#one more to wrap up me thinks

[snickerdoodlles]

so you know that adhd thing where you save a post to your drafts and promptly forget about it for nine months... not that i've ever done that of course, i would never do something so ridiculous.

swinging around to Kim, the only one having a normal week so far...

normalcy shattered when he gets a text that Kinn's been kidnapped, starts locking down his apartment so he can go comfort Khun.

gets a call from Khun that Kinn needs his help right fucking now.

immediately drops everything and goes, like he was always ready to.

he has barely any information to go on, just access to Kinn's tracker and whatever else Khun hissed out in the 43 seconds they were on call, but that's nothing to our favorite "shows up to a gunfight in a muscle tee and someone else's backup gun" kid. and oh, lucky him, he sees one of Kinn's guards already on scene-

"report," Kim says, and nearly gets brained by Porsche's gun.

"keep it down idiot," Kim hisses over Porsche's surprised yelp.

"...Wik?!" Porsche says at a normal volume, because apparently he's in a worse version of the "went to school naked" nightmare.

"i cannot believe papa made Kinn hire you," Kim bitches before stealing Porsche's gun and shooting the lookout running towards them.

one very emphatic "what the fuck" and a goon's scream later, Porsche joins in and he and Kim kick absolute ass together.

tragically, no one notices this, because Kim and Porsche are too busy yelling at each other and the kidnapping goons are too busy dying.

"watch where you're shooting, don't you dare hurt my brother!" Porsche keeps shouting at him.

"your brother?" Kim keeps demanding, thinking Porsche has more than a few screws loose in the head.

then Kinn and Chay come running out of the building, except Kinn is stumbling and flinching like a helpless duck and calling him P'Wik! and Chay is bodytackling him out of the way before delivering a bone-crunching kick to some guy's knee without a flinch.

"...what"

"he's me, i'm him, we have to go," Chay snaps.

"...what?"

except Porsche and Kinn have already bolted into the surrounding jungle, and Kim is going to fucking deck Kinn into the sea for leaving him with the innocent civilian, but the goons are advancing and oh fucking shit, go go go-

"i'm not Chay," Chay keeps saying as they run through the jungle, acting as though this is a normal thing to say. "i'm Kinn, we swapped bodies, we don't know how to switch it back, no, really, i'm Kinn, when you were twelve, i gave you mama's guitar because-"

"i believe you," Kim lies, because he will pull out his own teeth before listening to any of his shared past with Kinn from a stranger's lips, "what the fuck."

"i don't know," Chay complains in the most un-Kinn way in existence.

things are... awkward, to say the least. Chay keeps frowning (which looks ridiculous on his baby face, Kim thinks spitefully) and keeps brainstorming an escape plan out loud, as though he expects Kim to trust anything he says. Kim mostly ignores him, except to ask where he thinks Porsche and Kinn ("Porsche and Chay," Chay corrects insistently, which Kim ignores) might be. neither of them get very far with these musings, because it is very late and it's getting harder to see their surroundings with the adrenaline crash, and eventually they agree they need to hunker down for the night after Kim nearly twists an ankle stepping on a tree root.

("...are you okay?" Chay frets, only for Kim to push him away with a brusque i'm fine. "...right," Chay says sadly, and Kim does not think about it.)

Kim is vigorously shaken awake the next morning by Chay demanding to know where his hia went.

"...Chay?" Kim asks, blinking dumbly.

"yeah, we switched back over night," Chay says, looking at him with wide, earnest, boyish eyes, and somehow this is when Kim starts to believe yesterday's Chay might actually have been Kinn.

"how'd you manage that anyways?" Chay asks next, oblivious to Kim's growing crisis.

"you think i did something to fix you and Kinn?" Kim asks dumbly. "I think P'Wik could do anything," Chay says with so much sincerity Kim's forced to realize this is not yesterday's Chay.

"......shit," Kim says, finally succumbing to the insanity.

...Kinn and Chay bodyswap AU tho...

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[xxplastic-cubexx]

was talking to my brother the other day after i rewatched dark phoenix and he was like 'why is everyone so mean to charles in this movie?? were they always this mean to him ?? is it cause he's bald now- he lost his pretty privilege??' and i fear i havent recovered

[clowwwnbytes]

slay the princess pristine cut spoilers etc

i was brainstorming with buddies on discord and started thinking about damsel ch3 having the blade with her, already pointed at her heart, then just started thinking about the blade as a tool.

i think about the blade so much. a cold reminder of your mission in this world, something so tiny that represents a huge wall between you, your ability to be willing to understand others, to understand yourself.

if you bring it with you you've chosen to take a defensive stance against something and someone you don't understand, but it's so comforting, it gives you options, it gives you control over any situation given you don't underestimate the person standing in front of you. even when you don't want it, when you think you don't need it, it will come back to you. a nagging feeling. you're given the option to be distrustful even when you don't literally have it in you, it's what you've been taught is safety, it hangs over your head and dangles above your heart at all times.

and in damsel ch3 it goes from a tool given weight by the role you're supposed to play, to the same thing but looming over her this time. the expectations of what you're supposed to want and what's best for the people around you and what keeps you grounded, the narrator sang the same tune before, and he hurt her and he hurt you. he hurt himself and his humanity in the process. and now he's taken the backseat and is forced to see how messed up that is by having the smitten be the one pulling the strings of the construct, someone with a perspective so different, but one that ends up hurting everyone all the same, even if he doesn't intend it to do so.

everyone is forced to look at themselves in the mirror.

carrying that blade is suffocating for anyone.

and now im thinking about mr. "let's throw it out the window" contrarian, the only voice you can bring to her heart along with the hero, someone that refused to engage with the narrative and someone that is well aware that his perspective is annoying and unneeded for its purposes.

and then he meets the whole of her, and she tells him about how his courage is beautiful. he's the part of the long quiet that knowingly or not, is more willing to throw aside any kind of logic in order to understand a situation in a way the rest don't want to, and he's *now* realizing that his existence is an important aspect to have.

[aroaessidhe]

2024 reads / storygraph

Road To Ruin

start of a postapocalyptic fantasy series set in an Asian-inspired desert world plagued by dangerous storms

follows a courier who transports romantic letters between a prince and princess, who helps the princess escape across the wastes towards the prince’s safe haven

but they’re pursued by bounty hunters, and accidentally uncover some ancient secrets. and also she’s in love with both of them

dinosaurs, magical motorbikes,

bi MC, start of polyam triad

[starleska]

brain is still so scrambled from watching The Legend of Ruby Sunday and Empire of Death in cinemas yesterday but...all i can say is. that felt too easy. far too easy. are we willing to bet that Ruby's story is not entirely over, and when she returns in the next season we will be unearthing that? or am i coping?

[hplonesomeart]

Hey. Sorry about the inactivity, but pretty sure no one cared that much anyways lol. Been a looooong time since I kept that distant from Tumblr…at least now I know I’m able to survive without checking posts every day/being chronically online! I’ve got an intense love-hate relationship with this lifestyle I’ve dug myself into. Think I’m getting a little bit better with the balance even if school isn’t really giving me an option. Got a load of work I need to keep catching up on if I don’t want to disappoint my professors. We’ll survive somehow. Here take a quick batch of Puzzle doodles k bye

[age-of-moonknight]

“What If Venom Bonded to Moon Knight?” What If…? Venom (Vol. 1/2024), #5.

Writer: Jeremy Holt; Pencilers and Inkers: Jesús Hervás and Geraldo Borges; Colorist: Ceci de la Cruz; Letterer: Ariana Maher

[itspileofgoodthings]

.

[eebie]

Grinds my teeth to dust…. i wish touch didnt have so many Implications. im just trying to survive out here

[spinjitsuburst]

ramble about ur favs i wanna hear abt ur thoughts -zaptrap

HAN’S INFODUMPING ABOUT JAY... START!!!!

so like sgdkdhdkdhd I say Jay and Lloyd are my “favorites” but honestly it’s so hard to pick favorites out of this skittles squad like I love EVERY character for a variety of different reasons. I was going to also infodump about Lloyd but then I started talking about Prime Empire and then this post got. Long. So. it's just Jay I may infodump about Lloyd another day especially since I'm very Conduit Brained Rn but yea yea!

this is long so i'm putting most of it under the cut so y'all don't kill me for making a huge long post

I considered putting Zane and Sora on here as well since I’d also consider them my “favs” but like this is already gonna be. A lot of. Infodumping (also i typed THIS part before I even started and decided not to yell about Lloyd because this already got long enough). Maybe I’ll make a separate post for those two hmm hmm much to consider but for now MY (technically) FAVORITE NINJAGO CHARACTER: JAY WALKER

THE SPARKPLUG WHO INVADED MY BRAIN LIKE A PARASITE

so hey his name is a pun this makes me laugh ridiculously hard every time I remember he is named. After a misdemeanor HSKSHDKFH

Jay is such an interesting case of a character for me because I started out the show not liking him. Which is. Stares at my entire account I think my feelings have changed somewhat

Jay starts out as an asshole I don’t think anyone can disagree with me there (although honestly they’re all assholes in early ninjago they bullied a ten year old and left him dangling several feet off the ground) but over the course of the show you can see him start developing into a much more interesting character. He goes from being so insecure he's faking everything about himself to someone who knows who he is and is so genuine about it

now yea we could argue about whether his character was too uwu-ified post-season 10 but this is the FUN HAN POST SO WE'RE NOT GONNA TALK ABOUT THAT the point is you can SEE the growth that Jay has gone through and I am going to show you that growth through what I call

✨ The Skybound to Prime Empire Effect ✨

I AM SO PASSIONATE ABOUT THE IDEA THAT PRIME EMPIRE WAS WRITTEN TO BE A DIRECT PARALLEL OF SKYBOUND AND WAS CENTERED ON SHOWING HOW THE NINJA ESPECIALLY JAY HAVE GROWN THROUGHOUT THE SEASON

when season 12 rolls around we are at the point in Jay's development where he is CONFIDENT in who he is. He's a fun-loving jokester with the power of lightning and the drive to help people whenever he can. He uses jokes and humor to help alleviate tension and get people through whatever's happening. And when on his own what does he do?

BECOME AN ENTERTAINER BABEY

i like to think jay's club in prime empire was a safe haven for anyone stuck in the game who figured out hey. we Can't Leave and felt freaked about it. Also Jay would generally try and spread the word that hey something ISN'T RIGHT HERE which would lead people to want to stay with him

(totally plugging my friend's fic but this kind of thing is explored in would you like to enter prime empire by @finn-m-corvex y'all should check it out cool cool)

also the prime empire shorts which i watched all of in the midst of typing this video cuz i love them go watch them please please please jay was publically fighting the red visors which I imagine may have raised some red flags for some players

THIS SOMEHOW TURNED INTO PRIME EMPIRE INFODUMPING LMAO ANYWAYS Jay's confident! He becomes an entertainer because it's who he knows he is! And it's something that will get people hyped and having fun, which is very in-character for Jay to do! He uses those kinds of things to mask the Bad Things going on and get people remembering what's good

I've talked about this sort of thing before but that's Jay's whole philosophy as early as season 9! Which is a DIRECT contrast to how he views it in season 6, as Nadakhan puts it scarily accurately

"You make jokes to mask the fact that you're afraid"

(i was gonna grab a screenshot for that like i did with the hunted scene but netflix has bloCKED THE ABILITY TO TAKE SCREENSHOTS THE WAY I USED TO and i don't have them already and i'm too lazy to grab them from elsewhere so alas trust me he says it)

making jokes to hide your fear and using humor to remind yourself of what's good and coping with the bad are two VERY different outlooks on it

so I think this outlook is what drives him to make this glamrock persona in the first place - this is a bad situation, one he's in with other civilians, and what better way to keep him and themself safe until the others get there than throwing a big performance at a safe place!

also it's just so gender okay I want to look like Superstar Rockin' Jay so badly

it's also interesting to see his outlook on his parents change over time! In season six he finds out Ed and Edna aren't his birth parents and feels upset about it, not understanding why his birth parents would've abandoned him. In season twelve, that outlook changing is EXACTLY why Jay's able to get through to Unagami

"I was abandoned by my parents, too!... I never understood why, and I never had the chance to even ask. But I always hoped there was a good reason. What if there's a reason?"

(again curse you netflix i wanted SCREENSHOTS whatever whatever)

It's this scene that gets Unagami to calm down long enough for Milton Dyer to get there, and presumably is what stops him from just. Flattening him and Jay like a pancake.

to piggyback off of this i absolutely adore how Unagami and Jay consider each other adopted brothers in that one book I still haven't read and I hope he's in Dragons Rising at some point Unagami is my favorite "villain" (no longer a villain) in the whole show he deserves more screentime

like this is where i found out about this and it's plagued my mind ever since. i need to read. this book just for them

SO YEA OKAY Prime Empire is "Who is Jay as a Person Post-Skybound" to me also it opens up so many fascinating things about Jay. I rest my case

so backpedaling a little bit. JAY CARES SO MUCH ABOUT HIS PARENTS GUYS IT'S SO SOFT AND I'M sobs

like yea the first episode with Ed and Edna in it has Jay avoiding them like the plague but this gets explained very easily when you remember he was bullied for his home life before he became a ninja. It makes a lot more sense why he wouldn't want them around his new friends, assuming they'd react the same way. Also how was he supposed to know literally all the rest of the groups parents were either dead, presumed dead, or had a toxic relationship with their kid lmao

(Cole calling his mom kills me. Cole's mom is dead. I know they probably just didn't think that far ahead when writing the dialogue but it's so funny mans pretended to call his dead mom to get on Jay for not appreciating his parents iconic behavior)

anyways literally every episode Ed and Edna are central to (except like the one in skybound) Jay stops at nothing to protect his parents and it means the absolute world to me he's so much like them!! They raised an inventive little nerd and he will stop at nothing to make sure they're safe and it's. It's SO IMPORTANT TO ME OKAY

ALSO this is an excuse to clip my favorite piece of dialogue possibly in the entire show. Except Netflix won't let me now. So you just get the text dialogue

Jay's just fallen from the sky with a messed up eye and is incredibly distraught that all his friends are captured. And his dad just. The woRLD IS FALLING APART AND HE'S EATIN' SOUP-

Ed i love you

anyways

anways anyways this just turned into me rambling about prime empire and then Ed and Edna and a lot of disjointed other stuff but thank you for this opportunity i was going to also ramble about lloyd but i put this post in a word count and

yea i think that's enough for a tumblr post anyways! If anyone wants any like. More logically thought out and direct thoughts about characters feel free to send me asks this was fun thank u @zaptrap for this opportunity to scream about jay

[vaguely-concerned]

the way lucanis immediately and oh so innocently counters davrin's suggestion that he could make the step up to something stronger than coffee with 'like gingerwort tea?' and davrin capitulating gracefully on the spot makes me think that once davrin and rye returned from their trip (in both senses of the word) in the arlathan woods, davrin went straight to lucanis in the pantry and dropped rye directly into his lap like 'here you make some sense of your mans he's been gently giggling and making skeleton puns the whole way home. also he said something about wanting pancakes and that no one makes them right except you. and also about fifty times that you smell sooo good and your hands are nice but I'm taking that one to my fucking grave there's gotta be a limit for everything'

[coriander-candlesticks]

I was pouring a promised libation out to Hermes, Apollo, Aphrodite, and Dionysus this afternoon (I'd asked them for help with a personal matter involving a sibling) and as I was looking up at the sky talking about the situation I saw three hawks start to circle something a little ways in the distance. Hawks aren't exactly uncommon here but it had been a while since I'd seen any, let alone three at once, so it caught my attention.

And while I was trying to figure out what type of bird they were (not an eagle, too short a neck to be a vulture, etc) one of them swooped down into a neighbor's backyard and back up along the tree in my backyard, close enough that, if a branch weren't in the way, I would have been able to see its feather markings. While hawks were somewhat usual, experiencing that certainly was not. So, of course, when I got inside I looked up if any Greek gods are associated with hawks.

And, of course, Apollo is.

I've been thinking a lot about the difference between "this is just a Thing That Happens" and a sign so it was nice to see a direct example of how something differs when it's coming from a god.

[firestorm09890]

FUCK what I said about the majority of significant changes to dialogue in Re:CoM being to adjust Axel's characterization, the most egregious change is actually this

(GBA CoM)

(Re:CoM)

if I had to guess, the reason for this change was because in GBA CoM, The Superior was a spooky, unknown being at the head of this Organization we had very little knowledge on, and for Vexen, the guy who runs his mouth constantly about how much better he is than the others, to be terrified of him, he must be some pretty scary dude. But then after kh2 we know him, it's Xemnas, he's very dramatic, he likes to talk to the moon, and the effect of your mind filling in the gaps about what "The Superior" must be like is gone. So it wasn't really necessary anymore, right?

(rest under cut because it's long)

Except... the way they changed it is so weird. In the GBA version, what's happening is pretty clear:

Marluxia tells Vexen that his project is a failure

Vexen demonstrates that he does not give a shit about Marluxia's opinion

he does care very much about The Superior's opinion, though, and Marluxia uses this to blackmail him into eliminating Sora- an action which is nonsensical, as the entire point of what they're doing needs Sora alive, making it clear to everyone in the room that he is deliberately sending Vexen to die

and then after that, when Vexen shows up to fight Sora, he goes "if you want to fight me for real you've gotta do it in the memories from the other side of your heart lol bye" and Sora goes "huh? other side?" and then it cuts to a scene on the top floor:

and then this gets more into subtext but here, Vexen has realized he's totally fucked and his only hope is to mess directly with Marluxia's plans (well, they were the Organization's plans, but it's pretty obvious by now Marluxia's abusing his power for his own purposes) by giving Sora more information than he should know. This does get the traitor gang worried enough to send Axel to go kill him (as opposed to just letting Sora take care of him, which was presumably the original plan)- he very specifically cuts Vexen off to keep him from saying too much (this is retained between the original and the remake)

Anyway, what happens in Re:CoM sort of follows the same order of events, but everything is changed slightly in a way that just makes things more confusing.

Marluxia tells Vexen his project is a failure and Vexen demonstrates that he doesn't give a shit about Marluxia's opinion, as before

Marluxia threatens Vexen with a weapon, rather than threatening to tell the Superior

this, notably, does not seem to faze Vexen very much. he continues to run his mouth while having the scythe pointed at him.

Xemnas is still leveraged- Marluxia points out it was the Superior who entrusted him with the castle

...even though reasonably Vexen would already be aware of this, and has still demonstrated that he has zero respect for Marluxia despite it

the lines about betraying the Organization being a capital crime are retained, probably because it's super relevant later, but then that line of thinking is abandoned in favor of Marluxia and Larxene just taunting Vexen instead

The part where Marluxia says "do it. you won't" could be seen as a sort of threat... if not for Axel's line: "You give a challenge like that to Vexen and he'll seriously want to eliminate Sora." It frames it all as though Vexen went to fight Sora out of some sort of pride.

And look, Vexen may have a temper and a superiority complex, but he's not stupid. They're obviously baiting him. Plus, what happened to him seeing himself as above the others and countering things he doesn't like with "well actually I'm higher ranked than you and also you're an idiot"? Is he that insecure in his fighting capabilities? I could deal with characterization changes doing him dirty if it didn't also make no sense in the context of the plot.

So now we have Vexen going to try to kill Sora, something that really makes no sense to do, out of pride. What was the purpose of sending Sora to Twilight Town? Also pride, over the fact that he managed to get that information? Giving the writing the benefit of the doubt, I could say that these nonsensical actions can be explained as evidence that Nobodies can have hearts and people with hearts do strange and rash things, but that just feels like a reach, which is bad because what they had in GBA CoM worked perfectly fine and made sense without any reaching for the "idk emotions make you do strange things" explanation.

It continues. After Vexen gives Sora the Twilight Town card in Re:CoM and Sora wonders about what the "other side" means, this is that version of the conversation the top floor members have:

...what? "If Sora disappears, that would mess up the Organization's plans"? what are you worried about? the only reason Sora would disappear is if Vexen killed him. there's no way they think Vexen being in Twilight Town would give him an advantage, right? they know he's a pathetic fighter. "Vexen has clearly committed a treasonous act against the Organization" HOW? HOW IS IT CLEAR? they don't express any worry about Sora learning too much, up until Axel says "I came to stop you from talking too much" when killing Vexen- and that being there makes it seem like they were worried about Sora learning to much, but if that's the case, why would they replace the perfectly serviceable lines in the above scene? it's just... baffling that they would want to lean into the narrative that Vexen going to kill Sora (which he'd been goaded into doing) is the problem here, because it just makes so little sense compared to what it was originally.

once again giving them the benefit of the doubt: Marluxia's real plan was to take over the Organization, and he saw an easy way to pick off one of the members, so he took it. the motive for stopping Vexen doesn't actually matter.

buuuuut it's the same as with Vexen earlier. Marluxia may be too self-absorbed and power-hungry to notice Axel is scheming against him, but he, too, is an intelligent man. he's plotted for a while, getting into Xemnas's good graces in order to be put in charge of the Castle. this is incredibly sloppy for him. I guess it could be said that getting so close to his goal would make him sloppy, but again, if they'd just left things the way they were in GBA CoM, I wouldn't even have to be saying this

in conclusion: GBA Chain of Memories' intra-Organization strife subplot is so tightly woven with calculated moves on all sides that Re:CoM changing certain things without taking into consideration the consequences makes certain parts of the plot fall flat and become far more confusing than in the original story

[kingofanemptyworld]

Choji’s Team:

Cinderace (Partner Pokemon)

Monferno

Torracat

Castform (Sunny Day Form)

Litleo

Charcadet

Yes, Choji has three starter pokemon evolutions on his team. I couldn’t help myself and neither could he, apparently. Choji’s definitely been abroad a fair few times, both before and after becoming his town’s gym leader, and it’s like he’s got a sixth sense for finding the pokemon in each region that are going to give him the biggest challenge. The rarest and most difficult to catch have all been starter pokemon so far (and Castform, which he may or may not have stolen/liberated from a weather research facility in Hoenn). Cinderace is his ace (ha) pokemon, and it’s… totally because he’s got the kanji for rabbit in his name (correct me if I’m wrong but that’s why everyone uses the rabbit emoji for him, right?). Also fire types just felt fitting for Choji. Bright and burning like the sun, just like him! Hence why Castform is perpetually in its Sunny Day form. Monferno matches his acrobatics in a fight and Torracat is for Shishitoren!

As for Litleo… gonna be totally honest here, I briefly forgot Torracat existed and thought this was the closest I was going to get to a tiger. And then I did find Torracat, and I thought about dropping Litleo from the line-up. The eyes, though. Litleo’s damn eyes reminded me too much of Choji, so I kept it. Also it’s cute and I can very vividly imagine Choji play-wrestling with it. And probably playing soccer/football with Cinderace. Choji would dominate in a lot of sports but I’m partial to soccer, so. Might as well tack that headcanon on.

(Also, hey. If my very tired brain is misfiring at the moment and shishitoren’s animal is a lion, not a tiger? I did Litleo on purpose)

Last but not least, Charcadet. I said this in another post but I literally have no idea what goes on in Scarlet and Violet. I don’t know if this is a rare pokemon, or one Choji could feasibly have without completing some plot-relevant quest. But we’re throwing logic out the window for this one because I took one look at Charcadet and said, yeah, that’s Choji’s. No need to look for a backup sixth pokemon, that’s him all over. Tiny fire child warrior!! No regrets.

[anarchypumpkincowboy]

Okok so like first off, I need y’all to know that this idea only came to me because I’d been watching ballets and the Indian movie I’d mentioned earlier Natyam (which is really really good I really do recommend it) but anyways one of those ballets was Swan Lake. Where the prince looks like this

Let us all take a moment to imagine this being Jace… okay moment over onto the au

So Jace multiclassed into bard in secret like when he was in college. His parents wanted him to become a wizard, and he tried he really did, but he failed and dropped wizard courses right after the second semester. He’s always enjoyed dancing, and he’s very skilled, but he’s always known that he could never view dance as any sort of viable life path. His parents would disown him. Not because they necessarily dislike dance or him dancing; they just believe he could do better, more important, things in his life.

He obviously goes to every recital he can, and damned if he doesn’t want to be up on stage with them. He goes back to his apartment after the performances and practices the moves as best he can. Sometimes when at night the moon is bright he’ll go to the spot he found by the lake nearby that’s slightly hidden from view, and get lost dancing to nothing but the music of nature. He’s not really religious, not like his mother, but he does find that dancing under the light of the moon helps to calm his mind and magic.

When he fails out of wizard classes he decides that maybe it’s a sign to go for something he’s passionate in. But he CANNOT let his parents find out that he’s switched from wizard to bard classes. They’re the ones paying for the university, his apartment, and they control his trust fund. If they find out he’s pretty sure they’ll disown him unless he goes back to wizard classes.

So he signs up for them in secret. He gets Corvin, a rogue and one of his best friends/fuck buddies, to sneak into the offices and make sure that there is no way his parents could find out.

And Jace fucking loves his dance classes. His teacher tells him he’s a natural, a prodigy, it’s still hard work and he’s sore and exhausted both physically and mentally at the end of every class. But it’s more than worth it. He’s never been so happy and at peace than he is when he’s dancing and performing.

As time passes it gets harder and harder to hide that he’s not learning wizardry from his parents. He just barely makes it out of having to go back home in the summer break, tells them that he’s still struggling so he decided to take up summer lessons this year. His parents are proud that he’s putting in the effort. And he is taking summer lessons, just for his dance class instead.

This pattern continues for another year. He’s slowly been working his way into more important roles, he’s even had a few solos this year. His teacher tells him that if he keeps this pace then by the fall semester he should start auditioning for some lead roles, that he’s near guaranteed the lead in a most.

Unfortunately that summer his parents decide they’ve missed him, and to surprise him with a visit. Three guesses as to what they end up discovering when they go to wait for his summer “wizard” lessons to get out for the day… They are of course furious. And when they see his name on a poster about a recital happening the next day, well, they decide to surprise him there.

Jace is the lead, and he’s incredible, and it’s so clear how much he belongs on the stage. His mother is almost moved by his performance, almost, and his father is thinking they should’ve stamped this out of him as a child.

By the time the performance ends, Jace is exhausted and riding an after performance high. His plans are to go out and have a few drinks with some of the other dancers before going home and crashing. That is of course immediately thrown off course when he leaves the building and sees his parents waiting for him. They don’t exactly give him a choice but to get into their car and ride in a painfully uncomfortable silence all the way back to his apartment. Where his parents make it very clear that he’s had his fun but it’s time start being serious. And that they aren’t accepting no for an answer.

But he is serious about dance, he shows them articles written about his latest performances, tells them about how his teacher calls him a prodigy, how he’s guaranteed the next couple lead roles. They don’t care. His father tells him if he doesn’t give up these ridiculous dreams they’re pulling away all his funding and taking him back home. Jace just barely manages to hold his tears back till they leave.

Okay, okay so he has till the end of the summer to figure out how to pay for his apartment, his schooling, and everything else. Not too hard right? Except that he can’t get a job that’ll pay enough for everything. And he already devotes almost all his time practicing. So he asks around his group if anyone has any advice.

One of his friends brings up how he could probably get a few scholarships. Another tells him that he should definitely apply for the House Sunstone Arts Foundation. It’s a pretty prestigious program, but even his teacher tells him he’s got a great chance at getting it.

About 2 weeks after he’s sent in his application he gets a response asking for a meeting with one of the members of the Sunstone family for an interview. The letter has the date, time, and address. It’s at a pretty fancy restaurant. One of those places with a dress code. And it’s only 2 days away.

He gets there. He’s nervous as hell. And as he’s led to the table he gets even more nervous because fuck he was not expecting the person he was meeting with to be so hot. Porter stands up to greet him, they introduce themselves, and Porter pulls out the chair for Jace. They both sit down, Jace apologizes for being late (he wasn’t, Porter had just shown up early). Porter says it’s fine, that he’d only just gotten there himself. They order food, Porter orders a bottle of wine for the table, and they begin talking.

Jace tells Porter about his accomplishments, his goals, his dreams, anything and everything he can think of to get him this scholarship. Porter nods and hums along before eventually asking why he’s applying for it. Jace tells him about how dancing has always been his passion, but that his parents envision a different life for him and cut off his funding. Porter tells him that he’s seen the videos Jace had sent in, that he can see the passion and talent Jace has, that he’s in the final list of applicants.

They finish dinner. And when they shake hands Jace tells himself he just imagined the caress of Porter’s thumb on his hand. He goes back home, tells his friends he’s made it to the final list. And life continues on for another 2 weeks before Jace gets 2 letters. One, from the foundation giving him another date, time, and address for a final interview in 3 days at the same restaurant. And the other from Jace’s parents stating they’ve cancelled his lease and he’s expected back home by the end of the month. He’s got three weeks of freedom left.

He goes to the interview. Once again Porter pulls out his chair. The conversation isn’t too much different from the last interview, but this time Porter’s asking him more questions. Mostly about his personal life unrelated to dance. And he keeps filling up Jace’s drink. And Jace keeps drinking. He knows he should stop, he’s already had a truly unprofessional amount, but Porter keeps filling it up. And Jace thinks it’d be rude to deny more, plus it’s good wine.

Jace knocks over his glass at some point, spilling it all over himself. He curses and grabs a napkin to try to dab it out but Porter’s leaning closer having already grabbed it and starting to dab Jace’s shirt. Jace is definitely not imagining how the dabs feel like caresses. And he’s definitely not imagining the look in Porter’s eye when Jace shivers from the touch.

They end dinner not too long afterwards, Jace can barely sit still in his seat now that he’s clocked Porter’s attraction. Jace is also far too gone to drive himself back home. So Porter offers him a ride. They go outside and Porter’s driver pulls up near immediately. Porter opens the door and gestures Jace into it. The back has plenty of space, but as soon as Jace has slid over to the other window seat Porter’s sidled up right next to him, draping his arm across Jace’s headrest.

Jace thinks he might actually explode. He knows there is no hiding how he’s practically vibrating out of his seat the whole drive. Especially when they come across a particularly sharp turn and Porter curls his arm around Jace to keep him from slamming into the window. And then just doesn’t move his arm back. Not until they pull up to Jace’s apartment building and Porter tells him to expect another letter soon. And asks for his crystal number. Jace gives it to him, obviously, and just barely refrains from inviting him upstairs.

More time passes with only the occasional texts between the two, and about 4 days before he’s due back home with his parents he gets the acceptance letter. Apparently not only will it be funding his schooling and dance specific items, it’ll also provide housing. Which is such a relief given he can’t renew the lease. Jace gets a text from Porter telling him congratulations, and that he can come by in a few days to take Jace to his new apartment.

Rumors spread eventually that Jace only got the scholarship because he seduced Cliffbreaker. But after he finishes his last performance before he graduates and gets scouted by 7 different companies those rumors start to die off.