#shadowhunter ships

[tiredandoptimistic]

What I think works so well about Clary and Isabelle's friendship is that they're very similar people, but they present themselves just differently enough to appear alien to each other. Both of them were the only girls in a group of boys (Isabelle was raised more or less isolated with Alec and Jace, while Clary doesn't seem to have any friends other than Simon and to a lesser extent his band), and they responded to this in very different ways. Isabelle basically committed herself to her role of "the girl" and always performs extreme femininity, while Clary attempts to sink into the background as "one of the guys." Both of these behaviors can be seen as rebellions against their culture. Isabelle comes from the very misogynist world of Shadowhunters, where women are respected as warriors but expected to act in a masculine way in order to earn that respect. She rejects this, and proves her place as a brilliant fighter while maintaining her fun and glossy feminine traits (compare her with Jessamine Lovelace, who was seen as silly and frivolous for her feminine interests). Clary on the other hand is a child of the nineties growing up in NYC. As a teenage girl in the early 2000s, she would have been surrounded by "not like other girls" philosophy, and hyperfemininity would be both pushed on her and demonized in popular culture. Because of all the pressure placed on gender roles and her lack of connection with other girls her age, it's no surprise that Clary would develop a certain bitterness towards people who perform gender in a way she won't.

With all of that out of the way, we get two teenage girls who have no fucking clue how to handle each other. They're both jealous of how the other one fits in with the guys in a way they can't. Obviously any friend group is made up of friendships which fit together in unique ways, but Clary and Isabelle both see themselves as The Girl, and thus are worried that the other one will make them redundant (Clary gets along with Jace, so will he still need Isabelle? Isabelle and Simon are getting along, will this take away Clary's place as Simon's most important person?) Of course this isn't something that will actually ruin their friendships, but Clary and Isabelle don't know that. Instead they need to learn how to engage with each other, and I enjoy that TMI actually shows them having those conversations. They're trying, but it doesn't all happen at once. Clary still has bitter thoughts about Isabelle's femininity, and she also looks down on other girls like Maia.

Speaking of Maia, there's a really good moment in COA where Clary starts grumbling to herself about how unfair it is that a werewolf can be pretty, and that Maia should be gross and hairy. She then catches herself, and literally thinks "this is exactly why I don't have any female friends," showing that thanks to Isabelle she's learning to recognize her internalized misogyny. She can hang out with other pretty girls, and it doesn't decrease her value as a person.

It's just so nice seeing a character whose internalized misogyny is actively acknowledged by the narrative and treated as a flaw she must overcome. So many female protagonists in the early 2000s (and other decades) had the hyper-femme "best friend" who they hated, but even though that's how Clary sees Izzy at first, she's able to look past it and see the ways they click together. The two of them don't become besties immediately, but they're at least able to get past that first layer of hostility.

[derangedthoughtssideblog]

it's me and the same old ships I've loved since 2018 against the world i guess

[tragic-ships-tournament]

Tragic Ships Tournament Round 3

Propaganda under the cut!

Herongraystairs:

"Hey is it polyamory if you and your buddy are both in love with the same girl (and each other)? Is it polyam to die of old age and only have your wife and the guy you were platonic married to as a teenager in your final moments? Is it polyamory if you constantly bring up your wife's dead husband and make it clear you're also deeply in love with him?"

Lawrence and Adam:

No propaganda submitted however I think everyone should read this giant essay written by the submitter

"Okay so our buddy Jigsaw here, John to his friends, puts Adam and Gordon in a trap in the so-called Saw Bathroom.

Adam wakes up from unconscious in a full bathtub and gasps for air trying to get out. In doing so, he inadvertently pulled the plug. It is pitch black in the room. A voice calls out from the other side of the room.

The voice is Gordon. His name is Lawrence Gordon, he's a doctor. For a few moments his voice is all there is until Gordon turns on the light. They are both chained to metal pipes in opposite corners. They introduce themselves. There is a dead body in the middle of the room.

Neither man trusts the other. In attempts to escape, they find clues: a clock that is brand new and as such the opposite of the rest of the room; an envelope with a cassette in Adam's pockets; and a casette, a key and a bullet in Gordon's. The key opens neither man's chain.

But there is a casette player in the hand of the dead man in the middle of the room.

With some difficulty, Adam is able to reach it so that he can play his tape which detailed his crimes (as according to John) and how he will either watch himself die or do something about it. This is a poetic trap on John's part as Adam is a voyeur and is paid by various people to follow others around and takes photos on them. As for Gordon? Well, first he sends his tape to Adam to hear first before hearing it himself. His crime is that as a doctor (his name is Lawrence Gordon, he's a doctor) he spends his days telling people they're going to die, giving them their death sentence. Now he must carry out that sentence himself. He must kill Adam by 6 o'clock or Gordon's wife and daughter will die.

The dead man in the middle of the room was one of Gordon's patients.

The recording gives them several other clues and soon they find a plastic bag in the toilet with two hacksaws and a bag of photos inside. Adam throws one to Gordon and immediately begins on his own chain. The saw breaks.

In anger, Adam throws it at the mirror which smashes. Gordon realises the saws are not for the chains but for their legs. This is when they realise they've been abducted by Jigsaw. Gordon mentions that Jigsaw had previously tried to frame him for murder by leaving his penlight at the scene of one of Jigsaw's crimes. Adam grows distrustful of Gordon because that's a weird detail to mention, huh? And in a fit of panic and anger, he takes the broken mirror shard and threatens to kill our boy Gordon (Lawrence Gordon, he's a doctor) unless he explains what the hell is going on. Then he notices that the mirror is a one-way mirror. He smashes the rest of it until he's cut through the glass and they see a camera.

A camera watching their every move. Adam soon learns that the camera is protected by another pane of glass, this one shatterproof.

Gordon, bless his heart, is able to calm Adam down and he begins to tell Adam about his family. He has a wife named Alison and a daughter called Diana. Adam asks if he wants more children, Gordon replies no as he doesn't think Diana gets enough time with her parents as is.

This nice conversation is ruined when Gordon tossed Adam his wallet so Adam can look at the picture of them in his wallet. That picture isn't there; instead, there's a picture of them tied up and gagged in their apartment. Adam doesn't want to worry Gordon so he quietly pockets it and just says the photo isn't there. This photo also has a clue that leads to Adam asking Gordon to turn off the light at which point they see a glowing X and are able to get the next puzzle in the trap. (It's a very drawn out trap compared to Jigsaw's more oftenly used one and one em traps) Gordon retrieves a box with a lighter, two cigarettes, a note saying the cigarettes arent poisonous (factually untrue consideeing lung cancer but John's an engineer not a doctor) and a phone. The phone can't be used to make calls so no 911 can save these white boys right now.

Adam, who doesn't know about the note, asks for a cigarette. Gordon says no.

Gordon asks Adam how he knew to turn off the light. Adam tries to lie, like a liar, and fails, like a failure, and is forced to reveal the photo. This is how Gordon (his name is Lawrence Gordon, he's a doctor) is able to come up with his big plan. He, having figured out it was poidonous, dips one cigarette into the blood of the dead man in the middle of the room. He turns off the light again. He explains his plan to Adam.

Lights come back up, Gordon gives Adam a cigarette and a lighter. Adam takes a drag. Suddenly what? Oh no? He's dying? Never mind, he's being electric shocked through his chain because boy howdy can that boy not act.

Also, when you turn off the lights, people can't see you. They can still hear you.

Gordon points his anger at Adam for the failure of the plan though again, he did just tell Adam the plan by talking. Like that's not that secure. But the electric shock triggers something in Adam. He remembers his abduction and having no one else in the room to talk to (besides the dead body), he tells Gordon about it. Their traumas are entwining. Then the phone rings. It's Diana. She begs her dad to save them. Then the phone is given to Alison who tells Gordon that he can't trust Adam and that they've known each other for a long time. Gordon confronts Adam. Adam admits that he's known who Gordon was for a few days. He'd been paid to follow Gordon around and take photos of what he was doing. Adam shows him the photos. Which photos, you ask? The ones in that bag that were in the plastic bag in the toilet. I'm sure you've forgotten about them now. They argue and Adam admits he followed Gordon to a hotel where Gordon was meeting up with one of his students, Carla. They were about to start an affair. Adam knows about this. As does John. That's the real reason Gordon is in this trap. A Welcome Home Cheater sign? No, no. This one gets the Saw Bathroom.

Convinced that whoever hired Adam must be Jigsaw, Gordon presses him on it. Adam relents. It's not Jigsaw. It's a detective who's convinced Gordon is Jigsaw.

They fall silent again. They figure out one of Jigsaw's henchmen is a guy called Zep who's an orderly at the hospital. The time runs out. The phone rings again. It's Alison! She's broken free! They're saved! Gunshots. Diana screams. Gordon cries. The chain electric shocks Gordon into unconsciousness. Adam immediately tries to wake him up, terrified Gordon is dead. He's not. But he's broken down. And when he was being electrocuted, he'd chucked the phone out of reach. Out of all other options, Gordon (his name is Lawrence Gordon, he's a doctor) uses his shirt to stanch his leg and begins to cut his foot off. Adam begs him not to and to just calm down, but Gordon's too far gone. When the deed is done (which you don't see in the film by the way, the first Saw was very tame when it came to gore surprisingly enough), he crawls to the dead body in the room and takes the gun out of the man's hand. He loads the gun with the one bullet he has. He shoots Adam. Adam falls back like he's in Looney Tunes. Gordon screams at the camera and begs them to save his family. And then Zep comes in. He was the one holding Gordon's family hostage. Gordon tries to shoot him. Gordon had one bullet in his gun. His shots are unsurprisingly ineffective. Zep is unimpressed with this. It is just a rapidly paling man missing a foot shooting an empty gun like he's in a water pistol battle in a county undergoing a drought. He decides to kill Gordon as he didn't kill Adam by 6 o'clock. And Zep is from the county over and has plenty of water to spare. He aims his gun at Gordon.

But he forgot about Adam. Like a Bugs Bunny reborn, Adam comes in from behind with the toilet tank lid. In his fear and pain and anger, he beats Zep over and over and over with the lid until Gordon is able to calm him down. They stare at each other like sad gay men. Gordon tells Adam that if he doesn't get out, he'll bleed to death here. Adam begs him to stay. Gordon promises to come back for him. Adam begs him not to leave him. Gordon crawls out the room. Adam is left alone, a bullet in his shoulder and his heart crawling away. He's all alone. Apart from John Kramer. He was the dead body in the middle of the room this whole time. He stands up. He tells Adam that the key to his chain was in the bathtub. The one that Adam had accidentally pulled the plug out of. He leaves the room. Game over.

Adam will die in this room. It was always going to end like this. One of them was going to die in that room. If Adam lives, Gordon must die. If Gordon lives, he must kill Adam. There is no way in the world for these two to survive, not together. There was always going to be a dead body in that bathroom."

[queer-book-character-tournament]

Character, book, and author names under the cut

Carmilla Karnstein/Laura- Carmilla by Sheridan Le Fanu

Alec Lightwood/Magnus Bane- The Mortal Instruments by Cassandra Clare

[secretly-a-catamount]

short(er) girlfriend dragging her tall(er) boyfriend around by his tie, my beloved.

[ajaxy-arts]

alec helping with his make-up <3

[carelessflower]

do you think the reason alec was so frustrated and acted irrationally when magnus dodged or refused to tell him anything about his past or more about him is because it reminded alec of how his parents would treat him. close, there’s a special bond there for sure, but he was always in the dark, depending on any scraps they feel pity enough for him. needed to not ask question, to go out of the line, to simply act like everything was fine. and because magnus was nothing like maryse and robert, didn’t reprimand alec for his irritation, his anger, alec wanted to push and push, to see how far the limit stretch, until everything was out of his control

[leenfiend]

this scene in lady midnight made me scream actually so I had to draw it

[balladofbells]

Cassandra I am BEGGING YOU FOR THE SAKE OF ASHDRU

[embroideredlove]

Gagged at the thought of 13-year-old Dru finding out she’d have three guys after her when she was older

Lady Midnight, Chapter 8: Out of the Cloud by Night

[aletterinthenameofsanity]

looking back on the fic I've written in the last few years and my own sexuality journey has made me realize that there is an argument that poly folk and ace/aro folk process love in a lot of the same ways, like the idea that you can have significant, life-defining relationships with different people and you get something important and sometimes even a similar flavor from each relationship but each one is still fundamentally different and significant in its own way and sometimes you don't want sex but you do want hugs and your partner may be having sex with their other partner but that does not make your relationship any less important because they come back to hug you and having more hearts bound up in your own is never a bad thing, because being loved no matter the form is never a bad thing, you are lovable and you can love so many people and having a heart overflowing with love for other people and things and the universe just means that you're healing and finding the people who fit you in whatever way that comes and there will always be someone cooking in the kitchen filling your heart and stomach no matter what and in this essay i will-

[livingforjordeliaandkitty]

I just remembered how Kit told Julian once something about his "weird brother" and Julian (being Julian) just went immediately like "Ty is not weird", and our beautiful Kit looked at Jules (like if he said something completely stupid) and said "I know, Ty is not weird, is autistic. I'm talking about Mark". In that moment I knew guys, I fucking KNEW THAT KIT WAS THE STANDARD!!!

Let me tell you, I just love how Kit doesn't even hesitate because Ty is neurodiverse and love him like doing it is the easiest thing. As it should be!

[specificpollsaboutbooks]

F/M Couples

Round 2

About Kaz and Inej :

"oughhhhhhh they're so gooddddddddd."

[queer-book-character-tournament]

Characters, book, and author names under the cut

Magnus Bane/Alec Lightwood - The Mortal Instruments by Cassandra Clare

Magnus Chase/Alex Fierro - Magnus Chase and the Gods of Asgard by Rick Riordan

[tragic-ships-tournament]

Tragic Ships Tournament Round 1

Propaganda under the cut!

Thor and Jane:

"Sometimes people grow apart, no matter how electric the connection. It's no one's fault really, things just change. And then sometimes life brings them back together! And they can heal. At least emotionally, because life ends and someone always has to go first. While apart I think Thor and Jane both learned more about the other and, had it not been terminal, I think they could have grown back together and had a little more time to /be/ in love."

Herongraystairs:

"Hey is it polyamory if you and your buddy are both in love with the same girl (and each other)? Is it polyam to die of old age and only have your wife and the guy you were platonic married to as a teenager in your final moments? Is it polyamory if you constantly bring up your wife's dead husband and make it clear you're also deeply in love with him?"