#outside of society
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cheezy-whizz · 8 months ago
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leighbaye · 6 months ago
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chelestials · 7 months ago
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nothing is more humbling when you’re watching an edit of your favorite actor and then the screen goes black and you see yourself on your screen basically thirsting over them
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loosethreadsofyoursoul · 2 months ago
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the degree to which magic in bbc merlin is an allegory for queerness is insane. what do you mean people with magic hide in fear for their lives because it’s illegal. what do you mean merlin’s mother sent him away to the big city bc she was afraid of what would happen if their small town found out he had magic. what do you mean merlin is taken in by an unmarried old man who used to practice magic but can’t anymore. what do you mean morgana was morally on uther’s side until she realized who she was and that he was wrong for wanting people like her dead. what do you mean anti-magical propaganda spreads misinformation that all magic is evil and everyone who practices it is also evil and should be killed. what do you mean there’s a recurring underlying theme of magical being solidarity
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trashpidgeon48 · 1 year ago
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You consume happy media when you’re feeling bad? Nah, I consume inescapable tragedies.
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the-worms-in-your-bones · 3 months ago
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The thing about the time lords is yeah they’re a super powerful species, it wouldn’t be all that inaccurate to call them gods of time, but you get yourself a time lord and like 70% of the time it’s like oh this is a guy I could kick in the shins really hard and get away with it unscathed
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saint-petah-the-good · 5 months ago
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my biggest fear is being closed in a room with all of my fictional crushes
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thiamblogger · 6 months ago
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"two boys can be friends, you know??"
i know.. but they're not.
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contributingtothechaos · 2 months ago
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Does anyone have any soul shattering bawling at 3am fic recs? I haven't found any good ones recently.
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cheezy-whizz · 9 months ago
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Shout out to dysfunctional teenage friend groups from 80s movies, gotta be one of my favorite genders
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screams-of-the-damned84 · 14 days ago
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did someone say “burn pygmalion! a better guide to romance” by the scary jokes as jekyll and lanyon? no? ok
hello waiter yes I would like my jekyon with a side of toxic codependency please 🙋
if u have not listened to this album go listen to it. right now. the whole thing. in order. it’s about a news reporter who falls in love with a movie star and the crumbling of their obsessive, manipulative, and toxic relationship. its soooo good. I’ve listened to it a million times. I own the CD. jeanine and sylvia my beloved. here’s the original cover:
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anyways a lot of the songs are jekyon coded imo and I thought it’d be fitting for a redraw lol. personal favs include starstruck, emotional vagrant (FAV!!) crushed out on soda beach, and no leverage/no pleasure. absolute bangers. i love the scary jokes sm.
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bumblingbabooshka · 2 months ago
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Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.
#as a note do NOT read the comments on any T'Pol marriage clips on youtube they're full of 'haha women amiright' jokes about#how she's leading Trip on and being a bitch for not choosing him etc - if you become interested in female characters you learn#quickly just how much people still hate women displaying any amount of complexity/doing anything that isn't just falling into a man's arms#even if that hatred doesn't take the form of outright vitriol (aka: 'I feel so sad for Trip bc T'Pol's marrying some other guy')#Trip: T'Pol listen this arranged marriage stuff is no good - you've gotta be free! You have to do what YOU want to do!#T'Pol: -legally seen as property of her husband in the eyes of the law- ...............#<- not dunking on Trip it's just funny how easy it makes it seem - but!! He doesn't know all the facts#as evidenced by him saying T'Pol might 'call off the wedding' to her mother - T'Pol can't legally call off shit#It's also interesting how gender isn't really mentioned in any of the clips I've seen - it's very clear to me that T'Pol has no options#specifically because she's a WOMAN within her culture but that's almost like a quiet undercurrent and not focused on as a main#point of dissatisfaction - which I imagine it 1000% would be for Vulcan women when men have infinitely more freedom#Vulcan Man: I don't wanna marry this lady#Vulcan Law: Ok#Vulcan Woman: I don't wanna marry this guy#Vulcan Law: Noted. So - if you and your lover are willing to risk his life there's a chance (if he wins) that you can get out of marrying#him BUT if your husband kills your lover and still wants to marry you you DOOO have to marry him sorry you just gotta#<- this also makes it incredibly dangerous to in any way warn your legal husband that a kal-if-fee might be incoming#the element of surprise is a HUGE advantage when it comes to winning a fight to the death (which your lover can train for)#Vulcans#T'Pol#T'Pring#star trek#I don't think this is bad necessarily (as a fictional worldbuilding thing) but I wish it were explored more#It's especially interesting because it's an aspect of logical Vulcan society - it's clearly not logical but it's also clearly rooted deeply#in tradition which may mean Vulcan long ago used to have a much more extreme gender bias towards the male population#it just implies a lot that Vulcan has these old laws which are unfair towards women yet they still follow BUT women are treated as equal#citizens OUTSIDE of marriage! Maybe there was a feminist movement before? Is there another brewing? Where are the Vulcan feminists!
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communistkenobi · 1 year ago
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The deeply moralist tone that a lot of discussions about media representation take on here are primarily neoliberal before they are anything else. Like the shouting matches people get into about “purity culture” “pro/anti” etc nonsense (even if I think it’s true that some people have a deeply christian worldview about what art ought to say and represent about the world) are downstream of the basic neoliberal assumption that we can and must educate the public by being consumers in a market. “Bad representation” is often framed as a writer’s/developer’s/director’s/etc’s failure to properly educate their audience, or to educate them the wrong way with bad information about the world (which will compel their audience to act, behave, internalise or otherwise believe these bad representations about some social issue). Likewise, to “consume” or give money to a piece of media with Bad Representation is to legitimate and make stronger these bad representations in the world, an act which will cause more people to believe or internalise bad things about themselves or other people. And at the heart of both of those claims is, again, the assumption that mass public education should be undertaken by artists in a private market, who are responsible for creating moral fables and political allegories that they will instil in their audiences by selling it to them. These conversations often become pure nonsense if you don’t accept that the moral and political education of the world should be directed by like, studio executives or tv actors or authors on twitter. There is no horizon of possibility being imagined beyond purchasing, as an individual consumer in a market, your way into good beliefs about the world, instilled in you by Media Product 
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deadpoetyogurt · 1 month ago
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neil was most definitely born to be a theatre kid because the way he was bouncing around those corridors yelling in people's faces that he got the lead role could've put apple's radar alarm to shame
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addictvettel · 10 months ago
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Womp womp😭😂👎🏼
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skateisawesome · 3 months ago
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i love being unhealthily obsessed with pieces of media that my friends have never heard of!
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