#mod talks

[creation-help]

Edgy vampire accessories except it's what vampire society would deem edgy by their perspective, so like. Brooches that are made to look like you've been stabbed in the heart with a wooden stake when you're wearing it, or plastic garlic earrings, sun motifs on clothing, bralecets / chain accessories that have little "silver" bullets, any accessories with a mirror on it just for funsies..

[project-sekai-facts]

I don't usually respond to tags anymore but I might have an answer for this? At least my personal theory is that his image color was originally meant to be blue, hence him being the only character in the game to have his original unit outfit not match his image color.

it was probably changed so he didn't clash with ichika (both being part of the face of marketing), and ichika got to keep the blue because of leoneed's color scheme. he was probably given gold specifically because stars and it matches with saki, and this was probably quite late in development since they didn't bother to redesign his outfits.

Tsukasa is very often shown wearing blue, with both of his unit outfits and primary casual outfits using it as a main color. Blue is also the main color of his bedroom. According to Project Message vol.21, he likes the color blue because he thinks it is cool.

[danganronpasurvivoraskblog]

Dangancember 2024 - Danganronpa Top 24 Class Trials - Number 5: Danganronpa V3 Case 1 {BEST CASE FROM DRV3}

//Me running from the angry mob who think this case is fucking overrated:

//Okay, okay, I already knew going into this, looking at my top 10, that this is probably the second or third most divisive placement on this list, because the feelings that people have for this trial are generally mixed, and all of it rides on one particular aspect of it, that carries the whole thing.

//But that's not a problem becase we already have a set precedent for that on this list, and yeah, I will not deny it. This trial is only up here because of one massive bias that I have towards it, and if you know me by now, then you already know what it is.

//But I have lots of other reasons as to why I absolutely love this Class Trial, mainly because even if it's not as good a mystery as 2-1 or A2-1, this is the best opening case for me because of how it kicks V3 off with an emotional bang.

//This isn't like the first trial of Another 2 where I think it's generally not a good sign that my favourite case in that game was the first one. This one has a legitimate reason for being up here because of how, even to this day, it sets itself apart from every other Danganronpa trial that we've covered so far, not just among the openings.

//And trust me, it was SO GODDAMN DIFFICULT trying to decide which I liked more between V3-1 and V3-4, because they're both AMAZING. But the thing that ultimately decided it is that I actually have come back to this case a few times over the course of my time as a DR fan. While I only sparingly go back to Chapter 4 of this game, because it's already had its impact on me.

//If you thought the opening cases in previous games were wild, V3 comes out swinging (literally) with a mystery that doesn’t just set the stage but completely flips the script on what you expect from a Danganronpa trial.

//It’s not just about solving the murder; it’s about the emotional gut-punch, the clever twists, and the bold storytelling choices that make you question everything you thought you knew about the series.

So let’s dive into what makes this case such a standout moment in the franchise.

//The first victim in Danganronpa V3 is Rantaro Amami, a man of mystery whose Ultimate Talent remains unknown during the first chapter. His untimely demise occurs in the library, where he’s tragically bludgeoned on the head with a heavy shotput ball.

//I know there are other aspects of the trial that stand out to people more, but I actually want to kick this review off by saying that Rantaro’s death is not just shocking but downright brilliant.

//It's one of the best character fakeouts in the series, and the only time I think Kodaka does it better in any of his mystery games is the prologue case of Rain Code (If you know, you know.) It's executed so well that it leaves you doing a mental double take.

//At first glance, Rantaro seems poised to become this game’s equivalent of Nagito. i.e. a morally ambiguous outcast with potentially twisted ideals.

//His enigmatic vibe and cryptic behavior practically scream "plot relevance." Honestly, he even gives off shades of Yuri from SDRA2, with that same aura of someone you’d expect to stir the pot in bizarre and unsettling ways.

//To emphasize this further, all the other Ultimate ???'s have been integral to their games. Kyoko was the deutragonist and leading lady of DR1, and Hajime was the protagonist of DR2. And in the first chapter of DR1, Kyoko is mostly unnasuming, and you don't know what her relevance to the plot is until the trial actually happens; since most of the screentime of Chapter 1 is taken up by Makoto's relationship with Sayaka.

//But before we even get to unravel his deal, he’s unceremoniously removed from the board. It's as if the game chuckled to itself and shouted "SIKE!"

//This clever bait-and-switch caught me completely off guard. I was ready for Rantaro to take center stage as the group's wildcard, only for the game to pull the rug out from under me.

//Instead, the role of chaotic, antagonistic schemer eventually falls to Kokichi, who turned out to be another fantastic choice, though his brand of chaos is a touch different.

//I'd really like to see a potential fanfic rewrite where Rantaro survives, and serves as the rival character to the main protagonist. Because most V3 rewrites are one's that have Kaede survive the first chapter, but Rantaro still dies, and he hardly gets any screentime, if any. And that's a shame, because I'd like to see what people do with his character.

//Please read all these fanfics by the way, they're so good.

//And sure, you could argue the setup feels a bit reminiscent of Danganronpa 2, where the first victim is also a character cloaked in mystery, and then later, his real talent is revealed to be something monumental to the plot of the game. But hey, if it ain’t broke, why fix it? It’s a bold way to kick things off and keep players guessing, and it sets the stage for the rollercoaster ride of twists that V3 is known for.

//But...okay, let's not delay ourselves any longer. All ya'll motherfuckers know the precise reason why it is that I love this trial.

//When it comes to the first trial of Danganronpa V3, the victim is certainly a shocking element, but let’s not kid ourselves...there’s one reason why this trial is etched into the annals of the series’ history as one of its most mind-blowing moments.

//And that reason is…The culprit.

//So, who killed Rantaro Amami? Who's the mastermind behind this library bludgeoning?

//You are!

//Okay, to be more specific, the person who turns out to be Rantaro's SUPPOSED murderer is Kaede Akamatsu, the Ultimate Pianist, who starts V3 by serving as the player character.

//Yep! The character you’ve been controlling this whole time is the murderer. And that alone is one of the best plot twists in the entire series, already rivalling the final plot twists of Danganronpa 2.

//And if that doesn't set a precedent for this game, I don't know what could have.

//To elaborate, the game opens with you playing as Kaede, a talented and determined pianist with a big heart, a hopeful spirit, and a knack for rallying her classmates. Everything about her screams "main protagonist," from her bright demeanor to her prominent placement in marketing materials.

//But as this trial unfolds, the game pulls the ultimate fast one.

//At first, the trial plays out like classic Danganronpa fare: you gather evidence, debate your classmates, and cross names off the suspect list. The usual, right? But as the suspects dwindle and the pressure mounts, it becomes clear that solving this case won’t come easy.

//The group edges closer to despair as they struggle to pinpoint the killer. This is where Shuichi Saihara, the Ultimate Detective, the game's current deutragonist, becomes the prime suspect for much of the trial.

//After some prompting, Shuichi, putting his sleuthing skills to good use, proposes a theory that flips the entire case, and the game, on its head. The real killer isn’t anyone standing on the sidelines. It’s Kaede herself. The cheerful, hopeful pianist you’ve been guiding through this madness turns out to be the one who orchestrated Rantaro’s death.

//Let’s pause to appreciate just how wild this twist is. Up until this point, Kaede was framed as the central figure of Danganronpa V3. You’ve bonded with her, rooted for her, and poured hours into her perspective. And now, she’s sentenced to death.

//The "main character" doesn’t even survive past the first chapter! It’s a daring, genre-defying move that caught players completely off guard.

//To make this twist land, the game’s developers went all out. They weren’t just pulling a fast one on Kaede; they were pulling one on us. Here’s just some of the things they pulled off this grand deception:

On the game’s official Steam page, the promotional images heavily feature Kaede as the protagonist. Shuichi, on the other hand, is LITERALLY a background character.

Kaede is front and center in nearly all official artwork; at least those that dropped at the time of release. Shuichi’s presence is muted, making it seem like she’s the undisputed lead.

V3 is the only one of the Danganronpa games that had a fully released demo. In the game’s demo, Kaede is marketed as the hero, reinforcing the idea that this is her story. Makoto and Hajime, both of whom make reappearances for the demo, specifically refer to her as a "fellow protagonist."

The developers warned fans repeatedly on social media to avoid spoilers, knowing this twist was too good to ruin.

To cement the illusion, they even slapped the "Female Protagonist" tag on the game’s store page.

//This level of misdirection is nothing short of genius. It’s one of the most ambitious twists the series has ever pulled off, and it solidifies this trial as a standout moment in Danganronpa history. Clever, daring, and a little cruel, it’s the kind of narrative gut punch that keeps fans talking years later.

//Also, as a side note, while I was doing this analysis and getting screenshots from YouTube to use as part of it, I found this comment, and I never actually thought about it this way, and it's so goddamn funny for some reason:

//It definitely keeps ME talking years later, since these days, Kaede is quite possibly my favourite character in the entire series.

//And yes, I'm sorry, this is turning into a rant about why I absolutely love Kaede, but it is very relevant to the plot of this trial, since this is her one and done. So I want to establish what she was able to achieve within her time.

//Kaede is a delightful bundle of joy, determination, and just the right amount of chaos, and even though she is the protagonist initially, she sets herself apart from the previous series hitters; Makoto, Hajime, and Komaru.

//She’s a hardworking leader type with a strong will, unshakable beliefs in herself and others, and a heart set on making people smile. especially through her music. But while her Ultimate Pianist title highlights her talent, it’s Kaede’s personality and quirks that truly make her shine.

//For starters, Kaede’s kindness and selflessness often lead her to put others first, sometimes to a fault. She’s so trusting that in the game’s demo, she outright fakes an alibi for Makoto based solely on gut instinct, even though she has no rational reason to believe he’s innocent. She does this for Shuichi as well, but obviously, as far as she's aware, SHE'S the culprit, so she knows that if Shuichi is voted for, she gets executed.

//She’ll lie if it’s for a good cause, but at the same time, she’s hilariously bad at it, squirming uncomfortably every time.

//Like previous protagonists, she’s sensitive to others’ struggles and listens earnestly to their concerns. But Kaede takes it a step further: she actively pushes people to improve, even if that means bluntly pointing out their flaws.

//It's easy to go through all of V3 without seeing her FTE's, because she's obviously only around for this chapter, and has two per character. And unless you reset the game multiple times, you won't get to see them all.

//Which is a shame that you have to go through so much effort to see them because they're all packed with moments of encouragement that show her as an unshakable force of positivity. Unsurprisingly, most of her classmates quickly grow to like her.

//That said, Kaede isn’t without her...problems...In fact she has quite a few.

//Her obsession with piano borders on comical; she works musical metaphors into everyday conversations and avoids any activity that might harm her precious fingers. Her Free Time Events with Tsumugi even lead to a minor existential crisis when she realizes her entire identity revolves around piano, prompting her to desperately search for new hobbies.

//Which is not true, because personally, I think she's among the deeper characters in V3, but it's still funny.

//Kaede also has a goofy, impulsive side that often makes her unintentionally funny, or awkward or awkward depending on the situation. For example, she has absolutely ZERO sense of restraint

//In K1-B0’s Free Time Events, she casually asks questions about his robotic nature in ways that come off as insensitive. She’s the type to poke buttons (literally in Keebo's case, where she pushes his emergency shutdown) or cheeks without permission, giving her a playful, almost childlike quality.

//But then there’s her tendency to blurt out comments that can sound…questionable. She enthusiastically calls Tenko cute, describes Tsumugi’s "sexy aura," and even threatens to lift Tsumugi’s skirt to get her to talk, prompting Shuichi to point out that she’s acting like a creepy old man.

//Her layered personality doesn’t end there. While she’s a genuinely kind and brave person, Kaede also has a fiery temper and a knack for standing her ground. She’s quick to lash out when provoked, whether it’s snapping at Shuichi for panicking, telling Himiko to shut up during an investigation, or calling out Kokichi for his attention-seeking antics.

//Yet, these moments of frustration come from a place of passion, as Kaede firmly believes in justice and doing what’s right. She’s not afraid to call out any behavior she deems unacceptable, earning her a reputation as a bossy but well-meaning figure.

//However, Kaede’s determination to do the right thing is both her greatest strength and her biggest flaw. She’s relentless in pursuing her vision of justice, even when it’s misguided or downright dangerous. In this chapter, she rallies the group to escape using one of Monokuma’s obvious traps, earning everyone's pointed criticism, specifically from Maki and Kokichi. Her pushy attitude sometimes rubs others the wrong way, but Kaede genuinely doesn’t realize how her actions affect those around her until it’s pointed out. When her good intentions go awry, it leads to moments of genuine regret.

//Of course, Kaede’s defining moment comes in the trial, where her unwavering sense of justice drives her to extremes. To save her classmates, she attempts to murder the Mastermind, a decision that ends in disaster when her plan misfires and Rantaro becomes the unintended victim.

//And despite the inclusion of the First-Blood Perk, which allows whoever commits the crime to escape the school without the need for a Class Trial, she refuses to take the chance, because she wants to use the trial to out the Mastermind.

//This twist not only redefines Kaede’s role but also highlights her complexity. She isn’t just a good person in the traditional sense. Her belief in her own righteousness blinds her to the consequences of her actions, making her a beautifully flawed and deeply human character.

//Now...before I go onto what I actually liked about the trial itself, and how, while the Kaede twist carries it, it's still supported by a bunch of really neat moments, mysteries, and pacing, I want to go over one massive concern that we haven't really established with this case, and give my opinion on it. Because this is something that we've kind of already gone over, but I want to talk about it in more detail here, because this is where the point becomes relevant.

//During the trial, the evidence begins to point toward the fact that Rantaro was killed by a heavy shotput ball dropped from the vent above the library’s bookcases, which is how Kaede set up the trap. Initially, suspicions are scattered among several characters, with Shuichi himself being a prime suspect for much of the trial.

//However, in a dramatic reversal, Shuichi pieces together that Kaede’s actions prior to the murder align with the placement of the murder weapon. He theorizes that Kaede had hidden the shotput ball inside the air vent with the intention of setting a trap for the Mastermind. This trap involved the ball rolling out of the vent and hitting whoever triggered the motion-detecting cameras set up in the library. Tragically, Rantaro happened to be the one caught in the crossfire.

//Or so we thought...

//In truth, Tsumugi Shirogane, who is secretly the mastermind of the killing game, altered the events of the murder after Kaede set her trap. Kaede’s plan to kill the Mastermind failed, and the shotput ball actually MISSED Rantaro. He was instead killed directly by Tsumugi, who procured her own ball and smashed him over the head with it.

//Using her authority over Monokuma and the game, Tsumugi manipulated the evidence to make it look like Kaede’s trap had succeeded. Ensuring that Kaede would take the fall for the crime, not only eliminating a strong-willed leader who might disrupt the killing game early on, but also, due to Monokuma's threat of killing everybody if nobody died within a certain time limit, to ensure her own survival.

//The group unknowingly plays into her hands, convicting Kaede as the blackened based on incomplete and fabricated evidence. And it's quite possibly the only substantially evil thing Tsumugi does in the whole game.

//Now...this element of the game is controversial, both for me, and for the audience, for several reasons.

//My big issue is that it's an unfair manipulation of the rules of the killing game, which usually relies on airtight logic and player-driven deductions. Knowing that the evidence was tampered with by Tsumugi retroactively feels like a betrayal of the game’s premise of uncovering the truth.

//And yeah, this isn't the first time the Mastermind does this. Junko does this in Game 1, in fact. And it's highly unrealistic for you to believe that the Masterminds would ever willfully play by the rules, but my problem is that it really undermines them from being the powerful villains that they play themselves as in the final Chapter. It's why I believe AI Junko in the second game is the best Mastermind of the lot, since she's the only one who doesn't royally fuck up at one point (barring Mikado and Akane T.)

//The bigger issue for people in general, however, is that some fans feel that the framing diminishes Kaede’s role in the twist. Instead of her actions directly leading to the crime, her plan is sabotaged and used against her by an outside force. This makes her appear less culpable, which can feel like a cop-out for such a high-stakes moment.

//One could argue that if Kaede had actually succeeded in killing Rantaro, the twist would have been more impactful. It would’ve forced players to grapple with the moral complexity of Kaede’s actions, as she would’ve knowingly crossed a line to protect her friends. By shifting the blame to Tsumugi’s interference, the narrative somewhat softens the weight of Kaede’s decision.

//And I do agree with all of these notions, and understand where people are coming from. HOWEVER, despite these criticisms, Kaede’s framing still works within the context of the story and doesn’t take away from the emotional impact of her being the Chapter 1 culprit.

//What you have to remember is it isn't simply that Tsumugi committed her own crime individual of Kaede. Kaede started the murder plan, and Tsumugi finished it.

//It still means that Kaede isn't the killer, and shouldn't have been executed for it, but it doesn't change the fact that she still TRIED to kill somebody.

//It doesn't take away from the complexities and flaws of Kaede as a person in this game. The Despair she felt, and the corner she was driven into, still mattered, and she still acted on it in the worst way possible. Had the shotput ball hit Rantaro and not missed by pure coincidence, she would still have been the culprit.

//Even though she was framed for the actual murder, Kaede’s actions remain central to the story. Her plan to kill the mastermind reflects her unyielding determination to save her classmates, even at the cost of her own morality. Whether her trap succeeded or not, Kaede willingly put herself in a position where she would’ve been responsible for taking a life. This is the heart of the twist, and it’s not about whether she succeeded, but about her willingness to go that far.

//The framing doesn’t change the fact that Kaede is executed believing she is responsible for Rantaro’s death. Her guilt and despair as she tries to encourage Shuichi to carry on in her place still land with full emotional force, and the player shares her devastation, and her death leaves a lasting impact on the narrative. This doesn't change with Chapter 6's revelations.

//And on top of that, Tsumugi’s interference is consistent with her role as the mastermind and a villain who thrives on deception. The killing game has always been about manipulation, both of the participants and the audience. By framing Kaede, she ensures that the game starts with a shocking betrayal of expectations, cementing her as a calculating and ruthless antagonist.

//Only to fumble the ball much later, but this is more of a knock on Trial 6 than Trial 1.

//And that's mainly the big reason why I think this trial is great as an opening. It allows several characters to shine early.

//Kaede’s bold leadership, Rantaro’s mysterious potential, and glimpses of complexity in Kokichi’s manipulations and Kaito’s steadfastness all take center stage.

//But beyond Kaede, the real breakout star here is Shuichi, whose journey from hesitant sidekick to true protagonist begins in earnest during this chapter.

//At first glance, unlike Kaede, Shuichi feels eerily familiar to Makoto and Hajime, or previous protagonists. He’s polite, serious, and perpetually anxious, sporting a hat he refuses to take off because he’s self-conscious about making eye contact. He blushes, breaks into cold sweats, and often assumes everyone else is more capable than he is.

//In short, he doesn’t exactly exude confidence or charisma, and that’s exactly why his growth feels so satisfying. V3 may have ups and downs in terms of its characterization and plot development, but if there's one thing that I can say for certain, it's that Shuichi's character writing, throughout ALL of this game, is FLAWLESS!

//Despite his meekness, Shuichi shows surprising flashes of initiative early on. He’s the first to suggest they set a trap for the mastermind, proving he’s not as passive as he seems. He’s also quick to stand up for himself when pushed too far, such as his angry outburst at Miu accusing him of being a pervert.

//Kaede’s role in shaping Shuichi cannot be overstated. As the initial protagonist, she radiates optimism, courage, and determination. Her plan to stop the mastermind, though it fails, demonstrates her willingness to take risks for the group’s sake.

//When the truth of the trial forces Shuichi to accuse her, the weight of that responsibility crushes him, but Kaede’s faith in him remains unwavering.

//Kaede’s final words, encouraging Shuichi to believe in himself, become the foundation for his transformation. Her trust in him, paired with Kaito’s relentless support afterwards, helps Shuichi shed his self-doubt (and his hat) and step into the spotlight as the protagonist. From here on, Shuichi is determined not to look away from the truth, no matter how painful, a promise he makes in honor of Kaede’s memory.

//Trial by trial, Shuichi grows more confident and assertive. By the time the finale rolls around, Shuichi has fully stepped into his role, calling out the mastermind and rallying his fellow survivors with unshakable resolve. His passionate outrage upon revealing Kaede’s unjust execution shows just how far he’s come, not only as a detective but as someone who refuses to let lies define their lives.

//What makes Shuichi such a compelling protagonist is how different he is from Kaede. Where Kaede is bold and charismatic, Shuichi is quiet and thoughtful. He lacks her boundless optimism but compensates with razor-sharp intellect and a deep sense of responsibility.

//His understated heroism makes his victories feel earned rather than inevitable, and his struggles resonate with anyone who’s ever doubted themselves.

//In the end, Shuichi becomes the protagonist that Team Danganronpa never anticipated. While Kaede was ideal for their manufactured Killing Game, Shuichi subverts their expectations entirely. By rejecting the binary of Hope and Despair and refusing to vote, he takes a stand that transcends the game’s twisted rules. His quiet determination and intellect ultimately bring an end to the Killing Game and the series itself.

//Just as he promised Kaede.

//Kaede’s death and the way she passes the torch to Shuichi set the stage for one of, if not, THE most rewarding character arc/arcs in the series. Her impact is felt throughout the game, not just in Shuichi’s growth but in how her sacrifice inspires the survivors to keep pushing forward.

//Shuichi’s evolution from anxious and self-doubting to confident and decisive is what makes him such a standout protagonist. His relatability, paired with his ability to rise to the occasion, ensures that his journey, from the first trial to the game’s finale, is as compelling as it is memorable.

//But while the characterization and the relevance of Kaede is what carries this trial this high onto the list, I want to talk a little more about my thoughts and feelings on the invesigation, and the trial itself.

//The first chapter of Danganronpa V3 is just as heavy and depressing as its predecessors, but it cranks up the confusion factor to eleven. While Hope’s Peak Academy and Jabberwock Island had some sense of familiarity, the Ultimate Academy for Gifted Juvenies in this game feels more alien, making the stakes even harder to grasp initially.

//I kind of already said this, but from the way Rantaro carries himself in the prologue, acting all mysterious and competent, I was convinced he was going to be a key player. Maybe even a leader figure who would stick around for the long haul. And then when he started going a bit off the rails, I thought, "Ah, I see where this is going."

//I began thinking that he was going to turn out like Tsurugi from the Another games. Like the morally rigid, justice-obsessed type whose sense of right and wrong is slightly…off.

//But nope! The next thing I knew, Rantaro was lying there, very dead, and I was sitting there questioning my life choices. That little arc of his really threw me for a loop.

//Unless you're NicoB and somehow channeling detective-level intuition, figuring out who the killer is in this case is next to impossible based on the investigation clues alone. And that’s exactly what makes it so brilliant.

//With Kaede as the culprit, you essentially experience the entire murder setup firsthand. You’re there for the plan, the execution (as in the crime HAPPENING in real time, not the execution that kills Kaede, although we are also there for that), and the aftermath. But the game cleverly omits just the right moments or twists key words in a way that keeps you from ever suspecting her.

//Now, let’s address the elephant in the room: some fans argue that the protagonist switch is the only good thing about this case, dismissing the rest as basic or bare-bones.

//Respectfully, I think they’re wrong.

//Sure, the protagonist twist is a massive highlight. It’s chef’s kiss in terms of execution. But the case itself has plenty to offer.

//As a first case, it had some big shoes to fill. On one hand, it easily outshines the first trial in Danganronpa 1, which, let’s be real, was serviceable but not exactly riveting.

//On the other hand, it had to compete with Danganronpa 2’s first trial, which featured Teruteru’s surprisingly intricate scheme. That one’s a tougher act to follow, but I’d argue that Kaede’s case pulls ahead in terms of how engaging and multilayered the mystery is.

//Teruteru's crime was more complicated, and engaging, but it wasn't as fun to solve as this one was for me.

//Is it the most complex case in the series? No.

//Does it redefine what meta means in V3? Not quite.

//But it’s still an awesome, tightly crafted mystery that deserves its spot among the series’ best. In hindsight, even though they are my least favourite set of mysteries in the main trilogy, V3’s cases are all pretty intricate, so the fact that this one holds its ground says a lot.

//And really, how can you not appreciate a case where the game essentially says, "You’re the killer, but good luck realizing that before we drop the bombshell?"

//It’s clever, it’s bold, and it sets the tone for V3’s penchant for subverting expectations. Whether you’re here for the shocking twists or just love seeing your brain get tied in knots, this case delivers.

//For good measure, I'll reiterate how this whole thing goes.

//So, the whole mystery kicks off with Rantaro getting murdered, and Kaede, being the brilliant hero that she is, takes it upon herself to help the group narrow down the list of suspects. She shuts down anyone who tries to throw blame at others, using hard evidence like a detective on a caffeine high.

//The excuses for why certain people couldn’t have been the killer range from, "They were miles away at the time," to "They’re physically too weak to throw a shotput hard enough to kill someone". Basically a smorgasbord of alibis and physical limitations that could’ve come straight out of a detective’s handbook.

//But as it goes, all suspicion seems to funnel onto Shuichi. After all, he’s the only one who could bypass the security system, because Miu, the mastermind behind the tech Shu and Kae used for their trap, told him how to do it, while Kaede was not informed beforehand. And since Miu has her own alibi, she's off the hook.

//However, in a classic display of Kaede's wits, she manages to throw a few crafty suggestions, and a little white lie here and there, to get Shuichi off the suspect list.

//But if Shuichi isn’t the culprit, then who in the world is? Well, Shuichi, after a brief moment of hesitation, and probably some deep internal screaming, suggests a bold new theory: Kaede could be the killer.

//Now, if this was a soap opera, this is where the dramatic music would kick in. The rest of the trial devolves into a full-on "everyone vs. Shuichi" situation. Which is a terrible situation to thrust the poor boy into, especially since this chapter also features a whole ass scene where Shuichi is crying about being scared of the truth.

//I get why Kaede did it, and it did help Shuichi in the end, but it doesn't change the fact that she was making him fight everybody over a truth that he didn't want to come to light.

//The tension is palpable, and the whole room is practically ready to tear him apart, but this is where Shuichi starts showing his detective chops. He doesn’t flinch, doesn’t back down, and argues with the same quiet determination you’d expect from someone who’s been taking notes on how to deal with chaos. It's a subtle flex of his growing skills as a detective, and honestly, it’s pretty satisfying to watch him hold his ground against everyone.

//Eventually, the trial wraps up with Kaede confessing to the murder. But here's where things get a bit…well, complicated.

//Now, if there’s one thing that makes this trial truly stand out, it’s how the protagonist switch ties into the game’s larger themes of Truth vs. Lies, and more importantly, the colossal twist that the world of V3 isn't even real.

//Shuichi, the true protagonist, is like the ultimate punchline to the whole game. The fact that Kaede doesn’t make it past the first chapter is like one giant narrative rug-pull. Not only does it break your expectations for what you thought the game was going to be, but it also ties directly into the overarching narrative of deception that runs through V3.

//And, if you’re paying close attention, it’s not just a clever narrative trick. It's a commentary on the entire premise of the game. The creators themselves are in on the joke, which adds a whole layer of meta to the experience.

//In the end, this trial is a perfect storm of clever writing, emotional punches, and mind-bending twists.

//Kaede may not have been the killer, but her actions set the stage for everything that follows, and that’s what makes this trial one of my absolute favorites in the Danganronpa series.

//So yeah, I'm definitely biased. And I'm sorry if that ticks people off.

//But I should warn you. If you think THIS is the most controversial pick for the upper rankings? You'd best get ready for tomorrow's.

[vannys-pizzaplex-askblog]

Lee!Danger Abbie because yes.

I swear I gotta do all the work around here/j

Silly boy :3

[shadowfoxsilver]

There's this really cool thing that a handful of diaspora Palestinians have committed a lot of time and effort to called vetting (maybe you've heard of it?) in which they speak directly with a fundraiser holder face-to-face or over phone/video call to verify all portions of a fundraiser. There are so many posts [1] [2] [3] [4] [5] that talk about the details of this process to verify that a fundraiser organizer, recipient, and the details are correct by verifying legal documents like proof of residence, photo ID, fluency in Palestinian-Dialect Arabic, family tree constructions, etc.

These vetters have been posting about Palestinian/Gaza/Arab culture/Islam/etc. for a really long time, [1] [2] [3] (these are Wayback machine links to the tumblr accounts of 90-ghost, el-shab-hussein, & nabulsi before you start crying "but, you can post backdate on tumblr!") [4] (moayesh's Instagram because his tumblr is fairly new) meaning that they didn't just pop up after Oct 2023 to start posing as a qualified individual. They are real diaspora Palestinians with stories to tell and culture to share.

GFM also has strict requirements for withdrawing money, needing evidence of a bank account from a country they service and a solid way to transfer funds from that bank account to the recipient's bank account. If the funds are withheld from the intended recipient, that can be reported to and resolved by GFM.

If you're too overwhelmed by trying to distinguish between scams and real fundraisers, then whatever. That's your problem, not everyone else's. You don't need to publicly announce to everyone that you're too busy/tired/incompetent/ignorant to properly investigate fundraisers, so everyone else should stop supporting them as well. There are plenty of vetters and scam-busting blogs dedicated to helping people distinguish between real and fake.

Donating to established nonprofit aid organizations is absolutely a good deed and is much more straightforward, but it's not the only way to help. Especially with the repeated aid blockages, sometimes Ghazan families need a more direct flow of money to pay for the ridiculously inflated cost necessities (I recently received a video from Farah wherein she states that a bottle of dish soap cost $50. $50!!!!) as well as save up for evacuation costs once the Egyptian border crossing opens. (Thousands of dollars!)

With a few minor parts removed, here is a copy/pasted text that was originally in a reblog but now in its own post since the original account is gone. Links that didn’t work anymore have been left out. I figured it’d be useful for anyone who needs it.

[a-roguish-gambit]

X men evolution: *has Kurt kiss Bobby on accident, turn into a girl, repeatedly get put into girls cloathing, etc etc etc*

Me: this is a 2000s show he's not actually queer if anything they are probs just making gay jokes

X men evolution interview: yeah we wanted to make Kurt gay but the execs wouldn't let us so we named his girlfriend Amanda cause he'd date "a MAN duh!"

Me:.....OH NVM he is queer! Lovely!!!!

[ultimatepinkgirl]

i've seen some more debate on what makes a pink girl and I feel like this is the best way to describe it. these all count btw

[solzare]

Inescapable Rain

Antique || Phthalo || Overcast

Chrysocolla || Flair || Koi

[danggirlronpa]

An updated version of what zines I still have neither digital nor physical copy of, since I hit the point of sharing the ones I have! If you happen to have a copy of these please let me know, I would be eternally grateful 🙏

So as of right, to my knowledge, the only released Dangan girls zines I don't own in some form are:

Eunoia (Toko zine) Obtained!

DanganGirlsZine

Please Insert Coin Here Obtained!

Enoshima Insider Obtained!

Queen of Liars (Celestia zine) Obtained!

In Our Hearts (on gumroad but not currently for sale??)

Seeds of Hope (Makoto & Komaru zine)

So if anyone has a copy of PDFs for archival purposes (or a physical copy they'd be willing to part with!), please let me know! Also if I'm missing any. The ones I own vastly outnumber those I don't. I would be unsurprised if I missed some.

[pokemonranch]

//Hey! I'm talking a small hiatus because I'm finally getting my top surgery! No asks/posts for about a week or so untill I feel better; but I've queued a bunch of wonderful art of other Pokémon artists on the meantime.

Adoption Sundays are still up, but no guarantee there will be one this week or the next (probably next!)

See ya!!

[creation-help]

STOP BEING SELF CONSCIOUS ABOUT YOUR CREATIONS STOP SECOND GUESSING WHAT YOU REALLY WANNA DO STOP DEBATING IT'S WORTH. LET YOUR ART SERVE YOU INSTEAD OF THE OTHER WAY AROUND

[project-sekai-facts]

I'm just gonna leave this here because I feel like I should say something. Mizuki is trans, I still agree with the stuff I said a month ago. Did they say it in the story? No. Were they ever going to say it in the story? Well it seemed like I was but they just pulled the most insane 4 year queerbait.

Did people warn me? Yes, and I probably should've listened more, but from a writer's perspective what happened in Ena5 is very stupid so I had a little bit more hope for clpl. Confining any sort of actual coming out scene to a card story and fading to black over the actual reveal is honestly just cruel. Not to mention that Mizuki's bio is probably locked as "gender: ?".

Mizuki is still a trans character and trans representation, though the lack of actual confirmation really sours her story. Especially since the only indirect confirmation of her identity as a woman comes from student a talking to Ena about Mizuki (the whole Ena is a "normal girl" thing). Having Mizuki being robbed of her chance to come out by transphobes, and never resolving this so her bullies are left as the only credible source of her gender is atrocious. Mizuki being outed was a crucial plot point, to never resolve just leaves a bad taste.

It's still a glaring issue that clpl is trying to play both sides here. Which has always been an issue with things like white day and other marketing featuring Mizuki and the boys together. It's just gross that they're still trying to do it now, cutting off the actual reveal of Mizuki's secret and having the characters say "Mizuki is Mizuki", something that's often used by people who want to deny any trans reading, and a new area conversation about Mizuki's voice. Remember that old area convo about Mizuki having a lower voice. It gets referenced in a new one.

The reveal of the secret itself, transness aside, is comedically bad. Project SEKAI's writing isn't exactly amazing by any means, it's pretty basic in the grand scheme of writing, but this is worse than a lot of their other worst offenders. Building up to this big reveal of a secret that is incredibly important to one character's development, only for it not to actually be revealed, and probably never mentioned again, is ridiculous. It feels like a last minute change to ensure mass appeal but I don't know if it was. If it was, they still failed because some fans are dissatisfied that they never got told what it was, regardless of what they think it was.

And no, it's not corporate meddling. Probably. From colopale, maybe, from Sega, honestly probably not. Sega has other franchises and games with queer and specifically trans characters so it's not like Mizuki would be harmful to their brand image. If anyone interfered it was other staff at colopale.

Anyway, I'm not quitting the game and I'll still be running this blog for the time being. Not saying you have to continue playing and I totally understand people who are dropping the game over this. If anyone wants to add their thoughts to this post or send an ask freel free to.

[weekly-eons]

Out of curiosity, are folks allowed to take inspiration from your eons designs to make characters? It’s totally okay if not, the designs of some of these are beautiful!!

Hi! Thanks for asking! I am glad you like my silly designs ^^ I don't have any problems of people taking inspiration! Just don't copy the design and call it your own.

Let's take for example the Angel themed eons. I am okey with anyone making their own angel eon! What I am not okey with is just copy the design and making small changes.

Just be creative! Of course, you can take design elements or use colours I use, I don't own any concept or colour combo's. Just don't make a carbon copy.

[rpfshippingpolls]

got a few submissions with him and frankly im not sure where to go with this one

[a-student-out-of-time]

An Important Reminder In Trying Times

Hey everyone, Mod Bubbles here.

I know that I've said over and over that I don't like talking about politics on here, but I really feel the need to say this:

This Is Not The End.

I understand things probably seem really bleak right now. A lot of people are going to be hurt by this, and the sheer amount of fearmongering and worst case scenarios are inescapable. But the country and the world are not going to change overnight. To be honest, it may not change very much at all in the next four years. I'm not a political scientist, so I can't tell you that for sure. There's a lot to be concerned about.

What I can tell you, as a student of history, is this: not only have we survived this once, we have survived this every time.

Think about it this way: every single tyrant, every single right-wing representative, every single emperor and colonial power, every corporate scumbag and power-hungry lunatic. No matter how many of them have ever come to power, held onto power, and tried to make themselves seem invincible, not a single one has ever held back humanity's progress and not a single one has proven to be invincible.

There were countries throughout history, especially in the 20th century, that fell under brutal dictatorships and saw countless lives lost. Did the people just give up and accept it? Fuck no they didn't. They fought back. Many of them lived to see democracy restored to their lands in their lifetimes, or fought to see it restored in their children's.

From Europe to Latin America, while many countries still have their issues, they endured and their people have survived. Their governments were not invincible, just as none ever have been.

Regardless of the outcome of this election, the world will go on. People will not just roll over and accept whatever horrible things happen, the fight will continue and we will do everything in our power to carry on as we always have. We'll carry on to achieve bigger and better things.

Let me also be clear: if you feel the need to cry, please cry. If you're afraid, don't pretend you're not. If you're angry, allow yourself to feel that anger. But if you're seriously contemplating giving up or hurting yourself, please don't.

You may hear all this news and ask yourself, "Bubbles, what's the point? What can I do about all this?" I've felt that way too, I have for a long time. I understand completely. It's scary and overwhelming, but I'll tell you exactly what you can do to fight against that: you can be kind.

Do you want to know where the most tangible change in the world begins? It's never at the top. It begins with people like us on a communal level, where we reach out to help others. Whether that means we help our neighbors, our friends, or any strangers we can.

Going out of your way to start fights, looking for someone to blame based on the flimsiest justifications, and just being cruel because you're angry, those aren't how you change anything. Those just add to the problem.

Here's just some ideas on what you can do instead:

Get away from the news, stop doomscrolling, mute doomers, and turn the TV and news apps off. This will get you out of a negative feedback loop that'll make you feel worse and more powerless, which is what they're designed to do in order to maximize traffic.

Remember to eat, sleep, brush your teeth, take a shower, take your meds, and do everything else you need to do to stay healthy.

If you or someone else really feel like leaving the country for your own safety is best, you can still work do so. But please don't convince yourself that if you can't, it's over.

Give back to people as much as you can. Show the people in your life who support you that you care, and that all that they do for you matters.

Donate to good causes you believe in.

Stand up to bullshit whenever you see it.

Do not give up on your dreams and ambitions. One bad leader does not mean your future automatically ends. Stop worrying about any potential apocalypse in the future, because you can do that even on the best days, and instead work toward a future that you CAN achieve.

There's this pervasive and very inaccurate idea that it's only the president who gets to enforce policies on the country. This ignores governors, the House of Representatives, Congress, mayors, and the countless other leaders involved. And it ignores you.

You do not have to spend the next 3 years and 364 days doing nothing but feeling miserable. In fact, that's the last thing you should do. Fear and despair are the weapons they wield, and they only have as much power as you allow them to have over you.

If your view of politics is that you just have to vote for the "right one" and then everything will be utopian, or that if people vote for the wrong one" then we're headed for a terrible dystopian nightmare, I have to tell you that that is incredibly reductionist and also very dumb. I can also tell you from personal experience that it's not them who make the real changes where it's needed.

A friend sent me a video that really opened my eyes on this situation: Adam Conover, the guy behind Adam Ruins Everything, said he's not worried about all this. Why? Because he and some friends were able, through their own power, to make real positive changes in their community. They were able to bring homelessness down in their district by over 38% through their own efforts.

And he's right that, as a silver lining to all this, it made more Americans than ever take a stand against all the horrible shit they were seeing and get involved with solutions.

Speaking from my own experiences as well, when Hurricane Helene devastated my area, it wasn't the politicians who came and repaired roads and power lines, it wasn't them who brought in food and supplies to everyone, and it wasn't them who worked tirelessly to save people still in need. It was everyone in our local communities.

The people at the top have never really cared about anything more than your money and your vote, but the people around you care more than you may believe they would. Hell, even strangers on the internet care more than you'd believe.

Now, even if you've made it this far, you may be wondering "What about when he starts outlawing and banning things?" To that, I say look at Prohibition and see how well that went. Politicians have only ever operated under the idea that banning something will make it go away, and it always does the exact opposite. And if you're still worried, you can get involved with organizations that fight to support these things being available and regulated.

But by now, you may also be wondering "What if I can't get involved? What if I'm too young or I don't have the money, or my parents won't let me?"

Then just be kind.

Stop looking for enemies to blame. Don't martyr yourself for some nebulous cause or the idea that your suffering increasing means the rest of the suffering in the world will go down. Don't torture yourself by telling yourself that you didn't do enough.

Show compassion, show support, show love and genuine care toward people who need it, including yourself.

"But there's so many shitty people in this country and the world, why should I-" Stop thinking that way. This isn't about them, this is about you and how you can make a difference. There will probably always be shitheads and power-hungry morons, but that does not negate the fact that you can choose to be different. You can choose to be kind.

Kindness is a sword that you have to learn how to wield. Wield it responsibly and use it to help others. No matter how small or insignificant it may be, YOU DO MAKE A DIFFERENCE.

I say all this as a 29-year-old who spent most of his life feeling scared and miserable about so many current events, convincing myself I'm useless and selfish because I was worried about so much and I hated myself for all of it. And I've decide I'm not going to do that anymore.

During the last right-wing era, I managed to help build a whole community out of my love for Danganronpa. I created friendships, relationships, and there are people alive right now because I chose to do so. Because I chose to use that community for kindness. I want to keep building from there by going into streaming and reaching out to more people.

I won't lie to you and say that I'm not scared, because I am. But I'm also not going to let fear change who I am. I want us all to be better to ourselves and others, because that is how you defeat hate. It starts with you.

And if you're still concerned, let me share with you a quote from The Great Dictator, a movie made in 1940, when World War II wasn't even at its height yet:

To those who can hear me, I say - do not despair. The misery that is now upon us is but the passing of greed - the bitterness of men who fear the way of human progress. The hate of men will pass, and dictators die, and the power they took from the people will return to the people. And so long as men die, liberty will never perish…

Please take care of yourselves out there, everyone. We'll get through this, just as we always have.