#now to the real important stuff...

[zoennes]

25 NOVEMBER, 2019 ✦ MAANDAG, 20:02

[bisamrottan]

is this anything?

[azaracyy]

a lesson on good karma digimon survive week 2024 day 4: supporting characters

[burningfunobject]

I love jayce

I mean who doesn't its just by God does he make bad decisions

[chiropteracupola]

He’s red and he’s white and he’s green and he’s grey / My bonny young dragon, come hither away...

Keith Windham and Nuntius, out of Luzula's stunning Flight of the Heron/Temeraire crossover fic 'The Flight of Dragons.'

[taldigi]

anyway I think it's an actual crime they cannot kiss in canon

[oddly-casual]

Fiona and Cake spoilers seriously

(Something I noticed abt Betty and Simons relationship)

I love Betty and Simon’s relationship, I think their back story is so cute and romantic and all that lovely stuff don’t get me wrong.

But there’s this under tone of Betty constantly giving things up for Simon and we don’t really talk about it a lot???

Like, Betty let Simon have his moment with the artifact and the pubic, she also doesn’t go to her trip in favor of going on an expedition with Simon. Then when she goes to leave again she stays for Simon.

Even Fiona is like “you went with her on the bus?” And Simon just looks all confused like “what? No, why would I do that?” Like- hello???

Then after that she gave up her entire life and mind to get Simon back to the point where she literally says “I don’t know who I am without him anymore.” And that just sucks! Since the beginning Betty has been the one giving up the most, her mind, her own possible career, and it’s a story of love of course and it’s very sweet but it’s also a story of sacrifice.

Their love wasn’t a perfect solution, it was already sort of imbalanced when it started and I lowkey love how we see those cracks even before they’re together.

Again, I love their relationship and I think it’s sweet. I just think we should talk about Betty’s side more, especially when she tells a story of what most women do in relationships, sacrifice.

[skrunksthatwunk]

kinda thinking about how the women who serve as maternal figures/raise kids in yyh are never quite ready for it. genkai's an arguable exception, but like.. atsuko had yusuke at 15, shizuru's basically in charge of kazuma full time in her early 20s/late teens (depending on version) with very very absent parents, and even shiori is given a kid she wasn't expecting, in the form of an old, old demon rather than like. a regular, blank slate ass human baby. and although shiori seems to do quite well with kurama, kurama can never be honest with shiori about who he is, or much of what he's seen. if he was, it'd probably make things far more complicated and overwhelming. atsuko, no matter how much she cares for yusuke, Could Not Have Been and thus wasn't ready to have him at 15. her attempts to make the most of that situation have had middling success at best. shizuru has also been placed into a parental role. we don't really know how long she's been raising kuwabara, but that's.. probably still parentification anyway. she shouldn't have to do that, and she shouldn't have to do that so young. and i think some of her coarseness with kuwa is out of frustration with her own inexperience + inadequacy + uncertainty, his not cooperating, and their parents for putting this on her in the first place. the ones who know the full extent of their situation grow desperate and it squeaks out in unpleasant ways, and the one who seems unbothered by it is the only one who has no idea that she's in way over her head. and i mean. ok. gonna preface this by saying keiko is NOT yusuke's mom in any sense of the word. but she does take care of him in a way atsuko couldn't manage to. she's often looking after him and cleaning up after his messes and stuff. she takes him on as a responsibility, and that is, in a way, a caretaker role. not to say that it SHOULD be her responsibility, but it's how she ends up being.

and when the stress of trying to make someone take care of themselves or be kind or good or Whatever goes awry, again, the violence and arguing and distance and ugliness of caring for someone reveals itself.

and i wonder about that. for a series dedicated to physical fighting as a form of communication, what does it say that this extends to the complicated, quietly desperate situations of so many of the women/girls it depicts, whom our more central characters were shaped and raised by?

hell, even hiei touches on this, because hina loved hiei, but there was no way she was prepared for him, obviously, nor for the pain of losing him. rui (whom i also see as a sort of caretaker figure to hiei, inasmuch as either of them were caretakers) literally throws him off a cliff because she couldn't face down the village elders, and out of some mixture of care for hina and, likely, fear for her own survival. and the guilt and pain of that killed hina and deeply wounded rui.

it's like motherhood, this thing that's so often treated as sacred and beautiful, is a kind of stitched up, painful, eggshell-walking thing that hurts parent and child and it's just. oughh

[puhpandas]

just watched all the way through john fuhnaffs recent theory and like godd he really is cooking he truly is onto something but like. the idea that Cassies dad did all of thos important stuff and is connected to the mimic and built mxes and did all this shit is like. what do Gregory and vanessa even have to do with anything anymore at this point

[stuckinapril]

HOT DOCTOR HOT DOCTOR HOT DOCTOR HOT DOCTOR

[alohaasaloevera]

Oh boy do I love it when I see two characters with vastly different personalities and wow their backstory and motivations and developments are in some proximity tied to each other? Wow how I do love that! What’s that? They have a rival-esque dynamic? Which stems from one characters insecurities? How interesting! I can’t wait to see how the pair’s relationship progresses throughout the span of the entire show! Hopefully they will be granted with a blossoming relationship from rivals to friends to an unbreakable bond that not even the insurmountable obstacle that is time and distance can wither! Hopefully the show displays poignant moments between the two that can act as lessons the audience can learn from such as battling your insecurities and being able to rely and trust people etc.!!!!

I do love both of these characters dearly. 😈 HAHAHAHAHA SHIPPING TIME!!!

Ok, let me just binge the whole thing—

[mourn-and-watch]

obsessed with warden carver's "in war, victory, champion, and whatever else may come" farewell line. he really refrained from mentioning the "in death, sacrifice" part to his sibling he was going to follow into a battle that seemed pretty much doomed to almost everyone

[badly-drawn-bbu]

BDBBU Holiday Spectacular PT. 4!

prev // next

[doodlesdreaming]

To those fakers who keep sending me and other people asks for money for their 'campaigns', when there is LITERALLY a genocide happening in the world right now, I only have one thing to say to you:

FUCK.

YOU.

[dnangelic]

like it's just the way that outside of the BATB/POTO 'love what's ugly and ostracized' narrative itself cocteau was gay and everybody hated his gall about it, howard ashman was gay and had to conceal it and died of aids after finishing his work for disney's batb.... rather than have dark be homophobic and spitting in the face of his inspirational roots (the sole canon detail i can't stand) it's much much much more interesting for me to both read and write not someone who's meant to be a pervert (in humor) and an agape lover (in serious contextualization) only to turn and say 'no homo' to the crowd every single time but rather, instead of all that, someone who, simultaneously taking daisuke into account, is both extremely firm yet simultaneously insecure in the struggle to establish their identity not only in regards to themselves but also around others.

that applies to a lot, but i've been considering it especially in regards to dark's gender and daisuke's attractions. dark in my portrayal (while overall 500% nonbinary) is closer to someone bi-gender rather than agender; the feminine aspect to him isn't just theatrics, it's actively also part of his entirety to him, (compared to daisuke's passivity; the ten thousand canonical princess allusions,) and even if nobody ever recognizes it in a cognizant way, it is always, always there, the same way that erik blurs and obscures gender in leroux's novel (my second enormous inspiration, sugisaki's outright admitted primary) and sakurai occasionally discusses his relationship as both a performer and a person as well (my third enormous inspiration and sugisaki's secondary,) (see 1, 2.) simply put, the tragedy of (my!) dark does not ever derive from his being able to choose and sit comfortably and confidently with this sort of identity (in fact, it's one of the few things he can stubbornly, viciously decide for himself [alongside daisuke] as essentially a non-human, autonomous 'angel',) it's instead the way that his personality is so strong and 'anti-feminine' in the eyes of convention that said aspect of himself often gets disregarded for strictly masculine (and regardless, further self-contradictory and therefore isolating,) expectations.

dark himself alone does not care if others do not understand him; this is meant to be one of his far more admirable and impressive traits. he's staunchly independent: he knows who he is, what he's supposed to be, and he knows that if he actively presented himself more femininely (crossdressing to 'pass' essentially,) then people's behaviors WOULD be very likely to change around him, but he doesn't even do that because it goes against his overwhelming sense of pride. he never contorts, he never twists himself, what matters to him is that he and he alone understands himself and knows what he is, what he isn't. but he is, without proper support or acceptance, still alone. even bearing a strong character, the stifling loneliness and inherent, underlying self-sense of broken/wrongness of the 'other,' (god's luciferean problem child, the black sheep, the black-leather wearing punk,) is still inflicted on him. dark exists solely for himself, he exists solely for daisuke, which is simultaneously wherein the inversion and insecurities lie: if dark is canonically the live metaphor for all the aspects of daisuke's self that he attempts to and yet cannot possibly, conceivably repress, from his loves to his faults to his shames and his criminal sins as a thief, then the likes of daisuke's own personal confusions in regards to himself and his attempts at intimacy/socialization with others is the other, hidden side of dark's absolute self-confidence; it's every fear of perpetual isolation, misunderstanding, and abandonment for things outside of daisuke's own control.

queerness in relation to the self (transgender allegory) queerness in relation to others (non-hetero-romanticism) mental illness (depression, anxiety,) etc, etc, dark's thematic basis may at its most general simply be "a secret that feels wrong and that you feel you can't really tell anyone or else you'll get in trouble/won't be as liked as much" but it feels much better to give due respect to each of these primary roots.

[beautifulterriblequeen]

Sir Sparklepuff: text and subtext

Canon:

Viren and Aaravos share a blood ritual where they cut their hands

Aaravos pulls a caterpillar out of his mouth

and uses the blood in the jars to send it to Viren.

Then, in Lux Aurea, Viren hides it from Pharos' scanning spell by swallowing it, and later spits it out so it can attack Pharos and give Aaravos a temporary body host

when Viren falls from the Storm Spire and dies, he spends 2 years wrapped in a cocoon to keep his spirit tethered. once Claudia is ready to start reviving him, the caterpillar spins its own web and begins to change.

A few days later, Claudia cracks open the chrysalis with magic, and Sir Sparklepuff emerges

And at the end of the month, Aaravos tells Viren that Sir Sparklepuff is "our child" in the same speech where he tells him to kill the homunculus to spare his own life.

Sir Sparklepuff is the equivalent of a donor child, born specifically to donate something of themselves to a living, dangerously ill blood relative. He is the spawn of both Viren and Aaravos, via whatever magics Aaravos used to make it happen.

Subtext:

Aaravos pulls a fat purple dick out of his mouth and gives it to Viren.

Viren manages to swallow, spit, and also give birth.

He's an attentive, if exasperated, dad who carries his worm son around everywhere, and he's also the dumb blonde who was failed so hard by a lack of sex ed classes that he has to ask "Is it mine??"

Unsupported:

"Aaravos was the pregnant one"