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lovecla · 1 day ago

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FAKE IT ‘TILL YOU MAKE IT, game plan:

➴ chapter warnings: none <3

➴ word count: 1.5k

💌 from me to you: and here’s the first chapter of fake it ‘till you make it! posting this sooner than expected in honor of last night’s game. can you guys believe we have nico hischier as our captain? how lucky are we? anyways! i hope you all like this! (the posting schedule will be just like TYPA, every other day!) ♡

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WHEN YOU tell people that being friends with a hot, young NHL player isn’t at all that great, all they do is look at you like you’re batshit crazy, and give you one hundred and fifty four arguments trying to make you, someone who’s been friends with a guy who’s been a NHL star player for the past few years, see how wrong you are.

You love Nico Hischier. You really do. You met him when you were just eighteen, being friends with his sister, Nina, and immediately locking in with Nico. He’s the sweetest, kindest and most loving man you have ever met in your life, and now that you’re twenty-three, almost twenty-four, you can see how rare men like Nico are.

But now that he’s a famous player, captain of an entire team and known for being one of the hottest men in the NHL, you sure feel like you’re paying a high price for being in his life.

Not in a bad way, though. It just sucks to see the amount of women throwing themselves at his feet, and what sucks even more, is knowing that he won’t even blink an eye at them because he’s head over heels for Nora Ellis, a crazy girl he met two years ago at a party.

Nora is beautiful, you’ll give him that. And usually, you wouldn’t be upset with him having a crush. In fact, you and Nina are always encouraging him to engage in new relationships and meet new people, so that he isn’t only worried about his job.

Nora. She’s the most beautiful black woman you have ever seen. She’s intelligent, she’s funny and she knows things about Hockey like no one else— being the daughter of one of the most talented coaches in the NHL does that to you, you guess.

The only problem with Nora Ellis is the fact that she only cares for men who are in a relationship.

Married or dating, she doesn’t care. Her only goal is to make them give up on their partner to be with her, and once she gets tired of them, she finds another mission to busy herself with.

Nico doesn’t seem to notice that. To be fair, no one really does. She can be very subtle and discreet, and the only reason why you caught up on that in the first place is because every party you go to, you try to blend yourself with the walls, so you don’t get too much attention on yourself.

Nico always tells you to stay by his side and mingle with his friends, but by the end of the night, you’re always sitting near the bathroom door, with a drink in your hands, watching the party unfold with attentive eyes.

And turns out that a lot can happen in the bathroom of a party full of NHL players and Nora Ellis.

So you know she’s not good for him. You’ve tried to talk him out of it more times than you can actually recall, but it’s a dead end. Nico’s in love with her, and has been for two years now. He won’t give up on her unless something really drastic happens, but since Nora is really good at what she does— destroying relationships for fun—, nothing will ever rise to the surface.

“She’s so… pretty,” Nico sighs, sitting on the couch beside you, making you sigh and put your book down, not forgetting to mark the page you were in. “Sorry. I didn’t mean to bother you.”

You smile, touching his cheek, watching with awe as his dimples appear. “It’s fine, Dimples.”

He rolls his eyes as he always does when you call him that, and continues.

“You’re the only one who still listens to me ramble about Nora,” he pouts. “Nina said that if I talk about her one more time, she’ll fly to Newark and personally destroy my phone so I can’t call her anymore.”

You laugh loudly, perfectly picturing Nina saying that.

“And Luca?” you ask, raising your eyebrow.

“Luca just says I need to move on.”

“Well, he’s always been more patient than Nina, that’s for sure,” you nod, placing your book on Nico’s coffee table and bringing your knees close to your chest, resting your head on them. “But… he’s not wrong, y’know?”

Nico gives you the puppy eyes, as he always does whenever someone mentions that he should get over Nora, and you sigh again.

Seeing him like this sucked in every way. And you’ve tried everything— get him on dating apps, blind dates, normal dates, pointing at a pretty girl at a party, literally everything.

And still, he’s not budging.

“I wish she would just look at me. I’m handsome, right?” He looks at you, brown eyes filled with despair.

You spend some seconds analyzing him, as you often liked to do. His brown, hazelnut eyes that shined bright everyday, his hair that’s now a little bit longer than usual, his legs and arms which are absolutely huge— when did he get that big anyway?— and his perfect, charming smile and dimples.

“Emma?”

“O-oh, yeah, you’re… fine, I guess,” you shrug, trying to hide the fact that you were checking him out. Weird. “It’s not about you, Nico, I’ve said that before.”

“Okay, but why won’t she pay attention to me, then?”

Because you don’t have a girlfriend, is what you want to say.

Wait.

“Oh my God!” you jump in your seat, scaring Nico who lets out a loud scream and jumps out of the couch with you.

“What the— Emma.” He puts his hands on his hips, trying to look scary, but you brush him off.

“I know how to make her fall in love with you,” you smile, walking around in circles, trying to organize your thoughts inside your head. Nico. Nora. She thinks she’s in love. Nico’s happy. They get together. She’ll leave him after three months or so. Nico’s sad. But! Nico’s moved on. “God, how did I not think of that before?”

“What are you talking about—”

“We have to date.”

Nico stares at you like you’re crazy, his eyes big and confused. He opens his mouth a few times, probably trying to think of something to say, before closing it and inhaling the air.

You wait for him to say something, but when it’s obvious that he won’t, you continue:

“I know it sounds crazy, and I know what you must be thinking, but hear me out,” you step closer, looking up at him. “Girls sometimes don’t pay attention to guys because… well, because they can’t really see them. Like, for example: there’s this one guy in my office which I don’t care about, he’s just my coworker and nothing else.”

“What does this have to do with—” you put your index finger over his lips, shushing him.

“Wait,” you say. “So, he’s there and he isn’t anything. Until, one night, I had a dream that he’s dating me. And suddenly, I wake up and go to work, and I can’t see him the same way I did before. I start noticing how nice his hair is or how tall he is. Do you understand it now?”

Nico smiles, scratching his forehead with his finger.

“No, Emma. That doesn’t even make sense.”

You snort. “Because you’re a man. But trust me on this one, Nico. The second Nora sees you with someone else, she will notice you.”

Mostly because she’s a whore, but we’ll keep that to ourselves for a while.

“Do you have… like… a crush on me or something?” His face is now red and he gets closer to you, placing his hand on your shoulder while he looks like he’s trying to comfort you. “Is that why you want to do this?”

“What— No, what the hell!” you can feel your face getting warm and you step away from him. “No, I don’t have a c-crush on you. I just can’t stand you talking about her anymore. I’m your friend, so I will help you.”

Nico sighs, relieved it seems, still looking unsure.

“You don’t have to do it, if you don’t want to,” you say, closing your eyes for a few seconds. “I know it sounds crazy and I know you probably think I’m trying to get something here but in reality—”

“I’ll do it.”

“What?!” you can’t hide your surprise, almost shouting with how loud you spoke.

He smiles, sitting back on the couch, spreading his thighs and stretching his arms. “I mean, you’re never wrong about these love related things. You did get my sister an amazing boyfriend and you did manage to convince my brother to ask that girl out, and now they’re married. So it’s probably my turn to accept your love advice and shit, right?”

You’re starting to feel bad about this whole thing, because you know Nora will probably break his heart in thousands of little pieces, but what else can you do?

It’s the perfect plan, you think to yourself. It’s flawless, and it will work.

“I try my best,” you give him a half-smile, crossing your arms in front of your chest. “But you have to promise me something.”

Nico nods. “Anything.”

“If this doesn’t work out, then you'll move on.”

“Emma—”

“It’s not healthy for you to be thristing over someone for this much time,” you sit on the couch next to him and place your hand on his shoulder, giving it a little squeeze. “We will fight, and we will fight hard, but if there’s no results in three months, and I’m being generous, we’ll move on. Okay?”

Nico stared at his hands, biting his lips before looking at you again.

“Okay.”

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rootspiral · 3 days ago

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Agatha All Along deep dive: episode 4 part 6

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1])

(I can't believe I squeezed six entries out of this dang episode!!!)

agatha sees billy waking up and takes her usual moment to wipe all genuine emotion from her face and put on her mask. it's getting increasingly clear that this wretch of a woman is always wearing a mask and playing the larger-than-life uncaring witch she wishes she could be

not that she cares about you or anything.

billy does that thing children do. he doesn't say thank you or ask why she's crying, he asks about himself, his current troubles and fears, looking for guidance. that's the wonderful thing about a parent, they give a child a safe environment to grow and make mistakes and explore. A parent is, or should be, selfless. That billy feels safe doing this with agatha tells you he instinctively trusts her much more than he realizes.

agatha never lies to billy

and the way she's always drawn to teaching and explaining and guiding despite herself. deep, deep down agatha is a nurturing person who only ever got to nurture for a short time

I just realize agatha cannot actually say the name billy, can she? because of the sigil. so this is her going, I know it's still you kiddo, behind all that. I see some people arguing that agatha might actually think he's Nicky at first and personally I don't believe that's the case, the dialogue is muddy only to mislead the viewers before the big Wiccan reveal.

Two reasons agatha knew this was billy all along: she's had three centuries to sit with nicky's loss now. nicky is gone for good, no matter all her tricks and her pleading and her endless pit of sorrow, that is the one irrevocable fact that she will never be able to change. that is the cornerstone, the whole core of who agatha is today. she has lost nicky, she has committed unspeakable horrors to cope with that loss. she is afraid to die because nicky is on the other side and she cannot face him.

The second reason is that agatha loves billy for being billy, not just as a nicky stand-in. she was uniquely equipped to understand and empathize with wanda, and that's even truer for billy because he's a little boy and agatha's whole heart is wired and predisposed to reach out to him. she saw the miracle that was his birth, she saw first hand what chaos magic can do. this is a child flung out in the world carrying an immense power and no instructions on how to use it. he's capable of terrible things that could easily turn him into a monster and a pariah, and agatha is, besides wanda, the only person in the world who truly understands what that means. do you remember what happened to agatha at around the age billy is now? everything in her is demanding to guide and help. selfishly, because all that power would be hers to control. selfishly because he reminds her of herself and she wants to undo what her mother did to her. and selfishly because helping billy would in a way redeem what she did to nicky.

and also, selflessly. because she wants to help him grow and be successful and be happy.

billy created the Road to find tommy, sure. but what he's been doing on the Road is finding community. or rather, getting close to witchfolk to find out who he is in relationship to them, exploring the identity he was born with that he cannot express with his adoptive parents. he started with a lot of silly ideas on what witches should and shouldn't be and created trials that are, let's face it, rather stereotyped and demeaning. next trial is agatha and he is puzzling her out now, willing her to become the ideal witch and mentor he's looking for. he's doing it with the grace of an elephant in a china store, but that's just what being a kid is.

aaand the wall is all the way up and she runs away. but we made some progress there, didn't we?

oh to be a vampire and getting to bite patti lupone's neck

rio looks so engrossed and fascinated listening to lilia! rio just loves people, you know? she loves life in all its multifaceted forms, and that's not at odds with her job description at all. she is The Green Witch, she has embraced nature, which is to say life, so completely that all of it is important and precious to her. my headcanon is that as the original green witch she started ferrying souls because she deeply understood and accepted death as natural and organic and sought to help it along. it's funny, lilia is terrified of her but if asked, rio would have such a long list of things that make lilia special.

and that such a being would fell in love with agatha of all people?? god that is amazing. that is how you write a beautifully doomed epic love story. billions and billions of humans throughout history, and agatha is who caught her eye. and not because agatha is a serial killer mind you, that's just foreplay. it's because she is the most intense, the most interesting human Death ever came across. while others saw a damaged girl, rio saw poetry in her extraordinary complexity

and then, through agatha and nicky, rio experienced grief from a new point of view. Death, no longer impartial.

a wiser future Lilia pays another brief visit

and she's gone. her puzzled little face!

from being awkward and fearing her oddities to laughing with her about it. another step toward a deeper understanding, and acceptance, and love.

look at agatha's body language when she approaches. uncertain, arms crossed. these people have seen her without her mask now, openly weeping about billy

and then she puts her hands in her pockets and postures, ready to underplay things. pppft, crying? moi? you guys must have dreamed it.

alice with her big compassionate heart will never be able to think of agatha as cruel and distant again

agatha picks up rio's flower

rio looks at her

pretends she wasn't looking when agatha looks back

you could cut the damn tension with a knife

jen trying to include agatha??? man they did really see her cying fr

look how interested lilia is! I wish shows could just be 15 hours of women hanging out and chatting, no plot, just vibes

agatha glances at rio as if saying, you know exactly which scar this is. and rio chuckles because she remembers the story. THE INTIMACY BETWEEN THESE TWO. I'm going feral again.

what is this, camaraderie? community? perhaps even, dare I say it, friendship???

agatha doesn't know what to do with herself!

behold the textbook definition of 'awkward turtle'

oh rio's DETERMINED

'no you don't' 'yes I do' STOP IT YOU STUPID GAYS

agatha all casual like honey I've seen every inch of that body

just... the way they fell into a rhythm. the doMESTICITY.

lol jen's and alice's gaydars pinging at the same time. like somETHING FRUITY IS AFOOT. AND WE WOULD KNOW.

and fuck fuck fuck fuck I cannot believe I've run out of space again and I need to do a part 7

LOOK WHAT THESE LESBIANS ARE DOING TO ME (it'll be up in like an hour guys don't worry)

go to episode 4 part 7

#agatha all along #agatha deep dive #agathario #agatha harkness #rio vidal #billy maximoff #lilia calderu #jennifer kale #alice wu gulliver #character study

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suzukiblu · 2 days ago

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WIP excerpt for lottie behind the cut; "a pocketful of Kons". (( chrono || non-chrono ))

. . . okay, so they were going to the Watchtower, Tim finds out literally on the Watchtower with his two-day go-bag hooked over one shoulder. Bruce literally did not even say they were walking into a disguised zeta tube until he activated the damn thing. Dick looks wry, his own go-bag over his shoulder, but also not all that surprised; Tim is definitely surprised, and also immediately mortified. Bruce brought them to the Watchtower? The Watchtower is full of people! People who will take one look at Stud and see Superman! See Superman and also almost definitely ask Stud’s name!

And yes, obviously he’s going to need a fake one for him because secret identities exist for a reason, but the thing about being a Bat is, they use the fake names for their secret identities, because Bruce lives and breathes friggin’ 5D chess and is way more “Batman” than he’s ever been “Brucie”, so if anyone asks Tim will, in fact, have to tell them Stud’s actual name. Especially because he’s pretty much positive Stud will be a goddamn brat about it if he tries using a fake name for him anyway, given the other’s clear disdain for anything not a cape and S-shield.

So yeah, the chances of at least one if not multiple of Earth’s greatest heroes looking him in the eye and asking him what his Pocket’s name is at some point in the next ten minutes are . . . not nonzero, put it that way.

Tim seriously considers just finding the nearest airlock and hacking through the safety protocols in self-defense.

Or maybe just the incinerator. There’s probably an incinerator somewhere on the Watchtower, right? There’s gotta be.

Dick pats his shoulder sympathetically. Tim immediately feels worse, because if it’s that obvious how mortifying this whole experience is about to be for him, it’s going to be even more mortifying than that.

“Codenames only,” Bruce makes a point of stating, not bothering to look back as he strides down the hall ahead, Cat all masked up and hidden under the fall of his cape. Which as a statement, obviously, is meant for Stud, but given how stubborn and contrary Stud’s been so far . . .

“Please,” Tim hangs back to add under his breath as Dick heads after Bruce with Star and Red on his shoulders, Red in her own mask and Star not having bothered, for obvious reasons. Stud frowns, looking puzzled.

“Rob?” he tries warily, still looking a little confused.

“Right,” Tim agrees, resisting the urge to try convincing Stud to hide under his cape and just following after Dick and Bruce. Chances of Stud being willing to hide are unlikely, and it seems much more likely to annoy or upset him. So like–fight the battles you can win, and all. And avoid aggravating your tiny, unpredictable soulmate who isn’t actually Superman but sure does look like Superman.

Tim really, really hopes that Stud is Supergirl, because that implies him being capable of turning into a form much easier to explain to his dad and also maybe at least not being just a guy, which is still something he doesn’t know how he really feels about. Even if it also implies Lex Luthor Junior being immediately relevant to the state of his love life. But he’s not really holding out much hope for that right now, considering . . . everything, basically.

Though dealing with Luthor Junior might be better than dealing with the creepy cyborg guy, whoever he is.

“Rob Rob Rob,” Stud chants happily to himself as he flies ahead to Red and she gives his head a pat, and Star flies over to meet him and gives him a big, body-squeezing hug, nuzzling into his curly hair as her own half-envelopes him. Stud crows delightedly and lunges into the hug to send them both tumbling through the air, and Star croons affectionately at him and swings him around as she hugs him harder, glowing sunlight-bright at the same time. Stud crows, and Tim hears Cat laugh lowly from inside Bruce’s cape.

It’s–weird, sort of, Tim thinks for a moment, half-distracted and resisting the urge to frown to himself. The way the Pockets have been interacting, he means. Stud’s been aggressively flirty and boastful and constantly chattering on and on in Pocket-talk and is clearly trying to be charming while mostly being overbearing, which isn’t very much like either Supergirl or Superman and also should have at least Red annoyed with him, and most likely Cat too.

Except Cat just seems to find Stud funny and Red sort of wryly accepts him, even though neither of them have much patience for anyone as loud and pushy and attention-demanding as Stud’s been acting. And Star flirts back with him a bit, but more playfully than anything else; she’s mostly treating him like she thinks he’s cute–like, cute like a puppy or a baby, not like another fully-grown sapient adult being. And they’re all putting up with behavior they usually wouldn’t tolerate from any man, for whatever reason.

That’s . . . weird, yeah.

Very weird.

Tim frowns to himself after all, then immediately gets distracted by the mortifying experience of Stud zipping over to loop around Bruce’s head and chitter indignantly at him until Cat slips out of the shadows of his cape and purrs up at him. Stud lights up in unrestrained delight, then dives down and snatches her up to carry off back to Star and Red, crowing triumphantly as he does. Cat cackles and Starfire giggles and Red lets out a huffed little laugh of her own.

Bruce at least ignores him and Dick muffles his own laugh, but Tim is still mortified.

Stud looks back at him looking way too proud of himself, then chirps excitedly and holds Cat up in–like in display, almost, like he just won a prize or an award or something and is showing it off to him. Cat just chuckles indulgently and scritches him under the chin.

. . . yeah, “weird” is actually not a strong enough word to go with here, probably.

“Weird” is so not a strong enough word to go with here, in fact.

#timkon #tim drake #kon el #conner kent #dc robin #superboy #wip: a pocketful of kons #lottie

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heroes-in-the-dark · 3 days ago

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Hi!!!! It's me again with a new fan art, one of several sketches I have pending haha!

In episode 119.5 when toga mentions that Tokoyami gives him his blood, I couldn't help but remember the scene where Ochako tells him that he would give her his blood, in episode 19 of season 7

That children's scene is very symbolic, and I decided to do the version that no one asked me for, but our little fandom needed

Your work has been too special for me, my heart received it with affection and it has a great place in my mind every day, at least I dedicate 6 hours of thought to it a day HAHA! It sounds crazy but it's my Roman empire, and my life changed for the better since I've been following this fanfic

So I basically say this to say, THANK YOU.

And I was wondering for a while , would you give me your permission to make content, like videos about this fanfic? Clearly all the credits of creation would be yours, I only enjoy creating things that I like, that's why I ask permission. Why I respect your rights as an author 🕴️💖

Anyway, I love you, I hope you like my fan art, many more will come jsjsjs😊

I ABSOLUTELY ADORE THIS ONE!!!! 💕😭💕

Your art is so good, and this scene is actually SO important because we're not quite there yet, but I'm really anticipating when Tokoyami and Toga see each other next! Their little faces are so precious I just wanna cherish them both 🥺

Art of these two is so rare outside of this little corner I've written, but this actually means so so much. It's just so perfect, for reasons I can't yet fully explain, and I'm absolutely giddy that you drew this 🥰 so thank you!!!

And you're so sweet! 💕 Honestly, it's been the support and continued enthusiasm from my readers that gave me the motivation to make it this far, so I really couldn't have done it without you! I love how much I was able to explore throughout the story, while giving attention to characters who didn't get nearly enough in canon. And I'm so happy that I can share these thoughts and ideas with others! Especially with how long it's been going on for, this hasn't exactly been a short journey, and you and quite a few others have been keeping up with it year after year. And that's amazing! Thank you so much for being a fan of my work!!!

You can absolutely make fan content! I trust you to credit me and all that, so go right on ahead. And by all means, feel free to share! I'd love to see anything you end up making 😊

#ask response #bnha #boku no hero academia #fumikage tokoyami #bnha fanart #toga himiko #mha #my hero academia #tokoyami fumikage #theyre just so cute #and thank you again so so much!!!

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riddles-n-games · 2 days ago

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That Night In Prague Rant

Let me start off by saying Hannah and Toby's story was amazing and heartbreaking, Libby and Nash were also sweet and supportive of one another, Xander is awesome at giving emotional depth to others even in the strange circumstance of tackling, and Secret Santa was quite literally a blast. But there's one story I haven't mentioned yet, have I? You know which one since it's the literal title to this rant/critique.

To get the basic pleasantries out of the way, I loved the promise ring scene, the way Jameson admires Avery lighting up and wanting to see the world through her eyes, the fact he wrote her postcards, and Avery's protectiveness of him. That's it. Great. Now we can get to the real stuff. My dear Jennifer Lynn Barnes, when you announced this book back in February during the month of romance, I recall that this book promised to deliver on ROMANTIC stories and showing us how a Hawthorne man loves. Why the heck did you keep trying to insert every possible wink wink nudge nudge moment possible in Avery's POV then?

When she stated Avery was gonna have a POV again, I was excited but I wasn't sure if I should leap for joy. See, given how Averyjameson were portrayed in the last book, I was somewhat disappointed since I really wanted to see Avery through Jameson's eyes in a more romantic light. It was an eyeroll, unfortunately, and what a missed chance for a wedding dress ref in the race outfit scene since he gave her a promise ring.

However, people were saying, ah, it's Jameson, he's a teenage boy. And ok, I did bite my tongue after that because alright, that's just him (though I am still bitter about his lack of development in TBH), but that wasn't the case with Avery. She's my girl, I can always rely on her, right? Three books of build up with a pretty solid character voice made her who she became in TFG. Cool, I was ready to go back. And as I said so many times before, she gave Jameson depth which helped us see what so many did not and I loved how she didn't let him get away with certain things. She was sensible.

WTF was this then? This is not Avery Kylie Grambs. This is A Very Random Imposter (you come up with the anagram). Imagine my fricken surprise when out of nowhere Jameson As A Girl.

The crimes of the story: "after a lengthy and not quite G-rated negotiation" (WT actual F), "like his body wasn't tense in all the right ways", "smile of his made me want to do things", “I would let him demonstrate all the many, many reasons he had to be that smug", "His search had been... thorough" (????).

This sounds so cringey and unlike Avery. It felt like JLB was trying to force Max and Jameson and Rohan into her POV. Clearly after only two years of not being in her original character's POV and changing through 5 main characters (which was a horrible idea in the first place), she's managed to mish-mash her only properly developed character into sounding like another person.

The innuendos here are the worst I've seen. Avery has never been crass or sexually charged so why start that now? We already have characters that take on that route and now you're trying to ruin Avery with that? PUH-lease. Jameson was enough in TBH and now you're trying to ruin my girl? NO. Absolutely NOT. If JLB wanted to implement this in the og trilogy, then it should have been done earlier but no, Avery was never that girl and she shouldn't be now.

This isn't and cannot be listed as character growth in the slightest because if she sounded the same after a year in TFG post THL and also sounded like her normal self in Secret Santa which is in the same book as TNIP, there should be no reason why she sounds like this here. It ruins the continuation in her character POV which is something that at this point should be solid as stone. Not to mention, not everything works for everyone and that's ok. While I hate it, it makes more sense in Jameson's POV than hers. In Avery's POV, I cringe at it because it sounds so unnatural for her and feels like I'm looking at someone trying to fit into a crowd they just don't mesh with.

Three books solidified that. Why else did we fall in love with TIG in the first place? Partly because of who Avery was and who she became over the course of the trilogy. She stood out amongst the crowd. Did she have a similar way of thinking about puzzles like Jameson? Yes. Did she have a different approach to romance? Yes. Did she help Jamie become a more sensible guy? Yes! Was their flirty banter fun and interesting? Always. That's part of what made me love them so much in the first place but it shifted so suddenly that now they're sounding like Savannah and Rohan.

In October, when we had the preview of more chapters, I immediately noted this sounds like a very different Avery, either older or an alternate universe version of her. If she wants to do this with Rohannah, go ahead; they're a new budding romance so that has room for whatever she didn't use in other ones but leave Averyjameson as we've known them to be for three novels that solidified who they are. I know other romances should be given a chance, I never said that shouldn't be the case but if I'm being given the chance to see my favorite ship being in the spotlight, then do it right one last time. You have three books as your guideline.

Anyways, I'm dissatisfied so I will be doing a rewrite of TNIP since this is a shorter thing to take care of than a whole novel. Have a great day and thanks for reading. Fics will be out at some point, God, so much real life work to do.

#avery kylie grambs #avery grambs #jameson winchester hawthorne #jameson hawthorne #averyjameson #real avery is pissed at the disservice #the inheritance games rant #thank you for coming to my ted talk #the inheritance games #games untold #tig #gu

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cybershock24601 · 2 days ago

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The Rookanis brainworms got me again bc I’ve gone from wouldn’t it be funny if my Rook and Lucanis crossed paths for a moment before Veilguard and never realized it to formulating a whole au where Rook and Lucanis had a long distance friendship that just started to turn into something more right before Rook gets kicked out of the mourn watch and Lucanis gets stuck in the Ossuary. Rook writes like three letters to try and make extra sure that Lucanis knows what happened and that she’s going to be traveling and likely won’t be able to get any letters but she will write when she’s able to so she’s not super concerned when she doesn’t hear anything from him even if she does have a lot of anxiety about the situation she’s doing her best to bury because sure they’re both busy but surely Lucanis would try to get at least one letter to her, she did tell him that he could always leave a message with Myrna and Vorgoth to pass on, why hasn’t he sent her anything??

Meanwhile Lucanis is imprisoned in the Ossuary and all of Watcher Rook’s babbling about spirits had made it easier to deal with Spite but it’s still a very shitty situation. Spite’s probably even more fixated on Rook in this au because Lucanis wants to get out for a lot of reasons and see his family too but Rook’s probably the only person Lucanis wants to see again that he doesn’t have a lot of complicated emotions about because sure the whole long distance thing isn’t a neat situation, Rook doesn’t come with the same sort of emotional baggage Caterina and Illario have.

Anyways, the events of Veilguard happen and Neve suggests they go recruit the Demon of Vyrantium and Rook’s like sure and hopes that while in Antiva she might get a chance to track down her wayward crow. Rook does not know that the famed Demon of Vyrantium is her crow because it’s not like Lucanis ever really told her exactly who he was in the Crows. Rook knew he was a crow, had a complicated relationship with his grandma and cousin, and that Lucanis tended to play a lot of things close to the chest but seeing as Rook is also from a pretty secretive organization, she was never really that bothered by it because it’s not like she doesn’t have her own secrets to keep. Rook may like Lucanis but it’s not like she’s going to be spilling the secrets of the Necropolis to him and assumes Lucanis is dealing with the same thing which for the most part is true. It’s also that Lucanis liked just being Lucanis with Rook rather than Lucanis Dellamorte, the Demon of Vyrantium and didn’t want things to change with Rook if he told her about what exactly his position in the Crows was. Honestly Rook probably wouldn’t have cared that much beyond hitting him with a ‘that’s rough buddy’ and probably encouraging him to try to say no to his grandmother more. (“Have you tried telling her no? It’s just two letters. One syllable. It shouldn’t be that hard to say!”)

Which is a good thing because when Rook goes to meet with the Crows she’s starting to put the pieces together pretty quickly about who Lucanis is to the crows once she meets the talons + Illario and is doing her best to play it cool. Rook’s attempts at composure are not helped by being hit with the double whammy of her kinda boyfriend is dead no wait actually he’s alive he’s just been in the hands of the Venitori for a year. Which is totally not going to give Rook a guilt complex about the fact that her bf has been presumed dead for year and Rook didn’t even know.

Neve and Harding who came along to recruit their assassin (because this is my au and I can have a four person party if I want) are definitely noticing something is up but don’t get a chance to pump answers out an unusually quiet Rook (a quiet Rook is never a good sign) before they find Lucanis and are witness to the most emotionally charged yet emotionally stunted reunion they’ve ever seen. Neve and Harding are definitely trading glances between them like ‘are you seeing this shit?!’ as Rook and Lucanis have the most awkward reunion ever.

Rook is dealing with a lot of new information at once and a lot of guilt over the fact that she didn’t know her boyfriend was supposedly dead and had just been worried that maybe he didn’t like her anymore and would she ever have even found out what happened to Lucanis if she didn’t need his help to kill some ancient eleven gods? She’s even more guilty about the fact that he’s been trapped and tortured for a whole year and again Rook did not know!

Lucanis on the other hand is increadibly surprised to see Rook of all people in the Ossuary and almost thinks it’s some sort of dream that’s she’s in here rescuing him because how many times has he imagined something like that? He’s also dealing with a Spite who’s extra determined to talk to Rook and also the whole fact that he’s an abomination now and has a lot of feelings about that.

The first exchange between these two lovers goes something like this “you have a beard now. it looks.. nice.” “thank you? I didn’t really have a chance to shave in here” “that makes sense” cue awkward silence. Luckily Neve and Harding are there to get things back on track. Somewhat.

Anyways, the slow burn of the canon rookanis romance becomes two people learning to reconnect and navigate a very complex tangle of emotions after everything that happened in their year apart. Might write a fic about all this but I needed to get my idea out in the world one way or another.

Other au highlights include:

Rook and Lucanis met because Lucanis had to assassinate a mortalitasi and is sneaking in through the garden while Rook is there decompressing after dealing with the asshole and they both freeze. Lucanis is trying to decided whether he has to kill her and Rook just goes “guy you’re looking for is two floors up and three rooms to the right. good luck” Lucanis is like why are helping me to which Rook responds “this is the fourth time in as many weeks I’ve had to come deliver the same letter of censure to this guy for trying to supersede the royal charter and have to take time out of my day to come out here one more time I’m going start biting people. you’d really just be doing a public service getting rid of this guy”

Lucanis is the reason Rook switched to fighting with an arcane orb rather than a more traditional staff and helped her a lot with close quarters combat. He also gifted her a spellblade and was almost surprised that giving someone a knife worked.

The knife also tipped off Caterina that whoever this rando showing up to ask the Crows for help has some connection to Lucanis because of course Caterina would recognize the work of her grandson’s favorite blacksmith.

Illario only found out his cousin was involved with someone after Lucanis “died” and ended up going through his things because sure Illario might have ordered his death but that doesn’t mean he can’t be sad about it. Hidden under the floorboards is a small elegant lockbox filled with letters and a wyvern tooth dagger and Illario had a whole lot of feelings reading them and the slow transition from letters to love letters. Illario doesn’t realize it’s Rook though because Rook wasn’t going by Rook back then and was signing her letters with her government name.

#rookanis #rook #rook ingellvar #lucanis dellamorte #dragon age #dragon age veilguard #morticia ingellvar posting

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b0njourbeach · 18 hours ago

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NRC LGBTQIA+ HCs

Those are only my thoughts and you can agree with them but you don't have to. We are all different and have our own visions. I'm quite willing to discuss or explain my visions - If you're being polite enough, I've got no time for drama. I will use He/Him for everyone - no matter what I have as a HC - because of the canon and it might be confusing for others (I, for one, often have to take a "Wait, why she?"-moment until I realize it's a HC.)

Riddle Rosehearts

He waits for the "right woman" that would "please his mothers wish". After meeting the students in NRC, especially Cater, he is curious and questioning his previous thought about being Cis/Het. Might find interest in all pronouns. I could also see him having to be more feminine because his mother wanted a girl (which could imply him having trouble with gender as a whole).

Ace Trappola

I think it's canon that he's not too fond of romantic love, so I do believe he'd be most comfortable seeing himslf as aromantic. As for the rest: He's your average cis male teenager who makes too many dick jokes for his lack of experience (but would consider himself as allosexual). Will throw hands and sees it as an insult if you call him a girl tho.

Deuce Spade

Like Mother, like son - Both Spades are bisexual in my eyes. Deuce used to be homophobic in his delinquent times but changed for the better (and realized that he disliked the idea of gay people because they "always look so happy"). Had multiple "What if"s regarding his gender (Including asking Mama Spade to treat him like her daughter for a bit, so Deuce could get a feeling for it) but it felt too weird, so he still identifies himself with his assigned gender (male) at birth - But doesn't mind it if people use they/them for him. Would be your average nervous Teenager when it comes to showing affection in any way and will blush brightly at the topic of naughty stuff.

Trey Clover

Didn't give it much thought ("If I like a person, I like them" type of mindset but had no particular romantic feelings before) before entering NRC - Where he had his first guy crush which rocked his world a little. Constantly questioning "Am I gay, bi or pan?", but his first and only crush doesn't really help and is actually the reason for his questioning in the first place. Hasn't come out at all and doesn't plan on it because he grew up that the genders of people in a relationship doesn't matter and his parents would support him as long as he's happy. "I was born as a guy, so I'm a guy, I guess. I don't really care if you use she/her for me. It'll be just a bit confusing for me at first" type of guy. After one of the night talks with Cater, he got curious about poly-relationships.

Cater Diamond

Many thoughts on his guy, many possibilities but this one story I have planned made me like the idea of trans-male Cater a lot (Mainly He/Him but doesn't mind They/Them). Funnily enough, I can also see Cater as genderfluid slaying person - That's what I mean when I say there's a lot of potential. Has too many trust and commitment issues to think of any type of relationship but he's still a bisexual king. If I had to describe a bisexual, it would be him. Wouldn't say no to a potential poly-relationship but is also intimidated by the idea because of his mental issues. Sees a lot of benefits in poly-relationships. I wouldn't be surprised if he had hooked up with someone before. Despite it all, he flirts as if his life depends on it (Which is, at least in jp, somewhat canon).

Leona Kingscholar

"I'm a guy" ahh male (in an unbothered way, not the toxic way. He's surprised if someone asks for his pronouns but respects the person just a tiny bit more for caring enough to ask in the first place). While I do believe it is hard for him to actually love someone to begin with, I'm convinced of Omniromantic and -sexual Leona.

Ruggie Bucchi

"My gender is whatever gets the job done." Based on irl hyenas, it isn't impossible for Ruggie to not be AMAB (The genitalia of a female hyena are very similar to those of a male. It led on multiple occasions to zoos attempting to breed two male hyenas). So if a job requires him to dress in drag and dance the hoola, Ruggie will do so. In theory bisexual but is too busy for actual relationships. Would absolutely come up with the wildest neopronuns to piss off Karens though.

Jack Howl

He definitely questioned himself as a young pup, especially after meeting Vil because he thought he might have a crush on him but he was proven wrong later on. Definitely one of the few straight guys in NRC. The more genderqueer people he meets, the more worried he gets about peoples pronouns because he used to be the type to look at a person and guess based on whatever vibes they give off. Now he doesn't know which pronouns to use, so he often uses they/them unless told otherwise (Has a non-verbal pact with Deuce to let each other know what kind of pronouns people have - if the other person knows).

Azul Ashengrotto

I'm making this based on irl male octopi and their nature of dying after having sex for the first and only time: So with that in mind, I do believe that Azul wouldn't want to be sexually active at all (That and his insecuities aboout his body would probably stop him too). I definitely picture him as a helpless romantic once he does fall for a person, though (demiromantic maybe?). Definitely ne for the males, both his gender and his potential partner. He has absolutely questioned his gender and maybe even secretly owns a floor-length dress he wears in his room when his mind wanders off to question potential genders again.

Jade Leech

I will never not talk about AroAce Jade. I could write an essay about AroAce Jade but I won't. Just yes. Could potentially be bi-gender though. Likes to mess with people "You think I'm a guy? Is this not a little too narrow minded? ... What? Oh no, I'm not a woman."

Floyd Leech

Raging homosexual. His type? "If he can rock my bottom, I'm vibing", but his potential boyfriend needs to be able to keep up with his nature. Only his boyfriend sees a rare soft and sweet side from time to time, trust. (I've seen people have the HC of Floyd being a She/Her lesbian and I personally can only see it if we're talking about genderbend Floyd but I'm not here to comment on other people's HCs. I just wanted to mention my sight on genderbend Floyd too). Is a He/Him guy but wore dresses and skirts before but only very wide ones or the type that have a deep cut in it - For free legs (It's canon that he doesn't like tight clothes, so I'm working this into the HC.)

Kalim Al-Asim

"I'm a guy but I can be your big sister too, if you want to haha!" Would absolutely dress feminine if he feels like it. Likes to dance in very fancy and wide dresses and skirts because they look pretty when you do a twirl. Also very pansexual, just wants to love.

Jamil Viper

Is used to dress up feminine because Najma makes him wear her clothes sometimes, so she can see if it looks any good. Much like Ruggie, doesn't care about gender as long as it gets the job done and has been often enough addressed as a girl (Especially if the person saw Jamil only from behind) to stop caring about pronouns. Has many reasons not to want to be in a relationship but swings both ways in theory.

Vil Schoenheit

Gender? "Yes." Did you expect anything less than all genders for THE Vil Schoenheit? Come on now. Extremely demisexual and -romantic. Clothes have no gender (his canon statement, Book 5), so he has worn all types of clothes with confidence and comfort.

Rook Hunt

Lithromantic (Basically: Attraction exists until the target of your affection likes you back). Gender doesn't matter for a partner or Rook, but "it/its" pronouns are extremely interesting to the Hunter.

Epel Felmier

Homophobic, both internal and external. "I'm a man!" but in the toxic way. I see trans-male Epel HCs (and justify his dislike of "girly" things with that) a lot and I really like them as well but the idea of this toxic cis-het white guy Epel is much more entertaining to me - Let this guy be annoying for the sake of being annoying, not everything needs an emotional reason :> He's a little fruit tho even if he denies it (I mean, he's in Pomefiore for a reason /hj).

Idia Shroud

"I don't do love, I don't do sex, I don't do gender. Do not perceive me." Tbh I dont have any particular HCs for Idia, I just go with whatever I see in media, if it works out with my interpretation of Idia ofc. I don't believe that Idia would be quick to love though (especially after Eliza).

Ortho Shroud

Again, I don't have many HCs on my own but I've seen both trans-male and trans-female Ortho HCs and I like 'em both.

Malleus Draconia

Knows he needs to bring up an heir eventually but hasn't found the right person yet. Isn't exactly sure about his own sexuality but is certain he'll know once he finds "the right person". Is a little confused by "new" genders, so he just settles with the classic He/Him for himself - Tries his best to respect Neopronouns and trans folk. Will ask a lot of questions if you come out to him as anything that is not your assigned gender - Both out of curiosity and because he doesn't want to mess up. Has been raised to be supportive through Lilia.

Lilia Vanrouge

Man, Woman, prefer not to say, Other, Croissant - It's all Lilias. You're a Non-Binary person? Lilia absorbs whatever your assigned gender at birth was. You're trans? Lilia will trade your assigned gender with whatever you identify as. It's also pretty much canon that he's bisexual, so there's that - I'm pretty sure he hesitates about relationships due to his previous experiences with Meleanor and Raverne. Has definitely made out with Baul when they were younger.

Silver

When you ask Silver what he likes, he'll tell you about his sword (the object, not a naughty reference to his genitalia). If you'll correct yourself and mean as in a person, he'll tell you that he doesn't care what the gender of his opponent in a battle is - He just hopes they'll good enough to help him learn how to improve his skills. In short: His duties and interests matter to Silver much more than something like love or sexual intercourse. (Same applies if you ask about his own gender: "I'm.. a guy? But I don't see where this matters right now.")

Sebek Zigvolt

Used to be a raging homophobe until Lilia sat him down and had a looong talk with him. "I'm not queer", proceeds to explain how overrated the concept of love is and how his duties should never be interrupted by something as trivial as romantic relationships (He doesn't get that this mindset has a lot of AroAce weight in it - which means he's queer). He's overall a little confused, but he's got the spirit. Will correct people very loudly if they misgender his friends or close ones. Will also regularly ask Lilia in the morning what kind of pronoun-day is (Lilia has considered to wear different colored bracelets, so Sebek doesn't have to ask every morning.)

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bitchy-ish · 1 day ago

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I hate being sad abt the Marauders so todays post will be the idea I cooked up abt how Peter didn’t betray them and everyone lived!

So Sirius does in fact ask to make Peter the secret keeper for two reasons:

He’s actually amazing at keeping secrets.

Sirius is worried that his family would assume he was the secret keeper and come for him and get James and Lily’s address.

Do they think to tell anyone other than the 4 Marauders(+Lily) of this change? No. They do not.

The Order chooses Peter to be a spy in the Death Eaters because, despite how everyone thought he was weak minded and easily swayed (something that was cultivated because of the pranks), he was not but he could perception of him for the good of inside information.

So Peter has this whole alter ego story about why he chose to switch sides and he has it ready, who he isn’t expecting to run into though, was Regulus.

Regulus was forced to get the dark mark when Sirius officially left the family. He had been putting it off because he wasn’t sure he wanted it, and after getting it and being forced to be more involved he knew for sure he didn’t want to be a death eater. His issue was he didn’t know how to leave his family without just getting killed by them, he didn’t have anywhere to go and there wasn’t a way for him to contact Sirius.

So when he see’s Peter Pettigrew, one of his brother’s close friends, at a Death Eater meeting, he immediately feels like this can be an out for him.

So he goes up to Peter, and asks him about why he changed sides, and Peter rattles off his story but Regulus see’s his mouth twitch just slightly and how he was fidgeting with his fingers, and knows he’s lying. He asks to go on a walk outside with intentions on “catching him up” on what he’d have missed. This is when he tells him his whole thing and Peter takes him back to The Order’s hideout.

He told everyone what was going on, and after some veritaserum they deem him to be telling the truth and bring him into The Order.

Now onto October 31, 1981.

Peter does not sell them out !!!!!!!

This is where them not telling anyone about Peter being secret keeper backfires.

They continue to have Peter be a spy and get a lot of good information on him, but after Regulus’ disappearance the Death Eaters are suspicious and do veritaserum on Peter, where he does in fact tell Voldemort James and Lily’s address.

Of course as soon as he can he apparated back to the order and is screaming for people to get there as soon as possible and help them and that he’s sorry, and then suddenly Lily and James appear through the floo, very frazzled and scared, and James is crying but Lily is sort of shell shocked.

That night Harry is asleep in his crib and James and Lily are getting ready for bed.

Lily gets like this feeling of ‘go check on Harry!!!’ and goes into the room and see’s Voldemort over Harry’s crib.

She yells for him to get away and gets in between the two of them, begging for him to kill her instead of him.

James runs in at this point, with his wand, and before he can say anything Voldemort blasts some magic at him and knocks him out, quickly doing the same to Lily.

When he tries to kill Harry though, the same happens as in canon and the spell blasts back and kills him, all because Lily did give up her life for Harry, she just happened to not die in this instance.

So then after her and James wake up, which is only a few minutes later, they grab Harry and immediately floo away and too The Order’s hide out.

So then Harry grows up with a huge nice family who are all there for him and comfort him when he finds out about the prophecy on his name.

And (bc i love Jegulily) he gets a second dad who he loves very much, and who ends up the potions teacher at Hogwarts, along with Snape, they split the houses and somehow Gryffindor ends up in Snape’s and when Snape is bullying both Harry and Neville, Lily and Alice (who didn’t get tortured bc of some sort of butterfly affect) are livid and send howlers to Dumbledore and get the teachers to be switched.

The first two years do still happen with Quarrel and Lockhart, but Remus ends up staying after his year, and because Snape isn’t the only one there he doesn’t get revealed as a werewolf.

I will def elaborate more on other fun stories within this universe I created within Harry Potter but this post is so long already so thats all for now!

#harry potter #the marauders #james potter #lily evans #peter doesnt betray them #peter pettigrew #sirius black #remus lupin #regulus deserved better #regulus black #harry grows up with a nice big alive family

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onehelluvafan · 2 days ago

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IncuBlitz Part Two: Verosika

This is part two of a three-part analysis related to "Better Than Blitzo" (or "IncuBlitz" as I like to call him) and the look that he gave Blitz, right before he kissed Stolas.

Click here for Part One: His Tattoo, or keep reading to dive into Part Two: Verosika—how and why she could have orchestrated things.

Alright, this theory in particular was my main working theory and what I thought I would be giving evidence for in this analysis. However, after digging into it and following my own lines of reasoning, I’m considerably less sure of this theory.

But let’s go ahead and break it down. Starting with:

Is Verosika stalking Blitz?

I think at this point, it’s heavily implied that Verosika has to be stalking or keeping tabs on Blitz. The nature of the party itself, wouldn’t work nor be full of so many people if she wasn’t getting information on him somehow.

But at the very least, we know that the barometer for who is welcome at this party is pretty low, considering that Dennis is in attendance.

Because the only interaction we see him have with Blitz is a brief encounter during the Queen Bee episode. After Loona interrupts the two making out and Blitz finds out his name, he recoils, shoos him away, and yells, “Get away from me! I’m not fucking a Dennis tonight.”

This did appear to hit poor Dennis a bit hard, but it’s still a pretty low-stakes, low-investment encounter compared to the history that Blitz has with Verosika.

I did wonder at first if this was proof that she was having Blitz straight-up followed this whole time. Because not only was he only there to pick up Loona, but it’s clear that he hasn’t even been going to these kinds of parties in a long time.

But then my friend reminded me that Tex was at that party. And not only that, but he had explicitly asked Loona to go check on Blitz, at the time when Blitz was actively making out with Dennis.

Since he works for Verosika as security closely and often enough to be at the “I Hate Blitzo” party, I think it’s not too much of a stretch to assume that she heard it from him directly. Perhaps, when it comes to Blitz, he’s actually “paid enough to care.”

I think the night of the disastrous date at Ozzie’s is what brought Stolas to Verosika's attention, but she was clearly keeping tabs on Blitz since long before that.

The "Freshest Ex" Timeline

There’s been some discussion in the fandom about the timeline of Full Moon and Apology Tour not quite lining up because, during the duet, you can see on Blitz’s calendar that he has the 29th circled as the night of the full moon.

With the party taking place on Halloween, which is always October 31st, this has understandably led to some confusion about whether or not these two episodes are intended to be within the same 24 hours.

But based on the way that Blitz and Stolas talk about it and the text that Blitz almost sends that says, “I’m sorry for last night,” I think it’s clear that the events are canonically taking place back to back and that the calendars not lining up to just be a mistake or oversight. Or perhaps even an indication that time moves differently in hell.

So that being said, how could Verosika have known so quickly that they had "parted ways," given that it had just happened the night before and Stolas received the invitation sometime the following morning?

I think the answer is simply that she, or someone in her network, was there watching when Blitz was thrown out of the palace by Stolas.

It honestly seems like it would be super easy to know when he was there because, despite climbing in via balcony, he is seen to have parked right out front. Then when he is forcibly ejected, he yells “fuck” so loud that a group of birds nearby fly away.

That alone wouldn’t necessarily warrant the certainty of a dissolved relationship, if not for the fact that he usually spends the night. We can see from that episode that their entire encounter only lasted 5 minutes and he presumably drove off right after that.

So after an entire shopping spree of Blitz acquiring new sex toys before arriving at Stolas’, only to be teleported outside a few minutes later, yelling fuck, and driving off instead of spending the night, I can see why Verosika would feel confident in assuming that whatever kind of relationship they had, it was now over.

Alright, that out of the way, let’s move on to:

The Party

First, I want to cover how she could have orchestrated things, and then I’ll go into the why.

I’ll start with how she knows that Blitz is even at this party. There are several points at which she could have easily become aware. The first being when Blitz first walks into the party. Not only is he not in disguise, but he actively insults several people on his way in. It’s only after that we see him go over to the drinks table and take the tablecloth to disguise himself.

The second opportunity she had was when Stolas was singing on stage. At first, Blitz was pretty far back, but very early on in the song, he moves forward, almost to the edge of the stage. He spends the rest of the song, face tilted up as he watches Stolas, completely transfixed—not pulling his hood back down until near the end of the song.

The third opportunity she has, and the one that I think is the most likely, is when he follows Stolas into the house and approaches him.

If Verosika had also gone into the house after the song, she wouldn’t have been very far behind him. But even if she didn’t see him then, her attention could have been brought to the both of them, when Stolas reacts to Blitz by choking on his drink.

After that, Stolas proceeds to usher him over to a nearby side room. It is in this doorway that Blitz mentions the “apology tour”.

This is the moment that I feel the most confident about Verosika being aware of Blitz and being nearby. Because when they are talking later on the balcony, she uses that exact phrasing with him. I went back through the entire episode, and this moment in the doorway is the only time we hear the words “apology tour” until we hear them again from Verosika.

Fast forward to when IncuBlitz pops in and sweeps Stolas off onto the dance floor, and you can see Verosika, right in Blitz’s line of sight. He can’t have looked at Stolas and IncuBlitz without seeing her.

Not only does she not look particularly happy, but she immediately turns and begins to literally stalk up the stairs, her expression changing from that unfocused look to obvious anger.

This also leads me to believe that if she had become aware of Blitz earlier in the night, we would have seen something indicating that reflected in her expression at some point.

Then, when Blitz follows her to the top of the stairs and joins her on the balcony, she looks completely unsurprised by his presence.

So, to me, it’s clear that she was at the bottom of the stairs, intentionally in his line of sight, just waiting for him to approach her. Once she was certain she’d caught his attention, she then deliberately lured him upstairs so that their confrontation would be farther away from the party.

The Kiss

After they’ve talked for a bit and Blitz gives his actual apology, she is seen looking over the crowd and specifically brings Blitz’s attention over to Stolas and IncuBlitz, right before IncuBlitz checks that Blitz is watching and kisses Stolas.

For me, this created the possibility that she had intentionally brought Blitz’s attention to the two, specifically so that he could see them kiss.

After watching this a few times, I became considerably less sure, since it really does look from her expression like it was a coincidence or writing choice for telling the overall story.

Because if she had orchestrated the whole thing, I would have expected to see some smugness or satisfaction in her expression in response to Blitz's negative reaction.

Instead, it just looks like she's happy for Stolas, annoyed by Blitz, and then possibly even a little sympathetic as she gives him some advice.

The Cake

Lastly, is the slice of cake. I think most people agree that there is absolutely a metaphor being shown here. Be it “eat your heart out”, “have a heart”, her serving his heart up “on a silver platter”, or all three. But the thing that bothered me, was where the heck did that slice of cake come from?

Because the cake itself is below them on the main floor and we did not see her carrying anything when she first stalked upstairs. So logically, she would have had to either place that slice of cake upstairs in advance or have someone in place to bring it up to her during their conversation.

After further investigation though, I’ve come to the conclusion that it’s simply “movie magic”. Because if you look at the cake, it doesn’t really seem like there’s room for a heart inside in the first place, nor do we see a heart or any other organs nearby the cake earlier in the night.

Then, when we see the cake again, from the top-down, the heart area appears completely unchanged and intact.

So, now that I’ve covered how she could have orchestrated things, let’s go over the why. With the biggest but simplest question being:

Why get involved at all?

At first, I assumed that it was just to get back at Blitz. Both for being a dick to her in general, but also for having the “balls” to show up to her party in the first place.

But when I looked through the footage of her in this episode side-by-side, I felt there was a different, more likely reason. And that was just to look after and take care of Stolas.

The first time we see Verosika on screen is right after Stolas arrives at the party. She walks up to him, greets him with enthusiasm, kisses him on the cheek, and asks in a gentle voice how he’s holding up.

She then takes him over to the cake, like any good hostess would, to give him something to interact with. She, of course, then proceeds to murder Blitz’s dick right in front of him.

I think she does this, to some degree, for herself but also to set the tone for Stolas, and encourage him to feel like he belongs there.

When he declines to slice into any of the cake, she immediately backs down but then proceeds to scream “fuck blitzo” to the crowd. I think this is to further make Stolas feel at home and like this is a safe space for him to express his anger towards Blitz.

Because not only does she have experience with being hurt by Blitz, but years of hosting this party has likely reinforced what she expects one of his “freshest ex’s” to be thinking and feeling.

So, it’s possible that she’s assuming Stolas is angrier than he actually is or she might be actively trying to encourage him to turn his hurt into anger.

When she encourages him to come onto stage and talk about his experience with Blitz, she calls Blitz a “cock sucking mother fucker” and then more gently asks Stolas to speak from his heart, specifically mentioning to him that they all “know how he feels”.

So, again, trying to make him feel like he belongs at this party and that it’s safe for him to express any kind of rage at Blitz that he might have.

Then, when he starts to become self-reflective in his song, her backup vocals with Tex try to shut down that line of thinking, saying, “No, no, no. He’s a mother fucker.”

I think this directly correlates with what she says later on in the episode to Blitz, “The worst part is, you make me feel like a bad person for still being angry at you.” And I think she just doesn’t want that for Stolas or anyone else who’s been hurt by Blitz.

And then of course, there’s Stolas crying.

Since we can reasonably assume that she was aware of Blitz, from, at the very least, the mention of the “apology tour” in the doorway, there’s the question of why would she not have intervened right away? Be it by her own self or through someone like IncuBlitz?

I think the reasons for that are two-fold. By confronting Blitz in front of a crowd, the most likely outcome would have been disrupting the mood of the party at best and at worst, ruining the party and possibly even future parties.

Because this would have made everyone aware of Blitz’s presence there. The one person that they are all at that party to be angry at and feel safe in their shared commiseration.

The other reason I think she didn’t intervene was because of the “reason” for his visit. The “apology tour”.

Stolas did not appear to be angry in that moment and was clearly consenting to Blitz’s presence when he pulled down the tablecloth to better hide Blitz’s face and guided him off to a room where they could talk.

Seeing this, she may have not wanted to risk getting in the way of Stolas actually being apologized to, since she herself is someone who deserves and owed an apology from Blitz.

IncuBlitz himself doesn’t intervene until Stolas is clearly no longer consenting to Blitz’s presence and the conversation that they are having. But I will go over that part in more detail during the final theory.

So, to me, Verosika’s interactions with Stolas suggest that she is just trying to comfort him, help him express his anger and hurt in a safe space, and encourage him to have a good time.

Now, on to one of the biggest reasons that this is no longer my top theory.

There is no other entry into that room.

In order for her to have walked in from the yard, seen Blitz and Stolas, followed them, overheard the mention of an “apology tour,” and have been able to send someone in after that, IncuBlitz would have needed to come into the room, after Blitz and Stolas entered.

Running back through the footage, IncuBlitz is clearly seen to already be in the room, when Blitz and Stolas first come in. Same wrist bandages and black heart tattoo on his lower back, though it does appear larger and a bit more faded when we see it the second time.

So, the only way he could have been sent in fast enough to already be standing at a nearby table is if there was another entrance into this room.

I went back and scrubbed through the entire party scene, even going so far as to draft an actual floor plan of the entire house on grid paper, and I am certain that there is no entry into this room other than the doorway that Stolas and Blitz passed through and sat next to.

So, with that in mind, I don’t see how IncuBlitz could have been sent in by Verosika, as a direct response to Blitz being at the party and engaging with Stolas.

Click here for Part Three: Just an ex??

#helluva boss #helluva boss analysis #helluva boss theory #better than blitzo #incublitz #stolitz #stolas #blitz #blitzo #blitzø #verosika mayday #apology tour #onehelluvafan

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ir-abelas-vhenan · 2 days ago

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Losing My Mind Over Veilguard 6/?? Aka the Dread Wolf Double Bind

These posts are getting up here in number (yes ma'am that is 1 2 3 4 5 instances of me not being able to get my shit together and coming back again for more)

and quite frankly there's nothing I can do about it until the "we've been treated and tormented by this game" demon has been exorcised from my body, so here we go again.

Today I give to you:

(Modeled after Inquisition Solas and his sad, bald-ass basset hound mage bum glory becuase I think it's important that newcomers know exactly who his fans fell in love with/who inspired his enemies to conduct speed-runs to punch him. Yassified Solas ran only because this mangled membranous man crawled first)

Part of what's making me lose my mind here, I've discovered, is a strange sort of survivor's guilt where everything I really like or really hate about Veilguard can be traced back to Solas and I don't know how to deal with it because we've never had such a divide before between one character getting ALL the content and everyone else from their game being left in the absolute dust.

Disclaimer: Yeah, no one from Origins has had more screen time across games than Morrigan at this point, and therefore no one has gotten more robbed of the substance of their character, but even the damage done to her wasn't the kind that warped an entire game. No, the devs saved that all for the Dread Wolf in the Room.

Even putting it down on paper and comparing the two in-game versions of him, it took me a second to work through why I'm so conflicted, but I think I've finally settled on a few key points.

Concern #1: Solas Haters Were Robbed.

Part of the allure of Solas is that if you want to punch that man in the face, you're gonna get the chance to punch him in the face. Is that my personal preference? No. But in a game where your companions are built to make you think instead of letting you turn your brain off, you're bound to have personalities that clash against yours. To have such a non-descript-looking iambic-pentameter-talking apostate be able to inspire strong emotions across the whole spectrum of players was part of his appeal. Now, as far as I understand it, you have four options at the end of Veilguard.

1. Solas lives and he might actually not hate himself some day.

2. Solas lives and he's absolutely going to write a diary entry a night about why he hates himself.

3. Solas lives and he's going to write a diary entry a night about why he hates YOU.

4. Solas lives and you better hope he never again figures out how to live in your general vicinity

Do you see my concern here? I, shamelessly, can admit that I would do unspeakable fictional things to get that man his happy ending (within reason...mostly...), but I feel like the game took the opportunity away from the players who threw that knife in their map at the end of Trespasser and vowed to take a bitch down for stealing their best armor and waxing poetic about the Grey Wardens while seemingly sitting on his ass and having no inclination to stop the blight (help). This, then, leads me into my second issue.

Concern #2: The Game Refuses to Give Solas room outside of its own agenda

In the near-decade it took for Solas to slip back into his trickster god persona, he seems to have forgotten why he began his quest to tear down the veil in the first place. I like that Rook gets to experience the version of our favorite hard boiled egg that near-singlehandedly tore down several empires by being an absolute terror to those with bigger egos. I like that new players are going to hear Solas tell them that they've earned his respect and actually believe it until they inevitably get their first taste of ancient elven betrayal. What I don't like? When a nuanced yearning for a world in which three majorly mistreated groups (spirits, elves, mages) would be free from many of the constraints that enabled their oppression suddenly becomes "I am doing this because if I don't I have betrayed my friend. Which friend you ask? Oh, the one that was on board with my plan until it no longer suited the story."

The combo of few characters from previous games and a sanitized near-blank slate for the setting of this game was deadly to one of its best-written characters. Because of it, Solas is forced to abandon his double-speak, the joy he takes in giving you scraps of an answer that, by the time you get it, you will already have missed the chance to piece it together from separate clues that he ALSO dropped. He's not going to get to show you the loyal followers the epilogue of Inquisition made clear that he has, because the game wants to usher you into the new future of the series. You're not going to get to ask him (or any NPCs for that matter) a bunch of questions so that you can form your own opinion of him, because all that matters is that he isn't Elgar'nan or Ghilan'nain so let's move along, shall we?

Because the game needs exposition and a foil to its two other baddies, and needs it FAST, the mythic Dread Wolf becomes a plot device designed to get you where you need to go when you need to be there. It doesn't work purely for that reason alone, at least in my opinion, but it gets so much worse when a game that promises you that it's going to work for players new and old relies on someone experienced players want a personal reckoning with to guide every Rook through the game only to realize that those questions of morality regarding whether the veil is torturous for a subjugated few or the only thing preserving most of life as we know it are going to have to remain questions.

You don't get a choice of whether Solas is in your party or not, and you can't advance in the game without talking to him. You don't get to choose not to impress him. You don't get to choose whether you're going to work with him in the final battle, and as previously mentioned, your only real choice in how his story ends is one of four options in which he lives every time in varying states of self-loathing. You're still going to love him or hate him, but just how strongly you're able to show those feelings towards him is severely curtailed. And that's an absolute shame for a character that commanded such fierce attention.

And that's where, ultimately, I find myself with a weird amount of survivor's guilt.

When I finished my Veilguard playthrough, I had barely a moment to fully contemplate the amount of whiplash and disappointment I felt going from a Solas that I had spent almost a decade knowing to a One Dimensional Fen'Harel who threw out his core values and goals like they were chilling in a cup of tea before. Why? Because I very quickly felt guilty. And then I got angry for feeling guilty!

The game's failure to adequately represent its other characters and lore has created a world in which I don't like the Solas we've been given, but I can't live without him either. Who am I to complain that his most complex and compelling features are gone when other players are mourning the fact that the last they may ever hear of their favorite character is reduced to a scrap in the codex? How can I be frustrated at how the Lavellan reunion scene goes down when other players would kill for the chance to have their Inquisitor seemingly give any sort of shit about being in the game aside from being told it was mandatory to earn participation points? How can I lament the fact that his storyline seems to share all the wrong lessons to be learned from a toxic friendship rooted in a never-equalized power imbalance when someone else is watching Morrigan pull a complete 180 and wondering why the fuck they spent so much time researching whether or not her accepting her mother's choices as her own was what she truly wanted? At least Solas still loves Lavellan, even though we needed to ask Trick Weekes several follow up questions just to double check. At least Solas gets more in the epilogue than one empty "we remember the heroes that came before" platitude.

And to suddenly fear any appearances of past characters from a studio that used to make me stay up theorizing about how a character might grow and evolve and continue to impact the world I helped shape? It's depressing as hell, and it's why I was too scared to get attached to any of the new companions once I finally got past the writing and lack of complexity.

The people that hate Solas, deserved better.

The people that valued what he brought to their Inquisitor's small but strong group of friends deserved better.

The people that love Solas more than Sera loved pissing him off deserved better.

And new players, who had a chance to engage with one of the most powerful storylines in the game and instead got a heaping dose of Deus Ex Machina Lite, deserved better.

If taking a character that had the potential and power needed to shape an entire continent and banishing him one of four different ways to Fade jail so that the book could quickly be closed on a years-long legacy is what the studio is calling a return to their roots, I'll stick with the efforts of fans to create art and theories that aren't afraid to double down into what actually keeps people coming back for more.

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novankenn · 2 days ago

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Prelude to... A movie on Saturday

A snippet from "a Mafia" & "From Assassin to Sales Clerk" AUs

Pyrrha was once again in the mall being dragged along by Jaune. The man she was supposed to kill, but because of her traitor of a heart and turncoat of a brain, she couldn't pull the literal trigger on the job. Of course the dense, oblivious, sweet, cutie. Pyrrha shook her head to try and replace those words... only for sweet to become loveable, and cute to morph into adorable.

So because of her inability to override her heart and brain, her mark who somehow had spotted her trailing him, decided she must be his... bodyguard. Pyrrha didn't know what was worse. Not being able to finish the job herself, or having to PREVENT other hitters from completing the contract! In was insane, and giving her a migraine.

"Jaune!" Pyrrha yelped when he grabbed her by the wrist, and started to drag her towards his chosen destination. "Hold on!"

"Come on Pyr!" Jaune spoke through his adorable goofy smile. Hearing her nickname, and seeing that smile, made Pyrrha "Goddess of Death" Nikos, blush like a school girl.

The blush, and associated happy feelings instantly died upon stepping over the threshold to Pumpkin Pete's Novelty Store. Gods Pyrrha hated this store. It was tacky, gaudy, and over priced! Like seriously $200 lien for a hoodie just because it had a trademarked rabbit head logo on it? But Jaune loved the store, and as his... bodyguard she was required to stick by his side, even in this hell.

But that wasn't the full reason she hated stepping inside this neon coloured purgatory. No that other reason was currently staffing the till of the store.

"Hi, Jaune! Pyrrha!" Blake called from her spot next to the till, in an overly cheery tone.

"Blake! Did they come in?" Jaune asked, like a over energetic puppy.

"Yep. The whole set is on the shelf, next to the Cereal Display." Blake helpfully informed Jaune, who released his grip on Pyrrha and rushed off towards the indicated destination.

"Blake." Pyrrha greeted the cashier coldly. Now why would Pyrrha be such a... bitch to some one working in customer service? Well because Blake Belladonna was also an assassin. One who had TRIED to claim the payout on Jaune.

"Pyrrha, you can relax. I signed off as not interested on Jaune's contract. You and him are safe in here." Blake informed her rival hitwoman for like the twentieth time.

"I still don't trust you."

"And that is an issue." Blake retorted. "How can you be in a relationship when you can't even trust someone in the same profession... wait that is a terrible example. I can perfectly see why you would have trust issue there."

"Whoa! Limited Edition Chainsaw-hand Pete!" Jaune shouted in excitement from his side of the store.

"How many of those freakish Sche-Pop things are there?" Pyrrha asked with a defeated sigh.

"Two dozen." Blake responded. "Anyway, you need to be more trustful. How are you going to move forward with Jaune if you can't trust and be honest?"

"Honest and truthful?" Pyrrha snorted, "Tell me Blake, in your infinate wisdom how this would go. Ahem. Jaune I'm actually a hitwoman who is supposed to kill you for a Schnee amount of money."

"Yeah, maybe not that honest."

"Anyway, have you been that honest with... Yang?"

"How do you know about her?" Blake hissed, her hand reaching for the kukri sheathed under the counter top.

"Jaune and her are friends through her sister Ruby, and you should understand... blonds talk. Especially to other blonds."

"Shit!"

"So have you taken your own advice?" Pyrrha asked with a smirk. "Opened that Pandora's box of truth, to you blond?"

"I'm trying!" Blake hissed, "It's hard, you know. I even bought out her contract four years ago, so no one could pick it up!"

"Whoa. That is commitment. When's the wedding?"

"Hush you!" Blake answered. "You're no better, you know that! Blushing and squirming like a school girl every time Jaune even looks at you!"

"How else should I react?" Pyrrha asked. "His contract has a no-buy-out clause! I'm sleeping in his bedroom for Gods sake!"

"Same or separate beds?" Blake asked instantly serious.

"Separate."

"Shit!"

"Blake, where you thinking lewd thoughts about me and my sweet Jaune-Jaune?"

"No, and do you hear yourself?"

"EEP!" Pyrrha squeaked as she finally recalled what she just said, and said out loud. "Argh! I'm a mess! What am I supposed to do! This should never have happened!"

"Preach it sister." Blake replied. "Yang wants to take me to the movies, Saturday, and I bet you an hour's wages she'll invite Jaune who will bring you along."

"A movie!" Pyrrha's heart was slamming against her ribs. "What the hell do we do at a movie?"

"Hold hands? Make out?"

"We are killers Blake! We are ill equipped to do such normal things!" Pyrrha growled in desperation while unintentionally grabbing Blake by her hands. "What are we supposed to do? how am I supposed to act normal?"

"Don't ask me!" Blake replied. " The only normal thing I know is how to work a retail job!"

"Right." Pyrrha released Blake's hands. "I hope you don't take this the wrong way, but WHY are you still working here?"

"Deery." Blake replied without hesitation. "She's scary."

"Oh, yeah... I remember her." Pyrrha visibly shivered.

"Hey!"

"No."

"Rude. You don't even know what I was going to say!"

"You were going to suggest I speak to one of Jaune's sisters." Pyrrha scowled. "Not happening. Ever."

"So then we go to this movie, flub it, Get outed as murderous psychos, and lose the loves of our lives?" Blake asked.

"Fine. I'll ask Saphron." Pyrrha capitulated. "Happy?"

"You were right Blake!" Jaune commented in his overly cheerfully friendly voice. "They had ALL twenty-four PLUS the four special editions!" Jaune pushed a shopping cart to the counter. A cart filled with boxed figures.

"Jaune. Don't you have like all of these at home already?" Pyrrha asked, leaning back from the freaky things.

"No. That was series one. These are series two. So they're different."

"How?"

"Poses. Accessories." Jaune cheerfully replied.

"I'll just ring these all though, for you." Blake commented.

"Oh, Blake?"

"Yes, Jaune?"

"Yang said something about movies Saturday." Pyrrha froze. "So I thought I'd check with you to see if you'd mind it Pyr and I tagged along?"

"Don't mind at all. The more the merrier." Blake replied, in her practiced cheery customer service voice.

#rwby #a mafia au #from assassin to sales clerk au #jaune arc #pyrrha nikos #yang xiao long #blake bellodona #bumblby #arkos

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clonerightsagenda · 2 days ago

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Kat's "I could fix her" Arcane season 2 post Part 1:

Yeah we're skipping straight past the recap/reflections on what this show actually was into my 'just let me into the writers room' post because I'm currently tormented by, ironically, what could have been

What's funny is the characters didn't even end up doomed by the narrative because of their League of Legends fates!! They killed a whole bunch of champions! They just Did All That anyway.

As I was saying in previous posts, the season was overstuffed. I genuinely liked some of the music video portions lol, but there was just so much going on.

I still would put Mel in a Magic Coma for the entire season and spin out her Black Rose plot for a third season or new spinoff (it seems like there will be one anyway). Her storyline as is felt like an afterthought and wasn't fully explained. Am I supposed to know the Black Rose lady? I don't. Being crammed in does her a disservice; I'd rather give her room to breathe. This would create a stronger absent mother/absent daughter bond between Ambessa and Caitlyn, and Caitlyn could see Ambessa claiming to do things for her daughter's sake even though it's obviously stuff Mel would never approve of, and that could force Caitlyn to reflect on how her mother wouldn't approve of the actions she's taking allegedly for her sake. That could sell Caitlyn's immediately re-siding with Vi better.

This may be a very hot take, but I didn't really like the werewolf Vander plotline. My understanding is he's a LoL champion, but he felt particularly cartoonish even in an increasingly cartoonish season, and just kept retreading the same ground. Vander's dead. :( He's alive! :) He's dead again. :( Obviously the cycles are part of the point, and he represents how Vander's death is this monstrous always dying never at rest force between the sisters tying them together and strangling them at the same time, but I'd cut it. Have Vi seek Jinx out after the prison break because she can't believe her sister did that, have Jinx admit she only did it to save one girl, and they reflect on how Vander also did stuff just for kids versus ideals. Make Vi reflect on how her little jaunt with Jayce killed a kid, and here Jinx is saving one, and people are complicated. Still not clear on how Jinx has no negative effects from Shimmer, so give her a few and that can be their new reason for going to Viktor's commune. Ambessa can hear about his new weird magitech without needing a werewolf to pique her interest.

Obviously this raises of the question of what Vi and Jinx are doing in the finale, and while I don't think every character needs a big damn fight scene, they can back up Caitlyn versus Ambessa since Mel won't be there, which also forces them to deal with the Vi-Caitlyn-Jinx tension. IDK if there's a way to have Jinx ambiguously blow herself up in that scenario but here's a thought, maybe the most prominently disabled characters don't all need to die and/or commit suicide? More on that later. Ambessa is subdued, not dead, though, so she and Mel can talk later.

Finally (for this post) I already expressed my frustration that the key class conflict so present in the first season and first half of the second gets mostly shoved under the rug because there's a new enemy to fight. Yes, that's often used as a distraction irl, but that's not a *good* thing. Sevika's sitting at the councilor's table at the end of the show. Who negotiated that? Caitlyn? If we absolutely must go the direction of a big damn final battle, I want to see that conversation and all of the pain and distrust that must've come up during it.

That's the kid gloves version. If I was being aggressive - and I would be - I'd have the fighting totally destroy Piltover with arcane corruption, and now everyone from Piltover has to live in the Undercity/Zaun as refugees. Forget Sevika sitting down at the Piltover table as the new councilors glare at her. Now the Piltover councilors are having to sit awkwardly down at a table with Sevika and Ekko's number 2. (Or Ekko. What is he doing besides sitting sadly on that roof. Is he involved in governance. Is his tree ok.) Piltover suffocated Zaun for years with their industrial runoff. Now they're choking to death on their own magical industrial waste, and they're going to have to learn to live like everybody else.

I am still parsing the whole Viktor, Jayce, and disability thing since as you know that's one of the elements that fascinates me most about this show (the new improved crunchy ableism even as they genuinely try to explore something interesting) so I will be typing a separate post about that, probably thinking through it as I write. Stay tuned.

#kat watches arcane

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descendant-of-truth · 2 days ago

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Okay I waited to get this out there because I didn't want to be a bummer the second it released, but. The story in Shadow Generations was... kind of nothing. Which sucks, because it had literally everything going for it.

Shadow gets plunged into a white space where people and places from different points in time are unceremoniously dropped in due to the power of the Time Eater, and that means Black Doom is here to try to manipulate Shadow again. Shadow starts developing alien mutations that mess with his sense of identity and only make Black Doom stronger, but he's determined to use them to take him out for good.

At the same time, Maria and Gerald Robotnik are here, and of course the first thought on Shadow's mind when he discovers them is how he can find a way to save them from their original fates. So he's got two goals: defeat Black Doom, and save his family.

This setup is really good. It's immediately engaging for all sorts of reasons, from the surface-level "whoa cool alien powers!!" to the heartbreaking implications of Shadow being forced to say goodbye to Maria and Gerald again. (Because naturally, we've seen where the games go from here and we know the timeline isn't changed that drastically.)

And it's clear to see that the people involved in working on this game were passionate about it, too. The animation and cinematography is quite good, and while I have my critiques (I still don't think the character models are that great), so much effort was put into making Shadow the coolest guy ever, and I think it paid off. He's both very cool and shows a wider range of emotions than we've seen from him in a while, which is always a plus for me.

I mean, goodness knows that Shadow needed his character to be revisited and given respect after, what, over ten years? The step up that this is can't be overstated.

And yet.

The story itself is so empty.

Let's go in order:

The game opens with a narrated recap of Shadow's basic history in order to catch people up. I can't say it doesn't technically serve its purpose, but given the fact that the premise of the game is exploring Shadow's past, it's a little weird to spell it out at the start like this. If you're a newcomer to the series and don't know much about Shadow, wouldn't it be cooler to find this stuff out by progressing in the game?

It also leaves out crucial details that, while they could arguably bloat the scene, provide a lot of relevant context that a first-time viewer isn't privy to.

"At the last moment, Shadow remembered Maria's final wish... to protect her beloved planet and all who lived there."

The last moment of... what, exactly? What made him remember, what made him forget in the first place?

In order, these are the answers the scene doesn't give you:

The last moments before the ARK crashed into the Earth, which would've caused catastrophic damage.

Amy was the one who pleaded with Shadow to give everyone a chance, which echoed what Maria told him, triggering the full memory.

It's actually unclear if Shadow forgot what Maria said as a natural trauma response or because Gerald messed with his memories on purpose, but this would have been a great opportunity to clarify.

It also leaves out the fact that Shadow teamed up with Sonic to save the world after he tried to destroy it, so that's two connections with other characters he has that are completely left out in the recap. I know we're finally getting back to showcasing Rouge and Omega as his best friends, but he does hold respect for Sonic and Amy, too. Plus, his interactions with them in SA2 were so iconic, why leave them out?

Then again, I suppose Rouge and Omega aren't in this recap either... which is really weird, the more I think about it.

But even as it's describing the moment he chooses to be a hero, they don't show him in his super form alongside Sonic, he's just... what, on fire?? I don't know what that's supposed to be depicting, it just looks cool.

"Shadow didn't understand why Black Doom expected him to be the vanguard for his invasion of Earth."

A fine start, but shouldn't we have gotten a passing mention of Shadow's amnesia somewhere in here? He spent two whole games trying to remember who he was, and Black Doom's whole tactic was to exploit his desire for answers. That's important characterization for both Shadow and Black Doom that we're missing out on, here.

"Shadow the Hedgehog. The lone, dark warrior who judges the world by his own code."

This is maybe best addressed in a separate post, but. does anyone else find this description of Shadow kinda odd? "Lone warrior" I get, even with his friends he's not big on groups, but it's everything else.

Yeah, he judges the world by his own code, I guess, but his actions are all in service of following Maria's code. It's Sonic that lives solely by what he wants without much influence from others, not Shadow.

And what exactly makes Shadow a "dark" warrior? He's been explicitly characterized as someone who doesn't kill as recently as the prologue animation to this very game, where he goes out of his way to save a pilot when he doesn't need to. His entire life's purpose is protecting the world, and this doesn't involve killing or torturing people, so... what exactly is the dark part of his morality. Nothing about this recap has given me reason to believe he's anything but a heroic person with a traumatic past, and the subsequent game will only reinforce that.

I guess he did kill all the Black Arms, but that's not something the game ever treated as an immoral action. Shadow blows up Black Doom and the comet his people live on and all of our heroes cheer as he does it. It happens in the True Ending and everything, where Shadow's supposed to be proving himself as a hero for real, so that can't be the example of him being a Dark Warrior.

Is it because of how he treated Infinite, a character that this game doesn't acknowledge despite featuring a level from Forces? We'll never know. They just want you to accept the idea that he's Darker and Edgier than Sonic based on his surface-level demeanor alone, which... given that the objective of this game is to showcase Shadow's nuance, this is really out of place. Overall, not a great scene.

That said, the first real cutscene is pretty good, and it immediately showcases how unnecessary that recap was by showing how excited Maria was to meet Shadow for the first time. From that scene, we learn that Shadow was artificially made, that he's "the Ultimate Lifeform," that Maria was likely close to him, that this happened on some place called "the ARK" which is in space, etc. Why did we have a narrator tell us all of this a minute ago when we were just about to see it for ourselves?

I do have one nitpick, though - Shadow claims that he arrived at the ARK "an hour ago," and Rouge on the other end of the comm is already at Sonic's birthday party. Rouge only agreed to help Shadow get to the ARK if he would go to Sonic's birthday party afterwards, but how was Shadow supposed to have time to do anything up there if Sonic's party was that soon? I was under the impression from watching the prologue that Sonic's birthday was at least a week away, because how else would Rouge expect him to conduct a full investigation and potentially fight some huge battle before then?

Oh and the Time Eater shows up in two places at once (at Sonic's party and on the ARK), I feel like it would've made more sense to have it grab Shadow after it was done with everyone else. Now I'm gonna be forced to ask "why doesn't the Time Eater multiply" for the rest of the game. Whatever

Moving on, our first real sign of things to come is the fact that Omega does not have a proper speaking role despite showing up in the first cutscene. He's right there, conveniently next to Shadow, but as soon as you think they're going to talk to each other... you're dropped into the hub world. Speaking to Omega results in text bubble dialogue, wherein Shadow is mysteriously hit with Silent Protagonist Disease and we don't get to hear anything he says. Effectively, Omega just. talks at Shadow three times, saying nothing of interest. and it's completely optional.

I repeat: all of the dialogue from one of Shadow's best friends is OPTIONAL, and Shadow himself says nothing to him. Yeah, we're off to a great start.

(Omega even says that he's going to assist Shadow, and I just. I have to laugh. I'm so sorry Omega but in terms of physical actions, you're genuinely going to do less here than in Forces)

Shadow: "No. She's gone. I'm seeing things."

Pardon?? Seeing things??? I'm sorry but there is no way that Shadow can see and recognize Maria from that distance but not from ten feet away with her back turned. He's also never been implied to have super-vision, so the whole scene just doesn't make sense, and frankly adds nothing to the story.

Even if he doesn't mean literal sight, then 1) why did he phrase it like that, and 2) I kinda don't care. He doesn't need to be able to sense Maria's presence or whatever's going on here, because he's just as shocked when he actually sees Maria properly later. It builds suspense I suppose, but I feel like it would've been more impactful to discover that Maria was really here the same way Shadow does; in the cutscene where he saves her.

But before they can reunite, we've got the first proper cutscene with Black Doom:

Black Doom: "You defeated us, but the Black Arms live on. And this temporal anomaly has accelerated my plans to revive my forces and consume the world."

I'm gonna be real with you guys. I have no idea what he's talking about here.

The game makes zero attempt to really explain how the Black Arms "live on" despite Shadow blowing up their entire comet along with Black Doom himself, and going into the game, I kinda thought it was just... time displacement. Maria and Gerald are brought in from a time they were alive, so I thought it would be the same with Black Doom, but no - he revived himself before the Time Eater even got involved.

Which I'd be willing to accept if they gave me an explanation for it, but they didn't, and the whole foundation of the plot suffers for it.

Plus, what the heck does he mean that the temporal anomaly has "accelerated his plans to revive his forces"?? The Time Eater's powers don't... accelerate anything. At all. They pluck things out of time and freeze them in a void. How does that help Black Doom's plans whatsoever?

If the idea is that he's going to pluck his own forces out of time and bring them back that way, why not just say that? Why are they withholding such basic information from us? It doesn't create intrigue, and the story doesn't even treat it like there's a gap in our knowledge to begin with. I think it's genuinely supposed to be the whole explanation, and that's a problem because it explains very little.

Then you've got the Black Moon, and this thing annoys me to no end because guess what?? Despite gradually opening more eyes and cracking open every time you complete a level, it's never once explained what it is or what it's for. All it does is turn the white void into a red void and open a portal to Even More Radical Highway. Maybe I'm forgetting something from an optional piece of dialogue, but that only creates a different problem, which is that you should never lock basic understanding of the story behind optional dialogue.

Why does it have eyes? Is it a living creature or some weird bioweapon? It's oddly mechanical for a creation of the Black Arms; even their weaponry is organic, as this very game tells us through Omega, so what's its deal??

You'd think it would have something to do with time, considering the framing of this scene:

Shadow says "perhaps I can change their fate" and then looks to the Black Moon as though it may hold some relevance to this new plot thread, but. nope. it just takes you back to Radical Highway.

And hey, look at that, I was so busy complaining about the moon that I seamlessly transitioned into one of my biggest issues with the game: Shadow says this. and never follows up on it. EVER.

I'm not kidding, there's literally NO point in the game where we're shown Shadow trying to do ANYTHING to change Maria and Gerald's fates. There's no scene where he attempts to understand the void better, he never investigates anything, he makes exactly zero attempts to accomplish one of his main goals. of BRINGING HIS FAMILY BACK TO LIFE.

What is the point of them being here, then.

No, I'm serious, literally why are they here if we don't get to see Shadow try to save them?? By the time the final cutscene rolls around, they start fading away back to their own time, and suddenly Shadow's like

(WHY ARE YOU SURPRISED, YOU DID NOTHING TO PREVENT THIS OUTCOME)

But I'll talk more about Maria and Gerald later - for now, since we're on the topic of Shadow having odd reactions to things, how about those stages and bosses, huh?

Well guys, I'm pleased to announce that despite there being dialogue in some of the stages, absolutely none of it provides context to the locations Shadow visits or his thoughts on them! If you didn't play Heroes and have no idea that Bullet Station is where Shadow found a destroyed Shadow Android, kickstarting a new layer to his identity crisis, then congratulations, this choice of level will mean nothing to you.

And before anyone tries to be like "the Sonic Generations levels don't get commentary from Sonic on their significance to him, either," it's a problem there, too. But it's an even bigger problem here, because they went out of their way to choose levels that have real emotional significance to Shadow and then proceeded to do nothing with it.

Isn't this the game where we revisit Shadow's story up until this point? Would it have been so hard to drop a line of dialogue indicating that Shadow's not thrilled about returning to Bullet Station? Maybe add a brief cutscene where he finds the same broken android from before, and says something like "hmph, I can't believe I let that thing make me doubt myself for so long," thus demonstrating his growth?

Here's a fun fact: Shadow has zero cutscenes that happen inside of levels. This is something Sonic beats him at, by having one cutscene that takes place in a level (Chemical Plant). This should not have been a high bar to clear, but they fell short somehow, anyway.

(Space Colony ARK doesn't even use the Final Chase music. The Shadow game starts out with a song exclusive to Sonic rather than him. He actually has more ARK-related music than Sonic does and they still didn't use any of them. How did they mess that up)

This problem only gets worse when they start pulling in levels from Forces and Frontiers - games that this Shadow hasn't experienced yet and wasn't there for, respectively. Once again, on principle, this is a cool idea! Shadow getting a peek into what his and Sonic's futures have in store? The confusion over when these events take place, if they're even connected to him like the others have been? Great stuff

And hey, if he's going to Chaos Island, and we saw from the trailers that the volcano is exploding in Act 1, then maybe we could even see Super Sonic fighting Knight in the background in Act 2! The debris from their fight could even act as platforming challenges, can you imagine how cool that would be? What will Shadow think of the advanced tech on the island, or of seeing Sonic fight something so massive? Surely this is a great opportunity to elevate Frontiers even further--yeah of course they don't do that.

No Knight fight in the background, which is... fair enough, I guess, but then why bother with the volcano exploding? It only does that moments away from when Sonic is about to fight Knight. Yeah, it looks cool, but we didn't need it. The more egregious problem is still the fact that Shadow has no observable thoughts or opinions on being sent to unfamiliar terrain in the future, though.

The bosses all have dialogue, though, which is a step up on a technicality and little else. Most of the dialogue from Shadow is just him being a self-aggrandizing badass who doesn't see any of the bosses as threats - even Neo Metal Sonic, who he should really not be so confident in beating all by himself, considering that he. didn't do that before. It actually took eleven other people to defeat Neo Metal, including Super Sonic, but I guess he just doesn't care at this point.

If they wanted to, it would've been easy to make him overconfident on purpose due to his new Doom powers, make an arc out of it, but no. Shadow's just Like This now, apparently.

There's a similar power scaling issue in Sonic Generations too, where Sonic can somehow defeat Perfect Chaos without his super form, but the game had dropped location-specific cutscenes so long ago that it was hard to feel like it was even canon at a certain point. The game never cared about making sense or really being anything, but Shadow Generations doesn't get that excuse. The bosses having the most mid-gameplay dialogue tells us that they're Definitely Happening, and so I care more about them as a result.

Which takes us to the moment that I truly realized that this game had no interest in doing anything with its material: the Mephiles boss fight.

Shadow: "What's this? A seal of some sort?"

Okay real quick before I get into my big issues with this fight: I know it's a magic glowing artifact, but what about it actually looks like a seal, specifically? Does Shadow just have a sense for this kind of thing? I don't recall him ever demonstrating that ability before.

I feel like this line is just here to clarify what it is for people who don't know, but since Shadow also doesn't know, it's just kind of weird. I'm not even sure why he's in the Scepter to begin with, considering that Shadow's sealing attempt in this room was a failure, but whatever.

Of the three bosses in Shadow Generations that precede the final boss, Mephiles is the only one that can both speak and had a relevant dynamic with Shadow that would be interesting to revisit. The Biolizard is cool but doesn't have a personality, and Neo Metal had no real opinion on Shadow. (In Rivals 2, Shadow and Metal Sonic have a developing friendship, but this has unfortunately never been brought up again. If they did so here, it would only have been on Shadow's end, since Metal hadn't gotten to that point yet.)

But Mephiles? So much of his character revolves around Shadow. It was Shadow who sealed him away originally, and it was Shadow's form that he took when he broke free. He's the main antagonist of Shadow's story in 06, and even though his primary goal is rejoining with Iblis, he takes a vested interest in trying to manipulate Shadow over to his side by showing him the worst of what humans will do to him - not unlike Black Doom, honestly, though he was focused on Shadow's past instead.

Plus, it's been so long! We thought we would never get to see Mephiles again! What have you got for us, game?

Mephiles: "I will defeat you, then restore myself to the timeline." Shadow: "I don't know what you're talking about, but I will crush you all the same." Mephiles: "What? Did you forget about me AGAIN?"

*deep sigh*

Contradictory dialogue back-to-back. I see. Cool.

Mephiles should not be surprised that Shadow doesn't remember who he is, because he literally JUST SAID that his goal is to restore himself to the timeline. He KNOWS that he never existed, and therefore SHOULD KNOW that nobody he encounters will remember him. I'm convinced that he only reacted this way because the writers thought it would be funny, and that's it.

Even if it made sense, though, Mephiles isn't supposed to be funny. He's supposed to be ominous and threatening. For as much care that went into recreating this environment and his powers/body language from 06 (and I gotta say, this whole section looks extremely nice), none of that same care really seemed to go into his personality. He's just as drab as Neo Metal, occasionally repeating lines from 06 so that you know they played it and not much else.

The end of the fight features some absolutely unhinged dialogue from Shadow for no reason, though.

Mephiles: "No... I want... to exist...! Shadow: "There is no future for you. Ever."

Look, I get it, they've done nothing but fight this whole time . But Shadow has no personal beef with this guy. Even if they're going with the idea that Shadow wouldn't care to learn what Mephiles is rambling on about (kind of boring, and why wouldn't he be curious about why someone like this has it out for him), there's no reason to go so far as to say he'll never have a future. Is this the "dark" part of that "dark warrior" thing they were talking about in the beginning?? Kind of a random place for it to jump out of him, if so.

The kind of intensity coming from Shadow here would be justified if he remembered who Mephiles was, but he doesn't. As it stands, it gives off the impression that he didn't actually process a single thing Mephiles said about wanting to exist and restore himself to the timeline, and just said the first cool, edgy retort that came to mind. Which makes the sentence both less cool and even more out of character.

After this boss finished playing out, all I could feel was disappointment and a creeping sense of emptiness. If this was how the game was handling Mephiles, of all characters, if this was the extent of what they were willing to do with an idea... the rest of the game suddenly seemed much less exciting. I got to this point, realized how comparatively little of the game was left, and thought oh no.

Now, uh... where was I in the story, again?

Oh right, Shadow was about to go save Maria. I actually have no notes on that scene, it's pretty good and I liked that Maria was immediately thrown off by his aggressive fighting style and whatnot. It implies a lot about what Shadow used to be like without really showing or telling us, and that's pretty neat.

The following cutscene where Gerald explains how Shadow's growing powers only make Black Doom stronger in the process is also fine, there's nothing super specific for me to gripe about it in isolation.

And this good streak it has going is immediately interrupted by the worst, most nonsensical scene in the entire game.

Sonic: "I found you, Shadow!" Shadow: "The blue hedgehog... of all places..." Sonic: "You have something I need." Shadow: "You can wait until my business is finished." Sonic: "Yea sorry, but that Chaos Emerald and I have a date with a monster!" Shadow: "Well then, it'll be a date to die for."

This is. a really stilted conversation, no matter what way you look at it. On one hand, it's repurposed dialogue from two different scenes haphazardly mashed together, neither of which should represent their current dynamic anymore since they were both antagonistic at the time. And on the other, it just... completely lacks character from both of them. They're so unbelievably dry despite their attempts to sound quirky, it's actually impressive.

I have to ask - have the script writers not heard the incessant complaints from fans about there being too many references in modern Sonic dialogue?? Because this scene plays out like an actual parody of that trend, the kind I would expect to see on twitter or something. I initially saw the animation for this cutscene without audio due to leaks, and I thought it looked pretty cool because the animation was nicely done.

Boy, when I tell you I was stunned to discover that THIS was the actual, official dialogue. What happened here?? Why is this what Sonic cutscenes are turning into?? In a game that costs $50-$60??And people are saying it's the best Sonic game???

Somehow, the god-awful dialogue isn't even the only thing that's wrong with this scene, but I'll compile the rest in bullet points to speed it up a little.

Shadow suddenly shows up in Sonic's section of White Space, despite it not being visible from a distance and therefore giving no reason for Shadow to venture out that far

Sonic says he "found" Shadow as if he was looking for him, even though the only people Sonic has seen here other than his and Tails' past selves are people who were at his birthday party

Classic Sonic is neither seen nor mentioned despite the extremely fun potential of having him interact with Shadow

A purple portal conveniently shows up in front of Sonic and Shadow while they're talking for no reason

The boss fight with Sonic is just a cutscene (lame), and Shadow gets taken out completely by one solid bonk from Sonic (even lamer)

The fake Chaos Emerald switcheroo, while clever, is presented as if it was done deliberately when it was clearly a coincidence that it got knocked out of Shadow instead of the real one

(I guess this technically happens before the Mephiles fight so my faith in this game was already plummeting, but I was willing to tolerate this scene being bad because I could understand them not wanting to add too much to Sonic's side of things. They had completely free reign with Mephiles and still delivered nothing, which is why it really cemented itself in my head)

The one thing I really liked here was seeing Shadow almost use his Doom powers to defeat Sonic, deciding against it, and his hesitation being what lost him the match. Shadow refusing to fight Sonic on unequal terms is some really good characterization that I was happy to see.

Black Doom: "The promised time is nigh upon us, Shadow. Soon, you will be mine."

So did we ever learn what the "promised time" was, exactly? I've played every route of Shadow the Hedgehog (some more than once) and still can't remember. If he's referring to the time when Shadow awakens his full power then I guess it makes sense, but otherwise it's kind of an oxymoron considering that time doesn't exist in White Space.

Gerald: "He has grown a new body, and used the nebulous nature of time in White Space to accelerate his plans for revenge."

Shadow, buddy, your animation is positively kickin' right now but Gerald, I'm gonna need you to do literally anything other than just repeat the same lackluster explanation we got earlier as if that's going to make it any less confusing. What ABOUT the nebulous nature of time? Is time not largely just frozen here?? We're somehow around 3/4s into this story and I still have NO idea how anything works

Maria calms Shadow down from his frankly justified anger by holding his hand and talking about how she doesn't want him to be driven by darkness. They find a way to throw in the fact that apparently Maria named him "Shadow" because the presence of a shadow can show you where to find the light, and it's... nice? Very wholesome, but it feels awkwardly placed and I'm not sure anyone was seriously asking why he was named that. Like, of all the questions to spend this game's limited screentime answering, "why is he named Shadow" was probably not at the top of most people's lists.

And before you have a chance to think about it, we're already at the endgame.

Shadow: "I'm letting go of that destructive anger."

Wow, and in the very next scene after it was brought to your attention, too! You sure do grow fast, Shadow!

Okay, all jokes aside, there's not much I can say about the pacing in this game other than It's Rushed and Bad, but I think it's finally time to talk about Gerald and Maria.

Gerald first: He's mostly just here to give out exposition. His relationship with Shadow is much less focused on than Maria's, which I find to be really frustrating because I always had a lot of questions about how those two interacted. In SA2, we only know him as a grieving, hate-filled man who was heavily implied to have scientifically messed with Shadow's mind - not long after they had both just lost Maria - in order to make him inclined towards Gerald's revenge plan.

In Shadow's first game, we see a side to him from before then, when he really seemed to care for Shadow and we got some clarity on the purpose of the Eclipse Cannon and whatnot. But what were their average interactions like? Who was in charge of Shadow's training? If it was Gerald, did that ever create a sense of distance between them? Shadow never has warm, nostalgic flashbacks of him, so I assumed their relationship either wasn't as close or he has too many conflicting feelings now for those memories to be very comforting.

This game decides to lean into Gerald being a kind, supportive man, but regardless, Shadow's feelings should be a lot more complicated, no?

I'd imagine that, in a way, it's a relief to have this Gerald around again. It would make it easier to pretend that the man who used him in an attempt to destroy the world and go against everything Maria stood for was just... a fluke, or something.

But still, Shadow knows that he would do bad things to him if Maria died. It's already happened.

Dark Beginnings also suggested that either Shadow was there when he shot down by the firing squad (unlikely given the context), or he watched the recording that played at the end of SA2 enough to be able to see it in his dreams. Neither of those are good for his psyche, and would only add to the number of emotions he has to suppress whenever they interact. There is, of course, none of this nuance within the game itself, despite it being right there and ready to be worked with.

Then you've got Maria, and. hoo boy.

I take no real issue with any of Maria's traits that are on display. Her being a nice girl with boundless energy and goodwill does not make her boring, and I've always been fascinated by her character. So, I need you guys to understand that it's with a heavy heart that I must say that Maria is... barely a character in this game.

And like, she doesn't exactly have a history of being deep or complex. But we've also only ever seen her in Shadow's memories up until this point, and that means this game was a unique opportunity to flesh her out more.

When a character is as idealized by another as Maria is by Shadow, and we only see them through that lens, it's natural to assume that the depiction isn't completely accurate. I was never in doubt that Maria was kind and gentle, or that she was always there to help Shadow when she knew he was struggling, but I always wanted to know what she was like outside of that. What makes her angry? What was she like on a bad day, when she inevitably got frustrated at her lot in life? How did Shadow comfort her? What was her sense of humor like?

While we technically learn more things about Maria in this game, there's never a point where she acts differently from Shadow's vision of her. She's not really shown to have flaws, and she's only really there to be saved and offer emotional support. It's like... a textbook example of what you shouldn't be doing when writing a female character, having her be defined entirely by her relationship with the male lead and never speaking up or complaining about her own problems or feelings. They don't even make a point out of it, that Maria tempers herself to be "perfect" for other people or anything like that.

Why don't we get to see how she and Shadow would handle an argument or something like that? Especially this Shadow, who's all shaken up by everything? Wouldn't it be beneficial for both of their characters for Maria to be seen as herself, the way she was in life, rather than just the nicest moments she and Shadow had together?

I'm gonna make a comparison here that people aren't gonna like, but... I think Elise is honestly shown to be a more nuanced character than Maria is. And this is coming from someone who thinks that she was also mishandled in her game.

Similar to Maria, Elise is genuinely a deeply caring person, and lives mostly isolated with a condition of sorts that makes her life difficult. Her most important relationship is also with the male lead of her respective game, but she doesn't exist solely for his benefit. (Amusingly, Sonic actually seems to be there primarily to further her arc, so it's a bit of a role swap there.)

But we see more from Elise than just Being Nice all the time. We see her being resolute and bold in the face of danger, or disappointed when she has to go back to the castle. We watch her try her hardest not to cry and retain her strong, regal exterior when faced with overwhelming emotion.

We get to see her open up and laugh and become more confident, we watch as someone who's been forced to put her feelings aside for the convenience (and safety) of others her whole life finally break down and shout something selfish for once. And then we watch her ultimately choose to do the right thing, anyway. Her strength of character is shown to us by putting her in situations that challenge her, and the narrative never once shames her for being imperfect; it's actually encouraging her to be her real, flawed self.

Why does Maria not get this same treatment? Why don't we get cutscenes of her being excited about the new environment she's in, or frustrated that her symptoms are making it difficult to do anything here? When does she get to be selfish? Why can't she get upset at people treating her like she's frail, even if it technically "makes sense" for them to do so?

We're told, in Gerald's journal, that some of the people aboard the ARK doubted that Maria was really sick due to her symptoms not being clearly visible. Because it's his journal, we only get to hear his feelings on the matter, but in the full game, we never once get to know how it makes Maria feel, the person this is all about to begin with. They absolutely could have incorporated this into a cutscene somewhere, but they didn't.

Once again, I have to ask: what is the point of Maria and Gerald being in this game if this was how they were going to be written? Not only does Shadow fail to even attempt to save their lives, he doesn't even walk away from the experience with renewed understanding of who they were as people.

So what even happens in this story, then?? Every single aspect of it is dragged down constantly by the game's refusal to do anything with what it has:

Shadow revisits places from his past, but has nothing to say about them

Shadow visits places from the future, but has nothing to say about them

He has nothing relevant or interesting to say about any of the bosses

Mephiles trying to restore himself to the timeline is a plot point that exists solely within his boss fight and nowhere else

He doesn't struggle with any of the bosses, emotionally or physically, turning them into a boring power trip

He barely struggles with his Doom powers, the things that are supposed to be giving him an identity crisis

Sonic is not a playable boss fight and he also says nothing relevant or interesting

Classic Sonic doesn't even get a passing mention

The Team Dark friendship is supposed to be a highlight but Shadow never speaks to Omega, who also never shows up in cutscenes, and Rouge is just kinda there

Maria and Gerald never meet Rouge and Omega, or anybody else on-screen, despite it being extremely easy for them to run into each other

Shadow's relationships with Maria and Gerald are barely explored past their surface

Most importantly, Shadow is never shown making any sort of effort to save Maria and Gerald from their fates, despite it being one of his primary goals

...Oh yeah, I forgot to complain about how Shadow barely struggles with his Doom powers. I was gonna go on a whole spiel about how it would've been super easy to make into an arc and how it was wildly underutilized despite being a major selling point of the game, and the only real consistent conflict whenever Black Doom isn't on screen.

Well. Anyway. Once the White Space becomes Red Space (something that once again makes me question how far away Sonic's area is, to not be able to see this happening), Shadow magically gets over his "destructive anger" and goes to Radical Highway one last time for the epic final boss.

And it certainly is epic, I can't deny that. A massive technical improvement over the first fight against Devil Doom, and I'm not about to sit here and act like the wings aren't cool. But I can't say it feels very rewarding, since I never really understood what was going on and Shadow didn't really struggle that much to get to this point. Not to mention, he's still acting all high and mighty during boss fights, which makes it feel stale really quickly. Black Doom isn't really that interesting by himself, so Shadow kinda needed to carry that fight, but no, it's just more of the same.

One last point before I wrap this up:

Where was Emerl???

Correct me if I'm wrong, but a promo animation for a game should, in theory, provide you some idea as to what kind of things to expect in the game itself. While a lot of them take their share of creative liberties, I don't think they're in the habit of putting spotlight on entire characters who never appear in the game at all.

This is THE GAME where we bring back the people from Shadow's past that he's lost, and Emerl most certainly qualifies. He's from the more recent past, yes, but Shadow still cared about him and absolutely would have been affected by his death. There's no way that, had he been in the story, Shadow wouldn't have been determined to save him as well. But no, he's just there to be a cool lore detail in Gerald's journal.

Which means this is yet another depiction of Emerl where we refuse to acknowledge his personality. Do they seriously think Emerl is more interesting as an emotionless killing machine that Gerald researched in his spare time? Where's the fun-loving kid who mimicked everyone around him, splicing things he heard them say together to communicate and creating funny tonal whiplash? Where's the robot with the soul that Gerald gave him, that was nurtured by Sonic and his friends?

Not in this game, apparently! They went out of their way to canonize Battle and still managed to treat it with zero respect. Kind of impressive, really, and just another footnote in the trend of this game not actually caring to do anything with Shadow's past.

There are definitely moments in this game that I like, but that's kind of all they are: moments. The game's total cutscene runtime is around 30 minutes, and that means there's not enough time in any of them to get anything done. A scene that's good in isolation is tainted by the fact that it's all there is.

And it's just... so baffling to me. There are so, so many points in this game where you could have fit additional cutscenes in. We could have had one after each act, or at least after each level. Give us more cutscenes after activating things in the hub world or something. I mean, a game that claims to be this story-driven doesn't usually need an excuse to throw cutscenes at you, and they certainly didn't need to force each scene to be so unbelievably short.

If they really needed to downsize on cutscene length for some reason, then maybe they should have just made a less ambitious story. The game wants to do so many things at once, but it doesn't have the time to do any of those things justice. We could have gotten a short, sweet, well-done little story, but instead we get a story that easily needed at least two hours to tell crunched into a measly 30 minutes.

I mean, Dark Beginnings in its entirety is half the length of the full game. Think about that for a second.

This game's story was supposed to be something, man. It's getting so much praise for what feels to me like the bare bones structure of a story, and it's frustrating because I know this series can do better. The writer of this game can do better, and I know that because I've read his other Sonic material and it feels much more complete than this does.

I was genuinely looking forward to this game, is the thing. I really didn't think it would be this lackluster, because like I said at the beginning of this post, it had everything in the world going for it. But no matter how nice it feels to have a Shadow who isn't wildly out of character for once, that alone can't carry an entire story.

Shadow Generations is a mess of good ideas executed in the least interesting, most nothing way possible. Its only real saving grace is its animation, and the fact that Shadow generally feels like himself.

Except for when he's talking to Sonic. What the heck happened when he was talking to Sonic

#sonic the hedgehog #shadow the hedgehog #sonic x shadow generations #sonic x shadow generations spoilers #sxsh generations #sxsh spoilers #sxsh generations spoilers #analysis #meta #This uh. might be my longest post ever??#I didn't go into this planning for it to be 7000 words but I just kept finding new things to ramble about #And of course I just wanna say that this post is NOT here to tell people that they can't like the game's story #I just needed to air out all of my issues with it because I felt like I was going insane

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