#of the same scene but this one was live action and the tone was a lot harsher

[icewindandboringhorror]

I have a big google doc thing where I keep track of media and stuff (putting everything in loosely ranked categories), which is mostly just for my own reference so I know what tv shows I've already seen before, etc. and I never really look back through it, typically just a quick "okay, watched two movie in the past 8 months, need to quickly slap them somewhere in the lists. okay. done. save document. exit". But today I was actually reading through some of the old notes and there are like... MULTIPLE places where my comment is basically "It would have been good if it were about elves" or "I wish there was a fantasy show made in this same style" or "It's well made, but I just keep thinking about how I would like it more if everyone was an elf or was in old 1700s costumes" or etc like...... lol.... Most biased media ranking system on earth blatantly made by someone with an extremely hyperspecific range of narrow interests. It'd be like if a food reviewer only had 5 foods they actually liked, so they'd just go to a pizza place and be like "eh, the pizza was okay, but I just think it would be better if it was cereal instead. :/ ...2 out of 10"

[zaza-expert]

I always have the most intense nap dreams

[alt-vera]

— don’t take the girl ⁀➷

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when faced with a life-threatening choice, joel miller makes a surprising confession.

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☆ | joel miller | 1.5k | ❛ don’t take the girl - tim mcgraw ❜

warnings: fluff. slight angst. lowkey soft!joel miller. murder. kissing. age gap.

❝ take the very breath you gave me, take the heart from my chest. i’ll gladly take her place if you’ll let me, make this my last request. take me out of this world, god please, don’t take the girl ❞

▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁

HE DIDN’T MEAN TO BECOME SO ATTACHED.

　Joel could remember the very first minute he met you. The shade of the alleyway casting a low tone over your soft features, a small scrape on your cheek just below your eye.

　Tess had taken you in, explaining that you were the daughter of an old friend from way before all the chaos and destruction. That she remembered meeting you when you were just a baby, barely cooing out words with small chubby fingers that wrapped around her own. That you’d lost your mom a while ago, and had no one else. That you’d been on a mission to find Tess for a long time.

　He didn’t like you at first. Thought you were too soft. It annoyed him how persistent you were, always hovering around him and Tess. Always there. He didn’t like how young you were, and he was convinced that you’d somehow fuck up one of their deals if you were there, or that you’d somehow get killed in the process. Or worse, get him killed.

　It wasn’t until he saw you in action that he gave in a bit. Saw how you’d really survived all those years on your own. Saw how you ripped yourself free from a raider on one of their trips out of the QZ, how you’d so effortlessly pulled your knife across the taut skin of the raiders throat, blood splattering onto the soft apples of your cheeks as you watched the man fall, no emotion crossing those deep eyes of yours that always seemed so expressive. They were blank in that moment, as if you had watched a man’s life leave his body a million times. As if you were used to it.

　He couldn’t believe how you’d smiled at him so softly that same night while a fire flickered between the two of you, mere hours after the whole scene. How could you still be so sweet after killing a man as if it were plain sailing?

　He couldn’t help but let his mind wander to a darker place. How many people had you killed?

　He didn’t like to think about such a kind young woman slashing a man as if he were a bug she were squishing.

　After that, he began letting you come on runs with him.

　It was supposed to be a routine mission in the city, grabbing supplies and trades at a drop point to smuggle back into the QZ. Neither of you were expecting a struggle, not to mention an ambush, but in the world you lived in the unexpected always seemed to happen.

　Inside the drop point, which was an abandoned warehouse, rotting and dilapidated, you’d let your guard down. Your gun was placed on an old crate as you poked around while Joel, only a few feet away from you, checked to make sure everything that had been promised was delivered.

　You didn’t see the man coming up behind you, didn’t hear his uneven breaths or the crunching of old glass beneath his feet.

　He grabbed your arm, nearly tearing your shoulder out of it’s socket as he pulled you like a shield across his chest. The cold barrel of his pistol pressed against your temple, his grip like iron, bruising your supple skin.

　Joel heard the struggle and whipped around instantly, eyes wild and frantic as he held his gun out in front of him, not sure where to aim that wouldn’t get you shot in the crossfire.

　“Put your gun down!” The man behind you screamed, his voice so loud that your ear drums rang. You watched everything in slow-motion as Joel carefully put his rifle down, raising his hands as he did so. A stray bead of perspiration ran down your spine.

　“Just let her go, n’we can talk,” Joel attempted to reason, but was met with silence broken by the mans ragged breaths as he pressed the gun further into your temple, the metal creating a building pressure in your head, leaving an imprint in its wake.

　“There’s no talking here,” The man spat, “Someone ripped me off. I don’t know who it was, but somebody here is paying for it. It’s either you or the girl, old man. You choose.”

　Your pulse quickened as your eyes trained on Joel, who’s face wrinkled as he tried to figure out some sort of solution. You tried to speak with your eyes, tried to tell him that it was okay. That he could get out of here and take the stuff back to the QZ, and leave you to your fate. You were fine with it.

　But Joel wasn’t. “I’ll take her place, if you’ll let me,” He said quietly, his words slicing through you. “Just please, don’t take the girl.”

　You wanted to scream at him, but you stayed quiet, lips locked shut and body shaking with fear and adrenaline.

　You heard the gunshot, and your eyes closed on impact. You only inched them open when you felt the pressure on your head leave, and heard the sound of a body hit the floor. When your eyelids lifted, there stood Joel, small handgun that was presumably in his back pocket resting with it’s aim towards the floor, his hands shaking.

　You slowly looked to the ground beside you, and there laid your assailant, blooding and bits of brain pooling on the concrete around him with a fresh hole in his forehead. The gun that had been so dangerous in his hands only moments ago now laid slackly in his limp palm.

　“Goddamn it!” You could faintly hear Joel yell, his words falling on deaf ears. “See this—This is what i was worried about.”

　Joel was in front of you in an instant, rough hands cupping your cheeks as he examined you for any sort of injury, eyes lingering on the crisp indent from the barrel that stayed on your temple.

　“I thought i’d lose you,” He breathed out softly, anger leaving the bones of his body, hot air fanning your face as he fought to calm down his anxiety. He pulled you into him, surprising you as he wrapped his arms around you in a bone-crushing hug.

　Your voice was muffled against the flannel of his shirt. “I thought you didn’t like me.”

　“I’d have traded places with you in an instant.” His words were heavy against the shell of you ear, and you pulled away from his grasp, eyes studying him carefully. There was no denying the terror that still lingered in the dark hue of his iris’, and how deep his worry lines were creased as he frowned down at you.

　“You’re around so much that I—I can’t imagine what it’d be like if you weren’t,” He continued, “Don’t want to.”

　“I would’ve given him everything i had,” He carried on, “Would’ve given him the damn heart out of my chest if it meant he’d take my life instead’a yours.”

　You figured this was Joel’s messed up version of a confession. So, without words, you kissed him, and he deepened it with long buried affection and protectiveness. Two things you didn’t think Joel Miller was capable of.

　“Let’s get out’f here,” He said after he had pulled away. His words brought you back into the atmosphere, struggling to tame your wildly beating heart as you remembered the dangerous predicament you could potentially still be in. “Don’t know if it was just him, or if there’s more.”

　You nodded, taking one of the duffle bags of supplies onto your shoulders. It made you lean to the side slightly from the weight, and a rare chuckle escaped Joel’s lips. He took the bag from your shoulder, putting both onto one arm and slinging his rifle onto the other.

　“I got it,” He said, “Jus’ watch my six.”

　During the trip back to the QZ, it seemed as if nothing had changed between the two of you. But it did. There was a newfound tension in the air, one that spoke of the kiss you shared in the warehouse, and how Joel would lay his life on the line for you. It sparked with the electricity of intimacy and a fucked up version of love.

　It was an unspoken agreement between the two of you that neither of you would tell Tess about what had happened. About the ambush, or the kiss. But you and Joel would know. You and Joel would know that there was now some sort of feelings between the two of you. A new connection that would be acted upon on late nights and moments alone together. The kind that was shared within knowing looks and small grins to one another. Fleeting touches when no one’s watching, and memorized whispered pleas of trading your life for his.

[startwelve]

💌romantic scene

Eddie Munson x shyfem!reader

Synopsis: You and Eddie are having a movie night and without knowing it, you chose an adult romance movie.

Warning: Only mention of moaning and suggestion of what the protagonists of the movie you and Eddie watch are doing.

Eddie was waiting for you outside his trailer, leaning against the wall with his arms crossed. You were taking longer than expected for your movie night. Then you showed up, walking tiredly and somewhat breathless.

"Hey, why did you take so long?" Eddie asked.

"I'm sorry," you apologized quickly.

"I'm sorry won't cut it this time, princess. I was really worried, what if you had an accident? What if some psycho stalker was looking for you?" he said semi-jokingly, crossing his arms with a raised eyebrow.

"My lip balm ran out, so I had to go to the pharmacy to buy another one," you confessed.

Your confession puzzled him; he couldn't believe you had been delayed because of lip balm. And he wouldn't understand why you needed to have that lip balm with you.

"An emergency with lip balm? Are you kidding, princess?" he asked, obviously not believing a word.

"I'm sorry…"

"I've been waiting for hours, and you were late because of your stupid lip balm?" he said, rolling his eyes before stepping aside and opening the door to let you in. "Anyway, come on, it's movie night."

"It's not a stupid lip balm, it's what helps me stay alive every day," you commented as you entered his trailer.

Eddie rolled his eyes and sat on the couch next to you. He remembered your little obsession with lip balms. He chuckled with a smile.

"Alright, maybe your lipstick helps you feel pretty, but saying it gives you life is a bit dramatic."

You frowned, remembering that he loved something as much as you loved your lip balms.

"What would happen to you if your guitar broke right now?"

Eddie raised his eyebrows, and his smile faded slightly. He crossed his arms and looked away. His guitar was very important to him.

"Don't joke about my guitar. It's not the same at all."

"If you say so…"

"It's not the same at all. You can live without your precious lip balm."

Now you crossed your arms.

"No! Because if I don't use my lip balm anymore, my lips will end up as dry and ugly as my grandma's."

Eddie couldn't believe you were arguing over lip balm.

"Anyway, let's watch the movie. What do you want to watch? Horror, action, or romance?"

"Romance…"

Eddie preferred a horror movie. Romance movies made him sick, especially the ones you chose. Eddie's eyebrow raised, and a smile appeared on his lips. He knew what you were doing.

"You want to watch romance? A silly chick flick?"

"Yes, I brought one," you said eagerly and searched your bag for the cassette; the movie was very sugary and sweet.

Eddie groaned.

"Can we watch horror or action? I don't want to watch a cheesy romantic movie."

"You didn't want to watch a horror movie last time; you couldn't sleep well for two weeks," you reminded him. "Fine, fine. We'll watch your little cheesy romantic movie. Are you happy?" he said in an exaggerated tone and raised his hands in a gesture of submission.

"Yes," you replied triumphantly.

Eddie groaned.

"Whatever you say, princess," he said and shook his head. "So, what kind of romantic movie are we watching?" It was the typical cliché of a love triangle between a good girl, a popular guy, and a lonely, marginalized guy. "Oh, so a typical romantic story?"

"I think so."

Eddie rolled his eyes and walked to the TV. He grabbed the remote and turned it on before turning to you.

"So, who do you think she'll choose in the end?"

"Mmm, she always chooses the one who treats her best…"

The movie started, and you watched it. The movie was absolutely sweet, and Eddie was getting bored watching it, almost falling asleep. But you were fascinated by the movie. Until you were horrified when, in the middle of the movie, the popular guy took the protagonist to his dressing room to kiss her, and Eddie started laughing at your expression. He sat down and watched, his lips curving into a smile.

"That's it! We've reached the kissing scene. I bet the loner will swoop in and give her the best kiss, and she'll realize who the real man for her is."

Eddie covered his mouth to suppress a laugh.

"But, Eddie, there's more going on than…" you couldn't finish speaking because of a moan from the protagonist.

Your eyes widened when you heard the sound of the moan; it was unexpected. He looked at you and saw that you were as surprised as he was.

"Well, that's surprising, a scene of true love in a romantic movie? I never would have imagined it."

You grabbed the cassette cover to read it better; you had bought it because you found the cover romantic, and the guy at the counter had told you it was a very good movie. Now you understood why… Down on the left in small letters, it said "+18".

Eddie was laughing out loud at this point. This is quite amusing. No wonder he had no idea a romantic movie could be so explicit. Eddie couldn't stop laughing. He looked at her and noticed how uncomfortable she was.

"Wow, it's even affecting me. I can't believe they put this scene in a romantic movie. Are you okay, princess?"

"Take out the movie, Eddie, I don't want to watch it anymore."

Eddie smiled and got up.

"Okay, princess. I guess the movie was too hot for you to handle."

He walked to the VCR and took out the cassette.

"Why do you say that?"

Eddie laughed again.

"Well, it was pretty obvious that you felt uncomfortable with the love scene. I guess you've never seen anything like it before."

"Never," you confessed with embarrassment.

He raised an eyebrow. It was good to know she was a little inexperienced. It made her even more adorable and cute.

"Really? The way you blushed made me think you had quite a rude awakening with that scene."

"I, umm, yeah," you lied.

Eddie laughed.

"Your cheeks are still a bit red. It's

very cute…"

He still couldn't believe you blushed so much because of a scene like that. "What a protected princess," Eddie thought.

"You?," you asked in a timid whisper.

Eddie arched an eyebrow and gave you a mischievous smile.

"What about me?"

"For you, for you, for you, I mean, umm, did the scene affect you?"

He laughed, finding you adorable.

"Well, I was a bit surprised too. I didn't expect a romantic movie to be so, let's say, realistic. But I didn't blush or anything."

"No?"

Eddie laughed again.

"No."

Of course, your reaction was more adorable than he could ever be. Especially when you're so nervous. He likes this side of you. The innocent side. It's more fitting. He thought it would be fun to start teasing you more for being a protected princess.

"Oh, really?"

Eddie smiled. You were even more flushed now. This was starting to seem more like flirting than just a joke.

"Yes, I didn't blush like you."

You looked at your hands, which were nervously playing with your skirt, then at the TV, and then at Eddie, searching for the words to ask him a question.

"You, you, you know, not, umm…"

"Do I know what?" Eddie asked, with a slightly raised eyebrow.

He found it cute how you kept looking down or away every time you asked something.

You took a deep breath and asked quickly.

"Have you ever done it?"

Eddie froze for a second. "Did she just ask what I think she asked? Why is she blushing even more?" Eddie thought.

"Done what?"

"What they did in the movie," you whispered.

Eddie laughed again and shook his head.

"Oh, do you mean something like this?" His lips quickly approached your face, causing his breath to caress your small, soft lips. You jumped in surprise, and a small scream escaped your lips. Eddie immediately jumped back, startled by your reaction.

"Are you okay? I didn't mean to scare you."

You covered your mouth with your hand in surprise; you just didn't expect him to do that.

"I didn't expect it."

"Oh, I don't want to make you feel uncomfortable. You're being so cute right now," Eddie said with a mischievous smile.

You had only been kissed once in high school, by a guy in the courtyard. You didn't like it. His breath smelled like fish, he used too much saliva, and his tongue almost choked you. And when you confessed to Eddie that you had only been kissed once, he couldn't believe it. He couldn't believe you were so inexperienced and hadn't kissed someone more than once. So he decided to keep teasing you.

"Only once? Well, then I guess I should show you the real deal. Would you like that, princess?"

Your cheeks flushed; you wanted to.

Eddie laughed. The teasing was working. Eddie got up and knelt beside you. He extended a hand and tucked a strand of hair behind your ear. He got very close to your face. Your breath caught in your throat, and you opened your eyes in surprise. Eddie's lips were only inches away from yours, and you could feel his warm breath brushing against your lips. The scent of his cologne filled your nose; it was a perfect blend of citrus and lavender. He brushed your cheek with his other hand. It sent a shiver down your spine.

"Are you okay there, princess?" he joked. "Is it okay if I continue? Or do you prefer we wait?"

You couldn't speak; the words wouldn't come out. "Oh, this is adorable. I think I should do it," Eddie thought to himself. His hand still tucked a strand of your hair behind your ear. His thumb gently stroked your cheek. His lips were so close that you could feel his breath against your lips. With one hand, he cradled your face. You sighed nervously.

"I like that you're so quiet, princess. It makes me want to kiss you more than before." He leaned in slowly, moving his lips very slowly towards yours.

Eddie's lips brushed gently against yours, and you felt his breath filling your lungs. It was soft and warm. He pulled away and looked into your eyes. He had just given you your first real kiss. Eddie's hand was under your chin as he held your face, looking into your eyes, waiting for your response.

"You kissed me," you whispered.

Eddie smiled.

"Yes, I kissed you."

You didn't know what to say; you just wanted him to kiss you again. Eddie leaned in a little more, and then his lips met yours again. This time it was more intense, with more passion than before. You didn't want to break the kiss and waited for you to pull away first. Eddie noticed that you had no idea what you were doing with your lips, so he took the lead. He moved his hands to the back of your head and pulled you a little closer to the kiss. His tongue gently met yours, and his lips moved in sync with yours. Eddie's thumb stroked your cheek, and he felt excited thinking to himself. He continued kissing you intensely. His lips pressed harder against yours, and you could feel his breath in your throat. His tongue explored your mouth, making it a more intimate and passionate moment. Slowly, you pulled away from him, feeling overwhelmed by the kiss.

Eddie let go of your face and sat back down. He hoped you weren't too upset now that he had stopped. Eddie watched you breathe and saw that your face was flushed. You were acting very shy now. And he wondered how you felt about how he kissed you.

"So, princess, did you like my kiss?"

"Yes," you whispered.

"So, is that a yes for me to kiss you again?" He leaned in very slowly, moving his lips closer to yours.

You nodded your head. Eddie leaned in again, this time seeking a less intense kiss. It was softer than a passionate kiss. His hands held you by the cheeks. His tongue touched yours gently. He continued to smile to himself as he kissed her.

[howtofightwrite]

For a character that virtually can’t die and regenerates in order to keep living, how do you make action interesting? Emphasize they still feel pain, why they’re doing it?

I'm actually going to step back a bit from this question first, and complement it. This is a very honest question, and something most writers who include violence in their work, should really think about. Even if you don't think you have characters like this, you do.

Now, I'm going to dunk on Ben “Yahtzee” Croshaw for a moment. Ages ago (I think it was in one of his Resistance reviews), Yahtzee described, “threatening to blow up the world,” as the laziest form of raising the stakes. Because, “hey, I live on a world.” He's mostly correct. Threatening your protagonist's life is even lazier. In the vast majority of cases, your audience knows you won't go through with it. That you won't kill off your protagonists.

With that in mind, when you decide your protagonist is completely immortal, that changes less about how you write them than you might expect. The biggest difference is simply that they're directly aware of their plot armor, rather than them engaging in faux indecision based on their perceived mortality. Again, this is something that every writer who uses violence should think about, at least a bit. It is natural for a character to fear for their life, and have reservations about risking their life, but making the part where your character's lives are on the line isn't automatically suspenseful. In a lot of cases (consciously or not), your audience will call your bluff, when you threaten to kill off a major character.

If you think back to major character deaths where something drops them without warning, part of what makes those scenes work is the lack of (apparent) setup. The writer didn't spend pages teasing you with the idea, they just went for the throat and ended that character on the spot. This is more respectful of your audience, because you're not telling them, “well, I might kill this character, or I might not.”

To be clear, I'm not saying that there's no place for teasing your audience with a character's impending demise, just pointing out that in a lot of cases, this won't generate the kind of suspense you'd hope for.

So, to get back on topic, how do you make it interesting? Remember that while this character can't die, the same is not true for the characters around them. Depending on the tone you're going for, you could create an absolutely brutal crucible effect, where everyone around your immortal gets burned off, sooner or later. Whether that's literal, or figurative, is up to you. Even if your character can't die, watching people they care about suffer and die is going to have an effect on them.

You probably don't need to draw special attention to the physical pain they experience, but you do want to be aware of it. Especially in the context of how pain affects the victim's behavior. Beyond that, there is probably an element of pain being far more annoying to the immortal than it would be to a normal person. They know it's not telling them anything meaningful, but it is distracting.

Long-term, both of these can easily result in personality shifts. And, legitimately, this is a scenario where a character may be immortal, but they would still experience significant changes over time, and with the growing emotional pain, could have very adverse effects on your personality. This does have some very real, “live long enough to see yourself become the villain,” potential. How many friends can you lose before you stop caring? How many funerals can you attend before you start taking the phrase, “you're either part of the solution or part of the problem,” a little too far? How many times can you pick yourself up off the pavement a blood-covered alleyway, surrounded by corpses, before you start to forget what made you human in the first place?

And, that's not the only option. The simplest answer for maintaining tension when one of your characters is immortal is keeping your eye on what they're trying to accomplish. Keep track of their objectives, because I guarantee they can fail those. Even just keeping their own nature concealed from the mortal world is probably fairly important, because of the idea that men in hazmat suits will drag them away to some research lab and poke them until they figure out how to replicate their immortality, is a classic (and potentially plausible) threat. (Bonus points, if you're wanting to loop in something like the medieval inquisitions, or some other secret societies that could pose this kind of a threat.)

So, what do you do? To dig out an old cliché threat, “there are fates worse than death,” and it's probably worth exploring them. This also opens up new possibilities for threats. Finally, it's worth remembering that immortality does not guarantee success. If your character is hoping for that, it might be time to give them a very harsh lesson.

-Starke

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[papiliotao]

꒰ 𝒌𝒊𝒔𝒔 𝒎𝒆 𝒖𝒏𝒅𝒆𝒓 𝒕𝒉𝒆 𝒔𝒑𝒐𝒕𝒍𝒊𝒈𝒉𝒕 ✩࿐

pairings: kazuha, scaramouche, and xiao x gn!reader (separate)

content: fluff, actor au, mutual pining, idiots in love (affectionate), kissing

summary: in which you kiss your pretty co-star for a scene of the new drama you’re filming. the twist? he’s head over heels in love with you!

a/n: also, this is very unlikely, but if you’ve seen this before, it’s because i messed up and posted it by accident before editing it one final time.

KAZUHA is a love interest straight out of the most euphoric of dreams and the most fantastical of fairytales. He’s sweet, gentle, and considerate, and each time the cameras start rolling, it almost feels as though nothing has changed. He’s the same charming and thoughtful boy you’ve grown to know and love. The only differences in his demeanor are subtle — hidden in the smallest of actions.

“Are you sure you’re okay with this?” Kazuha asks you as he reads over his lines one last time. “If you have any objections, I can ask someone to revise the script.”

As a renowned actor, Kazuha has a considerable amount of power. If he was more selfish, he would have abused his position. However, he typically never objects to anything the directors tell him to do. He simply follows orders. Unless, of course, you’re uncomfortable with anything.

It’s funny. Whenever Kazuha’s told to do something, he has no complaints. He reminds you of liberating winds — able to blow on and persist in any situation. But when it comes to you, he doesn’t have any problems with telling the director to make subtle changes to scenes.

Somehow he’s even more charming than any love interest in a romance drama could ever be. In fact, working on set with Kazuha already makes you feel like you’re living in a fantasy formed in the mind of a hopeless romantic, so it’s no surprise that you’ve developed a bit of a crush on the sweet boy.

“No, it’s fine,” you answer your co-star. You try to act nonchalant, but in reality, your heart is fluttering like the delicate wings of the iridescent butterflies tickling the pit of your stomach. Every moment with him causes a hurricane of giddiness to well up within you. A kiss scene with Kazuha sounds like a dream come true.

“Alright then. Let’s get started,” the director interrupts your conversation — an exchange he was clearly listening in on. “Places, everyone!”

Both you and Kazuha exchange and glance and then get into position. You enter a house designated for the shooting of your drama while Kazuha stands outside in the warm streetlight. A singular call of “Lights! Camera! Action!” — followed by the beginnings of an artificial storm — are your only cues before the crew begins to film.

The scene starts with the ring of a doorbell. It’s a sound that reverberates in the face of overwhelming silence and melancholy, disturbing the peaceful waters atop an ocean of stillness. The sound summons you to the door, and as you twist and pull on the knob, a shivering figure is revealed. It’s Kazuha.

“Oh, hi,” you say, flawlessly adjusting your tone ever-so-slightly to fit the character you’re portraying. “I didn’t expect to see you today.”

The droplets of rain falling from the false sky are bothersome, but Kazuha covers everything up with a perfect performance.

“Hi,” he whispers breathlessly. His voice is as gentle as ever, and the way he looks at you with eyes overrun with wonder makes your heart flutter. Stars glowing with a light reminiscent of Polaris seem to appear in his irises, beaming at you with adoration that appears just a bit too genuine.

“Why are you here?” you ask him, trying your best to morph your expression into one that conveys disbelief and concern.

“I just… wanted to see you,” the words fall from Kazuha’s lips effortlessly. His tone is warm, a soft blanket wrapping around your heart with the comfort of a thousand spring sunbeams. He’s so incredibly perfect.

“But you didn’t have to show up in the middle of a storm!” you insist.

Kazuha laughs sheepishly.

“I guess I just couldn’t contain myself,” he admits. After a long pause, he speaks again. “To be honest, there’s something I’ve been meaning to say.”

Your breath hitches. Here it comes.

“I’m in love with you,” he finally admits. His crimson eyes burn with a passion that is unmatched, and although they are calmer than aquamarine waters on peaceful summer days, they also hold an intensity akin to the heart of winter’s glacial plagues. Even though his words are scripted, you can’t deny that the beating of your heart begins to pick up.

“You don’t have to say that you love me too,” he adds. “I just wanted you to know.” Kazuha sends a soft smile your way, his features morphing to convey nothing more than pure, everlasting endearment.

You let the silence that follows stretch on for a few seconds before speaking.

“But I do love you.”

Kazuha’s eyes widen, and somehow, his gaze softens even more. For a moment, he stands still, caught in a daze. However, it isn’t long before he recites his next line.

“Then… may I?” he glances at your lips as he speaks, and it’s clear what he means.

You nod. “I want this just as much as you,” you whisper. “I’ve been waiting for this moment for so long.” Your voice comes out choked, trembling like an autumn leaf fluttering amidst inconstant wind. You mean it, but he’ll never know.

With that, he leans towards you. For a moment, all you can think about is him. His pale skin made cold by the rain, irises that appear as beautiful as lakes filled with the most precious of glimmering rubies, hair fashioned from guiding starlight, and a voice softer than the most touching of nature’s fantasias.

And when his lips meet yours, it’s like fireworks go off in the pit of your stomach, illuminating every bit of your soul with a joy that permeates even the darkest of thoughts. He’s sweet, gentle, considerate, and he treats you like you’re the most delicate thing in the world — as if you could break at any moment. Everything feels so incredibly warm despite the fact that his lips have been cooled by the ongoing storm.

He places his hand on your cheek as the kiss deepens and smiles slightly. It almost feels as though his feelings run deeper. But that’s just a delusion you’re forging in your mind because you’ve fallen for him, right?

Perhaps, but as you pull away and the director ends the scene with a loud “Cut!” Kazuha’s face lingers near yours for a few seconds, his eyes scanning your expression for something entirely unknown to you.

“Let’s do this again sometime,” he whispers in your ear, grinning at you cheekily before he quickly leaves, presumably to check in with his management team.

It takes you a minute to break out of the hazy stupor that Kazuha’s kiss induced, but once you do, you realize the implications of his parting words.

He wants to kiss you again!

SCARAMOUCHE acts indifferent. Apathy runs rampant through every constellation within the galaxies that are his eyes, and a permanent scowl seems to be etched onto his face whenever he’s not being filmed. It’s shocking how different he is when the cameras start rolling.

“Let’s get this over with,” Scaramouche mutters under his breath as he walks by you. The two of you take your places, slipping masks of infatuation onto your faces. Except unbeknownst to you, Scaramouche isn’t quite putting up a façade. The director gives you a cue, and then you’re off.

“Please don’t leave,” Scaramouche whispers, his personality and mannerisms changing up in a complete 180. He’s nothing like himself right now, and no matter how much of a jerk he is when you’re not filming, you have to admit that he’s a skilled actor. The way his voice breaks almost makes you believe that his words are sincere. Almost.

“I don’t have a choice,” you say, delivering the lines you have rehearsed too many times to count. You channel every ounce of raw emotion within you to pull off a touching performance, and it seems to be working. The director hasn’t stopped you yet, and he’s a man with rather harsh standards.

A silence ensues. You look up as practiced, meeting Scaramouche’s gaze. In that moment, you almost break character when you see his eyes. They’re watering. Oceans of grief pool up as he stares at you, looking at you as if he’ll never see you again. Right now, the inky depths of his indigo irises appear more captivating than ever.

Something about his pain feels real, as if he’s experienced the heartbreak that comes with abandonment before. It’s almost as though he’s simply tapping into a facet of himself that he hides. And despite the fact that you don’t always get along with Scaramouche, you feel the urge to hug him and shower him in affection.

“Will you come back?” Scaramouche’s gaze turns wistful as he speaks, his entire expression glittering with hints of hope and light.

“I will,” you say under your breath. “I promise.”

You take a step toward him and caress his cheek, relishing in the softness of his skin as you brush your fingers along his jawline. A light pink dusts his cheeks. If you were less professional, you would have imploded upon seeing his blush. The fact that he can elicit such a response on command is awe-inspiring, and plus, he looks incredibly adorable — nothing like the grouchy Scaramouche you’re used to.

With gentle movements, you take his chin in your hand and glance down at his lips with what you hope is a look of unadulterated passion and admiration. “May I?” you whisper. The softness of your voice surprises even you.

Scaramouche hesitates and then nods shyly — a perfect portrayal of the timid character he’s playing. He’s incredible.

Slowly, you inch toward him, watching as he narrows his eyes and parts his lips slightly. He’s so pretty, and in that moment, you can’t help but admire him. Messy strands of hair reminiscent of nightfall adorn his forehead, and his pale skin is tinted with the subtlest hint of colour.

For a second, as his face is hidden from the camera by the back of your head, he reverts to his typical self. He opens his eyes just a little wider, and exchanges a glance with you. A brief hint of emotion flashes through his irises. You’ve been working with him long enough to know what he’s trying to say. Don’t mess this up.

Things move in slow motion. Time stretches from seconds to millennia, and his expression reverts back to the picture-perfect look of a young man who’s innocently falling into the temptation of blissful love.

And when your lips finally connect in a kiss, you are fully immersed in the delusion of the scene. You wholeheartedly believe that he loves you. From your sentiments stems a warm feeling that bubbles up in the pit of your stomach. It’s soft and ticklish, and it only gets stronger as his lips move against yours.

He sighs into the kiss, and when you open your eyes in order to observe his face, you notice that his own eyes are closed, and he seems completely lost in the moment. At this point, it doesn’t even feel like he’s playing a character anymore. It almost feels as though everything is authentic.

However, when you part, reality hits you like the first snowstorms of winter — harsh, biting, and unrelenting in its pursuit. Scaramouche was only playing his part. Although everything had felt genuine, you know that it was just a mask he put on for the screen.

But as you finish up the scene, you fail to notice the way he walks away with a sunset pink blush tinting his cheeks. He touches his fingers to his lips in a daze and smiles the slightest bit.

“What an idiot,” he scoffs under his breath, but no matter how harsh his tone is, he is unable to conceal the hints of underlying affection in his voice. “Just how long will it take them to notice that I’m not acting?”

XIAO is usually extremely professional, and that’s more or less all you can say about him.

On camera, he is able to act as a charismatic, although slightly shy, love interest, but for whatever reason, things with him just feel so much more awkward when you’re not filming. Most of the time, he tries his best to avoid you as if interacting with you is a scenario straight from his nightmares.

And maybe it is, because on the rare occasions where you manage to catch Xiao off guard and strike up a conversation with him, his responses to your questions are always blunt. But it never really feels like he hates you. It just seems that he’s not the best at socializing.

Things between you are rather awkward, despite the fact that you’re co-stars. So when you’re told that you have to kiss each other for an episode of the drama you’re filming, you feel as though your world is ending.

Sure, Xiao is incredibly attractive with his golden eyes, tinted a colour reminiscent of the sweetest honey; seafoam hair that never fails to remind you of the mystifying ocean; and a pair of pink lips that look impossibly soft. He’s tantalizing, and a kiss with him wouldn’t be so bad — if not for the concerns that flood your troubled mind.

But unfortunately for you, there’s no way to retaliate when the director tells you that the shooting of the scene is about to commence. You just have to go with the flow and hope for the best.

As you pass by Xiao on your way to your places, you whisper a soft “good luck” so that only he can hear you. He nods in acknowledgement, and if your eyes aren’t deceiving you, the slightest smile appears on his face.

You sit down at the edge of a grassy cliff and wait. Meanwhile, you hear the sound of Xiao walking to a spot a short distance away from you. You take a deep breath, getting into character and gazing at the dazzling lights and countless galaxies in the night sky above.

Soon enough, the director calls for you to begin, and the atmosphere falls silent. The only sound you can hear within the stillness is the crunching of leaves under Xiao’s feet. You can’t see him, but you know he’s coming up behind you.

And after a few seconds, the sound of footsteps diminishes into nothingness.

“Hey,” Xiao’s voice rings out from behind you.

As scripted, you ignore him and continue looking ahead as if his presence is insignificant. The grass rustles as he sits down beside you, and in the edges of your vision, you can see him directing his gaze towards you.

“Are you alright?” he asks you.

“I’m fine,” you say, trying your best to emulate a tone that conveys nothing but the utmost irritation.

To your surprise, Xiao flinches slightly. That isn’t part of the script.

“What’s wrong? Did I do something to upset you?” he sounds like he’s on the verge of tears as he questions you.

You shake your head. “I said I’m fine.”

Both you and Xiao allow silence fill the atmosphere for a few moments, adding to the dramatic effect of the scene, before speaking again.

“I don’t believe you,” Xiao says, leaning closer to you to examine your expression.

Somehow, you’re able to remain calm despite the fact that the boy who makes you feel a plethora of emotions as numerous as the stars overhead is so close to you. It’s going surprisingly well so far.

And perhaps that is where you jinx yourself because the events that unfold afterwards are disastrous.

“Why do you even care? I thought you didn’t like me!” you scream.

Xiao jolts, and in that moment, the fear, confusion, and utter dismay flashing across his face act as a testament to his acting skills. He’s extremely talented.

Yet again, the night goes silent before Xiao utters, “I do like you — love you, even.” His words are soft, but you’re sure that the production crew managed to pick them up, and that’s all that matters.

Your entire world stops for a moment.

“I do care about you,” Xiao reiterates, “Because I love you.”

Your mind goes blank. Why do his words feel so real?

It takes a few seconds for you to recover from your shock, but when you do, your voice comes out softer than ever.

“I love you too.”

For a few seconds, you look up to meet Xiao’s gaze, losing yourself in the sunkissed dandelion hues of his irises. He smiles at you, and you smile back. His gaze shifts down to your lips.

“Is it okay if I…?” he trails off, and in addition, you swear that you can feel heat radiating off his cheeks. Is he too shy to finish the sentence?

That seems to be the case because for a split second, all he can do is stare at your lips as though he’s frozen in place. You decide to take matters into your own hands and play it off as intentional.

“Yes,” you whisper quietly. “Kiss me.”

With that, Xiao snaps out of his trance and takes both your cheeks in his hands before inching his lips closer and closer towards yours. The fact that the director hasn’t stopped you yet spurs you on because it means that this take is still salvageable.

Time seems to move in slow motion as the distance between you and Xiao closes. But although it feels like it takes forever, it’s only seconds before your lips meet Xiao’s in a gentle kiss that sends butterflies racing through the pit of your stomach.

The warmth of his skin on yours accelerates the beating of your heart, making you feel almost dizzy as the world around you seems to melt into a jumble of nothingness. All that matters at the moment is the two of you.

But unfortunately, you still have a role to play, so after a few moments of absolute bliss, you pull away from Xiao in order to continue on. However, when you do, you see that under the beams of artificial light that spill from around the set, his face is dusted pink.

“How was it?” you ask, grinning at Xiao. You hope and pray to the archons that he won’t mess anything up.

“I — uhm…” Xiao tries to speak, but all that comes out is a stutter. A stunned silence is all that follows. This is bad.

“Cut!” the director yells, breaking through the tranquility of night. “Xiao, what do you have to say for yourself?”

“Sorry,” Xiao mutters, looking down to conceal the last of the blush on his face.

The director sighs. “You know what this means, right? We’ll have to reshoot that scene, and yes, that means you’ll have to kiss [name] again. Can you handle that?”

You feel Xiao tense up slightly, but to your surprise, he looks up at the director and speaks. “I have no objections. I’ll kiss them as many times as it takes to finish this.” He says the words so eagerly. If you didn’t know any better, you’d have thought that he wanted to kiss you more.

Needless to say, the night ends with countless kisses, each one sweeter than the last as exhaustion melts away the ice caging your hearts. And once and for all, your chemistry onscreen becomes undeniably perfect.

Thank you for reading! If you enjoyed this, please consider commenting or reblogging! It helps a lot.

[paperclipninja]

Middle of the night GO thoughts after reflecting on a couple of comments that the 'you're being silly' scene is actually not just the adorable soft exchange I have been caught up in. I mean it is, but it also isn't.

And it got me thinking that the whole of season 2 is like this, almost the entire time we have two truths in play. The whole season is one of duality.

A few examples (there are many more woven throughout but just to illustrate the point):

Right off the bat, the opening scene, it's both ominous and hopeful. Aziraphale is restrained while angel Crowley full of abandon; one angel is aware of the danger of questioning, the other is naïve. Both are experiencing the same moment in rather different ways. It sets the tone of the season immediately and puts in motion this layered truth within the story.

The minisode with wee Morag and Elspeth, the entire graverobbing premise presents us with the dual truth that digging up the dead is bad but the selling of the bodies to the surgeon, thus contributing to saving lives, is good.

Aziraphale grapples with the duality here, justifying the actions of Elspeth by convincing himself that one truth is greater than the other. We also see that Crowley is far more able to recognise the complexity of multiple truths being valid depending on circumstance. This whole minisode feels like Neil showing his hand a little bit, the duality is so explicitly addressed, meanwhile we, the audience, are engaged in a larger unfolding story in which we are observing similar layered truths playing out in different ways.

Now the scene that made this whole thought process unravel, still one of my favourite scenes and will remain so, is the "smitten, I believe...you're being silly" exchange. It is both tender and awful.

Here we have Crowley, expressing his very real fear of JimGabriel, opening up to Aziraphale that he doesn't feel safe in the bookshop because of the constant fear he will wake up, and Aziraphale just looks at him with heart eyes and tells him he's being silly. This flags so loudly that we're watching two characters who are experiencing very different versions of their current reality, due to past experience, yes, but also, Aziraphale and Crowley each have their own idea about the right way to react to the current situation.

It's been pointed out by many before me, but the ball is another example of incredible juxtaposition and an extraordinary display of two truths existing at once. It is both incredibly romantic and an actual nightmare.

It is reflected, once again, in the way Aziraphale and Crowley are experiencing it, we know one character is caught up in the romance, the other in the horror show, but as a viewer, we are being tasked with holding both truths in our mind simultaneously. And both are true.

Aziraphale the entire season is both giddy in love and completely dismissive of Crowley. It is adorable and infuriating at the same time.

And yes, it is a reflection of the very duality the entire premise of Good Omens presents us with - that something can be good and bad at the same time, pure and corrupt, that the entire binary of Heaven and Hell/good and evil is flawed because those concepts can and do co-exist.

But the way it is seen in the interactions on a personal level this season is what has leapt out at me. It's why I think we see people falling into different interpretations of a lot of the scenes and moments, because they are more than that, they are observations. We are often observing two sides of the same coin, and both are true. The sheer genius of it and the way it is a mirror to the characters and the entire concept of the show we are observing is, quite frankly, mind boggling.

And it all comes to a head in the final fifteen™. There is so much duality in play here that it is no wonder there are hundreds of posts untangling bits of it and trying to extract the meaning from within the many layers. It's because we are given two truths in this final scene that are both heartbreaking.

Crowley loves Aziraphale and wants them to be together, free at last. Aziraphale loves Crowley and wants them to be together, free at last.

BUT

Aziraphale wants to use the system to keep them both safe. Crowley wants to escape the system to keep them both safe.

And then all the moments of duality between them throughout the season reach a critical juncture: Aziraphale in love but dismissive, Crowley understanding that Heaven = good is too simplistic and trying to compel Aziraphale to remember the lesson from Edinburgh ("when Heaven ends life here on Earth, it'll be just as dead as if Hell ended it"), Crowley trying to use the notion of romance to counter the nightmare with a desperate kiss.

It's a complete inversion of those two truths in the opening scene of the season, the entire scene is at the same time ominous and hopeful, but it is Aziraphale who largely being naïve and Crowley who is aware of the danger.

I mean, it was all spelled out for us really, this duality and the fact that those multiple truths in play were always going to come to a head. It was all there, wrapped up in this quote:

"What does your exactly mean, exactly? I feel like your exactly and my exactly are different exactlies".

[i-heart-hxh]

does ikalgo have deeper significance to killua's character? i get that hes like a new friend for killua but why does it feel like he was portrayed so importantly to killua's character during caa? its like theres a deeper meaning, why did killua go out his way just to save ikalgo from those two chimera ants when they entered the building? and why did he look so hesitant? he had thoughts that said "what am i doing..? why the hell am i going the opposite direction?" or something like that. idk it just feels like togashi was implying something abt killua there but i cant figure out what that is. do u have an idea?

Hello! This is a great question!

Ikalgo's friendship with Killua is vital both to Killua's development and also to Chimera Ant arc as a whole! I can explain that significance.

Throughout much of the series, Killua tags along with Gon and primarily focuses on him. He befriends other people, certainly, but he generally does this through Gon--it's not like he's going out of his way to make these friends on his own.

In Chimera Ant Arc, the connection between Gon and Killua gets somewhat disrupted by the events that happen, and Gon's focus shifts primarily to saving Kite and his revenge on Pitou, leaving Killua to worry and feel somewhat left behind and helpless (partly as a result of the the Palm situation as well).

When Killua splits off from Gon to try and save civilians, he meets and a battles an enemy at the time, Ikalgo.

During their fight, Killua gives Ikalgo a choice: Either sell out his friends by revealing their nen powers, or die. Ikalgo chooses to die rather than betraying his friends, and Killua is able to relate to this loyalty. He spare's Ikalgo's life and tells Ikalgo that if they'd met another way, maybe they could have been friends.

Killua's kindness in empathizing with Ikalgo and sparing him is the only thing that saves his life later when he's bleeding out from the needlefish darts. Had Killua not extended that mercy and said those kind words to Ikalgo, Ikalgo would not have saved him, and he would have died.

It's interesting/neat how the scene right after Ikalgo saving Killua from the needlefish involves Gon having his own encounter with another friendly Chimera Ant, and the tone of their conversation is quite a bit different:

Contrast is so important in Chimera Ant Arc!

Anyway, when Killua shows Ikalgo mercy, makes it clear that they're friends now, and invites him to come along and be part of the human side of the war, he essentially becomes to Ikalgo what Gon has been to him: Someone who represents light, and who represents a path forward to a better life. In this arc, Killua worries that he doesn't deserve a place at Gon's side, but at the same time here he extends the same kind of light and hope that Gon gave him to someone else.

As for the scene where Killua breaks off away from Gon in the Palace Invasion in order to protect Ikalgo, this continues to show Killua's world expanding outside of Gon. Notice how in this page, it clearly shows Killua leaving Gon behind--they have their backs to each other, which is a frequent image in this arc. His mission was to protect Gon and make sure Gon could complete his revenge against Pitou, so deviating from that mission is both shocking to him, and potentially dangerous, but it shows that he's starting to protect and care for others as well as Gon.

Now, I want to be clear that I see this as a positive step for Killua. At this point in the series, Killua had made Gon his entire reason for living, essentially, and him going outside of that and making other friends and protecting and caring about them is a vital step for his character. It's showing that he's becoming a more expansive, mature person who can care for multiple people (or ants) at once rather than centering his entire existence and sense of self around one person. He made this action as quickly and efficiently as possible so he could get back to Gon's side, but he did go out of his way and leave Gon behind momentarily, and even he is surprised by this.

And while obviously I adore his nearly single-minded love and devotion for Gon, with what happens between them in this arc he needs to have others in his life besides Gon, and it's part of his transition into also being the light for Alluka and Nanika. It's a result of Killua's own innate kindness and empathy and the choice he made to leave his previous life behind, but also, he was able to reach this point partly because Gon showed him the love and encouragement he needed to become the person he is.

Now, as for Ikalgo's role in the arc as a whole: He's part of a chain of kindness and mercy that ends up changing the entire outcome of the Chimera Ant arc. This post puts it incredibly well. The chain of kindness started at the beginning of the series, with Gon befriending and rescuing Killua in spite of his background, which then eventually leads to Killua sparing Ikalgo (who then saves Killua right back), and then Ikalgo sparing Welfin, and then Welfin giving Meruem Komugi's name so that they got to be together in the end. Ikalgo shows the consequences of Killua's kindness, which are also the consequences of Gon's kindness, in part.

A major theme of the series and of Chimera Ant arc is that love and kindness are transformative, and Ikalgo has such an important role in demonstrating that theme.

[route-to-eutopia-if]

Route to Eutopia - New WIP IF

DEMO(28K) I CHARACTER DOSSIERS I PLAYLIST (TBA)

You have one year left to live.

But are you afraid of dying? Probably not. Since you don’t even know how to live your life. You have been hidden away from public eye since young. And the only friend you have is an Alter, humanoid species born to only serve other people and nothing else. Alters live so ‘people like you’ could live.

That makes the two of you. Alive. But never here. Never lived.

If opportunities arise, would you take a chance to change it? Only you can answer.

In a world where feeling nothing at all is better than letting your emotions rule over you, your choice to break those rules and make a change will paint a new shade of history that no one ever could. 

Hidden behind shut doors to live your quiet life as a secret child of Bastien Palmer, Sole Leader of Eutopia paradise, you never experience anything except for repeating the same old routine your entire life. You are the existence which should not be known, not just for the reason that you are the byproduct of your father and his secret lover. But also because of your frightening ‘Alter-like’ eye color, most of it is silver like any Stargaze–but nevertheless… tinted shamefully by crimson streaks.

You are told to stay away from public eyes for the sake of Palmer’s reputation in which you feel obliged to. However, your life of peaceful solitude will never be the same again after tonight…

Route to Eutopia is a violent dystopian loosely-conceptual interactive story where you are a bystander surrounded by The Chosen One of your own choice. You are to designate whether this story will head towards the direction of mutual peace between Alters– a human-like species believed to be plagued by uncured disease since birth– and Stargazers —a group of survivors whose ancestors once lived on a faraway planet before an inevitable disaster occurred and forced them to flee into another dimension, or towards a doom fate that cannot be reversible.

To be noted; RtE is a heavily-relationship based game (not necessarily in platonic/romantic sense) each of your interactions with any character will determine the tone and purpose of their motivation. Any choice you have chosen, make sure to embrace the consequences of your action at your own expense.

With that being said, it is also worth mentioning that you don’t need to engage into a romance or specific relationship with any character to complete the story.

RtE also rated 18+ for strong language, suggestive contents, disturbing topics such as racism, sexism, discrimination against queer people, explicit descriptions of violence, murders, drug use and sexual behaviors of certain characters with optional intercourse scenes.

Setting

RtE takes place in a post-apocalypse society where the concept of time is lost and any history known was only speculations at best and rumour at worst. Trying to maintain their sense of utopia, Stargazers built and operated their space colony as a temporary base for self-preservation (in which only fews know details about) called ‘Eutopia’. 

In this dystopian paradise people’s sole purpose of living was fixated on surviving. And in order to do that, the whole population creates a solid ground rule not to let themselves ‘feel’ about other emotions that do not serve for public favors. Hence, you will be challenged to adapt to several situations and handpick the best flavor of your actions based on the emotions you have learnt or developed from your surroundings.

Who do you play as?

For now, you will be playing as a secret child of Bastien Palmer, the leader of Stargazers who already has a wife and two other perfect children, your younger sister and brother. Ones you have never interacted with nor you ever get the chance to.

MCs subjectively considered a white sheet which you can paint anything on by your preferences. Explore the world full of colorful emotions or bottomless pit of numbness by your own choices. 

But remember, Eutopia is a place where everything goes according to one simple rule ‘To survive’ hence the marriage between a man and woman will be set as the norm and only truth, and someone who will state otherwise must face and suffer the ugliness of social standards accordingly. However, I do not encourage any transphobic/homophobic behavior of the characters in this story. Please kindly be assured of that.

There might be a chance where you can start off as other characters, that is, however, still a subject-to-change matter as of now.

Introduction to the Chosen Ones [ ROs]

**Please be aware of mild spoilers below**

Vegaris (M/F) 19 Star-crossed lovers or Nemesis route, The Rebel.

They would do anything to survive, even if it means to betray the only person who trusts them deeply… like you.

Vegaris is an Alter who has so many sides hidden behind closed doors. Unpredictable, cunning, hot and cold are the words that describe them best. Due to their traumatic childhood (much like other Alters on Eutopia), they have a deep-root hatred for Stargazers. Although they were brought in by your family and treated almost the same as one of your father’s own kids. They still witness the unfairness of being an Alter in society and never afraid to point the wrong in other people’s doings. 

Their usual mask, however, is one where you cannot crack open that easily. They always remain calm and composed in front of you, and only show their fangs when circumstances arise.

Dana/Darren Regency (M/F) 22 Childhood friends, Forbidden route, The Face.

For a person who seems to be easy to read as much as an open-book, they sure talk with silence better than with their own voice.

A poster girl/boy for Regency Academy. Your former childhood friend (for some unknown reason, they're trying their hardest to avoid you) and an only child to the Head of Deans at Regency, Sandalphon. They are the precise image of how one should raise a Stargazer. Being a honor student. A model citizen. And a perfect ideal partner. They are assigned to be married with the most capable genetic-wise fiancé. As popular as they appear to be to the public, their private life (as private as it can be) is still a gigantic loophole for most imprudent reporters trying to catch even just a glimpse.

It seems like what they are trying to avoid is not just you, but the entirety of Eutopia.

Sandalphon Regency (M/F) 40 Age-difference, Single-parent route, The Pacifist.

Do you believe in something just because it's true, or it becomes the truth only when you believe in it?

Sandalphon is the most powerful influence among the deans of Regency. A group of people that has control over governing matters even beyond that of Bastien Palmer, the President. For Sandal, they are anything and everything people could ever ask for in a Regency. Kind, generous, well-versed with every branch of knowledge in the universe. Never wrong in anything. And never judge anyone based on their bias.

If only people knew the truth, they’d probably beg to differ.

Maybe they are just good at hiding beneath that gentle facade, maybe a calculated mind with strings to pull works best with neutral suggestions... who knows?

One more hidden character will be revealed in the demo, Into the Madness route, The Savior.

[ Classified info. ]

**There will be two sub ROs and flings to be introduced later in the story.**

More info will be announced.

Demo 1st update : 24/01/2024 Chapter 1 (28k codes excluded)

Datalog is completed roughly til the end of the story. Coding and polishing will certainly take time. Any more updates will be announced solely on this blog.

Reblogging is appreciated. Thank you!

[b0ng05]

Over this - Toxic!Amber Freeman x Reader

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Word Count: 6151

Prompt: Y/n receives a text from an unknown number. Only to find out it's her ex. She can't help but think about all the toxic stuff Amber did to her.

Warnings: Toxic Relationship! Mentions of abuse! Angst!!

Also, Not Proofread💅

Masterlist

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Unknown: Hey, you awake? 11:21 p.m.

Unknown: It’s Amber 11:22 p.m.

I thought I was over it. I thought things had been left in the past. I thought she forgot about me. But after receiving a text from an unknown number, it was clear she didn’t. I laid in my bed, gazing at my ceiling as tears streamed down my face. It had been over 3 years. Yet the traumatizing memories that flooded back in felt so very fresh. Each incident vividly clear as my eyes fluttered shut.

Amber stares into her mirror, adjusting her dark hair and touching up her makeup. My arms were wrapped around her waist, my hand gently rubbing her stomach as I watched over her shoulder. Her TV was hooked up to her phone, playing her playlist that wasn’t all that rangeful. Most of the songs were just replaying, mainly the same artist’s songs. It was getting quite bland hearing the same voice over and over for the past hour. But I endured it while staring at her, utterly smitten.

“Isn’t she kind of overrated?” I tease playfully, referencing the artist singing, knowing she was one of Amber’s favorites. While poking Amber’s side in a playful manner, hoping to gain her attention for at least a moment. Having had been watching Amber for a while with no commentary or affection on her end for 15 minutes. Not that I minded, being with her felt more than enough.

Instead of hearing a sarcastic quip back from her like usual, my head is whipped to the side faster than I can register. Her hand hung in the air, giving me an explanation to my now turned face. “You just slapped me.” I say slowly, registering what the fuck just happened. “Yeah. Quit saying dumb shit.” She scoffs, turning back to her reflection, quite unfazed with her own actions.

I remove my arms from her waist after seeing the forming red print of her hand on my cheek in the reflection of her mirror. I backed up, going to grab my phone off her charger to leave, wanting out of the situation. But before I can even make it three steps away, her hand is wrapped tightly around my wrist in a strong grip. She turns me to face her, one hand trailing my hip.

“Where are you going?” She asks, her tone turning seraphic and sweet. “I’m leaving, I don’t want to be here.” I say, trying to move away from her grip to no avail. “Oh don’t be a baby. You know I didn’t mean it, Y/n/n. You know I wouldn’t hurt you like that seriously.” Amber's deceptively sweet tone calls out. Her hand moved to caress my cheek softly.

“Don’t go. Please?” Amber hums softly, a small pout on her lips and her eyes pleading with my own. I give in, unable to ignore the ache in my heart at the desperate look in her eyes. I put my phone down and move to sit beside her once more.

That was just the beginning of a toxic relationship that was to soon blossom. A lesson that I wasn’t aware I needed to learn. You hear the stories of toxic relationships and think it could never happen to you, that you would never fall for the sob stories and the twisted manipulative ways of lovers that seek oblivious prey.

Amber and I were at Tara’s house, all sitting in her living room watching some action movie on the TV. I was curled up to Amber’s side, her arm wrapped around my shoulder. Tara was sitting on the other side of me, her arm resting on the armrest and her chin resting in the palm of her hand. Tara lets out a huff of a laugh as a new actress enters the scene of the movie.

“Don’t you think that chick’s dress is ugly?” Tara jokes, the dress the actress wore was adorned with yellow and orange polka dots with a weird neckline that was not at all flattering for the actress’s figure. “I don’t think you should be judging Tara, especially with your body,” Amber chuckles as she glances over at Tara with a douchy smirk. Her hand rubbing along my shoulder as they have a moment of a silent stare off.

“Fuck off,” Tara mumbles, before setting her popcorn bowl down on the coffee table and walking upstairs to her room. “What the fuck is wrong with you?” I whisper, looking at her completely disgusted with her rude behavior. “Oh come on, it was just a joke. She’ll get over it.” Amber rolls her eyes, attempting to pull me closer to her embrace.

“No. That was seriously fucked up. You don’t comment on someone else’s body.” I state, removing her arm from me as I stand up, going to follow Tara upstairs to apologize for Amber’s unacceptable behavior. “Seriously? Tara made a mean comment and you didn’t give her the cold shoulder!” Amber huffs, as she stands up, her arms raised outward in anger as she tries to make an excuse. “No. She commented on a dress design that was ugly. Not the woman’s body.” I scoff, walking over to the stairs. Fully intending to apologize to Tara on Amber’s behalf.

As I step on the landing to walk up the stairs, my vision goes black. Everything was too fast to understand. I feel a heavy pressure around my neck, and the back of my head aches with the force it slammed into the wall with. My body feels a numb tingly feeling, my legs much like jelly. As my vision tunnels back in, the sight I’m met with is Amber’s hand around my throat, slamming me against the wall behind me. Her grip was so tight that I could barely gasp for breath, surely to bruise later on. Her eyes were darker than before, the look was terrifying and had a sadistic essence that left my skin crawling and spine shivering. Her cocky smile no longer there, in place was a twitching snarl. I felt my heart drop in utter fear.

Before I could say an attempt to stutter out anything, she tried to play off her violent actions after seeing the fear written on my face. Her lips shifted into a flirty smirk, and leaning in to kiss me, her lips pressed against mine in a bruising manner that left mine aching and not in a good way, her hand still gripping my around throat tightly. As my senses start to come back to me, I push her away as hard as I can, making her stumble back a bit, and then I rush upstairs to Tara’s room, not bothering to knock. I open the door and shut it behind me. Tara looks up at me bewildered as she sees the fear, betrayal and confusion written on my face.

“Hey, what’s going on?” Tara asks, getting up from her bed to wrap her arms around me in soft gentle embrace. “I- I um- I’m sorry for how Amber was acting, it wasn’t right.” I apologize, struggling to find the words that I desperately wanted to speak. Fear eating at my mind, knowing Amber was just beyond the door. “Hey, hey, no, you don’t have to apologize for her, Y/n. She is her own person, and so are you, okay?” Tara soothes, her hand softly rubbing my back trying to comfort me. “I-”

Before I could speak another word, the door swung open, Amber entering the room. Her gaze hardens at the sight. She walks over and grabs my wrist, pulling me towards the door. “We gotta head out,” Amber states, but her tone was more so demanding. “What- wait-” Tara tries to intervene but to no avail with the intense glare that Amber sent her way.

Amber drags me out of Tara’s room towards the stairs, and once we got downstairs, she didn’t waste a second getting us out the front door and into her car. “What did you say to her?” Amber demands as she enters the driver’s seat of her car.

She quickly floors it out of Tara’s driveway, taking a left turn, wheels squealing, meaning we were going in the direction of her house. My stomach turns, a sickening feeling overcoming me at the sound of her tone and the look in her eyes. Mentally, I couldn’t help but think back to the psychology class Amber and I had attended yesterday at school. More so the lesson, the one on gut-brain connection. Never thought I’d actually use the information, but seeing and feeling it happen in real time made something click in my brain. I didn’t deserve this.

“I just apologized for you being an asshole.” I huffed, a new found confidence bestowed in my mind. “Excuse you? I was the asshole? No. You were a bitch for running off when I was trying to kiss you and make up.” Amber quips, her face contorting in anger and annoyance as she grips the steering wheel tightly. “You’re the one that wants to be a stubborn bitch about everything.”

“You put your fucking hands on me. I had a pretty good fucking reason to run. Pullover.” I uncross my arms, one hand going for the door handle. “No! I’m not fucking pulling over.” Amber seethes, running a hand through her hair in frustration.

“I don’t want to be near you right now! Pull over.” I demand, my head whipping to the car door when I hear her press the lock button on her side of the car. “I’m not fucking pulling over, we are gonna talk this out. I don’t wanna lose you!” Amber starts to make herself cry, a skill she had mastered in order to manipulate me into letting her have her way.

My phone starts to ring in my back pocket, I pull it out and check the screen, the caller ID showing my mom’s name. I let out a sigh of relief. “My mom is calling.” I state. I don’t bother to glance at her direction as I answer the phone. My parents taking priority over my highschool girlfriend. “Hey honey, we need you to come home and watch the dog. Your father and I are going out for date night,” My mom’s soothing voice informs.

“Yeah of course, I’ll be home in a few.” I say before ending the call, making sure to say an ‘I love you’ at the end. “My parents need me home.” I state. “Okay, so we’ll talk this out at your house.” Amber nods, wiping her tears with the sleeve of her hoodie.

“No, my parents don’t want anyone over while I’m home alone, and they just got new cameras installed last week.” I throw in a lie at the end, just craving some space away from her.

I had spent my whole summer, every single day at her home, at her side. It was already halfway through the school year and I still barely had room to breathe with her constantly at my side. Not only that, but she had been so controlling. The whole summer, she would refuse to let me go home when I wanted to unless my parents called me practically begging me to come back home. She went through my phone, blocking every friend that she deemed a threat to our relationship, some that didn’t even do anything wrong at all. All just so she could feel more in control of our relationship.

“Okay, so you can still facetime me when you get home right?” Amber asks sternly, her hand moving to grip mine in a tight grasp. “Yeah, I’ll call you after my parents leave.” I lie through my teeth, planning to fake a low battery before the call.

“Okay… Promise?” Amber asks, glancing at me for a brief moment before her eyes turn back to the road, taking a turn towards my house to drop me off. “I promise.” I nod, lifting her hand up to my lips to kiss the back of it. She smiles and caresses the back of my hand with her thumb. “Also, we gotta talk about Tara. I don’t want us hanging out with her anymore.” Amber commands. “But why? I thought you liked Tara? She’s nice.” I say bewildered by her.

“Yeah, a little too nice to you.” Amber scoffs, her hand moving to grip my thigh possessively, “You are mine, and I don’t want you seeing her. Is that clear?” Amber questions, her hand gripping my thigh in an increasingly painful grip. “Yes ma’am.” I mumble, wincing in pain.

“Good girl.” Amber smirks in satisfaction as her hand gently rubs over when her nail marks are now indented. Amber turns into the driveway of my house, parking her car in the driveway. She turns to me, reaching out to caress my cheek. Looking at me with the same look that always won me over. “I’m gonna miss you.” Amber pouts, tracing over my bottom lip with her thumb.

“I’ll see you later, okay?” I say, feeling a pang of guilt at the sight of her pout. “Okay… Give me one more kiss?” She asks, leaning closer, her breath brushing against my lips. “Okay,” I nod, leaning in to kiss her softly before pulling away. “I love you,” Amber calls as I unbuckle my seatbelt and open the car door. “I love you too…” I say back before closing the car door behind me.

I walk up my driveway, feeling her eyes on me as I get to the door. I quickly get inside and lock the door behind me. Upon entering, my mom appears from the entrance of the kitchen. “There you are,” She walks over to me, “Your dad and I will be back in a couple hours, take care of our dog, alright? Make sure he isn’t lonely.” My mom laughs a bit at the end as she hugs me.

She grabs her purse and coat, “Let’s go!” She yells up the stairs to my dad who was taking his precious time on his hair. He quickly rushes down the stairs, nearly tripping down them, but catching himself with a nervous smile as he looks over at my mom who was unamused by his inability to be careful. “We’ll be back soon, love you kiddo,” My dad grins, patting my shoulder before offering his arm out to my mom as they walk out to their car.

Once they exit, I make sure the front door is locked, checking the back door too. No, I wasn’t expecting Amber to show up again, but I wouldn’t put it past her. Once I made sure they were secure, I called my dog to come with me up to my bedroom.

Unknown: Hey, you awake? 11:21 p.m.

Unknown: It’s Amber 11:22 p.m.

Unknown: I miss you 11:24 p.m.

I sigh as I rub my eyes with the back of my hands. It hurts to think I was so naive. And now, with her texting me, it was all just carving open old wounds that weren’t fully finished healing. A speedy thump to the heart in my chest, one that I didn’t want but couldn’t control. My mind flashes with memories that I wish I could forget.

We were laying in Amber’s bed, her head resting on my chest as we watched videos on my phone that I held on my stomach. Her hand was softly rubbing my hip. “She looks familiar.” I comment, referring to the woman in the video who was explaining an ongoing situation in the world. “You think she’s pretty, don’t you?” Amber scoffs, lifting her head off my chest to look back up at me with an unamused look, her eyebrows furrowed.

“No, I’m just saying that I think I’ve seen her videos before,” I elaborate, softing stroking her hair trying to ease her mind. “Don’t fucking lie to me.” Amber scoffs, sitting up and taking my phone out of my hand. “I’m not lying, baby. I promise.” I say softly, my hand moving to gently caress her cheek, but she pushes my hand away. “I can’t even trust anything you fucking say.” Amber gets up from the bed, pacing her room, her face contorted in anger, that dark look in her eyes coming back.

I felt my heart race in my chest, not liking when she got like this, usually I could calm her down before a total meltdown. “You’re such a fucking liar! I saw you at school talking to Tara on Tuesday, y’know that?!” She seethes, lifting her arm back as she chucked my phone with no intent in direction. It felt like it happened in slow motion as the phone smacked me right in the face, hitting my nose and lip in a harsh manner. My hands quickly rush to cradle my face in pain.

“Fuck!” I cry in pain, blood gushing from my nose, my lip now busted from being pinched hard between my tooth and phone. Blood dripped down my lip and momentarily stained my teeth. “God don’t be so dramatic, it was an accident.” Amber rolls her eyes as she grabs a towel that was hanging off the back of her closet, walking over to hold it to my face.

“One that you could have fucking prevented!” I scoff, trying to push her hands away as I tried to hold the towel myself. “Baby, you know I didn’t mean it, I wouldn’t do that to you on purpose, I just got angry” Her tone turns sweet and soft, her hand running soothingly through my hair. “But you did!” I say, trying to move away from her. “It wasn’t my fault!” Amber huffs, pulling me into her arms, tight enough that I couldn’t get away.

She leans down and presses soft kisses on my cheek, whispering sweet nothings to calm me down and get me to stop trying to squirm away. After almost 20 minutes, I no longer fought her embrace, rather leaning into it as she rubbed my back softly. Her hand holding the towel to my face, coddling me. My mind was busy thinking on how I would explain the injuries to my mom when I got home.

Unknown: Hey, you awake? 11:21 p.m.

Unknown: It’s Amber 11:22 p.m.

Unknown: I miss you 11:24 p.m.

Unknown: Please baby 11:27 p.m.

I let out a shaky breath, my eyes closed as I stewed in my thoughts. My hand brought up to my face, tracing over where the bump on my lip used to reside, the memories felt so fresh that I could almost feel the old wound. Then another memory flashed through my head, an invisible stake of pain piercing through the back of my skull. Remembering her was only gutting my stability further.

Amber and I were walking around a bar in a busy part of town, her mom was a busy woman, and one of her friends was having a cancer benefit. Her mother was only able to attend for 30 minutes before having to leave for a work meeting. She requested that Amber and I stay behind in her place, also asking us to make sure her name was at the top of all the raffle items for the benefit. Amber agreed after being lectured by her mother. I remained by her side, trying to be a supportive girlfriend.

We walked into the room that held the raffle buckets next to the items and the clipboard to list your name along with your bid for the item. Amber’s mother did not spare a dime with the tickets she bought, wanting to be as supporting as she can for her friend, as well as wanting to win a full massage and mani pedi. “God this is boring,” Amber whispers, guiding me to a wall for us to lean on. I lean my back against the cold brick wall, Amber moving to stand in front of me, her hand caressing my waist. “Calm down, we only have to be here for a bit longer like your mom asked.” I mumble quietly, my eyes scanning the room, observing the people in the crowded area. “Why not make it a little interesting~?” Amber smirks, her hand moving to cup my jaw as she leans in and connects her lips with mine, trying to start a heated makeout session, I push her back slightly. “I don’t feel like this is appropriate. This isn’t the time or place, I don’t feel comfortable doing this here.” I voice my concerns softly, trying not to upset her as I caress her cheek gently.

“Uhuh sure~” Amber’s smirk doesn’t falter as she leans in and forces her lips against mine once more. My hands move to her shoulders trying to push her back. Her hands move to grip my waist tighter, trapping me between the wall and her. With the crowd as busy and as drunk as they were, didn’t notice my struggle. Except for one woman, who just so happened to be working at the cancer benefit. “Excuse me, you two need to go. Out. Now.” An older woman with dark brown hair and a Monroe piercing scolds, her thin eyebrow quirked up.

I recognized her as one of the women Amber’s mother was talking with earlier before she took her leave. I felt a disgusting guilt building up inside me. I felt dirty, not in a good way, in a vile way. Amber knew how I felt about PDA, especially in settings like this. “Yeah, yeah.” Amber rolls her eyes, smiling cockily as she grabs my hand dragging me out of the room into the bar area where they would soon announce the winners. I went to sit down on one of the only empty stools left, but Amber stopped me, sitting down in the seat, making me stand in front of her as she wrapped her arms around my shoulders. A blonde woman with glasses in an olive green dress stood up to begin announcing the winners from the raffle and bids. After a harrowing thirty minutes, all the winners were announced, none of which were Amber’s mother. My legs were killing me, having stood the whole time with the pressure of Amber’s head and arms resting on me.

“Whatever, let’s go.” Amber scoffs, feeling some sort of selfish anger for having wasted her time. I couldn’t understand her anger. But Amber got mad over a lot of minor things, so it wasn’t really a surprise that this was sparking a flame of anger in her. Amber grabbed my hand and dragged me through the crowds of people in the small bar. We get out the door and after a few steps outside, Amber stops me. She was shivering, having worn only a t-shirt and jeans in the middle of fall.

“Give me your hoodie.” She states, holding out her pale ringed hand. “Why? You chose to not wear a hoodie when I told you to wear one.” I say, my eyebrows furrowing, still kind of pissed off about her making me stand up the whole half hour. “Maybe because I’m your fucking girlfriend and your ride home.” Amber snaps back, her jaw clenching as she snaps her fingers, cueing me to give her the hoodie. “Okay..” I sigh, peeling off my dark green hoodie and handing it to the girl, leaving me in t-shirt and cargo pants. I didn’t want to walk home tonight, so I didn’t see the point in arguing with her further. I could feel the cold dry sting of the air hit me. I shivered, and we began to walk to her car. When we got to her car, she was livid, the parking meter had expired, a ticket sat under the windshield wiper. Her eye twitched a bit as she hastily walked over, snatching the ticket off the windshield and getting in the car. I quickly follow suit, not wanting to piss her off more. I get into the car, shutting the door behind me. I buckle my seatbelt, feeling an absolute need to, knowing she’s seething in anger. As I got in, she seemed cool for a minute, before her fist drove into the steering wheel, punching repeatedly. I reached out and held her hand with mine, preventing her fist from hitting it again, not wanting her to hurt herself. I unbuckle my seatbelt and lean over, holding her head to my chest, embracing her tightly. I move over to straddle her lap. Her arms wrap around me, holding me breathlessly tight, letting out a frustrated and muffled cry out into my chest.

I felt guilty. She was having a hard day already, her mom yelled at her earlier, a woman scolded us, she was upset about the raffle, I argued about the hoodie, and now she has a ticket. I kissed the crown of her forehead and whispered sweet nothings trying to calm her down. Once her breathing was more normal, I pulled back and looked back into her eyes, feeling a jolt to my heart as hers met mine.

“You okay?” I whisper softly, kissing her cheek a few times. Her lips were puffed out in a small pout and her eyes were teary as she stared back at me. “I’m sorry, I just- I got overwhelmed.” Amber mumbles, pressing her face back into my chest

Unknown: Hey, you awake? 11:21 p.m.

Unknown: It’s Amber 11:22 p.m.

Unknown: I miss you 11:24 p.m.

Unknown: Please baby 11:27 p.m.

Unknown: I need you 11:30 p.m.

I bit my bottom lip, as I thought about her eyes. Back then, I thought I always saw her eyes softening when she gazed back at me, but now that it’s been years, I have come to realize it was her loving the power and control she had over me. The way she had me wrapped around her finger no matter what.

It was a few days after the incident where she had slapped me over a joke I made about her music.

Amber and I were cuddling in her bed when my phone buzzed in the sheets next to us. She picked it up and checked the notification. My head was nuzzled into the crook of her neck, her hand that wasn’t occupied with my phone was stroking my hair softly. “Your ex fucking texted you.” Amber scoffs, opening the text. Her hand stopped stroking my hair, moving to aid her other hand with the phone.

“Block her,” I mumble, too sleepy to care about whatever my ex wants. “She said she found your hoodie and wants you to come pick it up.” Amber says after reading the text. “Tell her to throw it away.” I say, pressing a soft kiss to her neck. “No, actually…” Amber pauses thinking, “Go pick up the hoodie.” She states, pushing my head off her neck. “Why? I don’t want it.” I huff, a bit pouty about her ruining my comfortable position.

“Well I do, because then the next time that bitch stalks your instagram, she’ll get the pleasure of seeing me in your hoodie.” Amber smirks, handing my phone back to me. “Why does it matter if it’s that one? You’re on my instagram wearing my hoodies in most of our pictures,” I ask confusedly as I lean over to kiss her cheek before putting my phone in my pocket. “Because, I get to rub it in that you’re mine. If she’s willing to go through the trouble of giving you your hoodie back, she gets to go through the trouble of seeing me in it later.” Amber states before kissing me softly. “Now go get that hoodie.” She smiles, waving me off. Within a ten minute walk, I was outside my ex’s house. She stood on her burgundy colored porch, holding a familiar black hoodie in her hands. I walked up to the stairs of her porch. She smiles at me, sitting down on one of the steps as she hands it to me. “Hey… how are you?” She asks, her tone nothing but friendly.

Before she and I had broken up, we used to be close friends. Even after the break up, we remained friends until I met Amber. We broke up for the main reason that while being with me, she discovered that what she thought were romantic feelings towards me were nothing but platonic. I had felt the same way and hence the being friends thing. “I’m okay, how are you?” I ask, my voice a little rough from having walked over on a hot summer day with no water. “I’m alright. But I’m worried about you,” She pauses, “Mindy told me that you stopped talking to most of the group. What’s going on with you?” She asks softly, her hand touching my shoulder in a comforting manner. I let out a shaky sigh as tears welled up in my eyes. “Things have been difficult lately.” I state vaguely, running a hand through my hair. “What do you mean? You can talk to me. You know I won’t say a thing,” She says, knowing I’ve had a past of people telling my business to other people who have no right to it. “Amber has been getting more controlling, and well…” I sigh and wipe my face with my hand. “And what?” She whispers softly, trying to remain supportive and comforting. “She slapped me the other day,” I mumble, not wanting to have to face the reality, but knowing I need to. “What? Y/n, that’s not okay,” A small gasp comes from her mouth as she rubs my arm comfortingly. She knew this kind of behavior from anyone, especially a teenager, wasn’t okay whatsoever. She didn’t honestly have any other words besides, “You need to tell an adult.” She pauses her words, to try to lay them out more kindly, “What she’s doing isn’t right. You don’t deserve to be hurt.” She says. My phone buzzes in my back pocket, I pull it out to check it. The realization of how much time had passed brings me concern as the notification from Amber popped up. She asked what was taking me so long, and told me to hurry up.

“I gotta go, I’m sorry,” I say, slipping my phone back in my pocket before turning to walk off, missing the look of pity that my ex sent me as I walked off. I quickly hurried back to Amber’s house, despite the smoldering heat that threatened to wind me down to the sidewalk. I get back to her house, to see her waiting on her couch with her feet propped up on the dark brown coffee table in front of her. “You get the hoodie?” Amber asks, looking up from her phone. “Y- yeah.” I say through heavy breaths. I toss it over to her. She picks it up, inspecting it and the design.

“What took you so long?” She interrogates, looking back up at me with a bated stare.

“It was a long walk in hot heat,” I excuse, moving to sit beside her as I pick up her water bottle off the table to take a swig. “BS, what took you so long?” She scoffs, turning to face me with a raised brow. “My ex asked how I was doing,” I admit, looking up to meet her eyes. “And what did you say?” Amber asks, squinting her eyes. “I said I was fine,” I shrug, setting the water bottle back down on the table. “And that was it?” Amber asks, not convinced at all. “That was it.” I say, my eyes accidentally diverting from hers out of guilt. “Bullshit. What else?” She demands, grabbing my chin to force me to look at her. “She said that Mindy told her I wasn’t coming around the group as much anymore.” I admit further, wanting her to let my chin out of her tight grip. Amber lets out a dark chuckle, pinching the bridge of her nose. “A whole month without speaking to you and she still can’t keep you off her damn mind. No wonder I felt the need to keep you away from her.” Amber rolls her eyes, pulling me into her lap. I don’t say anything, not wanting to argue and cause a bigger reaction from her. Instead I silently snuggled up to the crook of her neck as she ran her ringed hand over my back in small soothing circles.

Unknown: Hey, you awake? 11:21 p.m.

Unknown: It’s Amber 11:22 p.m.

Unknown: I miss you 11:24 p.m.

Unknown: Please baby 11:27 p.m.

Unknown: I need you 11:30 p.m.

Unknown: Answer babe 11:33 p.m.

I didn’t hate her, after all the bullshit she did then. Not until Richie. That’s when I started to.

I walked into Amber’s home, a happy grin along my lips. I came over planning to surprise her with a cute box of snacks and drinks I made for her. I spent hours on the box alone, painting each side, attempting to recreate her favorite Stab movie covers on each side, paying close attention to each detail to try and make it near perfect for her. The box was nearly overflowing in her favorite snacks and drinks. I walked up the stairs towards her bedroom, my eyebrows furrowing in confusion as I heard a bed creaking. I didn’t see anyone else’s car in the driveway so I made the stupid assumption of her having a reasonable explanation like taking care of her own needs. I balance the box on the side of my hip as I open her bedroom door. What I didn’t expect to see was Richie on top of her as she moaned out his name. The box dropped from under my arm, loudly crashing to the floor, capturing the attention of both of them. Amber’s eyes widened as she was at a loss for words. I saved her the brain power by running out of the house and driving away before she could even reach me. By the time I reached my house, I ran inside, tears leaving my eyes as I called one person that I thought I’d never call again. Tara. I called Tara. No explanation, just telling her I needed her to come to my house immediately. I went to each door and window in my house, making sure they were locked and if possible covered with the curtains and blinds. Knowing that Amber was persistent and if I didn’t pick up her calls eventually, she’d show up. I just prayed Tara would be here before then. I needed to tell someone the truth, because I didn’t quite frankly know what to do with it. Being a teenager, you don’t expect to be used like a punching bag or cheated on with a grown ass man.

I was sitting on my living room couch, my phone was tossed on the coffee table, buzzing with texts from Amber. All I knew was that I didn’t want to hear it. As I cried on the couch, a knock on the front door broke me from my sob session. I got up quickly, making my way to the door quietly before peaking out the peephole, seeing Tara standing at my doorstep. I unlock and open the door, letting the girl in before locking the door back up.

“Hey, what’s going on with you?” Tara asks softly, seeing my tear stained face. I shake my head to prevent a sob from breaking through as I hug her, burying my head in her shoulder. As my cries wrack my body, she holds me close, stroking my hair softly, shushing my cries. “It’s gonna be okay, we’ll get over this.” She whispered, unsure of what the situation was, but more than willing to try and help.

Unknown: Hey, you awake? 11:21 p.m.

Unknown: It’s Amber 11:22 p.m.

Unknown: I miss you 11:24 p.m.

Unknown: Please baby 11:27 p.m.

Unknown: I need you 11:30 p.m.

Unknown: Answer babe 11:31 p.m.

Unknown: Fucking answer me 11:33 p.m.

“Babe, turn your phone off, I can’t sleep with the constant notifications,” A tired brunette groans beside me in bed. She turns over in the sheets, burying her face in the crook of my neck with a tired pout. “Sorry, love. I’ll turn it off.” I kiss the top of Tara’s head, turning the do not disturb on my phone. I hover my finger over the button on my phone screen. I press down on the block button. I’m over this.

[genericpuff]

bit out of nowhere but LO Hades reminds me so much to Bojack Horseman idk how to explain it

Oh we've talked about this extensively in the ULO chat circles n such, especially when it comes to the most climactic scene in the show, the second interview:

The entire tone of the show showcases a very bitter reality with a lot of celebrities and people in power. There are some messed up things that happen throughout the course of the show, but they always feel like they're being used for comedy or brushed under the rug with comedy, because the show is, after all, a comedy. But I feel like that was the point, because it's not until the final season that everything that happened throughout finally catches up to Bojack, and suddenly... it's not funny anymore. There's no punchline. It really reflects just how much people in power don't see their abuse or wrongdoings as "big deals", sometimes they even see it as "just some funny thing that happened", all while the onlookers and victims of their behavior and abuse either become so acquainted with it they don't even see it as abuse anymore until they finally break away from it (Diana, Todd, Princess Caroline, etc.) OR they fight to be heard while the media tries to snuff them out. So then when the consequences finally catch up to them, there are no laughs to be heard, as much as the perpetrator in question may try their best to pass it off as "not a big deal" or believe they shouldn't be held accountable because "it happened a long time ago".

Anyone who sees Biscuits Braxby as the villain here is missing the overall point - Bojack has been responsible for literally ruining people's lives on several occasions, and has never been held accountable.

And yeah, I see a lot of that in LO as well, but the issue is the framing of the story isn't making it clear if it's actually going to have its "Come to Jesus" moment with Hades and Persephone, or if it's just gonna keep celebrating them as the heroes.

There were no consequences for Hades pulling out Alex's eye. They played the resolution out for comedy.

There were no consequences for Persephone turning Minthe into a mint plant. They played the scenario out for comedy literally by the end of the very same episode and then well into the next one.

There were no consequences for Persephone cornering Tori at his job. The entire thing was played up for comedy.

There were no consequences for Persephone raiding Leuce's home. She was rewarded with sex from Hades and it was, you guessed it, played up for comedy.

Just like with Bojack Horseman, we don't see Hades or Persephone treat these situations as seriously as they ought to. They ultimately don't care how other people feel or how they may be affected by their own actions, they only care about themselves. Just like with Bojack, we see Hades enter sexual relationships with women who are in a much weaker position than him, women who stand to lose far more than he would if the relationship went south.

(I need you all to realize that Hades is literally blackmailing her. He is trying to pay her off with a management position or some kind of severance and framing it in such a way to manipulate her into thinking it's 'better' for her that she take the deal, all for the sake of getting her out of the picture because he's with Persephone now. This is blackmail. And the narrative wants us to root for Hades here.)

Shit, I would argue Bojack is still a better character than Hades and Persephone because we 1.) see how the consequences of his actions do affect him on a deeper level (through his anxiety and self-hatred which he spends a long time wallowing in, making his situation worse, rather than seeking help for) and 2.) he actually does eventually start to seek help, but unfortunately there's only so much one person can do to fix themselves when their actions still haven't been brought to justice and their mindset hasn't truly changed; which is what we see in the final part of the show when, despite Bojack's attempts to be a better person, the Sarah-Lynn case catches up to him, and in his final moments up on that stage with Biscuits Braxby, we see his true nature come out - he thinks being an addict should absolve him from what he's done to others.

Sounds familiar, doesn't it? Except replace "addict" with "traumatized" as many of Persephone and Hades' actions are swept under the rug with "they went through trauma so it's fine". Despite the fact that other characters who have also been through trauma aren't given that same grace (Thanatos, Demeter, Minthe, etc.)

You could also go a step further and call out how the fans themselves will defend their actions as "but they're gods!!! gods were terrible all the time in the myths!" but isn't it funny how myth accuracy only ever comes up when it comes to defending Hades and Persephone? Meanwhile you'll never see anyone bring it up when it comes to Apollo SA'ing Persephone, or Hades having an emotional affair with Persephone, or any of the other number of things that Rachel rewrote for her 'retelling'. It's not funny haha, it's funny yikes.

I can only imagine how the fans feel seeing Hades and Persephone called out must be similar to how first-time viewers like myself felt seeing Bojack be put on the cross by Biscuits Braxby - "you're being an asshole, he's working on himself!" "leave him alone!!!" "the media is making a monster out of him!" "he's really not THAT bad!"

But he is. They are. And unlike Bojack Horseman, I unfortunately can no longer have the good faith in believing Hades and Persephone will have their comeuppance, or the people they've hurt will get their retribution. I have no hope that Persephone will see that she's the Sarah-Lynn of the relationship, a girl who was groomed into an abuser at the hands of an abuser, who had no chance of doing better because the person she fell for pulled her down to his level. I don't have any faith in Rachel whatsoever that she'll manage to end this story with any message besides "it's fine for Persephone and Hades to be who they are, because they're rich and powerful and really horny for each other!"

And Hades doesn't think he has any power over women.

[alexiethymia]

Listen, book!Lockwood who is so repressed that it just translates to beaming smiles has a special place in my heart, but at the same time I cannot stress how much I appreciate the live action series for showing us unbelievably exhausted Lockwood who’s so obviously scared that Lucy and George will eventually leave (willingly or otherwise) but still has the gall to push them away. My boy was barely pulling it together. And ofc he would be so tired that the bags under his eyes are so prominent because we’re outside of Lucy’s POV now. Lucy who’s always had rose-colored glasses when it comes to him.

Speaking of Lucy, I really do love how she calls him out. She’s so aggressive with her love. It’s like she’s demanding that George and her will love and care for him and there’s absolutely nothing Lockwood can do about it so he just better shut up and take it. Peak found family right there.

How that scene where Lockwood comes to apologize to Lucy in the kitchen had so much ‘husband in the doghouse’ vibes, and how ultimately what Lucy is really mad about is just her wanting Lockwood to value his life more. And for Lockwood to outright admit that yeah he was a bit suicidal but it’s a bit like he found a new reason for living because of Lucy and George, again I say PEAK FOUND FAMILY, this is my jam. The ease of which Lucy being Lucy calms him down. (Ugh, again the domesticity of choosing egg cups). He can’t stand when she’s mad at him and he learns about apologizing properly this time around, but when she wordlessly forgives him, you can see on his face how he could fall so quickly and deeply in love with her. That’s one thing I love so much about the live action series. While the book showed us more of Lucy’s feelings for Lockwood, I actually think the series highlights Lockwood’s feelings more in that if I hadn’t read the books beforehand, I could have easily seen it as Lockwood falling first. His abandonment issues are so prominent in the series and while they play it with humor with Fittes and Kipps, you can just see that desperation behind the lighthearted tone, and for Lucy to say that she chooses Lockwood and George anyway….!

This is basically an excuse to ramble about the little things they add in the series that I love so much, which works because we’re not restricted to Lucy’s POV, in no particular order:

How Flo can immediately see how Lockwood feels about Lucy because of the effect she has on him. Prior to that statement, she’d only met Lucy once before, but that brief meeting told her everything she needed to know. She probably knew Lockwood in the aftermath of his family’s death, so for her to see Lockwood just buttering someone’s else toast for them and being all domestic and smiley, treating another person like a family member especially considering how guarded he is, she must have thought (and rightly so) that meeting Lucy made him have an appetite for life again.

We actually get to see Fittes’ and Lockwood’s side of the fight! And it was awesome. “I’m Anthony bloody Lockwood.” I can no longer remember if that line was in the book or not but idc I love it.

George and Lucy’s scene was in the book, but the acting in the series just really sold it for me. How Lucy’s heart just broke hearing George talk about himself, especially everything he said then were feelings I’m sure she’s also had about herself. I seriously loved that last episode. George and Lucy were adorable. Again I say, found family ftw.

The rise of the Flo x George ship! “You, me, and herons!” Again I say, adorable.

There are some elements that work better in book format, but in many ways the tv series really did elevate this beloved book series. It was a wonderful, wonderful adaptation. As a reader, I couldn’t be more satisfied. As a shipper, I couldn’t be more ecstatic.

[lovelyyandereaddictionpoint]

Rough Winter | Yandere Polar-Bear Hybrid Pirate

There was something oddly eerie about the stillness of a biome meant to remain frozen. It was far too cold to hear the screech of even the most resilient birds; who wouldn’t migrate here if they could. Far too frigid for the reaching branches of any tree, with no soil beds for any determined sprout. 

No. 

No natural force would stay in the Arctic Wastelands. 

No one but Captain Poal.

Captain Poal and the crew he’d chained to his cursed vessel. 

“Land-Ho! We’re home, boys!”

The word felt like salt in the wound. You hadn’t been able to go to your home…your real home in what felt like ages. But what would be left? For a crew from a frigid biome, they had quite the fascination with fire. 

“Aw is the pup getting homesick?” 

Sen had a cruel and broad smile across his face as the ship sped forward to the floating fortress. The boat rocked with the jostling waves. You no longer needed to clutch the sides, easily maintaining your balance. It hurt to know this was no longer foreign to you.

“Senfried! Don’t be so rude. (Y/n)’s never been to this home before. This will be their first real welcome home.”

“Ooops~I forgot~”

Sen didn’t forget. He was just cruel like that. 

Despite his cruelness, he didn’t strike you as a kindred spirit to Poal. You wondered if he would have said the same if he had been there. Feeling the alcoholic buzz of the Summer festival, the sauntering joy of many living beings. Only for it all to dissipate in the suffocating haze of a burning inferno. And if it wasn’t enough that the sound of your home caving in on itself wasn’t enough then the helpless screams of all of those trapped inside would do it for you. 

The enflamed ashes skim your face as your eyes fight the smoke to burn the images of the late escapees into your mind's eye. Burning bodies both sprinting for water and falling out in a desperate call for death; it was a horrifying scene. 

Would he still be laughing then? 

Laughing as he watched the melting hands reach out to you one last time. 

Would he do that?

“(Y/n)? Are you alright?”

You let yourself return to the present, to Flynn placing a large hand on your back. The comforting gesture does the opposite, as you recall the same action being done that same night. You stepped away, ignoring those downcast expressions behind his glasses. Even Sen seemed to hesitate as you turned to woefully look at the rushing, raging waters.

Sen opened his mouth to speak, closing it as the Captain’s presence appeared with a thud. Booming footsteps commanded their attention and should have garnered yours. There wasn’t a need to look up when you already memorized the clinking seal-skinned boots. 

“Oi Oi is there an issue over here?”

Sen scrambled with a quick response. 

“Yes, Cap’n we’re all good here! Just excited to be home is all!”

His tone was light as usual, with no evidence of his previous pestering. Flynn on the other hand didn’t bother to let his hazel gaze point to you, before discretely pushing his spectacles up his nose. 

“Yes, we are all…ecstatic. ”

The Captain’s round and furry ears flicked in annoyance; silently communicating with his trusted first mate. Who nodded with the bow of his head. The Captain nodded upwards–a proper dismissal among friends.

“Well me and Senfield will prepare the rest of the crew. While our treasures may be compartmentalized they have yet to be moved.”

“Wait why do I have to come?”

“Senfield.”

“Don’t Senfield me! You always ack–! Hey”

Flynn dragged the hybrid by the stump of a tail before shifting to simply nudge him forward; effortlessly launching Sen ahead. Sen wasn’t a particularly big guy, given his species but not many could hold the line against a walrus hybrid. Especially not one as big as Flynn was.

Needless to say, your privacy was gifted by their absence.

Leaving you and the Captain alone on the deck of the ship. 

“What’s the problem, Snowball?”

You snarled at the nickname refusing to look up at him. He was probably smiling; casually flaunting the pearly razors so often stained with blood. 

“Don’t call me that!”

His fishy and sweltering breath fanned against your ear. When he had moved closer you’d never know. Speed and strength weren’t the traits he was lacking; that title belonged to his emotions. His sense of empathy and compassion was either nonexistent or skewed so much that it didn’t matter. 

“I’ll call you whatever I want.”

It wasn’t cold anymore. It was hot. Suffocating. 

His unclothed front was pressed into your back, his jacket-covered arms trapping your front. He was so insatiably warm. It felt like a fever had taken hold of you—an unnatural heat incurred by the chilling atmosphere.

“This is all your fault…I hate you Poal.”

The heat shook behind you. Vibrating with his stifled giggle. He clutched onto you tighter; muscles constricting you into his shaking embrace. His pointy nose dug into the top of your head, nuzzling into the woolen hat he gifted you before. 

“No, you don’t.” 

He let a steaming hand into your coat, shoving past the layers of cloth you’d put in place. You didn’t fight him, you couldn’t stop him as he reached for the skin above your heart. 

“You’re just mad that you lost.”

Retreating his hand from your protective layers he let you weakly cover up; before holding you by your cheeks. Turning your head to look up at the increasing size of the pirate’s fortress he squeezed at the resistance of your frown.

“Look at it. It’ll be one of your homes.”

“It will never be.”

“Don’t be coy. You’ll have a favorite eventually.”

“And you think it will be here?”

He turned you to him, pressing you into the side of the boat, clutching your face with a new ferocity. His head was already leveled above you coming closer to cast a shadow on his pale face framed by his unruly white locks as he looked down at you. In a fierce aquamarine glare, he doesn’t smile, looking as desperate as he is frustrated.

“I think it will be me.”

It wouldn’t help to struggle against his grip risking the pricking of his claws. So you simply returned his gaze knowing full well that backing down now would be your downfall. He backed his head away letting the light of the sun illuminate his face as he spread his mouth into a dastardly grin.

“You’re such a hurricane!”

He smashed his lips against yours. Quickly sucking on your pouting lips just barely nibbling before pulling away. He released you,  giggling to himself once more as he watched you recover. You rubbed your hand over your lip checking for any punctures glaring at him nonetheless. That seemed to make him smile wider, dashing away to knock on the door to the ship’s hold. 

“Buckle up Baby! We’re headed home to the fortress!”

Muffled shouts and hollers sounded from below. This would be your roughest Winter yet.

[curtsycream]

Poly nope squad and can you please add suna in it 🥺🥺 x little reader where she wants tu be hugged and cuddled and she crawls to her cgs and sit on their lap and hug them 🥺🥺🥺🥺

Poly!Nope Squad (plus Suna) x Little!Reader

I hope I did this request Justice my mental state has been depleting due to grad school. But I’m sticking to my resolution of being consistent. I’ve been trying to do one request per week to adjust my schedule while I work on fics I’ve already started on.

Akaashi and Kunimi were in the kitchen working on snacks for the movie night that would take place in minutes. Days like these were rare for the couple as many of them had conflicting schedules. Turning to look into the kitchen from the living room couch Y/N pouts as she sits in Suna’s lap. The fox-like man was scrolling in his phone as his free hand gently rubs Y/N’s hip. The scene was one that reflected comfort and security, yet Y/N wasn’t satisfied with that.

Crossing her arms she looks around focusing on Tsukishima and Kenma who were discussing which marvel movie to watch. The two didn’t show it often but they had a deep love for marvel movies.

Y/N lets out a small huff as she looks up at Suna who looked back down at her. A curious look on his face as he places his phone on the armrest beside him. “What is it, doll?” he asked in a low tone.

“Hug..” she says with a pout still on her face.

It didn’t take much convincing on Suna’s part as he tugged her closer. His arms around her waist as he presses kisses to her cheeks and lips. The affection she was receiving caused her to giggle as she tried to do the same back. The attempt made Suna’s heart race as he allowed her to copy his actions.

When Y/N was finally content with the hug and the kisses she received she got out of Suna’s lap. She then walked over to the other couch crawling onto Kenma’s lap. It seemed he understood exactly what she wanted right away. His arms wrapped around her right away as he kissed her on the lips. “You finally decided to come to me huh kitten?” He says in a teasing tone.

Before she could reply Kunimi and Akaashi joined them with an assortment of movie snacks. Y/N’s face lit up as she noticed the snacks ready to grab a piece of candy before she was pulled into Tsukishima’s lap. “Not so fast, Princess..” he says with a smirk. Sitting on Tsukishima’s lap she couldn’t do anything but pout as she looks at him, “want that..” she whined out.

“The movie hasn’t even started yet, silly girl..” he says to her amused.

Y/N could only shake her head but didn’t say anything more. Even without her getting a snack just yet she still got one thing she wanted. Her fingers curl around the fabric of Tsukishima’s shirt as she lets out fussy noises. While that is going on Kunimi outs on the first movie, it was one of Y/N’s favorite Disney movies. The sound of the movie starting made Y/N perk up as she turned to look at the television as Tsukishima hugged her close to his body.

As the movie continued Y/N found herself in Akaashi’s lap after crawling to him. Her attention on the television as Akaashi held her close in his comforting embrace. She was eating a piece of candy that she was finally allowed to get. Something the five men realized would end badly for them since she was still in Littlespace.

Finishing off the price of candy in her hand she reached for Kunimi. Akaashi understood as he pressed a kiss to her cheek, “oh is my turn up, dove?” He says softly. Her head turned as she looked at him with wide eyes before nodding. The action caused Akaashi to laugh shortly before he passed her over to an eager Kunimi.

“My pretty baby..” Kunimi whispers in his monotone voice as he holds Y/N close to his chest. His hands running up and down her back as he holds her. The little was snuggled up close to him as she watched the movie. Before long she had fallen asleep satisfied with all the affection and attention she received.

This one is kind of short but I hope you liked it anon! My brain is slowly getting back into the creative side of writing since all I’ve been doing is research papers and articles lately.

[cinematic-phosphenes]

HoTD S2x01: A Son for a Son (I have thoughts and I'm keeping them here)

The Stark theme and Cregan doing his best Sean Bean accent have me nostalgic.

If getting conscripted to the Wall is an honour, then why does budget Jon Snow look unhappy about it?

No Sara Snow, okay. I’ll live with it. No Jace/Cregan (b)romance, not okay. Tumblr made me want it, only to be so denied by the showrunners.

Not more Targ colonialism erasure. "We colonised an entire continent to save the world, no really. And look, even the noble Starks agree with it!" is such a shit take, even if it's canon. I like the Targ characters, but let's not erase the original Aegon's colonial crimes.

Jace looks so pretty! Major glow up.

Dragonstone has a dragon hangar! Yay for worldbuilding!

Daemon calling Vhagar a hoary old bitch reminds me of this absolutely amazing Vhagar POV fanfic I read. (Soon the god's hoar by eldritcher on AO3) (The fic is spoiler-y for the rest of the Dance, jsyk.)

Yes, Rhaenys! Put Daemon in his place! Also, her dragon riding outfit!!!

Alyn, I see you doing an Egg by shaving your head.

Why in the hell does no one take Helaena’s visions seriously?! She’s right every time. (Can I blame ‘I had a dragon dream once’ Viserys for this? Because I want to blame Viserys for this. Look at the mess you left your kids in, Viserys! I hope Balerion bites your ass in the afterlife.)

And here we see the 'Our lives are in danger, so let's fuck about it' trope in action. I’ve heard a lot of Alicole hot takes. “Criston Cole is ‘unmanly’ for going down on a woman” is the absolute hottest of hot takes I’ve had the misfortune of encountering.

Otto giving Alicent and Criston Cole that look as they walk in. He knows what they’ve been doing.

Aegon grinning at his son like a fool. Aegon giving Jaehaerys attention and wanting him to learn how to rule even though he’s only six. Aegon trying to do better than deadbeat Viserys did. Aegon talking about pony rides in a way that suggests Jaehaerys often gets pony rides, possibly from Aegon himself. If you told me last season Aegon would somehow turn out to be the best father on this series ….. (Yes, I know that when it comes to being a dad the bar is in hell’s basement here. Yes, I know the way Aegon treats his illegitimate kids is horrific. I think there’s definitely been some retconning here and S2 Aegon is not the same character as S1 Aegon. They should have portrayed him this way from the start.)

Alicent wrote Rhaenyra letters to apologize for Luke's death and she's expecting a response?! Girl ....

My kingdom for a scene of the Greens finding out that Aemond killed Luke. My kingdom for a scene of Aemond deciding to just fully commit to the villain persona and lie to say he killed Luke intentionally. Such a missed opportunity.

Larys being an intimidating creep to Alicent again. He should go fall down some stairs.

Alicent scrubbing her skin raw. She is not okay. (I want to see Alicent cracking. Let Olivia Cooke act!)

Rhaenyra’s grief over Luke is heartbreaking. Emma D’Arcy is acting their heart out. And Syrax crying too, nooo.

Aegon walking in sync with his fratboy squad. You know they practised that entrance during one of their nightly seshes in the throne room.

Are they going to show the throne cutting Aegon?

“On further thought, I have decided ….” Aegon is hilarious.

It’s Hammer time!

Larys already angling for the Hand’s position. I know this guy is ambitious, but damn.

Just Alicent looking ethereal reading letters.

Mysaria’s accent has been toned down! (Why was Mysaria fleeing King’s Landing though? Maybe I’m missing something but I don’t get it?)

“We swore an oath to protect the whole of the royal family. So what were we to do when they turned against one another?” Jaime Lannister echoes.

"I want Aemond Targaryen." Chills. Rhaenyra only says four words all episode and it's these four words.

Jace trying to keep it together and be professional to give his report. Jace looking so much younger and more vulnerable when he’s back with his mother. I’m not crying, you’re crying.

Scenes with Rhaenyra at Luke’s funeral interspersed with scenes of Alicent paying tribute to the dead, including Luke. My heart. That empty space next to Alicent in the sept where Rhaenyra used to pray. They are an absence in each other’s lives.

Rhaena crying for her betrothed, nooo.

Why didn’t they have a dragon light Luke’s funeral pyre?

The return of the Daemon crime hoodie, now upgraded to a war crime hoodie.

Making it unclear if Daemon told B & C to go after another son if they can’t find Aemond or if B & C just went rogue – that’s a cop out by the writers. Unless it comes up again. EDIT: Daemon said 'a son for a son.' He was giving them carte blanche to go after another son if Aemond is MIA.

Daemon reluctantly admitting Aemond is a good fighter. I love to see it.

Why do I get the sense that Aemond also knows about Alicole?

“Rhaenyra is a cunning spider. Long ago she pulled Alicent into her web. Intoxicated her. It is not your mother’s fault.” “Her Grace speaks with two tongues. Alicent holds love for our enemy.” So they’re both obsessed and very much not over Rhaenyra. Do Alicent and Cole both think of Rhaenyra while being unholy together because it kinda seems like it?

Ewan Mitchell as Aemond is so mesmerizing. That man has presence.

Why the fuck has no one tried to map the secret tunnels into the Red Keep and close off the ones that allow randoms to sneak in/royal minors to sneak out?

The entire Kingsguard is in the throne room guarding Aegon? And they don’t stop the ‘rat catchers’ working at night? Even if the rat catchers were supposed to be there, I feel like it would still be protocol to stop and question them. Have none of these writers been pulled over by the cops for no reason/even slightly suspicious behaviour?

I think the build up to B & C should’ve focused on Helaena and her kids instead of B & C creeping around, arguing for no reason and committing gratuitous animal abuse. (That dog kicking scene looked so real, I watched the end credits for a disclaimer that no animals were harmed in the making of.) They could’ve shown Helaena getting the kids ready for bed, reading them a story, etc. They established a connection between Aegon and Jaehaerys pre B & C but none between Helaena and the kids before it happened. Lost opportunity.

B & C was very different than I expected before I was spoiled. I guess I see what the writers were going for with Helaena’s response to B & C. She’s dissociated rather than hysterical. She’s been painted as a character who’s distanced from the world around her in general, so perhaps this is an in-character trauma response for her. Plus you could see the absolute terror in Phia’s eyes. Helaena was terrified and traumatized. She was just quiet about it.

As for her just pointing out Jaehaerys instead of trying to bargain or plead more for his life … I guess it’s because they’re characterizing her as very literalist, straightforward and honest to a fault as part of her ‘strangeness’? So she just took B & C at their word and didn’t try to change their minds because after the necklace offer failed, she assumed they couldn’t be swayed and would definitely kill her and both kids like they threatened to if she didn’t point out Jaehaerys to them. As for not pointing to Jaehaera – that wouldn’t accomplish anything. If they didn’t check that they really had the boy, one of her kids would still be dead. If they checked and discovered she’d lied, they might kill both kids. She was a mother who didn’t want either of her kids to die but perceived she couldn’t do anything to save both of them, so she felt she had no choice but to point out Jaehaerys. And then she grabbed Jaehaera and got her to safety when she saw the chance. At least she could save one of them.

As for Helaena saying they killed ‘the boy’ instead of saying his name Jaehaerys – I don’t see that as her being insensitive and uncaring about her kid. I think she was just repeating B & C’s exact word use in her dissociated state. She was on auto pilot at that point.

I do get what the writers were going for … but it’s not going to translate well to most of the audience I don’t think. I see many people interpreting it as Helaena not caring about Jaehaerys and not trying hard enough to save him. “Why didn’t she offer up her own life like any mother would?” If a large part of the audience misinterprets or misunderstands a scene or a character’s intentions or motivations, then that’s a failure on the part of the writers IMO. I’m not upset they didn’t make B & C more graphic or violent in the physical or psychological sense. (In the book, their twisted mind games were just as horrific and brutal and every bit as violent as the physical violence). But I do think that scene could have been better executed in a different way. And including Maelor probably would have worked better to illustrate the horrific, inescapable situation Helaena found herself in between a rock and a hard place.

Where the fuck are the guards? In the throne room with Aegon? Sent away by Cole to hide the fact that he’s in the queen dowager’s bed? The Greens never considered infiltration or a stealth attack? They really got complacent because they have Vhagar guarding the city.

Alicent and Cole doing it in Rhaenyra’s old room, in Rhaenyra’s bed!! Are they both imagining they’re with Rhaenyra too?! Because this is giving … high levels of dysfunction. They’re both haunted by Rhaenyra

The only thing I’ll say about Alicole is that they really should have shown them getting together for the first time. When, how and why did that happen? Who instigated it? How did they both feel about it? Again the writers don’t show the motivations they had in mind for the characters, resulting in the viewers drawing different conclusions than they’re ‘supposed to’ and it works against the story. The interviews I’ve watched seem to say it’s consensual on both their parts. (I know there’s a power imbalance that makes it problematic, but I don’t think the writers see it that way.) Again, showing the start of their first sexual encounter would have been better writing (IMO) because it could have been used to illustrate consent.

The last thing I’ll say about Alicole (okay, so I wanted to say two things) is that showing it after B & C that way by having Helaena walk in on them cheapens B & C. The true shock and horror here is that a child was murdered in front of his mother. Why add the cheap shock value of someone walking in on their parent in flagarante?

All in all, okay episode, kind of weird. Looking forward to see what they do with the rest of the material.

[sillyrabbit81]

Later

Summary: You meet a strange man in your hallway

Pairing: August Walker x Female Reader

Word Count: approx. 1.6k

Warnings: Mild smut (kissing), implied smut, threats of violence

Authors note: Okay, I have been blocked for a long time. I forced myself to write this to try to get over it. It's got problems, but at least I bloody wrote something 🤣

Thanks to @augustsprincess for the idea for this story. Thanks to @nashibirne for her encouragement and support. Thanks to @amberangel112 for Beta reading.

I only gave this a quick edit, there will be errors.

Masterlist

As you press the button for your floor on the elevator, you yawn. It was well after 2am and although it had been a great night out with friends, you were looking forward to a shower and some sleep.

You’re still yawning when the elevator doors open and you come face to face with a man you had never seen before. He was shoving a suit jacket behind one of the decorative plants with one hand, while loosening his tie with the other.

He draws a gun, points it at you, his eyes narrow as they quickly look you up and down. You gasp and raise your hands instinctively, your keys slipping from your fingers, and falling to the floor with a jarring clink and jingle.

The gun stays firmly trained on you as his tie follows the jacket and he ruffles his smoothed down hair into messy curls before finally pulling his shirt out of his pants. It only took a second or two, but that was long enough for you to really look at him, noting his height, his obviously well maintained physique, the rough growth on his cheeks and the well maintained moustache on his lip. 

Slack-jawed, you stare at him, trying to make sense of the scene before you. It seemed as if he was trying to do the same, or at least was working out what he was going to do with you. Your eyes keep returning to the gun. His hand is bloody at the knuckles, split and bruised, and doesn’t waver or shake despite his hurried actions; instinctively you know it’s not the first time he’s handled a weapon, and he’s more than capable of using it.

There’s a noise in the fire escape, several pairs of heavy boots thudding on the stairs and muffled, hurried shouts. They’re here for him, there’s no doubt in your mind.

The elevator doors start to close and the man stops them with his surprisingly unscuffed black leather derby shoe. 

“Do you live on this floor?” he asks. His words were clipped for speed, but his tone was calm.

You nod. You don’t want to try to speak because you’re unsure if words or the violent scream that was poised at your throat would come out first.

Using the gun, he points to the floor. “Grab your keys, take me to your apartment.”

The thudding march in the fire escape gets louder, it won’t be long until they make it to your floor. Your eyes dart to the door to the stairwell, wondering if you should just wait until they get here and arrest him. But what if they weren’t cops, what if…

The frigid, smooth metal of the gun barrel rests against your cheek as the man brings your attention back to him. Your eyes meet his. They’re glacial blue and not as cold as the colour would suggest; calculating, intelligent, slightly unhinged, but not cold.

“They aren’t coming to save you, princess,” he says with a smirk tugging that the corner of his cruel mouth, “get the keys. Now.”

Closing your eyes you bend your knees and sink low, reaching blindly for the keys. As your hand closes around them, you vaguely wonder if your hand will stop shaking enough to be able to slide your key into your lock.

It proves to be an irrelevant thought, because as soon as you stand he takes the keys from you and asks you to show him which key it is and for your apartment number.

Pointing to the key with a quivering finger, you tell him the number with a wild voice, high pitched and trembling. You clamp your jaw together after you speak the words to keep the still threatening scream from escaping your lips.

With a jerk of the head, he indicates you should move and you head to your apartment on knees that scarcely hold you upright. Rounding the corner, you’re only a couple of feet away from your door when the sound of the fire escape door opens and slams shut and while you can still hear some people in the stairwell, the unmistakable sound of heavy boots are thudding against the low pile carpet of your hall.

You yelp and turn towards the man. His brows are low and his lips are pursed, then suddenly his features relax and his pink tongue sweeps swiftly over his now grinning lips.

“We don’t have enough time, you’ll have to just go with it. You can slap me later,” he says.

You barely have the time to register his words before his lips are on yours and he’s guiding you the final steps to your door and using the heavy weight of his body he holds you there. You panic, he’s probably about to get killed and you’re probably going to get caught in the crossfire and instead of making use of his gun, he’s kissing you.

Pressing the heels of your palms into his shoulders, you’re about to try to fight him off when you realise what he said. A large man in a suit rounds the corner, gun drawn and held ready in his outstretched hand. He stops short when he sees the two of you and lowering his gun a little he smirks.

It sinks into your brain why he kissed you. You feel like such an idiot. With a whimper of fear and a sigh of resignation, you close your eyes and force yourself to submit to his kiss.

The man groans in gentle approval when he notices you’ve relaxed. His lips, while firm and assertive, are smooth and plush as they glide over yours. Confidently, he deepens the kiss, teasing your lips to open with an insistent flick of the tongue that whips through your nerves and settles with a searing heat between your legs.

Your stiff and outstretched hands slacken, curl around his muscular shoulders. You moan softly as they move beneath his shirt, you could see he was a large man, but the hardness and definition of his muscles was not expected. Your hands wander, one to his neck where the rough prickles of his stubble sting deliciously against your fingers. The other trembles as it works its way down his arm and over the thick ball of his bicep as he tries to work the key into the lock.

There is a subtle click and the door at your back is no longer holding you up, replaced swiftly by a strong arm and large hand splayed across your back. Like he was leading you in a waltz, he spins you through the open door and, like a good dance partner, you follow without protest. 

Once inside your apartment, you expect him to let you go. Instead, he holds you against the wall of your hallway, his body leaning hard into you, and with a final potent stroke of his silky lips, he lifts his head.

You don’t know what you expected to happen next, kissing strangers to escape certain death was hardly your usual weekend scene, but having the man hum softly and lean his forehead against yours as he catches his breath was not what you expected.

“I have to fake a lot of things in my line of work,” he says, “but pretending to enjoy that was not one of them.”

“Oh,” you reply stupidly. “Thank you?”

Then he smirks and turns his head to peer through the peephole. He keeps you flush against the wall and you lean your head against it, closing your eyes as you try and make sense of it all. 

What was his line of work? What kind of job required you to fake things and be chased by gunmen? Was he a criminal? A hitman? A spy? An undercover detective? Do you even want to know?

A whispered curse and a tickle of whiskers against your skin was the only warning you had before his lips grazed your jaw and worked their way down your throat to the hollow at the base of your neck. You couldn’t help but imagine what that mouth would feel like as it moved up your thigh and between your legs. Your cheeks burn, and a low throbbing ache begins deep in your gut.

Then he steps back so swiftly you almost slide down the wall now that he wasn’t holding you up. Tilting his head slightly, he studies you with those shrewd and cool, but not cold, blue eyes.

“I owe you,” he says with sincerity. He straightens, rolling his shoulders slightly as he stretches his neck from side to side. He lets out a hard breath, planting his feet firmly. “I’m ready.”

“For what?”

His brows come together. “For you to hit me,” he explains, “I owe you.”

“I’m not going to hit you!”

Abruptly he turns and crosses the living room of your small apartment and looks out of the window. He opens it and carefully sticks his head out and looks swiftly up and down before pulling his head back inside and looks at you. He nods and in a few short strides he’s back in front of you, grinning broadly as he grips your chin between his thumb and forefinger.

“I don’t like having an unpaid debt, but there is no time for negotiation right now. If you won’t hit me, then I suspect I could pay the debt in another way…” He trails off as he brushes his thumb over your lower lip.

You try to hold it back, but the memory of his kiss is too strong and you let out a soft whimper.

“Thought so,” he says and your face heats with embarrassment. He dips his head and traps your lower lip between his, drawing it briefly into his mouth before pulling away. “I’ll come back in a few days. I look forward to compensating you.”

Pivoting on his heel he’s back at the window, lifting a leg through and onto the fire escape. 

He pauses just long enough to say, “The name’s Walker by the way.”

Then he’s gone.