#she deserved so much better Explore tagged Tumblr posts

[harefish]

bumble drawing for celebrating bumblesweep

design inspired by @bonefall

[alpacacare-archive]

day twoe ah haha

[mydarlinglaszlo]

never gonna stop losing my mind over this scene i fear

[hrzwrm]

alice <3

[periodcostumefantasylover]

Vanessa Ives white dress in Penny Dreadful

[s0fter-sin]

what up i’ve been obsessed with would you fall in love with me again like every other person on the planet and i can’t stop thinking about penelope’s final verse

she’s so angry; angry that odysseus would dare to suggest that her love for him has faltered or his actions were enough to destroy it. she’s been waiting, working her fingers raw unweaving her shroud every night, not sleeping as the suitors camp inside her home; every day a threat to her and her son, to her kingdom if an unworthy man - and they are all unworthy - should take the throne. she knew they wouldn’t wait forever, that at some point her deception would be realised; her dedication to her husband means she is at constant risk and the first thing odysseus does when he sees her - if this even is him - is question her love for him?

the very first thing he says (other than her name) is, “i am not the man you fell in love with.” penelope asks him if it’s really him standing there or if she’s “dreaming once more”. once more. she’s felt the cruelty of hope before; has looked at her doorway and seen odysseus the same as when he left (which is probably partly why she’s so shocked by how he actually looks) and felt unfathomable pain when her hopes were dashed over and over again. she asks if he is really her odysseus and he says no

yes, in his mind, odysseus can’t see how he can deserve her love after everything he’s done - the atrocities he’s committed, to himself he isn’t the same man, “i see a man who gets to make it home alive, but it’s no longer you” - but all penelope hears is her husband, the man she loves and waited for, doubts the strength of her love

penelope asks what kind of things he’s done and it must be shocking to hear; his actions so different from the man who left her behind even if he did them in name of returning to her. but when she asks him to move the bed, it’s as much a challenge as it is a test. she’s asking him to prove that he is the monster he claims to be; that if he’s changed so much and become so heartless, he should have no qualms about ripping the symbol of their love from its roots. and it’s also her only way of actually determining if this man who claims to be her husband yet doesn’t take her in his arms, is actually him

“just a moment of labour would bring me some peace” - if he does what she asks, then she will know either he’s changed so much that he’s no longer her odysseus or he’s another fake and was never hers to begin with; that her husband didn’t just stand in front of her and claim she can’t love him as he is. but she’s done. she was already willing to die when she stood behind the twelve axes she challenged the suitors to shoot through. she’s so tired. she just wants it all to be over

“only my husband knew that, so i guess that makes him you” - i guess. even after telling her something only odysseus and her knew, penelope’s still not convinced that it’s truly him. how many men came to her door claiming to be her long lost husband, banking on time and distance to dull memory of his face and voice, on her longing and desperation for odysseus to blind her into believing them?

but if this is her husband? if the man she’s loved through decades of absence has finally returned to her?

“i will fall in love with you over and over again” - an exhausted promise, the core of who penelope is and how she feels; assuaging his doubts and his own clear pain

but

“no matter how long it’s been, you’re mine. don’t tell me you’re not the same person, you’re always my husband” - penelope is screaming at him; how dare odysseus say this to her? dismiss her love and her suffering? he saw the men outside, he’s smart enough to know what they were here for and instead of apologising for being gone for so long, instead of begging for forgiveness for inadvertently putting her and their son at risk, instead of embracing her and putting an end to her torment, odysseus doubts her

“and i’ve been waiting, waiting” - the tone shift of penelope screaming at him to lamenting how long she’s been waiting is heartbreaking; it’s quieter as she gets lost in the pain of her grief, her anger failing as she recalls the memories of her long years of solitude. odysseus tries to call her back with his gentle “penelope” - such a contrast to his own exhausted anger at being asked to destroy their marital bed now that he understands why she asked that of him - but she can’t hear him; she’s too trapped in the memories. he tries again, still gentle but more insistent, and this time she does hear him and her anger comes rushing back along with her grief. her “waiting, waiting,” becomes almost accusatory; she’s been alone for so long and it’s bc of him, bc he wasn’t there, bc he left her waiting

that abrupt “oh” at the end of the verse isn’t just a vocalisation; in that moment, she’s realising that she has realised that he truly is odysseus. she knew it was him before she even processed it. she wouldn’t be this angry if he were anyone else; love and grief and anger coalescing in one single divine moment where penelope finally believes her odysseus has returned to her

“for you” - she’s been waiting and waiting, years turning to dust, her sleepless nights and days spent living in fear and preemptive grief- and it was all for him. odysseus is actually here. which means her waiting is over

“how long has it been?”

“20 years”

“i- i love you”

[tethys-the-aquatic-sea-godness]

the upside is no one will ever find her

[mayordea]

f!byleth fit for my smash hcs. but really it’s just that one dlc for m!byleth. what can i say, that hat looks really cool. i used to draw her with the skirt, but i think the pants look cooler so thats how it is now. i did try to detail the inner part of her cape to look like the pattern of her wacky tights in her og design.

[a-heart-of-kyber]

I can only speak as a person raised Catholic (heh...), but let me present a wild scenario.

Could you imagine the actual Holy Spirit having a clear and direct sentient influence in your child's life?

With this connection to the Holy Spirit, he starts performing absolutely insane miracles that a Child shouldn't be capable of and by the age of 8 God's chosen priest shows up like "Hey kid, have you heard of our lord and savior Jesus Christ? In my day, he was super sexy. You’re special. I'm going to train you and later you should probably go to a religious school."

And then, by age 17ish, Jesus himself shows up like, "Yes, twas me the whole time. Let me train you one on one my child." And then a year later, your son tells you he's sleeping with Jesus?

Like...does this help anyone understand what happened to Gale better? Or does it help that the Mystra analog is depicted as a man? Do you need me to hold your hand and tell you that even if Gale showed interest, it was on Mystra, as the omniscient god with all the power in the relationship and Future sight?!, to not fucking sleep with the mortal who maybe became an adult 5 minutes ago?

[alelelesimz]

don't stop dancing

[natsmagi]

honestly the more i hear about engstars and its TLs the more i absolutely dread the inevitable release of poltergeist and what may ensue from it, bc if if the translators themselves are already invalidating arashis identity then i Really Truly do not want to see how theyll translate natsume and tsumugis microaggressions/transphobia towards her. esp since ive noticed a rise in people being comfortably transphobic towards her, and i REALLY do not wish to see natsume and tsumugi being stupid fucking morons be used as evidence to discredit her

and i think this is all the more reason why its VERY IMPORTANT for engstars to DIRECTLY ACKNOWLEDGE arashi and her gender. bc sometimes characters are STUPID and RUDE and APATHETIC. enstars is a story with NUANCED and FLAWED CHARACTERS, and when a character is being a fucking asshole youre meant to PROVE THEM WRONG. but they dont even acknowledge arashi as a girl themselves. so, if you do use engstars, please keep pressuring them bc omfg this is so bad and i can only see it getting worse

[skrunksthatwunk]

love like you / maternal pang

bonus under cut:

the first stephanie + the maternal pang tone destroyer i couldn't include bc it's a serious comic

[watcherintheweyr]

desperately need people to understand that alicent is a victim but she’s also an abuser and a perpetrator

that she actively makes choices to harm other women because of jealousy and envy and the greed deep in her bones because submitting to suffering didn’t get her what those women fight to grasp for themselves.

she is absolutely a victim, in show.

that doesn’t change that she abused rhaenyra and her children, her own son, most likely helaena given how she flinches every time her mother touches her, and is actively weaponizing the patriarchy of westeros against other women- rhaenyra primarily, but also mysaria and dyana.

she isn’t the moral, righteous force of good that even she thinks she is, she’s a wounded woman directing all of the rot, pain, and fury inside her at the wrong people and forces.

[sysig]

Wuh oh (Patreon)

Bonus:

The novel experience of being crushed by a giant rock, a visual metaphor

[pushing500]

We built a marble sarcophagus for Brandy beside where the toxic wastepacks get stored. It's a lovely little spot, perfect for nostalgic reflections and a nice private cry.

Speaking of crying... Brandy liked to follow Mechi around while he did jobs, so I imagine he feels her loss a bit more strongly than he might have otherwise. We need a way to vent all this pent-up grief! Fortunately, Kwahu knows just how to get one...

A second diabolus is just what the doctor ordered! We need another signal chip anyway so that we can make the boys cool matching mechanitor gear.

A healthy way to vent emotions, I'm sure. Brandy would be so proud of us. Rest in peace, best girl 💔

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[dani-luminae]

His face during the meeting, the moment he first says "No." As he realizes what has just been said and decided, not just his dream being shattered right in front of him but also the chance they're taking away from all those kids just because Auradon is scared. The camera glosses right over it in the moment, but if you get a good look: he's reeling from it, literally backing away. The horror, frustration, and heartbreak is sinking in, and not even his own fiancée is on his side.

And the movie somehow wants me to believe he agreed with Mal and everyone else on this decision.