#thorn is all about that

[clowwwnbytes]

slay the princess pristine cut spoilers etc

i was brainstorming with buddies on discord and started thinking about damsel ch3 having the blade with her, already pointed at her heart, then just started thinking about the blade as a tool.

i think about the blade so much. a cold reminder of your mission in this world, something so tiny that represents a huge wall between you, your ability to be willing to understand others, to understand yourself.

if you bring it with you you've chosen to take a defensive stance against something and someone you don't understand, but it's so comforting, it gives you options, it gives you control over any situation given you don't underestimate the person standing in front of you. even when you don't want it, when you think you don't need it, it will come back to you. a nagging feeling. you're given the option to be distrustful even when you don't literally have it in you, it's what you've been taught is safety, it hangs over your head and dangles above your heart at all times.

and in damsel ch3 it goes from a tool given weight by the role you're supposed to play, to the same thing but looming over her this time. the expectations of what you're supposed to want and what's best for the people around you and what keeps you grounded, the narrator sang the same tune before, and he hurt her and he hurt you. he hurt himself and his humanity in the process. and now he's taken the backseat and is forced to see how messed up that is by having the smitten be the one pulling the strings of the construct, someone with a perspective so different, but one that ends up hurting everyone all the same, even if he doesn't intend it to do so.

everyone is forced to look at themselves in the mirror.

carrying that blade is suffocating for anyone.

and now im thinking about mr. "let's throw it out the window" contrarian, the only voice you can bring to her heart along with the hero, someone that refused to engage with the narrative and someone that is well aware that his perspective is annoying and unneeded for its purposes.

and then he meets the whole of her, and she tells him about how his courage is beautiful. he's the part of the long quiet that knowingly or not, is more willing to throw aside any kind of logic in order to understand a situation in a way the rest don't want to, and he's *now* realizing that his existence is an important aspect to have.

[mozzzz05]

I just had an upsetting thought - what if Alison constantly visited the Ghosts and knew - when she was old and grey and had lived a life - that she was going to die, so she made sure she was in Button House for it?

Mike accepts it and understands her want to go back to the Ghosts, they’re like family, they’re always there.

But then it’s Mike’s turn to go and he decides it must happen at Button House too. He’ll see his wife again! Spend a couple of hundred years together & hey he can actually meet/talk to the ghosts now!

Only when he dies and he meets all the Ghosts, who are all excited to actually talk to him etc, he asks where Alison is, only to find that she moved on straight away.

He finally gets to see a part of his life that was so bizarre for him, so secret and hidden, part of his life where he only ever had half a story. And now he has that half but his whole world is still gone and he doesn’t know when he’ll ever see her again.

[pastelpaperplanes]

KOBD for the soul

[kattodoesstuff]

The Nun and the Son of Jod

so... alecto huh

[yaralulu]

so glad i was reminded of this scene so i could be insufferable about it

[cc1010fox]

Thire: ...Your shebs is sagging... Fox: You were looking. Thire: Damn right I was. What's with the sagging? Fox: I stole Thorn's pants. Thire: Were you trying to prove he's got a thicker shebs than you? Fox: No. That's obvious. I just wanted to force him into my pants. Thire: ...Why? Fox: They're so tight on him that you can see through them when he bends over. Thire: Oh my Manda... Fox: It makes life worth living. Thire: ...I need to go. Fox: Senators keeping you busy? Thire: No. I need to convince Thorn to take off his shebs plate, then bend over. Fox: Wait for me!

[aceghosts]

Emmrich: But you've been through so much these past days. You must need rest.

Rook: Emmrich?

[shittalkingwiththesuriel]

I recently learned that I can lock my likes

And now nothing is stopping me from liking the ungodly amount of smutty Azriel fanfiction I read

[roselensedeyes]

celeana/aelin and chaol ceased to exist as a couple the moment she was unable to forgive him for his part in nehemia's assassination. he didn't kill nehemia, but he trusted his kingdom more than he did celeana. in her eyes, he was as responsible as the person who held the weapon.

elain and lucien ceased to exist as a couple the moment she looked him in the eyes and told him "you were there. you betrayed us." he didn't kidnap nesta and elain and forced them into the cauldron, but in her eyes he's as responsible as ianthe, tamlin and he king of hybern.

[aerequets]

i very much appreciate how Yor, the strongest character, is so feminine

she’s obviously the physically strongest, and arguably the most mentally and/or emotionally strong. what i really appreciate is that this strength and her femininity are complements, instead of the two being treated as mutually exclusive like in many other media.

yor is soft spoken and gentle and kind to others. she feels emotions strongly and cries in front of others and shows her happiness. she has a natural inclination to take care of others. she is good with children, she is great at housekeeping. she may not be good at cooking but by gosh she tries; she wants to get better. she assumes the best in others and finds other women pretty and kind and admires them. she’s family oriented. 

yor is also insanely strong. she’s gone through extensive physical training since childhood, has multiple scars, has dealt with all kinds of people. she can kick a moving car, incapacitate a whole cow, take down a whole fleet of assassins, etc, etc. the list goes on. but despite all this and all that she’s been through, she didn’t become a tough, sardonic, mean-lean-killing-machine kind of character.

 what i’ve noticed in a lot of media is that there seems to be this kind of tradeoff that people think needs to happen in order for a female character to get “truly strong”. basically feminine = weak and masculine = strong. the character cries? not anymore she will never crack that poker face ever! the character cares for others? psh what no, care for yourself she’s not your maid. homemaking skills? useless, all she needs is the strength of her Fists and Harsh Words. she’s not like other vapid girls, she actually cares about the Real Important Fight which, undoubtedly, is also male-dominated. 

of course, all of this is set up as an opportunity for the male love interest to come in and “break down her walls” because women are just waiting for the right man to change them, but i digress.

why? why are the things that are inherently feminine deemed as inferior? 

a good example i can think of is cinderella, or to be more specific, an opinion about cinderella that was popular (and may still be, i dont know tbh): she is weak for needing a prince to save her. 

lets break this down: this girl gets emotionally, phyiscally, and mentally abused from her childhood into young adulthood by the people who are supposed to care for her. despite all this, she remains kind towards others and attentive in what she does. she seizes what she believes could be her one and only chance at freedom, however fleeting, and ends up catching the attention of the person who is ultimately able to pull her out of her situation.

yes, she didn’t bust herself out of the house and shank the stepfam with her glass shoe. but does this mean she is weak? is that kind of emotional resilience within someone after years of abuse what can truly be categorized as weak? 

anyways, all this is to say that yor is built up as the strong one in multiple ways, and the narrative doesn’t act like her nonmasculine qualities are somehow reductive or lesser, and i very much appreciate how rich her character is. i like so many things about this series man im just

[thedeadthree]

-ˋˏ .·:·. ⊱ 𝐓𝐇𝐈𝐑𝐓𝐘 𝐃𝐀𝐘𝐒 𝐎𝐅 𝐕𝐄𝐈𝐋𝐆𝐔𝐀𝐑𝐃 𝐛𝐲 @pavus — day one: 𝐧𝐚𝐦𝐞.

— 𝐈𝐑𝐔𝐋𝐀𝐍𝐍𝐄 𝐈𝐍𝐆𝐄𝐋𝐋𝐕𝐀𝐑 . 𝐕𝐄𝐓𝐇𝐀𝐑𝐈 𝐃𝐄 𝐑𝐈𝐕𝐀 . 𝐂𝐀𝐒𝐒𝐈𝐀 𝐓𝐇𝐎𝐑𝐍𝐄.

𝐓𝐇𝐈𝐒 𝐈𝐒 𝐓𝐇𝐄𝐃𝐀𝐒. 𝐄𝐍𝐉𝐎𝐘 𝐈𝐓 𝐖𝐇𝐈𝐋𝐄 𝐈𝐓 𝐋𝐀𝐒𝐓𝐒.

— 𝐓𝐀𝐆𝐋𝐈𝐒𝐓 (mutuals can opt in/out via 𝐭𝐡𝐢𝐬 𝐩𝐨𝐬𝐭 <3):

@loriane-elmuerto, @carrionsflower, @auricfog, @girliefailure, @sunsofdawn

@risingsh0t, @griffin-wood, @lilywatt, @full---ofstarlight, @grapecaseschoices

@tommyarashikage, @shadowsofrose, @shadowglens, @weisshaupts, @queennymeria

@deadrlngers, @d-esmond, @courtana, @gothimp, @wlwaerith

@unholymilf, @aezyrraeshh, @socially-awkward-skeleton, @shellibisshe, @florbelles

@celticwoman, @neonshrike, @cloudofbutterflies92, @adelaidedrubman, @carlosoliveiraa

@pinkfey, @spookyrares, @yharnams, @aceghosts, @confidentandgood

@theelderhazelnut, @leviiackrman, @ellierenae, @anoras, @lavampira

@dialdrunk, @full---ofstarlight, @imogenkol

[lainalit]

Every women over the age of 20 in this fandom who still calls Tamlin "Tampon" peaked in High school💀

[sesamenom]

Feanor messed something up in the reembodiment process :/

[yaralulu]

Tamlin being really into bugs is very real to me.Like not only is he well versed in plants and flowers but he also knows the name of every bug known to man and whenever he finds something especially cool looking the first person he’s immediately showing is lucien.Lucien’s usual reaction is “???? please get that thing away from me” but who can really say no to those dazzling big green eyes 🤷.

Tamlin particularly loves presenting lucien with the weirdest looking bugs ever and telling him “this one looks like you 😄”.

[connorsnothereeither]

Maybe this is just me but I feel like as a collective we haven’t fully registered the sheer Marty McFly urban legend conspiracy fuel bullshittery that happened in the first 72 hours of the Cantripped campaign. Specifically regarding Rowan-

Imagine you’re attending fucking Woodstock. Then, suddenly, The Beatles go to take the stage. But hold on- Paul McCartney isn’t there? It’s just some redhead no one has ever seen before on guitar?? But oh well bands have people get sick and have musicians fill in, it happens all the time.

Suddenly this absolute nobody woman single handedly plays THE MOST TRANSCENDENT AND TRANSFORMATIVE MUSICAL PERFORMANCE IN ALL OF HISTORY. Like, never before seen musical talent, absolutely reshapes the crowds understanding of art and music, broadcast to millions of onlookers. Then, just like any other performance, the band leaves the stage (in later interviews, John Lennon reveals that the woman was a busker that almost got into a fist fight with Ringo in the parking lot 20 minutes before the performance).

15 minutes later, live on stage, the fucking Kennedy Assassination happens. The crowd scatters.

That night, in the aftermath, a bartender in the wealthy part of town says that after handing him a gun across the counter and asking him to take it to a well respected local mom&pop bakery, Jonny Cash was beaten up and arrested in the back room of the bar before being dragged out unconscious by a half dozen uniformed cops.

About a day later, the same bartender takes delivers the gun to the bakery, and inside finds not just the elderly owner, but a well dressed British man in a too small kiss the cook apron, the mysterious woman who performed on stage at Woodstock, and Robert F. Kennedy in a hood and bandana. The next day, the trio along with a very wounded Jonny Cash arrive at his bar yet again, pay him 1000 dollars cash, and leave. Jonny Cash and the unnamed woman then cause a public disturbance at the Canadian border checkpoint on their way through, before Jonny Cash simply sprints through security, and is never seen again.

[onioneyez]

Thinking about the GO kiss (of course) and how that strange versatility of the pairing in general extends also to this. The fandom’s grief is so universal because each person sees in it exactly what will hurt them the most.

To this aromantic, Crowley’s desperate gesture looks like: “is this what you want? Will this make us real to you? If I show you I love you in the right way, the human way, will I finally matter enough for you to stay with me?”