#oh my god just quit

[bodbdearg]

I have zero sympathy for genshin players who complain about genshin having fanservice like they think hoyo will change anything... no matter how in depth the lore is or how big the stories gets or how much money is funnelled into impressive cutscenes... this is a GACHA GAME at the end of the day. complaining about fanservice in a gacha game is like complaining about finding a fork in the kitchen, girl what fucking else did you expect ?? It's a free game, of course they're going to fund themselves making sexy anime women for their target audience (rich perverts mainly in china) to buy constellations and skins for. you chose to play the game knowing what it is. be so fucking for real

[hinamie]

spiraling

[pixlokita]

A very glazed page 39

Previous - next - first

[daily-odile]

various heavypaint odiles

[twinstxrs]

so much happened in this whole episode but i’m still on fig infiltrating ruben’s dream, making it look like the place where his friend was murdered, and then disguising herself as kipperlilly & repeatedly saying different variants of “somebody needs to take the fall for this, and it’s not going to be me. it’s going to be you.” while adaine as the elven oracle shows up next to her. can you imagine waking up from that, the idea of a horrible truth being pinned on you by your friend to save her own skin while the personification of fate and destiny stands there, almost as a promise that this is GOING to happen to you. we don’t even know if this kid is guilty. my god.

[allenwalkerbitch]

I cannot believe I've been reading D.gray-man for all these years and it JUST now hit me that Caterina's full name—Caterina Eve Campbell—is a fucking Adam and Eve reference. The Millennium Earl's Noah name is Adam. It's right there.

And Caterina raises the two kids "Adam" becomes as her own children. Adam and Eve have two sons, and one of them kills the other one when they grow up. Mana and Nea are fucking Cain and Abel.

Local woman reads the catholicism manga, is shocked to discover it contains catholicism.

[frankingsteinery]

walton is a stronger man than me because if i found the man who was the culmination of my lifelong dreams of true connection and everything i could possibly want in a friend, who talked to me about my interests at length and encouraged me and told me i would be successful in my endeavors, who wept for me after i confided my deepest desires and ambitions to him, who used the language of my heart, who sympathized with and loved me, and who told me all of his greatest flaws and mistakes and his harrowing several-hundred-pages long life story including the murders of his entire family, upon which i treated him with nothing but understanding and kindness and would do anything to return him to happiness and shoulder his woes, all while tenderly nursing back him from the brink of death while expecting nothing in return, even despite my growing concerns of a mutiny going on, and after all this he told me "I thank you, Walton [...] but think you that any can replace those who are gone? Can any man be to me as Clerval was?" i would just walk off the boat

[sforzesco]

decimus wanted to wind cassius up a bit just to see how he would snap

uhhh. what else. you know!! caesar was collecting (and discarding) a new generation of romans, operating a new kind of roman imperium. political manipulation. "good" governance. conspiracies are forming in reply.

the collage art is all public domain/open access stuff from the met collections!

[gayhenrycreel]

we got to talk about this bizarre... pressure to be non binary coming from certain people.

honestly, i think its rooted in exorsexism/enbyphobia, which may seem counterintuitive, but hear me out.

when i came out as a binary guy, i wanted to test what i was comfortable with in gender presentation. i tried on some nail polish, and then my mum tried to say i was non binary... which im not, im a guy.

ive also heard of butches going through the reverse.

certain cis people learned that non binary people exist, and dont even know that its an umbrella term that has no set definition. a seemingly cis masculine guy could use he/him pronouns but not care about gender and so consider himself non binary. but some people dont understand how this is possible.

some cis people think non binary = androgynous or gnc, resulting in attempted allies thinking feminine men and masculine women have to be non binary.

these people of course also are weird about non binary people who are not woman lite. its its own form of exorsexism.

in my experience, certain queer spaces find masculinity to be frightening, and will pressure masculine people to be more androgynous, or even feminine. id guess that theyd probably find too much femininity to be annoying.

gender is a social construct, but no one is obligated to break it. i enjoy masculinity because it feels natural to me. pink is also a social construct, itself being light red, but people can still like pink more than darker reds.

gender is a bit silly, and you can join in if you want. if you don't like it you can opt out.

cis folk trying to be supportive need to understand that sex, gender, and clothes are entirely separate, unless you personally like joining them for yourself and no one else.

[yomi-art]

i went through hell for that damned jacket. i need to kiss whoever made it

[absolutely-not-my-main-blog]

Holes. Keys. What Have You.

I have full analyses I've been wanting to actually do and gather images for over the entire past year, but in the meantime, have this <3.

[corvid-canidae-art]

was thinking about unicorns again per usual just now and accidentally got a cameo phantom shift just by thinking about them too hard. This fucks immensely

[vinestaff]

99% OF GAMBLERS QUIT BEFORE THEY WIN IT BIG!!!!!!!!!!

[lizzieraindrops]

You know what, I figured out why we're having so many errors in Destiny 2 now. It's because with the addition of Micah-10, we've finally reached a critical mass of women with drop dead gorgeous voices, and the game simply can't handle it anymore. It's like Telesto. Too powerful. If they'd actually put Ikora Rey in a rendered cutscene for more than 5 seconds it would have shut down the servers for good

[gingermintpepper]

As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version

Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].

So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.

This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus

Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.

So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.

Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺

ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.

I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!

That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.

For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:

(Ovid. Metamorphoses. Book X. trans. Johnston)

Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:

(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)

Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:

(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)

Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:

and when Zephyros breathed through the flowery garden, Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...

(Nonnus, Dionysiaca, Book 3. trans Rouse)

And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!

Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:

(Ovid, Metamorphoses Book Two. Apollo's regret)

And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:

(Ovid, Metamorphoses Book Two. Apollo wept.)

Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.

(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)

But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:

(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)

Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.

These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.

(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)

Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')

And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:

But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.

It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.

Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.

All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?

The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.

[demaparbat-hp]

For the Spirits—Chapter IX: A Rider Alone

I saw the footprints in the white of the snow

I counted thousands and I was just a rider alone

Eighteen degrees and eighty miles from home, oh no

—Nightshade by The Lumineers

.

Zuko stood at the end of the world, surrounded by miles of snow and the resounding echo of his own shallow breaths. He took everything in, closed his eyes to receive Agni’s light, and howled. Something howled back, and he smiled.

Keep reading here!