba - and rightfully so, she’s up there declaring war on the Wizard, displaying incredible feats of magic, of course everyone’s attention is on her.

…Everyone, except Morrible.

Morrible has realized that Plan A was a bust, but rather than panicking, she’s already worked over Plans B through Z in her head and has realized that Glinda, not Elphaba, is actually the key figure here. Glinda is actually the best thing that could have happened to them.

Mind you, Morrible hates Glinda. She thinks Glinda is vapid and attention-seeking and completely without talent. It would be extremely easy for her to brand Glinda as an accomplice to Elphaba, have the guards drag her off, imprison her, never have to deal with her again, nice and neat.

Instead, while everyone else is focused on Elphaba, Morrible only has eyes for Glinda. She zeroes in on her, releases her, and comforts her, because she understands what no one else understands, which is that yes, that’s great that the Wizard now has an enemy to unify his people against, but they also need a symbol of hope, something that is the exact antithesis to Elphaba, something to keep everyone at extremes. 

The Wizard himself can’t really be a symbol of hope, because the key to his success is that he remains shrouded in mystery, and yes people think he’s wonderful, but there’s a level of uncertainty and intimidation to him. He is Oz the Great and Terrible, and everyone’s preeeeeetty sure he’s a good guy, but if you have someone like Elphaba out there - who Morrible knows from experience is very smart, very articulate, and has her own sort of magnetism - there’s a potential that she could turn at least enough people against the Wizard to make things very inconvenient.

So what they need, now that they have an enemy, is to have an equally magnetic figurehead representing the Wizard who embodies all these one-dimensional ideas of goodness, someone for the public to adore and fawn over so the association between Wizard and Goodness is crystal clear.

And by bringing Glinda along, Elphaba has unknowingly served that figurehead up on a platter.

Glinda is everything Elphaba isn’t, from personality, to appearance - Morrible has already set Elphaba up by calling her green skin an “outward manifestorium of her twisted nature,” which paves the way for Glinda, who is the perfect conventional beauty, to be an “outward manifestorium” of pure goodness. 

Morrible realizes they need these two lightning rods of Absolute Evil and Absolute Good in order to manipulate people - fear alone isn’t enough; the only way to effectively radicalize the populace is to make sure there is no gray area whatsoever, no room for question: you're either good, or you’re evil. And the Wizard alone isn’t a strong enough representation of “goodness” when by virtue of existing, he has to remain in the shadows. Glinda on the other hand? With her looks and her charm and her openness and her ability to expertly win over a crowd? Perfect for the role.

Now the tricky part for Morrible is taking into consideration that Glinda and Elphaba love each other. But we also know from earlier scenes that Morrible is a master at manipulating emotions. Right from the start when Elphaba is having trouble with her magic, Morrible casually brings up the “Animals should be seen and not heard” disturbance from class, spoon-feeding her just enough to get Elphaba upset, triggering her magic, after which Morrible makes sure to give her assurance and praise to keep Elphaba optimistic about her power.

She’s also aware that Glinda does have quite a bit of influence over Elphaba, because when Elphaba flees, Morrible immediately tasks her with winning her over, rather than simply relying on the guards or even going after Elphaba herself. She knows if anyone has a chance at roping Elphaba back in, it's Glinda.

Obviously, Glinda isn’t successful in getting her back, but while this puts a dent in Morrible’s plans to get control of Elphaba, it does give her an extra weak spot to exploit in Glinda.

So now, at the height of “Defying Gravity” when Elphaba has officially taken her stand against them, Morrible sees Glinda, and Glinda is at her most vulnerable, her most emotionally fragile. Not only is she heartbroken and in shock, she’s also just witnessed in real time exactly how easy it is to turn an entire nation against someone. She’s scared, she’s powerless. She’s just lost the love of her life her only friend, she has no one to turn to - Morrible has definitely picked up on the fact that even though Glinda has countless people who fawn over her, none of them can be considered a true friend except for Elphaba, which means Glinda is completely isolated. Glinda also has a very limited understanding of the bigger picture of what the Wizard is trying to accomplish, and because she’s never been a victim of the system the way Elphaba has, she is still desperately clinging to the idea that everything will be okay as long as she plays by the rules of the people in power.

She has been perfectly primed for Morrible to begin manipulating, not through violence or intimidation, but by offering her comfort when no one else would - when not even Glinda’s only friend would - when no one else is even paying attention to Glinda, because they have the very real and present threat of Elphaba quite literally hanging over them. In this moment, Morrible chooses Glinda, which Glinda has been striving for since the beginning. Elphaba has chosen her principles, the Wizard has chosen his enemy, but Morrible has chosen Glinda, and in this moment of being so alone and so afraid and so betrayed, that makes all the difference.

We also get kind of a parallel shot too - Elphaba really sealed her fate the second her hand closed around the broom. But here, Glinda seals her fate when she gives in and reciprocates Morrible’s hold on her.

THIS is the moment that sets us up for Part 2, with Elphaba and Glinda as our lightning rods for Absolute Evil and Absolute Good, but more to the point, it makes it clear that they’ve BOTH been used, they’ve BOTH played right into these respective roles Morrible and the Wizard need in order to be successful - even if it wasn’t how Morrible originally planned for things to go.

I just love it, because “Defying Gravity” is Elphaba’s song - it’s triumphant, and it’s heartbreaking, and it’s everything a defining moment should be for a character. But by injecting this little moment between Morrible and Glinda into the scene, we also get an underlying current of dread because we know we’re about to see the consequences of Elphaba’s defiance versus Glinda’s compliance and how both serve to benefit the Wizard/Morrible’s propaganda.

TL;DR - when I said "I want to talk about this scene between Morrible and Glinda for a sec" I clearly meant "I'm gonna write a whole essay. Like a nerd."

[neo-nomatrix]

EAT IT UP !

HOW THE JJK MEN EAT P*$$Y

Multiple x reader

-> GOJO, NANAMI, TOJI, GETO, SUKUNA, CHOSO

warnings ⚠️ smut… duh. pussy eating… duh. 69 in getos. talks of bondage. talks of choking (on dick) overalll smut idk

GOJO SATORU AKA “kid in a candy store”

On his tummy, feet in the air, humming. His legs are swaying back and forth but you’re way too busy to notice. He’s looking up at you with those unmistakable eyes watching you fall apart on his skilled tongue. His hand use your thighs as handles and makes out with your sloppy, cute cunt. He’s trying to tease you but the words come out as gurgled mumbles since his mouth is basically superglued to you.

You’re throbbing on his lips and he slurps it up like honey. Sometimes he dips his fingers in but usually sticks with his mouth. Fucks his tongue inside of you and he’ll probably start gagging because of how far he gets. He has to hug your thighs when you cum because of how squirmy you get. Nips at your clit when it’s all sensitive and giggles.

“You’re so fucking cute squirming”

“Oh wow… feels that good huh?”

“Is this how it feels when you gag on my cock?”

NANAMI KENTO AKA “use me like a chair”

Wants all your weight on his face or else he’s not happy. And no- it’s not an option. Maybe you’ll suffocate him, but who’s to say that’s not the goal? He cups his hands around your thighs and pulls you down on him, immediately getting to work. He’s so sensual and romantic about it. Slowly licking from your entrance to your clit. Definitely kisses your clit before starting anything.

Gathers a whole bunch of spit before and globs it onto you. There should literally be bubbles when you get off of him. Tries his best not to snake his hand down his pants so he can focus on you. As much as he loves you grinding down on his face he always stops you. This is for him to do all he work, he should be making you feel so good you don’t need to think about grinding down.

“Let me do all the work, just sit there.”

“I know i’m hard, sweetheart. I’ll get to that later.”

“Stop hovering, do i need to tie you up?”

TOJI FUSHIGURO AKA “this is for him”

Even though it’s an activity meant to pleasure you, it’s for him. For him to melt away his worries into your sweet cunt. He uses it as a stress reliever, massaging your ass like a stress ball. will literally ask you why you were squirming so much, it disturbed his peace.

Never stops after you come. More flavor for him. Has you on your tummy, he’s spreading you apart and eating it. His hands are never still. Always running up and down your back or playing with the skin of your ass. Moves up to grope your tits and play with your sweet nipples.

“Put your face into the pillow and bite if it’s to much”

“You take my cock every day but my mouth is too much?” oh wait, that’s also too much

“Maybe i should leave some marks on this ass too.”

GETO SUGURU AKA “34 + 35”

SixtyNine KING. Can’t decide between being on bottom or top. On bottom he can get the pleasure of you sitting on his face. The only downside is your squirming with so much pleasure that you forget to suck his cock. He doesn’t care that much, eating you out is plenty of pleasure, but it would be nice. But he does hate it when your strokes get sloppy and they become borderline teasing.

On top he gets the added bonus of fucking your face. Thrusting in and out of your moaning mouth as much as he pleases. He loves hearing you choke while slurping you up. He just doesn’t like the blood going to his head while eating you out. He’s pretty simple when it comes to pussy eating. Loves to suck on your clit and use his fingers. Definitely makes you lick your own cum from his fingers. Finger fucks you until his hands are pruned.

“C’mon baby, at least stroke me baby. Look how hard he is for you.”

“I know it’s so much, huh?

“That’s fine, i’ll just throat fuck you with my cum soaked fingers,”

RYOMEN SUKUNA AKA “stop running”

Eats you out until you’re rolling around on the floor. And still keeps going. He hates it when you squirm, but also doesn’t do anything to stop it. Locks his arms around your thighs and presses a hand against your tummy. Sloppily eats your cunt with no technique. Spits soo much on it. The noises that come from your cunt and his mouth are insane. Dips his tongue real deep into your mess to get every drop.

Has you on the verge of passing out when you cum. And you guessed it, still won’t stop. He definitely pushes your thighs to your chest and wraps his arms around your whole body to keep you still. Loves it when you push on his head in desperation. It makes him so much harder.

“You keep fucking running and I’ll go for longer.”

“You’re only making it worse for yourself by squirming.”

“Fucking take it or I’ll make you.” yeah he definitely makes you

CHOSO KAMO AKA “kitten licks”

He eats you out like he’s scared. He’s so fascinated by your slippery pussy that he unintentionally goes super slow. Giving soft kisses to your clit and licking at your entrance like a popsicle. You have to tell him to go a little harder so it feels better. and once he does, no going back.

Starts to eat it like a starved man. He gets so mad he’s never done this before because he’s in heaven. Ruts his cock into the sheets because it feels so amazing. Moaning like a slut into your pussy. So much spit and his tongue is going wild on your pussy. He’s definitely making this apart of your routine.

“Oh my god it’s so wet baby.”

“Faster? but when i go faster with my cock you cry…”

“It feels good right, baby? Am I doing good?”