#oh how i wish god took

[risingsunyoul]

b

[luck-of-the-drawings]

FOR A BEAT OF HEART, THE BREATH IS SHOT. AND WITHIN A BREATH, THE HEART IS CAUGHT. THE PIPES ARE BURSTING, UNDER GREAT STRESS, BOLTS TORN ASUNDER, MAKING A MESS. A FINAL COUGH, A FINAL RETCH, A GOREY SLOUGH, CLAIMED BY WRETCH.

[prosebushpatch]

Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.

Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.

I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.

This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.

I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.

Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.

Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?

Simon.

Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.

Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.

Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.

Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.

Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.

[flugame-mp3]

what do you fucking mean that's how charlie dies. THAT'S HOW CHARLIE DIES??? i mean i know the show has a penchant for killing off every character who's not a winchester brother or an angel of thursday but good god. what the fuck. charlie was such a good and enjoyable recurring character, and she had such a fandom impact that i've seen, and she's only around for THREE SEASONS?? (sidebar: it's amazing she has the presence she does for only being around for a couple episodes in the long run!) but: was this necessary? and she just dies offscreen after her skills are utilized to progress the plot of decoding the book of the damned?? oh my god. what in the actual fuck. i'm finding myself getting genuinely very upset at her death. she did not fucking deserve that. and i can absolutely see why the fan response to her death is what it is now. completely fucking unjustified and throwaway and useless.

[attractthecrows]

man i cannot stop thinking about Revallen finding the bones of his father. cannot fathom why the inquisition would be in coastal Nevarra. but it would be SUCH a gut punch not only for Revallen but also Dorian (the bones of a father that gave his life for his son(isn't that what a father should be?)) and the other companions to a certain extent (you've never seen the Inquisitor this haunted)

I see Revallen recognizing a landmark and just freezing. he doesn't move a muscle for like a solid minute, just staring at [whatever]. the companions are confused and concerned, if Cole is there he starts wigging out. someone asks what's wrong and instead of answering, Revallen takes off in a new direction, leaving the companions to catch up. he's practically barreling through the vegetation, completely ignoring the cries of slow down and Amatus!

Eventually they catch up to him, because he's stopped at the base of a massive, gnarled tree. Hell, it's not even one tree, it's a tangle of several different ones, roots embedded into what looks like a collapsed, rocky hillside. Some of the roots are blackened and sick, dark tendrils reaching up the trunks of the trees twisted together like thread. It's absolutely massive, and Revallen is standing at the base of the rooted stones, staring up towards the canopy. His eyes are hollow, haunted. when they ask him again what's wrong he turns his head to look at them for just a moment. then, wordlessly, he reaches out his hand, and places it on one of the thicker taproots tangled in the stone.

for a long, tense moment, nothing happens. then the taproot starts to move. a few pebbles fall. smaller, thinner wisps of root begin to smoke, resisting Revallen's mana, and then withdraw. Slowly, haltingly, the roots release their grip on the stones, revealing not a hillside but a collapsed cave entrance. Revallen pulls down one of the stones, and the rest follow, lacking the tension to hold them in place. then he steps into the cave.

there are signs of an old fight. darkspawn weapons and armor, and their blighted bones. against one of the cave walls is a semicircle of clear ground, roots reaching towards a skeleton in the center, clad in rotting Keeper's robes.

Revallen heads straight for the skeleton. He kneels next to it, and the companions enter the cave to his whispered elvish prayers.

They hang back, uneasy. One of them tentatively asks what happened here. Revallen reaches forward and picks up the skull from where it had fallen off the neck, holding it in both hands to peer into its empty sockets.

"During the Blight," he says quietly, "Keeper Dirennen made his last stand here. Darkspawn were starting to appear from this cave, from a single connection to the Deep Roads. Dirennen baited them, and when they were focused on him, he collapsed the entrance and sealed it. He was a gifted adahl'eralan - that tree outside was his doing. He gave his life to protect his clan."

"How do you know this?"

"I watched it happen." He shifts the skull to one hand to count on his fingers. "I was... 16 at the time. The last thing he did before this stand was carve my vallaslin."

"Your vallaslin? He was your Keeper?"

"No," Revallen stands, still holding the skull as if it were made of spun glass. "He was my father."

Then he turns and exits the cave.

do they follow? I mean, they must - he's the Inquisitor. but this is so sudden, so private. Dorian, at least, follows without question. he's never seen Revallen like this, and it worries him.

outside, Revallen is digging a hole at the base of the twisted tree, clawing through the dirt with his bare hands. His father's skull is set beside him on one of the taproots, watching the proceedings with its skeletal grin.

Dorian kneels beside him and places a gentle hand on his back. Revallen starts a little, but relaxes when he sees who it is. "Are you all right, Amatus?"

"Yes," Revallen says automatically, "no. I don't know. I never expected to set foot here again." He sits back, his filthy hands in his lap, and stares at the skull for a long, heavy moment. Then he lifts it tenderly off of the root and sets it in the hole, facing the sky.

"Is there anything we should do for him?" Dorian asks quietly.

Revallen sighs, rubbing an eye with the back of his hand. "Normally, we bury our dead with oaken staff and a branch of cedar, to help them on their journey and keep away Fear and Deceit. Then we plant a tree over their grave. But I have neither staff nor cedar branch, so this will have to do."

He scoops a handful of dirt into the makeshift grave. Dorian nods and does the same, and together, the pair of them bury the skull of Revallen's father.

"Hahren na melana sahlin," Revallen murmurs, pushing his fingers into the loose dirt, holding a seed. "Emma ir abelas. Souver'inan isala hamin, vhenan him dor'felas. In din'an na revas. Vir sulahn'nehn, vir dirthera. Vir samahl la numin. Vir lath sa'vunin."

A pulse of mana flows from Revallen's fingers into the seed, which sprouts, pushing up through the loose soil and growing rapidly to the size of a ten-year-old tree.

"Now that is an impressive bit of magic, if I do say so."

Revallen stands, brushing the dirt off his knees. "I'm not as good as my father was."

"He sounds like quite the man." Dorian looks up at the twisted column of trees, towering over the silver birch Revallen just sprouted. "What was that you called him earlier? Adahl..."

"Adahl'eralan."

"What does that mean?"

Revallen considers his answer as he digs some of the dirt from beneath his fingernails. "I think it'd be 'xylomancer', mage of trees. He could make the trees walk. In places where the Veil is thin, he could even make them sing."

"That's incredible. I wish I could have met him."

Revallen looks at him, then reaches out to stroke his cheek with the back of his finger. "I think he would have liked you," he says with a gentle smile.

[acediee]

Revenge's consequence

Based off Granblue Fantasy Jamil SSR fate episode! I still love that fate episode very much 🥲

This took an extremely long time compared to my other pieces 🙈 I initially painted this maybe half a year ago in hopes of making it extra fancy? But it was so hefty I lost momentum... Progress shots below!

[dragons-and-yellow-roses]

I was just listening to a song I used to love while we were friends. I listened to it so often, we talked so often, it became the background music to our relationship.

I'm listening to it while I knit. I often forget that I started knitting because of you. I remembered tonight. It's strange, I never knitted anything for you. I've knitted for other loved ones, rarely for myself, but never for you. I remembered you showing me the amazing things you made, and I wished I could get to that level of skill. But at that time, you had to explain to me how to purl because I couldn't get it.

Everything reminds me of you in a terrible way. Everything I do is an echo of you. I started painting so that I could paint for you. I started knitting to bond with you. I hear your voice in the music I listen to. You're haunting the things that I love. Will I ever make a brush stroke or stitch without you on my mind?

[anxiously-sidequesting]

Actually, I think we also need to know more about Ambrose.

But like more specifically, there's this one character trait of his that I find super interesting and that I feel should be explored more. I think this old man struggles with feelings of desperation and put under extreme pressure, makes rash decisions based on what feels correct to him at the time

So like, remember when he pulled The Wizard (us) from Earth and basically gave us a speech while we were still barely conscious that he'd been trying to summon heroes from many different planets like 12345678 times, and somehow since we were his first successful choice, a (probably) 8 year old child, he was like "OMG OKAY GOOD you're perfect fam. Go kill a warlord for me"

And this isn't even me being mad this is actually Very Funny. An old man kidnaps a child from their home Forever and like 7 minutes after we wake up, Ambrose leads us into ambush and goes "Go ahead young wizard, Kill Them :)"

It really makes you think how.... actually desperate Ambrose was at that point, to go through such extremes to defeat Malistaire (and YES these are extremes, subjecting an untrained child immediately into danger)

(KHRYSALIS SPOILERS) And if you guys remember (and if you reached Khrysalis), during Morganthe's memories Ambrose took a risk as well and expelled Morganthe after she tried to beat Malistaire's ass in a magic duel but lost. Even though you can keep in mind this was through Morganthe's eyes and she was proven to be an unreliable narrator and going through a BUNCH of confusing shit at that time, it's pretty interesting how Ambrose is considered to be the Main Bad Guy in that situation, not Malistaire. WHICH MAKES SENSE, given in that specific memory, Ambrose stepped in only to literally expel Morganthe (the teenager with horrible at-home issues) while he only gave Malistaire (the actual adult who should know better than to attack an upset child) a slap on the wrist. Back to Ambrose, I theorize this was also a rash decision based on fear and pressure and paranoia, because he noticed how much Morganthe was changing and sensed the """darkness""" (it's called trauma Ambrose) in her heart, and compared to Malistaire, who only seemed to be the "capable and responsible" teacher that hadn't lost his wife at the time, Ambrose saw that the more major threat was Morganthe and before she could do anything worse, decided to nip the problem in the bud right away

AND KEEP IN MIND THIS IS ALL SPECULATION, but once you actually start to put the pieces together, Ambrose seems to be less of a "wise and all powerful man of magic and kindness" and more of a "regular man in extreme situations making snap decisions that may or may not end well". Ambrose kind of gives me that "the ends justify the means" vibe about him and I actually dig it!!! I think that's an extremely interesting part of his character that gives him more dimension and he's no longer just "wise Dumbledore mentor" guy. He's pressured, he's scared, he's tired, and now he's willing to do just about anything to keep people safe even if that means endangering others and I really wish Kingsisle dove deeper into that part of him more

[dimension-20-every-introduction]

Everyone Introduced in Dimension 20′s Neverafter episode 2

[c-kiddo]

I have NEVER seen the nein look so guilty and regretful as the time they made pumat upset and stressed. They were broken hearted about it. also no lie i would have lost my shit if a grown kiri showed up as a PC.

naur yea 😭 they looked like they were going to throw up . these guys especially...... the (gonzo themuppets voice) Guilt .

[iknowwhereyousleepatnight]

people begging me to do something to make a certain someone happy aren’t taking into account that i hate this person and i will revel in the knowledge that i kept them from getting the most perfect version of what they wanted. in fact i hope they mourn the loss of this for the rest of their life and die unhappy about it

[dredshirtroberts]

it is not slacking off to write or create it is not slacking off to do things that are fun i am not slacking off or procrastinating right now i'm allowed to do things i enjoy doing for fun including playing games and writing and such

[spotsupstuff]

i ADORE yoyr skills in making characters with wildly complex personalities. how do you do it this well

THANK YOU!!! I HAVE NO FECKIN IDEA!!!

i usually just start with a concept (heehoo iterator who doesn't care for their puppet and the puppet has a blankie thrown over it and there's creepy peepy teefs under there) and then built off from that (the character now leads death itself to its family no matter how much it hurts and tears away at it because it recognizes this is ultimately the best thing that can happen to them and it Only wishes for the best for its family cuz it loves them a lot. no matter what it will take, its family will be alright.)- OH a VERY important thing for character making is interconnecting them with other characters!!! that is literally the Most important thing Ever imo. and then details. details are what build the complexity!

the more interactions with other characters and the world you put the peepo thru, the more shaped they will be, i suppose? while still keeping a core idea very clear

also taking inspirations from other characters and then remixing n combining these different inspirations is a valid thing to do. one of Notos' big inspirations is, for example, Wednesday Addams from that netflix show! sometimes the inspiration comes from a certain pack of feelings i get from a song/situation, like for example Zephyr and Johanka by Brotosauři/Joan of Arc in general. Johanka and where i first heard it, the way i first sung it, was already full of so many things that simply applying it to Zephyr gave her a complex personality

and as always -claps- don't forget to give your character low points and weaknesses. but ALSO don't forget to give them their shining moments and strengths

[february-academia]

15.01.2024

Happy new year everyone!💗

I wish you all experience good things in 2024. and will eat lots of good food as I did on the 13th of January.

[61below]

The worst thing about falling apart later is that by all accounts, you should be fine bc everything else is finally fine.

But nope. You finally reach a point of safety, of stability, and then your 3 lbs of electric tapioca pudding goes AH! YES! NOW WE CAN MELTDOWN!

[disengaged]

i’ve been messaging this dude for a couple weeks, we haven’t met in person yet but i …… think he walked past me at the gym