#odd ending choice....

[togairaa]

I keep getting disappointed with each new chapter, and I get my hopes up for the next one, but it hits a new low

[jeeaark]

Shirtless Disaster Pt. 1

So. pretty sure the emperor cusses. just. never had the reason to say out loud. or has a filter on when they talk. Until Greygold happened. You ever try and look with the emperor's perspective when Tav makes decisions and go, 'H-how are you not ceaselessly cussing like a sailor at Tav?'

ANYWAY- HERE'S THE THING. TRULY. Always had my squinty-eyed caution on Emps. Trying to ascertain if they were for real with their words/actions/intentions or not. but. Squid buddy sharing their feelings of caring was the uh snowball that started this avalanche. Can't fake feelings huah, GREYGOLD FINALLY FOUND THOSE MUSHY BITS HUAH.

I ain't gonna let y'all wonder what Greygold's answer was, so uh. Bonus!

[poorly-drawn-mdzs]

Mushroom body

(for @mikkeneko)

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[pepperf]

Pop quiz, hotshots! Which would you rather have:

A relationship that, when it goes wrong, you can tell the other person that you need a break to reassess your relationship, and they will discuss this calmly, let you go, and then go away and think about what you said, agree that they were in the wrong, and start working on ways to fix their own behaviour;

OR

A relationship that, when you want to leave, they tell you that you don't really want to go, that you're happier with them, that you should isolate yourself from your family and friends so you can stay with them - and when you disagree and tell them the relationship is just a matter of necessity, they start in on your other relationship (which they have apparently decided is the reason you're going back, despite you making no mention of it), telling you that it's broken, that you shouldn't go back to him - and when you tell them to butt out of your personal business, they tell you they're entitled to have an opinion because you've been stranded alone together for a long time...

Is that or is that not what happened? Because I remember Lila making herself pretty clear on these points, but apparently a bunch of people think we should disregard a woman's expressed opinion about her own life, and go with what she's being told. Because Five knows best, amirite? Gosh he's so smart and clever! And he deserves this - he deserves Lila, no matter what Lila herself says. He's owed it by the universe, because he had a bad life.

Lila did have another relationship like that, where she was told what to do, kept in the dark, told that the other person knew what was best for her...and it wasn't Diego.

[pixelatedraindrops]

Yuma Month: Day 28: Death

“ B A D E N D”

TW // Blood

TW // Suicide

[vyrion]

following the rules.

wikipedia, prophetic perfect tense // cemetarything // sleepacross, hand jumper // haruki murakami, dance dance dance // josé saramago, cain // silas denver melvin, love as an act of merciful conquer // glass beach, motions

[devonrubinart]

You know me too well, scrapper.

[cornucopiagazette]

Very Important Poll:

We now have the following decision to make:

Upload the twine version of Curious Cuisine once Ch 1 Act 1 is ported thoroughly, wait till Act 1 to 3 are done or wait till Ch 1 in its entirety is done?

Please leave feedback, thank you ❤️

[evilkitten3]

come back to konoha kris

[holocene-sims]

next // previous

may 11, 2013 3:00 a.m. grant's old apartment

please, i know you're in there people are asking where you've been they say "have courage", and i'm trying to i'm right out here for you just let me in we only have each other it's just you and me what are we gonna do? 🎵

[thequeendomeffect-noah]

UM, HELLO?????

SUPER SWING Hana and Danielle is now alt. Seymour too???

[batemanofficial]

saw alien romulus.......lots of pussy even for a giger thing

[abirdie]

Gael García Bernal in Wasp Network (2019, dir. Olivier Assayas)

(Among other people, these gifs feature the backs of the heads of Anel Perdomo, Penélope Cruz and Edgar Ramírez)

Gifs are all 540px wide so you can click to see larger.

[other gael filmography gifsets]

[swinging-stars-from-satellites]

I usually like living with my parents and don't even entertain the idea of moving out and then there are the moments that I recognize that the older I get and more I experience life outside of my house, the more I realize that my mother can drive me crazy

[link-sans-specs]

We interrupt this closeup of Rhett for a...

Mostly out-of-frame sans-specs eye rub. 🤷‍♀️

GMMore2489

Can We Guess Which Gatorades Were Combined?