#oh boy these two are fun

[queen-scribbles]

Keeping Warm

Welp, wotr!Trinne/Lann have fic now. We all know what that means: the brainrot is here to stay. :D ---

The grey clouds overhead looked like snow, the threat given extra weight by the chill air, making this a horrible time to be galivanting around, but needs must. It wasn't like the demons would hold off rampaging until the weather was nicer. At least this clearing was semi-protected from the wind, though Trinne still shivered as she approached the solitary figure sitting a ways off from the fire. She bit back a grin.

"I want a rematch," she announced without preamble, playfully twirling the quarterstaff she held.

Lann's head snapped up from the longbow balanced across his knees, the half of his expression she could read torn between amusement and surprise. "Really? Now?"

"And have you kick my ass again, in front of our friends this time?" Trinne laughed, flicking a wrist toward where Seelah and Sosiel chatted, the former keeping half an eye on dinner and the latter clearing the components from his protection ritual. "Not a chance. Mostly I just wanted to see what your face would do if I asked."

He chuckled. "Mostly?"

She leaned the quarterstaff against a nearby tree. "Also wondering what you're doin' over here," she plunked down next to him, squeezing in to the left despite the wider space on his other side, "When the campfire is over there."

Lann shifted to give her more room, the lizard side of his face unreadable as always, but she was pretty sure the other half was pinker than a minute ago. "I thought my bowstring looked a little frayed after fighting those cultists earlier, wanted to check it over to see if it needs replacing or just maintenance." He ran a small hunk of beeswax along the length of the string. "I think it's alright for now, but working too close to the fire would dry it out and it would just fray that much faster."

"Okay, well, you could've thrown on an extra cloak," Trinne said as she cast an admiring look at his handiwork. "Gods know we have plenty. Or, y'know, even just a real shirt," she teased, poking the bare center of his chest.

"I'm fine. Also, almost done," Lann countered. He was trying very hard not to let her see the other half of his face, which, really, meant she didn't need to see it to know what it would show. "I wanted to take care of it tonight so I'm actually useful tomorrow without worrying my bow's about to break and take my nose out with it."

"Yes, you're plenty dashing without the added charm of a broken nose," she laughed, scooting closer again rather than call out the goosebumps she could see on his right arm.

He snorted. "Charm. Right."

"Hey, some people find them attractive," Trinne said with a shrug. "Me, I'd rather you stay uninjured. I like your face the way it is."

She hadn't quite meant to say that last part out loud, and heat rose in her cheeks. Lann looked down at the bowstring, preventing her from reading his expression, and Trinne swallowed a curse.

"There's something I don't hear every day," he deadpanned. "Usually it's shrieks or mothers hissing at their kids that it's rude to stare. Most aren't a fan of the whole stitched together look."

Less competition for me, then. Trinne bit her lip and just managed to hold that one back. "Their loss," she said lightly, bumping her shoulder to his. And lack of taste. It was only because she happened to be looking at his arms(looking, not ogling, much as archery did wonderful things for your arms and, well. She had working eyes) that she caught the faint shiver. "Maybe we should do a rematch."

Now he did turn to shoot her a questioning look for the abrupt shift.

"Maybe hand to hand this time so your 'stunning warrior maiden' can pick up some tricks," she teased, despite knowing that would likely end with her on her ass even faster; at least with a quarterstaff she knew what she was doing. (though not as well as him, clearly.) "At the very least it'll get the blood flowing and be a good way to keep warm."

Lann shook his head and laughed. "Trinne, I told you, I'm fine."

"Well, maybe I'm cold," she countered. His scaled shoulder was cool against hers, even though their clothes. "Or maybe I don't believe you b'cause I saw you shiver, Lann."

"I'm also almost done," he reminded her, a flash of a teasing smile on his face, "or I was before getting distracted."

"Alright, I can take a hint," Trinne snickered. "Just... either throw on a damn cloak or hurry up an' finish so you can come sit by the fire. I think Seelah's almost done dinner. I'll save you a seat and some monster casserole." She leaned over to kiss his cheek before pushing to her feet and heading for the cheery campfire glow without looking back.

The wind was still chilly, the sky threating snow, but there was a warmth in her chest that made those much less of a problem than a few minutes ago.

[machinerot]

[critterbitter]

How did Elesa get a Blitzle as a starter if she's from Sinnoh? (hang on this is ironic she could've learned about warden ingo in school back there)

Blitzle Elesa backstory under cut!

Blitzle was gifted to Elesa so she has an “easier time” integrating into Nimbasa by her well meaning dad. This is not the greatest move, since the two feel they are more obligated to stick together then, you know, actually choose each other. Blitzle’s meant to be a utility mon— he helps charge elesa’s hearing aid batteries and basically serves as an emotional support when things get rough. He’s… not the biggest fan. (I like to imagine Blitzle was originally part of a battle track, but his IVs aren’t the greatest so they shuffled him out. He’s a bit bitter about that.)

Inciting incident where they actually start taking the proper steps to becoming partners is when Elesa takes a tumble down a hill and Blitzle twists his foreleg going after her. (Local child eats shit! More at 11.)

They’re just kids, and they’re still learning.

(When Elesa decides to challenge the gyms, Blitzle’s so excited he accidentally trips their house’s circuits.)

((As for Elesa hearing about Warden Ingo, well… that’ll be a future issue.))

((DIRECTLY INSPIRED BY THIS ASK!! TY @scarftale-bryan ))

Yes. YES.

MASTERLIST FOR POKEMON CONTENT:

[teethlordd]

Putting some guys in some fancy outfits

[daily-castiel]

Day 14

[corpusdiem-seizethedead]

Alastor: Did it hurt?

Lucifer: *rolls eyes* Let me guess, when I fell from heaven.

Alastor: Noooooo

Lucifer: *raises eyebrow*

Alastor: *grins wider* Did it hurt when you fell for me?

[fireyartccoon]

For Wednesday, you get some Boxtrolls AU Dadnic

[perksofbeingpoet]

new headcanons!

☆ THE POETS AT THE CINEMA ☆

(this got really long bc i love them so much aahhhh i hope you enjoy these headcanons as much as i do-)

CHARLIE: his favourite genre is comedy, plus movies about outlaws and teen rebels, says "so me" all through the film. oh yeah he doesn't shut up ever, talks the whole time until someone tells him to please stop talking because the movie's more interesting than how he'd dress as a pirate. every time there's a kissing scene, he turns to the poet sitting next to him and wiggles his eyebrows with a smirk. a nightmare to clean up after, his popcorn ends up all over the floor and himself. BUT all this doesn't apply to emotional movies. if a movie is sad, charlie is silent the entire time, doesn't crack a joke once and comes out of it with half his popcorn left.

KNOX: cries when watching romance, tells the poets he's not crying!! just the dry air of the cinema getting to him. insists on taking pictures of them in front of the movie poster. has accidentally thrown his ticket away instead of the receipt on several occasions. if there are cardboard cut-outs of characters at the cinema, he needs to take pics with all of them. eats a strange mixture of snacks, popcorn, pretzels and ice cream. asks "whAT?" at least five times through the movie bc he can't follow the plot. really fun to watch a movie with because he'll audibly gasp at every plot twist. idk him at the cinema is really cute guys i swear.

PITTS: needs a toilet break three times throughout the movie (tall guy small bladder king). his legs get cramps from the rows being too narrow but he doesn't care, pittsie LOVES going to the cinema. will most often go with knox and meeks, they're the best film trio. knows loads of lore about all sci-fi movies they watch, and acts annoyed at people asking questions because OF COURSE ni-bo64 has to destroy Leobor. eats salty snacks and always chooses the biggest cup of soda (meeks points this out every time pittsie has to squeeze around him to go to the toilet). loudly shouts "YES" when something he approves of happens. is the best sport about charlie's smirks in kissing scenes, he just like puts his hand on charlie's thigh really slowly and mouths 'hi'.

MEEKS: really likes movies with a hidden message, is the only one charlie will watch emotional movies with. but also just a huge nerd, him and pittsie watch sci-fi stuff together and then talk about every plot point for an hour. ORANGE SODA. really big fan of good film music. can't sit still and always steals the arm rest. doesn't talk but says "WHAT??" way too loud when a plothole occurs or a thing he was hoping for doesn't happen. is the one to buy the tickets.

NEIL: loves the comfy velvet seats. always has half a breakdown about "omg maybe i should go into film instead of stage acting??" after seeing a movie he really likes. is a little movie nerd, especially for superhero movies! loves the moment of stepping out of the cinema into the fresh night air. his snack is sweet popcorn or gummy bears. gets so excited when something cool is about to happen, he's waving his arms and being like "oh- ooohhhh- oooohhhhhh" until the cool thing actually happens. makes sure everyone has their tickets (goes into airport dad mode). laughs a lot and looks around at all the poets like "did you see that??" as if they're not all watching the same movie.

TODD: too anxious to complain about sitting behind a tall person, he'll often try to sit on top of his balled-up jacket to be a bit taller and see enough of the screen. pitts notices after a while and is like "hey todd, could we swap seats? i'd love to sit next to knox". todd only realises what that was about a few hours later and is silently soo grateful for pitts not embarrassing him. likes artsy movies where not a lot happens, and LOVES reruns bc then he already knows the plot and can relax. doesn't ever talk throughout the movie but laughs SO MUCH. mouths the lines when he already knows a movie. when there's a kissing scene he'll get embarrassed. doesn't buy snacks cos they're "too loud" and then eats all the other poets' snacks. every time. likes watching the ads before the movie.

CAMERON: asks "does anyone need to go to the bathroom before the movie starts" like fifty times before they watch the movie. hates sitting next to strangers during the movie because then he's always hyper aware of his behaviour and can't really focus on the film. likes historical movies and will watch them with todd (no one can tell me todd/cameron friendship isn't real, it makes so much sense). salty popcorn kinda guy. knows the names of all the actors and actresses.

[skitskatdacat63]

Cannot stop thinking about how Fernando was the first one to hug Seb after Monza 2008:

[spacegirlsgang]

DBD x Met Gala (1/4): Edwin Payne and Heavenly Bodies: Fashion and the Catholic Imagination (2018)

[yasmeensh]

Story update

I got to write a good chunk of the opening these past two days. Excited to get more work done over March break. And I can't wait to get to writing more about my daughter T-T But she comes in a bit later in the story. Still in the first act, though.

Some more character design doodles:

[hellofastudysession]

am i rlly going to write a death note literary analysis when i could be doing other things

about the discourse going on in the tag abt "death note is acab and thats why the characters couldnt better the world with the note (/written in somewhat jokey matter)" vs "death note is trying to say we all have potential for evil, especially if you get a chance to insta-hurt ppl without repercussions, and it doesnt matter if youre a cop or not", i personally feel like it ignores the things that i like abt death note, which is "both of these things are true", and simultaneously "both of these things do not matter". the first part of this is dedicated to the first point, the latter to the last.

first point. i think its an important part of the message and themes (unintentional or not, and i lean on the former because... come on, can you really say the author intended you to not think of the cops as good people, at least compared to light and l) that light is a cops son, and that almost everyone who gets the death note is cop adjacent/thinks like a cop and is already corrupt/powerful when they get it (mello raised to think hed be just like l, yotsuba group is self explanatory; you cannot look me in the eyes and tell me teru "churchill" mikami, who was hand selected by light out of a bunch of rabid kira supporters, is a normal citizen). i appreciated the cop post bc its rlly important to not gloss over that aspect.

all of this would be an argument for "only someone like them would do something like this, and i am not like them, so im above them and immune to thinking about what id do with it", but... misa is the MOST important outlier in all of this bc her murders are solely selfish in nature and shes not doing any of this for "the greater good"!!! her nature of being an exception and still a very very bad person is really really important...

or it would be if death note gave a shit about her character at all!!! im not talking about her tragic side, im talking about exploring the ramifications of her killing people the way lights murders are (somewhat) explored. that would strengthen the message greatly! but shes dismissed and that weakens it overall. firstly, she's dismissed by the characters when l only sees her as a way to get to kira and basically shelves her the rest of the time. secondly, shes dismissed by the narrative when her character is gradually ground down to a stump and (not to sound perilously close to the bad takes ppl meme about) she never faces repercussions for her actions. every other character using the death note is treated relatively seriously, but misa just dies bc her love is dead. im not saying this isnt a... fitting punishment or that it isnt in character, but it doesnt fit snugly into the theme other people are talking about of "you reap what you sow" at all.

we do have something of an equivalent to misa's grayscale motives. surprise surprise, its light yagami. first is light's characterization in the musical (i will also note that misa never kills anyone in the musical). light's thinking is coplike, yes — he literally starts his first song by talking about "throw[ing] away the key" — but also, oddly enough, could be read as progressive and therefore sympathetic to tumblr ("let the corporations make the regulations / and hold no one accountable when everything gets wrong / let the rich and famous get away with murder / every time a high-priced mouthpiece starts to talk, his client gets to walk"). compare to the anime and manga, where his bigotry and pride and disgust come from a place of lukewarm dissatisfaction and boredom. the musical has much less time to play around with lights character, so it gives the audience something to immediately hook on. more on how that actually plays out later.

in the animanga, none of this is justified from the start. animanga light could say he was just killing people to make humanity way, way worse, and that wouldnt matter, because at the root of it, it was always his boredom that made him pick up the note. of course he actually believes in justice and believes hes doing the right thing (no, he believes he's doing the wrong thing, for the sake of the world... the right thing, because he is god...), but it was boredom at the start. all animanga light says about justice and righteousness and the law is a front in the end, bc he is exactly like l and misa — amoral. selfish. searching for entertainment. hedonistic. we know this. he kills naomi misora*. he kills lind l. turner. everything hes saying deserves to be dismissed from the beginning.

"but doesnt that mean you agree with the discourse post you wrote this post to argue against?" like i said, i agree with both of them! but i... still think its not right to reduce death note to the message of "the power to kill people is bad". because that is not exactly what the story is saying, even though that's literally its whole plot and therefore reaching that conclusion is self explanatory (lmao). let's look at the concept of mu. nothingness. "there's no heaven or hell". The Real Slay The Princess (Death Note Essay) Starts Here.

in light's final moments in the death note manga, while screaming about not wanting to die, he remembers that the first day they met, ryuk told light that "there's no heaven or hell. no matter what they do in life, all people go to the same place. all humans are equal in death". it is retroactively revealed that light knew this the whole time, operated under this knowledge for all the years we watched him — the knowledge that nothing he does is actually bad, that nothing any human does is actually bad, that shinigami are not "evil", that the universe does not care. that no one cares except humans. this oblivion absolutely terrifies him more than anything anyone could ever do to him. its what he thinks of before anything else as he flails there, screaming, dying. one could say everything he does after that day is him trying to escape that fact, or wrest control over it. but it doesnt work.

here are the lyrics of requiem, the musical's final song, sung over the bodies of l and musical light, a light who was at least somewhat good-intentioned at first: "sleep now, here among your choices / then fade away / hear how the world rejoices / shades of gray / gone who was right or wrong / who was weak or strong / nothing left to learn". this is the final message the death note musical and the manga chose to leave us with. there is no judgement. even after all that acknowledged hurt, after all the damage done, there is no judgement.

in the manga and anime alike, the world is just as fucked when light picks up the death note as when he dies. sure, we as readers can guess otherwise logically (and be optimistic, believing the world was never fucked regardless), but that's not what death note wants you to think. it ends with matsuda and another member of the task force noting how the world is worse again even though they killed kira (matsuda is clearly much worse for wear, but still determined), we see the shitty motorcycle band again, it ends with misa and a whole kira cult on a mountain even though kira died a long time ago...

its extremely important that light is never killed by any human or any aspect of the law. he is always killed by ryuk: a chaotic force completely detached from human sensibilities, one that does not care about good and evil. same with l; in the anime, manga, and musical, he is always killed by rems senseless, morally gray love (and you could argue in the kdrama that hes killed by love there too lol). justice is just a set dressing.

this is not just because death note is a tragedy, because good and evil can still matter in a tragedy. the theme of "nothingness" and "good and evil doesnt matter here" is also shown in a situation relatively unrelated to light winning or losing, or being good or bad. and its in fucking lawlight of all things. we all know ls not a good person. we know lights not a good person. this is tip of the iceberg death note knowledge. but the moment they start to interact, none of that starts to matter. textually, their relationship becomes more important than the people theyve killed and hurt. and the thing is? the thing is? THAT WORKS STORY-WISE. THAT'S ENTERTAINING. AND IT'S NEVER TEXTUALLY CALLED OUT IN A LASTING WAY. l and lights relationship, no matter how much i meme it, is genuinely important to the themes and "mu" because it makes it clear that despite all the pretensions, despite everything, this was never about good and evil. and it still works in the story. this is why death note is simultaneously a comedy — isn't the battle of good and evil supposed to matter more? well, fine, i'll keep watching this anyway. that suspension of disbelief comes crashing down the moment l dies, though, and a relationship built on nothingness (the "mu" sort, meaninglessness, not "character development" nothingness, theres plenty of character development) gives way to just nothingness (again, "mu", not light's post-l depression nothingness), forever.

(an aside: there is no one to root for in death note, and the only things to root for are either interesting character relationships, convoluted plots, or complete and total destruction: for everything to end so no more damage is done.)

not to say that death note does not encourage its readers to consider what damage they might do with the death note (obviously.), or that its characters never do. look at matsuda, a much easier heroic figure to latch on to than soichiro because of his unique place in the cast dynamic and because he's willing to consider both sides of the situation and kill light instantly for all he's done. its just that the story's own stance on the subject is... complicated by the existence of shinigami worldviews and by its own insistence that the world cannot change for the better.

also, this is not to say that this is executed well by the death note manga at all. it is a very strong tool, artistically, to establish and then violently remove any emotional connections between characters and make your story only about the exceedingly convoluted lengths characters go to to survive and catch each other so the reader can realize how ultimately pointless all of this is, but like... is that a good story choice if that's all you do? i would say not really. add in a good dollop of misogyny that destroys the second-to-last character who might actually be an interesting contrast to the rest of the cast's dull one-track focus on winning and justice, and youve got yourself a shitty story that... honestly still achieves what it went out to do, just not in a way id ever want to replicate.

anyway, back to the parts death note's actually trying to say. no matter what any human does in their life, no matter how they try to hurt or help the world, they all die in the end. hey, light, they all die in the end. once dead, they can never come back to life. and the seasons turn. and the world rejoices. and you say "goodbye"...

that's all.

no analysis of death notes overarching theme would be complete without nears final monologue, the definitive roast of light, the "you're just a murderer" speech: "what is right from wrong? what is good from evil? nobody can truly distinguish between them. even if there is a god." if we take this as talking about the actual god in the room (ryuk) as well as light, then near admits that humans will never be able to withstand these overwhelming forces and that, using justice and happiness and selfishness, they are just scrabbling to find meaning in things they ultimately have no control over.

but of course, near does not stop there. "[...] even then i'd stop and think for myself. i'd decide for myself whether his teachings are right and wrong." nears alright with not having control over everything, because near can still control nears own actions. these forces can and do exist, but they have no sway over nears own humanity — unlike light, who caved.

one of the creators of death note said they believe its message is "life is short, so everyone should do their best". the first time i learned this, i was like, thats... nice and optimistic, but an awful reading of the story! "life is short, so everyone should be desperate and striving like light yagami", who literally cut off other ppls lives for his own life? what character in death note are we supposed to strive towards when we "do our best"? they all do awful things with their lives! honestly, maybe they shouldnt have tried their best, if this is what their best is!

but with the view of "mu"... it makes a bit more sense. just a little. maybe.

there is no good and evil. there is only what humans think, and no matter what we do, we all die in the end. it is easy to be crushed and terrified by this in the same way light is, but what is more important than justice and righteousness and finding meaning is... doing your best. not being a person that hurts others too much. not letting yourself get swallowed up by an ideal. not going too far. and simultaneously, trusting yourself.

it leaves a few questions, though... was the currently dead l even a little bit right about his blatantly amoral approach, then? was there a point to this pain, and me slogging through this dumbass manga, and all the people that have lost their lives to a selfish teenage cop's son and the whims of everyone chasing after him? was there a point to any of this...?

the manga** never answers this. it stays clinically impartial until the very end. the musical is anything but clinically impartial (and i love it so much for that), and its ryuk that has the last word.

"there's no point at all."

of course theres no point. none of this was ever supposed to happen. that is what matters more than all the hurt and the crimes and the pain.

and that's... actually okay, because it's over now.

yes, death note has many really important themes present in its story, but its viewpoint is nihilism first and foremost. thats why its so fun and easy to play around with all the other messages, because no matter what fun or torment or awful things or righteous justice or absolute nothingness or sentimentality happens in between, there is always an end.

there is always the end.

[vaugarde]

goh and iris are holding hands for "anime protagonist that is hated by the fandom and blamed for their respective series' low quality, when actually they're the highlights of those series and are both really enjoyable characters, and goddamn it why wont people just focus on the bad writing instead of blaming these two really cool characters who deserved better"

[luck-of-the-drawings]

EPISODE 2 AND 3 HAVE BEEN SOOOO FUN im already so emotionally attached to each of these characters.. if anything bad ever happens to any of them im killing everyone and then everyone.

[red-moon-at-night]

Shoelaces

I'm doing an art trade with the wonderful @tokyogruel and this is my piece for them!

They wanted "haruka and mikoto interacting Brothers style" and my mind immediately went to this... T2 art makes me want to sit them both down and sort their fucking shoes out!! but for now. at least One of them will no longer trip over 💜 nature is healing guys

[magpie-trove]

Taking another archaeology course. For my mental health