#she's too good for you man

[poorly-drawn-mdzs]

HOT, SINGLE, UNSTUDIED SPONGES. 3000 NAUTICAL MILES AWAY. Come sail the distance and read Tiger Tiger!

[aflockofravens]

Also, Jinshi in "How to Buy Out a Contract" was hilarious.

Do you think he's prettier than me

I was contemplating your murder but my future wife cat thinks you'll make a good brother in law so I'll let you live

My future wife cat trusts you, so I trust you. Don't fuck it up.

Have some money to leave my future wife alone forever go marry her sister

Did you see that Gaoshun? I did a socializing. Do you think Maomao will be proud of me?

Also Lihaku is precious. What an adorable golden retriever of a man. He went from absolute disdain at Maomao when she approached him for an escort to being like "help me little sister, I'm in love".

[wishchip106]

LET HIM GET UP LET HIM GET UP

[bacchuschucklefuck]

dreaming abt sophomore year class swap bard!riz

[nicollekidman]

buffy knows spike loves her during season five. buffy knows spike loves her when she comes back and seeks comfort/silence in his presence. and as she comes back to herself and tries to make peace with the fact that she’s Here Again, she still knows he loves her. and i think part of the Big Bad Grabbing The Slayer For The Darkness routine they both cling to is that it allows them to pretend this huge thing isn’t between them so they can get what they both want (someone to stay).

and like obviously buffy cannot allow herself to believe that he loves her for many reasons, but she DOES believe it, she can’t make herself unknow it even though she tries so hard. which is partially where the breakdown with tara in 6.13 comes from because the cognitive dissonance of soulless spike loving her as if he has a soul while she is so lost within herself that the only way she can reach for him is to use him (which would be fine if he was the big bad grabbing the slayer for the darkness) which is hurting him! unfathomably! but he’s supposed to be the corruption! how can he??? any of it???

meanwhile spike has watched the woman he loves be brought back as a shell and he wants to see the light in her eyes and he can touch her now and sometimes that’s enough to make her laugh but he can’t linger in those moments or she’ll go away again! so he can play the role he needs to play so she’ll stay, as if he could keep her anywhere she didn’t want to be. as if he wants her to be in the dark instead of bringing him into the light. but how could he ask for anything more when he already got her back and he didn’t even need to kill her afterwards.

and so they hurt each other and he forgets himself and asks her if she even likes him and it’s too honest and he’s asking too much (he asks for nothing) so before she can throw her life away like it’s nothing, he puts the game face on, makes himself a target, and swallows it all. and she can’t unknow. and it would all be fine except he’s a vampire and she’s the slayer and how can he just say it like it’s nothing when she needs to beat his face in just to keep from screaming.

[orcinus-the-orca]

Been on my mind and I just wanna, kinda, vent about it.

I don't have a problem with Toichi Kuroba being alive. Honestly? The fact that his killers knew KID was Toichi tells me that there had to be some dealings both in costume and out. Toichi 100% strikes me as the kind of guy to attend his own murder plot, learn how it will be done, and then use it to his advantage. Makes sense; seems in-character.

What worries me about Toichi's not-death is I don't trust Gosho to write the proper reveal (if it happens at all). Because Kaito Kuroba has gone most of his life believing his father is dead. Normally, in a case like this, a character in Kaito's position might be portrayed as "Everyone says my dad is dead, but I know he's not!" But that isn't the case with Kaito. We see him mourn his father's absence, we see his outrage when he learns the truth (both when finding out about KID and the Pandora). When Kaito finds out the truth, it cannot be a simple "Hah, I figured it out awhile ago" or "I missed you so much." Kaito has been shown to angry, his life has been absolutely ruined by his father's "death," and if he ever finds that wasn't the case he will be livid.

And that's what I mean when I say "I don't trust Gosho." Because as much as I do like his character writing, and the fact he does let his characters get angry, they never get angry when there's good reason. They get frustrated, but they move on. That or they have a certain personality that allows them to forgive easily. The same cannot be said for Kaito. If Toichi is ever revealed, it is within Kaito's character to be angry. To yell and bear that grudge. It bears reminding that the current KID exists for the purpose of vengeance. Kaito took the mantle because he wanted answers, yes, but that was fueled by his own grief at not only losing his father but being lied to (having no prior info on KID before he literally stumbles into the life).

So yeah, all this to say, I do not mind the Toichi is alive aspect. I don't think it breaks the story at all because Kaito believes he is dead (and that's what is important). What I do mind is whether Gosho will treat it with the gravity it deserves. Because unlike Shinichi, who is pretty aware of his parents' shenanigans and therefore is capable of picking up their tricks, Kaito was not privy to such an upbringing. The most he knows, or at least as we're shown, is that his father was a magician. And unless we get that betrayal, unless we see Kaito realize how worthless this has all been, how worthless his grieving was, I worry.

[ratatatastic]

"Matthew before we start, I wanna talk to you about your mouthguard. What's the purpose of it? What purpose does it serve 'cuz it's never in your mouth?" "I mean, I guess it doesn't really serve that much of a purpose all the time? I try to keep it in as best I can but its got a mind of its own, and it's everywhere so... I don't know. I think in the important times I have it in? But it's not all the time." "Does that bother anyone? Teammates? Opposition? Probably your mum? Does she say anything?" "Yeah, my mom did not like it at the start but she's completely given up on it. Call it about 8 years ago, 9 years ago, when I came into the NHL she gave up on it so. I don't know! Teammates don't really care. Opposition? I've had it grabbed a few times but it's all good." "It's workin' for ya."

florida panthers @ edmonton oilers | 12.16.24 (x)

[justpassingbyoursht]

Yknow when I first saw Chronos i couldn't quite take him seriously bc he's... he's a twink. who gave him that tiny tiny waist and those birthgiving hips? why is he built like that? i expected a giant or something, i mean the big 3 brothers are built ykno their father should be big muscly guy too right?? and then i realized he's got an hourglass shape and. 😶

my bad supergiant u are right. titan of time. hourglass. titan of time? hourglass. checks out ✓ he is hourglass shaped. an hourglass. ⌛that. that is him. titan of time alright. hourglass

but still that tiny waist

[sukibenders]

Bridgerton states from season one, through Simon and Lady Danbury, to season two, with the Sharmas, to Queen Charlotte, from the beginning episode to the end spelled out clear as day, that racism exists in this world and many of the characters of colors have been impacted by it in some way. And, supposedly, I'm supposed to believe that Marina, that Kate and Edwina, that they all had more privilege and power than Penelope? No, I don't think so, a lot of things aren't right with that statement.

[heartonxions]

CW: BLOOD!!!

ooh.. he’s a little fucked up actually.

i want her soooooo bad it’s crazy. anyways… her necklace thingy in their first outfit is a slay… honestly levy being a chunky necklace liker is so good (making shit up about her because i can) i love their pant outfits!! i wish she was drawn with pants more… i think they were all such slays (the like three times she wore them) i miss the old ft style so much

i think about the scene where she tells lucy she wouldn’t mind seeing her butt instead of her manuscript often…. levy… levy my bisexual gender mcfuck king..

[letsmcfreackingloseit]

And for the holidays I give you memes! Memes everywhere!

I hope that all of you are having a wonderful time, but if not, I at least hope these silly doodles brought you a little joy!

I'm going to keep this short and sweet today, so to round this of: These doodles are based off of the fanfic Apex Polarity, which is written by the lovely @naffeclipse and Eclipse' design is based off of @themeeplord 's fantastic design!

And as a bonus, you will find an alteration and a bunch of Yeti slogans/puns under the cut:

and if you're wondering why I made so many gd yeti puns, it was for michael's mug. You gotta have some fitting and funny slogan for all mugs. Btw If any of you know some good yeti slogans and/or puns, please call me, I've been struggling.

Michael; local cryptid believer, but not cryptid enjoyer

Vanessa; POLAR BEARS

Eclipse; I'm having the best time of my life! :D

Y/n; I'm having A TIME :')

[separatist-apologist]

Feyre: Rhysand is my mate and I'm telling you this to your face.

Also Feyre: If you try and break my mating bond, I'm going to ruin your life.

Also Feyre: If you drag me back to Spring against my will, I'll destroy everything you love.

Tamlin: Break her mating bond so I can drag her back to Spring and we can start over.

Also Tamlin: I can't believe you destroyed everything I love and ruined my life!

[3gremlins]

me watching the new fallout series: idk about this ghoul, i think they tried to make him too good looking of a monster, idk if it's working for me

*they show a flashback of this character pre-ghoul* also me: oh no he's much hotter as a ghoul, his pretty ghoul face is growing on me -pause in realization, turn to my partner- omg i'm such a monster fucker i'm so sorry

my partner, sitting next to me: i made my peace with this long ago...

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[kingofmyborrowedheart]

I’m so happy that Maisie and “History Of Man” are being recognized, but I really hope that the people who are just discovering it are actually listening to The Good Witch in full because part of the brilliance and beauty of that song is how it parallels and counters other songs on the album and if they’re just listening to it without that context they’re missing out on so much of what makes the song great.

[lemonhemlock]

I did not get into Game of thrones when it first started airing. In fact, I waited until it was long past it's heyday (around s6 or 7) to check it out because the marketing and the conversation surrounding it misled me into thinking it was nothing more than "grimdark" bullshit. As one famous YouTuber sarcastically called it "hot fantasy that fucks." So, I avoided Martin's work for literal years due to the impression that I got from online reactors and show-only casuals who did as you and a few others have described as his work being fundamentally misinterpreted.

Fortunately, I overcame my hang-ups, purchased the books (even the supplementary material) and fell down an entire rabbit hole of ASOIAF which led me to recognizing that this world he spent decades creating is far more complex than what had been portrayed onscreen. Regardless of the possibility of the books remaining unfinished (which I am fine with, personally), what George has created is a genuine work of art that I imagine took a tremendous amount of time and energy. So, for so many people online to behave like children and throw tantrums because they feel entitled to him (ew) instead of ushering forth more reasonable conversations and legitimate debates about the nature of his situation frankly makes me look at this fandom with a heavy dose of skepticism.

It is truly baffling to hear even professional critics and see articles describing George as being "ungrateful" or "unprofessional" when it has been well-documented just how often authors get locked out of the adaptation process and left to the wayside as consultants. Look at what happened to Rick Riordan and Christopher Paolini! George R.R. Martin is not the only author to have qualms with how a multimillion dollar studio has mishandled his creative work, and to act like he should remain silent just because he's amassed a certain degree of wealth is quite frankly, ridiculous. He shouldn't have to settle down, be grateful, and stay quiet because the greedy corporate executives and their media drones will get offended by actual criticism that could alter the perception of the adaption being revealed as mediocre for having departed from the source material.

TLDR: authors should be allowed to speak up about their art being sacrificed for commercialization.

Thank you so much for this message, anon! This needs to be talked about more, because I don't think a lot of commentators truly understand the vulgar, late-capitalistic sheen that seems to set in and slowly poison any ASOIAF adaptation. It honestly baffles me how quick some members of this fandom are to rush to the defense of, what is essentially (let's not be kidding ourselves here), a cashgrab by a giant corporation to the detriment of the actual artist and the actual creative foundation behind it.

Why else would "MAX" (if that is even their name) make another (or several other) ASOIAF adaptations? Not to stay true to any philosophical aesthetic vision, as it has become more than apparent with Season 2, but to increase shareholder profits by appealing to the lowest common denominator. Even the basic premise has been shifted in order to address popular trends and satisfy the mindless consumer that doesn't want to engage with anything deeper than their favourite tropes, prettily packaged:

from a story about a doomed ouroborous family superimposed on the pitfalls of feudalism, with villainy and heroism to be found on both sides, it has been simplified and reduced to a narrative that exalts white feminism and disqualifies anyone who opposes its girlboss protagonist. This is Sheryl Sandberg's version of Fire and Blood.

Truly, I think Sara Hess did (unintentionally) outline it the best: "civilians don't matter in Game of Thrones". They don't matter in Game of Thrones, but they matter in A Song of Ice and Fire. The entire heart of the series is contained in Septon Maribald's speech. The writers "kind of", must have forgotten, though.