#some kind of very important context

[yudol-skorbi]

It’s got something to do with the Caucus Mountains I thought. Is there a reason why that’s problematic?

Well yes, words have meanings and "caucasians" is not a general term for white people and never was! Caucasians are people who originate from Caucasus region. It includes more than 50 ethnic groups and their history goes back to late II — early I millennium BC. It is extremely old, diverse and rich culture! You can read a little bit more literally on wikipedia.

More so they are not even considered "white" in general.

Like imagine you see somone being called "typical mexican" in a negative context. First of all it is racist of course but upon further inspection the person in question is not even mexican and have zero connections to Mexico. Thats just some random white dude. And it's very confusing at first but than you see more and more people start using the word "mexican" as a general description of white person, often in a degrading context. And it does not stop at internet weirdos and racist scum, news outlets, celebrities, well meaning people who claim to support diversity and celebrate and respect different cultures do that too. Sounds extremely weird and out of pocket, right? Well this is how i feel when i see yet another random white person being called caucasian for some reason.

You cant just...i dont know...use a name for a very specific, very old and very existing ethnic group to refer to random white people who have no connection to this group. It even sounds like such a weird and confusing concept when i write this sentence, why would anyone ever come up with idea to do it????

[royalarchivist]

Quackity: Lately, I have been participating in events and projects, and unfortunately it's become clear to me that my presence and name have only been used to attract the attention of my national and international community with the objective, as I see it, of generating more attention towards controversies - destructive controversies, and a rupture that is very clear in the community. [...] In advance, I ask the organizers of any type of events and projects like this to please show more respect to me and my community, because I've shown lots of sympathy and cooperation in these various projects and events, but it's become clear to me that their only interest is in using my name. My name and my community have been used to attract all this attention for distorted purposes, and I will no longer allow that to happen. That is not what my content is about - not me nor my content nor anything I’ve done.

Here's Quackity's commentary on respect and his reasoning for distancing himself and his projects from future events and awards shows.

[ Full Transcript ↓ ]

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Quackity: Before I leave, I would like to talk about something that is very serious for me and something that I would like to tell you about. Because for me it is a very serious topic and it is a topic that- well, I had my mind on and I want to express it- [reading Chat] yes, thank you. Merry Christmas, Merry Christmas.

Anyways, lately I have been participating in events and projects, and in these events and projects, unfortunately it's become clear to me that my presence and name have only been used to attract the attention of my national and international community with the objective, as I see it, of generating more attention towards controversies - destructive controversies, and a rupture that is very clear in the community, and this is what I want to say: I'm NOT ok with these types of dynamics or stuff like this, and I want to make it very clear to my stream, my community, and everyone that, for this exact reason that I just mentioned, I want to make it clear that I want to distance myself and any of my projects from the Esland Awards, which you all know is coming up.

Sadly, the Esland Awards have been an event with a history of much controversy, a lot of division, and a lot of divisions within the community, and as you guys know, as you know, my content has never been characterized by seeking controversy or divisions or anything like that. It's for this exact reason that I don't want to be involved with these awards.

In advance, I ask the organizers of any type of events and projects like this to please show more respect to me and my community, because I've shown lots of sympathy and cooperation in these various projects and events, but it's become clear to me that their only interest is in using my name. My name and my community have been used to attract all this attention for distorted purposes, and I will no longer allow that to happen. I don't want it to happen. That is not what my content is about - not me nor my content nor anything I've done. That's what I want to make very clear here.

That's about it. I'm going to continue with the projects I'm doing and I want to thank my community so much for the support and love. I appreciate it very much, but I wanted to make this clear - I wanted to make this clear. This is just a topic I wanted to address quickly.

Thank you for all the love and support, I love you all so much.

[bayetea]

I don't like the judo flip in moa as much as the next guy but in my eyes it's largely the result of rick not taking female violence half as seriously as male violence (a result of viewing women as weaker and inferior to men such that their acts of violence don't need to be taken as seriously) and not so much anything about annabeth herself. like I do genuinely feel that annabeth is a complex heroine and definitely one of the better ones in the realm of ya action-adventure fiction produced in the past 25 years but she is still a girl being written by a man and all I'm saying is that her writing clearly reflects that sometimes (more in tags)

[rawliverandgoronspice]

last reblog came straight to you from: spent the afternoon trying to explain to a new-ish videogame writer who comes from movies and series why process is such a mess and why no, we can't refine text ahead of gameplay and we must bow down to actual ingame pacing and also no, designers don't read what we write and are kind of annoyed at the existence of game writing by default (sorry yeah it sucks you get used to it)

[jichanxo]

(late) sunday six

thanks for the tag @passthroughtime and @overdevelopedglasses! not gonna tag anybody because i'm late to the party as is :P i've mentioned sensei au/fic a lot in passing but i think this is the first time i'm actually talking about it properly in a text post as opposed to like, tags on my art... anyway, it goes without saying that this has lost judgment spoilers. part of the premise for this fic is that kitakata never becomes kuwana because he only barely manages to fix everything at the last possible moment. mitsuru lives, but only because he gets lucky. something like that. the main fic takes place long after this, but i recently had a go at trying to write mitsuru and kitakata on the roof together, since it's obviously integral to kitakata's character even if mitsuru doesn't fall into a coma. i'm still feeling it out, but it's been an interesting one. very different from what i'm used to. but also cathartic in some ways.

anyway here's an excerpt. putting another warning here for lost judgment spoilers and mentions of suicide.

Kusumoto looked away, sat up. He didn’t really seem to care that Kitakata was there, aside from the knowledge that he couldn’t do anything rash with him here, which he resented.

He wiped at his chin, his eyes, but the movements were clumsy, and he couldn’t clean himself off properly. His hair was still a mess, though he’d tried to make it presentable again. Kitakata suddenly wished he had a handkerchief in his pocket instead of a packet of cigarettes.

“I’m not going to kill myself, Sensei. You can leave if you want.”

He wanted to relieve Kitakata of any responsibility to be here. He thought Kitakata was only doing any of this to cover his own ass.

Kitakata hadn’t given him any reason to believe otherwise.

“Oh, well.” He fished for the first excuse that came to mind. “Haven’t had my smoke yet.”

He pulled one out, took his time lighting it. It’d buy him some time. It didn’t matter what Kusumoto thought of him, and he wouldn’t delude himself to expect that he might think that Kitakata was here because he wanted to be. It wasn’t entirely untrue, after all, that he was just trying to cover his ass. He’d made a mistake, and he was desperate to fix it.

He took a drag. Exhaled. Looked to Kusumoto.

“Do you mean it?” He asked.

“Mean what?” Kusumoto mumbled.

“When you said you weren’t going to kill yourself.”

[wild-at-mind]

Not to talk about MRA-lite spaces again but I'm going to need everyone to understand that in these spaces, the subtext of 'men don't get to talk about their problems' is ALWAYS 'and it is women's fault!'

[gingerbreadmonsters]

gahhhh. im sure it doesn't sound like it most of the time, but wow my degree is so cool and fun 🥰🥰

[dirt-str1der]

WHY DID YOU FEEL THE NEED TO TELL ME ABOUT YOUR AROACE SENKU HEADCANON ON MY GAY SENKU AND TRANS REI POST

Just finished Dr Stone Reboot

[late-stage-lesbian]

Sorry if this is overstepping or anything but I saw your question in the tags of a post(the one about white people and reblogging poc posts) and I wanted to give my 2 cents ok it if that's ok(sorry again if it's rude)

So while it is appreciated that you do agree with OP and are adding something to the conversation, most times serious posts about racism are meant to serve as a beacon for poc, to bring attention to issues that were facing or that white people may be causing. By adding a white voice in there, even if it's agreeing it does take away some focus from the poc perspective on the issue in favor of a white person's perspective. It's unfortunate, and sometimes you can bring up a good point or raise awareness, but usually it's a good idea to do so on a separate post, or a post designated for both poc and white perspectives rather than a post made for poc experiences.

Sorry a final time, I hope this made sense? Either way ur question is valid and I hope this was at least kinda helpful!

This makes sense, and I really appreciate your taking the time to explain your perspective. Please don’t apologize for engaging in a productive discussion with me, I’m really just surprised that anyone read the tags at all 😂

I guess my question really should have been more focused on whether or not this still holds true if the commentary is in the tags of the post, because I always perceive the tags of a post as separate to the post itself. Like I treat tags like I might treat annotating a text - I’m drawing connections or notating where my personal experiences line up with what’s in the post. It’s almost like I’m talking to myself, and people can read them if they want but they also aren’t meant to be for anyone as much as they are meant for me to kind of process what I was reading and sometimes to signal to the OP that I was listening. And I put that in the tags specifically so that it doesn’t have to travel with the post if it ever gets reblogged from me.

But it occurred to me while reading the original post that I might be treating tags very differently than other people, and I wasn’t sure how that matched up with the post. And I don’t know how much of that is just my Autism manifesting in a way where I have misinterpreted the way this tool is meant to be used, or how much of this is my AuDHD having to process all of my thoughts to other people in order for me to understand them, or how much of this is just internalized white supremacy culture making me think I’m entitled to a part of the discussion.

TLDR; Do other people consider tags to be a part of the conversation? Or do other people consider tags to be independent of the conversation unless otherwise stated (like with ‘prev tags’ descriptors)? Or is there some other third thing?

[mypoisonedvine]

𝗹𝗼𝘃𝗲 𝗶𝗻 𝗮𝗻 𝗲𝗹𝗲𝘃𝗮𝘁𝗼𝗿 | eddie munson x reader

𝘀𝘂𝗺𝗺𝗮𝗿𝘆 | based on a request from the lovely @ultraintrovertedgryffindor ; getting stuck in an elevator with his best friend (and secret crush) was absolutely not on eddie's morning agenda, but it leads to one of his most wild fantasies coming to life.

𝘄𝗼𝗿𝗱 𝗰𝗼𝘂𝗻𝘁 | 3.8k

𝘄𝗮𝗿𝗻𝗶𝗻𝗴𝘀 | SMUT (18+ only!! semi-public sex, oral m receiving, kinda pervy eddie but also slightly pervy reader with a balls fixation gee I wonder where that idea came from), best friends to lovers (but very very limited plot haha), pretty much exactly what it says on the tin y'all not sure what to say

Eddie laughed as he pressed his hands to the elevator doors, but it wasn't a laugh of amusement— it was exasperation, frustration, an is this really happening? laugh.

"Soonest we can get a crew out there is uhh... noon?" the voice on the emergency phone informed you.

"Noon?!" you yelped. "It's not even half past eight!"

"What did I tell ya?" Eddie recalled, hanging his head in defeat for a second. "Nothing good happens before ten."

"Just try to stay calm and we'll be there when we can," the operator suggested, like it was so simple.

You didn't even reply to that, just scoffed and hung up.

It wasn't like he'd been looking forward to his GED exam, in fact he'd almost been hoping for a way to put it off or get out of it... but this was definitely not what he was imagining. Of all the elevators to get stuck in, this generic government building where he was supposed to have his big test proctored was probably the most boring option.

He glanced over at you, and stopped himself from making a dirty joke: you heard that Aerosmith single, right? Love In An Elevator?

That probably wouldn't have gone over well. He used to say stuff like that when you were both a little younger, but he'd since given up hope of it ever actually... inspiring anything.  You two were probably better off as friends anyways; or, that’s what he told himself to make it sting a little less.

“Looks like we’ll be stuck in here for a while…” he mumbled instead.  “Did they say what the issue is?”

“Some kind of power failure?” you recalled with a shrug.  “It’s gonna take a while to fix, that’s the important thing.  Do you think they’ll call the fire department?”

“Who knows,” Eddie sighed, leaning against the wall as you sank onto the floor and dropped your head back against the wall.  “I guess we should just try to get comfortable.”

Which was easier said than done, but at least he was stuck here with you— you were generally pretty fun to talk to.  Of course, you weren’t exactly in your best mood due to the circumstances…

At 8:32, Eddie checked his watch.  “I’m officially late for my exam,” he noticed.

At 9, you checked your own; “And I’m officially late for work.  We'll see if I even still have a job when we get out of here," you groaned. "I was on pretty thin ice already."

By 9:14, the stuffiness of the elevator was becoming harder to ignore.  Eddie slipped off his jacket and vest in response to the heat, but resisted the urge to take off his Ozzy shirt. You'd seen him shirtless before, of course, but he figured out would be weirder without the right context.

"Fuck, it's hot in here," you whined quietly.

"I guess the power issue affects the A/C, huh," Eddie noticed.

"You think?" you scoffed, reaching up to unbutton the top of your shirt.

For some reason, he kinda liked when you were condescending like that; of course he loved it when you were sweet like usual, but when you got frustrated and sarcastic and looked at him like he was crazy... for whatever reason, it worked for him. And it was definitely working like never before when combined with your hasty efforts to open your shirt.

He expected you to stop after a couple buttons, but you just kept going, exposing more and more of your chest glistening with sweat. His eyes were glued to it, until you got low enough for him to see a glimpse of your bra, and he coughed as he turned his head quickly.

"Woah, hey, uh--" he stammered out awkwardly.

"Oh whatever, you've seen me in a bikini, it's the same thing," you rolled your eyes.

But it's not the same thing, because you were stripping, untucking the button-up from your tight skirt, fanning your flushed skin...

And he was tugging the crotch of his jeans down a bit when you weren't looking, trying to keep his oncoming boner from being too obvious. 

Leaving your shirt open, you sighed and sat down on the floor, splaying your legs out on the ground.  He could see how uncomfortable you were, and it made him press his lips together while he sighed through his nose.  Though he was a little afraid you weren’t in the mood for any friendly behavior as your frustration and stir-craziness increased, he walked across the elevator and sat down next to you.  “I was probably gonna flunk the test,” he decided.

“What?  No you weren’t,” you scoffed.  “You studied so hard!  I’m really proud of you, you know.”

“Just ‘cause we’re stuck in here doesn’t mean you should get all sappy with me—” he started.

“No— ‘cause we’re stuck in here I’m not gonna put up with you trying to be down on yourself,” you decided sternly with a little glare at him.  “You were gonna fucking ace it, I know you were.  You worked your ass off.  I know you wanted to act like you didn’t care, but you actually got your shit together and did it.”

“You… you helped me a lot,” he mumbled sheepishly.

“Please, I hardly did anything— mostly just kept you from getting too distracted,” you denied, blissfully unaware that he actually found you more distracting sometimes, but never minded it.  “Can you stop being a pussy and just admit you’re actually smart, and dedicated, and more than capable of nailing this?”

He blinked quickly and looked down into his lap, feeling his face warm up— not just from the heat.  How could you be so mean and nice at the same time?  

“And now it’s gonna go to waste, ‘cause of this godforsaken elevator,” you sighed, dropping your head back; a pessimistic end to a pep talk, but he couldn’t blame you.

"Think of it this way: it couldn't get any worse!" Eddie offered with a faux-upbeat tone.

Right then, the lights in the elevator flickered and turned off, plunging you both into darkness. "I fucking hate you," you announced after a short silence.

He heard a whirring sound from somewhere else in the shaft, and a dimmer orange lighting came on inside the elevator; some kind of emergency back-up generator thing, probably. It was enough to see decently well, especially as his eyes started to adjust, but still made it feel like you were both in an even more perilous situation.

“I didn’t sleep enough last night,” you admitted, “I might try to catch up on that.  Maybe if I can sleep this will go by faster…”

“I like that plan,” he decided, even though he was pretty sure he wouldn’t be able to do the same.  Eddie had a hard time keeping still and quiet, but he managed to do it so you could get your rest.

He suspected you had fallen asleep when your breathing seemed to slow down a bit— but he knew you had when you limply slumped to the side, your head gently landing on his shoulder.  This happened every once in a while, a sign of how comfortable you were with him. He supposed he should be thankful for it, but sometimes it just made him furious. Because what cruel punishment was this, to have you lay on him like this when he can't put his arm around you and kiss your head and tell you how perfect you are?

The half-boner he’d wound up with earlier when you unbuttoned your shirt had never really gone away, and it noticed your proximity with renewed interest.  Maybe it was just because he was so bored with literally nothing to do but think about you, but his mind kept coming up with all these fucked up ideas based on the eyeful he’d gotten.  

What if you’d taken off your bra as well and let him see the tits he’d been fantasizing about for longer than he cared to admit?  What if this had happened in winter instead and the elevator was brutally cold and you two had to hold your naked bodies together for warmth?  What if that guy on the phone said this thing was airtight and two only had an hour to live and you decided you wanted to go out with a bang, literally?  

He wondered if he’d be brave enough to tell you how he felt about you, if either or both of you only had an hour left.  For better or for worse, this elevator shaft had airflow, so you were more likely to die of boredom than anything.

He shifted slightly, stuck in a somewhat awkward position, but it didn't help much— though thankfully it didn't wake you up, either.  He just wished he could get some relief, somehow.

Obviously, he knew it was a bad idea. But the thing about his dick is it usually talked him into some pretty bad ideas…

He tested the waters with a whisper of your name, but you just kept breathing slowly— you were out cold. Maybe you were even more nervous for him than you'd let on, if you were that underslept.

Reaching up with his free hand, all he had to do was grip himself through his jeans to get some relief; he sighed through his nose, shutting his eyes.

His cock flexed impatiently as he unzipped the jeans as slowly as possible to avoid making too much sound. But god was it worth the wait— as soon as he slipped his hand into his boxers he had to bite his lip, it was so good just to get some attention for his poor, lonely dick.

This was far from the first time Eddie had jerked off to the thought of you. But he was sure he'd never done it while you were this close.

He did it once or twice in your bathroom while you were on the other side of the wall, that was probably the closest he'd come to this before. And that was chump change compared to this-- this was so risky it made his heart race and his hands shake with adrenaline, but it only made him more desperate for whatever reason.

He wouldn't have swiped his thumb through the precum at his slit if he had known how good it would feel— or maybe if he'd known how good it would feel, he would've been able to prepare himself for it. But the anxiety of getting caught had made him even more sensitive, so he hadn't really seen it coming, and when he did it he let out a little moan through his teeth that he couldn't stop.

You stirred again and he froze; when you lifted your head off of his shoulder, he hastily shoved himself back into his jeans, trying to cover up the open fly with the bottom of his shirt.

“Were you… jerking off?” you realized, and he felt sick with fear as his heart raced like never before.

“W-what?” he scoffed incredulously.  “I— are you crazy?”

“Ed,” you warned firmly.

“Sorry,” he mumbled, “I— sorry—”

“Are you that bored?” you mocked with a snort, and he felt even more flushed; it made his cock flex under the mediocre covering of his shirt when you degraded him like that.

“N-no— well, yeah, I just— you put your head on me and I—”

“It was because of me?” you realized, and his mouth fell open.  He hadn’t realized that you hadn’t actually put that together yet; of course he’d ended up just digging himself deeper.

“W-well, uh— I mean, no, no I— well.  Kind of?”

“Kind of, as in…”

“Completely,” he blurted out.

You were quiet for a long time, and he couldn’t see your face well enough to even try to guess what you were thinking.  Although you probably could’ve given him a thousand guesses and he never would’ve guessed what you ended up saying: “You want some help with that?” you offered.

But before he could even answer— not that he really could, he was too busy having a short circuit in his brain— you were reaching for his lap.  And even if his mind was blown, his body knew to just lift his hands up and out of the way and let you do whatever you wanted to him.

You pulled up the bottom of his shirt and sighed a little when you saw his cock, still hard and leaking and curled up against his stomach.  You carefully wrapped your hand around it, and he swallowed thickly, wondering if he was dreaming or something— you were so… soft.

“Like this?” you asked gently, making his hips twitch up into your hand for a second.

“Y-yeah,” he nodded, eyes glued to the way your hand looked wrapped around him.  If only the lights weren’t out, he wanted to see it even better.

He looked at your face, moving your hair a little to make sure he could see you, but from what he could tell your eyes were trained on his lap.

“Fuuuck,” he whispered when you stroked him a bit more confidently.  He wanted to shut his eyes from how good it felt, but he didn’t want to look away from a moment of this in case you, you know, came to your senses and stopped.

“S’really thick,” you said, under your breath, a little bit shyly.  He groaned and ran his hand over your back, trying not to do too much in case it startled you but also totally helpless to how badly he needed you.  “I wonder if I can…”

You trailed off, and before he could decide if he should ask what you were going to say, you 

As soon as you leaned down and put your mouth around him, his back arched and his legs kicked a bit.  “Fuck, baby,” he choked out, melting into the warm feeling of your lips, your tongue— god, he couldn’t believe you were doing this to him.  He actually had to fight the urge to tell you so, to admit how much he’d imagined this; he settled for whining out your name and running a hand over your hair encouragingly.  “S’fucking warm, oh my god—”

You hummed around him, sucking a bit harder, swirling your tongue around the tip; who the fuck taught you that?  It made his chest burn with some targetless jealousy even while it made his cock flex proudly. 

Your hand still gripping the base, you took him a little bit deeper, moaning a little bit once again while you did it.  No way you actually enjoyed this, right?

You pulled your head up a bit— he took his hand away quickly, not trying to hold you down or anything— and just when he wondered if you might stop, you dropped down lower so you could run your tongue up from the very bottom all the way to his leaking slit—

“Jesus,” he laughed thinly, “what are you doing to me, baby?”

“Whatever I wanna do,” you replied— if he was a little braver, he would’ve asked what made you want this, how long you wanted this— but he was more than content to let you do whatever you wanted, so far you had some pretty fucking good ideas.

Your head sank even a little bit lower, and he pushed his jeans down just a bit in case they were getting in your way.  Boy, was he glad he did.  “Fuck,” he gasped, watching in shock as you looked up at him while your tongue ran over his balls.  “Sorry, they’re, uh, kinda sweaty…”

“Even better,” you purred; what the fuck were you doing acting so dirty like that?

“Baby,” he laughed thinly, “is this some kind of claustrophobia-induced psychosis or something?  Who are you and what have you done with my prude best friend?”

“Prude?  That’s unfair,” you laughed.  “Just ‘cause I don’t advertise every dirty thought that goes through my mind doesn’t mean I’m not as much of a freak as you…”

“Freak is an understatement,” he sighed, struggling to keep his voice even when he was literally watching you lick all over his balls like this.  “You’re a proper fucking slut.”

You hummed proudly, eyes getting a little heavier— when you looked up at him like that, he was totally helpless.  “It’s slutty to wanna taste your best friend’s balls?”

“F-fuck, of course it is,” he whined, cock flexing in your hand again when you licked a stripe up between then.

“Well then yeah, guess I’m a slut,” you agreed. 

“G-god, I— I’m gonna—” he tried to warn you, but it happened so fast— it happened the second you started to gently suck on his balls, in fact.  What was he supposed to do when you did that?!  How could he not shoot cum all over his now-definitely-ruined shirt?

“Oh shit,” you giggled— his cock was still flexing and you were already mocking him.

“What— what the fuck,” he began, trying to catch his breath, “made you wanna do that?”

But you were already straddling his lap, pulling up your skirt to your waist.

“F-fuck, baby, I— are you seriously—?”

He cut himself off and whimpered when he got a good look at your panties, the cute lacy kind— and pretty fucking soaked already.

“I-I don’t have a condom,” he warned you, cursing himself inside for finally throwing out the one in his wallet thinking he would never end up needing it.

“Don’t care,” you sighed, pulling your panties aside and guiding his tip right up to your entrance.

“Fuck, that’s—”

He was gonna say it was insanely hot, but you hardly noticed; you were already sliding down onto him, taking him in one motion right to the base.

“Oh fuck!” he nearly shouted, gripping hard onto your thighs.  “F-fuck, you’re so tight, fuck…”

You started moving right away, grinding on top of him for a second before lifting your hips and bouncing up and down.  “Fuck,” you sighed, “so deep…”

Was it wrong that he loved the way you were basically just using him?  You hadn’t even let him finish his sentence, you didn’t ask if he could handle it right after coming— you just started riding him, and far be it from him to complain about that.

“Take this off,” he pleaded, tugging at your unbuttoned shirt and trying to push it off your shoulders.

You helped him get it off, and before you’d even tossed it off to the side he was reaching behind you to unclasp your bra.  The gods of bra clasps smiled down upon him that day, because he was sure he’d never gotten one open so quickly, and if there was any time he really needed it, it was now.

“Fuck,” he groaned when he got a good look at them— not good enough in this dim orange lighting, but it would do— and instantly got a hold of your chest.  You didn’t seem to mind the clammy hands, considering the way you whimpered a little and clenched inside around him.  “God, baby, your tits…”

As much as he’d been waiting ages for a chance to see you naked, he couldn’t deny you looked way too good with the skirt, stockings, and heels still on.  He could already tell this was going to give him a complex.

He ran a hand up your leg as you moved just to feel the silky nylon; god, he hoped you didn’t get fired for the unexplained extreme lateness, if not just for your sake then so that you would keep dressing like this every day.  “So pretty,” he sighed, wondering if you could see in the dark how totally in awe he was of you.

“Oh my god,” you gasped, in that way he’d always imagined you would in a time like this.  Your head fell back and he couldn’t help but reach up and grab your neck— not applying much pressure, just holding you there, just admiring how goddamn perfect his hand looked wrapped around you.  

“You’re so fucking sexy,” Eddie sighed, “fuck, look at you go.”

You smiled a little, he could see it even with your head tilted back like that, and it was just amazing seeing you so… free?  So relaxed and totally shameless, giving in to your pleasure.  But it wasn’t enough: he wanted to see you lose all your composure, he wanted to hear you scream his name, he wanted to make you shake and cry and beg— that was why he grabbed a tight hold of your hips and pulled you down onto him, bucking his hips up to meet you halfway.  It forced his cock even deeper and you yelped a little.

“Not too big for you, is it?” he taunted.

“No, fuck, s’perfect,” you moaned, your voice deep and rough and so fucking beautiful like this.  “Fuckin’ perfect, Ed, o-oh god—”

“Keep saying my name,” he ordered.

“Eddie,” you said, again, but this time all needy and cute; it just made him fuck you harder, biting down on his lip to muffle some of his own noises— he just wanted to hear you.  He pulled you down and hugged you close, keeping you still so he could fuck up into you exactly how he wanted; you moaned right by his ear, fuck it was too precious.  

“I’m already close again,” he admitted with a thin laugh.  “Fuck, look what you do to me.”

You whined louder, clenching on his cock— he seriously did not know how much more of this he could take.

“Wanted you so bad,” he blurted out, unable to stop himself, “wanted this for so long.  Wanted to fuck you— I wanna make you come, fuck, please, please come.”

He felt you nod against his shoulder as you gasped, and he shut his eyes tight, just focusing on his movements and trying his best not to speed up too much just to chase his own high.  He needed you to come more than he needed his own pleasure, even if everything in his body was screaming for a chance to come inside you. “So close,” you panted, “fuck, Eddie, don’t stop— please don’t stop— yes!”

The lights turning back on suddenly startled you both, making him freeze and look around (and squint a little from the brightness), but that was nothing compared to the shock of the doors opening.  Behind them was mostly just concrete, the space between floors, but up top was about two feet of the eighth level, where a crew of firefighters could be seen peering in.

“Are they alright?” someone from the building asked as Eddie scrambled to grab his jacket from the corner and cover you up with it.

“Yeah, looks like they’re doing just fine,” one of the men announced as they broke out in surprised laughter.

[racefortheironthrone]

Hi- er, this is my first-ever writer's strike, how does one not cross a picket line in this context? I know how not to do it with things like Amazon and IRL strikes, but how does it apply to media/streaming?

Hi, this is a great question, because it allows me to write about the difference between honoring a picket line and a boycott. (This is reminding me of the labor history podcast project that's lain fallow in my drafts folder for some time now...) In its simplest formulation, the difference between a picket line and a boycott is that a picket line targets an employer at the point of production (which involves us as workers), whereas a boycott targets an employer at the point of consumption (which involves us as consumers).

So in the case of the WGA strike, this means that at any company that is being struck by the WGA - I've seen Netflix, Amazon, Apple, Disney, Warner Brothers Discovery, NBC, Paramount, and Sony mentioned, but there may be more (check the WGA website and social media for a comprehensive list) - you do not cross a picket line, whether physical or virtual. This means you do not take a meeting with them, even if its a pre-existing project, you do not take phone calls or texts or emails or Slacks from their executives, you do not pitch them on a spec script you've written, and most of all you do not answer any job application.

Because if this strike is like any strike since the dawn of time, you will see the employers put out ads for short-term contracts that will be very lucrative, generally above union scale - because what they're paying for in addition to your labor is you breaking the picket line and damaging the strike - to anyone willing to scab against their fellow workers. GIven that one of the main issues of the WGA are the proliferation of short-term "mini rooms" whereby employers are hiring teams of writers to work overtime for a very short period, to the point where they can only really do the basics (a series outline, some "broken stories," and some scripts) and then have the showrunner redo everything on their lonesome, while not paying writers long-term pay and benefits, I would imagine we're going to see a lot of scab contracts being offered for these mini rooms.

But for most of us, unless we're actively working as writers in Hollywood, most of that isn't going to be particularly relevant to our day-to-day working lives. If you're not a professional or aspiring Hollywood writer, the important thing to remember honoring the picket line doesn't mean the same thing as a boycott. WGA West hasn't called on anyone to stop going to the movies or watching tv/streaming or to cancel their streaming subscriptions or anything like that. If and when that happens, WGA will go to some lengths to publicize that ask - and you should absolutely honor it if you can - so there will be little in the way of ambiguity as to what's going on.

That being said, one of the things that has happened in the past in other strikes is that well-intentioned people get it into their heads to essentially declare wildcat (i.e, unofficial and unsanctioned) boycotts. This kind of stuff comes from a good place, someone wanting to do more to support the cause and wanting to avoid morally contaminating themselves by associating with a struck company, but it can have negative effects on the workers and their unions. Wildcat boycotts can harm workers by reducing back-end pay and benefits they get from shows if that stuff is tied to the show's performance, and wildcat boycotts can hurt unions by damaging negotiations with employers that may or may not be going on.

The important thing to remember with all of this is that the strike is about them, not us. Part of being a good ally is remembering to let the workers' voices be heard first and prioritizing being a good listener and following their lead, rather than prioritizing our feelings.

[simmers-against-curseforge]

For context's sake since it is not available in this statement, and I feel it is needed.

The original statement was made in response to this blog. Specifically my pinned post. This is a pro Palestinian blog. Which is what was labeled 'hamas propaganda". I think the context is important here, since that post has nothing to do with Hamas. It is about what is happening to Palestinians.

So the original statement here was made in response to pro-palestinian content, not Hamas. It does not disrespect the victims of Oct 7th

Once again, threats and harassment are not acceptable within this blog's mission and are not helpful towards any cause.

Since not everyone saw my latest Statement on Discord yesterday, I wanted to post it here as well, and I also want to clear a few things up.

For those who do not know what this is about, I made a post that I should not have, or at least I should have phrased it in a way where the meaning is clearer. The Post I made was "Since I was one of those that got tagged in there, I can just say that I will not partake in any Anti Israel Pro Hamas Propaganda, and I will most certainly not forget what Hamas did Oct 7th like a lot of these ppl seem to do." I now see that the way I phrased it made it seem like I feel that the attacks on Palestinian Civilians were/are justified, and that is not what I meant, and I am deeply sorry about that.

On June 25th I had to face the consequences in my Discord. A lot of ppl came in and confronted me about it. When the first ppl joined and started the confrontation, I did knee jerked again and banned the first three of them, because one of them insulted me and wrote that the attack on Oct 7 was made up. There were a few follow up bans of ppl, who also insulted me, but I did not ban anyone on purpose because they are Pro Palestine. There were also some Posts deleted that should not have been. It was not done by me personally, but I was also not fast enough and clear minded enough to stop it and I could not undo it, so I apologise for that as well.

I locked the Server down in the End, because it was 3 am for me and I was, and still am, very overwhelmed and exhausted, and the Server will stay down for a while. This is the latest Statement I made, and I know it will not be enough for everyone and I respect that.

"I did not mean to seem to take a stance that seems like I am pro-Israel as if I believe this is all their land (a Zionist). I do not want to condone the violence happening in the country right now or pretend that Palestinian lives don't matter. It was never intended in what I said. I did not mean to phrase things in a way that make me seem to be against the problems palestinians are facing in Gaza. I inserted myself into something I don't know enough about or how to talk about in an educated way, so I should have better not said anything at all. I am sorry that I did. I do feel it is wrong that some people feel like what happened on October 7 is fake and I have already had people say it is. I have banned people who have said so while attacking me. That is wrong. Those people died and it's sad, so too it is sad the people who are dying over the military actions of Israel in attacking the groups who did this causing a loss of Palestinian life without considering who will be hurt. I am not a Zionist. I am just someone who felt sickened by what happened in the attacks last year and didn't like how I see some people pretending that is all a hoax."

[ckret2]

So a while ago some friends were talking about fans who claim the Same Coin theory is canon. And I made the mistake of saying:

Do you know who also has tons in common with Bill? Mabel. Yet nobody claims Bill reincarnated as Mabel. …wait now I want a "same coin but it's Mabel" AU. Funniest Bill reincarnation option. The all-seeing arsonist is making macaroni glitter art. The omnipotent tyrant is crying because a unicorn called her a bad person.

And then I overthought it for two months.

So—AU where after death, Bill's soul shoots 13 years into the past and reincarnates as Mabel. I'll call it ✨ Sparkly Coin AU ✨

Don't leave yet. Lemme show you why it works. Behold the eerie amount of parallels in their personalities, dialogue, behavior, mannerisms, tastes...

I could have kept going but my attention span ran out. All right, we all on board now? Convinced we could segue from one personality into the other? Great. Now here's why you should be interested: the juicy post-Weirdmageddon angst potential.

As long as a small fringe of the fandom still thinks Weirdmageddon is Mabel's fault, why not amp that up x100 and have some fun with it?

Is everyone sold now? Great. Let's get into the details. I've got 8 more pieces of art under the read more.

So the AU starts the instant Bill dies. Thanks to invoking his deal with the Axolotl—one way to absolve his crime, a different form, a different time—the Axolotl gives him a new shape and shoots him thirteen years into the past. Apparently, the Axolotl thought it would be very funny to stick Bill in the family that defeated him.

Which probably made for a jarring transition.

(It's fine, she's like 10 minutes old, she probably can't even tell who she's looking at. Not being able to tell who she was looking at is what got her into this situation ayyyy)

When Dipper & Mabel come back from Gravity Falls complaining about this triangular jerk Bill, their parents mention that Dipper's name was nearly Bill. See, after they knew they were going to have a boy, one night their mom dreamed about a visitor—some kind of magic pink salamander??—calling her child "BILL." Then at the next sonogram they found out they were having twins, the girl must've been hidden at a weird angle the first time, and they wanted matching names, so they thought, Bill and Bell. But they didn't really like Bell; but eventually they stumbled on Mabel, so to keep the names matching they switched from Bill to Mason. Isn't that the darnedest thing?

(Of course, Mabel and Dipper assume Bill harassed their parents to try to trick them into naming a kid after him. To be a jerk.)

When Bill meets Mabel, he's unaware that she's his future self—Bill's notably bad at doing things like, say, double-checking to see whether he's going to die anytime soon—but like... he can tell something's up.

Naturally, before visiting Gravity Falls, there were echoes of who Mabel used to be—but nothing anyone would be able to identify without context. All her Bill-ish quirks either smoothed out with time (see: how between second grade and fourth grade Mabel went from being the "freak" to the popular girl in class), or else they were accepted by her family as Mabel-ish quirks.

After they meet (and kill) Bill, they have the context to understand some of Mabel's behaviors... and unfortunately, some of Mabel's latent Bill-ness starts surfacing after she's been directly exposed to her prior incarnation.

The part of the Pines family familiar with Bill thinks the worst case scenario is that maybe Bill's survived and is slowly possessing Mabel; but far more likely, they think this is just some weird way of trying to subconsciously process last summer. Mabel doesn't think she's being weird, you guys are being weird, stop giving her weird looks. They get attacked by one triangle and now she can't wear yellow or pick up macrame as a hobby??

(It's not all red flags and uncomfortable triangle imagery, though. When Stan asks her what she'd like as a gift for some important event, she shyly admits that she thinks she's starting to outgrow her plastic gem jewelry and maybe she's old enough to get her first piece of real gold jewelry, if that's not too expensive? And Stan's never been so proud of her. Thirteen years old and already thinking about buying gold!)

But of course, the real fun starts when Mabel finds out.

That's the face of a girl who's just discovered that she tortured her great uncle. Now imagine running into the brother she possessed.

But I've already spent a million words and thirteen images on this post. If enough folks are interested in the AU maybe I'll expand on it later. Let me know what y'all think.

[homunculus-argument]

Honestly, "high art" of any kind isn't really any more or less incomprehensible or unapproachable than Tumblr meme culture. It's basically the same kind of thing, really, but with a longer time span and more reading to catch up to - things making references to things that were a thing earlier, and everyone kind of supposes that everyone who sees the work also has some background knowledge of the previous work being referred. Just imagine an art history teacher breaking down a tumblr post like

"...And here we see the next poster replying with this image. Here, this image of a statue has a very exact symbolic meaning. The figure of the statue is the Greek god Apollo, here in his role as a prophetic deity, which you may have concluded from the original post referring to future events that may or may not come to pass. In his hand, he is holding a dodgeball, raised on the level of his head, as if ready to throw it. The threatening aura of the image is multiplied by the way the statue's eyes have been edited to gleam omniously - the poster replying to the Original Post is expressing a symbolic, indirect threat, that the future that the Original Post's author described might come to pass, as if the patron deity of oracles had personally cursed the Original Poster to a fleeting gift of prophecy, as swift and brutal as being slammed with a dodgeball."

[scrolling down powerpoint presentation]

"...The second reply, here, has an image of a smiling woman wearing a helmet, standing in a row of people in similar uniforms. This reply requires some slightly deeper konwledge of Tumblr meme lore to understand - the image is a fragmet of a larger whole: a single frame of a gif, of a clip from the movie Starship Troopers. What is important here is the omitted context, which is the line that this nameless character famously says in the scene: 'I'm doing my part!' By posting this image, instead of the entire captioned gif, the replier highlights the implied obvious meaning behind it: They are not merely announcing their intention to actively work to see that the future that the Original Poster foresaw will come to pass, but wordlessly taunt them by implying 'you already know what I mean to do.' It is - in joking - a threat."

"And as you see here, the Original Poster has replied to these comments with a gif, which depicts an encounter between two robotic arms. The swift and dynamic action of the gif serves to express the OP's emotions, as the first robot represents the author themselves, and the second one is a stand-in for the two previous repliers. The way the first robot arm grabs the second one and starts beating it against the floor represents the author's anger. As surrogates for the two parties engaged in the conversation, the author is expressing their personal desire to grab the two previous posters and violently beat them against the floor."

[mayasaura]

Was thinking about this line because Harrow what the actual fuck are you talking about, and I realised something.

Not only does Harrow really for real not know that Gideon loves her—in the bullshit context of their lives, this is a reasonable misunderstanding for her to have.

What has Harrow known Gideon's life goals to be since they were children? Hint: There are at least two Harrow is fully aware of.

The first is to be wanted. As much as Gideon hates and wants to escape the Ninth, she also paradoxically craves their acceptance. They're the only community she's ever known. Harrow plays on that desire from the very beginning, mostly by kind of .... well, okay, by negging her about it. Ironically appealing to her sense of loyalty and duty to her house when they both know Gideon never even had that bridge to burn. That kind of thing.

Whether or not she's right, Harrow sincerely believes that acceptance to still be important to Gideon. First flower of my house, the greatest cavalier we have ever produced. You are our triumph. The best of all of us. When Harrow has only seconds left to make amends, she not only banks hard into praising Gideon, she frames it to unambiguously offer Gideon the acceptance she's always been conspicuously denied. Assuring her of her value not just as a person or as a cavalier, but as one of their house, one of their people.

The second thing Harrow knows is that Gideon wants to join the Cohort. Easy, everybody knows that. She's only been telling everyone with ears (and then some) since she was eight years old. It's the bait Harrow dangled to entice her into this mess. She wants to be a hero, to do great deeds like in the comic books. She wants to be a soldier.

Against the backdrop of all that context, Gideon's dying declaration "for the Ninth" starts to sound a hell of a lot more like "for Queen and country." Especially when you remember that Harrow is still the sovereign ruler of the Ninth. From Harrow's vantage point, Gideon could easily be playing the heroic underdog in a war movie. The soldier no one believed in until she threw herself on a grenade to save her squad. The knight errant who proved her chivalry by giving her life in service to her king.

From that perspective, Harrow's line to Ortus makes sense. She's following through on her promise of acceptance, defending Gideon's loyalty to the first Ninth face she sees. She's playing out Gideon's war hero fantasy, where Gideon's act of heroism proved them all wrong about her. In which case Ortus's response, "You are the most worthy heroes the Ninth House could muster. I truly believe that," flows very naturally as a reply. He understands what Harrow is trying to say, and affirms it.

It's not a hero's burial in the Anastasian, but it's the closest thing Harrow has the power to give her. And it's a fucking reasonable interpretation of Gideon's actions that doesn't touch on her feelings for Harrow at all. Fuck me.

[nereidprinc3ss]

trolley problem

in which fem!reader has been gambling with her life and spencer reid is more than a little concerned

flangst, hurt/comfort warnings/tags: passive suicidal ideation from reader, she keeps risking her life, that really grinds Spencer’s gears, established relationship, existential dread, existential euphoria, lots of stuff about grief and death and self worth, not advocating for this, pretension from the author, blasphemy probably?, reader gets fuzzy from prescribed painkillers, arguing, hospital stuff, mention of sleep paralysis involving spiders, reader gets shot but she’s fineee, I pander to intro to philosophy takers, bau!reader, neurodivergent coded reader, if she’s not exactly like you I’m sorry, bean soup a/n: one day you’re in a writing slump literally the next you are in your notes app for six hours writing whatever the fuck this is but I think I love it even tho it’s weird and I hope u like it too!! btw this was gonna be called cotard's syndrome but then I never once talk abt cotard's but if u care that might be interesting context for the motif of not feeling human/alive, WC 3K

Spencer hasn’t spoken to you since the doctor left the room five minutes ago. 

The air is antiseptic as you take it deep into the hollows of your lungs and trap it there for a moment, trying to optimize oxygen intake without actually having to breathe very often. Hospital smell is as universal as it is suffocating. It reeks of everything but death—flowers, blood, bleach, vomit. A humiliating, desperate scramble to defy the very thing that defines mortality. It’s pathetic. It reminds you of the worst instances of failure and loss and denial in your life. It curdles your blood. Literally rots you from the inside out. 

You’ve had ample time to ponder that smell over the last few months because you keep ending up here, and some time ago you decided the institution of the hospital is inherently absurd. It’s stupid to think you could avoid the one absolute condition on your corporeal form: impermanence. It is the only thing that is promised, and people still waste their lives away running from it. It is the ultimate self-fulfilling prophecy. 

So around the time you acknowledged that hospitals are simply monuments to the self-importance of man, you gave up on trying too hard to preserve yourself. You’ve seen death too much and too often. You’ve tried staving it off with prayer and the miracles of modern medicine, and it never matters in the end because it’s all magical thinking anyway. All the wallowing and the bargaining and pleading never got you anywhere. 

You’ve accepted that from the moment you were born, you were marked for death. 

But you’re not a complete nihilist. You’re not even totally resigned to the abject certainty of death—because you’ve found a loophole.

Everyone has as many chances at escaping death as other people are willing to offer them at the cost of their own lives. Not many people are willing to make that trade—someone else’s life for their own—but you’ve decided you are. Because if not you, then who?

It’s not that you don’t see the value in your own life, as Spencer keeps making it sound. It’s just the opposite. You understand that you’ve got an extremely valuable resource, and you don’t just have to sit on it. There are things you can do. Choices you can make. Ways to defy death. 

Just… not yours. 

Or maybe you’re just in deep denial. 

Either way—this is a philosophy your boyfriend intentionally refuses to understand. He gets mad, or some kind of upset, every time you try to explain it. Usually he ends up leaving the room close to tears. You never feel good about it.

Right now he’s presumably trying to give you the silent treatment and not doing a very good job. 

“Stop holding your breath. Why are you—stop that.”

Spencer’s frowning, skin sallow and milk-blue under fluorescent lighting. Purple seeps from around his eyes like spilled wine on a white table cloth. Your stomach turns. 

“Sorry.”

He doesn’t tell you not to apologize. You don’t expect him to. 

“Why are you doing that? Does something hurt?”

Other than your entire bicep being on fire due to the 9 millimeter Luger it recently came into contact with?

“Not really. I just don’t like the smell of hospitals.”

At that, he gets stony again. Like, Medusa stony. You feel a tightening in your chest that has nothing to do with a lack of air. His arms are crossed. A silk lined blazer drapes over your lap, and you wonder if he’s cold in just that white button up. It’s translucent in this light, like onion skin, or maybe something less organic—the folds and wrinkles look like fabric, but lots of things look like something they aren’t. In the Pietá, Jesus lounges dead on his mother’s lap, his cheek pressed to her arm like either of them have warm flesh, and her skirts drape from her knees and fall to the ground in delicate folds just like Spencer’s jacket and looking at pictures of it you swear you could find comfort there too—but if you wanted to make space for yourself next to Jesus you’d have to do it with a chisel and mallet. You’re starting to think that’s what it’s going to take with Spencer, as well. 

“So stop walking into active gunfire. You’ll spend a lot less time here.”

Every deep sigh (of which there have been several) calcifies you further. Ironically, you never feel less alive than you do in a hospital. 

“I didn’t walk into active g—”

“I’m not debating it with you. It’s not a discussion.”

“So you’re just going to be pissed at me for the rest of forever? I mean, if it’s not a discussion—what are you gonna do? Break up with me?”

You feel yourself dripping poison in the well. Even as you say it. As his head tilts toward you slowly and intently from his spot against the wall, and his warning gaze is cold and unforgiving and weighs 3.35 tons.

“Don’t.”

“Don’t what? Talk?”

“Don’t try and manipulate me by implying that there are no options between permissiveness and dumping you!”

“I’m not manipulating you. And I don’t need your permission to do anything.” 

The first part is an incredulous scoff as well as a blatant lie. You are manipulating him. Chisel and all. At least, you were trying to. It clearly doesn’t work very well. His jaw clenches.  

“Is this worth it to you? Fighting with me like we’re children solely so you don’t have to take accountability?”

“Accountability for what? I made a choice. I don’t regret it. You’re upset because I did my job.”

A beat. 

Silence always makes you feel the gravity of your words. 

“Do you believe that?”

His voice softens so much, so quickly, it splinters down the middle. 

You’ve never been known for your light touch. For someone who sees eviscerated bodies nearly every day, and prides herself on her evolved understanding of mortality, you often forget other people are not, in fact, impenetrable marble—they are flesh and blood and bone, and you’ve splattered yourself in the evidence of that. 

“What?” You murmur. You easily turn timid, when you’re afraid you’ve been too heavy-handed. Spencer’s seen you sob over the birds who hit the windowpane and never reappeared from the shrubbery—their delicate wings, their little beaks—he didn’t mean to, Spencer, and now he’s dead! He’s seen you spend forty minutes catching a spider with a cup and an envelope rather than smush it, even though you have reoccurring episodes of sleep paralysis wherein a giant arachnid is sitting on your chest, hissing and clacking its pincers. He knows you are, at your core, kind and good. 

It’s a little scary for someone to know that about you. It’s a little scary when you see your own vulnerability reflected in their eyes and the way they speak to you, the way you see it in him now. 

“Do you believe that the choices you make regarding your safety don’t concern me at all?”

“They’re… my choices to make,” you whisper, but you’re less sure than you were a minute ago. 

“I’m not talking about that—I’m talking about how it feels like you are trying to kill yourself every time we’re in the field.” His voice shakes. You swallow. “You have been hospitalized for four serious injuries sustained on the job in the past five months. Every time I bring it up, you—you talk about life like it’s optional for you. Like you’re not only willing to give it up but are actively looking to throw yourself in harm’s way every chance you get. You think that doesn’t terrify me?”

There’s a small chip in the paint on the wall next to him roughly the shape of Africa. 

“It’s not like that. I’m… I’m just having an unlucky streak.”

He snaps. 

“Luck isn’t going to get between you and a bullet. Ever.”

“It’s my job, Spencer.”

“No. It is a risk of the job. Not a defining feature or requirement. But you keep running toward gunfire like you have a quota to meet.”

“Spencer, I’m not doing it at you. I’m not trying to get myself hurt.”

“Well it doesn’t really feel like you’re trying to avoid it, either,” he shoots back immediately, and you feel the anguish radiating from him until it lodges in your own chest, like it was always yours. Maybe it was. 

You want to make it better, but you don’t know how, and even if you did, he’s pushing off the wall and crossing the room toward the door. 

“Where are you going?” You call, a little too desperately for your liking. 

“You need to eat something.”

Which translates roughly to he’s pissed and upset and he needs to leave the room. You’ve done this song and dance before. 

However, food and an absence of him are contenders for the absolute last two things you want right now. 

“Spencer, please don’t—”

But the door is already whooshing closed. 

You stare at the grey and white checkered floor. Light bounces off the waxen reflection—some sort of parallel universe you can’t reach, perhaps. The whole room is desaturated. A mechanical humming threatens to drive you insane. It doesn’t feel like a place for living humans. You’re not convinced you are one. 

When he comes back, maybe ten minutes later, nothing’s moved at all. In fact you’re not even sure you’ve been breathing. 

The door closes as quietly as it opens. 

This time, wordlessly, Spencer comes to you. You see his shoes first—his serious adult shoes. You wish he was wearing his Converse. 

Then you see the bottle of apple juice he’s cracking open for you. Blue lid. Same kind you always get. 

“You didn’t bring food.”

“You wouldn’t have eaten it.”

Fair enough. 

You take the bottle with your good arm and sip shallowly—all that adrenaline and the subsequent interpersonal strife has left you nauseous. The drink is too sweet. It clashes with the tang of metal in your mouth. 

Still, you drink enough to satisfy him, and then you’re tossing his jacket aside before balancing the bottle between your thighs so you can screw the lid back on. He doesn’t go back to the couch or his spot on the wall. 

Spencer doesn’t pull away when you lean into him, but it does take him a moment to reciprocate. You’re still grateful all the same when he cradles the back of your head to his stomach like you’re made of porcelain. 

“I don’t think you understand how upset I am,” he says quietly. 

Only Spencer Reid could be furious with you and still hold you like this. 

“I’m sorry,” you murmur. 

“That’s not good enough. You need to stop risking your life like that.”

He doesn’t get it. Your brows flutter as they try to furrow but even holding that expression saps you. Maybe the pain meds are finally kicking in. 

“I just wanna help people.”

“That doesn’t explain to me or justify your urge to do it at the cost of your own life. We all want to help people, angel. The whole team. That’s why we do what we do. But we don’t run into shootouts. We don’t split off and provoke people with guns when we’re unarmed and unprepared.”

“But it worked. She got away.” You feel a spark of fulfillment at the memory of Gloria Sanchez in JJ’s arms just before the ambulance doors had slammed you into your first cage of the night. 

“We don’t know if he was going to kill her. He might not’ve fired at all if you didn’t go running toward him. That wasn’t strategic, it was reckless and irresponsible and you know that. I know you do. So something else is going on.”

The pressure in your nose that usually precipitates tears comes as a surprise. 

“I just—if that’s how I can save someone, why shouldn’t I, you know? Why do they have less of a right to live than I do just because they’ve been deprived of the choice? If I have a choice, and they don’t, I should choose to… to help them. That’s my job.”

For a long moment, you listen to your own breath, muffled by Spencer’s shirt, and the mechanical humming, and something dripping, and the low, buzzy chatter of nurses far down the hallway.

When Spencer next speaks you get the sense he’s holding a lot back. His voice is taut enough it wavers slightly. Taut enough that if he weren’t speaking so quietly he might be yelling. It’s like pinpricks all over your body—not enough to hurt, but enough to make sure you’re paying attention. 

“You can’t help anyone if you’re dead. Do you understand me?”

And yes, in theory, you do. But that doesn’t negate your original point. It only takes one life or death moment for you to utilize the most valuable resource you have. What happens after is no longer your concern. 

“On the psych evals you helped develop it asks if you think it’s appropriate to sacrifice the one to save the many. The answer is supposed to be no. If you say yes you get flagged. The FBI frowns upon… lever-pullers. And that’s exactly what I’m doing if I let one person die when I could’ve potentially saved them.”

“Protecting your own life is not pulling the lever. What you’re doing isn’t smart or morally righteous. You’re just throwing yourself across the tracks, too. If you were to fail a psych eval right now it would be because you’re passively suicidal. And you know what? The FBI also tends to frown upon self-immolative delusions of grandeur and girls who like to play sacrificial lamb.”

“’M not a… sacrificial lamb…”

“No,” Spencer agrees quietly, stroking your hair. “You’re not.”

And you can’t react to the fragility in his voice, or the content of his words, and the fact that when he says it he means something different—you can’t do anything about it. You can only catalogue it. You can only know that he loves you, and feel a little guilty about it.

Some time passes. You don’t know how long he remains standing so you can doze against him. He does not smell like the hospital. He’s the antidote for whatever grief they distill from widows and orphans before aerosolizing it through the whole place. 

“Baby?” He asks eventually. You know the lilt of it. He’s been thinking. 

“Hm?”

He hesitates. 

“Can we talk about you maybe taking some time off of work?”

“You heard the boss,” you mumble. “I can’t come in for at least a week.”

“I mean beyond that.”

You intend to respond, but by the time you open your mouth you’ve lost the prompt in all the brain fog. 

“You’re so comfy,” you murmur dreamily. “Thank you for being mad at me.”

If he responds, you miss it. 

You’re imagining the bed waiting for you at home, once the doctor is done observing you—warm, neatly made. Blankets woven with soft fibers. A mattress that will sink under your weight. You think of Spencer, who’s shaping himself to you, Spencer, who intentionally inhales when you exhale at night to make room for the rise and fall of your chest against his. You think of the imprint of his buttons on your cheek. You are both flesh and blood and bone. 

Strange, pill-induced half dreams and visions and memories take over. You’re in that alleyway again. That man fires. You don’t blink or scream or feel. 

Just before the bullet makes contact you’re standing in front of the Pietá. It’s massive. Spencer is there, too, holding your hand. 

You can’t actually see him, only, you know he’s there. You feel his warmth, his presence, when he leans over to whisper in your ear. The way you know him goes beyond sight. 

The Pietá—meaning the pity, in English—is 6’7” and six feet wide. It weighs 6,700 pounds. Michelangelo had to quarry the block of marble himself. He was only 25 when he finished. The Basilica keeps it behind bulletproof glass. 

Jesus and Mary behind bullet proof glass. 

God. Who’d try to kill Jesus a third time? He’s already dead. 

Besides—they’re both made of stone. Bullets would probably just ping right off of them. Or maybe they’d shatter just like you did. 

Probably not though. You’re not actually made of marble. You’ve no idea what it feels like to be a statue and get shot at. You sure know how it feels as a human, though—and it feels like shit. You don’t really know why you keep doing it. None of your reasons are good enough for Spencer, and he’s, generally speaking, pretty smart about some things. 

Maybe you’re tired of being human.

Maybe you’re tired of sleeping on your arm funny and waking up to a hand in your bed that doesn’t feel like yours and remembering all the hands you’ve held moments before they couldn’t hold yours back. Or tired of those moments where you are being held and it’s so unbelievably perfect and then someone has to let go, or when someone you love hugs you goodbye and you realize that there will always be a final I love you, or simply getting older and watching potential life paths fall away like rotten fruit to the ground. Maybe life is sometimes so good it hurts and you can’t bear it. So you tempt fate. You walk a tightrope because even if you fall and it can’t ever feel good again—at least it can’t hurt either. At least you won’t lose anymore. 

And yet. 

It does feel good, sometimes. Sort of often, actually. Even when it’s awful. 

Dead Jesus and Mary, with their marble skin and their bulletproof glass and their holiness and their virginity and all the other things they have that you don’t. Nobody can hurt them anymore. Not ever. 

Maybe that’s something you envy.

But you doubt they’ve ever been so terribly, wonderfully alive as you’ve been, or as comfortable as you are like this, leaning into Spencer’s warmth and his softness, in the hospital, or the Vatican, or your dreams. Your bicep was ruined but it’s healing. You are capable of ruin and rebirth in the same lifetime. In the same day, in the same hour. 

You doubt that in 520 years, behind bulletproof glass and unyielding, eternally flawless skin, they’ve ever felt as invincible as you do now. 

You doubt they ever could.