#she is an incredibly interesting character

[deepseasmetro]

if you feel like typing about it can you talk about the misogyny in botw/totk? i did try looking it up first but i cant find anything and i like understanding media better

putting aside from the fact that nearly every legend of zelda game doesn't like women given how it treats them and their autonomy, breath of the wild and tears of the kingdom feel especially egregious given the personality they give zelda to begin with

she is presented to you as this stifled but curious and incredibly bright young woman who wants to help her kingdom the way that she knows how, which is through technology and research. she's very passionate about this! it's something she enjoys doing!

and yeah, her dad's presented as an asshole for not letting her do that, but her way doesn't work, right? the technology she invested so much into turns on them, and causes 100 years of destruction. you can use the divine beasts to help you to fight ganon, but you don't have to. at the end of the day, it's that spiritual energy that she was so opposed to tapping into that saves the day. her agency is completely taken from her. the things that she is interested in, passionate about, good at: none of those things matter, at all. she was wrong. her value to both the story and to hyrule is in her spiritual ability. something that she really has no control over, and that she only has as a result of her lineage.

in tears of the kingdom, they have the opportunity to fix this problem! zelda is free, she's back, and the de facto ruler of hyrule. in fact, she's spaarheading attempts to continue to uncover technology and ancient civilization to better understand this land, and hopefully benefit from it.

... and then she is promptly removed from the story, sent back in time, and once again made to rely on her spirituality instead of her intellect and tinkering skills. her story is given very little respect. you don't get to experience it in order. you don't even really get to experience it with her at all. the two other women in her section of the game are also disrespected, killed off, Etc.

she then sacrifices her own autonomy again to become the dragon, and even this sacrifice is treated so poorly by the game. it's revealed to be this plot twist, this emotional story beat, and then is instantly fixed by link!

to me, these two games feel more egregious in this aspect than some of the other games bc zelda has so much potential in these games, and it is also utterly squandered. and this post is only about zelda! the woman these games are named after! i won't even begin to get into how these games treat its other female characters, but none of them are any better than zelda. and most of them are worse.

[trulyumai]

the lonely cabin isn’t what it seems

— Pairing: Young!Stanford Pines / Reader

—Synopsis: Lost and confused, a woman spots her lifeline; a seemingly desolate and empty cabin. She meets Ford, pleads for his help and shelter only to find things aren’t as they seem. As the scientist starts to fall deeper and deeper for the woman, he realizes they aren’t alone. He’s watching.

Warnings: none so far!

A/N: I finally got to watch Gravity falls and noticed this was a requested character, enjoy this new series!

Part One: The Unexpected Guest

Stanford Pines had always loved the isolation of his cabin, surrounded by nature’s beauty. But tonight, as the wind howled outside, he found himself feeling a strange pang of loneliness.

He was deep in thought, hunched over his cluttered workbench, examining an intricate device he had been tinkering with for weeks. The cabin was filled with books, gadgets, and the faint smell of pine. Stanford often lost track of time here, but tonight felt different; he could sense a storm brewing outside.

Just as he was about to put his tools down for the evening, a loud knock echoed through the stillness. Startled, he pushed away from his workbench, his heart racing. Who would be out here in this weather?

He opened the door cautiously, revealing a figure shivering on his doorstep. She was soaked to the bone, her hair plastered to her face, and her eyes wide with fear.

“Uh, can I help you?” Ford asked, his voice a mix of surprise and caution.

“Please, I’m lost,” she said, her voice trembling. “I saw your cabin from the trail, and I just need somewhere to stay until the storm passes.”

Ford hesitated. He was used to solitude, preferring the company of books and experiments over people. “I don’t usually take in strangers,” he replied, trying to keep his tone firm.

The woman looked up at him, and he caught her gaze. There was a vulnerability in her eyes that tugged at something inside him. She was cute, even with her disheveled appearance, and the thought of turning her away made his heart ache.

“Please,” she whispered, shivering violently. “I’ll just stay for a little while. I promise I won’t be any trouble.”

With a heavy sigh, Ford stepped aside. “Fine. Come in.”

As she entered, he noticed her apprehensive demeanor. She wrapped her arms around herself, trying to regain warmth. Ford quickly closed the door behind her, the howling wind now a muffled roar.

“you can um, sit by the fire,” he said, gesturing toward the small hearth where flames flickered, casting a warm glow across the room. “I’ll get you a towel.”

While he rummaged through a closet, he could feel her gaze following him. He handed her the towel, avoiding her eyes. “You should dry off.”

“Thank you,” she said softly, smiling as she took the towel. There was something endearing about her shy demeanor, and it made him feel a little flustered.

After a few minutes, the two settled into an awkward silence, the only sound being the crackling fire. Ford couldn’t help but steal glances at her. She was smaller than him, with a kind face, and he noticed the way her eyes sparkled when she looked around the room, taking in his chaotic yet fascinating workspace.

“What do you do here?” she asked, breaking the silence. “If you don’t mind me asking.”

“I’m a scientist,” he replied, his voice a bit more relaxed. “Researching the anomalies in this area.”

“Anomalies?” Her interest piqued, and he felt a rush of excitement.

“Yeah, strange occurrences, supernatural phenomena,” he said, the words flowing more easily now. “You’d be surprised what’s out there in these woods.”

Her eyes lit up, and he could see her mind racing. “Like what?”

He leaned back in his chair, his passion igniting. “Well, there’s a portal to another dimension not far from here. I’ve seen creatures that defy the laws of physics. It’s fascinating.”

“Really?” she whispered, captivated. “You must have so many incredible stories.”

He chuckled, surprised by her enthusiasm. “You could say that. Most people don’t believe me, though.”

“Why not?” she asked, genuinely curious.

Ford shrugged, feeling a mix of pride and frustration. “People tend to fear what they don’t understand. It’s easier to dismiss it as nonsense.”

“I think it’s amazing,” she said earnestly. “You’re like a real-life scientist. It’s inspiring.”

Her compliment caught him off guard, and he felt a warmth rising to his cheeks. “It’s nothing special,” he mumbled, looking away.

The storm raged outside, but inside, the atmosphere shifted. They began to exchange stories—she shared tales of her life, her shy nature making her adventures sound all the more charming. Ford found himself laughing more than he had in a long time.

As the hours passed, Ford felt a connection growing between them, an unspoken bond. The way she listened, her wide eyes fixed on him as he spoke, made him feel seen in a way he hadn’t experienced in years.

“Why do you live out here all alone?” she asked, her tone softening.

“It’s… complicated,” he replied, a hint of sadness creeping into his voice. “I needed a place to think, away from the chaos of the world.”

“You don’t have to be alone, you know,” she said gently. “I’m sure there are people who would love to be around you.”

Ford looked at her, taken aback by her sincerity. “I appreciate that, but people can be difficult. I’m not exactly the most social person.”

“But you’re so interesting,” she insisted. “You have all these incredible ideas and stories. I want to hear more.”

He chuckled nervously, feeling his heart race. “You really think so?”

“Absolutely,” she replied, her eyes sparkling. “I mean it.”

In that moment, he realized how much he had come to appreciate her presence. She had a way of making him feel alive, as if the walls he had built around himself were slowly crumbling.

As the fire crackled and the storm raged outside, Ford found himself wanting to share more of himself with her, to let her in. It felt terrifying yet exhilarating.

“Can I show you something?” he asked suddenly, his heart pounding.

“Sure!” she replied, her excitement palpable.

He led her to his workshop, a room filled with strange inventions and diagrams scattered across the walls. “This is where I do most of my work,” he said, feeling a mix of pride and anxiety.

“Wow!” she exclaimed, her eyes wide with wonder. “This is incredible!”

Ford couldn’t help but smile as she inspected his gadgets. “I’ve been working on a new device that could help understand the anomalies better,” he said, gesturing to a complex machine. “It’s still a work in progress, though.”

She leaned closer, studying the intricate details. “It’s so fascinating how your mind works,” she said, glancing up at him with admiration. “I can’t believe you built all of this.”

Her words sent a thrill through him. “Thank you,” he said, feeling a warmth in his chest. “I’ve always loved solving problems, figuring things out.”

“I can see that,” she said, stepping closer. “You’re like a genius.”

Ford laughed, but he felt a blush creeping up his neck. “I wouldn’t go that far.”

“But you are,” she insisted, her eyes sincere. “You have this passion that’s just… captivating.”

He felt a rush of warmth at her words, his heart racing as their gazes locked. The air between them thickened with an unspoken tension, and he couldn’t help but wonder if she felt it too.

“Um, I—” he started, but the words caught in his throat.

Before he could continue, she reached out and touched his arm gently, grounding him. “Thank you for taking me in… I know how bothersome it might be but I really appreciate it.” She smiled, light and honest.

The sincerity in her voice struck him deeply. He could feel the walls he had built around his heart starting to crumble. “It’s nothing,” he admitted, his voice barely above a whisper.

As the storm howled outside, the warmth of the cabin enveloped them, and in that moment, Stanford Pines realized that perhaps shelter wasn’t just about finding refuge from the storm; it was about letting someone in.

And as they stood there, surrounded by the warmth of the fire and the brilliance of each other’s presence, he felt the unmistakable spark of something new beginning to bloom between them—a connection that promised to change his world forever.

[glassfullofsass]

I forget just how *smart* InCo is. I mean, Nova as a character is incredibly intelligent, but just the entire show is so clever, and you really don't even see it until the back half of season three, but it's all seeded from the start.

AND all of this plot is tied together without ever losing sight of the humor - in the quick wittedness of the characters or situational humor, like Kora being the bubbliest child on the plant and attaching herself to Nova -anxiety riddled, greif striken, and just generally grumpy- like a leech.

And like, okay, its a story about corrupt politicians and interests competing for power. There's a million of them. But THIS ONE makes every player a person. Chel has a daughter. She has feelings, she gets stressed. She still follows orders, even when those orders directly harm a child.

Veirai has turned her entire existence into a chess match with the goal of regaining respect, power, and resources for her people, she's sacrificed herself to this, and her machinations are so much of her life that she barely recognizes her son as an independent person.

Atreli is a goddamned mess. He's selfish and vain and has killed thousands of his people *on purpose*.... And he's afraid. He's terrified.

And this isn't even touching Nova or Jean! Or Lulu, for what we can piece together of her. And isn't that fascinating - to create a character out of all the empty spaces she's left.

[asharkapologist]

Fandom Opinion Chart + Explanations Under the Cut

I love Giulietta, it's as simple as that,,, her character growth from her selfish attitude towards her sister before the game, to trying to make her way into high society, to returning to her roots but finding love in a man supposed to be her enemy, to trying to stop the gang war that takes almost everything from her, to later leading a resistance against a dictator is incredible to watch. She's the real main character of Crimson Banks and Capital Peak idc. She endures so so much heartache, I cried both times I played In Love and War, that case genuinely makes me feel ill, and yet she manages to get back up because she's just that strong. I hope she was happy after the game ended.

On the other hand, I despise Jack. He makes several sexist comments throughout the game (I've half a mind to compile them to prove my point), and I have no idea how someone as immature and annoying as him managed to get a job in Interpol. His relationship drama with Asal is insufferable to sit through, and the way he constantly whines about her in South America and North America months after they broke up made me want to throw my phone, especially with the awful way he treats her after she's stabbed and almost died. And then in Travel in Time, he's just boring.

I initially didn't like Samson at first because he killed one of my favorite characters for a stupid reason (accompanied by a confusing message--how was Malcolm supposed to know Archie's death was targeted towards him?) but now I love him because his plan was so dumb and he's fun to meme on and he's REALLY hot.

Nebet is like my favorite main antagonist and it's so sad that she's gone for like two whole districts because even though I saw it coming, her betrayal HURT. Like 99% of s6's writing effort went into her, and she would have been a good antagonist even if she hadn't returned after killing her father, but the fact that she comes back and kills her younger self because she changed in exile makes her such an interesting character. I want to know so much about her, her thoughts while she was working with the team, and especially her epiphanies in exile, how she changed in exile and decided to turn against her parents and their goals. That's incredible fanfic material. She's also incredibly beautiful just LOOK AT HER.

Trevor Finn sucks. Fake af shark "expert" who probably just gave himself that title after watching Jaws but never bothered doing any research about sharks because he just spews misinformation and stereotypes about sharks that aren't true. For some reason, Pacific Bay really hated sharks. But other than that, there's not much else to mention about him, when with Jack I at least have stuff to complain about.

I realllly don't like Rozetta and do NOT think she was redeemed, even if Denise was a greater evil. I feel like people brush over the fact that she was KIDNAPPING AND TORTURING HOMELESS PEOPLE TO DEATH. She abducted who knows how many people and conducted horrific, torturous human experimentation on them that only one person (Zoe) survived, and nothing indicated she felt any remorse for those crimes, she only started fighting against Denise when Denise betrayed her and her friends. And even though Zoe escaped, Rozetta started the chain of events that led to Zoe's death. However, that being said, Rozetta is really, really pretty.

Archie is a millionaire and yet he dresses so drab. Lawson isn't as rich as Archie, and yet he dresses more fancy. Also Archie's collar looks weird and like his tie would be strangling him or something

I don't really talk about Penelope, but she (besides Nebet) is my favorite main character of s6! I relate to her a lot because we both like history and writing. I think we'd get along great talking to each other about story ideas, fangirling about fandoms, and talking about history.

Seamus x Giulietta is my favorite because Giulietta is my favorite character and I'm a sucker for tragic, star-crossed lovers. Got really emotionally attached to them even though I knew they wouldn't have a happy ending. Honorable mentions go to Arthur x Bernadine, Archie x Elisa, and Hope x Gwen.

Speaking of Hope x Gwen, they should have been canon instead of Gwen x Pierce. I hate this ship so much. Hope and Gwen had much more chemistry, and the FIRST DISTRICT in s7 proved why Gwen and Pierce wouldn't work out, and then out of nowhere Pierce shows up??? And gets back with Gwen randomly??? Huh??? And they have a kid??? Why. Hope was RIGHT THERE if you wanted someone to comfort Gwen after her mother's death and the complicated relationship she had with her.

I also don't talk about her as much as I should, but I love Priya! I love her character arc, her relationship with Zander is very sweet and well built up throughout the season, and her being a werewolf made her character arc all the more interesting. She's also just a very genuinely kind person, and I feel like she would have been a really good chemistry tutor when I was struggling with it in school lol

Given how annoyed I get with classmates and coworkers who are poor communicators, I would despise being around someone like Frank who's always late, drinking whenever he can, and who treats his female boss incredibly disrespectfully. Plus he eventually becomes a corrupt police officer and yeah, not a fan of those. Wouldn't want to be around one irl. He certainly needs professional help, but I am not the one to give it.

[allykatsart]

Diamonds

Spades Clubs Hearts Diamonds(Here)

And we're finally here!!!! Today I should be at Fan X so I may not be super responsive, but I hope y'all enjoy it and thanks for sticking with me through the series! This was a fun project and it let me figure out the designs of my characters a lot more! These three aren't actually part of the main cast, but they're important supporting/secondary characters.

Take A Commission Slot!

Heather Winters ~ King of Diamonds

Heather is calls herself Daniel's Father. She makes dad jokes, keeps him out of trouble, and even pays for his housing, which he rents with Cat and April. She's also the head of a very successful company and is the current guardian of the Fountain of Youth.

Heather isn't the best person, though. She tends to hoard knowledge, money and resources that could be used to help others. It can be an obstacle at times but you have to understand where she's coming from.

Heather came from Ancient Greece, and before she was made immortal, she watched the library of Alexandria burn. It traumatized her. When she became immortal, she saw how quickly mortal memories fade. Heather sees herself as an archivist, saving and remembering what humanity cannot. She believes mortals are too hateful and cruel, that they would destroy her lifetimes upon lifetimes of work because it shakes the foundation of what they know.

Celine ~ Queen of Diamonds

Celine is a pagan seer who runs a bar for the supernatural in the city. This wasn't legal when she started, but she didn't care. Unlike Heather, she believes in celebrating and helping the 'Monsters' of the world. She's a part time performer, a part time fortune teller, and a full time owner of the establishment.

Because of this, she's able to provide shelter and safety to those in need. 'Monster Hunters' are not allowed anywhere near her bar. She will kick them out and give the bars nearby a heads up. Celine has done a lot for the 'Monsters' of the world and she's well respected in the supernatural community.

Celine also has OCD, which I've learned a lot more about. For her, it usually gets bad with her visions. A vision will get stuck in her head sometimes, and it will not leave for weeks. She performs rituals with no real purpose other than making her feel safe, and she used to get horrible anxiety when anyone else ran her bar. But, thankfully, she's got people around her, and now knows how to function through her symptoms.

Simon ~ Jack of Diamonds

Simon is Celine's right hand man and has been since she saved him from getting beat up by his old gang. They found he was wearing makeup to hide scars, and had an interest in drag shows. Suffice to say, they weren't kind and would have killed him if it weren't for Celine stepping in. Simon's worked for her ever since.

Simon takes care of his father, who has Alzheimer's, and lives in an apartment above the bar. He's not supernatural himself, but the supernatural community has adopted him as one of their own. He's incredibly loyal to Celine, and cannot be bribed, blackmailed, or threatened. He makes an incredible bouncer, to say the least.

(and yes, he now organizes the drag shows when the bar has them lol)

[turtleblogatlast]

Something I really like is that April’s constant stream of odd jobs she goes through is somewhat reflected in the boys as well. Like, you have April working at random pizza places or getting a crane license or being fully willing to apply for a job at a place clearly made out of cardboard. Then you have the boys as well who do anything from working as a basketball mascot, building a massive dog park, being waiters, getting a whole band gig at a theme park, etc, etc-

Main difference is that April actively applies for these jobs (and is hopefully paid for the short time she’s in them) whereas for the bros the jobs usually find them (and they practically never get paid.) It doesn’t even stop at jobs either, they just seem to casually amass skills in general.

I don’t know, I like how both April and the turtles are just so ready and willing to do things. Sure, they’re not always good at these things, but they do them readily! In a way, being heroes is just another job (well, more like volunteer work/vigilantism/another fun activity) that they initially took on because of their general sense of “why not?”

They’re very willing and open to trying out new things despite their tendency to revert back to what they enjoy (and how commonly trying new things ends up going wrong), and I think that adaptational interest of theirs really helps them be well rounded in multiple regards.

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[bonefall]

Did Brambleclaw actually disown the Three when the secret is revealed? I don't remember this happening (then again, it's been a while) but it does bug me how all three go "Poor brambleclaw :(( He was such a good dad to us and he has to learn we're not even his biokits :(((( poor guy" while simultaneously shitting on Leafpool and Squirrelflight despite them showing them more care and affection before AND after the reveal. If he does disown them, then.... WOW is the double standard real here.

In-canon? It's something you have to approximate. They don't seem to have a concept of ""disowning"" because blood relation is taken as such an insurmountable, FUNDAMENTAL fact of life. He doesn't write them out of his little kitty will and testament, but his actions ARE disowning.

It's as if the fact he is not their biological father is an automatic disowning. From the reveal onwards, he is immediately cold, distant, and the "betrayal" is mentioned often. The Three also explicitly don't blame him for his behavior, like it's just to be expected that he's Not Their Dad anymore.

Lionblaze in particular stares longingly at him several times, really missing him. And like... that's kinda what gets my goat so much

I do believe Brambleclaw is entitled to his feelings of betrayal. I believe Squilf was ultimately in the right to lie, actually, but he's still allowed to be upset and angry that she didn't trust him enough to tell him something so important. THAT SAID, YOU ARE NEVER ENTITLED TO TREAT OTHERS POORLY.

And that's what GETS me. He isn't upset that it was all revealed in such a painful and embarassing way when this could have been avoided, or that his lover struggled with this lie for so long without him, or that he feels he's lost his children. Squilf points it out in The Last Hope-- He's so ANGRY at Squilf that he will THROW HIS FAMILY AWAY

Lionblaze seems desperate to be his son again. Hollyleaf is gone for months, and Brambleclaw is still huffing about the secret when she comes back from the dead. Squilf is fawning in the hopes it makes him talk to her again. Doesn't matter. Brambleclaw Is Upsetti Spaghetti so the narrative will never examine his role in hurting this family he apparently loved so much.

(Narrative seems to understand full well that when Squilf lies for a good reason, that doesn't invalidate the hurt Brambleclaw felt... but when Brambleclaw is upset for a good reason, it actually DOES validate what he put her and his kids through)

In BB it is explicitly a disowning. He cuts them off as his children, and they reciprocate. BB!Lionblaze does so in a ball of fury, vowing that he has ONLY a mother.

[lord-squiggletits]

One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).

And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?

Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.

Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.

And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.

Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP

[whatsjulietslastname]

There’s something so very utterly tragic about the way that one of Max character’s main trait is that she’s been feeling constantly homesick since she was thirteen years old and that she had to let go of her home somehow in both ending (Arcadia Bay in the bae ending, Chloe in the bay one) meaning that no matter how much she tries to go back and clings to the past it’s never enough, in this essay I will—

[unhauntng]

completely sidestepping the rat grinders redemption discourse (and please don’t infer my feelings about it based on this post) to say that my personal and funniest hope for the season was that kipperlilly and kristen would be the most toxic yuri of all time, and i’m devastated we lost that

[definitionofacritter]

I just know that this is going to be a situation where Matthew has to post about boundaries/trust/etc because the fandom is going to be so at war over Taliesin's actions. Oh boy.

[nintendont2502]

thinking about how for both jade and dirk, their only face to face interactions with other people were either dreaming on their respective moons, or "people" they lived with that either were or will become part of them (bec + hal respectively). thinking about how prospit and bec for jade were supportive while derse and hal for dirk were hostile. thinking about a lot of things

[gumi-writes]

Sister Sabri has lived an extremely sheltered life. What fun activity would you introduce to them? 🔍

[lgbtlunaverse]

So I watched A Silent Voice with some but minor knowledge of the story going in. And right at the beginning when Shoko's bullying started I had the nagging worry that while Ishida would be redeemed they'd leave Ueno and Kawai as one-dimensional bullies. Painting the girls as the "real villains" while the male protagonist got to have depth. Anyway I just finished the movie and I would like to formally apologize to Oima Yoshitoki and Yoshida Reiko I should never have doubted you.

[coffeehelly]

i just realized that saiki having the emotional intelligence of a rock means that despite his telepathy, he doesnt seem to have any empathic powers