#Spirit Touched Zuko

[demaparbat-hp]

*pats Zuko's head* This bad boy can fit so many near-death experiences.

.

Read For the Spirits Chapter VIII here!

[leewiththegreatcupoftea]

Art for

By:

@on-my-zuko-shit-again

[escyn]

Old Wounds Reopened[flood]: Kyoshi Warrior Sokka | Blue Spirit

Zukka Week Day 3 (id in alt)

+some close-ups bc I love them so

other things from ZW2024: Day 5 | Day 6 | Day 7

[suzukiblu]

excerpt from in-progress "timebending with Zuko" fic

Zuko wakes up and everything hurts.

Most specifically, his scar hurts.

That . . . doesn’t make sense, he thinks, and reaches for it automatically. A strong hand catches his wrist before he can touch it, which seems–fair, yes. Probably a good idea, anyway, because spirits does it hurt. Just . . . so much.

“Uncle?” he asks reflexively, attempting to open his eyes. It’s surprisingly difficult. And Uncle is in Ba Sing Se, of course, but he’s on his back on a futon or bedroll or something similar and someone’s sitting beside him and his head is swimming and he’s injured, clearly, so options for who said “someone” might be are limited, really.

So it’s not Uncle, obviously, but . . .

“Nephew,” Uncle says, very quietly, and Zuko . . . blinks.

At least, half-blinks. The one eye’s in too much pain to open.

The ceiling is metal, he notes absentmindedly. That’s . . . odd. He was in the palace, wasn't he?

“What happened?” he asks, vaguely bemused. Uncle pauses in a very concerning way, and Zuko has about three heart attacks about just how badly he doesn’t want to know what he’s about to say before–

“The Agni Kai,” Uncle says, very carefully. “Do you remember it?”

Zuko frowns–just with the one side of his face, because again, his scar hurts right now. To the point that his whole body feels wrong, does his scar hurt right now.

“Um–which one?” he asks, because there’s been about a dozen this month alone, and frankly he’s getting really sick of fighting them at this point but if the old guard of nobles are just going to keep dragging everything out like this–

“With your father, Nephew,” Uncle says, very carefully.

Zuko . . . blinks.

“Oh,” he says, vaguely perplexed. Uncle never talks to him about that. “Yeah, I remember that. What about it?”

“Do you remember what happened?” Uncle says.

“The part where I disgraced myself or the part where he burned my face?” Zuko says, because it’s so fucked up and awful and horrible that he can’t even get upset about it anymore, except when he’s really upset about it. But if Uncle’s bringing it up, presumably he has a good reason to be, so . . . “Or the whole ‘go find the Avatar who no one even believes exists anymore or you can never come home again’ part?”

“. . . all of that, yes,” Uncle says, still sounding very careful. Zuko frowns a little–again with just the one side of his face–and then looks over at him. His body still feels weird and wrong, but . . .

But . . .

They’re on a ship, he realizes. A Fire Nation one.

Well, explains the metal ceiling.

It doesn’t explain why Uncle is wearing red armor and a topknot like he hasn't in years, though, or why he looks so unspeakably sad.

“Um,” Zuko says, and attempts to sit up. His head immediately starts swimming even worse, and Uncle catches his shoulders and keeps him pinned against the . . . futon? Looks like a futon, yeah. “Where are we, exactly?”

“We are aboard a ship,” Uncle says. “I . . . may have slightly commandeered it.”

“. . . you paid for it, right?” Zuko asks, a little skeptical at that idea.

“Yes, Nephew, I did,” Uncle says, giving him a very tired, pained smile. Zuko doesn’t feel much better, seeing it.

“Is someone dead?” he asks, because he can’t think of anything else that would make Uncle look that way.

“Ah–no, no one has died,” Uncle says.

“Then what’s wrong?” Zuko asks warily.

“. . . you are injured, Nephew,” Uncle says, slowly. Zuko frowns, bemused. “And your father . . . I did not know he was going to do this. I am so sorry.”

Zuko . . . pauses. Looks around the room again, and then realizes: he knows this room, doesn’t he. He knows this ship.

This is the same ship he woke up on after the Agni Kai.

“Hold that thought, Uncle,” he says, then lifts his hands and looks at them. They . . . well, they are his hands, obviously.

But they’re not his hands, obviously.

“Huh,” he says, frowning in bemusement at them; turning them around like he half-expects them to stop being a thirteen year-old’s or something equally ridiculous. They don’t. They are very definitely a thirteen year-old’s hands.

Specifically, his thirteen year-old hands.

Huh.

“You don’t have to be sorry,” he says after a moment, putting his hands back down and glancing back to Uncle, who’s obviously the more important concern. “It wasn’t your fault.”

“I took you into that meeting,” Uncle says, his voice tight. “And I watched the Agni Kai. And I did nothing to stop any of it.”

“I know,” Zuko says. “But it wasn’t your fault.”

“It was,” Uncle says, his smile a sad and terrible thing. “You were there because of my actions. My mistakes.”

“You’re not the one who wanted to sacrifice all those soldiers,” Zuko says. “Or the one who decided to throw fire at my face.”

“You were there because of me,” Uncle repeats, his voice tight and his smile no less terrible. It occurs to Zuko, briefly, that Uncle must be thinking of Lu Ten.

He only ever looks like that when he’s thinking about Lu Ten, so . . .

“Uncle,” he says. “Really. It’s not your fault.”

“Nephew,” Uncle says, and his voice is somehow even tighter. Zuko tries to get up again, and his head swims again, and Uncle moves to stop him again. This time he grabs onto Uncle’s wrists and uses them to pull himself up, and then . . .

Well, then he’s sitting up, at least.

So that’s something.

He tilts his head and his hair slips into his eyes. It’s loose, and long. Not shaved on the sides yet, like he wore it the last time he was thirteen. He supposes he should cut it, but then again, why should he? He's not changing anything, after all.

Except for this conversation, he supposes, because that went very differently last time.

. . . hm.

"Uncle," he says one more time, and reaches out for him. Uncle doesn’t seem to understand what he’s trying to do, so he has to reach out a little farther, and then Uncle makes the connection and leans in and lets him wrap his arms around him and alright, yes: that’s better, Zuko thinks, and clings to him.

Just a little, perhaps, but . . .

Yes. He clings to him.

Uncle wraps his arms around him in turn, very carefully, and makes an awful sound.

“My boy,” he chokes. “I’m so–I’m so–”

“I forgive you,” Zuko lies, because of course there’s nothing to forgive.

But of course Uncle doesn’t understand that, does he.

[huevotm]

@zukkaweek day three: kyoshi warrior/blue spirit

I had planned to do a whole thing for Zukka week this year, but work has been a nightmare, so i just managed this v rushed self indulgent mini comic about smudged makeup after battle >:)

I imagine them doing vigilante stuff on Ba Sing Se and sometimes running into eachother, so they sometimes team up maybe?? And ofc Sokka doesn’t know he’s hanging out with zuko and zuko gets a bit bold when he’s the blue spirit. (And also has definitely been wondering how it would feel to touch sokka bc he’s touch starved as hell, so once he gets a little bit, he just keeps sneaking little touches here and there)

ANYWAYS HAPPY ZUKKA WEEK EVERYBODY

[ittsybittsybunny]

ATLA Live Action Series Review:

The Good

Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!

Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.

Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!

Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.

Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.

Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!

Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.

Is the show perfect, no - but I wouldn't mind a season 2.

The Bad

Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?

Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.

Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.

Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.

Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.

Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.

Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.

Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.

Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.

Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.

Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.

The Ugly

Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.

Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!

The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.

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TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.

Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.

[rifari2037]

Zutara moments in the show :

Zuko : (grabbed Katara's wrist) I'll save you from the pirates! Also Zuko : (Making a gesture like putting a betrothal necklace on Katara)

In crystal catacombs similar to the cave of two lovers with romantic back sound. Zuko : (For the very first time willingly let someone touched his scar) Katara : (Willingly to gave him a spirit oasis water she had saved for something important and touched his face with compassion)

Sokka : What's on your mind? Zuko : Your sister. She hates me and I don't know why, but I do care what she thinks of me. Also Zuko : (Waited Katara all night in front of her tent)

Zuko : (Dramatically sacrifice himself and took Azula's lightning to saved Katara) Noo!!!!! Katara : (Recklessly saved Zuko when Azula could directing lightning to her anytime)

Zuko and Katara : (Reach each other hand and looked each other just like couple used do in TV show)

Characters in the show saw Zutara :

June : What happened? Your girlfriend run out of you? Also June : I see you worked things out with your girlfriend.

Zuko Player : Wait! I thought you were the avatar's girl. Katara Player : Ha ha ha, the avatar? Why, he's like a little brother to me. I certainly don't think him in romantic way. Beside, how can he ever find out about this...

Zuko Arc :

Trying to earn his honor and love from his father, also never showed he wanted to seek a perfect sister.

Antis : That's definitely siblings coded. Katara was sister Zuko always wanted.

Me in the corner : Okay, I will imagine it was Azula in those scenes no matter how cringe it would be as long as you are happy 😭😭

[demaparbat-hp]

The Crew is boisterous and loud, full of traitors, inside jokes, and secrets. The scum of the Fire Nation. The forgotten tiles on the Empire's Pai Sho board. The ones who change the game.

But most importantly—they're a family. And no matter how much they complain about their boss (teenage menace that he is), they'll do anything for their Prince.

Anything.

.

The Crew is the heart and soul of my fic For the Spirits. No one really knows just how important they will be to the story...how important they already are.

[ivnxrori]

When Sun and Moon meet - S1

Zuko x Fem!WaterBender!Reader Enemies to Lovers

As one of the Princesses of the Northern Water tribe, you were blessed with a gift by the moon. However you were permitted to be allowed to use the gift at all costs. From many hidden waterbending usages, the aftermath of the avatar visiting the Northern Tribe had led to your beginning journey, hiding yourself as a water bender as a princess from the Northern water tribe

Warnings: None

Masterlist

҉ * ‧͙ ⋆ ⁺ ༓ ☾ Prologue

“We announce the birth of a healthy girl…Princess Y/N!” Chief Arnook announced as the crowd cheered for their new princes alongside Yue. What the crowd didn't know was the difficulties of even keeping her a healthy princess. Once the baby was born, she couldn't stop wailing and crying. It was like every bone of her body was in pain. All the medical help didn't do anything, they didnt know why the Chief’s daughter was in so much pain. Yagoda suggests going to the Spirit Oasis, it's their only chance. Chief Arnook sweats as well as his wife, as if they're bound to be unlucky for every life they give. The royal parents of this princess used the same technique as they did with their previous daughter. Dipping her in the Spirit Oasis while praying for her life to the moon spirit, the color of the girl's hair turned from brown to a graceful white. Silent cheers and cries as they held their newest child close to them, happy the moon spirit gave another one of their daughters a second chance.

“Stop touching the edge of your coat” My mother instructed as she pulled my hand from the cuffs. I whined but one stern look from my mother stopped me. I huffed as I stood up straight leaning more so to my sister, Yue who took my hand graciously. In books and stories becoming a princess sounds like a dream. You have money, attention and you could do whatever you want. Everything is accurate except the last one, I couldn't do everything I wanted. I had to be restrained to the guards and my parents eye, even Yue doesnt get this treatment as much as I do. However I forgot to mention how I even got into strict confinement in the first place. “What are you doing?” My father grabbed my hand making the water orb splash at both of our feet. “She's a water bender…” My mom whispered as my dad's eyes widened. “Y/N…” He spoke softly as he held both of my shoulders in a kindly manner. “Do not water bend, it's not allowed for people like you”. I furrowed my eyebrows as I looked at him confused. He sighed as he took my hand. “Y/N, where we live only men are allowed to use waterbending, that's their job…to protect” My father shows me to the boys training their bending. “Especially people like you and your sister, you're both very important to this nation”. I didn't listen, it's not like I didn't understand what he was saying, I just didnt understand why it had to be like this. I zoned off as I saw the male benders. Envying that they can use their gift while I couldn't use mine. I snapped out of my zoned out space with a little pinch given by my sister. I flinched lightly as she slightly giggled earning a hush from our mother. I don't understand us needing to come to these royalty meetings, neither Yue and I are close to 16. Well she is closer to 16 by what? 6 years? That's still a whole 6 years till 16! I'm only younger than Yue by a year, however people treat me like a polar bear dog, cooing at me constantly for doing the littlest task while Yue gets treated so much more maturely. Some might say I have it easier but honestly I just feel dumb. Once the meeting ended we respectfully bowed and got up following our father. I held back my yawn as I saw the now night sky, looking how beautiful the moon is. ҉ ☾ I woke up in the middle of the night, groaning as I looked at the moon. I brush through my tangled hair with my hand while walking outside near the river. Is anyone there? I internally thought as I scavenged the area to see if there were any witnesses. I double checked and took a deep breath. Opening my eyes I hold the water orb, feeling the calming air around me. “You're going to get caught if you keep doing that”. I yelped and dropped my water orb. I turn around immediately with widened eyes meeting Yue. “Oh Yue” I sigh in relief as she glared at me. “You could've gotten caught by the guards and gotten in more trouble then you already have”. I sigh in understanding but also in annoyance. This isn't the first time I have snuck out to try out waterbending. Some days I have been caught but some days I haven't. “I'm going back to bed” I sigh with my head down “Are you?” “Yes, I am” Yue giggled as she patted me on the back. “I believe you can use it one day Y/N, I really you” She whispered sweetly as I nodded. “Thank you”

Next ->

a/n: This is my first fic im starting and im getting brainrott from avatar :) im still learning how to write so if there is any suggestions please share. Im like half asleep while writing this authors note so I know it wont make any sense when I wake up lmao Also feel free to tell me if you want to be added in the taglist!

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[discordiansamba]

he doesn't even do a good job of it. he still has horns and a now very ineffectual pair of wings. but he has given him the gift of language, so that he may teach the avatar with ease! the sun warriors wake up one morning to find that ran and shaw's only offspring has turned into a human. he's just as confused as they are. he says agni wants him to teach the avatar firebending.

zuko: if I teach the avatar, you'll turn me back, right?

agni:

zuko: if I teach the avatar, you'll turn me back, right?????

I don't need to make an AU where Zuko turns into a dragon or is a dragon bc in all aspects but physical, that's just heart of a dragon.

[asiriyep]

Fanart del fanfic "Spirits can be Cruel" de "Mikarkus" en ao3.

lksajdsjdfjsb, GOD this is so cute, sad because Zuko has to go through a lot, but very exciting and touching in the process. Azula has a great journey too.🥺💛.

[elitesheepi]

Every once in awhile, I think about Zuko joining the gaang in the Crystal Caves.

Katara's gesture to heal his scar, the first gentle touch he's felt in such a long time to such a trauma-poisoned place, it makes something inside of him flicker. A cool caress he didn't know was capable. Zuko holding her wrist, and turns down her offer--she'll need it for someone more important than him--but he doesn't let go, and she doesn't move. She should have hit, she should be hating him. He could handle hate, but not this foreign kindness especially from the avatar's friend.

He stole her necklace, he chased her and the avatar all around the world, and yet. She still offered to heal him with spirit water.

It's a whirlwind of emotions hitting him at once. Guilt, shame, the urge to apologize. It's only the cracking of the rock wall and the appearance of his uncle and the avatar to stop him from saying something stupid and ruining the moment.

Azula is the definition of making a bad situation worse. They're trapped in the caves, enemies on all sides of them, and now Iroh has been captured. Zuko's already steeled himself for a fight, he's not going down easy. But instead, she raises an offer to him. Come back, join her, take out the avatar with her and take his rightful place as the Prince of the Fire Nation. Earn back his honor.

Make their father proud.

It's tempting. He'd be a liar if he said he wasn't tempted. It's what he wants right? To be recognized--to be loved--by the very man who rejects him the most. But--the pain in his eyes starting to get to him again. The skin too tight, his vision still nowhere near 100%, 50% on a good day. And more importantly--it burns.

His fingers touch the same spot where blazing hot fingers pressed into him skin, and moves to where fingers, cold as ice and as calming as a turtle duck pond moved along the wrinkles of his skin.

Zuko's made his decision. He sends a fireball aimed straight at his sister.

[azulaaaaaaah]

atla/tlok characters that i think did *it* (but i just can’t prove it)

this is the most unserious post i’ve ever made. (AND I WANT TO PREFACE BY SAYING BY *IT* I MEAN KISSING)

Sozin and Roku

and history will say that they were just great friends…

this is the only one where ill legitimately die on this hill

like i’m 90% sure roku just showed Aang their friendship in the flashbacks to prevent awkwardly explaining to a 12 year old monk that he was romantically and/or physically involved with the person who committed a g*nocide against his people

LIKE CMON WHY IN THE WORLD WAS SOZIN SO PRESSED IN THE BACKGROUND OF ROKU’S WEDDING ??? AND FOR NO REASON?? WHY WAS THEIR FRIENDSHIP SO INTENSE?

sozin i feel loved roku (to an obsessive level) and roku literally dgaf. king shit

Wan and Raava

genuinely what the fuck was going on between these two. like i don’t even have any words

canonically at the very least it was a domestic partnership

S2 korra doesn’t make sense at the best of times. imagine trying to explain the intensity of this pair’s devotion to each other, to someone who hasn’t seen the show- all the while knowing raava is a disembodied spirit practically older than time

she’s the embodiment of everything good and light in the universe and he’s just wan. (and he’s wanough <3)

‘do you think we’re soulmates in every life?’

‘bet’

‘wait that’s not what i-‘

Cabbage Merchant and his cabbages (or at least a cabbage)

yeah i’m not touching this one with a 10 foot pole

Every member of the red lotus squad

ah yes it’s my favourite evil polycule

amidst plans to kidnap children and topple monarchies what else is there to do except… kiss.

let’s be real there’s something so inherently romantic about being apart of an elite, vaguely murderous anarchist squad

they all share one exact bed. it’s canon

(p’li somehow big spoons all of them)

The S2 Nomads

these dudes are the textbook definition of anti-monogamy

like they’re obsessed with love so i fully believe that they think ‘it should be spread amongst others’ or some shit

oh to be a travelling communist nomad in a band, wandering the wilds with my wife, and our several partners

they’re somehow the opposite of the red lotus and yet the same. they all share a single bed/sleep area

The dangerous ladies (but all separately)

i don’t ship any of these particularly and yet can still admit that it’s canon

ty-lee and azula have kissed bc azula probably made up a dumb excuse like ‘oh i don’t want my first kiss with a guy to be… erm… bad’

mai and ty-lee have kissed because they both probably have genuine, vaguely deep rooted romantic feelings for each other

mai and azula have kissed to purely spite zuko (and yknow what ty-lee too)

HOWEVER A KEY ASPECT TO THIS DYNAMIC: azula is completely unaware about the ty-lee and mai thing. it’s uh… better off that way.

Hakoda and Bato

i ship this about 50% but like… it’s got to have happened once right? considering all that down time they spent together on a boat away from the repercussions of water tribe society…

also considering they were leaders i doubt the other warriors were in a position to ever call them out on it

like cmoooooooon what’s a little kiss between the homies every now and again?

hakoda is where sokka gets his rizz/flagrant bisexuality from and i can’t change that guys

[weepynymph]

I gotta talk about this moment even though it's been discussed a million times

Zuko, opening up to someone about his scar for the first time (from what we’ve seen in the show at least, but we can reasonably assume he hasn’t spoken about it like this since he got it) and explicitly stating that whilst he's always associated it with with failures ('the mark of the banished prince'), he's finally ready to take control and change his life for the better. And whilst he has accepted that he can never change his scar, it’s ok because he still has the power to change his destiny.

And despite this assurance, Katara, the healer, still jumps in and offers to heal it anyway, understanding that this is still a burden she could lift from him - 'What if you could be free of it?'

She knows it won't change his life in the same way taking control of his own destiny will, but still, it's like she can't help but try to ease his pain. Even if it's a pain that's long since become a permanent part of him, something that might seem surface level or cosmetic to others - 'It's a scar, it can't be healed.'

And then we have this

'I've been saving it for something important.'

This. Healing Zuko's scar. A wound that has, for all intents and purposes already healed and is not longer a threat to his life, but still burdens him emotionally. That has come to represent all of his trauma. This Katara considers important enough to use her limited and precious supply of spirit oasis water. In the middle of a war. In the middle of a dangerous journey to save the world in which she and her friends might be seriously injured at any time (including in this scene, where Ba sing se is literally under attack as they speak).

And if that weren't enough

'I don't know if it would work'

Now, I don't know the mechanics of spirit water in the atla universe, but it seems to be pretty heavily implied later in the episode when she uses the water to heal Aang, and for a moment thinks that it hasn't worked, that it's sort of a one-time deal.

Which means that she's willing to potentially waste the spirit water just on the off-chance that it might remove the scar. Which in the context of the wider story seems utterly insane.

But Katara thinks it's worth the risk.

And presented with this opportunity, this beautiful, selfless offer to ease his suffering, even on a purely physical, surface level, Zuko wordlessly submits, and lets her touch his scar.

Now, Katara doesn't know quite how significant this touch is (although she's very emotionally intuitive so I'm sure she has some inkling of the gravity of this action) but we do. We know that Zuko doesn't let anyone touch his scar, ever. So what this communicates to us as an audience is that Zuko is allowing himself, for the first time, to put his complete trust in someone. To be completely, 100% vulnerable with them.

And the moment of touch is all the more significant because, in many ways, it isn't even strictly necessary.

Katara's hands are empty, she isn't putting the spirit water to his face, to attempting to heal it here. And while I'd argue this touch could be a practical one - assessing the damage of the scar with her hands to see how to proceed before she uses the water - the moment after, right before they are interrupted, isn't one of practical, medical assessment, but of intimacy.

The way Zuko waits, patiently, eyes closed, and the way Katara pauses, just for a moment, doing what I can only describe as gazing at him, and that slow blink in the middle- Again, not examining his scar or reaching for the spirit water to begin, but just taking it all in.

It's so breathtakingly intimate and vulnerable - a point of connection between these two people who are supposedly so completely different but are, here, somehow so alike in their openness and understanding of one another.

That Katara offers to heal Zuko's scar even when he's said moments before that he's made his peace with the fact that he's never be free of it. And the way he accepts her offer without words because she's right, part of him does want to be free of it.

It's just an absolute masterclass in creating an immediate and powerful connection and bond between two characters in an incredibly short space of time from a start point of complete opposition without rushing it or making it seem implausible.

[fangirleaconmigo]

I've been thinking about this for such a long time, and here's my treatise on Our Flag Means Death and Gentlebeard just randomly on this Wednesday afternoon.

Maybe it sounds odd but OFMD perfectly illustrates how gender roles are a trap. If you fail at your gender (Stede) you are alienated from society. BUT if you succeed at your gender (Ed) you are alienated from yourself.

Here's why this creates the perfect romantic conflict.

I usually don't care for romances because the conflict feels forced, or it undermines the connection. But Ed/Stede is amazing. And I kept wondering how they captured my imagination so completely.

Well, they have a real connection, and the conflict is fascinating and credible, based on this gender trap.

Their connection is joyful and touching. Ed's delight at everything people mock Stede for, oh my god. My heart. And Stede encouraging Ed's interest in things he's not 'supposed' to have interest in? The fine fabric? Perfection. No notes. Love it.

And then the conflict is really the trauma and effects of this gender trap. They cannot see the damage the performance (or in Stede's case, the lack of ability to perform gender) is causing the other. They idealize the other because they have what the other lacks. Here's what I mean.

Since humans need connection Stede's punishment for performing gender poorly is the ultimate one-loneliness and rejection from his 'own people'. Humans cannot be alone, we are not meant to be an island, and to be rejected by EVERYONE that brings him into the world? *insert zuko's that's rough buddy gif*

But when he meets Ed, Ed only sees Stede's freedom (his incapacity to pretend he is anything but who he is) and admires and covets it.

And since Ed's success in performing his gender is a self perpetuating trap, built brick by brick on a foundation of suffocation of the self, his spirit is dying.

But Stede only sees the admiration and approval of others that he has built up around himself. He yearns for that.

So you have two people, devalued for who they are, one who can only be himself but is mocked for it, and the other who is not himself, and is drowning, but surrounded by people who admire him.

So yes, they truly see and value each other. But because they have never paid the exact kind of price the other is paying, they cannot see it. As a result, they can't see how bad those insecurities are. They can't see why the other might want a little of what they have.

I just found it absolutely incredible seeing them figure it out and find a true connection. I loved watching them build that found family around themselves. Ed had to be strong enough to be who has was with his crew, and learn to value them for who they were as well.

And Stede built a family of people around him who valued what he brings to the table. Many of those were the same people, but they had to learn to value him (after suffering Ed's approach).

I know it's a really silly show and very heightened, so you can't be too literal about everything, but it is a show with a good heart that has two romantic leads that paint an incredible picture of the two sides of the gender/society coin. It was very satisfying for me to watch their journey.

I'm sad it's cancelled but I'll be a Gentlebeard ho for life.

[nickeverdeen]

The ATLA gaang reacting to reader having a nightmare

Request: “Hello!

I was wondering if you could do an imagine (kidna like the bug one) on how the Gaang would react to gn reader having nightmares. Have a lovely evening,

- V”

Requested by: @verybadatwriting

(The person meant preferences so you wouldn’t get confused)

Aang

Aang sits quietly beside you, offering silent support during your nightmares

Aang wraps you in a gentle embrace, providing a sense of security and comfort

He listens attentively as you share your nightmares, offering empathy and understanding

Whispers words of reassurance, reminding you that you are safe and loved

Guides you through calming breaths to help ease your racing heart

Aang strokes your hair or rubs your back, offering physical comfort

Suggests simple activities like stargazing or cloud-watching to shift your focus away from your nightmares

He establishes comforting bedtime routines, like reading a favorite book or sharing a cup of tea

Praises your courage and resilience, highlighting your inner strength

Aang expresses his love for you, promising unwavering support through your struggles

He ensures the bedroom is a peaceful sanctuary, free from distractions or triggers

Aang gently suggests seeking professional help or trying relaxation techniques to manage nightmares

(The professional help would be Katara, though)

Shows patience and understanding, earning your trust over time

Reminds you that you are not alone, standing by your side through the darkest nights

“I’m here for you. You’re safe with me. You’re not alone in this. I’m right here beside you, Y/N”

Zuko

Zuko wakes up immediately upon sensing your distress, his instincts kicking in to soothe you

He pulls you close, wrapping his arms protectively around you and whispering reassurances

Zuko gently strokes your hair or back, offering comfort through his touch

Listens attentively if you want to talk about your nightmare, offering understanding and empathy

Just like Aang Zuko suggests techniques like deep breathing or visualization to help calm your racing thoughts

He stays awake for a while after the nightmare, keeping a watchful eye on you to ensure you feel safe

He shares stories from his own past struggles and how he overcame them, offering hope and encouragement

He offers to stay up with you until you’ll fall back asleep, providing a sense of security

Zuko surprises you with your favorite comforting food or drink to help them relax

He makes a mental note to be extra attentive to your emotional well-being in the days following the nightmare, showing them extra affection and support

Zuko softly sings or hums a calming tune to help lull you back to sleep

“Hey, it’s okay. You’re safe now, I’m right here. I’m here to protect you, always. You don’t have to face this alone.”

Sokka

Sokka suggests having a late-night snack together, whipping up some of his favorite comfort foods like savory meat pies or sweet fruit tarts to help lift your spirits

He offers to tell you a humorous story or joke to help lighten the mood

And to distract you from your troubling thoughts, using his quick wit and playful humor to bring a smile to your face

Sokka suggests going for a moonlit walk together, strolling along the beach or through the quiet streets of their village as they share stories and enjoy each other’s company under the night sky

He encourages you to express your feelings through creative writing

Or journaling providing you with a safe outlet to process your emotions and reflect on your experiences

Sokka suggests practicing some basic self-defense techniques together

Just teaching you simple moves and strategies to help you feel empowered and capable of protecting yourself

He offers to build a makeshift fort with you using blankets and pillows

And that creates a cozy and comforting space where they can relax and feel safe from their nightmares

He suggests engaging in a friendly competition or game together

It can be a board game, card game, or sparring match, to help distract you and boost your mood with some lighthearted fun

Sokka uses his storytelling skills to craft an original bedtime tale for you, weaving together elements of adventure, humor, and inspiration to captivate your imagination and ease your troubled mind

He ends the night by simply being there for you, offering you a reassuring hug or comforting presence as you drift off to sleep, knowing that you are not alone and that he will always be there to support you

“Hey, it’s okay. You’re safe here with me. It was just a bad dream.”

Katara

When you have a nightmare, Katara would immediately notice your distress and offer her support

She’s the group’s mom so she’s kidna used to it

Plus she had tons of nightmares when Aang almost died numerous times

And later when he did…

Anyway

Katara would sit beside you, gently placing a hand on your shoulder or back to offer comfort and reassurance

She would encourage you to share your feelings and thoughts about the nightmare

Assures you that you can trust her with your emotions

Katara would offer words of reassurance, reminding you that you are safe and that the nightmare was not real

She might suggest calming techniques

Like deep breathing or visualization to help you relax and ease your anxiety

Katara would offer physical comfort by hugging you if you’re comfortable with it

And providing a sense of warmth and safety

She might create a soothing atmosphere by dimming the lights, playing soft music, or offering a warm cup of tea to help you relax

Katara would offer affirmations to help you feel empowered and supported

Remindes you of your strength and resilience

Katara would stay with you until you feel calm and ready to go back to sleep

She’s ensuring that you don’t have to face your fears alone

In the morning, Katara would encourage you to engage in self-care activities that help you feel grounded and at peace after experiencing a nightmare

Throughout the day, Katara would check in on you to see how you’re feeling and offer continued support and encouragement

“I know it can be scary, but nightmares aren’t real. You’re strong enough to overcome them. I’m here for you. You don’t have to face this alone.”

Toph

Toph’s first instinct might be to offer some tough love

Like telling you to toughen up and not let the nightmare get to you

Toph might offer practical advice

Suggesting techniques like grounding exercises or focusing on your breathing to calm down

Despite her tough exterior, Toph is fiercely protective of her friends

She might offer to stay with you until you fall asleep again, ensuring you feel safe

Toph is known for her blunt honesty

So she might reassure you that nightmares are just tricks of the mind and not something to be afraid of

Toph might suggest distracting activities to take your mind off the nightmare

Like practicing bending moves or sharing stories of past adventures

Toph might share her own experiences with nightmares

Just letting you know that you’re not alone and that everyone struggles with bad dreams sometimes

Toph often uses humor to lighten the mood

So she might crack a joke or make a sarcastic comment to help you feel better

Despite her tough exterior, Toph can also be surprisingly gentle when it comes to comforting others

She might offer a reassuring pat on the back or a comforting hug if you are open to it

Toph might use her unique perspective as someone who has faced her own challenges to empathize with you and offer understanding and support

Toph’s approach to comforting you might be more straightforward and direct, reflecting her no-nonsense attitude

“Quit your whining. It’s just a stupid dream. Focus on something real. Like the feel of the ground beneath your feet.”