#season 4 theories

[thoughtfulchaos773]

Were Carmy and Syd texting a lot and spending a lot of time together during this time?

I ask because the text from carmy is very casual and sarcastic, there's familarity and humor involved when she asks if Fak has real tools. (Carmy knows this much because he asks for faks real tools when he's ready to fix their table)

Back to the timeline and chance where they spent time together: Sydney comes back to work with Carmy in December (the holiday song that plays at the beginning of 1x08).

2x01 is in March, and at the end, it's 18 weeks until it's open. 2x02 pasta is 12 weeks til open- they had a month to spend time together.

So they have 1.- 3 months to talk- 3 months to discuss plans for the bear, the budget, and plans for renovation from December to March. 3 months to get to know each other.

The another month to spend together before he reunited with Claire.

The scene where Sydney asks, “Still good to jam on menu later?" It’s clear they’ve bonded over brainstorming in the past.

Then there's that moment when Carmy turns back to her once he says, "Yes, chef." It felt like Sydney was about to chime in, too, (maybe asking if she left something at his place??) but then Marcus swoops in and interrupts just as he stood between them a scene later when Carmy asks her if she wants to work at the apartment.

Another thing when Carmy says this- it's the apartment, not my. I believe this was a specific detail.

It seems like Sydney was at his apartment for the first time 2x02 BUT he says the apartment like she's been to his place before.

She walks in and looks around the apartment—does it look different from the last time she was there? It seems messy. She looks at the remote on the table, the crooked curtains, and the nail on the wall—maybe there was a picture there when she went to the apartment last time.

They spent time together, but it was mostly work-related. Aka scrunchie portal, she also asks him if he's still thinking about the chaos menu.

This show loves to play with time, so what if we get a timeline episode of Sydney and carmy being actual partners before season 2 starts or the weeks between 2x01 and 2x02? We still get clues about how close they're getting with the matching sweaters, we know this because this was the one and only time Sydney is comfortable enough talking to carmy about her father with Carmy in the beginning of the episode.

Closer than we thought, perhaps?

[journalofabird]

What happened to the other 36 children that were born on October 1st 1989?

Why is Reginald Hargreeves an alien?

Why did Abigail say "Thanks for protecting me on the moon" to Luther?

Why was Jennifer inside a squid?

What happened to Sloane when all the others got to another timeline?

Without the comics, there are still so many questions left unanswered in the umbrella academy show itself.. and it's driving me crazyyy

[sirfrogthe3rd]

"If an artist falls in love with you, you can never die."

[strollthroughstars29]

How far can a person bend before they break and how long can the broken be wielded before they turn double edged?

This season was so devastatingly beautiful, but ironically, the metaphorical crown wouldn't be heavy if the gemstones didn't dig into the head of the wearer.

Sometimes, the line between mercy and cruelty can be thin.

The reason WHY Claudia resonates so deeply with Aaravos' story is because it's a mirror that she finds herself in. She IS the daughter in the story but not the one who pays the price. No, that was paid by her father... her father, who was brave enough to do what Aaravos couldn't. What's heartbreaking is that she doesn't even realize what she's discarding is the same thing Viren chose to embrace in death; his humanity.

One father who chose to bear the brunt, and another who chose to sacrifice his child.

I absolutely loved the parallel between Callum and Rayla having a do-over of their reunion, getting what could've been, but Viren refusing to reveal the truth to Soren, knowing one is a blessing and the other, a curse. Forever losing the opportunity to know what could've been.

The loss portrayed was so unsettling...

To even the loss we felt as the audience, seeing what made Viren who he was... his own son, to seeing what he made himself and the loss of what could've been and how his death proved the one thing we didn't want him to show... him having a human heart. And that's what this show did magnificently... it made this audience root for people against our will.

From the unfinished story of the lovers forever frozen in time to the mournful ballad rayla sang to console the stormbringer.

The only thing left to see is how these weapons charecters are to be utilized.

How callum will embrace his darkness and if Rayla will be able to kill him if need be. Or if promises will not be the only things to be broken next time.

[ariemfox]

so, yeah. um. about that new timeline. i think it'll probably be destroyed by another kugelblitz, lol.

since the umbrella academy saved allison's and lila/diego's kids by transporting them to the new & original timeline, i think the umbrella academy inadvertently caused the grandfather paradox to happen, again.

meaning the new universe would have been annihilated by a kugelblitz, again.

this is because if lila, diego, and allison never existed in this new timeline to give birth to their kids, their kids should not exist in this new timeline.

so much for saving humanity, i guess. ✌️☂️

[miss-galaxy-turtle]

Between Viktor getting fire powers,

Five's teleportation color being different,

And Ben having Doc Ock tentacles now,

I think there's gonna be a thing of them trying to get their powers back and them being slightly different. Maybe that also explains why Klaus (at least appears to be) floating?

I think Klaus is gonna be the one to try and find a way to get their powers back.

Walk with me.

There's the fact that we see him doing an actual seance:

And every season thus far, we have a Hargreeves obsessing over something, corresponding to the season number (Luther trying to find out how Reggie died, Diego trying to save JFK, and Allison trying to get Claire back).

There's ALSO a bit of Klaus breathing in a plastic bag. Maybe it's because he no longer has immortality and now knows how many times he's died before, so he's not taking any chances:

It also works on a character development standpoint: he goes from hating his powers to the point of numbing it with drugs and alcohol to wanting them back. It could ALSO ALSO explain why all the powers are slightly different. Maybe he tried to get the powers back but slightly different? So he can have immortality without the ghosts. Because of that, everyone's powers are slightly different.

This might just be the ramblings of a madwoman but I think I'm onto something

[nahokura]

Guys I have a theory...

[geekgirl750]

I know the running fan theory now is that Five's "real" name is Max, but my personal headcanon will always be that Five's name was Quinn/Quincy which means fifth son.

Cause like get it: Five's name would LITERALLY mean five!

Idk that just seems like something he would do if he had to pick a "normal" name.

[audible301]

It’s well vs Its well

I feel like the wording of this isn’t just supposed to be confusing it’s supposed to have two meanings. There could be a broken well and magic itself could not be broken it could be well.

Weugan says “something broke.” Not “magic broke” and rejects the claim that magic is new, just that the rules are. Magic itself is well, it never broke thats why Sam’s very specific question (“What in magic broke?”) came up with a confusing answer.

In Adventuring Party, Brennan claims that Weugan had said that the well that is the source of magic broke. When Aabria corrects him she specifically points out that nothing was said about the source of magic. If “well” does refer to a well that does not mean that well is the source of magic.

I think whatever was keeping magic the way it was at Gowpenny was man made. At some point someone found a way to funnel an insane ancient power for easier use and then built a society around it. It was never built for everyone to use, that’s why the rush of awakenings “broke” it.

Magic shouldn’t be so easy to use. It’s supposed to be scary. It has always been a chaotic and unpredictable force and it has finally returned to that state. It is well and the well that was keeping it contained is broken.

[byler-is-life]

How homophobic people felt in July 2022 after saying that Will wasn’t gay even though in the first 2 god damn episodes of season 4 Eleven told Mike in a letter that she thought Will’s painting was for someone he liked and then Will’s GAY ASS took it to the AIRPORT. AND THEN GAVE IT TO MIKE TO MAKE HIM FEEL BETTER ABOUT EL NOT NEEDING HIM ANYMORE BECAUSE HE [mike] SAID IN THE LAST EPISODE OF SEASON 3 THAT HE LIKES PRESENTS.

[inconspicuousdreamgirl]

Stranger things bts spoilers ahead!!

So they are still filming at the moment and filming this scene. A lot of people have assumed these kids are the main group but let me tell you it’s not.

First off it would be flashback so it’s clearly not the main boys as looking at the costumes it looks more late 80s outfits

These are the types of clothes they wore not even remotely similar.

So what is this scene? Well I think it could be anything really other than a flashback of the main characters.

Personally I think this will obviously take place in the last episode. It could be a scene where the grown up group or mike sees a group of four boys resembling his friends biking in the streets like how they used to do. It would be a sweet nostalgic/ looking back moment as the group are graduating and leaving to explore their lives. It would be a bittersweet sweet scene.

Season one and the first introduction to the main characters begins with the boys biking home with Mike watching them ride off. so this could be a parallel to this as a grown up mike is seeing his own friends and childhood in these kids.

[harmonictechnicality]

I am a big ‘Steve and Eddie crossed paths in high school’ believer for one main reason.

Season 3, episode 7. Steve has just been drugged by the Russians, and tells Dustin this:

“How many times, Dad? I don’t do drugs. It’s only marijuana.”

By that statement alone, we canonically know that Steve smokes weed. And I can’t imagine that Hawkins is rolling (pun intended) in an array of high school-aged drug dealers. So Steve has probably purchased weed from Eddie.

Another important note, is that he says ‘how many times.’ Plural. Multiple. Steve has probably purchased weed from Eddie multiple times. And knowing that Eddie has a hidden spot where he likes to make his deals, it’s safe to assume that Steve has probably been there. Sitting where Chrissy sat. Having awkward small talk with Eddie. Having Eddie do something ridiculous to break the tension, equalize the social hierarchy with humor.

And they probably developed some sort of customer/dealer dynamic. Which means there’s a level of trust there, right? Keeping secrets (not ratting Eddie out), and remaining loyal (only purchasing from Eddie). So Eddie trusts Steve on a basic level. Which adds to the reason why he doesn’t cut Steve’s throat in the boathouse in s4. Dustin swearing on his mother helped sway his decision too, no doubt.

And sure, Steve could’ve bought weed from someone else. Fine. Whatever. But isn’t it more fun to think that they’ve interacted quite a bit before season 4?

Even if it’s just strictly business? ;)

[ballerinarina]

𐙚LET'S TALK ABOUT... DIEGO, LILA & FIVE

Okay, firstly I need to state that I'm going to say my impressions about the season four of The Umbrella Academy, focusing on the subway plotline. My considerations are very long (I'm talkative!) and about what I watched in the episodes and what I read on social media, so, I am totally open to opinions too!!

As an hyperfocused girl, I've been thinking about the subway arc plot decision during an absurd amout of time. I watched it a few times and read a lot of opinions. Yet, I still feel a little... surprised (?) by the intense hate over it.

It's not about liking or disliking the new couple that I'm talking about. Since naturally people would prefer one ship over another, it was obviously waited that the opinions would be divided.

I just... can't understand why people hated it so much as if it was a bad plot decision. Diego and Lila are beautiful together, i agree! They have a long, real and strong love story together. But why people are acting like this new plotline erased all their relationship together? Relationships are more complex than that.

Feelings are more complex than that. Humans are.

Actually, I may say that the psychological development that happens in the subway is way more interesting because Lila and Diego love each other, as much as Five loves Diego too.

This being said, I don't mean that I think a cheating plotline is interesting because of the cheating. I actually use to dislike it a lot. However, dealing with cheating in a black-and-white way as if it's an indefendible action is not clever. Sometimes, some things I read make me realize that people are so stuck into traditional morals that their capacity of thinking and analyzing complex emotional situations is kind of... damaged.

𝐒𝐨... 𝐋𝐢𝐥𝐚 𝐗 𝐃𝐢𝐞𝐠𝐨 𝐨𝐫 𝐋𝐢𝐥𝐚 𝐗 𝐅𝐢𝐯𝐞?

The Umbrella Academy is known as a series with very human and complex characters. That's what makes it so good, from the beginning! That's why I think it's kind of sad to judge their relationship with a typical moral view.

Claiming that Lila didn't deserve Diego, for example is so... so sad. She was an amazing mother and wife. She tried to go back to them for six years and as soon as she could she went back! Not even thinking twice! She loves Diego, of course she does!

Loving Five doesn't make her love for Diego less strong.

I really don't think Lila X Five is just neediness, however, no way. They already spent two seasons constructing a beautiful (friend) relationship before and in this horrible context they spent a lot of time taking care of each other, being each other's support. Considering this and their communication development — jokes on season 3, kindness in the beginning of season 4 — it's not surprising or nonsense that it turned to become romantic. People and relationships change, love is built and adapted.

I don't think Lila stopped loving Diego (i mean romantically, but even if she did, she surely didn't in other ways of loving that are as beautiful as it is) but that doesn't make her love for Five false, and Five loving and having a relationship with her doesn't make him a bad brother either. That's why I emphasized that TUA is a series with complex relationships. Why do you get upset and surprised when another relationship between complicated characters is built due to the tragedies of the script?

If this didn't cause outrage before, could it cause because, this time, when things get complicated, the plot resource used questions the standard romantic drama format expected by the system?

𝐍𝐨𝐧𝐬𝐞𝐧𝐬𝐞 𝐩𝐥𝐨𝐭? 𝐎𝐮𝐭 𝐨𝐟 𝐜𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫?

I guess one of the main arguments I saw was that their relationship didn't make any sense and that their scenes were extremely out of character, but I don't think it could be sustained when they both are characters who go through a lot that makes them change, alone or together. What they're claiming being out of character may simply be character development under non-ideal circumstances.

It seems like there's an strong resistance to open their minds while watching and realize that love isn't something that can only happen once and/or once at a time and under ideal situations. Diego and Lila's marriage crisis, Five and Lila developing ther friendship inbetween work cumplicity, Five looking more lost and tired in his decisions than before, the fact that it is the second time he has been trapped in space-time — which is a big trauma for him, since, from the first season (in the first apocalypse) we have been shown that, despite being introverted, arrogant and reserved, it is precisely "relating" that serves as a point of refuge for Five not to go crazy, lowering his guard and being kind...

All of this constructs very well their psychological coherency. "He wouldn't treat her like that during season 2 or 3!", "Lila would never be a domestic mother/ Five wouldn't work do CIA!". Well, we're talking about them now, not there.

One of the plot decisions to start this season was that the characters were living between what they kind-of-desired, but things still weren't fine, they still weren't getting what they wanted.

Five being free from the world-ending, but stll not being able to relax and live a simple retired life as he wanted. Klaus being sober and free of the ghosts, but insecure and anxious. Allison having Claire and Ray, but still unable to live a happy marriage and career. Viktor having his place working with something that makes him comfortable, but still unable to find love. Diego and Lila having a family and marriage and still unable to feel happy because the domestic work dynamic wasn't working...

Adulthood. Real life. None of those situations were out of character, as much as none of the psychological changes they suffered were too.

𝐀 𝐜𝐨𝐧𝐜𝐥𝐮𝐬𝐢𝐨𝐧 𝐚𝐛𝐨𝐮𝐭 𝐜𝐨𝐧𝐬𝐞𝐫𝐯𝐚𝐭𝐢𝐬𝐦

Since I don't really see the point on why would all of the happenings between them three could be claimed as "nonsense", even less "unasked" or "unnecessary" — because it's a work of fiction and, even if it may not be what the public wants to watch, it is not something that needs to prove its usefulness, just as events (that tie together well, because coherency matters) do not need to prove their necessity in art —, so it makes me even more sad that clearly mostly of the reactions are based on conservative views of marriage.

I know this season is not perfect, and it had a lot of defects, so I'm not saying the arc is perfect. As all the other arcs, it happened in a hurry, making us the public less abl to feel the 7 years of development. Complaining about how the arc was executed is perfectly fine, actually: after all, we know that 4 episodes were cut from the original script, as were many recorded scenes (including a big part of the subway plotline).

AIDAN: "There's a lot of the relationship with Lila that we filmes but they cut it. It took weeks to film it and they used a few minutes in a montage. That wasn't right. It also made very hard for the viewers to believe when we spent weeks filming scenes to set up that scenario."

But when I bring the conservatism theme (misoginy and remnants/consequences of the monogamous religious structure), it's because, even if we have lots of other of worse defects on other parts of the season, the biggest public overreacting opinions have been undoubtly about Five and Lila.

Anyone who spends more than 2 minutes in the comments on Twitter, Tiktok or even here knows that most of the time people've been sad and angry treating them both as if they were turned into cheaters with no morals (Five as a new kind of scroundrel asshole, Lila as some kind of ungrateful whore and I've even seen people problematizing their enemies phase, or the age difference as if one of then, or even the director, were predators, which is pure nonsense) and I can't even express how it makes me deeply melancholic.

I can't see how reacting as if the situations they were put in and their actions toward it in the scripts were absurd, terrible and dumb can't be just conservative, because they were actually very well tied script decisions, used in a bold way. With an interesting and well written enemies to frenemies to friends to lovers trope, they managed to write something fun and that developed both of the characters in their early-season-conflicts-arising-from-other-seasons.

𝐒𝐨? 𝐖𝐡𝐚𝐭 𝐝𝐨 𝐲𝐨𝐮 𝐦𝐞𝐚𝐧 𝐭𝐡𝐞𝐧, 𝐂𝐞𝐂𝐞?

I truly just... Can't understand how some people ended up having collectively such insensitive opinions about the relationship of two characters who were so... vulnerable.

Non-ironically I even saw a lot of people defending they would prefer Five to end up with a “real life Dolores” plotline (since the author felt the need of a romance) than with Lila, or that he shouldn't ever fall in love with anyone else than Dolores. It sounds so... Insane. I can't see how someone can have any kind of shipping-affection for his "sick" relationship with Dolores. It was, for me, a completely heartbroken arc.

While watching this new season, actually, it made me almost warmly happy, as a Five fan, to see him having someone to take care of him in hard times like that. Last time he didn't have it. They loved each other, they constructed this love and even if it was constructed under a refuge, extremely vulnerable situation, as much as even if it was constructed over a hopeless and trust-breaking decision towards their loved Diego, it doesn't make it less real and beautiful.

They aren't bad people. They aren't cheaters. They were desperate.

I'm happy they found love in each other. They were victims but managed to construct a beautiful relationship to survive and it doesn't make them love less Diego, as a brother or as a lover.

Of course it breaks completely my heart that Diego and Five died without making peace, but while watching not even for a moment I considered that they stopped loving each other. They're brothers, they've went through a lot.

They were doing so fine getting along together since they came back from the apocalypse.... There's no way it would "destroy" and "erase" (terms used by some fans) all the progress that's been made... I think it would be a very shallow interpretation of their relationship and a very futile interpretation of the events. Some of the public is seeing the situation as if Five slept with his wife since the beginning, not as if he had felt in love with her in a very apocaliptical and hopeless situation.

It's essential to remember that nothing said romantic happened for six years. It turned this way only after they having practically given up hope of returning home, so exhausted they were.

I really don't think that such a desperate and lonely situation would erase all the love and dedication Diego have for Five (and Five has no reasons to stop feeling it for Diego too, obviously). Diego was totally the sweetest during this season, he did his best, but Five did too... Now they fought but it doesn't mean their relationship would be forever broken. They were both stressed out, of course, it was a sensitive situation. But, i don't think it would... However with an apocalypse going on, they just didn't have enough time.

Diego was clearly open to understand Lila better, so I really doubt he wouldn't try to do the same with Five. But, again, they were both heart broken, hot headed and with no time. It's sad and it affect them, but "destroy and erase" are very heavy terms and inconsistent with the context of their relationships.

I don't know. I don't know how to conclude this analysis. I just… Am sorry. I honestly feel lucky to have been able to experience Diego, Lila and Five, but I'm so sorry that I couldn't see these three hearts find peace in their complicated loves, even during their final moments. These are three very beautiful love relationships that grew up tangled up and that, unfortunately, couldn't unfold in time to hurt less their lovers.

It felt wonderful and desolate. I hope more people can feel it like i did.

[lostsyren]

i have a request for a scene based on these seemingly cut out scenes in episode 4 for part 1

https://x.com/rafeslut/status/1848180750941552843

maybe how it would've turned out if it had not been cut out and how it led to that contemplation scene and eventually influenced his decisions in episode 5 in goat island, idk if that makes sense

𓆉 ❀ 🫧 the right thing

{a/n: thank you for the request, sorry it took me so long to get to it, but I hope you enjoy it and I hope it’s what you expected of the deleted scenes!}

{summary: what happened between rafe and sofia after the showdown in s4 episode 4 on the beach, and a little context to the deleted scene pictures we got from them!}

𓆉︎ ☼ 𓇼 ☼ ꩜ 𓆉︎ ☼ 𓇼 ☼ ꩜ 𓆉︎ ☼ 𓇼 ☼ ꩜ 𓆉︎ ☼ 𓇼 ☼ ꩜ 𓆉︎ ☼

It was downright cruel the way they were all treating Kiara and her friends, Sofia thought, face etched in concern as Ruthie plowed straight through the group all waving their hands at her to stop– to no avail despite their persevering efforts. Ruthie was like that, in the months Sofia got to know her– relentless.

Sofia glanced over at Rafe, who had a small smirk on his face, as if he was trying to hide his glee, but failed, even letting out a little laugh. Her discomfort grew, squirming as she listened to the defensive outcry coming from the other side of the beach.

She inhaled deeply, wrapping her arms around herself. At least it was over now.

But then Sofia heard the low rumble of the engine revving yet again, her frown returning.

The jeep sped up, sending sand flying in its wake, as Ruthie and Topper once gain hurtled past the pogues, who all dove for cover, before Ruthie tipped out her drink over Kiara.

Sofia’s heart sunk for the girl, as she lay on the ground, crestfallen with her hair dripping wet. The way Sofia’s supposed kook friends treated all the pogues made her wonder if they’d do the same thing to her, if it wasn’t for Rafe. The thought made her nauseous, imagining being humiliated the way Kiara was right now and like she was a couple days ago, when she’d overheard Rafe, Topper and Ruthie ridicule her behind her back.

Sofia looked over to Rafe, she didn’t know why, (perhaps for backup, perhaps for comfort), but he remained indifferent, gazing at the scene across the sand with a cool stoicism, lazily sipping at his beer. She shook her head in disdain, finding his behaviour repulsive. She didn’t care about Ruthie, Topper and the others– she cared about Rafe, still, even after he slandered their relationship to his friends.

Sofia spotted Kiara stride over to them, her face twisted in anger.

“Here she comes guys, on a warpath– get ready.” Topper teased with a deriding tone. Sofia observed from a safe distance, mouth still pursed in reproach.

“Look what you did– is this ok?” She yelled, holding out her hands. Sofia peered over to see a baby turtle, crushed in her palms, granules of sand stuck to its lifeless body. Ruthie glanced away, her mouth twisting in an unreadable emotion.

“No look at it! There was a turtle hatch you idiots– you drove right over it!”

Sofia had to avert her gaze, a sickness settling in the pit of her stomach. She hated being on the wrong side of this– being one of the people Kiara was yelling at.

“I understand you’re upset Kiara-“ Topper began.

“I’m more than upset Topper.”

“Alright but it was only one and I mean look,” Ruthie pointed out, tone casually cruel, “there’s so many more of them. A hatch is what? A hundred turtles? Most of them don’t make it anyway.”

“I think it’s like one in a thousand.” Topper added

Kiara shook her head in disbelief. “So?”

“So I think you should go throw that to the seagulls– cycle of life right?” Ruthie plastered on a scornful smirk, her eyes squinted as she stared down Kiara. Sofia could feel the tension fizzle between them.

“Cycle of life? Getting flattened by a truck?” Kiara jumped up suddenly, shoving Ruthie square in the chest.

Sofia bristled in shock, her arms falling away from around her waist as she stepped back from the commotion. Looking around for Rafe, she found him topping up his empty beer bottle, just disregarding the spat completely. She couldn’t help but scoff in annoyance at his as insouciance whilst Topper pulled back Ruthie and JJ reined in Kiara.

“Your move Kie, what are you gonna do?” Ruthie goaded.

Topper held out his hands placatingly, “I would just walk away ok? We’re not doing this.”

“There’s something seriously wrong with you people.” Kiara avowed, Sofia glancing down at her feet at her words, a sinking shame tricking its way down her insides, before Kiara spun around back to her friends.

“Yeah that’s right, go back to your side Kie!” Ruthie called out, right before Kiara shoved their speaker to the ground.

“You come near her or any of us ever again, and I’ll come back and kill every single one of you.” JJ warned, before joining Kiara as they walked away.

Sofia hated this. Hated all of it. Her frown was stark on her face as she ignored the chitters of laughs and fragments of conversation around her, from people she barely knew.

She huffed a deep breath, before stepping back to look for Rafe– someone familiar, someone comfortable.

“I mean did you see that?” Ruthie commented as she walked past Rafe, Sofia hovering a couple feet away from him. She was waiting for him to say something…anything. He could’ve put a stop to this– Topper would’ve listened to him. But no, all he did was watch in silence, drinking like he always did.

“I saw it. All good shit, Ruthie.” He chuckled. Sofia crossed her arms around herself yet again. All good? It wasn’t all good, and she wished that her boyfriend had done something. These were his friends, not hers.

Sofia waited for him to come her way, her hands resting on her hips, face a picture of dismay. He locked eyes with her, and she hoped he’d apologise, criticise what had just occurred. say anything, but all he did was look at her with embarrassment, as if he forgot she was there.

“Not cool Rafe.” She scorned, as he walked past her to take a seat in one of the beach chairs, inciting Sofia’s rage to burn hot and fast.

“They deserved it,” he muttered.

“I wanna leave.” She instructed, her lips twisting in ire when he had to audacity to glance back at her with shock.

“Now!” She spun around, not waiting for him to follow, ready to gather all her things and head home, her mind swirling with shame, rage and disgust.

“What do you mean you wanna leave? We just got here!” He called out from behind her, as she frantically stuffed the sun screen and lotion into her beach bag.

“You serious right now Rafe? You feel good about what just happened?”

Some of the people surrounding them cast glances their way, beginning to whisper and quietly snicker behind shrouding hands.

“Ooo Rafe’s in trouble,” one person chided.

“Why’s she so pressed for?” Another pestered.

“Because she’s a pogue herself– didn’t you know?”

Sofia didn’t care though, but she could tell Rafe did.

“Look just chill ok? I thought you wanted to sunbathe?”

“Yeah well I don’t anymore– I want to go home.” Sofia pulled her tube top over her bikini as Rafe warily eyed everyone around them.

“Baby, just stop a minute yeah?” He tried a more consoling tone, which only cause Sofia to get even more angry.

She stepped through her white skirt, slipping on her sandals, and hoisted her beach bag over one shoulder, before wrapping her arms across her chest.

“I’m going.” She said with a stern face, turning on her heel ready to leave the beach.

Rafe ran a hand through his cropped hair, cursing under his breath before following Sofia down the sandy trail where his car was parked.

“Why are you so mad for?” Rafe wandered after her, easily keeping up with Sofia’s irascible stride with his long legs.

“The fact you have to ask me that is making more angry.”

“Oh come on, it was Ruthie and Topper, what was I supposed to do?”

Sofia stopped in her tracks, swivelling around to face him. They were far away from everyone else at the beach, protected by the thicket of trees encircling them.

“You could’ve said something– anything, but instead you just stood there and watched.”

“Yeah well I didn’t see you speak up either.” He muttered with an eye roll.

She scoffed, piercing him with her unwavering stare, “because in case you’ve forgotten Rafe, I’m a pogue too. You heard they way they were speaking about them– how do you think they’d react if another pogue told them to shut up huh?”

Sofia’s words were thinly veiled from her own insecurities, her hurt and rage at his previous comments resurfacing like flotsam that thrashed in the waters of her heart.

“I’m not living with a pogue…I have standards…”

“You’re not…” he trailed off, for once thinking before her spoke. “it’s different.” He didn’t elaborate how it was different though.

“Whatever Rafe, I saw you laugh and smile as if it was just some big joke– it wasn’t funny, it was straight up bullying.”

Rafe let out a short laugh, “bullying?” He scoffed, “that’s nothing compared to what they all did, they deserve whatever bad shit comes their way Sofia.”

“Yeah well I want no part in it.”

She left him, heading to his car, getting in the passengers seat with a sigh. She hated fighting with him. They both could be so different sometimes, and when they didn’t see eye to eye, it was never a good thing. She was stubborn like her father and Rafe was so…rageful– never towards her though, but when he felt strongly about something, she could feel it radiating off his body in scalding waves.

A moment passed before he got into the drivers seat. She could see him pace the leaf-strewn path, his ring clad fingers running though his buzz cut and he breathed in and out. She rolled her eyes at his dramatics.

The car door shut behind him with a loud bang, Sofia unable to see his face since she’d twisted away from him.

“Are you going to be mad at me for the rest of the day now?” He asked, tone sharp, as he tried to make eye contact with her.

Sofia just shrugged non-committaly, gazing out of the window.

“I did nothing wrong Sofia.” He tried to reason.

“You didn’t do the right thing either.”

Rafe didn’t respond to that.

She felt his hand hover over her knee, “look Sof, I don’t want to fight with you ok? Especially over something as stupid as this, yeah?”

She turned round to face him, her mouth still folded in a frown, “I want to go.”

He retracted his hand from her leg with a deep sigh, “fine– stay mad.”

𓆉︎ ☼ 𓇼 ☼ ꩜ 𓆉︎ ☼ 𓇼 ☼ ꩜ 𓆉︎ ☼ 𓇼 ☼ ꩜ 𓆉︎ ☼ 𓇼 ☼ ꩜ 𓆉︎ ☼

Rafe had tried everything to get her to speak to him normally again. When they reached the house she’d left straight away to have a shower, locking the door– she never usually locked the door.

And when she got out, she got dressed and went and made her own dinner as the sun began to set, the sky doused in the orange glow of the Outer Banks.

Rafe entered the kitchen, hoping to try and make amends yet again.

“Hey baby, what you making?” He murmured gently, sliding his hands around her waist from behind. His fingers brushed away the strands of her freshly shampooed hair, the decadent smell of strawberries filling his nose as he inched his head down to press soft kisses against her neck.

She quickly shrugged him off.

“I’m not in the mood Rafe.”

Stepping back, he tried to hide his dejected expression, leaving her to cook alone in the kitchen, disappearing in the study to let her have the house to herself for a bit. Maybe then she’d cool down.

It was getting late– they’d usually go to sleep around this time. So Rafe got up, shutting his laptop and left to go to their bedroom.

He heard Sofia brush her teeth in the en suite so he went and sat down on the mattress, waiting for her to come to bed.

After a while, she did, entering the room an impassive expression on her face. He tried to smile at her, but she didn’t look his way, instead walking up to the bed and grabbing a blanket, turning back around again.

“Wait, where are you going?” He asked getting up from off the bed, his brows stitched on confusion.

She remained calm, face as still as a lake. “I’m sleeping on the couch,” she said plainly, as if it was the most normal thing in the world.

“Sofia… you can’t still be mad at me?”

“I’m not mad…I just need some space.”

“I won’t get too close then.”

Sofia shook her head, “night Rafe,” she said softly, before heading out of the room, blanket trailing behind her, leaving him to curse exasperatedly under his breath– leave it to the Pogues to find a way to mess with his relationship too.

𓆉︎ ☼ 𓇼 ☼ ꩜ 𓆉︎ ☼ 𓇼 ☼ ꩜ 𓆉︎ ☼ 𓇼 ☼ ꩜ 𓆉︎ ☼ 𓇼 ☼ ꩜ 𓆉︎ ☼

After an hour or so fruitlessly grasping at sleep, Rafe paced the bedroom, biting at his thumb.

“You didn’t do the right thing either.”

Sofia’s words spun around his brain, making him think about all the shit he’d done. The memory of seeing Sarah today had lingered with him surprisingly, their silent gaze across the windswept beach reminding him of the terse look they shared a year and half ago on the tarmac, where he unknowingly sent his father to his death.

“Look it’s Sarah, do you think she’d want to talk?”

Sofia had asked him as she sat beside him earlier on the warm sand, with that sweet, gentle voice of hers. She always seemed to nudge him to do the right thing– the moral thing. And he always seemed to do the opposite. Rafe realised he couldn’t stand to disappoint her.

Quietly exiting the bedroom, he pattered down the stairs, heading to the living room. There she was, nestled into the sofa, the blanket fallen on to the floor. Rafe smiled to himself seeing her look so pretty and serene, noiselessly approaching and draping the blanket over her exposed legs.

He then meandered over to the gaping window, the cerulean night sky silhouetted by the swarthy trees and faint shape of boats lining the dock.

His eyes snagged on to the picture frames he’d packed from Tannyhill, the final memory of the family he once had. In all honesty, he was going to put them in the trash, or at least let them gather dust in some storage unit miles away; Sofia had been the one to convince him to keep them when she was helping him move out of Tannyhill all those many months ago.

“They’re your family Rafe, you can’t just throw them away like that, come on I’ll help you pack them up.”

It hurt to see that picture of him when he was in his early teens, making Sarah what? Ten? Eleven? Because all he could think about was how she looked when he held her under the water– the terror in her eyes, the tremble of her body. She’d turned into a little girl in that moment, so frail and scared..

“It’s Sarah…it’s your sister…please stop.”

She’d begged, clutching at him, clawing at him. The recollection made him nauseous.

His father used to always say “Family is the most important thing” and here he was alone and unmoored, his two baby sisters no longer with him. His heart ached with a sudden and deep grief, as if he’d just realised the extent of what he’d lost.

But he wasn’t completely alone…he still had Sofia. He sometimes thought of her like light– she had this effervescent, incandescent quality to her. The way her eyes would light up like liquid gold, how her hair glinted bronze in the sun, her smile exuding lustre. She’d make him feel lighter too. Rafe mulled over her words again.

She had a point– he didn’t do the right thing. And he was going to fix that by amending his relationship with Sarah, getting Wheezie back from Rose’s clutches, and finally start a family of his own– with the woman he loved. Sofia wouldn’t lead him astray.

Rafe walked over to her slumbering body, crouching down as quiet as he could be, taking a seat next to her. She stirred slightly, but stayed fast asleep, almost subconsciously nearing him in her dream state. The thought brought a small smile to his face.

His thinking drifted back to the morning, when they were getting ready for the beach. She was telling him how maybe Hollis’ deal was legit, about how the patrons of the club were all gunning for it.

Rafe knew how to show her he listened, show her he valued her– he’d take Sofia’s advice seriously. And with Goat Island soon to be his, Rafe could start that new life and finally start that family, all with Sofia by his side.

𓆉︎ ☼ 𓇼 ☼ ꩜ 𓆉︎ ☼ 𓇼 ☼ ꩜ 𓆉︎ ☼ 𓇼 ☼ ꩜ 𓆉︎ ☼ 𓇼 ☼ ꩜ 𓆉︎ ☼

[blindmagdalena]

rapid fire predictions for the finale of the boys s4: SPOILERS AHEAD.

sage left behind her cute little maeve notebook full of manipulative misinformation that homelander or firecracker or both will conveniently misuse exactly as sage intends them to

sage shows up at the boys headquarters to say 'hey losers, ready for the next stage of my plan?' and reveals to them that she's been the guiding hand for them this whole time, and she was just manipulating homelander. she got fired on purpose as to not be caught up in the downfall of him/the seven/vought. she doesn't want him in power any more than they do. why else would she help them so much? we're left uncertain if this is true or if she just intends to get back in homelander's good graces.

soldier boy and maeve both made merch appearances in e7. one or BOTH of them appear in the eleventh hour of the finale???

billy becomes a meat puppet for joe kessler, setting him up as a secondary BBEG for season 5. we get DOUBLE BUTCHER as he is now the hallucination screaming at joe. ryan will be the key to restoring butcher to his senses? this one is maybe more abstract and unlikely.

this thought i'm WAYYY less jazzed about but feel is possible: homelander, hurt by ryan excluding him from his televised family spiel and possibly driven into a spiral by ryan expressing a desire to leave him, reveals to ryan the truth of how he was conceived, and how there's no way becca actually loved him because of it. he will also throw her death in ryan's face, and how butcher also can't love him because he killed his wife. he will insist that he is the ONLY one capable of loving ryan. he will say literally anything to try and isolate ryan because he is that desperate not to lose him.

[dresh-rx]

Another crack theory back in the days

When i first saw the S2 sets i had this wild theory for Egalt, that he was actually a manifestation of the Spinjitzu Brothers lol

Because the design was just soo Wu & Garm like

I called them the Skizo-draggo

I was so sad it never was true, but Egalt is amazing so whatever :)