#school friend

[downthetubes]

Spaceship Away, the Dan Dare-inspired SF comic anthology, celebrates landmark sixtieth issue

A landmark issue for the long-running independently-published SF comic magazine, Spaceship Away

The team behind the Dan Dare and Eagle-inspired comics anthology Spaceship Away are celebrating this month, as the long-running title clocks up its sixtieth issue – and on fine form. The cover of Spaceship Away Part 60 represents Keith Watson’s cover art for Part One, published in 2003 First announced at an Eagle Society Annual Dinner back in 1992 by its original editor, Rod Barzilay, Spaceship…

[eosofspades]

i didn't have "i'm broken" teenage asexual angst i had "i'm literally being the only reasonable one about this concept and the rest of you are behaving like fucking freaks" perception issues

[liquidstar]

If my mom sees a significant amount of blood she gets lightheaded, and has fainted on some occasions. Once it happened when we were kids, I wasn't there to witness it but I heard the story from my dad. Basically my brothers, around 7 or 8 at the time, were playing outside while my mom was making their lunch, and she accidentally cut her finger. It wasn't anything serious, but it drew a fair bit of blood and she passed out. My dad saw this and rushed over, but he didn't really know what to do so he just sort of started slapping her to wake her up (not recommended, but he had no idea and panicked)

At that exact moment my brothers both came in from playing, and all they saw was our mom unconscious on the floor and our dad slapping her. So, like, without even saying a word to each other they both just INSTANTLY start whaling on him, like, full blown attack mode to defend our mom. Which obviously didn't help the situation, but she did wake up and everything was fine.

Now our dad says that he's actually really glad they attacked him over what they thought was going on, because it means he raised good boys. And I still think that's true, they're very good boys.

[ulkaralakbarova]

Sherlock Holmes and Dr. Watson meet as boys in an English Boarding school. Holmes is known for his deductive ability even as a youth, amazing his classmates with his abilities. When they discover a plot to murder a series of British business men by an Egyptian cult, they move to stop it. Credits: TheMovieDb. Film Cast: Sherlock Holmes: Nicholas Rowe John Watson: Alan Cox Elizabeth Hardy: Sophie Ward Professor Rathe: Anthony Higgins Mrs. Dribb: Susan Fleetwood Det. Sgt. Lestrade: Roger Ashton-Griffiths Dudley’s Friend: Matthew Ryan Dudley: Earl Rhodes Chester Cragwitch: Freddie Jones Bentley Booster: Patrick Newell Khasek – Lower Nile Tavern Owner: Nadim Sawalha Rupert T. Waxflatter: Nigel Stock Master Snelgrove: Brian Oulton The Reverend Duncan Nesbitt: Donald Eccles Dudley’s Friend: Matthew Blakstad Dudley’s Friend: Jonathan Lacey Ethan Engel: Walter Sparrow Mr. Holmes: Roger Brierley Mrs. Holmes: Vivienne Chandler Curio Shop Owner: Lockwood West Cemetery Caretaker: John Scott Martin School Porter: George Malpas School Reverend: Willoughby Goddard Policeman with Lestrade: Michael Cule Policeman in Shop Window: Ralph Tabakin Hotel Receptionist: Nancy Nevinson Older Watson (voice): Michael Hordern Schoolboy (uncredited): Grant Burns Acolyte (uncredited): George Lane Cooper Chestnut Seller (uncredited): Salo Gardner Restaurant Patron (uncredited): Lew Hooper Footman (uncredited): Royston Munt School Master (uncredited): Henry Roberts Patron (Lower Nile Tavern) (uncredited): Fred Wood Film Crew: Animation: John Lasseter Casting: Irene Lamb Executive Producer: Steven Spielberg Executive Producer: Kathleen Kennedy Executive Producer: Frank Marshall Production Design: Norman Reynolds Visual Effects Supervisor: Dennis Muren Producer: Roger Birnbaum Director: Barry Levinson Producer: Mark Johnson Editor: Stu Linder Director of Photography: Stephen Goldblatt Animation: Eben Ostby Animation: Don Conway Animation: David DiFrancesco Set Decoration: Michael Ford Screenplay: Chris Columbus Makeup Artist: Nick Dudman Art Direction: Fred Hole Makeup Supervisor: Peter Robb-King Art Direction: Charles Bishop Assistant Art Director: Gavin Bocquet Original Music Composer: Bruce Broughton Associate Producer: Harry Benn Characters: Arthur Conan Doyle Costume Design: Raymond Hughes Producer: Henry Winkler Visual Effects Supervisor: David Allen Animation: Craig Good Second Unit Director: Andrew Grieve Visual Effects: Robert Cooper Assistant Art Director: George Djurkovic Third Assistant Director: Peter Heslop Visual Effects Camera: Jay Riddle Visual Effects: Blair Clark First Assistant Director: Michael Murray Animation Supervisor: Bruce Walters Art Direction: Dave Carson Visual Effects: Sean M. Casey Second Assistant Director: Ian Hickinbotham Makeup Artist: Jane Royle Animation: William Reeves Visual Effects: Tony Hudson Visual Effects: Jay Davis Animation: Barbara Brennan Animation: David Salesin Animation Supervisor: Ellen Lichtwardt Goodchild Dressing Prop: Paul Cheesman Art Designer: Michael Ploog Draughtsman: Reg Bream Rotoscoping Artist: Donna K. Baker Draughtsman: Peter Childs Animation: Robert L. Cook Animation: Gordon Baker Animation: Jack Mongovan Visual Effects: Tony Laudati Visual Effects: Marghi McMahon Movie Reviews:

[beebfreeb]

Louisiana Meshi!!!! Thistle will be at the crawfish boil.

[biggest-gaudiest-patronuses]

main take aways from Halloween (1978) rewatch:

michael myers is canonically 21??? this bitch should be at the club

*sees tiddies* ***MURDEROUS RAMPAGE NOISES***

that's it that's the movie

outside of the fact that everyone who has sex is murdered by the narrative, this is a surprisingly chill portrayal of female sexuality? these teen girls are horny and actively enjoying Getting It On with their boytoys. no pushy boyfriends sneaking in through their bedroom windows--these ladies are taking the initiative to sneak out and GET SOME. one of them gets laid and then immediately orders her boyfriend to get her a beer. (yes she gets Slashered soon afterward, but so does the boyfriend so honestly, gender equality.) yes the Final Girl is the only one not having sex, but she's not bullied for that, nor are her friends slut shamed except possibly by being murdered by the narrative

actually the only character who is shown being morally condemned on-screen is michael myers. specifically FOR his violent overreaction to other people's sex lives. (people he is spying on). metaphorically, the villain is American Puritanism sticking its judgy nose into other people's business.

aka Michael Myers Is A Republican

but actually the real villain is the doctor. guy's a judgemental, shaming, pathologizing asshole. and he's been in charge of michael's care since he was SIX YEARS OLD? kid never had a chance. i'd go on a killing spree too

also the parents. where are the parents? it's halloween night and all the teenage girls are home babysitting their younger siblings? come to think of it, michael's first victim was his own older sister, whom he killed while she was babysitting him. teen girls are really shouldering a labour burden here. maybe parentification is the true villain

side note: mike commits his first murder wearing a clown costume...which is never referenced again? his 'iconic' costume is a generic mask and wig and jumpsuit, when we coulda had a Killer Clown Michael Myers??? travesty

i like how the Final Girl and her friend casually smoke weed in her car. yeah she's an honor student and her friend is the sheriff's daughter. yeah they smoke weed. so what it's 1978

(to reiterate, mike is 21 and should be at the club. im not saying he shouldn't be rampaging, im saying it's sad that he broke out, tasted freedom for the first time in his life, and immediately snuck back into his childhood home to go rampaging. let's have a remake where he goes to a nightclub and has a few beers. maybe some slutty dancing. then rampage)

oh no he's hot

[kiisaes]

waitress pacifica doodle

[googledocsdyke]

many student bail funds have hit their goals and student organizers are asking people to redirect their money to gaza aid efforts and people whose lives are in immediate jeopardy. donate to help a young doctor from al-shifa hospital make it safely to egypt

[wanderingcritter]

god gives his most niche fandoms to his most autistic warriors

[ilyberrymuch]

you can also put in the tags how old you were, again im nosy lol

[ispyspookymansion]

no nuance option for well sort of kind of we’re friendly!!!!! make your own call on what you define friend as

[egophiliac]

Hello ! I positively adore the running joke of Idia unknowingly finding Lilia to be the coolest guy ever whenever he doesn't know it's him, like when Silver described his father, or obviously with muscle red. I can't say what'd be funnier, Idia finding out his online best friend is actually Lilia, resident spooky hyper fairy; or them both never finding out, and it'd become even more ridiculous as time goes on. How do you think it'll play out ? You're always so on point

(Also, though it makes sense, I'm still devastated bat boy didn't get a ticket for the Halloween skeleton train : ( does anyone mentions him at some point ? Like how he'd have fit right in with all those Halloween town little freaks, and how he'd have impressed them with his spooks and scared techniques; after all he's been every Briar Valley's children worst fear on Halloween for centuries. I'm on the eng server and I didn't wanna spoil myself by watching the whole thing on youtube)

Have a nice day !

you and me both, Idia and Lilia being oblivious online BFFs (+ Idia being incredibly intimidated any time Silver brings up his jock gamer dad) is my favorite running joke/subplot. 🤝 it's SO good, to the point where I also am unsure if I actually want it to ever be resolved or not...maybe, like, as a post-canon stinger or something? everyone's standing around covered in overblot ink, and Idia and Lilia's phones go off at the same time...

(legit I do think this is part of why Idia couldn't be present for Lilia's dream, because for some reason Lilia decided he was going to just. embody his past self online. he probably quotes his own battle strategies or whatever in the middle of boss fights. Idia didn't pick up on the whole "oh how weird that we both live on a super remote island" thing, but he would spend thirty seconds listening to General Lilia describing siege warfare and be like "w-wait")

all that aside, however it does end up happening, I do see Lilia being very blasé and all "oh! cool!" about it. y'know, taking it very much in stride! and Idia...very much not.

(can't tell if tumblr is going to chew this into illegibility or not, this will be a fun surprise ᕕ( ᐛ )ᕗ)

as for Lilia sadly missing out on Halloweentown shenanigans...he does get one little mention as part of an offhand reference to the light music club, but so far no one has brought up how this basically is just Lost In the Book of Liliatown (Sebek's been too busy yelling about not getting to be in the same group as Malleus). 😔 honestly though, it's probably for the best that he got left out, because he would just settle right in and refuse to ever leave. canon would shatter. we would miss out on all the delightful angst of episode 7 because Lilia is too busy eating poisonous shrubbery inbetween practicing his very best screams, and no one can pull him away from it.

(I can hope for a sequel next year though...)

[hairmetal666]

No one knows who writes the Hawkins High Tattler. It comes out every week, without fail, has for almost two decades. Everyone reads it, even teachers, even parents. It's caused more the one suspension, grounding, and even--famously--a shipping off to boarding school.

Steve's never let the Tattler get to him much. He's in it, of course, practically a new story every week. But it's just silly gossip.

Of course, Steve is also, currently, the titular Tattler, so. It's not like he's surprised when his name shows up.

It's his third year, his last year, and he knows everything that ever goes on at Hawkins High. It's pretty easy, honestly. Everyone thinks he's ditzy and vapid; nothing more than hairspray and polos. People will say anything around him, assuming he's not listening or not interested, and then bam. It's in next week's Tattler. No one even suspects him.

The confessions locker probably helps. Down by the theater, busted and unusable, the perfect place for people to leave tips, to tattle on their friends (or enemies, as the case may be).

That's what he's doing right now, checking the confessions locker. After 9:30 on a Friday night, the place silent as the tomb, perfect time for it. Pretty standard fare this week. The only thing of interest is that Eddie Munson was the person who broke all Ms. Click's pencils and left the stubs on her desk. This one, he laughs at, can't wait to publish it; can't wait to talk to Munson about it.

He gets a lot of stuff about Eddie. Most of it he doesn't publish because it's bullshit about satanic rituals--the nerdy kids he babysits play dnd, and there's no way Karen Wheeler is letting anything satanic happen in her basement--or about his sexuality, and one thing Steve doesn't do is out people.

Gathering up this week's submissions, he closes the locker with a soft clink, and he swears, swears he hears the squeak of a tennis shoe on the polished tile of the floor. He freezes, heart in his throat. Nobody has been here this late before.

Seconds pass but there's only silence. Confident he's only hearing things, he heads out, the parking lot just as empty as when he arrived.

---

He sees Eddie a few days later, when he's picking up the kids from the arcade. They typically exchange casual greetings, but as Steve waits, Eddie stands with him, offers him a cigarette.

"Read that was you who messed with Click's pencils. Good one."

Eddie shrugs, gives a little bow and a smile. "Happy to be of service."

"It was my class, when she found them. Never seen her so mad."

"No way," Eddie laughs. "Not even when Hagan drew dicks on all the textbooks?"

"Not even then, man. She was throwing pencil stubs everywhere."

"Fuck, sad I missed it." Eddie takes a drag, Steve's eyes following the movement, lingering on his mouth. Something warm and tingling builds at the base of his spine and he forces his gaze away.

"How long you in detention for?"

"I'm not. Swore it wasn't me, and Click doesn't want to admit she reads the Tattler, so. Not much they could do. "

"I've seen it sitting on her desk!"

"I know! She reads it when she has detention duty!"

They lean against Steve's car, laughing, and Steve feels good. This is good. He likes Eddie. He's funny and dramatic and smart and kind. He's not deserving of any of the mean things that get submitted to the Tattler.

The kids come streaming into the parking lot then, and Eddie stubs out his cigarette, says "see you around, Harrington," and Steve finds himself flushing for reasons he can't quite explain.

---

He starts seeing Eddie around way more. He's in school most days, smoking in the parking lot after the last bell, chatting with Steve in the hallways.

It shows up in the Tattler; big news that the King and the Freak are hanging out. Most of the submissions are about it, increasingly elaborate rumors about their supposedly deep, close friendship.

He wishes he could tell Eddie.

Eventually, Eddie invites him to smoke at the quarry. He doesn't hesitate to say yes, doesn't even bother to try ignoring the swoop in his stomach, the speed of his heart.

They sprawl out in the back of the van, Eddie's loud, raucous music pounding around them, sharing a joint back and forth.

Steve gets hazy, boneless, can't stop watching Eddie, the way his lips purse around the joint, his long hair glinting gold in the weak light of the camping lanterns, the pleased shine of his eyes every time he makes Steve laughs.

He likes Eddie so much. Everything about him, honestly. Butterflies ping in his stomach, happy and slow, and he thinks how nice Eddie's lips are, wonders how soft they must be. And he thinks--he's read the submissions, right--he knows the things they say about Eddie, and he wishes it was true, he wants--he wants--

He wants

---

Steve's running late to check the locker. Lost track of time at the diner with Eddie, and it's making him panic.

He stuffs the submissions haphazardly into the pocket of his hoodie, dancing with nerves, willing himself to grab them all and get out.

Locker emptied, he sprints towards the exit. He has a second to process someone barreling towards him in the dark, but he's going too fast to stop, can only brace himself as they collide.

It sends him sliding across the floor, Tattler submissions spilling out of his pocket like snow. He hits the ground, scrabbling for the papers, praying that whoever is here with him can't see them in the low light.

Hands grips his biceps. "Stevie, Steve, we have to get out of here" and there's a second where he's comforted by the familiar rasp of Eddie's voice before terror spikes again.

He pulls himself from Eddie's grasp, searching for any dropped submissions in easy reach. "Wha--why--what's--"

"I ran into Jason Carver and his band of idiots at the gas station. They're on their way to here to try to catch the Tattler in action."

Steve freezes. "I don't--that's not--I--"

In the deep silence of the empty school, they both hear the slamming of a door, a bitten off giggle. Eddie grabs his wrist and they run. Into the theater room, through a door Steve didn't know existed, to the backstage area of the auditorium.

"You should be safe here," Eddie says.

Panic spirals through him. "I can explain. I was just--I forgot a--I needed--"

"Harrington! I know, okay? I already know."

Steve can only blink at him, swallows rough in his throat. "What--Eddie, I--"

"I saw you. Weeks ago. Forgot my notebook in the theater room after Hellfire and had to run back for it. You were there, at the locker."

"You can't tell anyone."

"I'm not going to."

"No, Munson, you really can't. Nobody can know. Nobody--"

"Swe--Stevie, I promise. The secret's safe with me." He rocks back on his heels, chewing on his lip for a second before he continues. " I--I couldn't figure you out, you know? I saw you around with those kids and it didn't make any sense. King Steve, babysitting tiny nerds? But I saw you at the locker and..."

"You're giving me too much credit, man."

"I don't think so. You're never--fuck, Harrington--you're never mean. At least, not in the last couple years. You spread gossip, but you don't punch down, and you're funny as hell. Mean as shit too, but only to the people who deserve it."

His ears burn and he looks down. "Just because I have fucking--fucking editorial standards doesn't mean that I'm anything special."

Eddie scoffs. "Remember, Stevie, I was reading it a year before you were here. Cruel, vapid garbage. Always the most vile, pointless stories about people who couldn't defend themselves. And how many submissions have you gotten about me, for instance, that you've never used?"

Steve clenches his fists. "I would never--"

"I know. Sweetheart, I know. That's why I li--You're so fucking good, Stevie."

He laughs, ears burning. "I'm really not, Eddie. I try to write about fun gossip that can't hurt anyone too much, and nobody's found me out because they think I'm too dumb--"

Eddie reaches out then, fingers connecting softly with the edge of Steve's jaw. He can't help but lean into the touch, eyes flickering closed.

"You don't want to hurt people because you're fucking kind. You know how I know for sure? You must get submissions every week about me, and you've never once printed that I'm--" Eddie stops then, swallowing hard.

Steve's throat goes tight. He rests his hand over Eddie's, still holding his face. "Me too," he whispers. "Kind of. I like--it's both. For me."

"Oh," Eddie breathes, mouth lifting in a bright, beautiful smile that Steve can't help but return.

He's watching, sees when Eddie's gaze drifts his lips, making his breath hitch. He doesn't really think about closing the distance between them, slotting their mouths together in a tentative, gentle kiss.

"You're just full of surprises aren't you, Steve Harrington? Eddie asks when they part.

Steve blushes. "That's sort of the last of them."

"Sure. Next you'll be telling me you've played dnd."

"I have a character."

"What???"

"Human paladin. Dustin worked on it with me. Ready to get out of here?"

"Human paladin," Eddie gapes. "You know--you said--what's happening?"

Steve twines their fingers together, leading Eddie towards the auditorium exit. "Well, first we're going to walk out to my car and then we're going to my house, and we're going to look through Tattler submissions. Maybe makeout a little bit."

Eddie giggles. "What the fuck? Like. What the fuck, sweetheart?"

He turns to face Eddie, smile big and pure and bright with happiness. "If you're really nice to me, I'll let you help write this week's issue."

"Oh, oh. You're going to wreck me." Eddie mumbles, almost to himself.

"If you're lucky." Steve beams.

[crowatyourwindow]

Kenji and his cow Hanako II were the best duo from wan change my mind

[swampybogg]

[bixels]

Reminiscing about Little Witch Academia.