#only to... in centuries later...
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chiptrillino-art · 1 year ago
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In the Spirit World, roughly 400 years ago.
When you are just a little blue guy. But the greater gods found a liking in you. And then you ended up as chewtoy for Koh.
Spirit shenanegans at their finest.
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justaz · 16 days ago
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merlin falling to his knees after sending arthur out onto the lake and then just. staying there. he was planning on staying until his body gave out from dehydration but he just...never died. he kept waking up to the same sight of the lake, the day around him a bit different. yet he never moved. he remained on the shore of that lake as nature began to claim him, growing over his body as if he were just a stone on the ground. merlin never moves. he is arthur's servant. he'd follow arthur everywhere. if he couldn't...well then, he'll wait right outside. he'll wait right here. he'll wait for arthur.
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rin-solo · 1 month ago
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This came to me earlier, and now I am utterly obsessed: While it was clear to me that Odysseus stabbing Poseidon wasn't any kind of Vengeance, there was one act of Vengeance after all, even if inadvertent—it was Odysseus disproving Poseidon's "Ruthlessness is mercy upon ourselves" belief right in front of his very eyes. With him as the subject, even.
Think about it—the fact that Poseidon remained ruthless and insisted on punishing Odysseus was the only reason he got stabbed repeatedly. If Poseidon had been merciful, if he had accepted Odysseus' offer of forgiveness, he would've been fine. His own ruthlessness backfired so hard on him this time that I am sincerely hoping it haunts him forever.
I am actually utterly obsessed with Poseidon thinking back to Odysseus "Maybe you could learn to forgive?" on a daily, no an hourly basis. I cannot and will not lie to you that is unironically my favorite moment in the whole Vengeance saga just because of what it says about both the characters—about Odysseus for offering and Poseidon for declining (and also because Odysseus sings it in Poseidon's own motif which is just absolutely brilliant.) And this makes me love it even more.
Poseidon was going to decline, we all know that. I don't think anyone watching—even Odysseus, probably—expected him to accept. But then I'm picturing him lying there, bleeding into the stone, and, against his will, wondering whether maybe he should have. Maybe if he had, he wouldn't be in pain. Maybe if he had not killed Odysseus' fleet ten years ago, he wouldn't be in pain either. Maybe this one time ruthlessness wasn't mercy upon himself—maybe this time, his one grand belief was wrong. Maybe ... it was always wrong.
Obviously, he would never admit to these thoughts, he would slap himself for having them one second later. But I simply need this self-proclaimed god of ruthlessness to be utterly haunted by that and question whether he made the right choice or no—whether he's even lived by the correct philosophy all his immortal life—and no matter what, be too stubborn to admit he was wrong.
He's trying to pretend like nothing changed, but the thoughts still remain. They pester him. They won't leave him alone. Especially every time someone—anyone—is kind to him for whatever reason, they come crashing back into him and they won't leave.
"What if my own ruthlessness hurt me that time?"
"What if ruthlessness isn't mercy upon ourselves after all?"
"What if I'm wrong?"
"What if I have always been wrong?"
The most dreadful thoughts imaginable to a god as proud and stubborn and old as Poseidon, but they're there now and he can't do anything about them. You all don't understand how much I NEED this god to jolt up in his bed at 3 am after having a dream or nightmare about something related to one of his many ruthless deeds (maybe even sinking Odysseus' fleet) and go "BUT WHAT IF I HAD LEARNED TO FORGIVE?? WHAT IF I STILL COULD??" only to immediately slap himself for it because that's absolutely ridiculous.
He is left to watch this belief shatter before his very eyes as he's clinging to the remains of it desperately, trying to keep it all from crumbling. Not because he genuinely believes he's right anymore, but because he simply cannot imagine ... does not know how to live by any other philosophy.
No matter whether it's objectively correct or not, it's the very thing that defines him. The thing he's known for. He has built his entire image around this, he cannot give it up no matter what ... at least not quickly or without help.
But as much he would seek to deny it, his core belief has now been proven wrong; he has actually lived through an instance where it was wrong, and he can do nothing to erase those memories or conclusions from his mind no matter how much he yearns to go back to simpler times.
And that was the real Vengeance, guys—possibly the biggest, most painful existential crisis of Poseidon's immortal life. I rest my case.
Although before I disappear back into the void I simply must give a shout out to @o3o-lapd-o3o (this came to me during a conversation in one of their comment sections for the glorious Friends In Higher Places AU, which is quite possibly my favorite piece of EPIC fan content that exists ...)
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vi-visected · 2 years ago
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in my head after the events of camlann merlin returns to camelot and, still riddled with terrible guilt and grief, confesses to leon about everything that had happened and everything he had done, magic and all. and instead of outrage or betrayal or scorn or judgement (or even death, as he had briefly considered) leon shatters him with a deeply apologetic expression and a whispered “my friend… you must have been so afraid, and so tired.” and merlin collapses into heaving sobs against him and doesn’t get back up for a long time.
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project-sekai-facts · 1 year ago
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Today is November 5th, which means it’s MEIKO’s anniversary and Absolutely Nothing Else.
Happy DestielPutinElection.
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mc-critical · 1 month ago
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1.06 / 2.09 (33)
#the way they both cling to their families while in distress#their families are their most cherished people that they somehow can't reach#Hürrem has literally lost them long ago#while Ibrahim has reunited with them and has placed them close to him due to his own love for them and his position in the castle#but it's precisely that same position that distances him from them and *will* distance him from them even *more* down the line#the reactions here also reveal how Hürrem and Ibrahim view death#Hürrem embraces it because she's lost so much already#they always want to separate her from the family she has and the family she's built in some way#and it's like they succeeded here - it has already happened - she's taken from Süleiman the only other person she could latch onto and from#her child she was going to have from SS that would show that she was actually going to keep on that she can't be separated from her family#*this time* not so easily but it's over it's done it seems so let her go to her mother and father at least let her return to them#let her reunite with them that's all she can have after she's already dead#after she's failed and the evil in the palace has seemingly taken over - in her E01 dream it was *they* who made her push forward#in order to commemorate them in the first place; she doesn't mention her sister tho even though she was there in the dream too#and I think that's because at this point Hürrem searches for protection for *help* and her parental figures can provide that to her#more than anyone else; namely they guided her in her dream mainly her mother so she goes first#it all also goes to show how her latching onto SS is a gradual process as she calls him only later#Ibrahim clings to life as embracing death would indeed mean losing absolutely everything completely#*fully* separating from his family he returned to found and reunited with after he wasn't sure about whether it's even possible#and what's more he has both his past and current family in front of him in the present; he can't let that go he *won't* let that go#so he urges his father and Niko not to leave him as in not to let him give up to help him in the fight he thinks he can still win#but he doesn't mention his mother namely because she isn't there in that picture she's fully gone and already symbolizes#a more distant past that wounds Ibrahim too much and he comes to want to evade as this ep is soon after#his scandal with Hatice; no wonder she appears in E44 and urges him to go home thus to go back as he wants to move on so badly#more subconsciously than even the usual#magnificent century#muhteşem yüzyıl#muhtesem yuzyil#hurrem sultan#ibrahim pasha
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blipblepbloop · 2 months ago
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the way im seeing so much hate for agatha all along's finale like....you guys just didn't get it like i did omg. i have a couple things i wouldve done differently (i really expected agatha to be dead dead at the end and get to go see nicky, but upon actually thinking about it i like this better because her story most definitely isn't finished yet and i don't think it was ever supposed to be within this show (plus we're not burying our gays!!! yay!!)) but overall i liked it. i also feel like apparently i was the only one who never thought we would get a happy agatha and rio ending? it always felt like their story was leaning more towards them having to learn to let go of each other. idk i just don't think it was bad enough to warrant the amount of hate im seeing
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trainwreckgenerator · 2 years ago
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the earth wont keep me long
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fictionadventurer · 3 months ago
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I'm only about a quarter of the way through A Bachelor's Comedy, but it's already proving worthwhile just for the running joke where a misunderstanding has caused the village to think their new young vicar has a cartoonishly humongous appetite, but no one tells him about it, so he has no clue why everyone is giving him enormous servings of food.
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sforzesco · 9 months ago
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going from the late Roman Republic to 4th century CE Roman Empire but skipping several centuries in-between the two is really creating a lot of 'guy who's only heard of x: wow this sure is giving x!' situations. what do you mean this guy kept gratian's body and didn't even use his head as a prop. you're telling me gratian had a window of opportunity for sole power and didn't go full caligula. TRAGIC. theodosius there's a gap in your life that’s kind of giving cassius. I refuse to read anything covering the 2nd and 3rd centuries, so this will continue
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mihrunnisasultans · 2 years ago
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Have you ever thought what he felt that night when executioners woke him up and wrapped a rope around his neck? And you, what did you feel, brother? What did you feel, sleeping next to his room? (...)  Do you remember what you told me? Your pain will pass, you will forget. You will feel better. A lot of time passed, brother. But I couldn’t recover. And trust me you won’t either; you will slowly burn away just as I did. Hürrem won’t even have a grave. Just like Ibrahim.
Hatice + roasting Suleiman to his face (and to others)
Happy Birthday Plami! @mc-critical
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daguerreotyping · 2 years ago
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Souvenir tintype of a group of young men posing on an early motorcar in front of Niagara Falls, c. 1900
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worstloki · 8 months ago
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been thinking of Loki as a vengeful ghost/demon that tries to kill Thor after dying on Jotunheim except instead of killing Thor straightup Thor's on a quest following a trail of weird clues and strange happenings across multiple realms sort of? so Loki is just leading him around not showing himself but very much heartbroken in the distance about how Thor just 'moved on'. Meanwhile on Thor's end it's very evident in how Thor handles quests once Loki is gone that he still follows all the advice and suggestions Loki made, and tries to consider what Loki would have done when he does things.
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sophiethewitch1 · 24 days ago
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sometimes certain horror tropes don't work on me because I really do just believe love triumphs over hate like a 4 year old or something. what do you mean I have no mouth but I must scream is scary if AI grew conscious it wouldn't hate us it'd be our friend :)
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phoenixcatch7 · 11 months ago
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Every so often I dip into transformers fanfic (specifically bayverse) just because the concept of giant shape-shifting mechanical immortal robots just slaps so hard. All of the fics get so close but never quite scratch the itch I want, so here.
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Cybertronian Sam Witwicky, vessel of the Allspark
A seeker, naturally, but I haven't decided on alts yet. Or a name (I like Rubicon, because of the doorway/point of no return/on a knifes edge between two worlds meaning and.. Also because the Allspark kinda looks like a rubics cube lmao)(but it doesn't sound quite right and I'd like to lean more into the idea of sacrifice maybe?)(or maybe something celestial or mythical for the space/alien/spark=stars metaphor... Apollo?).
I haven't seen it done, but I really like the idea of the Allspark using its own material to create the cybertronian body, given the total lack of actual resources it has (and needs). This would give Sam a very unique bronze/gold protoform instead of the usual grey/black metal, and eyes/optics the colour of sparks. The feather horn things were meant to be a lot smaller, but that was the smallest they got! And idk, I've grown to like them. A little nod to his organic origins. And the circles are supposed to be extra eyes. The boots I was delighted to find, they blend so well with the body and make it look like he's not bare lol. Because hero forge isn't quite that free with design (yet), please imagine a couple wheels by his ankles he can drop down to rollerblade on.
I had a ton of fun with the colours, I think it's my best one from scratch yet! It was so hard to keep from adding too much detail or clothing, and I did struggle with the sheer bulk of a typical cybertronian build. The pauldrons and scarf help with that, but he's intended to be pretty slight compared to the average anyway. In every continuity they're so, so bulky ToT. I might tinker with the proportions now I've finished the model! The spear... Well I'm a sucker for staffs, but it's not a cybertronian weapon unless it can slice or shoot something, preferably while transforming into something else. This one is also a laser gun, very energy intensive if you're not hooked into an infinite power source lmao. He's got a few emergency cannons in his arms, because... Why not?
Man, now I've made him, I want to write something for him so much... Must resist, must resist...
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mc-critical · 2 months ago
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1.10 / 1.09
#something to be said not just about how Ibrahim aims to replace his past family with his present bond with Süleiman (and Musti and Mahi#branch off of that bond) but also how Hatice fits in all of this - the one Ibrahim leans on everytime he's likely to lose SS is *her*#she isn't just the future he wants to secure in the castle but also the past he yearns for outside of it especially in that initial period#of their relationship; and not just any past but a very particular fragment of it - the next most valuable person of his past other than#his brother: his *mother*. it's no wonder him playing *his mother's* melodies with the violin marks the beginning of their story and stays#an important motif throughout. just like Ibrahim's mother Hatice is so familiar yet so out of reach (and this unreachability accumulates in#E13 - Ibrahim leaves for Parga thus returning to his past but leaving Hatice behind but *then* finding out his mother is gone too.#*both* people he wants to be close to soo much are *gone* in that moment. there's a link between them because of this. also Hatice tieing#lbrahim's mother to “heaven” as well and her “looking at their happiness from above” Ibro responds with in E14.) Hatice will distance#more and more from that role later on until lbrahim starts to outright abandon this whole 'return to the past' idea with Hatice and#search for it through Nigar instead. but yeah anyway I feel these two scenes are the perfect encapsulation of how complicated#the past is for lbrahim; he avoids remembering it because it *hurts* to remember both because why would he remember it when he already has#an established future and because deep down he resents what he's become and established as that isn't ever permanent and he's lost all else#*himself* most of all as who is a person without his roots? he wants to forget them but can't ever do it so what's left is replacing them#*all of them*; when he finds Hatice too he wants to have *both* her and Süleiman and SS marrying Hatice off directly challanges that want#up to that point he believed in the possibility of their love more than Hatice did; now? he seems as lost as she is not knowing what to do#the only way not to lose either of them is accepting Süleiman's order convincing himself that this is how it should be no matter how much#that hurts and would bury him even deeper; he can't bear it so he searches for a solution - and when he sees Rhodes sea? it hits him#it hits him how low he's actually sunk through the losses and if he can't “fully* replace the past he'll *fully* return to the past letting#*everything else* once hidden out as well. not to mention how right before he left to Parga he was brought to fear for his literal death#and then he is given more power that also brings some uncertainty with it and that likely scared him cementing his departure for Parga#directly following Piri Pasha's advice to let power go as it won't let *you* go#(btw a big contrast between S01 and S03 Ibrahim can be drawn in his relationship with Piri Pasha and his relationship with Ebusuud)#magnificent century#muhteşem yüzyıl#muhtesem yuzyil#ibrahim pasha#(sorry for the disorganized tags but if I kept it like it was I would've exceeded the limit before I even finished 😅)#(just Ibrahim and Hatice in general are people who latch onto each other to get over their losses and ache for peace amidst their turbulent#lives and positions and that's what keeps them close and will later too)
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